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1846 1875 Stock Photos and Images
Francis V (1819-1875). Duke of Modena and Reggio (1846-1859). Portrait. Drawing by Valdivieso. Lithography by Martinez. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francis-v-1819-1875-duke-of-modena-and-reggio-1846-1859-portrait-drawing-by-valdivieso-lithography-by-martinez-reyes-contemporneos-contemporary-kings-volume-ii-published-in-madrid-1852-image597148644.htmlRM2WKED58–Francis V (1819-1875). Duke of Modena and Reggio (1846-1859). Portrait. Drawing by Valdivieso. Lithography by Martinez. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852.
Francis V (1819-1875). Duke of Modena and Reggio (1846-1859). Portrait. Drawing by Valdivieso. Lithography by Martinez. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francis-v-1819-1875-duke-of-modena-and-reggio-1846-1859-portrait-drawing-by-valdivieso-lithography-by-martinez-detail-reyes-contemporneos-contemporary-kings-volume-ii-published-in-madrid-1852-image597149123.htmlRM2WKEDPB–Francis V (1819-1875). Duke of Modena and Reggio (1846-1859). Portrait. Drawing by Valdivieso. Lithography by Martinez. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852.
Toussaint Lemaistre (1807/8-1888). Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 15 1/8 x 11 5/8 in. (38.4 x 29.5 cm). Date: 1833. Corot painted fewer than fifty portraits. Most were made about 1830 and all depict his family and friends. Lemaistre, an architect, married Corot's niece Blanche Sennegon (d. 1846) in 1832. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/toussaint-lemaistre-18078-1888-artist-camille-corot-french-paris-1796-1875-paris-dimensions-15-18-x-11-58-in-384-x-295-cm-date-1833-corot-painted-fewer-than-fifty-portraits-most-were-made-about-1830-and-all-depict-his-family-and-friends-lemaistre-an-architect-married-corots-niece-blanche-sennegon-d-1846-in-1832-museum-metropolitan-museum-of-art-new-york-usa-image212862903.htmlRMPA8MPF–Toussaint Lemaistre (1807/8-1888). Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 15 1/8 x 11 5/8 in. (38.4 x 29.5 cm). Date: 1833. Corot painted fewer than fifty portraits. Most were made about 1830 and all depict his family and friends. Lemaistre, an architect, married Corot's niece Blanche Sennegon (d. 1846) in 1832. Museum: Metropolitan Museum of Art, New York, USA.
Adelgunde of Bavaria (1823-1914). Duchess consort of Modena and Reggio (1846-1859) by her marriage to Francesco V (1819-1875), Duke of Modena and Reggio. Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adelgunde-of-bavaria-1823-1914-duchess-consort-of-modena-and-reggio-1846-1859-by-her-marriage-to-francesco-v-1819-1875-duke-of-modena-and-reggio-portrait-drawing-by-c-legrand-lithography-by-j-donn-reyes-contemporneos-contemporary-kings-volume-ii-published-in-madrid-1852-author-julio-donn-spanish-artist-active-from-1840-to-1880-luis-carlos-legrand-fl-1829-1858-spanish-draughtsman-and-lithographer-image597149400.htmlRM2WKEE48–Adelgunde of Bavaria (1823-1914). Duchess consort of Modena and Reggio (1846-1859) by her marriage to Francesco V (1819-1875), Duke of Modena and Reggio. Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer.
Adelgunde of Bavaria (1823-1914). Duchess consort of Modena and Reggio (1846-1859) by her marriage to Francesco V (1819-1875), Duke of Modena and Reggio. Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adelgunde-of-bavaria-1823-1914-duchess-consort-of-modena-and-reggio-1846-1859-by-her-marriage-to-francesco-v-1819-1875-duke-of-modena-and-reggio-portrait-drawing-by-c-legrand-lithography-by-j-donn-reyes-contemporneos-contemporary-kings-volume-ii-published-in-madrid-1852-author-julio-donn-spanish-artist-active-from-1840-to-1880-luis-carlos-legrand-fl-1829-1858-spanish-draughtsman-and-lithographer-image597148787.htmlRM2WKEDAB–Adelgunde of Bavaria (1823-1914). Duchess consort of Modena and Reggio (1846-1859) by her marriage to Francesco V (1819-1875), Duke of Modena and Reggio. Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer.
Adelgunde of Bavaria (1823-1914). Duchess consort of Modena and Reggio (1846-1859) by her marriage to Francesco V (1819-1875), Duke of Modena and Reggio. Portrait. Drawing by C. Legrand. Lithography by J. Donón. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adelgunde-of-bavaria-1823-1914-duchess-consort-of-modena-and-reggio-1846-1859-by-her-marriage-to-francesco-v-1819-1875-duke-of-modena-and-reggio-portrait-drawing-by-c-legrand-lithography-by-j-donn-detail-reyes-contemporneos-contemporary-kings-volume-ii-published-in-madrid-1852-author-julio-donn-spanish-artist-active-from-1840-to-1880-luis-carlos-legrand-fl-1829-1858-spanish-draughtsman-and-lithographer-image597149423.htmlRM2WKEE53–Adelgunde of Bavaria (1823-1914). Duchess consort of Modena and Reggio (1846-1859) by her marriage to Francesco V (1819-1875), Duke of Modena and Reggio. Portrait. Drawing by C. Legrand. Lithography by J. Donón. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume II. Published in Madrid, 1852. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer.
Antonio Maria Esquivel Suarez de Urbina (1806-1857). Spanish painter. Ventura de la Vega reading a play at the Teatro del Príncipe (Theatre of the Prince), 1846. From left to right (seats): Actress and lyric singer Teodora Lamadrid (1820-1896), actor Julián Romea Yanguas (1818-1868, actress Matilde Díez (1818-1883). Behind her (standing), the actress Josefa Valero (1820-1850), the actor Manuel Osorio Romero (1827-1890), the actress Jerónima Llorente (1815-1848) and the actor Joaquín Arjona (1817-1875). Oil on canvas, 147 x 209,5 cm. Detail. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antonio-maria-esquivel-suarez-de-urbina-1806-1857-spanish-painter-ventura-de-la-vega-reading-a-play-at-the-teatro-del-prncipe-theatre-of-the-prince-1846-from-left-to-right-seats-actress-and-lyric-singer-teodora-lamadrid-1820-1896-actor-julin-romea-yanguas-1818-1868-actress-matilde-dez-1818-1883-behind-her-standing-the-actress-josefa-valero-1820-1850-the-actor-manuel-osorio-romero-1827-1890-the-actress-jernima-llorente-1815-1848-and-the-actor-joaqun-arjona-1817-1875-oil-on-canvas-147-x-2095-cm-detail-prado-museum-madrid-spain-image590880262.htmlRM2W98WPE–Antonio Maria Esquivel Suarez de Urbina (1806-1857). Spanish painter. Ventura de la Vega reading a play at the Teatro del Príncipe (Theatre of the Prince), 1846. From left to right (seats): Actress and lyric singer Teodora Lamadrid (1820-1896), actor Julián Romea Yanguas (1818-1868, actress Matilde Díez (1818-1883). Behind her (standing), the actress Josefa Valero (1820-1850), the actor Manuel Osorio Romero (1827-1890), the actress Jerónima Llorente (1815-1848) and the actor Joaquín Arjona (1817-1875). Oil on canvas, 147 x 209,5 cm. Detail. Prado Museum. Madrid. Spain.
LA MARQUESA DE BELLAFLOR O EL NINO DE LA INCLUSA - 1846. Author: Wenceslao Ayguals de Izco (1801-1875). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-marquesa-de-bellaflor-o-el-nino-de-la-inclusa-1846-author-wenceslao-ayguals-de-izco-1801-1875-location-biblioteca-nacional-coleccion-madrid-spain-image209076854.htmlRMP447JE–LA MARQUESA DE BELLAFLOR O EL NINO DE LA INCLUSA - 1846. Author: Wenceslao Ayguals de Izco (1801-1875). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.
Seated Lion. Dated: model c. 1846, cast after 1870. Dimensions: height: 17.8 cm (7 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Antoine-Louis Barye. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-lion-dated-model-c-1846-cast-after-1870-dimensions-height-178-cm-7-in-medium-bronze-museum-national-gallery-of-art-washington-dc-author-antoine-louis-barye-image218581129.htmlRMPKH6CW–Seated Lion. Dated: model c. 1846, cast after 1870. Dimensions: height: 17.8 cm (7 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Antoine-Louis Barye.
Angelus. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Charles-Albert Waltner (French, Paris 1846-1925 Paris). Dimensions: image: 17 5/16 x 20 in. (44 x 50.8 cm) sheet: 21 1/16 x 23 1/2 in. (53.5 x 59.7 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angelus-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-engraved-by-charles-albert-waltner-french-paris-1846-1925-paris-dimensions-image-17-516-x-20-in-44-x-508-cm-sheet-21-116-x-23-12-in-535-x-597-cm-date-1881-museum-metropolitan-museum-of-art-new-york-usa-image213073698.htmlRMPAJ9JX–Angelus. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Charles-Albert Waltner (French, Paris 1846-1925 Paris). Dimensions: image: 17 5/16 x 20 in. (44 x 50.8 cm) sheet: 21 1/16 x 23 1/2 in. (53.5 x 59.7 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.
Standing Girl. Attributed to Kate Greenaway; English, 1846-1901. Date: 1865-1875. Dimensions: 381 × 278 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-girl-attributed-to-kate-greenaway-english-1846-1901-date-1865-1875-dimensions-381-278-mm-graphite-on-ivory-wove-paper-origin-england-museum-the-chicago-art-institute-image239920032.htmlRMRX98CG–Standing Girl. Attributed to Kate Greenaway; English, 1846-1901. Date: 1865-1875. Dimensions: 381 × 278 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
Man Standing in Church. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 167 x 80 mm (plate). Etching in black on paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-standing-in-church-antonio-piccinni-italian-1846-1920-date-1875-dimensions-167-x-80-mm-plate-etching-in-black-on-paper-origin-italy-museum-the-chicago-art-institute-image239889392.htmlRMRX7WA8–Man Standing in Church. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 167 x 80 mm (plate). Etching in black on paper. Origin: Italy. Museum: The Chicago Art Institute.
In church. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 131 x 175 mm (plate); 265 x 390 mm (sheet). Etching in black, with gray plate tone, on paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-church-antonio-piccinni-italian-1846-1920-date-1875-dimensions-131-x-175-mm-plate-265-x-390-mm-sheet-etching-in-black-with-gray-plate-tone-on-paper-origin-italy-museum-the-chicago-art-institute-image239907886.htmlRMRX8MXP–In church. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 131 x 175 mm (plate); 265 x 390 mm (sheet). Etching in black, with gray plate tone, on paper. Origin: Italy. Museum: The Chicago Art Institute.
Attending Mass, Rome. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 170 x 236 mm (image); 265 x 390 mm (sheet). Etching in black, with gray plate tone, on paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attending-mass-rome-antonio-piccinni-italian-1846-1920-date-1875-dimensions-170-x-236-mm-image-265-x-390-mm-sheet-etching-in-black-with-gray-plate-tone-on-paper-origin-italy-museum-the-chicago-art-institute-image239918522.htmlRMRX96EJ–Attending Mass, Rome. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 170 x 236 mm (image); 265 x 390 mm (sheet). Etching in black, with gray plate tone, on paper. Origin: Italy. Museum: The Chicago Art Institute.
Old man in church. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 120 x 90 mm (plate); 266 x 195 mm (sheet). Etching in black, with gray plate tone, on paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-man-in-church-antonio-piccinni-italian-1846-1920-date-1875-dimensions-120-x-90-mm-plate-266-x-195-mm-sheet-etching-in-black-with-gray-plate-tone-on-paper-origin-italy-museum-the-chicago-art-institute-image239919339.htmlRMRX97FR–Old man in church. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 120 x 90 mm (plate); 266 x 195 mm (sheet). Etching in black, with gray plate tone, on paper. Origin: Italy. Museum: The Chicago Art Institute.
Sonnets et eaux-fortes. Jean-Baptiste-Camille Corot (French, 1796-1875), Jean François Millet (French, 1814-1875), Édouard Manet (French, 1832-1883), Léon Gaucherel (French, 1816-1886), Emile Levy (French, 1826-1890), Edmond Morin (French, 1824-1882), Felix Henri Giacomotti (French, 1828-1909), Celestin Nanteuil (French, 1813-1873), Armand Queyroy (French, 1830-1893), Gustave Doré (French, 1832-1883), Charles Courtry (French, 1846-1897), Jules Jacques Veyrassat (French, 1828-1893), Joseph-Victor Ranvier (French, 1832-1896), George James Howard (English, 1843-1912), Gustave Adolphe Jundt (Frenc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sonnets-et-eaux-fortes-jean-baptiste-camille-corot-french-1796-1875-jean-franois-millet-french-1814-1875-douard-manet-french-1832-1883-lon-gaucherel-french-1816-1886-emile-levy-french-1826-1890-edmond-morin-french-1824-1882-felix-henri-giacomotti-french-1828-1909-celestin-nanteuil-french-1813-1873-armand-queyroy-french-1830-1893-gustave-dor-french-1832-1883-charles-courtry-french-1846-1897-jules-jacques-veyrassat-french-1828-1893-joseph-victor-ranvier-french-1832-1896-george-james-howard-english-1843-1912-gustave-adolphe-jundt-frenc-image240172389.htmlRMRXMP99–Sonnets et eaux-fortes. Jean-Baptiste-Camille Corot (French, 1796-1875), Jean François Millet (French, 1814-1875), Édouard Manet (French, 1832-1883), Léon Gaucherel (French, 1816-1886), Emile Levy (French, 1826-1890), Edmond Morin (French, 1824-1882), Felix Henri Giacomotti (French, 1828-1909), Celestin Nanteuil (French, 1813-1873), Armand Queyroy (French, 1830-1893), Gustave Doré (French, 1832-1883), Charles Courtry (French, 1846-1897), Jules Jacques Veyrassat (French, 1828-1893), Joseph-Victor Ranvier (French, 1832-1896), George James Howard (English, 1843-1912), Gustave Adolphe Jundt (Frenc
Search Results for 1846 1875 Stock Photos and Images (16)
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