RM2T8FA9K–Amulet locket (bulla), 400 BC - 300 BC, Amulet, Jewelry, Goldsmith Art, Silversmith Art, Etruscan (720 BC - 89
Togate with bulla aurea (amulet). Late Claudian era. Mid 1st century. Colony Forum, Tarragona. National Archaeological Museum. Tarragona. Catalonia, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-togate-with-bulla-aurea-amulet-late-claudian-era-mid-1st-century-colony-135020865.html
RMHRJMDN–Togate with bulla aurea (amulet). Late Claudian era. Mid 1st century. Colony Forum, Tarragona. National Archaeological Museum. Tarragona. Catalonia, Spain.
Homo Bulla, engraving by Hendrik Goltzius, 1594 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/homo-bulla-engraving-by-hendrik-goltzius-1594-image454078331.html
RM2HAN1F7–Homo Bulla, engraving by Hendrik Goltzius, 1594
Near East. Mesopotamia. Sumer. Bulla (seal). Inscribed pieces of clay by used by the Sumerians in 8th millennia BC. Used for agricultural transaction as a form of identification and for tamper-proofing. Bullae with seal impressions. Lagash. Presargonic Period. Iraq. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-near-east-mesopotamia-sumer-bulla-seal-inscribed-pieces-of-clay-by-105224488.html
RMG35AWC–Near East. Mesopotamia. Sumer. Bulla (seal). Inscribed pieces of clay by used by the Sumerians in 8th millennia BC. Used for agricultural transaction as a form of identification and for tamper-proofing. Bullae with seal impressions. Lagash. Presargonic Period. Iraq. The State Hermitage Museum. Saint Petersburg. Russia.
Decorative mosaic border on the floor of a house in the Roman city of Bulla Regia, Tunisia. It is a highly-skilled depiction of the natural world. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorative-mosaic-border-on-the-floor-of-a-house-in-the-roman-city-of-bulla-regia-tunisia-it-is-a-highly-skilled-depiction-of-the-natural-world-image182971075.html
RMMHK1D7–Decorative mosaic border on the floor of a house in the Roman city of Bulla Regia, Tunisia. It is a highly-skilled depiction of the natural world.
Nero (37 AD-68 AD). Roman Emperor from 54-68. Statue of infant Nero in toga, with bulla, holding a scroll. Ca. 50 AD. Marble. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nero-37-ad-68-ad-roman-emperor-from-54-68-statue-of-infant-nero-in-103536742.html
RMG0CE4P–Nero (37 AD-68 AD). Roman Emperor from 54-68. Statue of infant Nero in toga, with bulla, holding a scroll. Ca. 50 AD. Marble.
Casteleyn Vanitas Homo bulla Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-casteleyn-vanitas-homo-bulla-132618639.html
RMHKN8BY–Casteleyn Vanitas Homo bulla
Art inspired by Necklace with bulla and gold beads, 7th–5th Century B.C., Etruscan, Gold, Other: 18 1/2 in. (47 cm), Gold and Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-necklace-with-bulla-and-gold-beads-7th5th-century-bc-etruscan-gold-other-18-12-in-47-cm-gold-and-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462928682.html
RF2HW4676–Art inspired by Necklace with bulla and gold beads, 7th–5th Century B.C., Etruscan, Gold, Other: 18 1/2 in. (47 cm), Gold and Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mosaic, Roman ruins at Bulla Regia, Tunisia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mosaic-roman-ruins-at-bulla-regia-tunisia-55989483.html
RMD72F4B–Mosaic, Roman ruins at Bulla Regia, Tunisia
Art inspired by Bulla of Jean, Vicomte de Tripoli, ca. 1175, Frankish, Lead, Overall: 1 7/16 x 1/4 in. (3.6 x 0.6 cm), Metalwork-Lead, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bulla-of-jean-vicomte-de-tripoli-ca-1175-frankish-lead-overall-1-716-x-14-in-36-x-06-cm-metalwork-lead-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462837257.html
RF2HW01J1–Art inspired by Bulla of Jean, Vicomte de Tripoli, ca. 1175, Frankish, Lead, Overall: 1 7/16 x 1/4 in. (3.6 x 0.6 cm), Metalwork-Lead, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tile mosaics at The House of Amphitrite, Roman Ruins of Bulla Regia near Jendouba Tunisia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tile-mosaics-at-the-house-of-amphitrite-roman-ruins-of-bulla-regia-51071309.html
RMCY2DY9–Tile mosaics at The House of Amphitrite, Roman Ruins of Bulla Regia near Jendouba Tunisia
Art inspired by Pendant, bulla (lentoid), Hellenistic, 3rd century B.C., Etruscan, Gold, Other: 3 3/16 x 2 11/16 x 1 in. (8.1 x 6.9 x 2.6 cm), Gold and Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pendant-bulla-lentoid-hellenistic-3rd-century-bc-etruscan-gold-other-3-316-x-2-1116-x-1-in-81-x-69-x-26-cm-gold-and-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462784264.html
RF2HTWJ1C–Art inspired by Pendant, bulla (lentoid), Hellenistic, 3rd century B.C., Etruscan, Gold, Other: 3 3/16 x 2 11/16 x 1 in. (8.1 x 6.9 x 2.6 cm), Gold and Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Terracotta askos (flask) in the form of a jackdaw. Culture: Etruscan. Dimensions: H. 6 7/16 in. (16.4 cm) length 7 3/16 in. (18.3 cm). Date: 4th century B.C.. Similar to a small crow, this askos in the form of a jackdaw is adorned with a protective bulla necklace usually worn by children. It holds a pebble or a seed in its beak. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-askos-flask-in-the-form-of-a-jackdaw-culture-etruscan-dimensions-h-6-716-in-164-cm-length-7-316-in-183-cm-date-4th-century-bc-similar-to-a-small-crow-this-askos-in-the-form-of-a-jackdaw-is-adorned-with-a-protective-bulla-necklace-usually-worn-by-children-it-holds-a-pebble-or-a-seed-in-its-beak-museum-metropolitan-museum-of-art-new-york-usa-image213246013.html
RMPAX5D1–Terracotta askos (flask) in the form of a jackdaw. Culture: Etruscan. Dimensions: H. 6 7/16 in. (16.4 cm) length 7 3/16 in. (18.3 cm). Date: 4th century B.C.. Similar to a small crow, this askos in the form of a jackdaw is adorned with a protective bulla necklace usually worn by children. It holds a pebble or a seed in its beak. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Large bulla, Neo-Assyrian, ca. late 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Clay, 1.69 x 2.76 x 4.25 in. (4.29 x 7.01 x 10.8 cm), Clay-Sealings-Inscribed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-large-bulla-neo-assyrian-ca-late-8th-century-bc-mesopotamia-nimrud-ancient-kalhu-assyrian-clay-169-x-276-x-425-in-429-x-701-x-108-cm-clay-sealings-inscribed-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799297.html
RF2HTX969–Art inspired by Large bulla, Neo-Assyrian, ca. late 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Clay, 1.69 x 2.76 x 4.25 in. (4.29 x 7.01 x 10.8 cm), Clay-Sealings-Inscribed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Roman stele. 1st CE. Bust of Publio Arrio Montano, Mocazia Helpide (wife) Pubio Arrio Polluce son with 'bulla'). Ravenna. Itay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-stele-1st-ce-bust-of-publio-arrio-montano-mocazia-helpide-wife-pubio-arrio-polluce-son-with-bulla-ravenna-itay-image353771173.html
RM2BFFJMN–Roman stele. 1st CE. Bust of Publio Arrio Montano, Mocazia Helpide (wife) Pubio Arrio Polluce son with 'bulla'). Ravenna. Itay.
In the studio of Karl Bulla and sons, famous early photographers in Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-in-the-studio-of-karl-bulla-and-sons-famous-early-photographers-in-126321837.html
RMH9ECP5–In the studio of Karl Bulla and sons, famous early photographers in Russia.
The author Leo Tolstoy, 1902. Artist: Bulla, Karl Karlovich (1853-1929) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-author-leo-tolstoy-1902-artist-bulla-karl-karlovich-1853-1929-135272145.html
RMHT2501–The author Leo Tolstoy, 1902. Artist: Bulla, Karl Karlovich (1853-1929)
Roman sculpture of the Emperor Marcus Aurelius, excavated from Bulla Regia Theatre, sculpted circa late second century. The Bardo National Museum, Tun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-sculpture-of-the-emperor-marcus-aurelius-excavated-from-bulla-138983657.html
RFJ23721–Roman sculpture of the Emperor Marcus Aurelius, excavated from Bulla Regia Theatre, sculpted circa late second century. The Bardo National Museum, Tun
The famous bronze statue of photographer Karl Bulla in Malaya Sadovaya Ulitsa, St Petersburg, Russia. Plate camera, umbrella, and bowler hat. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-famous-bronze-statue-of-photographer-karl-bulla-in-malaya-sadovaya-ulitsa-st-petersburg-russia-plate-camera-umbrella-and-bowler-hat-image227525319.html
RMR64JT7–The famous bronze statue of photographer Karl Bulla in Malaya Sadovaya Ulitsa, St Petersburg, Russia. Plate camera, umbrella, and bowler hat.
RM2T8FA9G–Amulet locket (bulla), 400 BC - 300 BC, Amulet, Jewelry, Goldsmith Art, Silversmith Art, Etruscan (720 BC - 89
Statue of Julio-Claudian Prince. It depicts an adolescent wearing the toga praetexta and in the neck the bulla, amulet of freeborn children. 1st century AD. Marble. Found in the Forum of Iponuba (Baena, Cordoba province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-julio-claudian-prince-it-depicts-an-adolescent-wearing-the-toga-praetexta-and-in-the-neck-the-bulla-amulet-of-freeborn-children-1st-century-ad-marble-found-in-the-forum-of-iponuba-baena-cordoba-province-andalusia-spain-national-archaeological-museum-madrid-spain-image245310842.html
RMT72TDE–Statue of Julio-Claudian Prince. It depicts an adolescent wearing the toga praetexta and in the neck the bulla, amulet of freeborn children. 1st century AD. Marble. Found in the Forum of Iponuba (Baena, Cordoba province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
Peter Bulla, a German artist, pictured at the Academy of Fine Arts in Munich. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peter-bulla-a-german-artist-pictured-at-the-academy-of-fine-arts-in-munich-image220379705.html
RMPPF4FN–Peter Bulla, a German artist, pictured at the Academy of Fine Arts in Munich.
Bulla Regia. Tunisia. View of remains of buildings including the House of the Fishing at northern end of the archaeological Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulla-regia-tunisia-view-of-remains-of-buildings-including-the-house-43967362.html
RMCFETPX–Bulla Regia. Tunisia. View of remains of buildings including the House of the Fishing at northern end of the archaeological
A blister (skin blister) is a bubble under the skin filled with plasma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-blister-skin-blister-is-a-bubble-under-the-skin-filled-with-plasma-image476925009.html
RF2JKWPM1–A blister (skin blister) is a bubble under the skin filled with plasma.
Inspired by Photoreproduction of (presumably) a print after a painted portrait of Empress Eugénie of France, wife of Napoleon III, Part of Photo Album with 123 cartes-de-visite of members of European royal houses, politicians and famous persons., Alfred le Jeune Chardon, publisher: Bulla frères, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-presumably-a-print-after-a-painted-portrait-of-empress-eugnie-of-france-wife-of-napoleon-iii-part-of-photo-album-with-123-cartes-de-visite-of-members-of-european-royal-houses-politicians-and-famous-persons-alfred-le-jeune-chardon-publisher-bulla-frres-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459457960.html
RF2HKE38T–Inspired by Photoreproduction of (presumably) a print after a painted portrait of Empress Eugénie of France, wife of Napoleon III, Part of Photo Album with 123 cartes-de-visite of members of European royal houses, politicians and famous persons., Alfred le Jeune Chardon, publisher: Bulla frères, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Kreis des Hans von Aachen - Homo bulla est Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kreis-des-hans-von-aachen-homo-bulla-est-132772761.html
RMHM0909–Kreis des Hans von Aachen - Homo bulla est
Peg bread food sketch separated on white. Vector drawing of Leavened, lobed loaf, usually known in Jamaica. Food illustration series. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peg-bread-food-sketch-separated-on-white-vector-drawing-of-leavened-lobed-loaf-usually-known-in-jamaica-food-illustration-series-image351291790.html
RF2BBEM7A–Peg bread food sketch separated on white. Vector drawing of Leavened, lobed loaf, usually known in Jamaica. Food illustration series.
Mosaic at Bulla Regia Roman ruins, Tunisia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mosaic-at-bulla-regia-roman-ruins-tunisia-55989489.html
RMD72F4H–Mosaic at Bulla Regia Roman ruins, Tunisia
01Caretakers administrators deployment to Bulla Burde and Jalalaqsi (14390632544) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-01caretakers-administrators-deployment-to-bulla-burde-and-jalalaqsi-147438641.html
RMJFTBDN–01Caretakers administrators deployment to Bulla Burde and Jalalaqsi (14390632544)
Tile mosaics at The House of Amphitrite, Roman Ruins of Bulla Regia near Jendouba Tunisia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tile-mosaics-at-the-house-of-amphitrite-roman-ruins-of-bulla-regia-51071313.html
RMCY2DYD–Tile mosaics at The House of Amphitrite, Roman Ruins of Bulla Regia near Jendouba Tunisia
Art inspired by Government Troops Firing on Demonstrators, Corner of Nevsky Prospect and Sadovaya Street, St. Petersburg, Russia, July 4, 1917, Gelatin silver print, 12.2 x 21.5cm (4 13/16 x 8 7/16 in.), Photographs, Karl Karlovich Bulla (Russian, born Germany, 1853–1929, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-government-troops-firing-on-demonstrators-corner-of-nevsky-prospect-and-sadovaya-street-st-petersburg-russia-july-4-1917-gelatin-silver-print-122-x-215cm-4-1316-x-8-716-in-photographs-karl-karlovich-bulla-russian-born-germany-18531929-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938850.html
RF2HW4K6A–Art inspired by Government Troops Firing on Demonstrators, Corner of Nevsky Prospect and Sadovaya Street, St. Petersburg, Russia, July 4, 1917, Gelatin silver print, 12.2 x 21.5cm (4 13/16 x 8 7/16 in.), Photographs, Karl Karlovich Bulla (Russian, born Germany, 1853–1929, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Togate with bulla aurea (amulet). Late Claudian era. Mid 1st century. Colony Forum, Tarragona. National Archaeological Museum. Tarragona. Catalonia, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/togate-with-bulla-aurea-amulet-late-claudian-era-mid-1st-century-colony-forum-tarragona-national-archaeological-museum-tarragona-catalonia-spain-image212344694.html
RMP9D3R2–Togate with bulla aurea (amulet). Late Claudian era. Mid 1st century. Colony Forum, Tarragona. National Archaeological Museum. Tarragona. Catalonia, Spain.
Badmaev P.A. 1913-16 Karl Bulla. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/badmaev-pa-1913-16-karl-bulla-image217669632.html
RMPJ3KRC–Badmaev P.A. 1913-16 Karl Bulla.
Roman stele. 1st CE. Bust of Publio Arrio Montano, Mocazia Helpide (wife) Pubio Arrio Polluce son with 'bulla'). Ravenna. Itay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-stele-1st-ce-bust-of-publio-arrio-montano-mocazia-helpide-wife-pubio-arrio-polluce-son-with-bulla-ravenna-itay-image353771213.html
RM2BFFJP5–Roman stele. 1st CE. Bust of Publio Arrio Montano, Mocazia Helpide (wife) Pubio Arrio Polluce son with 'bulla'). Ravenna. Itay.
Aliochin A.A. 1909 Karl Bulla. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aliochin-aa-1909-karl-bulla-image214446296.html
RMPCTTC8–Aliochin A.A. 1909 Karl Bulla.
Sledding, before 1916. Artist: Bulla, Karl Karlovich (1853-1929) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sledding-before-1916-artist-bulla-karl-karlovich-1853-1929-image262729356.html
RMW7C9Y8–Sledding, before 1916. Artist: Bulla, Karl Karlovich (1853-1929)
Roman sculpture of the Emperor Lucius Verus, excavated from Bulla Regia Theatre, sculpted circa 161-169 AD. The Bardo National Museum, Tunis. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-sculpture-of-the-emperor-lucius-verus-excavated-from-bulla-regia-138983646.html
RFJ2371J–Roman sculpture of the Emperor Lucius Verus, excavated from Bulla Regia Theatre, sculpted circa 161-169 AD. The Bardo National Museum, Tunis.
Minia Procula from Bulla Regia woman statue in The Bardo museum in Tunis, capital of Tunisia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-minia-procula-from-bulla-regia-woman-statue-in-the-bardo-museum-in-10341698.html
RMA1WWEY–Minia Procula from Bulla Regia woman statue in The Bardo museum in Tunis, capital of Tunisia
RM2T8FA9R–Amulet locket (bulla), 400 BC - 300 BC, Amulet, Jewelry, Goldsmith Art, Silversmith Art, Etruscan (720 BC - 89
The occupation from the drawing from the model in the studio of Jan Ciestani (1858–1913) at the drawing school of the imperial Society of Father's Arts () In Saint Petersburg; Bulla, Karl Karlovi (1855-1929); around 1910 (after 1909) (1909-00-00-1913-00-00);Strażliński, Jan (1858-1913), Strażliński, Jan (1858-1913)-iconography, Strawiński, Jan (1858-1913)-collection, St. Petersburg (Russia), painting, portraits, art schools, interiors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-occupation-from-the-drawing-from-the-model-in-the-studio-of-jan-ciestani-18581913-at-the-drawing-school-of-the-imperial-society-of-fathers-arts-in-saint-petersburg-bulla-karl-karlovi-1855-1929-around-1910-after-1909-1909-00-00-1913-00-00straliski-jan-1858-1913-straliski-jan-1858-1913-iconography-strawiski-jan-1858-1913-collection-st-petersburg-russia-painting-portraits-art-schools-interiors-image598709490.html
RM2WP1G1P–The occupation from the drawing from the model in the studio of Jan Ciestani (1858–1913) at the drawing school of the imperial Society of Father's Arts () In Saint Petersburg; Bulla, Karl Karlovi (1855-1929); around 1910 (after 1909) (1909-00-00-1913-00-00);Strażliński, Jan (1858-1913), Strażliński, Jan (1858-1913)-iconography, Strawiński, Jan (1858-1913)-collection, St. Petersburg (Russia), painting, portraits, art schools, interiors
Stele with Portrait of a Boy, 3rd century A.D., Limestone, 93 × 31.4 × 13.3 cm (36 5/8 × 12 3/8 × 5 1/4 in.), This rectangular limestone stele provides an example of the art of the Roman province of Africa (modern Tunisia), once the heartland of the Carthaginian empire. The stele, which served either a votive or funerary function, is divided into three registers carved in relief. In the large central zone, a standing male figure dressed in a toga holds a rotulus (scroll) in his left hand; the bulla (protective amulet) resting on his chest, an accessory customary for Roman children Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stele-with-portrait-of-aboy-3rd-century-ad-limestone-93-314-133-cm-36-58-12-38-5-14in-this-rectangular-limestone-stele-provides-an-example-of-the-art-of-the-roman-province-of-africa-modern-tunisia-once-the-heartland-of-the-carthaginian-empire-the-stele-which-served-either-a-votive-or-funerary-function-is-divided-into-three-registers-carved-in-relief-in-the-large-central-zone-a-standing-male-figure-dressed-in-a-toga-holds-a-rotulus-scroll-in-his-left-hand-the-bulla-protective-amulet-resting-on-his-chest-an-accessory-customary-for-roman-children-image393119469.html
RM2DRG3W1–Stele with Portrait of a Boy, 3rd century A.D., Limestone, 93 × 31.4 × 13.3 cm (36 5/8 × 12 3/8 × 5 1/4 in.), This rectangular limestone stele provides an example of the art of the Roman province of Africa (modern Tunisia), once the heartland of the Carthaginian empire. The stele, which served either a votive or funerary function, is divided into three registers carved in relief. In the large central zone, a standing male figure dressed in a toga holds a rotulus (scroll) in his left hand; the bulla (protective amulet) resting on his chest, an accessory customary for Roman children
Bulla Regia. Tunisia. View of remains of buildings including the House of the Fishing at northern end of the archaeological Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulla-regia-tunisia-view-of-remains-of-buildings-including-the-house-43967387.html
RMCFETRR–Bulla Regia. Tunisia. View of remains of buildings including the House of the Fishing at northern end of the archaeological
Hebraic Inscription, No later than 1850, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (sight size) 190 mm, Height (plate size) 170 mm, Height (passepartout) 300 mm, Height (paper size) 275 mm, Width (plate size) 250 mm, Width (passepartout) 450 mm, Width (paper size) 410 mm, Width (sight size) 265 mm, Imago triumphalis Tituli vivificae Crucis D. N. Iesù Christi, qualis hodiè romæ apud cistercien intra, Basilicam S. Crucis in Ierusalem, seu intra Capellam Sacrar.um Reliquiarum conspicitur, cuius tituli, Veritatem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hebraic-inscription-no-later-than-1850-graphic-art-copper-engraving-paper-color-printers-ink-copper-engraving-printet-height-sight-size-190-mm-height-plate-size-170-mm-height-passepartout-300-mm-height-paper-size-275-mm-width-plate-size-250-mm-width-passepartout-450-mm-width-paper-size-410-mm-width-sight-size-265-mm-imago-triumphalis-tituli-vivificae-crucis-d-n-ies-christi-qualis-hodi-rom-apud-cistercien-intra-basilicam-s-crucis-in-ierusalem-seu-intra-capellam-sacrarum-reliquiarum-conspicitur-cuius-tituli-veritatem-image573194155.html
RM2T8F6YR–Hebraic Inscription, No later than 1850, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (sight size) 190 mm, Height (plate size) 170 mm, Height (passepartout) 300 mm, Height (paper size) 275 mm, Width (plate size) 250 mm, Width (passepartout) 450 mm, Width (paper size) 410 mm, Width (sight size) 265 mm, Imago triumphalis Tituli vivificae Crucis D. N. Iesù Christi, qualis hodiè romæ apud cistercien intra, Basilicam S. Crucis in Ierusalem, seu intra Capellam Sacrar.um Reliquiarum conspicitur, cuius tituli, Veritatem
A blister (blister, blister) is a bubble under the skin filled with plasma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-blister-blister-blister-is-a-bubble-under-the-skin-filled-with-plasma-image476924973.html
RF2JKWPJN–A blister (blister, blister) is a bubble under the skin filled with plasma.
Bulla Celestyna III z 1193 roku w sprawie klasztoru Norbertanek w Sztrzelnie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulla-celestyna-iii-z-1193-roku-w-sprawie-klasztoru-norbertanek-w-132411364.html
RMHKBT18–Bulla Celestyna III z 1193 roku w sprawie klasztoru Norbertanek w Sztrzelnie
Terracotta askos (flask) in the form of a jackdaw 4th century B.C. Etruscan Similar to a small crow, this askos in the form of a jackdaw is adorned with a protective bulla necklace usually worn by children. It holds a pebble or a seed in its beak.. Terracotta askos (flask) in the form of a jackdaw 255194 Etruscan, Terracotta askos (flask) in the form of a jackdaw, 4th century B.C., Terracotta, H. 6 7/16 in. (16.4 cm) length 7 3/16 in. (18.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1965 (65.11.13) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-askos-flask-in-the-form-of-a-jackdaw-4th-century-bc-etruscan-similar-to-a-small-crow-this-askos-in-the-form-of-a-jackdaw-is-adorned-with-a-protective-bulla-necklace-usually-worn-by-children-it-holds-a-pebble-or-a-seed-in-its-beak-terracotta-askos-flask-in-the-form-of-a-jackdaw-255194-etruscan-terracotta-askos-flask-in-the-form-of-a-jackdaw-4th-century-bc-terracotta-h-6-716-in-164-cm-length-7-316-in-183-cm-the-metropolitan-museum-of-art-new-york-rogers-fund-1965-651113-image458415231.html
RM2HHPH8F–Terracotta askos (flask) in the form of a jackdaw 4th century B.C. Etruscan Similar to a small crow, this askos in the form of a jackdaw is adorned with a protective bulla necklace usually worn by children. It holds a pebble or a seed in its beak.. Terracotta askos (flask) in the form of a jackdaw 255194 Etruscan, Terracotta askos (flask) in the form of a jackdaw, 4th century B.C., Terracotta, H. 6 7/16 in. (16.4 cm) length 7 3/16 in. (18.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1965 (65.11.13)
Mosaic at Bulla Regia Roman ruins, Tunisia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mosaic-at-bulla-regia-roman-ruins-tunisia-55989487.html
RMD72F4F–Mosaic at Bulla Regia Roman ruins, Tunisia
13Caretakers administrators deployment to Bulla Burde and Jalalaqsi (14205078890) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-13caretakers-administrators-deployment-to-bulla-burde-and-jalalaqsi-147440336.html
RMJFTDJ8–13Caretakers administrators deployment to Bulla Burde and Jalalaqsi (14205078890)
Art inspired by Terracotta askos (flask) in the form of a jackdaw, Late Classical, 4th century B.C., Etruscan, Terracotta; black-glaze, H. 6 7/16 in. (16.4 cm), Vases, Similar to a small crow, this askos in the form of a jackdaw is adorned with a protective bulla necklace usually worn, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-terracotta-askos-flask-in-the-form-of-a-jackdaw-late-classical-4th-century-bc-etruscan-terracotta-black-glaze-h-6-716-in-164-cm-vases-similar-to-a-small-crow-this-askos-in-the-form-of-a-jackdaw-is-adorned-with-a-protective-bulla-necklace-usually-worn-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462933734.html
RF2HW4CKJ–Art inspired by Terracotta askos (flask) in the form of a jackdaw, Late Classical, 4th century B.C., Etruscan, Terracotta; black-glaze, H. 6 7/16 in. (16.4 cm), Vases, Similar to a small crow, this askos in the form of a jackdaw is adorned with a protective bulla necklace usually worn, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Togatus with bulla aurea (amulet). Sculpture from the Roman theater of Tarragona, 1st century AD. Marble of Luni-Carrara. National Archaeological Museum. Tarragona. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/togatus-with-bulla-aurea-amulet-sculpture-from-the-roman-theater-of-tarragona-1st-century-ad-marble-of-luni-carrara-national-archaeological-museum-tarragona-spain-image212344684.html
RMP9D3PM–Togatus with bulla aurea (amulet). Sculpture from the Roman theater of Tarragona, 1st century AD. Marble of Luni-Carrara. National Archaeological Museum. Tarragona. Spain.
Presentation of Holy Virgin Church by Bulla Studio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-presentation-of-holy-virgin-church-by-bulla-studio-134923138.html
RMHRE7RE–Presentation of Holy Virgin Church by Bulla Studio
Roman stele. 1st CE. Bust of Publio Arrio Montano, Mocazia Helpide (wife) Pubio Arrio Polluce son with 'bulla'). Ravenna. Itay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-stele-1st-ce-bust-of-publio-arrio-montano-mocazia-helpide-wife-pubio-arrio-polluce-son-with-bulla-ravenna-itay-image353771172.html
RM2BFFJMM–Roman stele. 1st CE. Bust of Publio Arrio Montano, Mocazia Helpide (wife) Pubio Arrio Polluce son with 'bulla'). Ravenna. Itay.
Christ the Saviour Church (on Waters) 1911 by K Bulla. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-the-saviour-church-on-waters-1911-by-k-bulla-image259751414.html
RMW2GKG6–Christ the Saviour Church (on Waters) 1911 by K Bulla.
The Exhibition of the Fabergé House, 1902. Artist: Bulla, Karl Karlovich (1853-1929) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-exhibition-of-the-faberg-house-1902-artist-bulla-karl-karlovich-135272095.html
RMHT24X7–The Exhibition of the Fabergé House, 1902. Artist: Bulla, Karl Karlovich (1853-1929)
Roman sculpture of the Emperor Marcus Aurelius, excavated from Bulla Regia Theatre, sculpted circa late second century. The Bardo National Museum, Tun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-sculpture-of-the-emperor-marcus-aurelius-excavated-from-bulla-138983660.html
RFJ23724–Roman sculpture of the Emperor Marcus Aurelius, excavated from Bulla Regia Theatre, sculpted circa late second century. The Bardo National Museum, Tun
Africa, Tunisia, Bulla Regia Archaeological Site, Roman Ruins, House of Amphitrite, Mosaic of Venus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-africa-tunisia-bulla-regia-archaeological-site-roman-ruins-house-of-37527322.html
RMC51EDE–Africa, Tunisia, Bulla Regia Archaeological Site, Roman Ruins, House of Amphitrite, Mosaic of Venus
Detail of a mosaic in the interior of the House of the Hunt one of several villas dating from the 1st and 2nd centuries within the remains of the Roman city of Bulla Regia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-a-mosaic-in-the-interior-of-the-house-of-the-hunt-one-of-image9173307.html
RMARH0KC–Detail of a mosaic in the interior of the House of the Hunt one of several villas dating from the 1st and 2nd centuries within the remains of the Roman city of Bulla Regia
František Bulla Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frantiek-bulla-137858822.html
RMJ0809A–František Bulla
The Castellani Collection in the British Museum, 1876. '1. Gold earring...From Metapontum, in Magna Graecia. 2. Gold earring in form of dolphin...3. Gold spiral ornament, perhaps for twining tresses of hair through it...4. Etruscan necklace: the cylinders are composed of amber...5. Marble statue of heroic size, representing the Indian Bacchus...6. Bronze bulla, worn by slave. 7. Terracotta statuette of a comic actor. 8. Articles of toilet, consisting of strigils, or skin-combs, bottle for oil, and box with compartments. 9. Marble head of young Bacchus, or perhaps Ariadne...10. Marble head of E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-castellani-collection-in-the-british-museum-1876-1-gold-earringfrom-metapontum-in-magna-graecia-2-gold-earring-in-form-of-dolphin3-gold-spiral-ornament-perhaps-for-twining-tresses-of-hair-through-it4-etruscan-necklace-the-cylinders-are-composed-of-amber5-marble-statue-of-heroic-size-representing-the-indian-bacchus6-bronze-bulla-worn-by-slave-7-terracotta-statuette-of-a-comic-actor-8-articles-of-toilet-consisting-of-strigils-or-skin-combs-bottle-for-oil-and-box-with-compartments-9-marble-head-of-young-bacchus-or-perhaps-ariadne10-marble-head-of-e-image565273381.html
RM2RRJBY1–The Castellani Collection in the British Museum, 1876. '1. Gold earring...From Metapontum, in Magna Graecia. 2. Gold earring in form of dolphin...3. Gold spiral ornament, perhaps for twining tresses of hair through it...4. Etruscan necklace: the cylinders are composed of amber...5. Marble statue of heroic size, representing the Indian Bacchus...6. Bronze bulla, worn by slave. 7. Terracotta statuette of a comic actor. 8. Articles of toilet, consisting of strigils, or skin-combs, bottle for oil, and box with compartments. 9. Marble head of young Bacchus, or perhaps Ariadne...10. Marble head of E
Bulla Regia. Tunisia. View of remains of buildings including the House of the Fishing at northern end of the archaeological Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulla-regia-tunisia-view-of-remains-of-buildings-including-the-house-43967329.html
RMCFETNN–Bulla Regia. Tunisia. View of remains of buildings including the House of the Fishing at northern end of the archaeological
Bulla papieża Aleksandra VI w sprawie arcybiskupstwa gnieC5BAnieńskiego, lico dokumentu z 1493 r Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulla-papiea-aleksandra-vi-w-sprawie-arcybiskupstwa-gniec5banieskiego-137914973.html
RMJ0AFXN–Bulla papieża Aleksandra VI w sprawie arcybiskupstwa gnieC5BAnieńskiego, lico dokumentu z 1493 r
A blister (blister, blister) is a bubble under the skin filled with plasma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-blister-blister-blister-is-a-bubble-under-the-skin-filled-with-plasma-image476924917.html
RF2JKWPGN–A blister (blister, blister) is a bubble under the skin filled with plasma.
Black Clay Bulla, Unknown, 4th century B.C. ?, Terracotta, 5 × 4.5 × 2.6 cm (2 × 1 13/16 × 1 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-clay-bulla-unknown-4th-century-bc-terracotta-5-45-26-cm-2-1-1316-1-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349896434.html
RF2B974D6–Black Clay Bulla, Unknown, 4th century B.C. ?, Terracotta, 5 × 4.5 × 2.6 cm (2 × 1 13/16 × 1 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Sculpture of an ibex in a garden in Pufels, Bulla, above St. Ulrich, South Tyrol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculpture-of-an-ibex-in-a-garden-in-pufels-bulla-above-st-ulrich-south-tyrol-image596357447.html
RF2WJ6C07–Sculpture of an ibex in a garden in Pufels, Bulla, above St. Ulrich, South Tyrol
Mosaic at Bulla Regia Roman ruins, Tunisia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mosaic-at-bulla-regia-roman-ruins-tunisia-55989492.html
RMD72F4M–Mosaic at Bulla Regia Roman ruins, Tunisia
Mosaic from the House of Amphitrite, Roman city Bulla Regia, Tunisia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mosaic-from-the-house-of-amphitrite-roman-city-bulla-regia-tunisia-image227147002.html
RMR5FC8X–Mosaic from the House of Amphitrite, Roman city Bulla Regia, Tunisia
08Caretakers administrators deployment to Bulla Burde and Jalalaqsi (14205089280) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-08caretakers-administrators-deployment-to-bulla-burde-and-jalalaqsi-147439844.html
RMJFTD0M–08Caretakers administrators deployment to Bulla Burde and Jalalaqsi (14205089280)
Archbishop of Caterbury Walter Reynolds reading a Papal Bull, a type of public decree, letters patent, or charter issued by Pope Clement V of the Roman Catholic Church in the 14th Century. It is named after the leaden seal (bulla) that was traditionally appended to the end in order to authenticate it. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archbishop-of-caterbury-walter-reynolds-reading-a-papal-bull-a-type-of-public-decree-letters-patent-or-charter-issued-by-pope-clement-v-of-the-roman-catholic-church-in-the-14th-century-it-is-named-after-the-leaden-seal-bulla-that-was-traditionally-appended-to-the-end-in-order-to-authenticate-it-image179667289.html
RMMC8FCW–Archbishop of Caterbury Walter Reynolds reading a Papal Bull, a type of public decree, letters patent, or charter issued by Pope Clement V of the Roman Catholic Church in the 14th Century. It is named after the leaden seal (bulla) that was traditionally appended to the end in order to authenticate it.
Togatus with bulla aurea (amulet). Sculpture from the Roman theater of Tarragona, Early 1st century AD. Marble of Luni-Carrara. National Archaeological Museum. Tarragona. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/togatus-with-bulla-aurea-amulet-sculpture-from-the-roman-theater-of-tarragona-early-1st-century-ad-marble-of-luni-carrara-national-archaeological-museum-tarragona-spain-image212344687.html
RMP9D3PR–Togatus with bulla aurea (amulet). Sculpture from the Roman theater of Tarragona, Early 1st century AD. Marble of Luni-Carrara. National Archaeological Museum. Tarragona. Spain.
Bulla Aspersa which is elegant and delicate in structure vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulla-aspersa-which-is-elegant-and-delicate-in-structure-vintage-line-drawing-or-engraving-illustration-image244588669.html
RFT5WY9H–Bulla Aspersa which is elegant and delicate in structure vintage line drawing or engraving illustration.
Roman stele. 1st CE. Bust of Publio Arrio Montano, Mocazia Helpide (wife) Pubio Arrio Polluce son with 'bulla'). Ravenna. Itay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-stele-1st-ce-bust-of-publio-arrio-montano-mocazia-helpide-wife-pubio-arrio-polluce-son-with-bulla-ravenna-itay-image354134737.html
RM2BG46D5–Roman stele. 1st CE. Bust of Publio Arrio Montano, Mocazia Helpide (wife) Pubio Arrio Polluce son with 'bulla'). Ravenna. Itay.
Lievens Homo Bulla. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lievens-homo-bulla-image396432378.html
RM2E0Y1F6–Lievens Homo Bulla.
The Exhibition of the Fabergé House, 1902. Artist: Bulla, Karl Karlovich (1853-1929) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-exhibition-of-the-faberg-house-1902-artist-bulla-karl-karlovich-135272096.html
RMHT24X8–The Exhibition of the Fabergé House, 1902. Artist: Bulla, Karl Karlovich (1853-1929)
Roman sculpture of the Emperor Marcus Aurelius, excavated from Bulla Regia Theatre, sculpted circa late second century. The Bardo National Museum, Tun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-sculpture-of-the-emperor-marcus-aurelius-excavated-from-bulla-138983662.html
RFJ23726–Roman sculpture of the Emperor Marcus Aurelius, excavated from Bulla Regia Theatre, sculpted circa late second century. The Bardo National Museum, Tun
Nero (37 AD-68 AD). Roman Emperor from 54-68. Statue of infant Nero in toga, with bulla, holding a scroll. Ca. 50 AD. Marble. Lo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nero-37-ad-68-ad-roman-emperor-from-54-68-statue-of-infant-nero-in-103536703.html
RMG0CE3B–Nero (37 AD-68 AD). Roman Emperor from 54-68. Statue of infant Nero in toga, with bulla, holding a scroll. Ca. 50 AD. Marble. Lo
Africa, Tunisia, Bulla Regia Archaeological Site, Roman Ruins, House of Amphitrite, Mosaic of Venus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-africa-tunisia-bulla-regia-archaeological-site-roman-ruins-house-of-37527400.html
RMC51EG8–Africa, Tunisia, Bulla Regia Archaeological Site, Roman Ruins, House of Amphitrite, Mosaic of Venus
Africa, African, Maghreb, North Africa, North African, Tunisia, tourism, travel, destinations, tunisian, world locations, Bulla Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-africa-african-maghreb-north-africa-north-african-tunisia-tourism-43821265.html
RMCF86D5–Africa, African, Maghreb, North Africa, North African, Tunisia, tourism, travel, destinations, tunisian, world locations, Bulla
Jar Mosaic, New House Of Hunt, Bulla Regia Archaeological Site, Tunisia, North Africa, Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-mosaic-new-house-of-hunt-bulla-regia-archaeological-site-tunisia-north-africa-africa-image441341200.html
RF2GJ0R5M–Jar Mosaic, New House Of Hunt, Bulla Regia Archaeological Site, Tunisia, North Africa, Africa
Bulla Regia. Tunisia. View of the above ground remains of the Roman villa known as the House of Amphitrite. The highlight of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulla-regia-tunisia-view-of-the-above-ground-remains-of-the-roman-43967519.html
RMCFEW0F–Bulla Regia. Tunisia. View of the above ground remains of the Roman villa known as the House of Amphitrite. The highlight of
London, UK. 23 November 2015. Artwork Homo Bulla, 2012, made from natural soap by Maria Kulikovska. Press preview of the shortlisted artists for the competition UK/raine: Emerging Artists from the UK and Ukraine at the Saatchi Gallery. The competition runs in collaboration with the Firtash Foundation which is worth GBP 75,000 in prize money. The exhibition which runs from 24 November 2015 to 2 January 2016 offers a snapshot of a new generation of up-and-coming artists and of some of the most exciting work coming out from the UK and Ukraine. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-23-november-2015-artwork-homo-bulla-2012-made-from-natural-90403047.html
RMF72607–London, UK. 23 November 2015. Artwork Homo Bulla, 2012, made from natural soap by Maria Kulikovska. Press preview of the shortlisted artists for the competition UK/raine: Emerging Artists from the UK and Ukraine at the Saatchi Gallery. The competition runs in collaboration with the Firtash Foundation which is worth GBP 75,000 in prize money. The exhibition which runs from 24 November 2015 to 2 January 2016 offers a snapshot of a new generation of up-and-coming artists and of some of the most exciting work coming out from the UK and Ukraine.
Phlyctene (blister, blister): bubble under the skin filled with plasma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phlyctene-blister-blister-bubble-under-the-skin-filled-with-plasma-image476925670.html
RF2JKWRFJ–Phlyctene (blister, blister): bubble under the skin filled with plasma.
Globose Bulla. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/globose-bulla-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230418516.html
RFRATD4M–Globose Bulla. Reimagined by Gibon. Classic art with a modern twist reimagined
Gold etruscan jewelry. Funerary wreath, earring, necklace and nine pendants (bullae) from a necklace. Tomb near Tarquinia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gold-etruscan-jewelry-funerary-wreath-earring-necklace-and-nine-pendants-51011871.html
RMCXYP4F–Gold etruscan jewelry. Funerary wreath, earring, necklace and nine pendants (bullae) from a necklace. Tomb near Tarquinia.
Hand-drawn Peg bread bread illustration. Leavened, lobed loaf, usually known in Jamaica. Vector drawing series. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-drawn-peg-bread-bread-illustration-leavened-lobed-loaf-usually-known-in-jamaica-vector-drawing-series-image376643849.html
RF2CTNH21–Hand-drawn Peg bread bread illustration. Leavened, lobed loaf, usually known in Jamaica. Vector drawing series.
Egypt, Saqqara, Imhotep museum, king Djoser jubilee ceremony ('Sed feast') representations, in low relief. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-saqqara-imhotep-museum-king-djoser-jubilee-ceremony-sed-feast-representations-in-low-relief-image567462523.html
RM2RY646K–Egypt, Saqqara, Imhotep museum, king Djoser jubilee ceremony ('Sed feast') representations, in low relief.
04 Caretakers administrators deployment to Bulla Burde and Jalalaqsi (14205218157) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-04-caretakers-administrators-deployment-to-bulla-burde-and-jalalaqsi-147439513.html
RMJFTCGW–04 Caretakers administrators deployment to Bulla Burde and Jalalaqsi (14205218157)
Glorious deeds and exploits of Marshal Augereau, Charles Pierre François Augereau (21 October 1757-12 June 1816), Duke of Castiglione, was a Revolutionary General and Maréchal d'Empire, Historical, digitally restored reproduction of an original of the period / Ruhmreiche Taten und Heldentaten des Marschalls Augereau, Charles Pierre François Augereau (21. Oktober 1757-12. Juni 1816), Herzog von Castiglione, war ein Revolutionsgeneral und Maréchal d’Empire, Historisch, digital restaurierte Reproduktion einer Vorlage aus der damaligen Zeit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glorious-deeds-and-exploits-of-marshal-augereau-charles-pierre-franois-augereau-21-october-1757-12-june-1816-duke-of-castiglione-was-a-revolutionary-general-and-marchal-dempire-historical-digitally-restored-reproduction-of-an-original-of-the-period-ruhmreiche-taten-und-heldentaten-des-marschalls-augereau-charles-pierre-franois-augereau-21-oktober-1757-12-juni-1816-herzog-von-castiglione-war-ein-revolutionsgeneral-und-marchal-dempire-historisch-digital-restaurierte-reproduktion-einer-vorlage-aus-der-damaligen-zeit-image551962725.html
RF2R2022D–Glorious deeds and exploits of Marshal Augereau, Charles Pierre François Augereau (21 October 1757-12 June 1816), Duke of Castiglione, was a Revolutionary General and Maréchal d'Empire, Historical, digitally restored reproduction of an original of the period / Ruhmreiche Taten und Heldentaten des Marschalls Augereau, Charles Pierre François Augereau (21. Oktober 1757-12. Juni 1816), Herzog von Castiglione, war ein Revolutionsgeneral und Maréchal d’Empire, Historisch, digital restaurierte Reproduktion einer Vorlage aus der damaligen Zeit
Near East. Mesopotamia. Sumer. Bulla (seal). Inscribed pieces of clay by used by the Sumerians in 8th millennia BC. Used for agricultural transaction as a form of identification and for tamper-proofing. Bullae with seal impressions. Lagash. Presargonic Period. Iraq. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-east-mesopotamia-sumer-bulla-seal-inscribed-pieces-of-clay-by-used-by-the-sumerians-in-8th-millennia-bc-used-for-agricultural-transaction-as-a-form-of-identification-and-for-tamper-proofing-bullae-with-seal-impressions-lagash-presargonic-period-iraq-the-state-hermitage-museum-saint-petersburg-russia-image211199116.html
RMP7GXHG–Near East. Mesopotamia. Sumer. Bulla (seal). Inscribed pieces of clay by used by the Sumerians in 8th millennia BC. Used for agricultural transaction as a form of identification and for tamper-proofing. Bullae with seal impressions. Lagash. Presargonic Period. Iraq. The State Hermitage Museum. Saint Petersburg. Russia.
Bulla Ampulla is a genus of medium to large hermaphrodite sea snails vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulla-ampulla-is-a-genus-of-medium-to-large-hermaphrodite-sea-snails-vintage-line-drawing-or-engraving-illustration-image244591887.html
RFT5X3CF–Bulla Ampulla is a genus of medium to large hermaphrodite sea snails vintage line drawing or engraving illustration.
. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations . Fig. 115. Heraldicbuckle. ART AND ARCHAEOLOGY. 49 bronze door in the Pantheon at Rome. Thebulla aitrea was an ornament of globular shape,. Fig. ii6. Bucranium. worn round the neck by cliildren of patricianfamily. The bulla scortca was an ornament Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustrated-dictionary-of-words-used-in-art-and-archaeology-explaining-terms-frequently-used-in-works-on-architecture-arms-bronzes-christian-art-colour-costume-decoration-devices-emblems-heraldry-lace-personal-ornaments-pottery-painting-sculpture-c-with-their-derivations-fig-115-heraldicbuckle-art-and-archaeology-49-bronze-door-in-the-pantheon-at-rome-thebulla-aitrea-was-an-ornament-of-globular-shape-fig-ii6-bucranium-worn-round-the-neck-by-cliildren-of-patricianfamily-the-bulla-scortca-was-an-ornament-image375520500.html
RM2CPXC6C–. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations . Fig. 115. Heraldicbuckle. ART AND ARCHAEOLOGY. 49 bronze door in the Pantheon at Rome. Thebulla aitrea was an ornament of globular shape,. Fig. ii6. Bucranium. worn round the neck by cliildren of patricianfamily. The bulla scortca was an ornament
RMHT2B38–Arkady Timofeevich Averchenko (1881-1925), 1913. Artist: Bulla, Karl Karlovich (1853-1929)
Roman sculpture of the Emperor Marcus Aurelius, excavated from Bulla Regia Theatre, sculpted circa late second century. The Bardo National Museum, Tun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-sculpture-of-the-emperor-marcus-aurelius-excavated-from-bulla-138983663.html
RFJ23727–Roman sculpture of the Emperor Marcus Aurelius, excavated from Bulla Regia Theatre, sculpted circa late second century. The Bardo National Museum, Tun
Statue of Julio-Claudian Prince. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-julio-claudian-prince-image352825525.html
RM2BE0GFH–Statue of Julio-Claudian Prince.
Africa, Tunisia, Bulla Regia Archaeological Site, Roman Ruins, House of Amphitrite, Mosaic of Venus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-africa-tunisia-bulla-regia-archaeological-site-roman-ruins-house-of-37527354.html
RMC51EEJ–Africa, Tunisia, Bulla Regia Archaeological Site, Roman Ruins, House of Amphitrite, Mosaic of Venus
3D illustration of GROWTH graphics and text made by metallic dice letters for the related meanings of the concept and presentations. background and business Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/3d-illustration-of-growth-graphics-and-text-made-by-metallic-dice-letters-for-the-related-meanings-of-the-concept-and-presentations-background-and-business-image367735281.html
RF2CA7P2W–3D illustration of GROWTH graphics and text made by metallic dice letters for the related meanings of the concept and presentations. background and business
Corinthian capital at Interior garden of House Of Hunt, Bulla Regia Archaeological Site, Tunisia, North Africa, Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/corinthian-capital-at-interior-garden-of-house-of-hunt-bulla-regia-archaeological-site-tunisia-north-africa-africa-image441341204.html
RF2GJ0R5T–Corinthian capital at Interior garden of House Of Hunt, Bulla Regia Archaeological Site, Tunisia, North Africa, Africa
Bulla Regia. Tunisia. View of the basement columned hallway at the Roman villa known as the House of Amphitrite. The highlight Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulla-regia-tunisia-view-of-the-basement-columned-hallway-at-the-roman-43967558.html
RMCFEW1X–Bulla Regia. Tunisia. View of the basement columned hallway at the Roman villa known as the House of Amphitrite. The highlight
London, UK. 23 November 2015. Artist Jamie Fitzpatrick with his artwork The King. Press preview of the shortlisted artists for the competition UK/raine: Emerging Artists from the UK and Ukraine at the Saatchi Gallery. The competition runs in collaboration with the Firtash Foundation which is worth GBP 75,000 in prize money. The exhibition which runs from 24 November 2015 to 2 January 2016 offers a snapshot of a new generation of up-and-coming artists and of some of the most exciting work coming out from the UK and Ukraine. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-23-november-2015-artist-jamie-fitzpatrick-with-his-artwork-90403046.html
RMF72606–London, UK. 23 November 2015. Artist Jamie Fitzpatrick with his artwork The King. Press preview of the shortlisted artists for the competition UK/raine: Emerging Artists from the UK and Ukraine at the Saatchi Gallery. The competition runs in collaboration with the Firtash Foundation which is worth GBP 75,000 in prize money. The exhibition which runs from 24 November 2015 to 2 January 2016 offers a snapshot of a new generation of up-and-coming artists and of some of the most exciting work coming out from the UK and Ukraine.
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