The Pilgrims at Emmaus 1648 Rembrandt Harmenszoon van Rijn 1606–1669 Dutch The Netherlands ( Gospel according to Saint Luke ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pilgrims-at-emmaus-1648-rembrandt-harmenszoon-van-rijn-16061669-dutch-the-netherlands-gospel-according-to-saint-luke-image358131669.html
RM2BPJ8GN–The Pilgrims at Emmaus 1648 Rembrandt Harmenszoon van Rijn 1606–1669 Dutch The Netherlands ( Gospel according to Saint Luke )
The Pilgrims at Emmaus 1648 Rembrandt Harmenszoon van Rijn 1606–1669 Dutch The Netherlands ( Gospel according to Saint Luke ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pilgrims-at-emmaus-1648-rembrandt-harmenszoon-van-rijn-16061669-dutch-the-netherlands-gospel-according-to-saint-luke-image358131721.html
RM2BPJ8JH–The Pilgrims at Emmaus 1648 Rembrandt Harmenszoon van Rijn 1606–1669 Dutch The Netherlands ( Gospel according to Saint Luke )
The massacre of the Innocents 1611 by Guido Reni 1575-1642 15-16th century, Italy, Italian. ( massacre of the innocents, narrated in the Gospel according to Matthew. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-massacre-of-the-innocents-1611-by-guido-reni-1575-1642-15-16th-century-italy-italian-massacre-of-the-innocents-narrated-in-the-gospel-according-to-matthew-image227923931.html
RMR6PR8B–The massacre of the Innocents 1611 by Guido Reni 1575-1642 15-16th century, Italy, Italian. ( massacre of the innocents, narrated in the Gospel according to Matthew. )
Noli me tangere Denys Calvaert (1540-1619) 16th-17th Century, Franch ,French, Painter, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized, him, after his, resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-denys-calvaert-1540-1619-16th-17th-century-franch-french-painter-noli-me-tangere-touch-me-not-latin-version-of-a-phrase-spoken-according-to-john-2017-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image492423016.html
RM2KH3PG8–Noli me tangere Denys Calvaert (1540-1619) 16th-17th Century, Franch ,French, Painter, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized, him, after his, resurrection,
Noli me tangere Denys Calvaert (1540-1619) 16th-17th Century, Franch ,French, Painter, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized, him, after his, resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-denys-calvaert-1540-1619-16th-17th-century-franch-french-painter-noli-me-tangere-touch-me-not-latin-version-of-a-phrase-spoken-according-to-john-2017-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image492422898.html
RM2KH3PC2–Noli me tangere Denys Calvaert (1540-1619) 16th-17th Century, Franch ,French, Painter, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized, him, after his, resurrection,
Noli me Tangere - Noli and Tangere 1515-1520 by Sperindio Cagnoli 1490-1535 Gerolamo Giovenone (1490-1555) - Madonna and Child,1535-40 Italy, Italian. Noli me tangere , touch me not, according to John 20:17, by Jesus to, Mary Magdalene, when she recognized him after his resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-noli-and-tangere-1515-1520-by-sperindio-cagnoli-1490-1535-gerolamo-giovenone-1490-1555-madonna-and-child1535-40-italy-italian-noli-me-tangere-touch-me-not-according-to-john-2017-by-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image453514755.html
RM2H9RAKF–Noli me Tangere - Noli and Tangere 1515-1520 by Sperindio Cagnoli 1490-1535 Gerolamo Giovenone (1490-1555) - Madonna and Child,1535-40 Italy, Italian. Noli me tangere , touch me not, according to John 20:17, by Jesus to, Mary Magdalene, when she recognized him after his resurrection,
Joseph and Potiphar's Wife 1664 Cornelis Bisschop (1630–1674), was a Dutch Golden Age painter Netherlands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-and-potiphars-wife-1664-cornelis-bisschop-16301674-was-a-dutch-80937477.html
RMEKK0G5–Joseph and Potiphar's Wife 1664 Cornelis Bisschop (1630–1674), was a Dutch Golden Age painter Netherlands
Bier nach dem Reinheitsgebot gebraut ( Private Brauereien ) Beer brewed according to the Reinheitsgebot (Private Breweries) German Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bier-nach-dem-reinheitsgebot-gebraut-private-brauereien-beer-brewed-88952006.html
RMF4M35A–Bier nach dem Reinheitsgebot gebraut ( Private Brauereien ) Beer brewed according to the Reinheitsgebot (Private Breweries) German Germany
Illuminated light with colored glass plates according to antique Gemmen the Royal Collection G.G. Reinhard, Berlin, 1825 Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illuminated-light-with-colored-glass-plates-according-to-antique-gemmen-139059187.html
RMJ26KBF–Illuminated light with colored glass plates according to antique Gemmen the Royal Collection G.G. Reinhard, Berlin, 1825 Germany
Athlete holding a discus Roman 130-150 AD copy of a 'discophore' of bronze According Naucydes 400 BC Greek Greece Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/athlete-holding-a-discus-roman-130-150-ad-copy-of-a-discophore-of-image65390384.html
RMDPAP2T–Athlete holding a discus Roman 130-150 AD copy of a 'discophore' of bronze According Naucydes 400 BC Greek Greece
Hermaphrodite Roman copy of a Hermaphrodite asleep According Polycles (active in Alexandria, Egypt, around 175 BC) to 130-150 AD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hermaphrodite-roman-copy-of-a-hermaphrodite-asleep-according-polycles-image65390114.html
RMDPANN6–Hermaphrodite Roman copy of a Hermaphrodite asleep According Polycles (active in Alexandria, Egypt, around 175 BC) to 130-150 AD
Christ Blessing The Children 1540 ( HB master at the head of Griffon 1528 - 1553 ) German Germany ( Based on the Bible, The Gospel according to Saint Mark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-blessing-the-children-1540-hb-master-at-the-head-of-griffon-1528-1553-german-germany-based-on-the-bible-the-gospel-according-to-saint-mark-image242624573.html
RMT2ME39–Christ Blessing The Children 1540 ( HB master at the head of Griffon 1528 - 1553 ) German Germany ( Based on the Bible, The Gospel according to Saint Mark
Christ Blessing The Children 1540 ( HB master at the head of Griffon 1528 - 1553 ) German Germany ( Based on the Bible, The Gospel according to Saint Mark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-blessing-the-children-1540-hb-master-at-the-head-of-griffon-1528-1553-german-germany-based-on-the-bible-the-gospel-according-to-saint-mark-image242624617.html
RMT2ME4W–Christ Blessing The Children 1540 ( HB master at the head of Griffon 1528 - 1553 ) German Germany ( Based on the Bible, The Gospel according to Saint Mark
Christ Blessing The Children 1540 ( HB master at the head of Griffon 1528 - 1553 ) German Germany ( Based on the Bible, The Gospel according to Saint Mark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-blessing-the-children-1540-hb-master-at-the-head-of-griffon-1528-1553-german-germany-based-on-the-bible-the-gospel-according-to-saint-mark-image242624593.html
RMT2ME41–Christ Blessing The Children 1540 ( HB master at the head of Griffon 1528 - 1553 ) German Germany ( Based on the Bible, The Gospel according to Saint Mark
King David 1460 Oberschwaben Ulm German Germany ( David according to the Hebrew Bible, was the second king of the united Kingdom of Israel and Judah 1010–970 BC ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-david-1460-oberschwaben-ulm-german-germany-david-according-to-125265939.html
RMH7P9YF–King David 1460 Oberschwaben Ulm German Germany ( David according to the Hebrew Bible, was the second king of the united Kingdom of Israel and Judah 1010–970 BC )
Athlete holding a discus Roman 130-150 AD copy of a 'discophore' of bronze According Naucydes 400 BC Greek Greece Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/athlete-holding-a-discus-roman-130-150-ad-copy-of-a-discophore-of-image65390118.html
RMDPANNA–Athlete holding a discus Roman 130-150 AD copy of a 'discophore' of bronze According Naucydes 400 BC Greek Greece
Joseph of Arimathea 1520 German Germany Joseph of Arimathea was, according to all four canonical gospels, the man who assumed responsibility for the burial of Jesus after his crucifixion. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-of-arimathea-1520-german-germany-joseph-of-arimathea-was-according-125104745.html
RMH7F0AH–Joseph of Arimathea 1520 German Germany Joseph of Arimathea was, according to all four canonical gospels, the man who assumed responsibility for the burial of Jesus after his crucifixion.
King David 1460 Oberschwaben Ulm German Germany ( David according to the Hebrew Bible, was the second king of the united Kingdom of Israel and Judah 1010–970 BC ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-david-1460-oberschwaben-ulm-german-germany-david-according-to-125265930.html
RMH7P9Y6–King David 1460 Oberschwaben Ulm German Germany ( David according to the Hebrew Bible, was the second king of the united Kingdom of Israel and Judah 1010–970 BC )
Christ and the Hémoroïsse 1695 Louis Boullogne Le Père 1654 - 1733 France French ( Episode taken from the Gospel according to St. Mark in which Christ heals a woman with blood flow ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christ-and-the-hmorosse-1695-louis-boullogne-le-pre-1654-1733-france-94993739.html
RMFEF9DF–Christ and the Hémoroïsse 1695 Louis Boullogne Le Père 1654 - 1733 France French ( Episode taken from the Gospel according to St. Mark in which Christ heals a woman with blood flow )
Assunta, 1668-73 ca. by Gregorio de Ferrari, 1598-1669 Italy, Italian, Assunta ( ascent - absorption ) in religious painting .Mary is depicted, ascending bodily to heaven according to Catholic tradition. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assunta-1668-73-ca-by-gregorio-de-ferrari-1598-1669-italy-italian-assunta-ascent-absorption-in-religious-painting-mary-is-depicted-ascending-bodily-to-heaven-according-to-catholic-tradition-image449622309.html
RM2H3E1RH–Assunta, 1668-73 ca. by Gregorio de Ferrari, 1598-1669 Italy, Italian, Assunta ( ascent - absorption ) in religious painting .Mary is depicted, ascending bodily to heaven according to Catholic tradition.
The Tower of Babel Bruges 1490 old Testament Flemish Belgian Belgium According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-tower-of-babel-bruges-1490-old-testament-flemish-belgian-belgium-78888198.html
RMEG9JKJ–The Tower of Babel Bruges 1490 old Testament Flemish Belgian Belgium According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens
Orpheus in front of Pluto and Proserpine Around 1647 - 1650 by François PERRIER Pontarlier, 1590-1600 - Paris, 1650, France, French, ( According to the Metamorphoses of the Latin poet Ovid (1st century AD). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orpheus-in-front-of-pluto-and-proserpine-around-1647-1650-by-franois-perrier-pontarlier-1590-1600-paris-1650-france-french-according-to-the-metamorphoses-of-the-latin-poet-ovid-1st-century-ad-image244927073.html
RMT6DAYD–Orpheus in front of Pluto and Proserpine Around 1647 - 1650 by François PERRIER Pontarlier, 1590-1600 - Paris, 1650, France, French, ( According to the Metamorphoses of the Latin poet Ovid (1st century AD).
The Purgatory by, Pietro Aldi ,painter ,Manciano, 1852-1888 Siena, Santa Maria della Scala. Italy, Italian, ( Purgatory is, according to the belief of most Christian denominations, an intermediate state after physical death for expiatory purification ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-purgatory-by-pietro-aldi-painter-manciano-1852-1888-siena-santa-maria-della-scala-italy-italian-purgatory-is-according-to-the-belief-of-most-christian-denominations-an-intermediate-state-after-physical-death-for-expiatory-purification-image536728314.html
RM2P562CA–The Purgatory by, Pietro Aldi ,painter ,Manciano, 1852-1888 Siena, Santa Maria della Scala. Italy, Italian, ( Purgatory is, according to the belief of most Christian denominations, an intermediate state after physical death for expiatory purification )
Martyrdom of St Bartholomeus circa 1649 by Gioacchino Assereto 1600-1649 Italy, Italian, ( Bartholomew was one of the twelve apostles of Jesus according to the New Testament. He is said to have been martyred for having converted Polymius, King of Armenia, to Christianity.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martyrdom-of-st-bartholomeus-circa-1649-by-gioacchino-assereto-1600-1649-italy-italian-bartholomew-was-one-of-the-twelve-apostles-of-jesus-according-to-the-new-testament-he-is-said-to-have-been-martyred-for-having-converted-polymius-king-of-armenia-to-christianity-image449499778.html
RM2H38DFE–Martyrdom of St Bartholomeus circa 1649 by Gioacchino Assereto 1600-1649 Italy, Italian, ( Bartholomew was one of the twelve apostles of Jesus according to the New Testament. He is said to have been martyred for having converted Polymius, King of Armenia, to Christianity.)
Narcissus 1600 by Michelangelo Merisi da Caravaggio, 1571-1610 Italian, Italy, ( Narcissus hunter from Thespiae in Boeotia known for his beauty. According to Tzetzes, Laconian hunter who loved everything beautiful ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/narcissus-1600-by-michelangelo-merisi-da-caravaggio-1571-1610-italian-italy-narcissus-hunter-from-thespiae-in-boeotia-known-for-his-beauty-according-to-tzetzes-laconian-hunter-who-loved-everything-beautiful-image376734817.html
RM2CTWN2W–Narcissus 1600 by Michelangelo Merisi da Caravaggio, 1571-1610 Italian, Italy, ( Narcissus hunter from Thespiae in Boeotia known for his beauty. According to Tzetzes, Laconian hunter who loved everything beautiful )
Martyrdom of St. Bartholomew 1625 - 1631 Circle of Bianchi Isidoro, 1581/ 1662 Italy, Italian, ( Bartholomew , one of the twelve apostles ,of Jesus, according to the New Testament,. He is said to have been, martyred ,for having ,converted, Polymius, King of Armenia, to Christianity, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martyrdom-of-st-bartholomew-1625-1631-circle-of-bianchi-isidoro-1581-1662-italy-italian-bartholomew-one-of-the-twelve-apostles-of-jesus-according-to-the-new-testament-he-is-said-to-have-been-martyred-for-having-converted-polymius-king-of-armenia-to-christianity-image451646086.html
RM2H6P75A–Martyrdom of St. Bartholomew 1625 - 1631 Circle of Bianchi Isidoro, 1581/ 1662 Italy, Italian, ( Bartholomew , one of the twelve apostles ,of Jesus, according to the New Testament,. He is said to have been, martyred ,for having ,converted, Polymius, King of Armenia, to Christianity, )
The Saints Sebastian and Augustin by Nicolo' Corso (15th-16th cent.) Saint Sebastian was an early Christian saint and martyr. According to traditional belief, ... Similar metaphors for divine displeasure occur in the Hebrew Bible. Italy, Italian, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-saints-sebastian-and-augustin-by-nicolo-corso-15th-16th-cent-saint-sebastian-was-an-early-christian-saint-and-martyr-according-to-traditional-belief-similar-metaphors-for-divine-displeasure-occur-in-the-hebrew-bible-italy-italian-image449497095.html
RM2H38A3K–The Saints Sebastian and Augustin by Nicolo' Corso (15th-16th cent.) Saint Sebastian was an early Christian saint and martyr. According to traditional belief, ... Similar metaphors for divine displeasure occur in the Hebrew Bible. Italy, Italian,
Louis Jacques Durameau Judas (late eighteenth century) France Kiss of Judas, Betrayal of Christ, Judas identified Jesus Multitude with swords and clubs who had come from the,chief priests and elders people to arrest him, according to the Synoptic GospelsFrench Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-louis-jacques-durameau-judas-late-eighteenth-century-france-kiss-of-94041196.html
RMFCYXE4–Louis Jacques Durameau Judas (late eighteenth century) France Kiss of Judas, Betrayal of Christ, Judas identified Jesus Multitude with swords and clubs who had come from the,chief priests and elders people to arrest him, according to the Synoptic GospelsFrench
Il profeta Ezechia morente The dying prophet Hezekiah by Domenico Fiasella, 1589 – 1669, Italian painter of the Baroque period, nicknamed Il Sarzana, Genoa, Italy, Italian, ( Hezekiah or Ezekias 741 BC was, according to the Hebrew Bible, the son of Ahaz and the 13th king of Judah) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/il-profeta-ezechia-morente-the-dying-prophet-hezekiah-by-domenico-fiasella-1589-1669-italian-painter-of-the-baroque-period-nicknamed-il-sarzana-genoa-italy-italian-hezekiah-or-ezekias-741-bc-was-according-to-the-hebrew-bible-the-son-of-ahaz-and-the-13th-king-of-judah-image450131779.html
RM2H497JY–Il profeta Ezechia morente The dying prophet Hezekiah by Domenico Fiasella, 1589 – 1669, Italian painter of the Baroque period, nicknamed Il Sarzana, Genoa, Italy, Italian, ( Hezekiah or Ezekias 741 BC was, according to the Hebrew Bible, the son of Ahaz and the 13th king of Judah)
Christ Appears to Mary Magdalen ( Noli me Tangere) 1590 by LE BAROCHE, Urbino, 1535 - Urbino, 1612, Italian, Italy, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized him after his, resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-appears-to-mary-magdalen-noli-me-tangere-1590-by-le-baroche-urbino-1535-urbino-1612-italian-italy-noli-me-tangere-touch-me-not-latin-version-of-a-phrase-spoken-according-to-john-2017-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image487556797.html
RM2K963JN–Christ Appears to Mary Magdalen ( Noli me Tangere) 1590 by LE BAROCHE, Urbino, 1535 - Urbino, 1612, Italian, Italy, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized him after his, resurrection,
Christ Appears to Mary Magdalen - Mary Magdalene 1581 ( Noli me Tangere) 1581 LAVINIA FONTANA (1552 - 1614) France French ( Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized him after his, resurrection, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-appears-to-mary-magdalen-mary-magdalene-1581-noli-me-tangere-1581-lavinia-fontana-1552-1614-france-french-noli-me-tangere-touch-me-not-latin-version-of-a-phrase-spoken-according-to-john-2017-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image487556771.html
RM2K963HR–Christ Appears to Mary Magdalen - Mary Magdalene 1581 ( Noli me Tangere) 1581 LAVINIA FONTANA (1552 - 1614) France French ( Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized him after his, resurrection, )
Bathsheba Bathing 1575 by Veronese (Paolo Caliari) 1528-1588 Italy, Italian. Bathsheba Bathing 1575 ( Bathsheba was the wife of Uriah the Hittite and later of David, according to the Hebrew Bible. She is most known for the biblical narrative in which she was summoned by King David, who had seen her bathing and lusted after her. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bathsheba-bathing-1575-by-veronese-paolo-caliari-1528-1588-italy-italian-bathsheba-bathing-1575-bathsheba-was-the-wife-of-uriah-the-hittite-and-later-of-david-according-to-the-hebrew-bible-she-is-most-known-for-the-biblical-narrative-in-which-she-was-summoned-by-king-david-who-had-seen-her-bathing-and-lusted-after-her-image353320623.html
RM2BER41K–Bathsheba Bathing 1575 by Veronese (Paolo Caliari) 1528-1588 Italy, Italian. Bathsheba Bathing 1575 ( Bathsheba was the wife of Uriah the Hittite and later of David, according to the Hebrew Bible. She is most known for the biblical narrative in which she was summoned by King David, who had seen her bathing and lusted after her. )
Child struggling - strangling with a goose 2nd century AD, after a Greek original. (Discovered in 1792 in the Villa of Quintilii on Via Appia, Marble, H. 92.7 cm. ( Greek original in bronze according to Boethos? (active around 200 BC) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/child-struggling-strangling-with-a-goose-2nd-century-ad-after-a-greek-original-discovered-in-1792-in-the-villa-of-quintilii-on-via-appia-marble-h-927-cm-greek-original-in-bronze-according-to-boethos-active-around-200-bc-image329276773.html
RM2A3KRTN–Child struggling - strangling with a goose 2nd century AD, after a Greek original. (Discovered in 1792 in the Villa of Quintilii on Via Appia, Marble, H. 92.7 cm. ( Greek original in bronze according to Boethos? (active around 200 BC)
Roi de Juda - King of Judah Picardie ( Limestone, traces of polychrome 82 cm ) central portal of the western facade of the Notre Dame d'Amiens XIII Century France French ( David was, according to the Books of Samuel, the second king of the United Kingdom of Israel, and according to the New Testament, an ancestor of Jesus ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roi-de-juda-king-of-judah-picardie-limestone-traces-of-polychrome-100332738.html
RMFR6FC2–Roi de Juda - King of Judah Picardie ( Limestone, traces of polychrome 82 cm ) central portal of the western facade of the Notre Dame d'Amiens XIII Century France French ( David was, according to the Books of Samuel, the second king of the United Kingdom of Israel, and according to the New Testament, an ancestor of Jesus )
Sor Juana de la Cruz Coronada by Anonymous, Unknown Painter Virreinato de Nueva Espana Mexico - Viceroyalty of New Spain Mexico18th Century ( Sor Juana appears dressed in the gala habit of the Hieronymite order, whose Mexican convent she founded, according to the long biographical text that accompanies the portrait ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sor-juana-de-la-cruz-coronada-by-anonymous-unknown-painter-virreinato-de-nueva-espana-mexico-viceroyalty-of-new-spain-mexico18th-century-sor-juana-appears-dressed-in-the-gala-habit-of-the-hieronymite-order-whose-mexican-convent-she-founded-according-to-the-long-biographical-text-that-accompanies-the-portrait-image379469916.html
RM2D1A9N0–Sor Juana de la Cruz Coronada by Anonymous, Unknown Painter Virreinato de Nueva Espana Mexico - Viceroyalty of New Spain Mexico18th Century ( Sor Juana appears dressed in the gala habit of the Hieronymite order, whose Mexican convent she founded, according to the long biographical text that accompanies the portrait )
Penitent Mary Magdalene by Gillis Coignet (1542-1599), 16th century, Franch ,French, Painter, St. Mary Magdalene, disciple of Jesus. According to the Gospel accounts, Jesus cleansed her of seven demons, she financially aided him in Galilee. She was witnesses ,of the Crucifixion and burial of Jesus, and, famously, was the first person to see him after the Resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/penitent-mary-magdalene-by-gillis-coignet-1542-1599-16th-century-franch-french-painter-st-mary-magdalene-disciple-of-jesus-according-to-the-gospel-accounts-jesus-cleansed-her-of-seven-demons-she-financially-aided-him-in-galilee-she-was-witnesses-of-the-crucifixion-and-burial-of-jesus-and-famously-was-the-first-person-to-see-him-after-the-resurrection-image492423098.html
RM2KH3PK6–Penitent Mary Magdalene by Gillis Coignet (1542-1599), 16th century, Franch ,French, Painter, St. Mary Magdalene, disciple of Jesus. According to the Gospel accounts, Jesus cleansed her of seven demons, she financially aided him in Galilee. She was witnesses ,of the Crucifixion and burial of Jesus, and, famously, was the first person to see him after the Resurrection,
Penitent Mary Magdalene by Gillis Coignet (1542-1599), 16th century, Franch ,French, Painter, St. Mary Magdalene, disciple of Jesus. According to the Gospel accounts, Jesus cleansed her of seven demons, she financially aided him in Galilee. She was witnesses ,of the Crucifixion and burial of Jesus, and, famously, was the first person to see him after the Resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/penitent-mary-magdalene-by-gillis-coignet-1542-1599-16th-century-franch-french-painter-st-mary-magdalene-disciple-of-jesus-according-to-the-gospel-accounts-jesus-cleansed-her-of-seven-demons-she-financially-aided-him-in-galilee-she-was-witnesses-of-the-crucifixion-and-burial-of-jesus-and-famously-was-the-first-person-to-see-him-after-the-resurrection-image492423189.html
RM2KH3PPD–Penitent Mary Magdalene by Gillis Coignet (1542-1599), 16th century, Franch ,French, Painter, St. Mary Magdalene, disciple of Jesus. According to the Gospel accounts, Jesus cleansed her of seven demons, she financially aided him in Galilee. She was witnesses ,of the Crucifixion and burial of Jesus, and, famously, was the first person to see him after the Resurrection,
Mary Magdalene circa 1630 Massimo Stanzione (1586-1656) century, Italy, Italian, Painter, St. Mary Magdalene, disciple of Jesus. According to the Gospel accounts, Jesus cleansed her of seven demons, she financially aided him in Galilee. She was witnesses ,of the Crucifixion and burial of Jesus, and, famously, was the first person to see him after the Resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-magdalene-circa-1630-massimo-stanzione-1586-1656-century-italy-italian-painter-st-mary-magdalene-disciple-of-jesus-according-to-the-gospel-accounts-jesus-cleansed-her-of-seven-demons-she-financially-aided-him-in-galilee-she-was-witnesses-of-the-crucifixion-and-burial-of-jesus-and-famously-was-the-first-person-to-see-him-after-the-resurrection-image492422613.html
RM2KH3P1W–Mary Magdalene circa 1630 Massimo Stanzione (1586-1656) century, Italy, Italian, Painter, St. Mary Magdalene, disciple of Jesus. According to the Gospel accounts, Jesus cleansed her of seven demons, she financially aided him in Galilee. She was witnesses ,of the Crucifixion and burial of Jesus, and, famously, was the first person to see him after the Resurrection,
Mary Magdalene circa 1630 Massimo Stanzione (1586-1656) century, Italy, Italian, Painter, St. Mary Magdalene, disciple of Jesus. According to the Gospel accounts, Jesus cleansed her of seven demons, she financially aided him in Galilee. She was witnesses ,of the Crucifixion and burial of Jesus, and, famously, was the first person to see him after the Resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-magdalene-circa-1630-massimo-stanzione-1586-1656-century-italy-italian-painter-st-mary-magdalene-disciple-of-jesus-according-to-the-gospel-accounts-jesus-cleansed-her-of-seven-demons-she-financially-aided-him-in-galilee-she-was-witnesses-of-the-crucifixion-and-burial-of-jesus-and-famously-was-the-first-person-to-see-him-after-the-resurrection-image492422712.html
RM2KH3P5C–Mary Magdalene circa 1630 Massimo Stanzione (1586-1656) century, Italy, Italian, Painter, St. Mary Magdalene, disciple of Jesus. According to the Gospel accounts, Jesus cleansed her of seven demons, she financially aided him in Galilee. She was witnesses ,of the Crucifixion and burial of Jesus, and, famously, was the first person to see him after the Resurrection,
La Madeleine où Noli me tangere 1857 Pierre Puvis de Chavannes 1824-1898 France French ( ( Noli me tangere, meaning 'touch me not' or 'don't tread on me'Latin version of words spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after his resurrection ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-la-madeleine-o-noli-me-tangere-1857-pierre-puvis-de-chavannes-1824-94667077.html
RMFE0CR1–La Madeleine où Noli me tangere 1857 Pierre Puvis de Chavannes 1824-1898 France French ( ( Noli me tangere, meaning 'touch me not' or 'don't tread on me'Latin version of words spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after his resurrection )
The Suicide of Lucretia by Raibolini Francesco ( said France ) 1447 -1517 15-16th century, Italy, Italian. ( Lucretia, legendary heroine of ancient Rome. According to tradition, she was the beautiful and virtuous wife of the nobleman Lucius Tarquinius Collatinus. Her tragedy began when she was raped by Sextus Tarquinius, son of Lucius Tarquinius Superbus, the tyrannical Etruscan king of Rome. ) ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-suicide-of-lucretia-by-raibolini-francesco-said-france-1447-1517-15-16th-century-italy-italian-lucretia-legendary-heroine-of-ancient-rome-according-to-tradition-she-was-the-beautiful-and-virtuous-wife-of-the-nobleman-lucius-tarquinius-collatinus-her-tragedy-began-when-she-was-raped-by-sextus-tarquinius-son-of-lucius-tarquinius-superbus-the-tyrannical-etruscan-king-of-rome-image227730941.html
RMR6E13W–The Suicide of Lucretia by Raibolini Francesco ( said France ) 1447 -1517 15-16th century, Italy, Italian. ( Lucretia, legendary heroine of ancient Rome. According to tradition, she was the beautiful and virtuous wife of the nobleman Lucius Tarquinius Collatinus. Her tragedy began when she was raped by Sextus Tarquinius, son of Lucius Tarquinius Superbus, the tyrannical Etruscan king of Rome. ) )
Sleeping Eros, 2nd century AD Galleria degli Uffizi, 1581, Founder: Francesco I de' Medici, Grand Duke of Tuscany, Florence, Italy, Italy, Eros was the Greek god of carnal love. In Latin he is called Amor (love) or Cupid (desire). Eros was the assistant, and according to some the son, of Aprhodite, the goddess of love and fertility Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sleeping-eros-2nd-century-ad-galleria-degli-uffizi-1581-founder-francesco-i-de-medici-grand-duke-of-tuscany-florence-italy-italy-eros-was-the-greek-god-of-carnal-love-in-latin-he-is-called-amor-love-or-cupid-desire-eros-was-the-assistant-and-according-to-some-the-son-of-aprhodite-the-goddess-of-love-and-fertility-image547775160.html
RM2PR58PG–Sleeping Eros, 2nd century AD Galleria degli Uffizi, 1581, Founder: Francesco I de' Medici, Grand Duke of Tuscany, Florence, Italy, Italy, Eros was the Greek god of carnal love. In Latin he is called Amor (love) or Cupid (desire). Eros was the assistant, and according to some the son, of Aprhodite, the goddess of love and fertility
Ecce Homo 1757-1760 Giambattista Tiepolo Venice 1696 Madrid 1770 Italy Italian ( Gospel according to Saint John, after the crowning of thorns, Pilate showed to the crowd which had gathered in front of the Praetorium Christ, dressed in a purple cloak and carrying the reed scepter, and said, Ecce Homo to which the spectators replied- to death! ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ecce-homo-1757-1760-giambattista-tiepolo-venice-1696-madrid-1770-italy-italian-gospel-according-to-saint-john-after-the-crowning-of-thorns-pilate-showed-to-the-crowd-which-had-gathered-in-front-of-the-praetorium-christ-dressed-in-a-purple-cloak-and-carrying-the-reed-scepter-and-said-ecce-homo-to-which-the-spectators-replied-to-death!-image357314149.html
RM2BN91RH–Ecce Homo 1757-1760 Giambattista Tiepolo Venice 1696 Madrid 1770 Italy Italian ( Gospel according to Saint John, after the crowning of thorns, Pilate showed to the crowd which had gathered in front of the Praetorium Christ, dressed in a purple cloak and carrying the reed scepter, and said, Ecce Homo to which the spectators replied- to death! )
The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tower-of-babel-by-jan-brueghel-i-1565-1625-and-tobias-verhaecht-1561-1631-royal-museum-of-fine-arts-antwerp-belgium-belgian-tower-of-babel-according-to-genesis-the-babylonians-wanted-to-make-a-name-for-themselves-by-building-a-mighty-city-and-a-tower-with-its-top-in-the-heavens-god-disrupted-the-work-by-so-confusing-the-language-of-the-workers-that-they-could-no-longer-understand-one-another-image603625211.html
RM2X21E37–The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.).
The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tower-of-babel-by-jan-brueghel-i-1565-1625-and-tobias-verhaecht-1561-1631-royal-museum-of-fine-arts-antwerp-belgium-belgian-tower-of-babel-according-to-genesis-the-babylonians-wanted-to-make-a-name-for-themselves-by-building-a-mighty-city-and-a-tower-with-its-top-in-the-heavens-god-disrupted-the-work-by-so-confusing-the-language-of-the-workers-that-they-could-no-longer-understand-one-another-image598729815.html
RM2WP2DYK–The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.).
The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tower-of-babel-by-jan-brueghel-i-1565-1625-and-tobias-verhaecht-1561-1631-royal-museum-of-fine-arts-antwerp-belgium-belgian-tower-of-babel-according-to-genesis-the-babylonians-wanted-to-make-a-name-for-themselves-by-building-a-mighty-city-and-a-tower-with-its-top-in-the-heavens-god-disrupted-the-work-by-so-confusing-the-language-of-the-workers-that-they-could-no-longer-understand-one-another-image598729826.html
RM2WP2E02–The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.).
The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tower-of-babel-by-jan-brueghel-i-1565-1625-and-tobias-verhaecht-1561-1631-royal-museum-of-fine-arts-antwerp-belgium-belgian-tower-of-babel-according-to-genesis-the-babylonians-wanted-to-make-a-name-for-themselves-by-building-a-mighty-city-and-a-tower-with-its-top-in-the-heavens-god-disrupted-the-work-by-so-confusing-the-language-of-the-workers-that-they-could-no-longer-understand-one-another-image598729818.html
RM2WP2DYP–The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.).
Lot and his family leaving Sodom, led by angels, or The Flight of Lot 1625 by Peter Paul Rubens (1577–1640) Flemish Belgian Belgium ( The wife of Lot, violating a divine order and looking back, will be changed, according to the Bible, into a statue of salt. Above, beings in the form of a demon (the Bible does not specify anything), agents of the wrath of God, will destroy the impious city of Sodom) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lot-and-his-family-leaving-sodom-led-by-angels-or-the-flight-of-lot-1625-by-peter-paul-rubens-15771640-flemish-belgian-belgium-the-wife-of-lot-violating-a-divine-order-and-looking-back-will-be-changed-according-to-the-bible-into-a-statue-of-salt-above-beings-in-the-form-of-a-demon-the-bible-does-not-specify-anything-agents-of-the-wrath-of-god-will-destroy-the-impious-city-of-sodom-image256753775.html
RMTWM41K–Lot and his family leaving Sodom, led by angels, or The Flight of Lot 1625 by Peter Paul Rubens (1577–1640) Flemish Belgian Belgium ( The wife of Lot, violating a divine order and looking back, will be changed, according to the Bible, into a statue of salt. Above, beings in the form of a demon (the Bible does not specify anything), agents of the wrath of God, will destroy the impious city of Sodom)
Lot and his family leaving Sodom, led by angels, or The Flight of Lot 1625 by Peter Paul Rubens (1577–1640) Flemish Belgian Belgium ( The wife of Lot, violating a divine order and looking back, will be changed, according to the Bible, into a statue of salt. Above, beings in the form of a demon (the Bible does not specify anything), agents of the wrath of God, will destroy the impious city of Sodom) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lot-and-his-family-leaving-sodom-led-by-angels-or-the-flight-of-lot-1625-by-peter-paul-rubens-15771640-flemish-belgian-belgium-the-wife-of-lot-violating-a-divine-order-and-looking-back-will-be-changed-according-to-the-bible-into-a-statue-of-salt-above-beings-in-the-form-of-a-demon-the-bible-does-not-specify-anything-agents-of-the-wrath-of-god-will-destroy-the-impious-city-of-sodom-image256753777.html
RMTWM41N–Lot and his family leaving Sodom, led by angels, or The Flight of Lot 1625 by Peter Paul Rubens (1577–1640) Flemish Belgian Belgium ( The wife of Lot, violating a divine order and looking back, will be changed, according to the Bible, into a statue of salt. Above, beings in the form of a demon (the Bible does not specify anything), agents of the wrath of God, will destroy the impious city of Sodom)
Reliquary bust of one of Saint Ursula’s virgins 1325 - 1349 anonymous, walnut (hardwood), 26.6cm, German, Germany, (According to legend, the Christian princess Ursula and her retinue of 11000 virginal handmaidens were murdered near Cologne by Huns. Their numerous relics were preserved in the basilica of St Ursula and other churches in Cologne, particularly in wooden reliquary busts such as this. The victim’s relics could be seen by the faithful through the opening in the bust. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reliquary-bust-of-one-of-saint-ursulas-virgins-1325-1349-anonymous-walnut-hardwood-266cm-german-germany-according-to-legend-the-christian-princess-ursula-and-her-retinue-of-11000-virginal-handmaidens-were-murdered-near-cologne-by-huns-their-numerous-relics-were-preserved-in-the-basilica-of-st-ursula-and-other-churches-in-cologne-particularly-in-wooden-reliquary-busts-such-as-this-the-victims-relics-could-be-seen-by-the-faithful-through-the-opening-in-the-bust-image439933538.html
RM2GFMKM2–Reliquary bust of one of Saint Ursula’s virgins 1325 - 1349 anonymous, walnut (hardwood), 26.6cm, German, Germany, (According to legend, the Christian princess Ursula and her retinue of 11000 virginal handmaidens were murdered near Cologne by Huns. Their numerous relics were preserved in the basilica of St Ursula and other churches in Cologne, particularly in wooden reliquary busts such as this. The victim’s relics could be seen by the faithful through the opening in the bust.
Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-of-horus-and-horemheb-this-temple-image-shows-the-god-horus-and-the-egyptian-pharaoh-horemheb-1319-1305-bc-sitting-side-by-side-horus-carries-a-falcons-head-as-a-heavenly-power-the-king-is-the-same-size-as-the-god-because-according-to-the-egyptians-he-is-equally-powerful-he-is-the-earthly-appearance-of-horus-and-thus-himself-a-god-152-meters-of-limestone-period-new-kingdom-18th-dynasty-1319-1305-bc-egypt-egyptian-image229599197.html
RMR9F439–Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian.
Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-of-horus-and-horemheb-this-temple-image-shows-the-god-horus-and-the-egyptian-pharaoh-horemheb-1319-1305-bc-sitting-side-by-side-horus-carries-a-falcons-head-as-a-heavenly-power-the-king-is-the-same-size-as-the-god-because-according-to-the-egyptians-he-is-equally-powerful-he-is-the-earthly-appearance-of-horus-and-thus-himself-a-god-152-meters-of-limestone-period-new-kingdom-18th-dynasty-1319-1305-bc-egypt-egyptian-image229599196.html
RMR9F438–Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian.
Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-of-horus-and-horemheb-this-temple-image-shows-the-god-horus-and-the-egyptian-pharaoh-horemheb-1319-1305-bc-sitting-side-by-side-horus-carries-a-falcons-head-as-a-heavenly-power-the-king-is-the-same-size-as-the-god-because-according-to-the-egyptians-he-is-equally-powerful-he-is-the-earthly-appearance-of-horus-and-thus-himself-a-god-152-meters-of-limestone-period-new-kingdom-18th-dynasty-1319-1305-bc-egypt-egyptian-image229599198.html
RMR9F43A–Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian.
Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-of-horus-and-horemheb-this-temple-image-shows-the-god-horus-and-the-egyptian-pharaoh-horemheb-1319-1305-bc-sitting-side-by-side-horus-carries-a-falcons-head-as-a-heavenly-power-the-king-is-the-same-size-as-the-god-because-according-to-the-egyptians-he-is-equally-powerful-he-is-the-earthly-appearance-of-horus-and-thus-himself-a-god-152-meters-of-limestone-period-new-kingdom-18th-dynasty-1319-1305-bc-egypt-egyptian-image229599194.html
RMR9F436–Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian.
Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-of-horus-and-horemheb-this-temple-image-shows-the-god-horus-and-the-egyptian-pharaoh-horemheb-1319-1305-bc-sitting-side-by-side-horus-carries-a-falcons-head-as-a-heavenly-power-the-king-is-the-same-size-as-the-god-because-according-to-the-egyptians-he-is-equally-powerful-he-is-the-earthly-appearance-of-horus-and-thus-himself-a-god-152-meters-of-limestone-period-new-kingdom-18th-dynasty-1319-1305-bc-egypt-egyptian-image229599195.html
RMR9F437–Image of Horus and Horemheb This temple image shows the god Horus and the Egyptian pharaoh Horemheb (1319-1305 BC) sitting side by side. Horus carries a falcon's head as a heavenly power. The king is the same size as the god, because according to the Egyptians he is equally powerful. He is the earthly appearance of Horus and thus himself a god. (1.52 meters of limestone Period: New Kingdom, 18th Dynasty (1319-1305 BC) Egypt, Egyptian.
The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-soul-fishing-1614-adriaen-pietersz-van-de-venne-1589-1662-dutch-netherlands-in-1614-politics-and-religion-are-inextricably-bound-up-with-one-another-as-is-very-clear-to-see-in-this-painting-at-the-left-are-protestant-ministers-and-leaders-of-the-republic-including-maurice-and-at-the-right-the-archdukes-who-govern-the-south-with-countless-catholic-clergymen-the-north-according-to-the-painter-has-a-promising-future-the-sun-shines-there-the-trees-are-full-of-leaves-whosoever-wants-to-be-saved-is-better-off-swimming-to-a-protestant-boat-image376736428.html
RM2CTWR4C–The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. )
The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-soul-fishing-1614-adriaen-pietersz-van-de-venne-1589-1662-dutch-netherlands-in-1614-politics-and-religion-are-inextricably-bound-up-with-one-another-as-is-very-clear-to-see-in-this-painting-at-the-left-are-protestant-ministers-and-leaders-of-the-republic-including-maurice-and-at-the-right-the-archdukes-who-govern-the-south-with-countless-catholic-clergymen-the-north-according-to-the-painter-has-a-promising-future-the-sun-shines-there-the-trees-are-full-of-leaves-whosoever-wants-to-be-saved-is-better-off-swimming-to-a-protestant-boat-image439551509.html
RM2GF38C5–The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. )
The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-soul-fishing-1614-adriaen-pietersz-van-de-venne-1589-1662-dutch-netherlands-in-1614-politics-and-religion-are-inextricably-bound-up-with-one-another-as-is-very-clear-to-see-in-this-painting-at-the-left-are-protestant-ministers-and-leaders-of-the-republic-including-maurice-and-at-the-right-the-archdukes-who-govern-the-south-with-countless-catholic-clergymen-the-north-according-to-the-painter-has-a-promising-future-the-sun-shines-there-the-trees-are-full-of-leaves-whosoever-wants-to-be-saved-is-better-off-swimming-to-a-protestant-boat-image439551577.html
RM2GF38EH–The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. )
The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-soul-fishing-1614-adriaen-pietersz-van-de-venne-1589-1662-dutch-netherlands-in-1614-politics-and-religion-are-inextricably-bound-up-with-one-another-as-is-very-clear-to-see-in-this-painting-at-the-left-are-protestant-ministers-and-leaders-of-the-republic-including-maurice-and-at-the-right-the-archdukes-who-govern-the-south-with-countless-catholic-clergymen-the-north-according-to-the-painter-has-a-promising-future-the-sun-shines-there-the-trees-are-full-of-leaves-whosoever-wants-to-be-saved-is-better-off-swimming-to-a-protestant-boat-image376736417.html
RM2CTWR41–The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. )
The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-soul-fishing-1614-adriaen-pietersz-van-de-venne-1589-1662-dutch-netherlands-in-1614-politics-and-religion-are-inextricably-bound-up-with-one-another-as-is-very-clear-to-see-in-this-painting-at-the-left-are-protestant-ministers-and-leaders-of-the-republic-including-maurice-and-at-the-right-the-archdukes-who-govern-the-south-with-countless-catholic-clergymen-the-north-according-to-the-painter-has-a-promising-future-the-sun-shines-there-the-trees-are-full-of-leaves-whosoever-wants-to-be-saved-is-better-off-swimming-to-a-protestant-boat-image376736404.html
RM2CTWR3G–The soul fishing 1614 Adriaen Pietersz. van de Venne (1589-1662) Dutch Netherlands ( In 1614 politics and religion are inextricably bound up with one another, as is very clear to see in this painting. At the left are Protestant ministers and leaders of the Republic (including Maurice), and at the right the archdukes who govern the South, with countless Catholic clergymen. The North, according to the painter, has a promising future: the sun shines there, the trees are full of leaves. Whosoever wants to be saved is better off swimming to a Protestant boat. )
The arms of the VOC and Batavia, 1651 by Jeronimus Becx (II), 1651 oil on panel 63 X 97cm These coat of arms show the coat of arms of the VOC, decorated with Neptune and a mermaid, and the coat of arms of Batavia, flanked by Dutch lions. The town of Jacatra Jakarta became 'Conquered den 30 may 1619, according to this coat of arms. Governor-General Jan Pietersz Coen renamed Jacatra Batavia and, in the same year, had a castle built with wharves, warehouses and offices. Dutch, The Netherlands . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-arms-of-the-voc-and-batavia-1651-by-jeronimus-becx-ii-1651-oil-on-panel-63-x-97cm-these-coat-of-arms-show-the-coat-of-arms-of-the-voc-decorated-with-neptune-and-a-mermaid-and-the-coat-of-arms-of-batavia-flanked-by-dutch-lions-the-town-of-jacatra-jakarta-became-conquered-den-30-may-1619-according-to-this-coat-of-arms-governor-general-jan-pietersz-coen-renamed-jacatra-batavia-and-in-the-same-year-had-a-castle-built-with-wharves-warehouses-and-offices-dutch-the-netherlands-image439784440.html
RM2GFDWF4–The arms of the VOC and Batavia, 1651 by Jeronimus Becx (II), 1651 oil on panel 63 X 97cm These coat of arms show the coat of arms of the VOC, decorated with Neptune and a mermaid, and the coat of arms of Batavia, flanked by Dutch lions. The town of Jacatra Jakarta became 'Conquered den 30 may 1619, according to this coat of arms. Governor-General Jan Pietersz Coen renamed Jacatra Batavia and, in the same year, had a castle built with wharves, warehouses and offices. Dutch, The Netherlands .
The arms of the VOC and Batavia, 1651 by Jeronimus Becx (II), 1651 oil on panel 63 X 97cm These coat of arms show the coat of arms of the VOC, decorated with Neptune and a mermaid, and the coat of arms of Batavia, flanked by Dutch lions. The town of Jacatra Jakarta became 'Conquered den 30 may 1619, according to this coat of arms. Governor-General Jan Pietersz Coen renamed Jacatra Batavia and, in the same year, had a castle built with wharves, warehouses and offices. Dutch, The Netherlands . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-arms-of-the-voc-and-batavia-1651-by-jeronimus-becx-ii-1651-oil-on-panel-63-x-97cm-these-coat-of-arms-show-the-coat-of-arms-of-the-voc-decorated-with-neptune-and-a-mermaid-and-the-coat-of-arms-of-batavia-flanked-by-dutch-lions-the-town-of-jacatra-jakarta-became-conquered-den-30-may-1619-according-to-this-coat-of-arms-governor-general-jan-pietersz-coen-renamed-jacatra-batavia-and-in-the-same-year-had-a-castle-built-with-wharves-warehouses-and-offices-dutch-the-netherlands-image439784465.html
RM2GFDWG1–The arms of the VOC and Batavia, 1651 by Jeronimus Becx (II), 1651 oil on panel 63 X 97cm These coat of arms show the coat of arms of the VOC, decorated with Neptune and a mermaid, and the coat of arms of Batavia, flanked by Dutch lions. The town of Jacatra Jakarta became 'Conquered den 30 may 1619, according to this coat of arms. Governor-General Jan Pietersz Coen renamed Jacatra Batavia and, in the same year, had a castle built with wharves, warehouses and offices. Dutch, The Netherlands .
The arms of the VOC and Batavia, 1651 by Jeronimus Becx (II), 1651 oil on panel 63 X 97cm These coat of arms show the coat of arms of the VOC, decorated with Neptune and a mermaid, and the coat of arms of Batavia, flanked by Dutch lions. The town of Jacatra Jakarta became 'Conquered den 30 may 1619, according to this coat of arms. Governor-General Jan Pietersz Coen renamed Jacatra Batavia and, in the same year, had a castle built with wharves, warehouses and offices. Dutch, The Netherlands . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-arms-of-the-voc-and-batavia-1651-by-jeronimus-becx-ii-1651-oil-on-panel-63-x-97cm-these-coat-of-arms-show-the-coat-of-arms-of-the-voc-decorated-with-neptune-and-a-mermaid-and-the-coat-of-arms-of-batavia-flanked-by-dutch-lions-the-town-of-jacatra-jakarta-became-conquered-den-30-may-1619-according-to-this-coat-of-arms-governor-general-jan-pietersz-coen-renamed-jacatra-batavia-and-in-the-same-year-had-a-castle-built-with-wharves-warehouses-and-offices-dutch-the-netherlands-image439784458.html
RM2GFDWFP–The arms of the VOC and Batavia, 1651 by Jeronimus Becx (II), 1651 oil on panel 63 X 97cm These coat of arms show the coat of arms of the VOC, decorated with Neptune and a mermaid, and the coat of arms of Batavia, flanked by Dutch lions. The town of Jacatra Jakarta became 'Conquered den 30 may 1619, according to this coat of arms. Governor-General Jan Pietersz Coen renamed Jacatra Batavia and, in the same year, had a castle built with wharves, warehouses and offices. Dutch, The Netherlands .
Vocation of the sons of Zebedee by MAMARCO BASAITI Venice 1470 - 1530 Italy, Italian, ( Zebedee, according to all four Canonical gospels, was the father of James and John, two disciples of Jesus. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vocation-of-the-sons-of-zebedee-by-mamarco-basaiti-venice-1470-1530-italy-italian-zebedee-according-to-all-four-canonical-gospels-was-the-father-of-james-and-john-two-disciples-of-jesus-image209933627.html
RMP5F8DF–Vocation of the sons of Zebedee by MAMARCO BASAITI Venice 1470 - 1530 Italy, Italian, ( Zebedee, according to all four Canonical gospels, was the father of James and John, two disciples of Jesus. )
St. Andrew Icon Benaki Museum Athens Greece. ( Andrew the Apostle, also called Saint Andrew, was an apostle of Jesus. According to the New Testament, he was a fisherman and one of the Twelve Apostles chosen by Jesus. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-andrew-icon-benaki-museum-athens-greece-andrew-the-apostle-also-called-saint-andrew-was-an-apostle-of-jesus-according-to-the-new-testament-he-was-a-fisherman-and-one-of-the-twelve-apostles-chosen-by-jesus-image594019252.html
RM2WEBWH8–St. Andrew Icon Benaki Museum Athens Greece. ( Andrew the Apostle, also called Saint Andrew, was an apostle of Jesus. According to the New Testament, he was a fisherman and one of the Twelve Apostles chosen by Jesus. )
St. Andrew Icon Benaki Museum Athens Greece. ( Andrew the Apostle, also called Saint Andrew, was an apostle of Jesus. According to the New Testament, he was a fisherman and one of the Twelve Apostles chosen by Jesus. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-andrew-icon-benaki-museum-athens-greece-andrew-the-apostle-also-called-saint-andrew-was-an-apostle-of-jesus-according-to-the-new-testament-he-was-a-fisherman-and-one-of-the-twelve-apostles-chosen-by-jesus-image594019244.html
RM2WEBWH0–St. Andrew Icon Benaki Museum Athens Greece. ( Andrew the Apostle, also called Saint Andrew, was an apostle of Jesus. According to the New Testament, he was a fisherman and one of the Twelve Apostles chosen by Jesus. )
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134984927.html
RMHRH2J7–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134984917.html
RMHRH2HW–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134945121.html
RMHRF7TH–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134984931.html
RMHRH2JB–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134945072.html
RMHRF7PT–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134945071.html
RMHRF7PR–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134984911.html
RMHRH2HK–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134984912.html
RMHRH2HM–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134984928.html
RMHRH2J8–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134945070.html
RMHRF7PP–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134945135.html
RMHRF7W3–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134945093.html
RMHRF7RH–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134945117.html
RMHRF7TD–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134984919.html
RMHRH2HY–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134945095.html
RMHRF7RK–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-berlin-new-museum-uschebtikasten-new-museum-ushabti-box-uschebtis-134984922.html
RMHRH2J2–Berlin, New Museum, Uschebtikasten (New Museum, ushabti box) Uschebtis were often found in very large numbers in the graves because they were given as helpers to work in the afterlife for the deceased who lived there according to ancient Egyptian understanding.
Gladiator fight depicted in the Roman mosaic from the 3rd century AD According to the Latin inscription, the murmillo (Roman armed gladiator) Symmachus is fighting versus the murmillo Maternus, cheered on by the lanistae (gladiator trainers) National Archaeological Museum Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gladiator-fight-depicted-in-the-roman-mosaic-from-the-3rd-century-ad-according-to-the-latin-inscription-the-murmillo-roman-armed-gladiator-symmachus-is-fighting-versus-the-murmillo-maternus-cheered-on-by-the-lanistae-gladiator-trainers-national-archaeological-museum-spain-image384362698.html
RM2D996F6–Gladiator fight depicted in the Roman mosaic from the 3rd century AD According to the Latin inscription, the murmillo (Roman armed gladiator) Symmachus is fighting versus the murmillo Maternus, cheered on by the lanistae (gladiator trainers) National Archaeological Museum Spain.
According to the Hebrew Bible, the golden calf was an idol (a cult image) made by Aaron to satisfy the Israelites during Moses' absence Fresco Hall of the Saints Borgia Apartments - Appartamento Borgia, Palazzi Vaticani Rome by PINTURICCHIO 1454 -1513 Vatican Italy Frescoes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-according-to-the-hebrew-bible-the-golden-calf-was-an-idol-a-cult-image-78177655.html
RMEF58B3–According to the Hebrew Bible, the golden calf was an idol (a cult image) made by Aaron to satisfy the Israelites during Moses' absence Fresco Hall of the Saints Borgia Apartments - Appartamento Borgia, Palazzi Vaticani Rome by PINTURICCHIO 1454 -1513 Vatican Italy Frescoes
Venus directing Aeneas and Achates to Dido`s palace etch etching by Giovanni Domenico Tiepolo Italian 1727–1804 Italy ( according to ancient Greek and Roman sources, the founder and first Queen of Carthage - Phoenician trading city in North Africa, capital of the Carthaginian Tunisia ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-venus-directing-aeneas-and-achates-to-dido`s-palace-etch-etching-by-79576018.html
RMEHD00J–Venus directing Aeneas and Achates to Dido`s palace etch etching by Giovanni Domenico Tiepolo Italian 1727–1804 Italy ( according to ancient Greek and Roman sources, the founder and first Queen of Carthage - Phoenician trading city in North Africa, capital of the Carthaginian Tunisia )
Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-winner-of-the-python-monster-the-so-called-lycian-apollo-type-130-150-ad-according-to-euphranor-active-circa-330-bc-athens-greece-discovered-before-1680-below-the-ruins-of-the-smyrna-stadium-izmir-turkey-h-216-m-greek-roman-image329276847.html
RM2A3KRYB–Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman,
Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-winner-of-the-python-monster-the-so-called-lycian-apollo-type-130-150-ad-according-to-euphranor-active-circa-330-bc-athens-greece-discovered-before-1680-below-the-ruins-of-the-smyrna-stadium-izmir-turkey-h-216-m-greek-roman-image329276808.html
RM2A3KRX0–Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman,
Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-winner-of-the-python-monster-the-so-called-lycian-apollo-type-130-150-ad-according-to-euphranor-active-circa-330-bc-athens-greece-discovered-before-1680-below-the-ruins-of-the-smyrna-stadium-izmir-turkey-h-216-m-greek-roman-image329276819.html
RM2A3KRXB–Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman,
Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-winner-of-the-python-monster-the-so-called-lycian-apollo-type-130-150-ad-according-to-euphranor-active-circa-330-bc-athens-greece-discovered-before-1680-below-the-ruins-of-the-smyrna-stadium-izmir-turkey-h-216-m-greek-roman-image329276816.html
RM2A3KRX8–Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman,
Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-winner-of-the-python-monster-the-so-called-lycian-apollo-type-130-150-ad-according-to-euphranor-active-circa-330-bc-athens-greece-discovered-before-1680-below-the-ruins-of-the-smyrna-stadium-izmir-turkey-h-216-m-greek-roman-image329276811.html
RM2A3KRX3–Apollo winner of the Python monster, the so-called 'Lycian Apollo' type 130-150 AD, according to Euphranor (active circa 330 BC) Athens (Greece), Discovered before 1680 below the ruins of the Smyrna stadium , Izmir, Turkey, H. 2.16 m. Greek, Roman,
Salome 16th-century Lucas Cranach the Elder (1472-1553) German Germany ( According to Mark 6:21–29 a daughter of Herodias danced before Herod and her mother Herodias at the occasion of his birthday, and in doing so gave her mother the opportunity to obtain the head of John the Baptist. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-salome-16th-century-lucas-cranach-the-elder-1472-1553-german-germany-173484343.html
RMM26W1B–Salome 16th-century Lucas Cranach the Elder (1472-1553) German Germany ( According to Mark 6:21–29 a daughter of Herodias danced before Herod and her mother Herodias at the occasion of his birthday, and in doing so gave her mother the opportunity to obtain the head of John the Baptist. )
Saint Ursula and her Handmaidens 1525 The Netherlands, Dutch, Holland, sculpture,statue, ( According to legend, the Christian princess Ursula and 11,000 handmaidens were murdered by Huns near Cologne. Depicts her as a well-to-do woman, dressed in the latest fashion of the Renaissance. Her companions seek protection under her cloak. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-ursula-and-her-handmaidens-1525-the-netherlands-dutch-holland-sculpturestatue-according-to-legend-the-christian-princess-ursula-and-11000-handmaidens-were-murdered-by-huns-near-cologne-depicts-her-as-a-well-to-do-woman-dressed-in-the-latest-fashion-of-the-renaissance-her-companions-seek-protection-under-her-cloak-image530958819.html
RM2NRR7AY–Saint Ursula and her Handmaidens 1525 The Netherlands, Dutch, Holland, sculpture,statue, ( According to legend, the Christian princess Ursula and 11,000 handmaidens were murdered by Huns near Cologne. Depicts her as a well-to-do woman, dressed in the latest fashion of the Renaissance. Her companions seek protection under her cloak. )
Hercules at the Court of Omphale 1537 Hans Cranach 1513-1537 German, Germany.( Hercules, who according to Greek legend murdered his friend Iphitus in a struggle for power and who was thus punished by Hermes, who sold him to the court of Queen Omphale where he had to remain as a slave for three years. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-at-the-court-of-omphale-1537-hans-cranach-1513-1537-german-germany-hercules-who-according-to-greek-legend-murdered-his-friend-iphitus-in-a-struggle-for-power-and-who-was-thus-punished-by-hermes-who-sold-him-to-the-court-of-queen-omphale-where-he-had-to-remain-as-a-slave-for-three-years-image351130807.html
RM2BB7AWY–Hercules at the Court of Omphale 1537 Hans Cranach 1513-1537 German, Germany.( Hercules, who according to Greek legend murdered his friend Iphitus in a struggle for power and who was thus punished by Hermes, who sold him to the court of Queen Omphale where he had to remain as a slave for three years. )
Hercules at the Court of Omphale 1537 Hans Cranach 1513-1537 German, Germany.( Hercules, who according to Greek legend murdered his friend Iphitus in a struggle for power and who was thus punished by Hermes, who sold him to the court of Queen Omphale where he had to remain as a slave for three years. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-at-the-court-of-omphale-1537-hans-cranach-1513-1537-german-germany-hercules-who-according-to-greek-legend-murdered-his-friend-iphitus-in-a-struggle-for-power-and-who-was-thus-punished-by-hermes-who-sold-him-to-the-court-of-queen-omphale-where-he-had-to-remain-as-a-slave-for-three-years-image351130923.html
RM2BB7B23–Hercules at the Court of Omphale 1537 Hans Cranach 1513-1537 German, Germany.( Hercules, who according to Greek legend murdered his friend Iphitus in a struggle for power and who was thus punished by Hermes, who sold him to the court of Queen Omphale where he had to remain as a slave for three years. )
Massacre of the Innocents by Domenico Gargiulo, The massacre of the innocents, an episode told in the Gospel according to Matthew. Herod the Great, king of Judea, orders a massacre of children in order to kill the newborn Jesus. Museum, Italy, ( Domenico Gargiulo called Micco Spadaro (1609-1610 – 1675) was an Italian painter of the Baroque period, mainly active in Naples ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/massacre-of-the-innocents-by-domenico-gargiulo-the-massacre-of-the-innocents-an-episode-told-in-the-gospel-according-to-matthew-herod-the-great-king-of-judea-orders-a-massacre-of-children-in-order-to-kill-the-newborn-jesus-museum-italy-domenico-gargiulo-called-micco-spadaro-1609-1610-1675-was-an-italian-painter-of-the-baroque-period-mainly-active-in-naples-image569623361.html
RM2T2MGBD–Massacre of the Innocents by Domenico Gargiulo, The massacre of the innocents, an episode told in the Gospel according to Matthew. Herod the Great, king of Judea, orders a massacre of children in order to kill the newborn Jesus. Museum, Italy, ( Domenico Gargiulo called Micco Spadaro (1609-1610 – 1675) was an Italian painter of the Baroque period, mainly active in Naples )
Massacre of the Innocents by Domenico Gargiulo, The massacre of the innocents, an episode told in the Gospel according to Matthew. Herod the Great, king of Judea, orders a massacre of children in order to kill the newborn Jesus. Museum, Italy, ( Domenico Gargiulo called Micco Spadaro (1609-1610 – 1675) was an Italian painter of the Baroque period, mainly active in Naples ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/massacre-of-the-innocents-by-domenico-gargiulo-the-massacre-of-the-innocents-an-episode-told-in-the-gospel-according-to-matthew-herod-the-great-king-of-judea-orders-a-massacre-of-children-in-order-to-kill-the-newborn-jesus-museum-italy-domenico-gargiulo-called-micco-spadaro-1609-1610-1675-was-an-italian-painter-of-the-baroque-period-mainly-active-in-naples-image569623369.html
RM2T2MGBN–Massacre of the Innocents by Domenico Gargiulo, The massacre of the innocents, an episode told in the Gospel according to Matthew. Herod the Great, king of Judea, orders a massacre of children in order to kill the newborn Jesus. Museum, Italy, ( Domenico Gargiulo called Micco Spadaro (1609-1610 – 1675) was an Italian painter of the Baroque period, mainly active in Naples )
Massacre of the Innocents by Domenico Gargiulo, The massacre of the innocents, an episode told in the Gospel according to Matthew. Herod the Great, king of Judea, orders a massacre of children in order to kill the newborn Jesus. Museum, Italy, ( Domenico Gargiulo called Micco Spadaro (1609-1610 – 1675) was an Italian painter of the Baroque period, mainly active in Naples ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/massacre-of-the-innocents-by-domenico-gargiulo-the-massacre-of-the-innocents-an-episode-told-in-the-gospel-according-to-matthew-herod-the-great-king-of-judea-orders-a-massacre-of-children-in-order-to-kill-the-newborn-jesus-museum-italy-domenico-gargiulo-called-micco-spadaro-1609-1610-1675-was-an-italian-painter-of-the-baroque-period-mainly-active-in-naples-image569623398.html
RM2T2MGCP–Massacre of the Innocents by Domenico Gargiulo, The massacre of the innocents, an episode told in the Gospel according to Matthew. Herod the Great, king of Judea, orders a massacre of children in order to kill the newborn Jesus. Museum, Italy, ( Domenico Gargiulo called Micco Spadaro (1609-1610 – 1675) was an Italian painter of the Baroque period, mainly active in Naples )
Cornelis Cornelisz. van Haarlem 1562 - 1638 The Hesperides Filling the Cornucopia 1622 The Netherlands, Dutch, ( The Hesperides, according to Greek myth, were three nymphs who tended a blissful garden in the far corner of the world, near the Atlas Mountains. By Roman times, the garden of the Hesperides had become a poetic convention for a Paradise-like realm. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cornelis-cornelisz-van-haarlem-1562-1638-the-hesperides-filling-the-cornucopia-1622-the-netherlands-dutch-the-hesperides-according-to-greek-myth-were-three-nymphs-who-tended-a-blissful-garden-in-the-far-corner-of-the-world-near-the-atlas-mountains-by-roman-times-the-garden-of-the-hesperides-had-become-a-poetic-convention-for-a-paradise-like-realm-image397331664.html
RM2E2C0GG–Cornelis Cornelisz. van Haarlem 1562 - 1638 The Hesperides Filling the Cornucopia 1622 The Netherlands, Dutch, ( The Hesperides, according to Greek myth, were three nymphs who tended a blissful garden in the far corner of the world, near the Atlas Mountains. By Roman times, the garden of the Hesperides had become a poetic convention for a Paradise-like realm. )
Cornelis Cornelisz. van Haarlem 1562 - 1638 The Hesperides Filling the Cornucopia 1622 The Netherlands, Dutch, ( The Hesperides, according to Greek myth, were three nymphs who tended a blissful garden in the far corner of the world, near the Atlas Mountains. By Roman times, the garden of the Hesperides had become a poetic convention for a Paradise-like realm. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cornelis-cornelisz-van-haarlem-1562-1638-the-hesperides-filling-the-cornucopia-1622-the-netherlands-dutch-the-hesperides-according-to-greek-myth-were-three-nymphs-who-tended-a-blissful-garden-in-the-far-corner-of-the-world-near-the-atlas-mountains-by-roman-times-the-garden-of-the-hesperides-had-become-a-poetic-convention-for-a-paradise-like-realm-image397331666.html
RM2E2C0GJ–Cornelis Cornelisz. van Haarlem 1562 - 1638 The Hesperides Filling the Cornucopia 1622 The Netherlands, Dutch, ( The Hesperides, according to Greek myth, were three nymphs who tended a blissful garden in the far corner of the world, near the Atlas Mountains. By Roman times, the garden of the Hesperides had become a poetic convention for a Paradise-like realm. )
The Suicide of Lucretia, 1520/25 Joos van Cleve (1485-1540/1541) Flemish Belgian Belgium ( Lucretia, legendary heroine of ancient Rome. According to tradition, she was the beautiful and virtuous wife of the nobleman Lucius Tarquinius Collatinus. Her tragedy began when she was raped by Sextus Tarquinius, son of Lucius Tarquinius Superbus, the tyrannical Etruscan king of Rome. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-suicide-of-lucretia-152025-joos-van-cleve-1485-15401541-flemish-belgian-belgium-lucretia-legendary-heroine-of-ancient-rome-according-to-tradition-she-was-the-beautiful-and-virtuous-wife-of-the-nobleman-lucius-tarquinius-collatinus-her-tragedy-began-when-she-was-raped-by-sextus-tarquinius-son-of-lucius-tarquinius-superbus-the-tyrannical-etruscan-king-of-rome-image215082695.html
RMPDWT4R–The Suicide of Lucretia, 1520/25 Joos van Cleve (1485-1540/1541) Flemish Belgian Belgium ( Lucretia, legendary heroine of ancient Rome. According to tradition, she was the beautiful and virtuous wife of the nobleman Lucius Tarquinius Collatinus. Her tragedy began when she was raped by Sextus Tarquinius, son of Lucius Tarquinius Superbus, the tyrannical Etruscan king of Rome. )
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