Active 1821 1848 hi-res stock photography and images

The Duke of York Forcing His Way through the Enemy near Roubiax, Published by Fisher, Son & Co., active 1821–1848, British, 1827, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ688W–The Duke of York Forcing His Way through the Enemy near Roubiax, Published by Fisher, Son & Co., active 1821–1848, British, 1827, Line engraving on medium, slightly textured, cream wove paper

Newhaven Fisherman. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9MC–Newhaven Fisherman. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

The Democracy in Search of a Candidate 1868 After John Cameron. The Democracy in Search of a Candidate. After John Cameron (American (born Scotland) ca. 1828, active 1848–79 New York). 1868. Lithograph. Currier & Ives (American, active New York, 1857–1907). Joseph Brooks (American, Cincinnati, Ohio 1821–1877 Little Rock, Arkansas). Prints Stock Photo

RM2HH39NT–The Democracy in Search of a Candidate 1868 After John Cameron. The Democracy in Search of a Candidate. After John Cameron (American (born Scotland) ca. 1828, active 1848–79 New York). 1868. Lithograph. Currier & Ives (American, active New York, 1857–1907). Joseph Brooks (American, Cincinnati, Ohio 1821–1877 Little Rock, Arkansas). Prints

Brewster Codex: portraits, views, group portraits, etc. with drawings, compiled by Sir David Brewster., Sir David Brewster (Scottish, 1781 - 1868), William Henry Fox Talbot (English, 1800 - 1877), Robert Adamson (Scottish, 1821 - 1848), David Octavius Hill (Scottish, 1802 - 1870), Sir David Brewster (Scottish, 1781 - 1868), Sir David Brewster (Scottish, 1781 - 1868), Henry Collen (English, 1797 - 1879), George Dalrymple Monteith (British, active 1840s), Hill & Adamson (Scottish, active 1843 - 1848), Michael Pakenham Edgeworth (British, 1812 - 1881), Sir Hugh Lyon Playfair (British, active 1850 Stock Photo

RF2B979JM–Brewster Codex: portraits, views, group portraits, etc. with drawings, compiled by Sir David Brewster., Sir David Brewster (Scottish, 1781 - 1868), William Henry Fox Talbot (English, 1800 - 1877), Robert Adamson (Scottish, 1821 - 1848), David Octavius Hill (Scottish, 1802 - 1870), Sir David Brewster (Scottish, 1781 - 1868), Sir David Brewster (Scottish, 1781 - 1868), Henry Collen (English, 1797 - 1879), George Dalrymple Monteith (British, active 1840s), Hill & Adamson (Scottish, active 1843 - 1848), Michael Pakenham Edgeworth (British, 1812 - 1881), Sir Hugh Lyon Playfair (British, active 1850

St. Knighton's Kieve near Boscastle, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ697R–St. Knighton's Kieve near Boscastle, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Etching and line engraving on medium, slightly textured, cream wove paper

Dr. Capadore. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG87J–Dr. Capadore. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

George Gordon Byron, sixth Baron Byron, after Richard Westall, 1765–1836, British, Published by Fisher, Son & Co., active 1821–1848, British, 1829, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ68B0–George Gordon Byron, sixth Baron Byron, after Richard Westall, 1765–1836, British, Published by Fisher, Son & Co., active 1821–1848, British, 1829, Line engraving on medium, slightly textured, cream wove paper

Afghans. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Person in Photograph: Person in photograph Edward William Lane (British, Hereford 1801-1876 Worthing). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843. The photographic collaboration between the painter D. O. Hill and the chemist Robert Adamson was a fruitful blending of the men's respective talents. Hill's membership in the Royal Scottish Academy gave the business partners access to a clie Stock Photo

RMRFFPR4–Afghans. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Person in Photograph: Person in photograph Edward William Lane (British, Hereford 1801-1876 Worthing). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843. The photographic collaboration between the painter D. O. Hill and the chemist Robert Adamson was a fruitful blending of the men's respective talents. Hill's membership in the Royal Scottish Academy gave the business partners access to a clie

Mardale Head, Westmorland, Print made by Ebenezer Challis, active 1837–1859, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ69AX–Mardale Head, Westmorland, Print made by Ebenezer Challis, active 1837–1859, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Line engraving on medium, slightly textured, cream wove paper

Sir David Brewster. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Dimensions: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in. ). Person in Photograph: Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: ca. 1844. An eminent physicist at St. Andrews University in Scotland, Sir David Brewster was among Talbot's scientific correspondents and one of the first to receive reports and samples of the new Stock Photo

RMRFG885–Sir David Brewster. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Dimensions: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in. ). Person in Photograph: Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: ca. 1844. An eminent physicist at St. Andrews University in Scotland, Sir David Brewster was among Talbot's scientific correspondents and one of the first to receive reports and samples of the new

Jaffa, the Ancient Joppa, Print made by William Wallis, 1794– active 1830, William Henry Bartlett, 1809–1854, British, Published by Fisher, Son & Co., active 1821–1848, British, 1846, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ6825–Jaffa, the Ancient Joppa, Print made by William Wallis, 1794– active 1830, William Henry Bartlett, 1809–1854, British, Published by Fisher, Son & Co., active 1821–1848, British, 1846, Line engraving on medium, slightly textured, cream wove paper

Guthrie. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFPWD–Guthrie. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Approach to Royat, France, Print made by J. C. Varrall, active 1815–1827, James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1838, Line engraving and etching on medium, slightly textured, cream wove paper Stock Photo

RM2DJ69H1–Approach to Royat, France, Print made by J. C. Varrall, active 1815–1827, James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1838, Line engraving and etching on medium, slightly textured, cream wove paper

Lane. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9BN–Lane. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Eaux Bonnes, in the Pyrenees, Print made by James H. Kernot, active early 19th century, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ682H–Eaux Bonnes, in the Pyrenees, Print made by James H. Kernot, active early 19th century, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving on medium, slightly textured, cream wove paper

Henning. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG800–Henning. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

The Gothic Bridge of Eudes, Tours, Print made by Henry Adlard, active 19th century, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, between 1824 and 1848, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ65PX–The Gothic Bridge of Eudes, Tours, Print made by Henry Adlard, active 19th century, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, between 1824 and 1848, Line engraving on medium, slightly textured, cream wove paper

Swinton. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF8EJ–Swinton. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Town Hall, Bruges, Print made by R. Wrightson, active ca. 19th century, British, after Jules Alexandre Monthelier, 1804–1883, French, Published by Fisher, Son & Co., active 1821–1848, British, ca. 1841, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ6BJ6–Town Hall, Bruges, Print made by R. Wrightson, active ca. 19th century, British, after Jules Alexandre Monthelier, 1804–1883, French, Published by Fisher, Son & Co., active 1821–1848, British, ca. 1841, Etching and line engraving on medium, slightly textured, cream wove paper

[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFTFP–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Palace of Justice, with Fine Carved Chimney, Bruges, Print made by William Wallis, 1794– active 1830, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, ca. 1830, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ6BFE–Palace of Justice, with Fine Carved Chimney, Bruges, Print made by William Wallis, 1794– active 1830, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, ca. 1830, Etching and line engraving on medium, slightly textured, cream wove paper

RMRFFWBC–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Entrance to Lincoln Cathedral, Print made by Ebenezer Challis, active 1837–1859, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1837, Etching on moderately thick, smooth, cream wove paper, Sheet: 5 13/16 x 8 5/8 inches (14.8 x 21.9 cm) and Image: 3 7/8 x 6 1/16 inches (9.8 x 15.4 cm), arch, architectural subject, canes, cathedral, church, dresses, entrance hall, fancy dress, men, nave, people, priests, sculpture, stained glass, statues, top hats, windows, women, England, Lincoln, Lincoln Cathedral, Lincolnshire, United Kingdom Stock Photo

RM2DJ3D4H–Entrance to Lincoln Cathedral, Print made by Ebenezer Challis, active 1837–1859, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1837, Etching on moderately thick, smooth, cream wove paper, Sheet: 5 13/16 x 8 5/8 inches (14.8 x 21.9 cm) and Image: 3 7/8 x 6 1/16 inches (9.8 x 15.4 cm), arch, architectural subject, canes, cathedral, church, dresses, entrance hall, fancy dress, men, nave, people, priests, sculpture, stained glass, statues, top hats, windows, women, England, Lincoln, Lincoln Cathedral, Lincolnshire, United Kingdom

RMRFFW4N–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Manchester, Print made by Thomas Higham, 1796–1844, British, after George Pickering, c.1794–1857, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ681X–Manchester, Print made by Thomas Higham, 1796–1844, British, after George Pickering, c.1794–1857, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Line engraving on medium, slightly textured, cream wove paper

RMRFFPRC–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Grenoble, from the Fortress, Print made by Samuel Bradshaw, 1830–1869, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ680N–Grenoble, from the Fortress, Print made by Samuel Bradshaw, 1830–1869, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving on medium, slightly textured, cream wove paper

RMRFF90W–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

The Circle of Gavarnie, Pyrenees, Print made by Joseph C. Bentley, 1809–1851, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ68W7–The Circle of Gavarnie, Pyrenees, Print made by Joseph C. Bentley, 1809–1851, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving on medium, slightly textured, cream wove paper

RMRFFWAP–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Royat, France, Print made by James Baylis Allen, 1803–1876, British, after James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1836, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ65RG–Royat, France, Print made by James Baylis Allen, 1803–1876, British, after James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1836, Line engraving on medium, slightly textured, cream wove paper

RMRFG8D7–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Caldron Snout, Teesdale, Durham, Print made by William Le Petit, early 1800s, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ65N0–Caldron Snout, Teesdale, Durham, Print made by William Le Petit, early 1800s, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Line engraving on medium, slightly textured, cream wove paper

RMRFF9YN–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Lac de Gaube, Pyrenees, Print made by Joseph C. Bentley, 1809–1851, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ68MF–Lac de Gaube, Pyrenees, Print made by Joseph C. Bentley, 1809–1851, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving on medium, slightly textured, cream wove paper

RMRFFRFE–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Liverpool, from the Mersey, No. IV, Print made by Robert Wallis, 1794–1878, British, after Samuel Austin, 1796–1834, British, Published by Fisher, Son & Co., active 1821–1848, British, 1829, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ69AF–Liverpool, from the Mersey, No. IV, Print made by Robert Wallis, 1794–1878, British, after Samuel Austin, 1796–1834, British, Published by Fisher, Son & Co., active 1821–1848, British, 1829, Line engraving on medium, slightly textured, cream wove paper

RMRFFWB4–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Approach to Thiers, France, Print made by John Cousen, 1804–1880, British, after James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1836, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ69K3–Approach to Thiers, France, Print made by John Cousen, 1804–1880, British, after James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1836, Etching and line engraving on medium, slightly textured, cream wove paper

RMRFG7XA–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Mont Ferrier, France, Print made by James Charles Armytage, 1802–1897, British, after James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1837, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ6814–Mont Ferrier, France, Print made by James Charles Armytage, 1802–1897, British, after James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1837, Line engraving on medium, slightly textured, cream wove paper

RMRFF6W7–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Mountain of the Grande Chartreuse, from Grenoble, Print made by Joseph C. Bentley, 1809–1851, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving and etching on medium, slightly textured, cream wove paper Stock Photo

RM2DJ68N0–Mountain of the Grande Chartreuse, from Grenoble, Print made by Joseph C. Bentley, 1809–1851, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, undated, Line engraving and etching on medium, slightly textured, cream wove paper

RMRFFRHF–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Chateau de Monas, Near Orange, France, Print made by James T. Willmore, 1800–1863, British, after James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1836, Line engraving and etching on medium, slightly textured, cream wove paper Stock Photo

RM2DJ69HN–Chateau de Monas, Near Orange, France, Print made by James T. Willmore, 1800–1863, British, after James Duffield Harding, 1798–1863, British, Published by Fisher, Son & Co., active 1821–1848, British, 1836, Line engraving and etching on medium, slightly textured, cream wove paper

RMRFFREB–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

The Stone Bow, Lincoln, Frederick James Havell, 1801–1840, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1836, Etching with stipple engraving on moderately thick, slightly textured, beige wove paper, Sheet: 5 13/16 x 8 3/4 inches (14.7 x 22.2 cm) and Image: 3 7/8 x 6 1/16 inches (9.8 x 15.4 cm), arch, architectural subject, bridge (built work), carriage, children, city, coat of arms, cobblestones, crest, dogs (animals), driving, genre subject, gesturing, horns, horses (animals), men, niches, road, running, sculptures, street Stock Photo

RM2DJ3D0G–The Stone Bow, Lincoln, Frederick James Havell, 1801–1840, British, after Thomas Allom, 1804–1872, British, Published by Fisher, Son & Co., active 1821–1848, British, 1836, Etching with stipple engraving on moderately thick, slightly textured, beige wove paper, Sheet: 5 13/16 x 8 3/4 inches (14.7 x 22.2 cm) and Image: 3 7/8 x 6 1/16 inches (9.8 x 15.4 cm), arch, architectural subject, bridge (built work), carriage, children, city, coat of arms, cobblestones, crest, dogs (animals), driving, genre subject, gesturing, horns, horses (animals), men, niches, road, running, sculptures, street

RMRFFTF5–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

The Ceremony of Opening London Bridge, August 1, 1831, Print made by Thomas Allom, 1804–1872, British, after Thomas Allom, 1804–1872, British, Printed by Charles J. Hullmandel, 1789–1850, British, Published by Fisher, Son & Co., active 1821–1848, British, and Charles Tilt, active c.1815–1853, British, undated, Lithograph on moderately thick, slightly textured, cream wove paper, Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm) and Image: 7 3/16 x 12 9/16 inches (18.3 x 31.9 cm), architectural subject, architecture, boats, bonnets, breeches (trousers), bridge (built work), buildings, canoes, canopy ( Stock Photo

RM2DJ38RC–The Ceremony of Opening London Bridge, August 1, 1831, Print made by Thomas Allom, 1804–1872, British, after Thomas Allom, 1804–1872, British, Printed by Charles J. Hullmandel, 1789–1850, British, Published by Fisher, Son & Co., active 1821–1848, British, and Charles Tilt, active c.1815–1853, British, undated, Lithograph on moderately thick, slightly textured, cream wove paper, Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm) and Image: 7 3/16 x 12 9/16 inches (18.3 x 31.9 cm), architectural subject, architecture, boats, bonnets, breeches (trousers), bridge (built work), buildings, canoes, canopy (

RMRFF72Y–[Man]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

The Rt. Hon. Alexander Hood, Viscount Bridport, K.B., Print made by Samuel Freeman, 1773–1857, British, after Lemuel Francis Abbott, ca. 1760–1802, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Stipple engraving and etching on moderately thick, smooth, cream card, Sheet: 8 13/16 x 5 9/16 inches (22.4 x 14.2 cm) and Image: 4 7/16 x 3 9/16 inches (11.3 x 9.1 cm), armed forces, cannons, coastline, cravat, cuffs, fighting, man, marine art, medal, military uniform, navy, nobility, ocean, pointing, portrait, posing, Royal Navy, ships, smoke, sword Stock Photo

RM2DJ3G9J–The Rt. Hon. Alexander Hood, Viscount Bridport, K.B., Print made by Samuel Freeman, 1773–1857, British, after Lemuel Francis Abbott, ca. 1760–1802, British, Published by Fisher, Son & Co., active 1821–1848, British, 1834, Stipple engraving and etching on moderately thick, smooth, cream card, Sheet: 8 13/16 x 5 9/16 inches (22.4 x 14.2 cm) and Image: 4 7/16 x 3 9/16 inches (11.3 x 9.1 cm), armed forces, cannons, coastline, cravat, cuffs, fighting, man, marine art, medal, military uniform, navy, nobility, ocean, pointing, portrait, posing, Royal Navy, ships, smoke, sword

Sir John Boilleau. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFTFJ–Sir John Boilleau. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Red-Scar, the Residence of William Cross, Esquire, Thomas Higham, 1796–1844, British, after George Pickering, c.1794–1857, British, Published by Fisher, Son & Co., active 1821–1848, British, 1832, Etching on moderately thick, slightly textured, beige wove paper, Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm), Plate: 7 x 9 9/16 inches (17.7 x 24.3 cm), and Image: 4 3/16 x 6 7/16 inches (10.6 x 16.3 cm), architectural subject, buildings, carts, country house, cows, hay, herd, hiking, hills, labor, landscape, mansion, men, mountains, river, riverbank, sheep, trees, walking, women, England, Europe Stock Photo

RM2DJ35P6–Red-Scar, the Residence of William Cross, Esquire, Thomas Higham, 1796–1844, British, after George Pickering, c.1794–1857, British, Published by Fisher, Son & Co., active 1821–1848, British, 1832, Etching on moderately thick, slightly textured, beige wove paper, Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm), Plate: 7 x 9 9/16 inches (17.7 x 24.3 cm), and Image: 4 3/16 x 6 7/16 inches (10.6 x 16.3 cm), architectural subject, buildings, carts, country house, cows, hay, herd, hiking, hills, labor, landscape, mansion, men, mountains, river, riverbank, sheep, trees, walking, women, England, Europe

Lady, Standing. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF7K1–Lady, Standing. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Strasbourg, Print made by Charles Heath, 1785–1848, British, after Robert Batty, 1789–1848, British, Published by Rodwell & Martin, active 1819–1835, British, 1821, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ6903–Strasbourg, Print made by Charles Heath, 1785–1848, British, after Robert Batty, 1789–1848, British, Published by Rodwell & Martin, active 1819–1835, British, 1821, Etching and line engraving on medium, slightly textured, cream wove paper

William Leighton Leitch. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG7WC–William Leighton Leitch. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Auxerre, Print made by Charles Heath, 1785–1848, British, after Robert Batty, 1789–1848, British, Published by Rodwell & Martin, active 1819–1835, British, 1821, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ690K–Auxerre, Print made by Charles Heath, 1785–1848, British, after Robert Batty, 1789–1848, British, Published by Rodwell & Martin, active 1819–1835, British, 1821, Etching and line engraving on medium, slightly textured, cream wove paper

Sir William Allan. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFW3G–Sir William Allan. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Munich, Print made by Edward John Roberts, 1793–1865, British, after Robert Batty, 1789–1848, British, Published by Rodwell & Martin, active 1819–1835, British, 1821, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ690H–Munich, Print made by Edward John Roberts, 1793–1865, British, after Robert Batty, 1789–1848, British, Published by Rodwell & Martin, active 1819–1835, British, 1821, Etching and line engraving on medium, slightly textured, cream wove paper

George Moon. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG85A–George Moon. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Banks of the Garonne near Bordeaux, Print made by George Corbould, 1786–1846, British, after Robert Batty, 1789–1848, British, Published by Rodwell & Martin, active 1819–1835, British, 1821, Line engraving on medium, slightly textured, cream wove paper Stock Photo

RM2DJ69B1–Banks of the Garonne near Bordeaux, Print made by George Corbould, 1786–1846, British, after Robert Batty, 1789–1848, British, Published by Rodwell & Martin, active 1819–1835, British, 1821, Line engraving on medium, slightly textured, cream wove paper

St. Andrews. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF8WJ–St. Andrews. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

RMW51NGA–Brewster Codex: portraits, views, group portraits, etc. with drawings, compiled by Sir David Brewster., Sir David Brewster (Scottish, 1781 - 1868), William Henry Fox Talbot (English, 1800 - 1877), Robert Adamson (Scottish, 1821 - 1848), David Octavius Hill (Scottish, 1802 - 1870), Sir David Brewster (Scottish, 1781 - 1868), Sir David Brewster (Scottish, 1781 - 1868), Henry Collen (English, 1797 - 1879), George Dalrymple Monteith (British, active 1840s), Hill & Adamson (Scottish, active 1843 - 1848), Michael Pakenham Edgeworth (British, 1812 - 1881), Sir Hugh Lyon Playfair (British

RMRFF8RC–St. Andrews. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Unidentified Woman. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF8EP–Unidentified Woman. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Edinburgh. The Scott Monument. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFA0B–Edinburgh. The Scott Monument. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Dr. Foulis. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFW80–Dr. Foulis. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Davidson of Aberdeen. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9JR–Davidson of Aberdeen. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Edinburgh. Greyfriars' Churchyard. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFR2X–Edinburgh. Greyfriars' Churchyard. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Finlay - The Deerstalker. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF714–Finlay - The Deerstalker. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Frederic Monod (Paris). Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9TG–Frederic Monod (Paris). Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Newhaven Fishwives. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFW48–Newhaven Fishwives. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Mrs. Marian Murray. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG7P4–Mrs. Marian Murray. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Kenneth Macleay. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9CN–Kenneth Macleay. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Dr. Jabez Bunting. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG7TK–Dr. Jabez Bunting. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Dr. Inglis, Halifax. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG8A5–Dr. Inglis, Halifax. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Sobieski Stuart. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFTJE–Sobieski Stuart. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Newhaven Family. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG8N7–Newhaven Family. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Campbell of Monzie. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF87D–Campbell of Monzie. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Dunlop Esq. of Craigton. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF92K–Dunlop Esq. of Craigton. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Newhaven Fishwife. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFRG8–Newhaven Fishwife. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Dr. Sampson of York. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9BF–Dr. Sampson of York. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Henning with Parthenon Frieze. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG7NN–Henning with Parthenon Frieze. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

[Two Unidentified Men]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFW42–[Two Unidentified Men]. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

John Ban MacKenzie. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG7M4–John Ban MacKenzie. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

MacKenzie (Tongue). Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9YH–MacKenzie (Tongue). Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Jimmy Miller. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9YM–Jimmy Miller. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Rev. Peter Jones. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF7Y0–Rev. Peter Jones. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Laird of Portmoak. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFRMR–Laird of Portmoak. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

RMRFFTKY–Edinburgh. Greyfriars' Churchyard. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

'Cookie' Miller. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF923–'Cookie' Miller. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

St. Andrews Cathedral. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF90N–St. Andrews Cathedral. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Lord Robertson. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFG8GA–Lord Robertson. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Earl of Rosemore. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF8B3–Earl of Rosemore. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

St. Andrews. The Pends. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFRGR–St. Andrews. The Pends. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Patrick Byrne. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9N6–Patrick Byrne. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

RMRFFPPN–St. Andrews. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Mrs. Shanker. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFFPWG–Mrs. Shanker. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Mrs. Rigby. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9B3–Mrs. Rigby. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

John Wilson. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFF9MF–John Wilson. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA.

Active 1821 1848 Stock Photos and Images

Active 1821 1848 Stock Photos and Images

Download Confirmation

Password Confirmation

Search Results for Active 1821 1848 Stock Photos and Images (235)

Filter by agency collections

Search builder

Get great features with your free account

Get inspired for your next project!