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21 7 cm Stock Photos and Images
ax, stone, flint, length: 21.7 cm, prehistoric -4000 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ax-stone-flint-length-217-cm-prehistoric-4000-image344559181.htmlRM2B0G0N1–ax, stone, flint, length: 21.7 cm, prehistoric -4000
Art inspired by Escutcheon, 1730–70, Made in Pennsylvania, United States, American, Wrought iron, H. 8 9/16 in. (21.7 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-escutcheon-173070-made-in-pennsylvania-united-states-american-wrought-iron-h-8-916-in-217-cm-metal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462885539.htmlRF2HW276B–Art inspired by Escutcheon, 1730–70, Made in Pennsylvania, United States, American, Wrought iron, H. 8 9/16 in. (21.7 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Roundel with Susanna Led to Judgement. Culture: North Netherlandish. Dimensions: Overall Diam.: 8 9/16 in. (21.7 cm). Date: ca. 1510. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roundel-with-susanna-led-to-judgement-culture-north-netherlandish-dimensions-overall-diam-8-916-in-217-cm-date-ca-1510-museum-metropolitan-museum-of-art-new-york-usa-image213111979.htmlRMPAM2E3–Roundel with Susanna Led to Judgement. Culture: North Netherlandish. Dimensions: Overall Diam.: 8 9/16 in. (21.7 cm). Date: ca. 1510. Museum: Metropolitan Museum of Art, New York, USA.
Spouted jar Iron Age II ca. 9th century B.C. Iran Hasanlu Ceramic 21.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spouted-jar-iron-age-ii-ca-9th-century-bc-iran-hasanlu-ceramic-217-51072845.htmlRMCY2FX5–Spouted jar Iron Age II ca. 9th century B.C. Iran Hasanlu Ceramic 21.7 cm
. English: Creation Date: ca. 1730 Display Dimensions: 8 17/32 in. x 12 25/32 in. (21.7 cm x 32.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1129 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:21. English: thesandiegomuseumofartcollection 1177 The Lustration of Raja Shamsher Sen (6125059732) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-ca-1730-display-dimensions-8-1732-in-x-12-2532-in-217-cm-x-325-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901129-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140821-english-thesandiegomuseumofartcollection-1177-the-lustration-of-raja-shamsher-sen-6125059732-image185706249.htmlRMMP3J61–. English: Creation Date: ca. 1730 Display Dimensions: 8 17/32 in. x 12 25/32 in. (21.7 cm x 32.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1129 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:21. English: thesandiegomuseumofartcollection 1177 The Lustration of Raja Shamsher Sen (6125059732)
Eugène Atget Bassin de Neptune in the Park of Versailles c.1900 Albumen print after glass-plate negative (17.1 x 21.7 cm) Private collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eugne-atget-bassin-de-neptune-in-the-park-of-versailles-c1900-albumen-113154932.htmlRMGG2J7G–Eugène Atget Bassin de Neptune in the Park of Versailles c.1900 Albumen print after glass-plate negative (17.1 x 21.7 cm) Private collection
![Near Plymouth. Visual Material information: Title: Near Plymouth. 11.84.q Date of publication: [between 1790-1810] Item type: 1 drawing Medium: watercolour with gum arabic Dimensions: sheet 16.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HKJR/near-plymouth-visual-material-information-title-near-plymouth-1184q-date-of-publication-between-1790-1810-item-type-1-drawing-medium-watercolour-with-gum-arabic-dimensions-sheet-168-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HKJR.jpg "Near Plymouth. Visual Material information: Title: Near Plymouth. 11.84.q Date of publication: [between 1790-1810] Item type: 1 drawing Medium: watercolour with gum arabic Dimensions: sheet 16.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Near Plymouth. Visual Material information: Title: Near Plymouth. 11.84.q Date of publication: [between 1790-1810] Item type: 1 drawing Medium: watercolour with gum arabic Dimensions: sheet 16.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-plymouth-visual-material-information-title-near-plymouth-1184q-date-of-publication-between-1790-1810-item-type-1-drawing-medium-watercolour-with-gum-arabic-dimensions-sheet-168-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401758975.htmlRM2E9HKJR–Near Plymouth. Visual Material information: Title: Near Plymouth. 11.84.q Date of publication: [between 1790-1810] Item type: 1 drawing Medium: watercolour with gum arabic Dimensions: sheet 16.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
Ferry landing, Danube Abstract/medium: 1 print : etching ; 6.1 x 21.7 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ferry-landing-danube-abstractmedium-1-print-etching-61-x-217-cm-image265075284.htmlRMWB766C–Ferry landing, Danube Abstract/medium: 1 print : etching ; 6.1 x 21.7 cm.
Hermann Göring and Emmy Sonnemann - a vermeil knife and fork,from the alliance silverware designed by Professor Zeitner for their wedding in 1935. Silver,gilt,the blade made of steel,hallmarked 'NR',on the handle the coat of arms of the Göring respectively Sonnemann family in relief as well as a hallmark '925',length 24.4 cm. The fork with hammered handle and floral decorations as well as a bird in relief,master's mark 'Z' of Professor Zeitner and hallmark '925',length 21.7 cm,weight 85 g. Extremely rare silverware. Cf. Hermann Historica,45th auction,,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hermann-gring-and-emmy-sonnemann-a-vermeil-knife-and-forkfrom-the-51503275.htmlRMCYP4XK–Hermann Göring and Emmy Sonnemann - a vermeil knife and fork,from the alliance silverware designed by Professor Zeitner for their wedding in 1935. Silver,gilt,the blade made of steel,hallmarked 'NR',on the handle the coat of arms of the Göring respectively Sonnemann family in relief as well as a hallmark '925',length 24.4 cm. The fork with hammered handle and floral decorations as well as a bird in relief,master's mark 'Z' of Professor Zeitner and hallmark '925',length 21.7 cm,weight 85 g. Extremely rare silverware. Cf. Hermann Historica,45th auction,,Additional-Rights-Clearences-Not Available
An Army Leaving a Castle; Jacques Callot (French, 1592 - 1635); France; about 1632; Brush and brown wash over black chalk; 10.2 × 21.7 cm (4 × 8 9/16 in.); 85.GG.294 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-army-leaving-a-castle-jacques-callot-french-1592-1635-france-about-1632-brush-and-brown-wash-over-black-chalk-102-217-cm-4-8-916-in-85gg294-image597364182.htmlRM2WKT832–An Army Leaving a Castle; Jacques Callot (French, 1592 - 1635); France; about 1632; Brush and brown wash over black chalk; 10.2 × 21.7 cm (4 × 8 9/16 in.); 85.GG.294
Boccioni Umberto - Private Collection - Paesaggio- unknown date - olio su catone 24 x 21,7 cm - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boccioni-umberto-private-collection-paesaggio-unknown-date-olio-su-catone-24-x-217-cm-image457734915.htmlRF2HGKHFF–Boccioni Umberto - Private Collection - Paesaggio- unknown date - olio su catone 24 x 21,7 cm -
Drawing, Study for 'Muse of History'; Elihu Vedder (American, 1836 – 1923); USA; pastel crayon on gray paper; 30.9 x 21.7 cm (12 3/16 x 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-for-muse-of-history-elihu-vedder-american-1836-1923-usa-pastel-crayon-on-gray-paper-309-x-217-cm-12-316-x-8-916-in-image546182188.htmlRM2PMGMXM–Drawing, Study for 'Muse of History'; Elihu Vedder (American, 1836 – 1923); USA; pastel crayon on gray paper; 30.9 x 21.7 cm (12 3/16 x 8 9/16 in.)
'Johann Rudolph Schellenberg, Camel, 1770s, red and black chalk on laid paper, overall: 18.6 x 21.7 cm (7 5/16 x 8 9/16 in.), Ailsa Mellon Bruce Fund, 2001.88.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-rudolph-schellenberg-camel-1770s-red-and-black-chalk-on-laid-paper-overall-186-x-217-cm-7-516-x-8-916-in-ailsa-mellon-bruce-fund-2001881-image559708444.htmlRM2REGWR8–'Johann Rudolph Schellenberg, Camel, 1770s, red and black chalk on laid paper, overall: 18.6 x 21.7 cm (7 5/16 x 8 9/16 in.), Ailsa Mellon Bruce Fund, 2001.88.1'
Arrowhead (YanonC493) MET LC-32 75 498-001 681659 Japanese, Arrowhead (Yanone), 18th century, Steel, L. 14 in. (35.6 cm); L. of head 8 9/16 in. (21.7 cm); W. 2 in. (5.1 cm); Wt. 3.9 oz. (110.6 g). The Metropolitan Museum of Art, New York. The Collection of Giovanni P. Morosini, presented by his daughter Giulia, 1932 (32.75.498) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-arrowhead-yanonc493-met-lc-32-75-498-001-681659-japanese-arrowhead-168092615.htmlRMKND7RK–Arrowhead (YanonC493) MET LC-32 75 498-001 681659 Japanese, Arrowhead (Yanone), 18th century, Steel, L. 14 in. (35.6 cm); L. of head 8 9/16 in. (21.7 cm); W. 2 in. (5.1 cm); Wt. 3.9 oz. (110.6 g). The Metropolitan Museum of Art, New York. The Collection of Giovanni P. Morosini, presented by his daughter Giulia, 1932 (32.75.498)
A terra-cotta Chalice Iron Age II 7th-8th Century BC 21.7 cm high Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-terra-cotta-chalice-iron-age-ii-7th-8th-century-bc-217-cm-high-image546792123.htmlRF2PNGEX3–A terra-cotta Chalice Iron Age II 7th-8th Century BC 21.7 cm high
Ancient Near East, jewelry, metal, bronze, L 21.7 cm, Location, Iran Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-near-east-jewelry-metal-bronze-l-217-cm-location-iran-image344516132.htmlRM2B0E1RG–Ancient Near East, jewelry, metal, bronze, L 21.7 cm, Location, Iran
Art inspired by Lely frame, 1700–1710, British, Pine, 45 x 35.2, 30 x 20.2, 31.6 x 21.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lely-frame-17001710-british-pine-45-x-352-30-x-202-316-x-217-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462825860.htmlRF2HTYF30–Art inspired by Lely frame, 1700–1710, British, Pine, 45 x 35.2, 30 x 20.2, 31.6 x 21.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Roundel with Christ as Savior of the World. Culture: South Netherlandish. Dimensions: Overall Diam.: 8 9/16 in. (21.7 cm). Date: 1520-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roundel-with-christ-as-savior-of-the-world-culture-south-netherlandish-dimensions-overall-diam-8-916-in-217-cm-date-1520-30-museum-metropolitan-museum-of-art-new-york-usa-image212872448.htmlRMPA94YC–Roundel with Christ as Savior of the World. Culture: South Netherlandish. Dimensions: Overall Diam.: 8 9/16 in. (21.7 cm). Date: 1520-30. Museum: Metropolitan Museum of Art, New York, USA.
English: Franklin Carmichael, untitled, 1930, graphite on paper, 28 x 21.7 cm . 1930 3 Franklin Carmichael - untitled 1930 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-franklin-carmichael-untitled-1930-graphite-on-paper-28-x-217-cm-1930-3-franklin-carmichael-untitled-1930-image210962472.htmlRMP764P0–English: Franklin Carmichael, untitled, 1930, graphite on paper, 28 x 21.7 cm . 1930 3 Franklin Carmichael - untitled 1930
Eugène Atget Hand-cart rue de l'Epée de bois in the 5th arrondissement of Paris c.1900 Albumen print after glass-plate negative (16.5 x 21.7 cm) Private collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eugne-atget-hand-cart-rue-de-lepe-de-bois-in-the-5th-arrondissement-113154906.htmlRMGG2J6J–Eugène Atget Hand-cart rue de l'Epée de bois in the 5th arrondissement of Paris c.1900 Albumen print after glass-plate negative (16.5 x 21.7 cm) Private collection
![View near Maidstone. Visual Material information: Title: View near Maidstone. 17.2.2.e. Date of publication: [after 1798] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 12.6 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H7D6/view-near-maidstone-visual-material-information-title-view-near-maidstone-1722e-date-of-publication-after-1798-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-126-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H7D6.jpg "View near Maidstone. Visual Material information: Title: View near Maidstone. 17.2.2.e. Date of publication: [after 1798] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 12.6 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
View near Maidstone. Visual Material information: Title: View near Maidstone. 17.2.2.e. Date of publication: [after 1798] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 12.6 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-near-maidstone-visual-material-information-title-view-near-maidstone-1722e-date-of-publication-after-1798-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-126-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401749410.htmlRM2E9H7D6–View near Maidstone. Visual Material information: Title: View near Maidstone. 17.2.2.e. Date of publication: [after 1798] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 12.6 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
Falls Church, July 1st, 1861, Outpost Abstract/medium: 1 drawing on cream paper : pencil ; 13.5 x 21.7 cm. (sheet). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/falls-church-july-1st-1861-outpost-abstractmedium-1-drawing-on-cream-paper-pencil-135-x-217-cm-sheet-image265065537.htmlRMWB6NP9–Falls Church, July 1st, 1861, Outpost Abstract/medium: 1 drawing on cream paper : pencil ; 13.5 x 21.7 cm. (sheet).
Hermann Göring and Emmy Sonnemann - a vermeil knife and fork,from the alliance silverware designed by Professor Zeitner for their wedding in 1935. Silver,gilt,the blade made of steel,hallmarked 'NR',on the handle the coat of arms of the Göring respectively Sonnemann family in relief as well as a hallmark '925',length 24.4 cm. The fork with hammered handle and floral decorations as well as a bird in relief,master's mark 'Z' of Professor Zeitner and hallmark '925',length 21.7 cm,weight 85 g. Extremely rare silverware. Cf. Hermann Historica,45th auction,,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hermann-gring-and-emmy-sonnemann-a-vermeil-knife-and-forkfrom-the-51503269.htmlRMCYP4XD–Hermann Göring and Emmy Sonnemann - a vermeil knife and fork,from the alliance silverware designed by Professor Zeitner for their wedding in 1935. Silver,gilt,the blade made of steel,hallmarked 'NR',on the handle the coat of arms of the Göring respectively Sonnemann family in relief as well as a hallmark '925',length 24.4 cm. The fork with hammered handle and floral decorations as well as a bird in relief,master's mark 'Z' of Professor Zeitner and hallmark '925',length 21.7 cm,weight 85 g. Extremely rare silverware. Cf. Hermann Historica,45th auction,,Additional-Rights-Clearences-Not Available
The Coronation of the Virgin with four Angels - 1380 90c. - tempera su tavola 45 x 21,7 cm - Da Bologna Giovanni Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-coronation-of-the-virgin-with-four-angels-1380-90c-tempera-su-tavola-45-x-217-cm-da-bologna-giovanni-image457715937.htmlRF2HGJN9N–The Coronation of the Virgin with four Angels - 1380 90c. - tempera su tavola 45 x 21,7 cm - Da Bologna Giovanni
Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.7 × 21.7 cm (13 1/4 × 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-design-for-tabernacle-from-tabernacles-print-maker-jean-le-pautre-french-16181682-etching-on-paper-337-217-cm-13-14-8-916-in-image546198969.htmlRM2PMHEA1–Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.7 × 21.7 cm (13 1/4 × 8 9/16 in.)
'Paul Gavarni, Reverie, 0, pen and gray and red ink, heightened with white, on darkened paper, overall (approximate): 30.2 x 21.7 cm (11 7/8 x 8 9/16 in.), Rosenwald Collection, 1943.3.4599' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-gavarni-reverie-0-pen-and-gray-and-red-ink-heightened-with-white-on-darkened-paper-overall-approximate-302-x-217-cm-11-78-x-8-916-in-rosenwald-collection-194334599-image559763286.htmlRM2REKBNX–'Paul Gavarni, Reverie, 0, pen and gray and red ink, heightened with white, on darkened paper, overall (approximate): 30.2 x 21.7 cm (11 7/8 x 8 9/16 in.), Rosenwald Collection, 1943.3.4599'
Fragmentary inscribed bowl MET 1989.281.100 544912 Fragmentary inscribed bowl, ca. 1070?712 B.C., Bronze or copper alloy, Overall: Diam. 21.1 x H. 7.2 cm (8 5/16 x 2 13/16 in.); Diam. with rings: 21.7 cm (8 9/16 in.); Diam. of opening: 18 cm (7 1/16 in.). The Metropolitan Museum of Art, New York. Gift of Norbert Schimmel Trust, 1989 (1989.281.100) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-fragmentary-inscribed-bowl-met-1989281100-544912-fragmentary-inscribed-168197308.htmlRMKNJ1AM–Fragmentary inscribed bowl MET 1989.281.100 544912 Fragmentary inscribed bowl, ca. 1070?712 B.C., Bronze or copper alloy, Overall: Diam. 21.1 x H. 7.2 cm (8 5/16 x 2 13/16 in.); Diam. with rings: 21.7 cm (8 9/16 in.); Diam. of opening: 18 cm (7 1/16 in.). The Metropolitan Museum of Art, New York. Gift of Norbert Schimmel Trust, 1989 (1989.281.100)
A terra-cotta Chalice Iron Age II 7th-8th Century BC 21.7 cm high Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-terra-cotta-chalice-iron-age-ii-7th-8th-century-bc-217-cm-high-image68813745.htmlRMDYXMHN–A terra-cotta Chalice Iron Age II 7th-8th Century BC 21.7 cm high
Classical antiquity, figurine, earthenware, terracotta, 21.7 cm, Roman -500, 20, Libya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/classical-antiquity-figurine-earthenware-terracotta-217-cm-roman-500-20-libya-image344533339.htmlRM2B0ERP3–Classical antiquity, figurine, earthenware, terracotta, 21.7 cm, Roman -500, 20, Libya
Inspired by Brothers, Arthur B. Davies, American, 1862-1928, Aquatint on cream-colored machine-made Japan paper, 1917, Sheet: 11 15/16 x 8 9/16 in., 30.3 x 21.7 cm, figures, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-brothers-arthur-b-davies-american-1862-1928-aquatint-on-cream-colored-machine-made-japan-paper-1917-sheet-11-1516-x-8-916-in-303-x-217-cm-figures-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459251456.htmlRF2HK4KWM–Inspired by Brothers, Arthur B. Davies, American, 1862-1928, Aquatint on cream-colored machine-made Japan paper, 1917, Sheet: 11 15/16 x 8 9/16 in., 30.3 x 21.7 cm, figures, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Bottle. Culture: Japan. Dimensions: H. 8 9/16 in. (21.7 cm); W. 11 1/2 in. (29.2 cm). Date: 1840. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bottle-culture-japan-dimensions-h-8-916-in-217-cm-w-11-12-in-292-cm-date-1840-museum-metropolitan-museum-of-art-new-york-usa-image213073509.htmlRMPAJ9C5–Bottle. Culture: Japan. Dimensions: H. 8 9/16 in. (21.7 cm); W. 11 1/2 in. (29.2 cm). Date: 1840. Museum: Metropolitan Museum of Art, New York, USA.
Head of Christ *oil on panel *25 x 21.7 cm *circa 1648 Head of Christ, by Rembrandt 1051 Rembrandt Harmensz. van Rijn 048 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-christ-oil-on-panel-25-x-217-cm-circa-1648-head-of-christ-by-rembrandt-1051-rembrandt-harmensz-van-rijn-048-image185768900.htmlRMMP6E3G–Head of Christ *oil on panel *25 x 21.7 cm *circa 1648 Head of Christ, by Rembrandt 1051 Rembrandt Harmensz. van Rijn 048
Eugène Atget Former hunting lodge (Jagdschloss) located 7 rue de Landy in Clichy-la-Garenne c.1900 Albumen print after glass-plate negative (17 x 21.7 cm) Private collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eugne-atget-former-hunting-lodge-jagdschloss-located-7-rue-de-landy-113154897.htmlRMGG2J69–Eugène Atget Former hunting lodge (Jagdschloss) located 7 rue de Landy in Clichy-la-Garenne c.1900 Albumen print after glass-plate negative (17 x 21.7 cm) Private collection
![Gateway in Lincoln close, called the Chequer, said to be built by John of Gaunt. Author Grimm, Samuel Hieronymus 19.30.ee. Date of publication: [about 1784] Item type: 1 drawing Medium: pen and black ink with monochrome and blue wash Dimensions: sheet 18.4 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HC0A/gateway-in-lincoln-close-called-the-chequer-said-to-be-built-by-john-of-gaunt-author-grimm-samuel-hieronymus-1930ee-date-of-publication-about-1784-item-type-1-drawing-medium-pen-and-black-ink-with-monochrome-and-blue-wash-dimensions-sheet-184-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HC0A.jpg "Gateway in Lincoln close, called the Chequer, said to be built by John of Gaunt. Author Grimm, Samuel Hieronymus 19.30.ee. Date of publication: [about 1784] Item type: 1 drawing Medium: pen and black ink with monochrome and blue wash Dimensions: sheet 18.4 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Gateway in Lincoln close, called the Chequer, said to be built by John of Gaunt. Author Grimm, Samuel Hieronymus 19.30.ee. Date of publication: [about 1784] Item type: 1 drawing Medium: pen and black ink with monochrome and blue wash Dimensions: sheet 18.4 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gateway-in-lincoln-close-called-the-chequer-said-to-be-built-by-john-of-gaunt-author-grimm-samuel-hieronymus-1930ee-date-of-publication-about-1784-item-type-1-drawing-medium-pen-and-black-ink-with-monochrome-and-blue-wash-dimensions-sheet-184-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401752970.htmlRM2E9HC0A–Gateway in Lincoln close, called the Chequer, said to be built by John of Gaunt. Author Grimm, Samuel Hieronymus 19.30.ee. Date of publication: [about 1784] Item type: 1 drawing Medium: pen and black ink with monochrome and blue wash Dimensions: sheet 18.4 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
Kan van faience. Veelkleurig beschilderd met bloemtakken en vogels. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: ca. 1680 - ca. 1700 Material: faience Dimensions: h 21,7 cm. × b 12 cm. × d 15 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kan-van-faience-veelkleurig-beschilderd-met-bloemtakken-en-vogels-manufacturer-plateelbakkerij-anoniemplaats-manufacture-delft-dating-ca-1680-ca-1700-material-faience-dimensions-h-217-cm-b-12-cm-d-15-cm-image348492147.htmlRM2B6Y583–Kan van faience. Veelkleurig beschilderd met bloemtakken en vogels. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: ca. 1680 - ca. 1700 Material: faience Dimensions: h 21,7 cm. × b 12 cm. × d 15 cm.
A Hellenistic Pilos type helmet, , 4th/3rd century B.C. Helmet with a high skull and a small offset lower rim. On the helmet crown a superimposed reinforcement plate attached with four rivets and three holes for the crest holder. On each side a riveted horn-shaped plate lug. A loop on both front and back, above the helmet base a hole on either side for the chin strap attachment. Height 21.7 cm, weight 720 g. Bronze. Red-brown to green patina. Supplements to the rim area and in the skull. The interior reinforced with fibreglass. Slightly deformed. Axel Guttmann , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-hellenistic-pilos-type-helmet-4th3rd-century-bc-helmet-with-a-high-31494354.htmlRMBR6KAA–A Hellenistic Pilos type helmet, , 4th/3rd century B.C. Helmet with a high skull and a small offset lower rim. On the helmet crown a superimposed reinforcement plate attached with four rivets and three holes for the crest holder. On each side a riveted horn-shaped plate lug. A loop on both front and back, above the helmet base a hole on either side for the chin strap attachment. Height 21.7 cm, weight 720 g. Bronze. Red-brown to green patina. Supplements to the rim area and in the skull. The interior reinforced with fibreglass. Slightly deformed. Axel Guttmann ,
Van Gogh Vincent - Private Collection - Peasant digging up potatoes - 1885 - carboncino on carta 27,4 x 21,7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/van-gogh-vincent-private-collection-peasant-digging-up-potatoes-1885-carboncino-on-carta-274-x-217-cm-image457729935.htmlRF2HGKB5K–Van Gogh Vincent - Private Collection - Peasant digging up potatoes - 1885 - carboncino on carta 27,4 x 21,7 cm
Drawing, Design for Rectangular Mahogany Table with Inlay Top; Designed by A.N. Davenport Co.; graphite on thin cream paper; 21.0 x 21.7 cm (8 1/4 x 8 9/16 in. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-rectangular-mahogany-table-with-inlay-top-designed-by-an-davenport-co-graphite-on-thin-cream-paper-210-x-217-cm-8-14-x-8-916-in-image546135665.htmlRM2PMEHH5–Drawing, Design for Rectangular Mahogany Table with Inlay Top; Designed by A.N. Davenport Co.; graphite on thin cream paper; 21.0 x 21.7 cm (8 1/4 x 8 9/16 in. )
Courthouse at Richmond, Staten Island, New York MET 192820 383420 Artist: August K?llner, American, active 1838?72, Courthouse at Richmond, Staten Island, New York, ca. 1872, Watercolor, image: 4 13/16 x 7 3/16 in. (12.2 x 18.3 cm) sheet: 6 1/4 x 8 9/16 in. (15.9 x 21.7 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.76) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-courthouse-at-richmond-staten-island-new-york-met-192820-383420-artist-168005626.htmlRMKN98TX–Courthouse at Richmond, Staten Island, New York MET 192820 383420 Artist: August K?llner, American, active 1838?72, Courthouse at Richmond, Staten Island, New York, ca. 1872, Watercolor, image: 4 13/16 x 7 3/16 in. (12.2 x 18.3 cm) sheet: 6 1/4 x 8 9/16 in. (15.9 x 21.7 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.76)
Ancient Near East, jewelry, metal, bronze, L 21.7 cm, Iron Age 1250-600 BC, Iran Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-near-east-jewelry-metal-bronze-l-217-cm-iron-age-1250-600-bc-iran-image344516136.htmlRM2B0E1RM–Ancient Near East, jewelry, metal, bronze, L 21.7 cm, Iron Age 1250-600 BC, Iran
Inspired by Kurdish Soldiers, One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 4 7/8 x 8 9 /16 in., 12.4 x 21.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-kurdish-soldiers-one-of-274-vintage-photographs-albumen-silver-photograph-late-19th-early-20th-century-qajar-qajar-period-4-78-x-8-9-16-in-124-x-217-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459247750.htmlRF2HK4F5A–Inspired by Kurdish Soldiers, One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 4 7/8 x 8 9 /16 in., 12.4 x 21.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Thoughtful Captain. Artist: Johann Gottfried Schadow (German, Berlin 1764-1850 Berlin). Dimensions: sheet: 13 3/4 x 8 9/16 in. (35 x 21.7 cm). Date: 1822. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-thoughtful-captain-artist-johann-gottfried-schadow-german-berlin-1764-1850-berlin-dimensions-sheet-13-34-x-8-916-in-35-x-217-cm-date-1822-museum-metropolitan-museum-of-art-new-york-usa-image212905942.htmlRMPAAKKJ–The Thoughtful Captain. Artist: Johann Gottfried Schadow (German, Berlin 1764-1850 Berlin). Dimensions: sheet: 13 3/4 x 8 9/16 in. (35 x 21.7 cm). Date: 1822. Museum: Metropolitan Museum of Art, New York, USA.
. English: Franklin Carmichael, untitled, 1930, graphite on paper, 28 x 21.7 cm . 1930. Franklin Carmichael 1 Franklin Carmichael - untitled 1930 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-franklin-carmichael-untitled-1930-graphite-on-paper-28-x-217-cm-1930-franklin-carmichael-1-franklin-carmichael-untitled-1930-image206557761.htmlRMP01EEW–. English: Franklin Carmichael, untitled, 1930, graphite on paper, 28 x 21.7 cm . 1930. Franklin Carmichael 1 Franklin Carmichael - untitled 1930
![Stoke Church and Bridge near Ipswich. Visual Material information: Title: Stoke Church and Bridge near Ipswich. 39.22.g. Date of publication: [around 1770] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 16.3 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HPH1/stoke-church-and-bridge-near-ipswich-visual-material-information-title-stoke-church-and-bridge-near-ipswich-3922g-date-of-publication-around-1770-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-163-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HPH1.jpg "Stoke Church and Bridge near Ipswich. Visual Material information: Title: Stoke Church and Bridge near Ipswich. 39.22.g. Date of publication: [around 1770] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 16.3 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Stoke Church and Bridge near Ipswich. Visual Material information: Title: Stoke Church and Bridge near Ipswich. 39.22.g. Date of publication: [around 1770] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 16.3 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stoke-church-and-bridge-near-ipswich-visual-material-information-title-stoke-church-and-bridge-near-ipswich-3922g-date-of-publication-around-1770-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-163-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401761277.htmlRM2E9HPH1–Stoke Church and Bridge near Ipswich. Visual Material information: Title: Stoke Church and Bridge near Ipswich. 39.22.g. Date of publication: [around 1770] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 16.3 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
Fragment groene lampas Fragment met patroon van paarsewijs naar elkaar toegewende vogels omgeven door bloemen en omlijst door geschulpt, geruit bandwerk. Manufacturer : wever: anoniemPlaats manufacture: Lucca (mogelijk) Dating: ca. 1300 - ca. 1399 Material: zijde gouddraad Techniek: lampas / satijnbinding Dimensions: h 24,5 cm. × b 21,7 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-groene-lampas-fragment-met-patroon-van-paarsewijs-naar-elkaar-toegewende-vogels-omgeven-door-bloemen-en-omlijst-door-geschulpt-geruit-bandwerk-manufacturer-wever-anoniemplaats-manufacture-lucca-mogelijk-dating-ca-1300-ca-1399-material-zijde-gouddraad-techniek-lampas-satijnbinding-dimensions-h-245-cm-b-217-cm-image348361249.htmlRM2B6N695–Fragment groene lampas Fragment met patroon van paarsewijs naar elkaar toegewende vogels omgeven door bloemen en omlijst door geschulpt, geruit bandwerk. Manufacturer : wever: anoniemPlaats manufacture: Lucca (mogelijk) Dating: ca. 1300 - ca. 1399 Material: zijde gouddraad Techniek: lampas / satijnbinding Dimensions: h 24,5 cm. × b 21,7 cm.
A Hellenistic Pilos type helmet, , 4th/3rd century B.C. Helmet with a high skull and a small offset lower rim. On the helmet crown a superimposed reinforcement plate attached with four rivets and three holes for the crest holder. On each side a riveted horn-shaped plate lug. A loop on both front and back, above the helmet base a hole on either side for the chin strap attachment. Height 21.7 cm, weight 720 g. Bronze. Red-brown to green patina. Supplements to the rim area and in the skull. The interior reinforced with fibreglass. Slightly deformed. Axel Guttmann , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-hellenistic-pilos-type-helmet-4th3rd-century-bc-helmet-with-a-high-31494363.htmlRMBR6KAK–A Hellenistic Pilos type helmet, , 4th/3rd century B.C. Helmet with a high skull and a small offset lower rim. On the helmet crown a superimposed reinforcement plate attached with four rivets and three holes for the crest holder. On each side a riveted horn-shaped plate lug. A loop on both front and back, above the helmet base a hole on either side for the chin strap attachment. Height 21.7 cm, weight 720 g. Bronze. Red-brown to green patina. Supplements to the rim area and in the skull. The interior reinforced with fibreglass. Slightly deformed. Axel Guttmann ,
Drawing, Army Wagon and Mule; Winslow Homer (American, 1836–1910); USA; graphite, brush and gray wash on blue-green paper; 13.1 x 21.7 cm (5 3/16 x 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-army-wagon-and-mule-winslow-homer-american-18361910-usa-graphite-brush-and-gray-wash-on-blue-green-paper-131-x-217-cm-5-316-x-8-916-in-image546142160.htmlRM2PMEWW4–Drawing, Army Wagon and Mule; Winslow Homer (American, 1836–1910); USA; graphite, brush and gray wash on blue-green paper; 13.1 x 21.7 cm (5 3/16 x 8 9/16 in.)
Courthouse at Richmond, Staten Island, New York MET MM72489 383420 Artist: August K?llner, American, active 1838?72, Courthouse at Richmond, Staten Island, New York, ca. 1872, Watercolor, image: 4 13/16 x 7 3/16 in. (12.2 x 18.3 cm) sheet: 6 1/4 x 8 9/16 in. (15.9 x 21.7 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.76) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-courthouse-at-richmond-staten-island-new-york-met-mm72489-383420-artist-168379415.htmlRMKNX9JF–Courthouse at Richmond, Staten Island, New York MET MM72489 383420 Artist: August K?llner, American, active 1838?72, Courthouse at Richmond, Staten Island, New York, ca. 1872, Watercolor, image: 4 13/16 x 7 3/16 in. (12.2 x 18.3 cm) sheet: 6 1/4 x 8 9/16 in. (15.9 x 21.7 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.76)
fragment of gold leaf diadem with tendril ornament, diadem, tomb diadem, gold, 2.1 x 21.7 cm, -500 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-gold-leaf-diadem-with-tendril-ornament-diadem-tomb-diadem-gold-21-x-217-cm-500-image344531789.htmlRM2B0ENPN–fragment of gold leaf diadem with tendril ornament, diadem, tomb diadem, gold, 2.1 x 21.7 cm, -500
Art inspired by Bottle, early 18th century, Japanese, for European (probably Dutch) market, Hard-paste porcelain, Height: 8 9/16 in. (21.7 cm), Ceramics-Porcelain-Export, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bottle-early-18th-century-japanese-for-european-probably-dutch-market-hard-paste-porcelain-height-8-916-in-217-cm-ceramics-porcelain-export-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776512.htmlRF2HTW84G–Art inspired by Bottle, early 18th century, Japanese, for European (probably Dutch) market, Hard-paste porcelain, Height: 8 9/16 in. (21.7 cm), Ceramics-Porcelain-Export, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rooster figurine. Culture: Cypriot. Dimensions: H. 8 9/16 in. (21.7 cm). Date: early 5th century B.C.. The figurine is mold-made in two molds and is hollow. The feet are handmade. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rooster-figurine-culture-cypriot-dimensions-h-8-916-in-217-cm-date-early-5th-century-bc-the-figurine-is-mold-made-in-two-molds-and-is-hollow-the-feet-are-handmade-museum-metropolitan-museum-of-art-new-york-usa-image212849239.htmlRMPA83AF–Rooster figurine. Culture: Cypriot. Dimensions: H. 8 9/16 in. (21.7 cm). Date: early 5th century B.C.. The figurine is mold-made in two molds and is hollow. The feet are handmade. Museum: Metropolitan Museum of Art, New York, USA.
. English: Deux jeunes femmes en chapeau, etching by Adolphe Albert. Dim. : 13,7 x 21,7 cm. 26 Deux jeunes femmes by Adolphe Albert Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-deux-jeunes-femmes-en-chapeau-etching-by-adolphe-albert-dim-137-x-217-cm-26-deux-jeunes-femmes-by-adolphe-albert-image189283255.htmlRMMYXGM7–. English: Deux jeunes femmes en chapeau, etching by Adolphe Albert. Dim. : 13,7 x 21,7 cm. 26 Deux jeunes femmes by Adolphe Albert
![Bishop Langton's Monument formerly at Lichfield Author Basire, R.W. 38.45.s. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 38.2 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HPAD/bishop-langtons-monument-formerly-at-lichfield-author-basire-rw-3845s-place-of-publication-london-date-of-publication-before-1798-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-382-x-217-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HPAD.jpg "Bishop Langton's Monument formerly at Lichfield Author Basire, R.W. 38.45.s. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 38.2 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Bishop Langton's Monument formerly at Lichfield Author Basire, R.W. 38.45.s. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 38.2 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bishop-langtons-monument-formerly-at-lichfield-author-basire-rw-3845s-place-of-publication-london-date-of-publication-before-1798-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-382-x-217-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401761093.htmlRM2E9HPAD–Bishop Langton's Monument formerly at Lichfield Author Basire, R.W. 38.45.s. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 38.2 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-painted-with-an-unknown-weapon-possibly-van-egmond-bord-van-aardewerk-beschilderd-in-blauw-op-tinglazuur-met-in-het-plat-een-onbekend-wapen-mogelijk-van-een-lid-van-een-onbekend-geslacht-van-egmond-daarboven-een-gekroond-spiegelmonogram-jve-de-rand-gedecoreerd-met-bladwerk-manufacturer-plateelbakkerij-anoniemplaats-manufacture-delft-dating-1718-material-faience-dimensions-d-217-cm-image348223733.htmlRM2B6EXWW–Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm.
fine arts, Japan, lacquer work, Suzuribako (writing case), wood with gold lacquer, 23.5 x 21.7 cm, Tokugawa period, 18th century, Austrian Museum for Applied Arts, Vienna, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-japan-lacquer-work-suzuribako-writing-case-wood-with-gold-16195303.htmlRMAT42YM–fine arts, Japan, lacquer work, Suzuribako (writing case), wood with gold lacquer, 23.5 x 21.7 cm, Tokugawa period, 18th century, Austrian Museum for Applied Arts, Vienna, Artist's Copyright has not to be cleared
Drawing, Design for Firescreen, Hounds; Designed by William Hunt Diederich (American, b. Hungary, 1884–1953); USA; black crayon, graphite on tracing paper; 17 x 21.7 cm (6 11/16 x 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-firescreen-hounds-designed-by-william-hunt-diederich-american-b-hungary-18841953-usa-black-crayon-graphite-on-tracing-paper-17-x-217-cm-6-1116-x-8-916-in-image546101565.htmlRM2PMD239–Drawing, Design for Firescreen, Hounds; Designed by William Hunt Diederich (American, b. Hungary, 1884–1953); USA; black crayon, graphite on tracing paper; 17 x 21.7 cm (6 11/16 x 8 9/16 in.)
Earthenware jug., jug, earthenware, h: 21.7 cm, diam: 15.6 cm, roman, Netherlands, Gelderland, Nijmegen, Nijmegen, Hunnerberg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/earthenware-jug-jug-earthenware-h-217-cm-diam-156-cm-roman-netherlands-gelderland-nijmegen-nijmegen-hunnerberg-image344536626.htmlRM2B0EYYE–Earthenware jug., jug, earthenware, h: 21.7 cm, diam: 15.6 cm, roman, Netherlands, Gelderland, Nijmegen, Nijmegen, Hunnerberg
Art inspired by Castle Garden Landing for Emigrants, Barge Office, Battery, 1850–1900, Wood engraving, hand colored, 11 x 8 9/16 in. (28 x 21.7 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-castle-garden-landing-for-emigrants-barge-office-battery-18501900-wood-engraving-hand-colored-11-x-8-916-in-28-x-217-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957221.htmlRF2HW5EJD–Art inspired by Castle Garden Landing for Emigrants, Barge Office, Battery, 1850–1900, Wood engraving, hand colored, 11 x 8 9/16 in. (28 x 21.7 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Harmony of Nature. Artist: Pierre Lélu (French, Paris 1741-1810 Paris). Dimensions: sheet: 5 13/16 x 8 9/16 in. (14.7 x 21.7 cm). Date: 1762. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-harmony-of-nature-artist-pierre-llu-french-paris-1741-1810-paris-dimensions-sheet-5-1316-x-8-916-in-147-x-217-cm-date-1762-museum-metropolitan-museum-of-art-new-york-usa-image213112760.htmlRMPAM3E0–The Harmony of Nature. Artist: Pierre Lélu (French, Paris 1741-1810 Paris). Dimensions: sheet: 5 13/16 x 8 9/16 in. (14.7 x 21.7 cm). Date: 1762. Museum: Metropolitan Museum of Art, New York, USA.
. English: Daniel Maclise. The Choice of Hercules, c.1831. Graphite on brown paper, 17.5 x 21.7 cm . 6 February 2008, 17:07:40. Daniel Maclise Hercules 649x430 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-daniel-maclise-the-choice-of-hercules-c1831-graphite-on-brown-paper-175-x-217-cm-6-february-2008-170740-daniel-maclise-hercules-649x430-image184778872.htmlRMMMHB9C–. English: Daniel Maclise. The Choice of Hercules, c.1831. Graphite on brown paper, 17.5 x 21.7 cm . 6 February 2008, 17:07:40. Daniel Maclise Hercules 649x430
![Netley Abbey. Author Godfrey, Richard Bernard 14.83.c. Place of publication: [London] Publisher: Publish'd June 1.st 1776, by F. Blyth No. 87 Cornhill., Date of publication: [1776] Item type: 1 print Medium: etching Dimensions: sheet 18.0 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H2A9/netley-abbey-author-godfrey-richard-bernard-1483c-place-of-publication-london-publisher-publishd-june-1st-1776-by-f-blyth-no-87-cornhill-date-of-publication-1776-item-type-1-print-medium-etching-dimensions-sheet-180-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H2A9.jpg "Netley Abbey. Author Godfrey, Richard Bernard 14.83.c. Place of publication: [London] Publisher: Publish'd June 1.st 1776, by F. Blyth No. 87 Cornhill., Date of publication: [1776] Item type: 1 print Medium: etching Dimensions: sheet 18.0 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Netley Abbey. Author Godfrey, Richard Bernard 14.83.c. Place of publication: [London] Publisher: Publish'd June 1.st 1776, by F. Blyth No. 87 Cornhill., Date of publication: [1776] Item type: 1 print Medium: etching Dimensions: sheet 18.0 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netley-abbey-author-godfrey-richard-bernard-1483c-place-of-publication-london-publisher-publishd-june-1st-1776-by-f-blyth-no-87-cornhill-date-of-publication-1776-item-type-1-print-medium-etching-dimensions-sheet-180-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401745409.htmlRM2E9H2A9–Netley Abbey. Author Godfrey, Richard Bernard 14.83.c. Place of publication: [London] Publisher: Publish'd June 1.st 1776, by F. Blyth No. 87 Cornhill., Date of publication: [1776] Item type: 1 print Medium: etching Dimensions: sheet 18.0 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
Fragment gestreept zijdeweefsel met bloemen Fragment zijdeweefsel. Een groen met rood gestreepte grond heeft rijen bloemtakken in roze en wit. Manufacturer : vervaardiger: anoniemPlaats manufacture: Spanje (mogelijk) Dating: 1750 en/of ca. 1800 - ca. 1900 Material: zijde Techniek: effenbinding / lanceren Dimensions: geheel: h 21,7 cm. × b 12,2 cm. rapport: h 9,1 cm. × b 4,5 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-gestreept-zijdeweefsel-met-bloemen-fragment-zijdeweefsel-een-groen-met-rood-gestreepte-grond-heeft-rijen-bloemtakken-in-roze-en-wit-manufacturer-vervaardiger-anoniemplaats-manufacture-spanje-mogelijk-dating-1750-enof-ca-1800-ca-1900-material-zijde-techniek-effenbinding-lanceren-dimensions-geheel-h-217-cm-b-122-cm-rapport-h-91-cm-b-45-cm-image348361121.htmlRM2B6N64H–Fragment gestreept zijdeweefsel met bloemen Fragment zijdeweefsel. Een groen met rood gestreepte grond heeft rijen bloemtakken in roze en wit. Manufacturer : vervaardiger: anoniemPlaats manufacture: Spanje (mogelijk) Dating: 1750 en/of ca. 1800 - ca. 1900 Material: zijde Techniek: effenbinding / lanceren Dimensions: geheel: h 21,7 cm. × b 12,2 cm. rapport: h 9,1 cm. × b 4,5 cm.
Drawing, Design for a Woven or Embroidered Textile; France; pounced, graphite, brush and slight greenish watercolor, brush and red-brown paint on paper; 37.4 × 21.7 cm (14 3/4 × 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-woven-or-embroidered-textile-france-pounced-graphite-brush-and-slight-greenish-watercolor-brush-and-red-brown-paint-on-paper-374-217-cm-14-34-8-916-in-image546125594.htmlRM2PME4NE–Drawing, Design for a Woven or Embroidered Textile; France; pounced, graphite, brush and slight greenish watercolor, brush and red-brown paint on paper; 37.4 × 21.7 cm (14 3/4 × 8 9/16 in.)
Francois Paul Malcher, American, 1751-1810, Tablespoon, ca. 1800, silver, Overall: 8 9/16 inches (21.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francois-paul-malcher-american-1751-1810-tablespoon-ca-1800-silver-overall-8-916-inches-217-cm-image328731784.htmlRM2A2R0MT–Francois Paul Malcher, American, 1751-1810, Tablespoon, ca. 1800, silver, Overall: 8 9/16 inches (21.7 cm
Art inspired by The Thoughtful Captain, 1822, Lithograph, sheet: 13 3/4 x 8 9/16 in. (35 x 21.7 cm), Prints, Johann Gottfried Schadow (German, Berlin 1764–1850 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-thoughtful-captain-1822-lithograph-sheet-13-34-x-8-916-in-35-x-217-cm-prints-johann-gottfried-schadow-german-berlin-17641850-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961085.htmlRF2HW5KGD–Art inspired by The Thoughtful Captain, 1822, Lithograph, sheet: 13 3/4 x 8 9/16 in. (35 x 21.7 cm), Prints, Johann Gottfried Schadow (German, Berlin 1764–1850 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Assumption of the Virgin. Artist: Monogrammist NL (Polish or German (?), 19th century). Dimensions: 10 1/8 x 8 9/16 in. (25.7 x 21.7 cm). Date: 1842. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assumption-of-the-virgin-artist-monogrammist-nl-polish-or-german-19th-century-dimensions-10-18-x-8-916-in-257-x-217-cm-date-1842-museum-metropolitan-museum-of-art-new-york-usa-image213104986.htmlRMPAKNGA–Assumption of the Virgin. Artist: Monogrammist NL (Polish or German (?), 19th century). Dimensions: 10 1/8 x 8 9/16 in. (25.7 x 21.7 cm). Date: 1842. Museum: Metropolitan Museum of Art, New York, USA.
. Polski: wys.: 21,7 cm / szer.: 10 cm / gł.: 9,8 cm / waga: ca 400 g, srebro pr. 12, wybijanie . XVIII / XIX wiek. Szymon Stanecki 64 Lichtarz, Szymon Stanecki, MHW 15881 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polski-wys-217-cm-szer-10-cm-g-98-cm-waga-ca-400-g-srebro-pr-12-wybijanie-xviii-xix-wiek-szymon-stanecki-64-lichtarz-szymon-stanecki-mhw-15881-image206805339.htmlRMP0CP8Y–. Polski: wys.: 21,7 cm / szer.: 10 cm / gł.: 9,8 cm / waga: ca 400 g, srebro pr. 12, wybijanie . XVIII / XIX wiek. Szymon Stanecki 64 Lichtarz, Szymon Stanecki, MHW 15881
![A Bishop's Monument formerly in Lichfield Cathedral . Author Basire, R.W. 38.45.o. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 37.7 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HP97/a-bishops-monument-formerly-in-lichfield-cathedral-author-basire-rw-3845o-place-of-publication-london-date-of-publication-before-1798-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-377-x-217-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HP97.jpg "A Bishop's Monument formerly in Lichfield Cathedral . Author Basire, R.W. 38.45.o. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 37.7 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A Bishop's Monument formerly in Lichfield Cathedral . Author Basire, R.W. 38.45.o. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 37.7 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bishops-monument-formerly-in-lichfield-cathedral-author-basire-rw-3845o-place-of-publication-london-date-of-publication-before-1798-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-377-x-217-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401761059.htmlRM2E9HP97–A Bishop's Monument formerly in Lichfield Cathedral . Author Basire, R.W. 38.45.o. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 37.7 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-painted-with-an-unknown-weapon-possibly-van-egmond-bord-van-aardewerk-beschilderd-in-blauw-op-tinglazuur-met-in-het-plat-een-onbekend-wapen-mogelijk-van-een-lid-van-een-onbekend-geslacht-van-egmond-daarboven-een-gekroond-spiegelmonogram-jve-de-rand-gedecoreerd-met-bladwerk-manufacturer-plateelbakkerij-anoniemplaats-manufacture-delft-dating-1718-material-faience-dimensions-d-217-cm-image348223719.htmlRM2B6EXWB–Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm.
Drawing, Sheep Grazing in a Field; Winslow Homer (American, 1836–1910); USA; black crayon, brush and white gouache on gray paper; 18.1 x 21.7 cm (7 1/8 x 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-sheep-grazing-in-a-field-winslow-homer-american-18361910-usa-black-crayon-brush-and-white-gouache-on-gray-paper-181-x-217-cm-7-18-x-8-916-in-image546209907.htmlRM2PMJ08K–Drawing, Sheep Grazing in a Field; Winslow Homer (American, 1836–1910); USA; black crayon, brush and white gouache on gray paper; 18.1 x 21.7 cm (7 1/8 x 8 9/16 in.)
Handle with one of the ends bent and the other broken off., handle, metal, bronze, 10 x 21,7 cm, Netherlands, Utrecht, Bunnik, Fighting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handle-with-one-of-the-ends-bent-and-the-other-broken-off-handle-metal-bronze-10-x-217-cm-netherlands-utrecht-bunnik-fighting-image344547552.htmlRM2B0FDWM–Handle with one of the ends bent and the other broken off., handle, metal, bronze, 10 x 21,7 cm, Netherlands, Utrecht, Bunnik, Fighting
Art inspired by Chinese Man with Parasol, Rattle and Box, 19th century, Watercolor and gouache, sheet: 14 9/16 x 8 9/16 in. (37 x 21.7 cm), Drawings, Anonymous, Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-chinese-man-with-parasol-rattle-and-box-19th-century-watercolor-and-gouache-sheet-14-916-x-8-916-in-37-x-217-cm-drawings-anonymous-chinese-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462984693.htmlRF2HW6NKH–Art inspired by Chinese Man with Parasol, Rattle and Box, 19th century, Watercolor and gouache, sheet: 14 9/16 x 8 9/16 in. (37 x 21.7 cm), Drawings, Anonymous, Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Putti and Lions. Artist: Master FG (Italian, active mid-16th century). Dimensions: sheet: 4 3/4 x 8 9/16 in. (12 x 21.7 cm). Date: 1547. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/putti-and-lions-artist-master-fg-italian-active-mid-16th-century-dimensions-sheet-4-34-x-8-916-in-12-x-217-cm-date-1547-museum-metropolitan-museum-of-art-new-york-usa-image213327264.htmlRMPB1W2T–Putti and Lions. Artist: Master FG (Italian, active mid-16th century). Dimensions: sheet: 4 3/4 x 8 9/16 in. (12 x 21.7 cm). Date: 1547. Museum: Metropolitan Museum of Art, New York, USA.
Edouard-Théophile Blanchard *pencil on paper *30.8 x 21.7 cm *signed b.l.: à monsieur E. Blanchard / Son ami H. Regnault / Rome 1869 493 Edouard-Théophile Blanchard, by Henri-Alexandre-Georges Regnault Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edouard-thophile-blanchard-pencil-on-paper-308-x-217-cm-signed-bl-monsieur-e-blanchard-son-ami-h-regnault-rome-1869-493-edouard-thophile-blanchard-by-henri-alexandre-georges-regnault-image209944570.htmlRMP5FPCA–Edouard-Théophile Blanchard *pencil on paper *30.8 x 21.7 cm *signed b.l.: à monsieur E. Blanchard / Son ami H. Regnault / Rome 1869 493 Edouard-Théophile Blanchard, by Henri-Alexandre-Georges Regnault
![A Dean's Monument formerly in Lichfield Cathedral . Author Basire, R.W. 38.45.p. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 38.1 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HP9Y/a-deans-monument-formerly-in-lichfield-cathedral-author-basire-rw-3845p-place-of-publication-london-date-of-publication-before-1798-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-381-x-217-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HP9Y.jpg "A Dean's Monument formerly in Lichfield Cathedral . Author Basire, R.W. 38.45.p. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 38.1 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A Dean's Monument formerly in Lichfield Cathedral . Author Basire, R.W. 38.45.p. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 38.1 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-deans-monument-formerly-in-lichfield-cathedral-author-basire-rw-3845p-place-of-publication-london-date-of-publication-before-1798-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-381-x-217-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401761079.htmlRM2E9HP9Y–A Dean's Monument formerly in Lichfield Cathedral . Author Basire, R.W. 38.45.p. Place of publication: [London?], Date of publication: [before 1798] Item type: 1 print Medium: etching and engraving Dimensions: sheet 38.1 x 21.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-painted-with-an-unknown-weapon-possibly-van-egmond-bord-van-aardewerk-beschilderd-in-blauw-op-tinglazuur-met-in-het-plat-een-onbekend-wapen-mogelijk-van-een-lid-van-een-onbekend-geslacht-van-egmond-daarboven-een-gekroond-spiegelmonogram-jve-de-rand-gedecoreerd-met-bladwerk-manufacturer-plateelbakkerij-anoniemplaats-manufacture-delft-dating-1718-material-faience-dimensions-d-217-cm-image348223726.htmlRM2B6EXWJ–Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm.
Drawing, Landscape Sketch, Hudson Valley, New York; Frederic Edwin Church (American, 1826–1900); USA; graphite on cream wove paper; Sheet: 11.9 x 21.7 cm (4 11/16 x 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-landscape-sketch-hudson-valley-new-york-frederic-edwin-church-american-18261900-usa-graphite-on-cream-wove-paper-sheet-119-x-217-cm-4-1116-x-8-916-in-image546066310.htmlRM2PMBD46–Drawing, Landscape Sketch, Hudson Valley, New York; Frederic Edwin Church (American, 1826–1900); USA; graphite on cream wove paper; Sheet: 11.9 x 21.7 cm (4 11/16 x 8 9/16 in.)
Mary with Child, Feather in Brown, Leaf: 30.5 x 21.7 cm, Not marked, Anonym, Oberrhein (sog. Pseudo-Leu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-with-child-feather-in-brown-leaf-305-x-217-cm-not-marked-anonym-oberrhein-sog-pseudo-leu-image328710037.htmlRM2A2P105–Mary with Child, Feather in Brown, Leaf: 30.5 x 21.7 cm, Not marked, Anonym, Oberrhein (sog. Pseudo-Leu
Art inspired by Putti and Lions, 1547, Engraving, sheet: 4 3/4 x 8 9/16 in. (12 x 21.7 cm), Prints, Master FG (Italian, active mid-16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-putti-and-lions-1547-engraving-sheet-4-34-x-8-916-in-12-x-217-cm-prints-master-fg-italian-active-mid-16th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462809349.htmlRF2HTXP19–Art inspired by Putti and Lions, 1547, Engraving, sheet: 4 3/4 x 8 9/16 in. (12 x 21.7 cm), Prints, Master FG (Italian, active mid-16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Italian Farmer. Artist: Pierre Louis Dubourcq (Dutch, Amsterdam 1815-1873 Amsterdam). Dimensions: 11-1/16 x 8-9/16 in. (28.1 x 21.7 cm). Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italian-farmer-artist-pierre-louis-dubourcq-dutch-amsterdam-1815-1873-amsterdam-dimensions-11-116-x-8-916-in-281-x-217-cm-date-mid-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213373821.htmlRMPB40DH–Italian Farmer. Artist: Pierre Louis Dubourcq (Dutch, Amsterdam 1815-1873 Amsterdam). Dimensions: 11-1/16 x 8-9/16 in. (28.1 x 21.7 cm). Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.
. Придворная дама Design for the First Costume for an Elderly Lady of Phaedra's Court with Variations of Detail for an Old Lady. Pencil, watercolor and gold paint. 29 x 21,7 cm. Thyssen-Bornemisza Collection. Lugano. 20th century. Бакст 479 Phaedra (Bakst) 02 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-the-first-costume-for-an-elderly-lady-of-phaedras-court-with-variations-of-detail-for-an-old-lady-pencil-watercolor-and-gold-paint-29-x-217-cm-thyssen-bornemisza-collection-lugano-20th-century-479-phaedra-bakst-02-image187479468.htmlRMMW0BY8–. Придворная дама Design for the First Costume for an Elderly Lady of Phaedra's Court with Variations of Detail for an Old Lady. Pencil, watercolor and gold paint. 29 x 21,7 cm. Thyssen-Bornemisza Collection. Lugano. 20th century. Бакст 479 Phaedra (Bakst) 02
![First court of Merchant Taylors' Hall. Visual Material information: Title: First court of Merchant Taylors' Hall. 25.15.c. Place of publication: [London], Date of publication: [around 1740-1780] Item type: 1 drawing Medium: pen and ink and monochrome wash Dimensions: sheet 17.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HGYR/first-court-of-merchant-taylors-hall-visual-material-information-title-first-court-of-merchant-taylors-hall-2515c-place-of-publication-london-date-of-publication-around-1740-1780-item-type-1-drawing-medium-pen-and-ink-and-monochrome-wash-dimensions-sheet-178-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HGYR.jpg "First court of Merchant Taylors' Hall. Visual Material information: Title: First court of Merchant Taylors' Hall. 25.15.c. Place of publication: [London], Date of publication: [around 1740-1780] Item type: 1 drawing Medium: pen and ink and monochrome wash Dimensions: sheet 17.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
First court of Merchant Taylors' Hall. Visual Material information: Title: First court of Merchant Taylors' Hall. 25.15.c. Place of publication: [London], Date of publication: [around 1740-1780] Item type: 1 drawing Medium: pen and ink and monochrome wash Dimensions: sheet 17.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-court-of-merchant-taylors-hall-visual-material-information-title-first-court-of-merchant-taylors-hall-2515c-place-of-publication-london-date-of-publication-around-1740-1780-item-type-1-drawing-medium-pen-and-ink-and-monochrome-wash-dimensions-sheet-178-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401756875.htmlRM2E9HGYR–First court of Merchant Taylors' Hall. Visual Material information: Title: First court of Merchant Taylors' Hall. 25.15.c. Place of publication: [London], Date of publication: [around 1740-1780] Item type: 1 drawing Medium: pen and ink and monochrome wash Dimensions: sheet 17.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-painted-with-an-unknown-weapon-possibly-van-egmond-bord-van-aardewerk-beschilderd-in-blauw-op-tinglazuur-met-in-het-plat-een-onbekend-wapen-mogelijk-van-een-lid-van-een-onbekend-geslacht-van-egmond-daarboven-een-gekroond-spiegelmonogram-jve-de-rand-gedecoreerd-met-bladwerk-manufacturer-plateelbakkerij-anoniemplaats-manufacture-delft-dating-1718-material-faience-dimensions-d-217-cm-image348223720.htmlRM2B6EXWC–Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm.
Drawing, Sketches for the Painted Decoration of Ceilings; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and dark brown ink on light brown laid paper; 31.5 x 21.7 cm (12 3/8 x 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-sketches-for-the-painted-decoration-of-ceilings-designed-by-felice-giani-italian-17581823-italy-pen-and-dark-brown-ink-on-light-brown-laid-paper-315-x-217-cm-12-38-x-8-916-in-image546181983.htmlRM2PMGMKB–Drawing, Sketches for the Painted Decoration of Ceilings; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and dark brown ink on light brown laid paper; 31.5 x 21.7 cm (12 3/8 x 8 9/16 in.)
Wide cylindrical urn of earthenware. Old bondings and additions, cracks, urn, earthenware, h: 21.7 cm, diam: 23 cm, prehistory -800 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wide-cylindrical-urn-of-earthenware-old-bondings-and-additions-cracks-urn-earthenware-h-217-cm-diam-23-cm-prehistory-800-image344560300.htmlRM2B0G250–Wide cylindrical urn of earthenware. Old bondings and additions, cracks, urn, earthenware, h: 21.7 cm, diam: 23 cm, prehistory -800
Art inspired by The Harmony of Nature, 1762, Etching, sheet: 5 13/16 x 8 9/16 in. (14.7 x 21.7 cm), Prints, Pierre Lélu (French, Paris 1741–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-harmony-of-nature-1762-etching-sheet-5-1316-x-8-916-in-147-x-217-cm-prints-pierre-llu-french-paris-17411810-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462807242.htmlRF2HTXKA2–Art inspired by The Harmony of Nature, 1762, Etching, sheet: 5 13/16 x 8 9/16 in. (14.7 x 21.7 cm), Prints, Pierre Lélu (French, Paris 1741–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Studies of Animal Heads and Figures. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 8-1/4 x 8-9/16 in. (20.9 x 21.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-of-animal-heads-and-figures-artist-anonymous-italian-roman-bolognese-17th-century-dimensions-8-14-x-8-916-in-209-x-217-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212873202.htmlRMPA95XA–Studies of Animal Heads and Figures. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 8-1/4 x 8-9/16 in. (20.9 x 21.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
. Придворная дама Design for the First Costume for an Elderly Lady of Phaedra's Court with Variations of Detail for an Old Lady. Pencil, watercolor and gold paint. 29 x 21,7 cm. Thyssen-Bornemisza Collection. Lugano. 20th century. Бакст 480 Phaedra (Bakst) 02 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-the-first-costume-for-an-elderly-lady-of-phaedras-court-with-variations-of-detail-for-an-old-lady-pencil-watercolor-and-gold-paint-29-x-217-cm-thyssen-bornemisza-collection-lugano-20th-century-480-phaedra-bakst-02-image187926769.htmlRMMWMPE9–. Придворная дама Design for the First Costume for an Elderly Lady of Phaedra's Court with Variations of Detail for an Old Lady. Pencil, watercolor and gold paint. 29 x 21,7 cm. Thyssen-Bornemisza Collection. Lugano. 20th century. Бакст 480 Phaedra (Bakst) 02
Radlett in the Road to Elstree, Herts. Visual Material information: Title: Radlett in the Road to Elstree, Herts. 15.80.1. Date of publication: 1796. Item type: 1 drawing Medium: watercolour Dimensions: sheet 18.5 x 21.7 cm, with attached title sheet 1 x 21.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/radlett-in-the-road-to-elstree-herts-visual-material-information-title-radlett-in-the-road-to-elstree-herts-15801-date-of-publication-1796-item-type-1-drawing-medium-watercolour-dimensions-sheet-185-x-217-cm-with-attached-title-sheet-1-x-216-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401747347.htmlRM2E9H4RF–Radlett in the Road to Elstree, Herts. Visual Material information: Title: Radlett in the Road to Elstree, Herts. 15.80.1. Date of publication: 1796. Item type: 1 drawing Medium: watercolour Dimensions: sheet 18.5 x 21.7 cm, with attached title sheet 1 x 21.6 cm Former owner: George III, King of Great Britain, 1738-1820
Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-painted-with-an-unknown-weapon-possibly-van-egmond-bord-van-aardewerk-beschilderd-in-blauw-op-tinglazuur-met-in-het-plat-een-onbekend-wapen-mogelijk-van-een-lid-van-een-onbekend-geslacht-van-egmond-daarboven-een-gekroond-spiegelmonogram-jve-de-rand-gedecoreerd-met-bladwerk-manufacturer-plateelbakkerij-anoniemplaats-manufacture-delft-dating-1718-material-faience-dimensions-d-217-cm-image348223740.htmlRM2B6EXX4–Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm.
Drawing, Portrait of Sarah E. Richards; Daniel Huntington (American, 1816–1906); USA; graphite and white chalk on brown wove paper ; 27.2 × 21.7 cm (10 11/16 × 8 9/16 in.); Bequest of Erskine Hewitt; 1942-50-103 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-portrait-of-sarah-e-richards-daniel-huntington-american-18161906-usa-graphite-and-white-chalk-on-brown-wove-paper-272-217-cm-10-1116-8-916-in-bequest-of-erskine-hewitt-1942-50-103-image546115663.htmlRM2PMDM2R–Drawing, Portrait of Sarah E. Richards; Daniel Huntington (American, 1816–1906); USA; graphite and white chalk on brown wove paper ; 27.2 × 21.7 cm (10 11/16 × 8 9/16 in.); Bequest of Erskine Hewitt; 1942-50-103
Pot of earthenware. Old bondings and additions., Pot, earthenware, h: 17,4 cm, diam: 21,7 cm, prehistory, Germany, North Rhine-Westphalia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pot-of-earthenware-old-bondings-and-additions-pot-earthenware-h-174-cm-diam-217-cm-prehistory-germany-north-rhine-westphalia-image344559517.htmlRM2B0G151–Pot of earthenware. Old bondings and additions., Pot, earthenware, h: 17,4 cm, diam: 21,7 cm, prehistory, Germany, North Rhine-Westphalia
Art inspired by The Deposition, n.d., Engraving, sheet: 11 15/16 x 8 9/16 in. (30.4 x 21.7 cm), Prints, Jean Duvet (French, ca. 1485–after 1561, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-deposition-nd-engraving-sheet-11-1516-x-8-916-in-304-x-217-cm-prints-jean-duvet-french-ca-1485after-1561-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462807356.htmlRF2HTXKE4–Art inspired by The Deposition, n.d., Engraving, sheet: 11 15/16 x 8 9/16 in. (30.4 x 21.7 cm), Prints, Jean Duvet (French, ca. 1485–after 1561, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Great Man on His Hobby Horse. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 18 1/2 x 8 9/16 in. (47 x 21.7 cm). Date: 1803. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-great-man-on-his-hobby-horse-artist-thomas-rowlandson-british-london-1757-1827-london-dimensions-sheet-18-12-x-8-916-in-47-x-217-cm-date-1803-museum-metropolitan-museum-of-art-new-york-usa-image213195302.htmlRMPARTNX–A Great Man on His Hobby Horse. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 18 1/2 x 8 9/16 in. (47 x 21.7 cm). Date: 1803. Museum: Metropolitan Museum of Art, New York, USA.
. Придворная дама Design for the First Costume for an Elderly Lady of Phaedra's Court with Variations of Detail for an Old Lady. Pencil, watercolor and gold paint. 29 x 21,7 cm. Thyssen-Bornemisza Collection. Lugano. 20th century. Бакст 419 Phaedra (Bakst) 02 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-the-first-costume-for-an-elderly-lady-of-phaedras-court-with-variations-of-detail-for-an-old-lady-pencil-watercolor-and-gold-paint-29-x-217-cm-thyssen-bornemisza-collection-lugano-20th-century-419-phaedra-bakst-02-image189171057.htmlRMMYNDH5–. Придворная дама Design for the First Costume for an Elderly Lady of Phaedra's Court with Variations of Detail for an Old Lady. Pencil, watercolor and gold paint. 29 x 21,7 cm. Thyssen-Bornemisza Collection. Lugano. 20th century. Бакст 419 Phaedra (Bakst) 02
![Bookham Church Surry. Author Stockdale, Frederick Wilton Litchfield 40.37.2. Place of publication: [London] Publisher: Pub.d Dec.r 1 1810 by Testolini Printseller Cornhill, Date of publication: [1810] Item type: 1 print Medium: aquatint Dimensions: platemark 16.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HRAG/bookham-church-surry-author-stockdale-frederick-wilton-litchfield-40372-place-of-publication-london-publisher-pubd-decr-1-1810-by-testolini-printseller-cornhill-date-of-publication-1810-item-type-1-print-medium-aquatint-dimensions-platemark-168-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HRAG.jpg "Bookham Church Surry. Author Stockdale, Frederick Wilton Litchfield 40.37.2. Place of publication: [London] Publisher: Pub.d Dec.r 1 1810 by Testolini Printseller Cornhill, Date of publication: [1810] Item type: 1 print Medium: aquatint Dimensions: platemark 16.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Bookham Church Surry. Author Stockdale, Frederick Wilton Litchfield 40.37.2. Place of publication: [London] Publisher: Pub.d Dec.r 1 1810 by Testolini Printseller Cornhill, Date of publication: [1810] Item type: 1 print Medium: aquatint Dimensions: platemark 16.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bookham-church-surry-author-stockdale-frederick-wilton-litchfield-40372-place-of-publication-london-publisher-pubd-decr-1-1810-by-testolini-printseller-cornhill-date-of-publication-1810-item-type-1-print-medium-aquatint-dimensions-platemark-168-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401761880.htmlRM2E9HRAG–Bookham Church Surry. Author Stockdale, Frederick Wilton Litchfield 40.37.2. Place of publication: [London] Publisher: Pub.d Dec.r 1 1810 by Testolini Printseller Cornhill, Date of publication: [1810] Item type: 1 print Medium: aquatint Dimensions: platemark 16.8 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-painted-with-an-unknown-weapon-possibly-van-egmond-bord-van-aardewerk-beschilderd-in-blauw-op-tinglazuur-met-in-het-plat-een-onbekend-wapen-mogelijk-van-een-lid-van-een-onbekend-geslacht-van-egmond-daarboven-een-gekroond-spiegelmonogram-jve-de-rand-gedecoreerd-met-bladwerk-manufacturer-plateelbakkerij-anoniemplaats-manufacture-delft-dating-1718-material-faience-dimensions-d-217-cm-image348223732.htmlRM2B6EXWT–Plate, painted with an unknown weapon, possibly Van Egmond Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk. Manufacturer : plateelbakkerij: anoniemPlaats manufacture: Delft Dating: 1718 Material: faience Dimensions: d 21,7 cm.
Drawing, Study of Angel's Hand for 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on cream wove paper; 29.3 x 21.7 cm (11 9/16 x 8 9/16 in.); Bequest of Erskine Hewitt; 1942-50-128 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-of-angels-hand-for-mercys-dream-daniel-huntington-american-18161906-usa-graphite-white-chalk-on-cream-wove-paper-293-x-217-cm-11-916-x-8-916-in-bequest-of-erskine-hewitt-1942-50-128-image546106892.htmlRM2PMD8WG–Drawing, Study of Angel's Hand for 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on cream wove paper; 29.3 x 21.7 cm (11 9/16 x 8 9/16 in.); Bequest of Erskine Hewitt; 1942-50-128
Plaster cast of half of a mold, cast, ax, plaster, 3.1 x 8.7 x 21.7 cm, England, unknown, unknown, Dunesfield Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaster-cast-of-half-of-a-mold-cast-ax-plaster-31-x-87-x-217-cm-england-unknown-unknown-dunesfield-image344503228.htmlRM2B0DDAM–Plaster cast of half of a mold, cast, ax, plaster, 3.1 x 8.7 x 21.7 cm, England, unknown, unknown, Dunesfield
Art inspired by Cassetta frame, ca. 1800 (style Louis XVI), German, Pine back frame with lime upper moldings., 34.2 x 28, 25.9 x 20, 27.6 x 21.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cassetta-frame-ca-1800-style-louis-xvi-german-pine-back-frame-with-lime-upper-moldings-342-x-28-259-x-20-276-x-217-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826067.htmlRF2HTYFAB–Art inspired by Cassetta frame, ca. 1800 (style Louis XVI), German, Pine back frame with lime upper moldings., 34.2 x 28, 25.9 x 20, 27.6 x 21.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 21 7 cm Stock Photos and Images (28,973)
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