Socrates (center, left), at the school of Athens, 400 BC. Engraving after painting by Raphael. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-socrates-center-left-at-the-school-of-athens-400-bc-engraving-after-50028579.html
RMCWAYXY–Socrates (center, left), at the school of Athens, 400 BC. Engraving after painting by Raphael.
Socrates (center, left), at the school of Athens, 400 BC. Engraving after painting by Raphael. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-socrates-center-left-at-the-school-of-athens-400-bc-engraving-after-32387667.html
RMBTKAPB–Socrates (center, left), at the school of Athens, 400 BC. Engraving after painting by Raphael.
Lycian tombs cut from rock (400 BC) at Dalyan, Mugla Province - Turkey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lycian-tombs-cut-from-rock-400-bc-at-dalyan-mugla-province-turkey-39999503.html
RMC923NK–Lycian tombs cut from rock (400 BC) at Dalyan, Mugla Province - Turkey
The vascular system as described by Diogenes of Apollonia, circa 400 BC slightly modified from E. Krause: 'Diogenes Von Apollonia' (Posen: 1909). Diogenes of Apollonia (425 BC) was an ancient Greek philosopher. Diogenes believed air to be the one source of all being, and all other substances to be derived from it by condensation and rarefaction. He asserted that air, the primal force, was intelligent. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-vascular-system-as-described-by-diogenes-of-apollonia-circa-400-bc-slightly-modified-from-e-krause-diogenes-von-apollonia-posen-1909-diogenes-of-apollonia-425-bc-was-an-ancient-greek-philosopher-diogenes-believed-air-to-be-the-one-source-of-all-being-and-all-other-substances-to-be-derived-from-it-by-condensation-and-rarefaction-he-asserted-that-air-the-primal-force-was-intelligent-image246587947.html
RMT951CB–The vascular system as described by Diogenes of Apollonia, circa 400 BC slightly modified from E. Krause: 'Diogenes Von Apollonia' (Posen: 1909). Diogenes of Apollonia (425 BC) was an ancient Greek philosopher. Diogenes believed air to be the one source of all being, and all other substances to be derived from it by condensation and rarefaction. He asserted that air, the primal force, was intelligent.
Dionysius with actors who hold masks, 400 BC. Men of Athens by Rex Warner page 190-1. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dionysius-with-actors-who-hold-masks-400-bc-men-of-athens-by-rex-warner-page-190-1-image268792046.html
RMWH8EYX–Dionysius with actors who hold masks, 400 BC. Men of Athens by Rex Warner page 190-1.
Termessos Antalya Turkey Pisidian city 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-termessos-antalya-turkey-pisidian-city-400-bc-37971621.html
RMC5NN59–Termessos Antalya Turkey Pisidian city 400 BC
Corinthian bronze helmet, Greece 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/corinthian-bronze-helmet-greece-400-bc-image601669644.html
RM2B0ERMF–figurine, earthenware, terracotta, 25 cm, 420-400 BC, Cyprus, Cyprus
Inspired by Double Spout and Bridge Vessel with Incised and Painted Motifs, Paracas, Early Horizon, c.900–200 BC, c.800–400 BC, Ceramic with pigment, Made in Perú, South America, Ceramics, containers, 6 1/2 x 7 1/2 in. (16.5 x 19 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-double-spout-and-bridge-vessel-with-incised-and-painted-motifs-paracas-early-horizon-c900200-bc-c800400-bc-ceramic-with-pigment-made-in-per-south-america-ceramics-containers-6-12-x-7-12-in-165-x-19-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459275389.html
RF2HK5PCD–Inspired by Double Spout and Bridge Vessel with Incised and Painted Motifs, Paracas, Early Horizon, c.900–200 BC, c.800–400 BC, Ceramic with pigment, Made in Perú, South America, Ceramics, containers, 6 1/2 x 7 1/2 in. (16.5 x 19 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Thucydides. Mosaic of the Athenian gerneral and historian, Thucydides (c. 460 – c. 400 BC), Jerash, Jordan, 3rd century AD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thucydides-mosaic-of-the-athenian-gerneral-and-historian-thucydides-c460-c400-bc-jerash-jordan-3rd-century-ad-image591362506.html
RM2WA2TWE–Thucydides. Mosaic of the Athenian gerneral and historian, Thucydides (c. 460 – c. 400 BC), Jerash, Jordan, 3rd century AD
Grave Stele of Hegeso. Relief depicting Hegeso picking a jewel from the open pyxis (jewelry box), seated before her young servant, ca. 410-400 BC. Pentelic marble. From the Kerameikos cemetery, Athens. National Archaeological Museum. Athens, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grave-stele-of-hegeso-relief-depicting-hegeso-picking-a-jewel-from-the-open-pyxis-jewelry-box-seated-before-her-young-servant-ca-410-400-bc-pentelic-marble-from-the-kerameikos-cemetery-athens-national-archaeological-museum-athens-greece-image342171589.html
RM2ATK79W–Grave Stele of Hegeso. Relief depicting Hegeso picking a jewel from the open pyxis (jewelry box), seated before her young servant, ca. 410-400 BC. Pentelic marble. From the Kerameikos cemetery, Athens. National Archaeological Museum. Athens, Greece.
The Grave Stele of Hegeso (c. 410–400 BC) is one of the best surviving examples of Attic grave stelae. A contemplative seated woman picks jewelry from a box held for her by a standing slave-girl. The jewelry would have been painted on to the marble surface. The deceased woman’s name is inscribed above (Hegeso daughter of Proxenos). The relief was found in the ancient cemetery of Athens, the Kerameikos. From around 450, Athenian funerary monuments increasingly depicted women, as their civic importance increased. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-grave-stele-of-hegeso-c-410400-bc-is-one-of-the-best-surviving-examples-of-attic-grave-stelae-a-contemplative-seated-woman-picks-jewelry-from-a-box-held-for-her-by-a-standing-slave-girl-the-jewelry-would-have-been-painted-on-to-the-marble-surface-the-deceased-womans-name-is-inscribed-above-hegeso-daughter-of-proxenos-the-relief-was-found-in-the-ancient-cemetery-of-athens-the-kerameikos-from-around-450-athenian-funerary-monuments-increasingly-depicted-women-as-their-civic-importance-increased-image441423925.html
RF2GJ4GM5–The Grave Stele of Hegeso (c. 410–400 BC) is one of the best surviving examples of Attic grave stelae. A contemplative seated woman picks jewelry from a box held for her by a standing slave-girl. The jewelry would have been painted on to the marble surface. The deceased woman’s name is inscribed above (Hegeso daughter of Proxenos). The relief was found in the ancient cemetery of Athens, the Kerameikos. From around 450, Athenian funerary monuments increasingly depicted women, as their civic importance increased.
Lycian rock tombs (circa 400 BC), near Fethiye, Turkey, Eurasia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lycian-rock-tombs-circa-400-bc-near-fethiye-turkey-eurasia-16004674.html
RMARBRHR–Lycian rock tombs (circa 400 BC), near Fethiye, Turkey, Eurasia
Greece: Fragment of the Lenormant bas-relief representing an Athenian trireme with nine oarsmen, Acropolis, c. 400 BCE. Photo by Marsyas (CC BY-SA 3.0 License). A trireme (from Latin triremis, literally 'three-oarer') was a type of galley, a Hellenistic-era warship that was used by the ancient maritime civilisations of the Mediterranean, especially the Phoenicians, ancient Greeks, Persians and Romans. The trireme derives its name from its three rows of oars on each side, manned with one man per oar. The early trireme was a development of the penteconter, an ancient warship. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-fragment-of-the-lenormant-bas-relief-representing-an-athenian-trireme-with-nine-oarsmen-acropolis-c-400-bce-photo-by-marsyas-cc-by-sa-30-license-a-trireme-from-latin-triremis-literally-three-oarer-was-a-type-of-galley-a-hellenistic-era-warship-that-was-used-by-the-ancient-maritime-civilisations-of-the-mediterranean-especially-the-phoenicians-ancient-greeks-persians-and-romans-the-trireme-derives-its-name-from-its-three-rows-of-oars-on-each-side-manned-with-one-man-per-oar-the-early-trireme-was-a-development-of-the-penteconter-an-ancient-warship-image344239594.html
RM2B01D36–Greece: Fragment of the Lenormant bas-relief representing an Athenian trireme with nine oarsmen, Acropolis, c. 400 BCE. Photo by Marsyas (CC BY-SA 3.0 License). A trireme (from Latin triremis, literally 'three-oarer') was a type of galley, a Hellenistic-era warship that was used by the ancient maritime civilisations of the Mediterranean, especially the Phoenicians, ancient Greeks, Persians and Romans. The trireme derives its name from its three rows of oars on each side, manned with one man per oar. The early trireme was a development of the penteconter, an ancient warship.
Stones - alignments at Kemario, in Carnac, Brittany, dated to circa 2,400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stones-alignments-at-kemario-in-carnac-brittany-dated-to-circa-2400-bc-image179622695.html
RMMC6EG7–Stones - alignments at Kemario, in Carnac, Brittany, dated to circa 2,400 BC
The ancient Lycian Rock Tombs, Turkey, temple style carved into the rock cliffs 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-ancient-lycian-rock-tombs-turkey-temple-style-carved-into-the-161063811.html
RMKA12EY–The ancient Lycian Rock Tombs, Turkey, temple style carved into the rock cliffs 400 BC
zoology / animals, reptile, snake, consecration relief for Zeus Melichios, Athens, circa 400 BC, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zoology-animals-reptile-snake-consecration-relief-for-zeus-melichios-athens-circa-400-bc-additional-rights-clearance-info-not-available-image558866093.html
RM2RD6FB9–zoology / animals, reptile, snake, consecration relief for Zeus Melichios, Athens, circa 400 BC, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
Thucydides in exile. Blamed for the loss of Amphipolis he was sent into exile in 423 BC. Thucydides, c. 460 – c. 400 BC. Athenian historian and general. From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-thucydides-in-exile-blamed-for-the-loss-of-amphipolis-he-was-sent-161830569.html
RMKB80F5–Thucydides in exile. Blamed for the loss of Amphipolis he was sent into exile in 423 BC. Thucydides, c. 460 – c. 400 BC. Athenian historian and general. From Hutchinson's History of the Nations, published 1915.
Greece, Central Macedonia Region, Thessaloniki, Archeological Museum, gravestone of Agenor, circa 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greece-central-macedonia-region-thessaloniki-archeological-museum-149612963.html
RMJKBCT3–Greece, Central Macedonia Region, Thessaloniki, Archeological Museum, gravestone of Agenor, circa 400 BC
Woman seated on a tomb, c.400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-seated-on-a-tomb-c400-bc-image268821534.html
RMWH9TH2–Woman seated on a tomb, c.400 BC
Termessos Antalya Turkey Pisidian city 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-termessos-antalya-turkey-pisidian-city-400-bc-37971645.html
RMC5NN65–Termessos Antalya Turkey Pisidian city 400 BC
Bronze bust of Greek politician Pericles, Greece 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-bust-of-greek-politician-pericles-greece-400-bc-image601669739.html
RF2WXTBTY–Bronze bust of Greek politician Pericles, Greece 400 BC
RM2B0ERX6–votive bust, earthenware, terracotta, 45 cm, 600-400 BC, Hungary
Inspired by Stirrup Spout Vessel in the Form of a Feline, Cupisnique, Early Horizon, c.900–200 BC, c.700–400 BC, Ceramic with pigment, Made in Perú, South America, Ceramics, containers, 9 1/16 x 5 5/16 x 6 1/2 in. (23 x 13.5 x 16.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-stirrup-spout-vessel-in-the-form-of-a-feline-cupisnique-early-horizon-c900200-bc-c700400-bc-ceramic-with-pigment-made-in-per-south-america-ceramics-containers-9-116-x-5-516-x-6-12-in-23-x-135-x-165-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459276258.html
RF2HK5RFE–Inspired by Stirrup Spout Vessel in the Form of a Feline, Cupisnique, Early Horizon, c.900–200 BC, c.700–400 BC, Ceramic with pigment, Made in Perú, South America, Ceramics, containers, 9 1/16 x 5 5/16 x 6 1/2 in. (23 x 13.5 x 16.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Greek art. Panathenaic amphora. Black figures. Riders throwing spears. 400 BC. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greek-art-panathenaic-amphora-black-figures-riders-throwing-spears-400-bc-national-archaeological-museum-athens-greece-image209611783.html
RMP50HY3–Greek art. Panathenaic amphora. Black figures. Riders throwing spears. 400 BC. National Archaeological Museum. Athens. Greece.
Etruscan bronze statue known as the Chimera di Arezzo (Chimera of Arezzo) dated from 400 BC on display in the Museo archeologico nazionale (National Archaeological Museum) in Florence, Tuscany, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscan-bronze-statue-known-as-the-chimera-di-arezzo-chimera-of-arezzo-dated-from-400-bc-on-display-in-the-museo-archeologico-nazionale-national-archaeological-museum-in-florence-tuscany-italy-image178775574.html
RMMARX1X–Etruscan bronze statue known as the Chimera di Arezzo (Chimera of Arezzo) dated from 400 BC on display in the Museo archeologico nazionale (National Archaeological Museum) in Florence, Tuscany, Italy.
The Chimera of Arezzo, a 5th century B.C. bronze sculpture, is one of the best known examples of Etruscan art. The Chimera is a creature belonging to Greek mythology, comprising multiple animal parts (lion, goat and snake). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-chimera-of-arezzo-a-5th-century-bc-bronze-sculpture-is-one-of-103999980.html
RMG15H10–The Chimera of Arezzo, a 5th century B.C. bronze sculpture, is one of the best known examples of Etruscan art. The Chimera is a creature belonging to Greek mythology, comprising multiple animal parts (lion, goat and snake).
The Erechtheum of Athens, ca. 400 BC, Ionian style, illustration, Meyers Konversations-Lexikon encyclopedia, 1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-erechtheum-of-athens-ca-400-bc-ionian-style-illustration-meyers-image62002753.html
RMDGTD41–The Erechtheum of Athens, ca. 400 BC, Ionian style, illustration, Meyers Konversations-Lexikon encyclopedia, 1897
Female figure. 400 BC. Terracotta. From Mersinaki, Cyprus. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-female-figure-400-bc-terracotta-from-mersinaki-cyprus-museum-of-mediterranean-123538174.html
RMH4YJ5J–Female figure. 400 BC. Terracotta. From Mersinaki, Cyprus. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden.
Decorated terracotta figurines. Buxer, India. Dated: 200-400 B.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorated-terracotta-figurines-buxer-india-dated-200-400-bc-image146355.html
RFA23BB3–Decorated terracotta figurines. Buxer, India. Dated: 200-400 B.C.
Band from a drinking horn, from the tomb of the chief of Eigenbilzen, start of the 2nd Iron Age, c. 400 BC, gold - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/band-from-a-drinking-horn-from-the-tomb-of-the-chief-of-eigenbilzen-start-of-the-2nd-iron-age-c-400-bc-gold-image217674502.html
RMPJ3X1A–Band from a drinking horn, from the tomb of the chief of Eigenbilzen, start of the 2nd Iron Age, c. 400 BC, gold -
Pharnabazus, a Persian soldier and statesman before Agesilaus II (444 – 360 BC), the Eurypontid king of the Ancient Greek city-state of BATTLEFIELD, who ruled from approximately 400 BC to 360 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pharnabazus-a-persian-soldier-and-statesman-before-agesilaus-ii-444-148188675.html
RMJH2G4K–Pharnabazus, a Persian soldier and statesman before Agesilaus II (444 – 360 BC), the Eurypontid king of the Ancient Greek city-state of BATTLEFIELD, who ruled from approximately 400 BC to 360 BC.
DEMOCRITUS GREEK PHILOSOPHER 400 BC ADVANCED ATOMIC THEORY ENGRAVING FROM A BUST IN THE VATICAN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-democritus-greek-philosopher-400-bc-advanced-atomic-theory-engraving-58974782.html
RMDBXEX6–DEMOCRITUS GREEK PHILOSOPHER 400 BC ADVANCED ATOMIC THEORY ENGRAVING FROM A BUST IN THE VATICAN
THUCYDIDES (c 460-c 400 BC) Athenian historian and army commander. Engraving based on Greek original of the fourth century BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thucydides-c-460-c-400-bc-athenian-historian-and-army-commander-engraving-based-on-greek-original-of-the-fourth-century-bc-image233297048.html
RMRFFGNC–THUCYDIDES (c 460-c 400 BC) Athenian historian and army commander. Engraving based on Greek original of the fourth century BC.
Grave Relief of a Woman with a Female Servant So-called Siren Relief circa 400 BC. N/A 89 Altes Museum - Sirenenrelief Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grave-relief-of-a-woman-with-a-female-servant-so-called-siren-relief-circa-400-bc-na-89-altes-museum-sirenenrelief-image209872395.html
RMP5CEAK–Grave Relief of a Woman with a Female Servant So-called Siren Relief circa 400 BC. N/A 89 Altes Museum - Sirenenrelief
Xenophon, retreating into Persia, reaches the Black Sea. Date: 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-xenophon-retreating-into-persia-reaches-the-black-sea-date-400-bc-105290510.html
RMG38B3A–Xenophon, retreating into Persia, reaches the Black Sea. Date: 400 BC
Mask Ornament, c. 900-400 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mask-ornament-c-900-400-bc-image330105901.html
RM2A51HCD–Mask Ornament, c. 900-400 BC.
A silver tetradrachm of Eryx, c.400 BC - reverse: Aphrodite seated. a dove alights on her right hand, while a winged Eros raises his arm towards her . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-silver-tetradrachm-of-eryx-c400-bc-reverse-aphrodite-seated-a-dove-alights-on-her-right-hand-while-a-winged-eros-raises-his-arm-towards-her-image268857941.html
RMWHBF19–A silver tetradrachm of Eryx, c.400 BC - reverse: Aphrodite seated. a dove alights on her right hand, while a winged Eros raises his arm towards her .
Termessos Antalya Turkey Pisidian city 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-termessos-antalya-turkey-pisidian-city-400-bc-37971660.html
RMC5NN6M–Termessos Antalya Turkey Pisidian city 400 BC
Tomb stone of Hegeso, daughter of Proxenos, Attic artwork, Greece 400 bc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tomb-stone-of-hegeso-daughter-of-proxenos-attic-artwork-greece-400-bc-image501805323.html
RM2M4B5PK–Tomb stone of Hegeso, daughter of Proxenos, Attic artwork, Greece 400 bc
RM2B0EJM1–pendant, pendant, gold, ø 4.2 cm, 600-400 BC, Egypt, Syria
Inspired by Mask-like Object in the Form of a Human Head (jinmen doki), Japanese, Jōmon period, c.14,000–c.300 BC, c.400 BC, Earthenware, Made in Japan, Asia, Ceramics, sculpture, 2 13/16 x 2 7/16 x 1 in. (7.1 x 6.2 x 2.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-mask-like-object-in-the-form-of-a-human-head-jinmen-doki-japanese-jmon-period-c14000c300-bc-c400-bc-earthenware-made-in-japan-asia-ceramics-sculpture-2-1316-x-2-716-x-1-in-71-x-62-x-26-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459284124.html
RF2HK65GC–Inspired by Mask-like Object in the Form of a Human Head (jinmen doki), Japanese, Jōmon period, c.14,000–c.300 BC, c.400 BC, Earthenware, Made in Japan, Asia, Ceramics, sculpture, 2 13/16 x 2 7/16 x 1 in. (7.1 x 6.2 x 2.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Female figure. 400 BC. Terracotta. From Mersinaki, Cyprus. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-figure-400-bc-terracotta-from-mersinaki-cyprus-museum-of-mediterranean-and-near-eastern-antiquities-stockholm-sweden-image220298234.html
RMPPBCJ2–Female figure. 400 BC. Terracotta. From Mersinaki, Cyprus. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden.
Band from a drinking horn, from the tomb of the chief of Eigenbilzen, start of the 2nd Iron Age, c. 400 BC, gold Cinquantenaire Museum Brussels, Belgium DSC08709 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-band-from-a-drinking-horn-from-the-tomb-of-the-chief-of-eigenbilzen-142540042.html
RMJ7W77P–Band from a drinking horn, from the tomb of the chief of Eigenbilzen, start of the 2nd Iron Age, c. 400 BC, gold Cinquantenaire Museum Brussels, Belgium DSC08709
This illustration shows a campaign planned in accordance with the phases of an eclipse. Military textbooks written at any time between 400 BC and AD1700 often contain material on the need to consult soothsayers and astrologers as to whether an action is a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-this-illustration-shows-a-campaign-planned-in-accordance-with-the-103998414.html
RMG15F12–This illustration shows a campaign planned in accordance with the phases of an eclipse. Military textbooks written at any time between 400 BC and AD1700 often contain material on the need to consult soothsayers and astrologers as to whether an action is a
Aspasia, c. 470 BC– c. 400 BC. Influential immigrant to Classical-era Athens who was the lover and partner of the statesman Pericles. From Ward and Lock's Illustrated History of the World, published c.1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-aspasia-c-470-bc-c-400-bc-influential-immigrant-to-classical-era-athens-165789326.html
RMKHM9YA–Aspasia, c. 470 BC– c. 400 BC. Influential immigrant to Classical-era Athens who was the lover and partner of the statesman Pericles. From Ward and Lock's Illustrated History of the World, published c.1882.
Greek art. Panathenaic amphora. Black figures. Riders throwing spears. 400 BC. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greek-art-panathenaic-amphora-black-figures-riders-throwing-spears-image69067040.html
RME0A7M0–Greek art. Panathenaic amphora. Black figures. Riders throwing spears. 400 BC. National Archaeological Museum. Athens. Greece.
Terracotta toy elephant. Buxer, India. Dated: 200-400 B.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-toy-elephant-buxer-india-dated-200-400-bc-image146354.html
RFA23BB2–Terracotta toy elephant. Buxer, India. Dated: 200-400 B.C.
Amphora with departure of warriors and conversing youths, Amykos painter, Greek, South Italy, Lucanian, c. 430-400 BC, red-figure technique on earthenware - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amphora-with-departure-of-warriors-and-conversing-youths-amykos-painter-greek-south-italy-lucanian-c-430-400-bc-red-figure-technique-on-earthenware-image214652238.html
RMPD673A–Amphora with departure of warriors and conversing youths, Amykos painter, Greek, South Italy, Lucanian, c. 430-400 BC, red-figure technique on earthenware -
Woman with flowing robe, probably Muse with lyre. Greek roof decoration from about 400 BC on display in the Glyptothek Museum in Munich, Bavaria, Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-with-flowing-robe-probably-muse-with-lyre-greek-roof-decoration-135831887.html
RMHTYJXR–Woman with flowing robe, probably Muse with lyre. Greek roof decoration from about 400 BC on display in the Glyptothek Museum in Munich, Bavaria, Germany.
Copenhagen. Denmark. Statue of a Wind Goddess, ca. 400 BC. Ny Carlsberg Glyptotek. From Hermione in the Argolid. The statue was placed above the pedi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copenhagen-denmark-statue-of-a-wind-goddess-ca-400-bc-ny-carlsberg-glyptotek-from-hermione-in-the-argolid-the-statue-was-placed-above-the-pedi-image240880935.html
RMRYW22F–Copenhagen. Denmark. Statue of a Wind Goddess, ca. 400 BC. Ny Carlsberg Glyptotek. From Hermione in the Argolid. The statue was placed above the pedi
1980s BUST OF HIPPOCRATES OF KOS GREEK PHYSICIAN 400 BC FATHER OF PROFESSIONAL MEDICINE CREDIT FOR TRADITIONAL HIPPOCRATIC OATH - q53133 CPC001 HARS HEALING BUST DIAGNOSIS LEADERSHIP PHYSICIANS INNOVATION HEALTH CARE OF FACIAL HAIR IMPAIRMENT OCCUPATIONS TREATMENT HEALER OATH PHYSICIAN PRACTITIONER 400 BEARDS PROFESSIONALS BC BCE BLACK AND WHITE DISEASE OLD FASHIONED Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1980s-bust-of-hippocrates-of-kos-greek-physician-400-bc-father-of-professional-medicine-credit-for-traditional-hippocratic-oath-q53133-cpc001-hars-healing-bust-diagnosis-leadership-physicians-innovation-health-care-of-facial-hair-impairment-occupations-treatment-healer-oath-physician-practitioner-400-beards-professionals-bc-bce-black-and-white-disease-old-fashioned-image397532097.html
RM2E2N46W–1980s BUST OF HIPPOCRATES OF KOS GREEK PHYSICIAN 400 BC FATHER OF PROFESSIONAL MEDICINE CREDIT FOR TRADITIONAL HIPPOCRATIC OATH - q53133 CPC001 HARS HEALING BUST DIAGNOSIS LEADERSHIP PHYSICIANS INNOVATION HEALTH CARE OF FACIAL HAIR IMPAIRMENT OCCUPATIONS TREATMENT HEALER OATH PHYSICIAN PRACTITIONER 400 BEARDS PROFESSIONALS BC BCE BLACK AND WHITE DISEASE OLD FASHIONED
N/A. English: Lekythos. Attic black-glaze ceramic. Français : Lécythe. Céramique attique à vernis noir. . between circa 500 and circa 400 BC. N/A 207 Black-glaze lekythos Louvre LL99 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-lekythos-attic-black-glaze-ceramic-franais-lcythe-cramique-attique-vernis-noir-between-circa-500-and-circa-400-bc-na-207-black-glaze-lekythos-louvre-ll99-image210107359.html
RMP5R627–N/A. English: Lekythos. Attic black-glaze ceramic. Français : Lécythe. Céramique attique à vernis noir. . between circa 500 and circa 400 BC. N/A 207 Black-glaze lekythos Louvre LL99
The education of young Spartans in Ancient Greece emphasises brawn rather than brain. Date: circa 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-education-of-young-spartans-in-ancient-greece-emphasises-brawn-105254839.html
RMG36NHB–The education of young Spartans in Ancient Greece emphasises brawn rather than brain. Date: circa 400 BC
Votive Axe made out of jade. Olmec, Mexico 1200-400 BC. Pre-Columbian Mesoamerican Mythology Artefact Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-votive-axe-made-out-of-jade-olmec-mexico-1200-400-bc-pre-columbian-57362898.html
RMD992XX–Votive Axe made out of jade. Olmec, Mexico 1200-400 BC. Pre-Columbian Mesoamerican Mythology Artefact
Apulian volute-crater, 4th century BC (400 BC- 301 BC). Artist: Patera Painter. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apulian-volute-crater-4th-century-bc-400-bc-301-bc-artist-patera-painter-image186168243.html
RMMPTKDR–Apulian volute-crater, 4th century BC (400 BC- 301 BC). Artist: Patera Painter.
500 cats in London exhibition . Egyptian models dating in 2600 BC . 500 cats of all sizes , shapes and ages , some of them dating from 2600 BC , which Mr Neville Langton , the member of the Egypt Exploration Society has taken over 25 years to collect , form part of an exhibition arranged by the society at Hinde Street , London . Each one of the cats is of Egyptian origin and figure dating from 300 to 400 BC , show that even in early times the cat was kept as a household pet . One of the most interesting specimens the bronze figure of the cat , which was dedicated to Queen Ankhnesneferibre, rei Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/500-cats-in-london-exhibition-egyptian-models-dating-in-2600-bc-500-cats-of-all-sizes-shapes-and-ages-some-of-them-dating-from-2600-bc-which-mr-neville-langton-the-member-of-the-egypt-exploration-society-has-taken-over-25-years-to-collect-form-part-of-an-exhibition-arranged-by-the-society-at-hinde-street-london-each-one-of-the-cats-is-of-egyptian-origin-and-figure-dating-from-300-to-400-bc-show-that-even-in-early-times-the-cat-was-kept-as-a-household-pet-one-of-the-most-interesting-specimens-the-bronze-figure-of-the-cat-which-was-dedicated-to-queen-ankhnesneferibre-rei-image359660236.html
RM2BW3X8C–500 cats in London exhibition . Egyptian models dating in 2600 BC . 500 cats of all sizes , shapes and ages , some of them dating from 2600 BC , which Mr Neville Langton , the member of the Egypt Exploration Society has taken over 25 years to collect , form part of an exhibition arranged by the society at Hinde Street , London . Each one of the cats is of Egyptian origin and figure dating from 300 to 400 BC , show that even in early times the cat was kept as a household pet . One of the most interesting specimens the bronze figure of the cat , which was dedicated to Queen Ankhnesneferibre, rei
Tomb Tombs Termessos Antalya Turkey Pisidian city 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tomb-tombs-termessos-antalya-turkey-pisidian-city-400-bc-37977937.html
RMC5P16W–Tomb Tombs Termessos Antalya Turkey Pisidian city 400 BC
A mummy mask portrait, painting on wood from the Ptolemaic period, Egypt 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-mummy-mask-portrait-painting-on-wood-from-the-ptolemaic-period-egypt-400-bc-image601670054.html
RF2WXTC86–A mummy mask portrait, painting on wood from the Ptolemaic period, Egypt 400 BC
Stater, c. 400 BC. Greece, late 5th century BC. Silver; diameter: 2 cm (13/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stater-c-400-bc-greece-late-5th-century-bc-silver-diameter-2-cm-1316-in-image240373858.html
RMRY1Y8J–Stater, c. 400 BC. Greece, late 5th century BC. Silver; diameter: 2 cm (13/16 in
Inspired by Whistle in the Form of Two Human Figures, Tembladera, Early Horizon, c.900–200 BC, c.700–400 BC, Ceramic with pigment, Made in Perú, South America, Ceramics, musical instruments, 7 5/16 x 3 9/16 x 1 15/16 in. (18.5 x 9 x 5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-whistle-in-the-form-of-two-human-figures-tembladera-early-horizon-c900200-bc-c700400-bc-ceramic-with-pigment-made-in-per-south-america-ceramics-musical-instruments-7-516-x-3-916-x-1-1516-in-185-x-9-x-5-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459276392.html
RF2HK5RM8–Inspired by Whistle in the Form of Two Human Figures, Tembladera, Early Horizon, c.900–200 BC, c.700–400 BC, Ceramic with pigment, Made in Perú, South America, Ceramics, musical instruments, 7 5/16 x 3 9/16 x 1 15/16 in. (18.5 x 9 x 5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Greek art. Classical period. Grave stele. Relief. Funerary banquet scene. The man lying holding in his hand a 'Philae' and a boy came from a crater serves. Dated in 400 BC, was found in the Asklepieion (Piraeus). National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greek-art-classical-period-grave-stele-relief-funerary-banquet-scene-the-man-lying-holding-in-his-hand-a-philae-and-a-boy-came-from-a-crater-serves-dated-in-400-bc-was-found-in-the-asklepieion-piraeus-national-archaeological-museum-athens-greece-image220373304.html
RMPPETB4–Greek art. Classical period. Grave stele. Relief. Funerary banquet scene. The man lying holding in his hand a 'Philae' and a boy came from a crater serves. Dated in 400 BC, was found in the Asklepieion (Piraeus). National Archaeological Museum. Athens. Greece.
Amphora with departure of warriors and conversing youths, Amykos painter, Greek, South Italy, Lucanian, c. 430 400 BC, red figure technique on earthenware Krannert Art Museum, UIUC DSC06517 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-amphora-with-departure-of-warriors-and-conversing-youths-amykos-painter-142553912.html
RMJ7WTY4–Amphora with departure of warriors and conversing youths, Amykos painter, Greek, South Italy, Lucanian, c. 430 400 BC, red figure technique on earthenware Krannert Art Museum, UIUC DSC06517
This illustration shows a campaign planned in accordance with the phases of an eclipse. Military textbooks written at any time between 400 BC and AD1700 often contain material on the need to consult soothsayers and astrologers as to whether an action is a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-this-illustration-shows-a-campaign-planned-in-accordance-with-the-103998412.html
RMG15F10–This illustration shows a campaign planned in accordance with the phases of an eclipse. Military textbooks written at any time between 400 BC and AD1700 often contain material on the need to consult soothsayers and astrologers as to whether an action is a
Agesilaus in Egypt in 361 BC at the head of a mercenary force to aid king Nectanebo I and his regent Teos against Persia. Agesilaus II, c. 444 – c. 360 BC. Eurypontid king of the Ancient Greek city-state of Sparta, ruling from approximately 400 BC to 360 BC. After the painting by Ambrose Dudley, (1867-1951). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-agesilaus-in-egypt-in-361-bc-at-the-head-of-a-mercenary-force-to-aid-164321549.html
RMKF9DPN–Agesilaus in Egypt in 361 BC at the head of a mercenary force to aid king Nectanebo I and his regent Teos against Persia. Agesilaus II, c. 444 – c. 360 BC. Eurypontid king of the Ancient Greek city-state of Sparta, ruling from approximately 400 BC to 360 BC. After the painting by Ambrose Dudley, (1867-1951). From Hutchinson's History of the Nations, published 1915.
Mask with human features. White marble. Olmec culture. Middle Preclassic Period (1200-400 BC). Mexico, Gulf Coast. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mask-with-human-features-white-marble-olmec-culture-middle-preclassic-period-1200-400-bc-mexico-gulf-coast-museum-of-the-americas-madrid-spain-image263396076.html
RMW8EMAM–Mask with human features. White marble. Olmec culture. Middle Preclassic Period (1200-400 BC). Mexico, Gulf Coast. Museum of the Americas. Madrid, Spain.
'Nang talung' is the shadow puppet theatre popular in southern Thailand. It is an art form said to have originated as early as 400 BC in Southeast Asia. Performances usually last well into the night and remain an essential if diminishing part of village life in Thailand's Deep South. ‘Nang’ means ‘animal hide’, from which the figures are cut. ‘Talung’ refers to Phatthalung, a town in southern Thailand where the art form is said to have originated. It is the task of a single skilled person, the 'nai nag' or ‘puppet master’, to create the whole show. Sitting behind an illuminated screen, he Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nang-talung-is-the-shadow-puppet-theatre-popular-in-southern-thailand-it-is-an-art-form-said-to-have-originated-as-early-as-400-bc-in-southeast-asia-performances-usually-last-well-into-the-night-and-remain-an-essential-if-diminishing-part-of-village-life-in-thailands-deep-south-nang-means-animal-hide-from-which-the-figures-are-cut-talung-refers-to-phatthalung-a-town-in-southern-thailand-where-the-art-form-is-said-to-have-originated-it-is-the-task-of-a-single-skilled-person-the-nai-nag-or-puppet-master-to-create-the-whole-show-sitting-behind-an-illuminated-screen-he-image344252307.html
RM2B02197–'Nang talung' is the shadow puppet theatre popular in southern Thailand. It is an art form said to have originated as early as 400 BC in Southeast Asia. Performances usually last well into the night and remain an essential if diminishing part of village life in Thailand's Deep South. ‘Nang’ means ‘animal hide’, from which the figures are cut. ‘Talung’ refers to Phatthalung, a town in southern Thailand where the art form is said to have originated. It is the task of a single skilled person, the 'nai nag' or ‘puppet master’, to create the whole show. Sitting behind an illuminated screen, he
Marble bust of Athenian historian Thucydides (460-400 BC). Roman copy from the 2nd century AD after a Greek original from the early 4th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marble-bust-of-athenian-historian-thucydides-460-400-bc-roman-copy-140918424.html
RMJ57ATT–Marble bust of Athenian historian Thucydides (460-400 BC). Roman copy from the 2nd century AD after a Greek original from the early 4th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy.
Thucydides, Athenian historian and general, c. 460-400 BC. Author of a History of the Peloponnesian War recounting the fifth-century BC war between Sparta and Athens. Thucydides. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thucydides-athenian-historian-and-general-c460-400-bc-author-of-a-history-of-the-peloponnesian-war-recounting-the-fifth-century-bc-war-between-sparta-and-athens-thucydides-copperplate-engraving-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image551464270.html
RM2R15A8E–Thucydides, Athenian historian and general, c. 460-400 BC. Author of a History of the Peloponnesian War recounting the fifth-century BC war between Sparta and Athens. Thucydides. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Persian style hilltop palace built 480 BC by king of Marion redesigned in Hellenistic style and destroyed 400 BC at Vouni North Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-persian-style-hilltop-palace-built-480-bc-by-king-of-marion-redesigned-20484771.html
RMB594EY–Persian style hilltop palace built 480 BC by king of Marion redesigned in Hellenistic style and destroyed 400 BC at Vouni North
N/A. English: Young man seated with a woman. Side A from a red-figure amphoriskos. Français : Jeune assis et une femme. Face A d'une amphorisque à figures rouges. . between circa 425 and circa 400 BC. N/A 94 Amphoriskos Louvre CA1892 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-young-man-seated-with-a-woman-side-a-from-a-red-figure-amphoriskos-franais-jeune-assis-et-une-femme-face-a-dune-amphorisque-figures-rouges-between-circa-425-and-circa-400-bc-na-94-amphoriskos-louvre-ca1892-image210029131.html
RMP5KJ8B–N/A. English: Young man seated with a woman. Side A from a red-figure amphoriskos. Français : Jeune assis et une femme. Face A d'une amphorisque à figures rouges. . between circa 425 and circa 400 BC. N/A 94 Amphoriskos Louvre CA1892
Aspasia, circa 470 BC - circa 400 BC, Greek philosopher, portrait, wood engraving, 19th century, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aspasia-circa-470-bc-circa-400-bc-greek-philosopher-portrait-wood-23530845.html
RMBA7WR9–Aspasia, circa 470 BC - circa 400 BC, Greek philosopher, portrait, wood engraving, 19th century,
The Bassae Frieze comprises a series of relief marble sculptures from the Temple of Apollo Epikourios at Bassae, Greece. It was discovered in 1811 by Carl Haller and Charles Cockerell. From the style of the frieze it belongs to the High Classical period, probably carved around 400 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bassae-frieze-comprises-a-series-of-relief-marble-sculptures-from-the-temple-of-apollo-epikourios-at-bassae-greece-it-was-discovered-in-1811-by-carl-haller-and-charles-cockerell-from-the-style-of-the-frieze-it-belongs-to-the-high-classical-period-probably-carved-around-400-bc-image186360641.html
RMMR5CW5–The Bassae Frieze comprises a series of relief marble sculptures from the Temple of Apollo Epikourios at Bassae, Greece. It was discovered in 1811 by Carl Haller and Charles Cockerell. From the style of the frieze it belongs to the High Classical period, probably carved around 400 BC.
The Pronomos Vase, c. 400 BC. Found in the Collection of Museo Archeologico Nazionale di Napoli. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pronomos-vase-c-400-bc-found-in-the-collection-of-museo-archeologico-nazionale-di-napoli-image273937371.html
RMWWJWWF–The Pronomos Vase, c. 400 BC. Found in the Collection of Museo Archeologico Nazionale di Napoli.
500 cats in London exhibition . Egyptian models dating in 2600 BC . 500 cats of all sizes , shapes and ages , some of them dating from 2600 BC , which Mr Neville Langton , the member of the Egypt Exploration Society has taken over 25 years to collect , form part of an exhibition arranged by the society at Hinde Street , London . Each one of the cats is of Egyptian origin and figure dating from 300 to 400 BC , show that even in early times the cat was kept as a household pet . One of the most interesting specimens the bronze figure of the cat , which was dedicated to Queen Ankhnesneferibre, rei Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/500-cats-in-london-exhibition-egyptian-models-dating-in-2600-bc-500-cats-of-all-sizes-shapes-and-ages-some-of-them-dating-from-2600-bc-which-mr-neville-langton-the-member-of-the-egypt-exploration-society-has-taken-over-25-years-to-collect-form-part-of-an-exhibition-arranged-by-the-society-at-hinde-street-london-each-one-of-the-cats-is-of-egyptian-origin-and-figure-dating-from-300-to-400-bc-show-that-even-in-early-times-the-cat-was-kept-as-a-household-pet-one-of-the-most-interesting-specimens-the-bronze-figure-of-the-cat-which-was-dedicated-to-queen-ankhnesneferibre-rei-image359660243.html
RM2BW3X8K–500 cats in London exhibition . Egyptian models dating in 2600 BC . 500 cats of all sizes , shapes and ages , some of them dating from 2600 BC , which Mr Neville Langton , the member of the Egypt Exploration Society has taken over 25 years to collect , form part of an exhibition arranged by the society at Hinde Street , London . Each one of the cats is of Egyptian origin and figure dating from 300 to 400 BC , show that even in early times the cat was kept as a household pet . One of the most interesting specimens the bronze figure of the cat , which was dedicated to Queen Ankhnesneferibre, rei
Tomb Tombs Termessos Antalya Turkey Pisidian city 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tomb-tombs-termessos-antalya-turkey-pisidian-city-400-bc-37978191.html
RMC5P1FY–Tomb Tombs Termessos Antalya Turkey Pisidian city 400 BC
Figured Greek hydria with warriors fighting, Greece 400 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figured-greek-hydria-with-warriors-fighting-greece-400-bc-image601669656.html
RF2WXTBP0–Figured Greek hydria with warriors fighting, Greece 400 BC
ear of a bronze oinochoe., Ear, oinochoe, bronze, Length: 15,2 cm (6in.), 500-400 BC, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ear-of-a-bronze-oinochoe-ear-oinochoe-bronze-length-152-cm-6in-500-400-bc-italy-image344563905.html
RM2B0G6NN–ear of a bronze oinochoe., Ear, oinochoe, bronze, Length: 15,2 cm (6in.), 500-400 BC, Italy
Art inspired by Double Spout and Bridge Vessel with Incised and Painted Motifs, Paracas, Early Horizon, c.900-200 BC, c.800-400 BC, Ceramic with pigment, Made in Perú, South America, Ceramics, containers, 6 1/2 x 7 1/2 in. (16.5 x 19 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-double-spout-and-bridge-vessel-with-incised-and-painted-motifs-paracas-early-horizon-c900-200-bc-c800-400-bc-ceramic-with-pigment-made-in-per-south-america-ceramics-containers-6-12-x-7-12-in-165-x-19-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459586605.html
RF2HKKYB9–Art inspired by Double Spout and Bridge Vessel with Incised and Painted Motifs, Paracas, Early Horizon, c.900-200 BC, c.800-400 BC, Ceramic with pigment, Made in Perú, South America, Ceramics, containers, 6 1/2 x 7 1/2 in. (16.5 x 19 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
1. Male figures, limestone. From Kition, ca. 600-480 BC; 2. Figurine of Zeus-Amon enthroned, limestone. From Vouni, ca. 600-400 BC; 3. Amulet of the Egyptian God Ptah, terracotta. From Amathus. Ca. 510-480 BC; 4. Beetle with human head, terracotta. From Cyprus. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1-male-figures-limestone-from-kition-ca-600-480-bc-2-figurine-of-zeus-amon-enthroned-limestone-from-vouni-ca-600-400-bc-3-amulet-of-the-egyptian-god-ptah-terracotta-from-amathus-ca-510-480-bc-4-beetle-with-human-head-terracotta-from-cyprus-museum-of-mediterranean-and-near-eastern-antiquities-stockholm-sweden-image220297575.html
RMPPBBPF–1. Male figures, limestone. From Kition, ca. 600-480 BC; 2. Figurine of Zeus-Amon enthroned, limestone. From Vouni, ca. 600-400 BC; 3. Amulet of the Egyptian God Ptah, terracotta. From Amathus. Ca. 510-480 BC; 4. Beetle with human head, terracotta. From Cyprus. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden.
Band from a drinking horn, from the tomb of the chief of Eigenbilzen, start of the 2nd Iron Age, c. 400 BC, gold Cinquantenaire Museum Brussels, Belgium DSC08709 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-band-from-a-drinking-horn-from-the-tomb-of-the-chief-of-eigenbilzen-170074013.html
RMKTKF3W–Band from a drinking horn, from the tomb of the chief of Eigenbilzen, start of the 2nd Iron Age, c. 400 BC, gold Cinquantenaire Museum Brussels, Belgium DSC08709
This illustration shows a campaign planned in accordance with the phases of an eclipse. Military textbooks written at any time between 400 BC and AD1700 often contain material on the need to consult soothsayers and astrologers as to whether an action is a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-this-illustration-shows-a-campaign-planned-in-accordance-with-the-103998415.html
RMG15F13–This illustration shows a campaign planned in accordance with the phases of an eclipse. Military textbooks written at any time between 400 BC and AD1700 often contain material on the need to consult soothsayers and astrologers as to whether an action is a
Pericles pleading for Aspasia. Noted for her ability as a conversationalist and adviser she was accused of corrupting the women of Athens in order to satisfy Pericles' perversions. Aspasia, c. 470 – c. 400 BC. Lover of Pericles. Pericles, c. 495 – 429 BC. Prominent and influential Greek statesman, orator and general of Athens. After the painting by Margaret Dovaston, (1884-1954). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pericles-pleading-for-aspasia-noted-for-her-ability-as-a-conversationalist-161830554.html
RMKB80EJ–Pericles pleading for Aspasia. Noted for her ability as a conversationalist and adviser she was accused of corrupting the women of Athens in order to satisfy Pericles' perversions. Aspasia, c. 470 – c. 400 BC. Lover of Pericles. Pericles, c. 495 – 429 BC. Prominent and influential Greek statesman, orator and general of Athens. After the painting by Margaret Dovaston, (1884-1954). From Hutchinson's History of the Nations, published 1915.
Greece, Athens. Area of Kerameikos (Ceramicus). Replica of the funerary Stele of Hegeso, c. 410-400 BC. The original piece is located at the National Archaeological Museum of Athens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-area-of-kerameikos-ceramicus-replica-of-the-funerary-stele-of-hegeso-c-410-400-bc-the-original-piece-is-located-at-the-national-archaeological-museum-of-athens-image346849273.html
RM2B489P1–Greece, Athens. Area of Kerameikos (Ceramicus). Replica of the funerary Stele of Hegeso, c. 410-400 BC. The original piece is located at the National Archaeological Museum of Athens.
'Nang talung' is the shadow puppet theatre popular in southern Thailand. It is an art form said to have originated as early as 400 BC in Southeast Asia. Performances usually last well into the night and remain an essential if diminishing part of village life in Thailand's Deep South. ‘Nang’ means ‘animal hide’, from which the figures are cut. ‘Talung’ refers to Phatthalung, a town in southern Thailand where the art form is said to have originated. It is the task of a single skilled person, the 'nai nag' or ‘puppet master’, to create the whole show. Sitting behind an illuminated screen, he Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nang-talung-is-the-shadow-puppet-theatre-popular-in-southern-thailand-it-is-an-art-form-said-to-have-originated-as-early-as-400-bc-in-southeast-asia-performances-usually-last-well-into-the-night-and-remain-an-essential-if-diminishing-part-of-village-life-in-thailands-deep-south-nang-means-animal-hide-from-which-the-figures-are-cut-talung-refers-to-phatthalung-a-town-in-southern-thailand-where-the-art-form-is-said-to-have-originated-it-is-the-task-of-a-single-skilled-person-the-nai-nag-or-puppet-master-to-create-the-whole-show-sitting-behind-an-illuminated-screen-he-image344252302.html
RM2B02192–'Nang talung' is the shadow puppet theatre popular in southern Thailand. It is an art form said to have originated as early as 400 BC in Southeast Asia. Performances usually last well into the night and remain an essential if diminishing part of village life in Thailand's Deep South. ‘Nang’ means ‘animal hide’, from which the figures are cut. ‘Talung’ refers to Phatthalung, a town in southern Thailand where the art form is said to have originated. It is the task of a single skilled person, the 'nai nag' or ‘puppet master’, to create the whole show. Sitting behind an illuminated screen, he
Dogu with goggle-shaped eyes, excavated at Kamegaoka, Kizukuri, Tsugaru-shi, Aomori, Jomon period, 1,000-400 BC, ceramic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dogu-with-goggle-shaped-eyes-excavated-at-kamegaoka-kizukuri-tsugaru-shi-aomori-jomon-period-1000-400-bc-ceramic-image264584133.html
RMWACRN9–Dogu with goggle-shaped eyes, excavated at Kamegaoka, Kizukuri, Tsugaru-shi, Aomori, Jomon period, 1,000-400 BC, ceramic
Over-enthusiastic tourists climb one of the largest stones for a photograph within the stunning atmospheric and dramatic setting of Castlerigg ancient stone circle (Castle Lane, Underskiddaw, Keswick, Cumbria, CA12 4RN, UK). It has panoramic views all round including the mountains of Helvellyn and High Seat as a backdrop. It was constructed circa 3000 / 400 BC during the Neolithic period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/over-enthusiastic-tourists-climb-one-of-the-largest-stones-for-a-photograph-within-the-stunning-atmospheric-and-dramatic-setting-of-castlerigg-ancient-stone-circle-castle-lane-underskiddaw-keswick-cumbria-ca12-4rn-uk-it-has-panoramic-views-all-round-including-the-mountains-of-helvellyn-and-high-seat-as-a-backdrop-it-was-constructed-circa-3000-400-bc-during-the-neolithic-period-image388332927.html
RM2DFP2H3–Over-enthusiastic tourists climb one of the largest stones for a photograph within the stunning atmospheric and dramatic setting of Castlerigg ancient stone circle (Castle Lane, Underskiddaw, Keswick, Cumbria, CA12 4RN, UK). It has panoramic views all round including the mountains of Helvellyn and High Seat as a backdrop. It was constructed circa 3000 / 400 BC during the Neolithic period.
Greece, Athens. Area of Kerameikos (Ceramicus). Replica of the funerary Stele of Hegeso, c. 410-400 BC. The original piece is located at the National Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-area-of-kerameikos-ceramicus-replica-of-the-funerary-stele-of-hegeso-c-410-400-bc-the-original-piece-is-located-at-the-national-image447934820.html
RM2H0N5C4–Greece, Athens. Area of Kerameikos (Ceramicus). Replica of the funerary Stele of Hegeso, c. 410-400 BC. The original piece is located at the National
Olmec culture. Kunz Axe, 1000-400 BC. Amerian Museum of Natural History. Ny. USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olmec-culture-kunz-axe-1000-400-bc-amerian-museum-of-natural-history-ny-usa-image234172629.html
RMRGYDG5–Olmec culture. Kunz Axe, 1000-400 BC. Amerian Museum of Natural History. Ny. USA
480 Drinking bowl, Greek, 450-400 BC, bronze, H 767 - Martin von Wagner Museum - Würzburg, Germany - DSC05909 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/480-drinking-bowl-greek-450-400-bc-bronze-h-767-martin-von-wagner-museum-wrzburg-germany-dsc05909-image209951408.html
RMP5G34G–480 Drinking bowl, Greek, 450-400 BC, bronze, H 767 - Martin von Wagner Museum - Würzburg, Germany - DSC05909
Aspasia, circa 470 BC - circa 400 BC, Greek philosopher, portrait, wood engraving, 19th century, after ancient bust, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aspasia-circa-470-bc-circa-400-bc-greek-philosopher-portrait-wood-23531228.html
RMBA7X90–Aspasia, circa 470 BC - circa 400 BC, Greek philosopher, portrait, wood engraving, 19th century, after ancient bust,
The Bassae Frieze comprises a series of relief marble sculptures from the Temple of Apollo Epikourios at Bassae, Greece. It was discovered in 1811 by Carl Haller and Charles Cockerell. From the style of the frieze it belongs to the High Classical period, probably carved around 400 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bassae-frieze-comprises-a-series-of-relief-marble-sculptures-from-the-temple-of-apollo-epikourios-at-bassae-greece-it-was-discovered-in-1811-by-carl-haller-and-charles-cockerell-from-the-style-of-the-frieze-it-belongs-to-the-high-classical-period-probably-carved-around-400-bc-image186360668.html
RMMR5CX4–The Bassae Frieze comprises a series of relief marble sculptures from the Temple of Apollo Epikourios at Bassae, Greece. It was discovered in 1811 by Carl Haller and Charles Cockerell. From the style of the frieze it belongs to the High Classical period, probably carved around 400 BC.
The Pronomos Vase, c. 400 BC. Found in the Collection of Museo Archeologico Nazionale di Napoli. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pronomos-vase-c-400-bc-found-in-the-collection-of-museo-archeologico-nazionale-di-napoli-image273937322.html
RMWWJWRP–The Pronomos Vase, c. 400 BC. Found in the Collection of Museo Archeologico Nazionale di Napoli.
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