SAVE 40% ON SINGLE IMAGE PURCHASES - OFFER ENDS SOON, USE CODE: SAVEIMAGE40%
Quick filters:
Page 1 of 28
1803 5 Stock Photos and Images
Panel, c. 1775, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, Lyon, Silk, satin weave with brocading wefts tied in twill weave, 114.3 x 53.3 cm (45 x 21 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-c-1775-designed-by-philippe-de-lasalle-french-172318035-france-lyon-lyon-silk-satin-weave-with-brocading-wefts-tied-in-twill-weave-1143-x-533-cm-45-x-21-in-image328642952.htmlRM2A2JYC8–Panel, c. 1775, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, Lyon, Silk, satin weave with brocading wefts tied in twill weave, 114.3 x 53.3 cm (45 x 21 in
The project for the invasion of England 1803-5 - fantasy and reality. The cartoon shows the invasion army rowing itself across the Channel preceded by airborne forces in balloons, while more troops pass through a Channel tunnel. The insert shows a peniche, one of the specially-designed but unseaworthy invasion craft. Mansell Collection, (insert) Musee de la marine, paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-project-for-the-invasion-of-england-1803-5-fantasy-and-reality-the-cartoon-shows-the-invasion-army-rowing-itself-across-the-channel-preceded-by-airborne-forces-in-balloons-while-more-troops-pass-through-a-channel-tunnel-the-insert-shows-a-peniche-one-of-the-specially-designed-but-unseaworthy-invasion-craft-mansell-collection-insert-musee-de-la-marine-paris-image268796652.htmlRMWH8MTC–The project for the invasion of England 1803-5 - fantasy and reality. The cartoon shows the invasion army rowing itself across the Channel preceded by airborne forces in balloons, while more troops pass through a Channel tunnel. The insert shows a peniche, one of the specially-designed but unseaworthy invasion craft. Mansell Collection, (insert) Musee de la marine, paris
Art inspired by Angel of the Revelation (Book of Revelation, chapter 10), ca. 1803–5, Watercolor, pen and black ink, over traces of graphite, Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm), Drawings, William Blake (British, London 1757–1827 London), This work comes from a series of eighty, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-angel-of-the-revelation-book-of-revelation-chapter-10-ca-18035-watercolor-pen-and-black-ink-over-traces-of-graphite-sheet-15-716-10-14-in-392-26-cm-drawings-william-blake-british-london-17571827-london-this-work-comes-from-a-series-of-eighty-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953932.htmlRF2HW5AD0–Art inspired by Angel of the Revelation (Book of Revelation, chapter 10), ca. 1803–5, Watercolor, pen and black ink, over traces of graphite, Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm), Drawings, William Blake (British, London 1757–1827 London), This work comes from a series of eighty, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
View of Gray. Artist: Jean-Baptiste Lallemand (French, Dijon 1716-1803/5 Paris). Dimensions: 9 15/16 x 17 3/8 in. (25.2 x 44.1 cm). Former Attribution: Formerly attributed to Jean Pierre Norblin de la Gourdaine (French, Misy-Fault-Yonne 1745-1830 Paris). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-gray-artist-jean-baptiste-lallemand-french-dijon-1716-18035-paris-dimensions-9-1516-x-17-38-in-252-x-441-cm-former-attribution-formerly-attributed-to-jean-pierre-norblin-de-la-gourdaine-french-misy-fault-yonne-1745-1830-paris-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image212874911.htmlRMPA983B–View of Gray. Artist: Jean-Baptiste Lallemand (French, Dijon 1716-1803/5 Paris). Dimensions: 9 15/16 x 17 3/8 in. (25.2 x 44.1 cm). Former Attribution: Formerly attributed to Jean Pierre Norblin de la Gourdaine (French, Misy-Fault-Yonne 1745-1830 Paris). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Angel of the Revelation (Book of Revelation, chapter 10) by William Blake, watercolor, pen and black ink, over traces of graphite, c. 1803-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angel-of-the-revelation-book-of-revelation-chapter-10-by-william-blake-watercolor-pen-and-black-ink-over-traces-of-graphite-c-1803-5-image556589464.htmlRM2R9ERF4–Angel of the Revelation (Book of Revelation, chapter 10) by William Blake, watercolor, pen and black ink, over traces of graphite, c. 1803-5
Princess Sophia Matilda of Gloucester . This portrait must date from c. 1800 when the sitter was 23. It is executed in a formula devised by Reynolds and Romney in the 1770s to express a young lady’s simplicity and sensibility. The white dress, veil and strings of pearls are simple and unaffected; the tender posture, dreamy smile, flushed cheeks and natural setting convey the sitter’s fine feelings. between 1803 and 1805. 1029 Princess Sophia Matilda of Gloucester - Beechey 1803-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-sophia-matilda-of-gloucester-this-portrait-must-date-from-c-1800-when-the-sitter-was-23-it-is-executed-in-a-formula-devised-by-reynolds-and-romney-in-the-1770s-to-express-a-young-ladys-simplicity-and-sensibility-the-white-dress-veil-and-strings-of-pearls-are-simple-and-unaffected-the-tender-posture-dreamy-smile-flushed-cheeks-and-natural-setting-convey-the-sitters-fine-feelings-between-1803-and-1805-1029-princess-sophia-matilda-of-gloucester-beechey-1803-5-image185696803.htmlRMMP364K–Princess Sophia Matilda of Gloucester . This portrait must date from c. 1800 when the sitter was 23. It is executed in a formula devised by Reynolds and Romney in the 1770s to express a young lady’s simplicity and sensibility. The white dress, veil and strings of pearls are simple and unaffected; the tender posture, dreamy smile, flushed cheeks and natural setting convey the sitter’s fine feelings. between 1803 and 1805. 1029 Princess Sophia Matilda of Gloucester - Beechey 1803-5
Henri Herz, pianist and composer, Austrian by birth, alived in France, 6 January 1803 - 5 January 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-henri-herz-pianist-and-composer-austrian-by-birth-alived-in-france-165540700.htmlRMKH90RT–Henri Herz, pianist and composer, Austrian by birth, alived in France, 6 January 1803 - 5 January 1888
Princess Sophia Matilda of Gloucester - Beechey 1803-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-princess-sophia-matilda-of-gloucester-beechey-1803-5-134707447.htmlRMHR4CM7–Princess Sophia Matilda of Gloucester - Beechey 1803-5
Princess Sophia Matilda of Gloucester - Beechey 1803-5. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-sophia-matilda-of-gloucester-beechey-1803-5-image415066098.htmlRM2F37W16–Princess Sophia Matilda of Gloucester - Beechey 1803-5.
Edward Nicolls boarding the Albion, 5 November 1803 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-edward-nicolls-boarding-the-albion-5-november-1803-164464078.htmlRMKFFYH2–Edward Nicolls boarding the Albion, 5 November 1803
Storch, Ludwig, 14.4.1803 - 5.2.1881, German author / writer, half length, steel engraving by Auguste Hüssener, 19th century, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-storch-ludwig-1441803-521881-german-author-writer-half-length-steel-18827445.htmlRMB2HJGN–Storch, Ludwig, 14.4.1803 - 5.2.1881, German author / writer, half length, steel engraving by Auguste Hüssener, 19th century, , Artist's Copyright has not to be cleared
Joseph Whitworth (1803-1887) British engineer, inventor and entrepreneur. In 1841 he introduced a standardized a system for screw threads which became the British Standard. Engraving from 'The Illustrated London News' (London, 5 February 1887). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-whitworth-1803-1887-british-engineer-inventor-and-entrepreneur-57290596.htmlRMD95PMM–Joseph Whitworth (1803-1887) British engineer, inventor and entrepreneur. In 1841 he introduced a standardized a system for screw threads which became the British Standard. Engraving from 'The Illustrated London News' (London, 5 February 1887).
Lieutenant Edward Nicolls boarding a French privateer cutter, the Albion, off Monte Cristi, Santo Domingo, West Indies, 5 November 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lieutenant-edward-nicolls-boarding-a-french-privateer-cutter-the-albion-off-monte-cristi-santo-domingo-west-indies-5-november-1803-image560813613.htmlRM2RGB7DH–Lieutenant Edward Nicolls boarding a French privateer cutter, the Albion, off Monte Cristi, Santo Domingo, West Indies, 5 November 1803.
George Borrow - English author, 5 July 1803 - 26 July 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-borrow-english-author-5-july-1803-26-july-1881-83369189.htmlRMERHP71–George Borrow - English author, 5 July 1803 - 26 July 1881.
Elizabeth Beltzhoover Mason. Gilbert Stuart. c. 1803–5. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elizabeth-beltzhoover-mason-gilbert-stuart-c-18035-image603566344.htmlRM2X1XR0T–Elizabeth Beltzhoover Mason. Gilbert Stuart. c. 1803–5.
Stuart introduced into American art a painting technique based on spontaneous, yet strategically placed brushstrokes and layers of subtle, translucent paint that presents sitters as if bathed in mist. Commissioned five years after her marriage, this painting of Elizabeth Beltzhoover Mason (1781–1836) declares her stylishness by associating her with Stuart's fashionable manner. The portrait adapts to a small format the accessories of column and drapery traditionally associated with larger paintings, creating an effect of both intimacy and grandeur. Elizabeth Beltzhoover Mason, c. 1803–5. Gilber Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stuart-introduced-into-american-art-a-painting-technique-based-on-spontaneous-yet-strategically-placed-brushstrokes-and-layers-of-subtle-translucent-paint-that-presents-sitters-as-if-bathed-in-mist-commissioned-five-years-after-her-marriage-this-painting-of-elizabeth-beltzhoover-mason-17811836-declares-her-stylishness-by-associating-her-with-stuarts-fashionable-manner-the-portrait-adapts-to-a-small-format-the-accessories-of-column-and-drapery-traditionally-associated-with-larger-paintings-creating-an-effect-of-both-intimacy-and-grandeur-elizabeth-beltzhoover-mason-c-18035-gilber-image573087065.htmlRM2T8AAB5–Stuart introduced into American art a painting technique based on spontaneous, yet strategically placed brushstrokes and layers of subtle, translucent paint that presents sitters as if bathed in mist. Commissioned five years after her marriage, this painting of Elizabeth Beltzhoover Mason (1781–1836) declares her stylishness by associating her with Stuart's fashionable manner. The portrait adapts to a small format the accessories of column and drapery traditionally associated with larger paintings, creating an effect of both intimacy and grandeur. Elizabeth Beltzhoover Mason, c. 1803–5. Gilber
Julius Mosen, 1803-1867, German poet and author of Jewish descent, woodcut from the year 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-julius-mosen-1803-1867-german-poet-and-author-of-jewish-descent-woodcut-129019349.htmlRFHDW9DW–Julius Mosen, 1803-1867, German poet and author of Jewish descent, woodcut from the year 1880
ENGLAND WALES: AIKIN: (5th Edition), 1803 antique map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-england-wales-aikin-5th-edition-1803-antique-map-100101762.htmlRFFPT0PX–ENGLAND WALES: AIKIN: (5th Edition), 1803 antique map
Pelargonium undulatum. Waved-flowered geranium, Geranium undulatum. In the George Hibbert collection. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pelargonium-undulatum-waved-flowered-geranium-geranium-undulatum-in-the-george-hibbert-collection-copperplate-engraving-drawn-engraved-and-hand-coloured-by-henry-andrews-from-his-botanical-register-volume-5-self-published-in-knightsbridge-london-1803-image470038552.htmlRM2J8M2Y4–Pelargonium undulatum. Waved-flowered geranium, Geranium undulatum. In the George Hibbert collection. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803.
Panel, c. 1780, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, France, Silk and silk chenille yarns, satin weave with brocading wefts, 382.3 × 54.2 cm (150 1/2 × 21 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-c-1780-designed-by-philippe-de-lasalle-french-172318035-france-lyon-france-silk-and-silk-chenille-yarns-satin-weave-with-brocading-wefts-3823-542-cm-150-12-21-14-in-image328652180.htmlRM2A2KB5T–Panel, c. 1780, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, France, Silk and silk chenille yarns, satin weave with brocading wefts, 382.3 × 54.2 cm (150 1/2 × 21 1/4 in
George Bass, 1771-1803, Naval Surgeon, Explorer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-bass-1771-1803-naval-surgeon-explorer-117359191.htmlRMGPX4RK–George Bass, 1771-1803, Naval Surgeon, Explorer
Art inspired by Italian Country House Beside a Road, n.d., Pen and black ink, gray wash over black chalk, 9 11/16 x 14 9/16 in. (24.6 x 37 cm), Drawings, Jean-Baptiste Lallemand (French, Dijon 1716–1803/5 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-italian-country-house-beside-a-road-nd-pen-and-black-ink-gray-wash-over-black-chalk-9-1116-x-14-916-in-246-x-37-cm-drawings-jean-baptiste-lallemand-french-dijon-171618035-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950234.htmlRF2HW55MX–Art inspired by Italian Country House Beside a Road, n.d., Pen and black ink, gray wash over black chalk, 9 11/16 x 14 9/16 in. (24.6 x 37 cm), Drawings, Jean-Baptiste Lallemand (French, Dijon 1716–1803/5 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Angel of the Revelation (Book of Revelation, chapter 10). Artist: William Blake (British, London 1757-1827 London). Dimensions: Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm). Date: ca. 1803-5. This work comes from a series of eighty biblical watercolors that Blake made for Thomas Butts, an important patron. He found the subject in chapter 10 of the book of Revelation and describes both the author and his vision. A diminutive Saint John, pen in hand, on the island of Patmos, gazes at a 'mighty angel . . . clothed with a cloud . . . a rainbow was upon his head, and his face was as it were the sun, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angel-of-the-revelation-book-of-revelation-chapter-10-artist-william-blake-british-london-1757-1827-london-dimensions-sheet-15-716-10-14-in-392-26-cm-date-ca-1803-5-this-work-comes-from-a-series-of-eighty-biblical-watercolors-that-blake-made-for-thomas-butts-an-important-patron-he-found-the-subject-in-chapter-10-of-the-book-of-revelation-and-describes-both-the-author-and-his-vision-a-diminutive-saint-john-pen-in-hand-on-the-island-of-patmos-gazes-at-a-mighty-angel-clothed-with-a-cloud-a-rainbow-was-upon-his-head-and-his-face-was-as-it-were-the-sun-image213260155.htmlRMPAXRE3–Angel of the Revelation (Book of Revelation, chapter 10). Artist: William Blake (British, London 1757-1827 London). Dimensions: Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm). Date: ca. 1803-5. This work comes from a series of eighty biblical watercolors that Blake made for Thomas Butts, an important patron. He found the subject in chapter 10 of the book of Revelation and describes both the author and his vision. A diminutive Saint John, pen in hand, on the island of Patmos, gazes at a 'mighty angel . . . clothed with a cloud . . . a rainbow was upon his head, and his face was as it were the sun,
ALBRECHT THEODOR EMIL, graf von ROON Prussian soldier, minister for war Date: 1803 - 1879 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albrecht-theodor-emil-graf-von-roon-prussian-soldier-minister-for-war-date-1803-1879-image557100303.htmlRM2RAA33B–ALBRECHT THEODOR EMIL, graf von ROON Prussian soldier, minister for war Date: 1803 - 1879
. Portrait of James Hope Grant . 1853. Francis Grant (1803–1878) Alternative names Sir Francis Grant; Sir Grant; Francis Grant (Sir) Description Scottish painter Date of birth/death 18 January 1803 5 October 1878 Location of birth/death Melton Mowbray Authority control : Q1628686 VIAF: 22921949 ISNI: 0000 0000 6675 7242 ULAN: 500013574 LCCN: nr2003022771 GND: 117553514 WorldCat 693 James Hope Grant, 1853 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-james-hope-grant-1853-francis-grant-18031878-alternative-names-sir-francis-grant-sir-grant-francis-grant-sir-description-scottish-painter-date-of-birthdeath-18-january-1803-5-october-1878-location-of-birthdeath-melton-mowbray-authority-control-q1628686-viaf22921949-isni0000-0000-6675-7242-ulan500013574-lccnnr2003022771-gnd117553514-worldcat-693-james-hope-grant-1853-image185795107.htmlRMMP7KFF–. Portrait of James Hope Grant . 1853. Francis Grant (1803–1878) Alternative names Sir Francis Grant; Sir Grant; Francis Grant (Sir) Description Scottish painter Date of birth/death 18 January 1803 5 October 1878 Location of birth/death Melton Mowbray Authority control : Q1628686 VIAF: 22921949 ISNI: 0000 0000 6675 7242 ULAN: 500013574 LCCN: nr2003022771 GND: 117553514 WorldCat 693 James Hope Grant, 1853
Henri Herz, pianist and composer, Austrian by birth, alived in France, 6 January 1803 - 5 January 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-henri-herz-pianist-and-composer-austrian-by-birth-alived-in-france-164175162.htmlRMKF2R2J–Henri Herz, pianist and composer, Austrian by birth, alived in France, 6 January 1803 - 5 January 1888
William Blake Ezekiel's Vision ca 1803-5 Boston Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-blake-ezekiels-vision-ca-1803-5-boston-museum-134794740.htmlRMHR8C1T–William Blake Ezekiel's Vision ca 1803-5 Boston Museum
William Blake Ezekiel's Vision ca 1803-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-blake-ezekiels-vision-ca-1803-5-image575615742.htmlRM2TCDFN2–William Blake Ezekiel's Vision ca 1803-5
Louis I of Etruria (1773-1803). Infante of Spain. House of Bourbon. Infante Louis I, King of Etruria, Prince of Parma. Portrait by Francisco de Goya Lucientes (1746-1828), 1800. Oil on canvas, 72,5 x 59,4 cm. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-i-of-etruria-1773-1803-infante-of-spain-house-of-bourbon-infante-louis-i-king-of-etruria-prince-of-parma-portrait-by-francisco-de-goya-lucientes-1746-1828-1800-oil-on-canvas-725-x-594-cm-prado-museum-madrid-spain-image576457931.htmlRM2TDRWY7–Louis I of Etruria (1773-1803). Infante of Spain. House of Bourbon. Infante Louis I, King of Etruria, Prince of Parma. Portrait by Francisco de Goya Lucientes (1746-1828), 1800. Oil on canvas, 72,5 x 59,4 cm. Prado Museum. Madrid. Spain.
Head of a Young Woman; Adélaïde Labille-Guiard, French, 1749 - 1803; 1779; Pastel on paper; Unframed: 54.6 x 44.5 cm (21 1/2 x 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-head-of-a-young-woman-adlade-labille-guiard-french-1749-1803-1779-73246919.htmlRME74K5B–Head of a Young Woman; Adélaïde Labille-Guiard, French, 1749 - 1803; 1779; Pastel on paper; Unframed: 54.6 x 44.5 cm (21 1/2 x 1
Francis II (1768 – 2 March 1835). King of Hungary and Croatia. Reigned 1792 – 1835. Holy Roman Emperor. Reign 5 July 1792 – 6 August 1806. Ruled as Austrian Emperor 1768-1835. Formal portrait by Friedrich von Amerling (1803–1887) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-francis-ii-1768-2-march-1835-king-of-hungary-and-croatia-reigned-1792-57352916.htmlRMD98J6C–Francis II (1768 – 2 March 1835). King of Hungary and Croatia. Reigned 1792 – 1835. Holy Roman Emperor. Reign 5 July 1792 – 6 August 1806. Ruled as Austrian Emperor 1768-1835. Formal portrait by Friedrich von Amerling (1803–1887)
GRAF VON ROON - 5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/graf-von-roon-5-image65718376.htmlRMDPWMCT–GRAF VON ROON - 5
France 1803 A 5 Francs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-france-1803-a-5-francs-164134285.htmlRMKF0XXN–France 1803 A 5 Francs
Captain William Story, born August 18, 1774, was one of 18 siblings and the half-brother of Supreme Court Justice Joseph Story. Under his command, the ship Friendship of Salem anchored at Canton from October 10 through November 5, 1803. After a pirate attack off the Sumatran coast, Captain Story chose to pursue the life of merchant and ship owner in his hometown of Marblehead, Massachusetts. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/captain-william-story-born-august-18-1774-was-one-of-18-siblings-and-the-half-brother-of-supreme-court-justice-joseph-story-under-his-command-the-ship-friendship-of-salem-anchored-at-canton-from-october-10-through-november-5-1803-after-a-pirate-attack-off-the-sumatran-coast-captain-story-chose-to-pursue-the-life-of-merchant-and-ship-owner-in-his-hometown-of-marblehead-massachusetts-image344258792.htmlRM2B029GT–Captain William Story, born August 18, 1774, was one of 18 siblings and the half-brother of Supreme Court Justice Joseph Story. Under his command, the ship Friendship of Salem anchored at Canton from October 10 through November 5, 1803. After a pirate attack off the Sumatran coast, Captain Story chose to pursue the life of merchant and ship owner in his hometown of Marblehead, Massachusetts.
Angel of the Revelation (Book of Revelation, chapter 10) ca. 1803–5 William Blake British This work comes from a series of eighty biblical watercolors that Blake made for Thomas Butts, an important patron. He found the subject in chapter 10 of the book of Revelation and describes both the author and his vision. A diminutive Saint John, pen in hand, on the island of Patmos, gazes at a 'mighty angel.. clothed with a cloud.. a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire.' The artist based the angel's water-spanning stance on prints of the ancien Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angel-of-the-revelation-book-of-revelation-chapter-10-ca-18035-william-blake-british-this-work-comes-from-a-series-of-eighty-biblical-watercolors-that-blake-made-for-thomas-butts-an-important-patron-he-found-the-subject-in-chapter-10-of-the-book-of-revelation-and-describes-both-the-author-and-his-vision-a-diminutive-saint-john-pen-in-hand-on-the-island-of-patmos-gazes-at-a-mighty-angel-clothed-with-a-cloud-a-rainbow-was-upon-his-head-and-his-face-was-as-it-were-the-sun-and-his-feet-as-pillars-of-fire-the-artist-based-the-angels-water-spanning-stance-on-prints-of-the-ancien-image458118973.htmlRM2HH93BW–Angel of the Revelation (Book of Revelation, chapter 10) ca. 1803–5 William Blake British This work comes from a series of eighty biblical watercolors that Blake made for Thomas Butts, an important patron. He found the subject in chapter 10 of the book of Revelation and describes both the author and his vision. A diminutive Saint John, pen in hand, on the island of Patmos, gazes at a 'mighty angel.. clothed with a cloud.. a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire.' The artist based the angel's water-spanning stance on prints of the ancien
Julius Mosen, 1803-1867, a German poet and author of Jewish descent, woodcut from the year 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-julius-mosen-1803-1867-a-german-poet-and-author-of-jewish-descent-129019374.htmlRFHDW9EP–Julius Mosen, 1803-1867, a German poet and author of Jewish descent, woodcut from the year 1880
RUTLAND: Rutlandshire: AIKIN: (5th Edition), 1803 antique map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rutland-rutlandshire-aikin-5th-edition-1803-antique-map-100148267.htmlRFFPX43R–RUTLAND: Rutlandshire: AIKIN: (5th Edition), 1803 antique map
Downy-leaved struthiola, Struthiola tomentosa. From the Cape of Good Hope, South Africa, in the Clapham nursery. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/downy-leaved-struthiola-struthiola-tomentosa-from-the-cape-of-good-hope-south-africa-in-the-clapham-nursery-copperplate-engraving-drawn-engraved-and-hand-coloured-by-henry-andrews-from-his-botanical-register-volume-5-self-published-in-knightsbridge-london-1803-image470038631.htmlRM2J8M31Y–Downy-leaved struthiola, Struthiola tomentosa. From the Cape of Good Hope, South Africa, in the Clapham nursery. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803.
Micah Williams, Captain Abraham Vorhees, American, Micah Williams (1782–1837), ca. 1803–5, American, Pastel on off-white wove paper, mounted on a wood strainer, 26 x 21 15/16 in. (66 x 55.7 cm), Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/micah-williams-captain-abraham-vorhees-american-micah-williams-17821837-ca-18035-american-pastel-on-off-white-wove-paper-mounted-on-a-wood-strainer-26-x-21-1516-in-66-x-557-cm-drawings-image344616760.htmlRM2B0JJ5C–Micah Williams, Captain Abraham Vorhees, American, Micah Williams (1782–1837), ca. 1803–5, American, Pastel on off-white wove paper, mounted on a wood strainer, 26 x 21 15/16 in. (66 x 55.7 cm), Drawings
George Borrow's signature: GB: English author, 5 July 1803 - 26 July 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-borrows-signature-gb-english-author-5-july-1803-26-july-1881-83350142.htmlRMERGWXP–George Borrow's signature: GB: English author, 5 July 1803 - 26 July 1881.
Art inspired by View of Gray, n.d., Pen, black ink, grey wash over black chalk on yellowish paper, 9 15/16 x 17 3/8 in. (25.2 x 44.1 cm), Drawings, Jean-Baptiste Lallemand (French, Dijon 1716–1803/5 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-view-of-gray-nd-pen-black-ink-grey-wash-over-black-chalk-on-yellowish-paper-9-1516-x-17-38-in-252-x-441-cm-drawings-jean-baptiste-lallemand-french-dijon-171618035-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801514.htmlRF2HTXC1E–Art inspired by View of Gray, n.d., Pen, black ink, grey wash over black chalk on yellowish paper, 9 15/16 x 17 3/8 in. (25.2 x 44.1 cm), Drawings, Jean-Baptiste Lallemand (French, Dijon 1716–1803/5 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Panel. After a design by Philippe de LaSalle (French, 1723-1803/5); Woven and produced by Camille Pernon & Cie; France, Lyon. Date: 1773-1777. Dimensions: 192.4 × 54.8 cm (75 3/4 × 21 5/8 in.) Warp repeat: 87.3 cm (34 3/8 in.). Silk and linen, satin weave with brocading wefts; painted. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-after-a-design-by-philippe-de-lasalle-french-1723-18035-woven-and-produced-by-camille-pernon-amp-cie-france-lyon-date-1773-1777-dimensions-1924-548-cm-75-34-21-58-in-warp-repeat-873-cm-34-38-in-silk-and-linen-satin-weave-with-brocading-wefts-painted-origin-france-museum-the-chicago-art-institute-image240103303.htmlRMRXHJ5Y–Panel. After a design by Philippe de LaSalle (French, 1723-1803/5); Woven and produced by Camille Pernon & Cie; France, Lyon. Date: 1773-1777. Dimensions: 192.4 × 54.8 cm (75 3/4 × 21 5/8 in.) Warp repeat: 87.3 cm (34 3/8 in.). Silk and linen, satin weave with brocading wefts; painted. Origin: France. Museum: The Chicago Art Institute.
The italian poet , writer and playwriter VITTORIO ALFIERI ( 1749 - 1803 ) . Illustration for Act V , scene 5 of SAUL from Tragedies , Cremona , De Micheli-Bettini , 1823 - POETA - POESIA - POETRY - SCRITTORE - LETTERATO - LETTERATURA - DRAMMATURGO - TEATRO - THEATRE - THEATER - illustrazione - TRAGEDIE - TRAGEDIA - libro - book ---- Archivio GBB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-italian-poet-writer-and-playwriter-vittorio-alfieri-1749-1803-illustration-for-act-v-scene-5-of-saul-from-tragedies-cremona-de-micheli-bettini-1823-poeta-poesia-poetry-scrittore-letterato-letteratura-drammaturgo-teatro-theatre-theater-illustrazione-tragedie-tragedia-libro-book-archivio-gbb-image527021588.htmlRM2NHBWBG–The italian poet , writer and playwriter VITTORIO ALFIERI ( 1749 - 1803 ) . Illustration for Act V , scene 5 of SAUL from Tragedies , Cremona , De Micheli-Bettini , 1823 - POETA - POESIA - POETRY - SCRITTORE - LETTERATO - LETTERATURA - DRAMMATURGO - TEATRO - THEATRE - THEATER - illustrazione - TRAGEDIE - TRAGEDIA - libro - book ---- Archivio GBB
. English: Hugo Francis Meynell Ingram (1822-1871) . Unknown date. Francis Grant (1803–1878) Alternative names Sir Francis Grant; Sir Grant; Francis Grant (Sir) Description Scottish painter Date of birth/death 18 January 1803 5 October 1878 Location of birth/death Melton Mowbray Authority control : Q1628686 VIAF: 22921949 ISNI: 0000 0000 6675 7242 ULAN: 500013574 LCCN: nr2003022771 GND: 117553514 WorldCat 414 HugoFrancisMeynellIngram Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-hugo-francis-meynell-ingram-1822-1871-unknown-date-francis-grant-18031878-alternative-names-sir-francis-grant-sir-grant-francis-grant-sir-description-scottish-painter-date-of-birthdeath-18-january-1803-5-october-1878-location-of-birthdeath-melton-mowbray-authority-control-q1628686-viaf22921949-isni0000-0000-6675-7242-ulan500013574-lccnnr2003022771-gnd117553514-worldcat-414-hugofrancismeynellingram-image187845175.htmlRMMWH2C7–. English: Hugo Francis Meynell Ingram (1822-1871) . Unknown date. Francis Grant (1803–1878) Alternative names Sir Francis Grant; Sir Grant; Francis Grant (Sir) Description Scottish painter Date of birth/death 18 January 1803 5 October 1878 Location of birth/death Melton Mowbray Authority control : Q1628686 VIAF: 22921949 ISNI: 0000 0000 6675 7242 ULAN: 500013574 LCCN: nr2003022771 GND: 117553514 WorldCat 414 HugoFrancisMeynellIngram
Pierre Vachon 's 'Six Easy Duettos for two Violins', dedicated to the Duke of Dorset. Opus 5, frontispiece. PV, French violinist and composer, 1731 – 7 October 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pierre-vachon-s-six-easy-duettos-for-two-violins-dedicated-to-the-164127179.htmlRMKF0HTY–Pierre Vachon 's 'Six Easy Duettos for two Violins', dedicated to the Duke of Dorset. Opus 5, frontispiece. PV, French violinist and composer, 1731 – 7 October 1803.
FARMER(1884) p172 MAP OF COUNTRY BOUNDARY - NO. 5 (1803) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-farmer1884-p172-map-of-country-boundary-no-5-1803-73579613.htmlRME7KRF9–FARMER(1884) p172 MAP OF COUNTRY BOUNDARY - NO. 5 (1803)
“Battle of Ross. ‘Come on boys her mouth’s stopt’.” The Battle of New Ross, County Wexford, was fought between the United Irishmen and British forces on June 5, 1798. A famous incident in the battle is depicted here; an old man stuffed his hat and wig into the mouth of a cannon and was blown apart moments later. Illustration by George Cruikshank. From History of the Irish Rebellion in 1798; with Memoirs of the Union, and Emmett’s Insurrection in 1803 by W.H. Maxwell. Published in London 1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-ross-come-on-boys-her-mouths-stopt-the-battle-of-new-ross-county-wexford-was-fought-between-the-united-irishmen-and-british-forces-on-june-5-1798-a-famous-incident-in-the-battle-is-depicted-here-an-old-man-stuffed-his-hat-and-wig-into-the-mouth-of-a-cannon-and-was-blown-apart-moments-later-illustration-by-george-cruikshank-from-history-of-the-irish-rebellion-in-1798-with-memoirs-of-the-union-and-emmetts-insurrection-in-1803-by-wh-maxwell-published-in-london-1854-image209749463.htmlRMP56WG7–“Battle of Ross. ‘Come on boys her mouth’s stopt’.” The Battle of New Ross, County Wexford, was fought between the United Irishmen and British forces on June 5, 1798. A famous incident in the battle is depicted here; an old man stuffed his hat and wig into the mouth of a cannon and was blown apart moments later. Illustration by George Cruikshank. From History of the Irish Rebellion in 1798; with Memoirs of the Union, and Emmett’s Insurrection in 1803 by W.H. Maxwell. Published in London 1854.
Louis I of Etruria (1773-1803). Infante of Spain. House of Bourbon. Infante Louis I, King of Etruria, Prince of Parma. Portrait by Francisco de Goya Lucientes (1746-1828), 1800. Oil on canvas, 72,5 x 59,4 cm. Detail. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-i-of-etruria-1773-1803-infante-of-spain-house-of-bourbon-infante-louis-i-king-of-etruria-prince-of-parma-portrait-by-francisco-de-goya-lucientes-1746-1828-1800-oil-on-canvas-725-x-594-cm-detail-prado-museum-madrid-spain-image576457946.htmlRM2TDRWYP–Louis I of Etruria (1773-1803). Infante of Spain. House of Bourbon. Infante Louis I, King of Etruria, Prince of Parma. Portrait by Francisco de Goya Lucientes (1746-1828), 1800. Oil on canvas, 72,5 x 59,4 cm. Detail. Prado Museum. Madrid. Spain.
Portrait of James Christie (1730 - 1803) by Thomas Gainsborough, English, 1727 - 1788; 1778; Oil on canvas; Unframed: 126 x 101.9 cm (49 5/8 x 40 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-james-christie-1730-1803-by-thomas-gainsborough-english-76529649.htmlRMECE69N–Portrait of James Christie (1730 - 1803) by Thomas Gainsborough, English, 1727 - 1788; 1778; Oil on canvas; Unframed: 126 x 101.9 cm (49 5/8 x 40 1/8 in.)
Liebig, Justus von, 12.5.1803 - 18.4.1873, German chemist, portrait, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-liebig-justus-von-1251803-1841873-german-chemist-portrait-23528329.htmlRMBA7PHD–Liebig, Justus von, 12.5.1803 - 18.4.1873, German chemist, portrait, ,
ALBRECHT THEODOR EMIL, graf von ROON Prussian soldier, minister for war Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albrecht-theodor-emil-graf-von-roon-prussian-soldier-minister-for-war-image560860498.htmlRM2RGDB82–ALBRECHT THEODOR EMIL, graf von ROON Prussian soldier, minister for war
France 1803 A 5 Francs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-france-1803-a-5-francs-162801794.htmlRMKCT79P–France 1803 A 5 Francs
Afghanistan: 'Interior of the Palace of Shauh Shujah Ool Moolk, Late King of Caubul'. Lithograph plate 3 from 'Afghaunistan' by James Rattray (1818-1854), 1848. Shuja Shah Durrani (also known as Shah Shujah, Shoja Shah, Shujah al-Mulk) (c. November 4, 1785 – April 5, 1842) was ruler of the Durrani Empire from 1803 to 1809. He then ruled from 1839 until his death in 1842. Shuja Shah was of the Sadozai line of the Abdali group of Pashtuns. He became the fifth Emir of Afghanistan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/afghanistan-interior-of-the-palace-of-shauh-shujah-ool-moolk-late-king-of-caubul-lithograph-plate-3-from-afghaunistan-by-james-rattray-1818-1854-1848-shuja-shah-durrani-also-known-as-shah-shujah-shoja-shah-shujah-al-mulk-c-november-4-1785-april-5-1842-was-ruler-of-the-durrani-empire-from-1803-to-1809-he-then-ruled-from-1839-until-his-death-in-1842-shuja-shah-was-of-the-sadozai-line-of-the-abdali-group-of-pashtuns-he-became-the-fifth-emir-of-afghanistan-image344224118.htmlRM2B00NAE–Afghanistan: 'Interior of the Palace of Shauh Shujah Ool Moolk, Late King of Caubul'. Lithograph plate 3 from 'Afghaunistan' by James Rattray (1818-1854), 1848. Shuja Shah Durrani (also known as Shah Shujah, Shoja Shah, Shujah al-Mulk) (c. November 4, 1785 – April 5, 1842) was ruler of the Durrani Empire from 1803 to 1809. He then ruled from 1839 until his death in 1842. Shuja Shah was of the Sadozai line of the Abdali group of Pashtuns. He became the fifth Emir of Afghanistan.
Captain Abraham Vorhees ca. 1803–5 Micah Williams Williams began his career as a silver plater in New Brunswick, New Jersey. Financial hardships, however, landed him in debtors’ prison in 1814. After his release, he embarked upon his second career, as an itinerant portraitist to New Jersey’s middle class. He worked primarily in pastel, a medium that enabled him to execute likenesses quickly and inexpensively. Williams completed this portrait when the sitter was in his seventies. Signs of age are visible in the highly stylized wrinkles on his face, yet the work’s stiffness is relieved by soft p Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/captain-abraham-vorhees-ca-18035-micah-williams-williams-began-his-career-as-a-silver-plater-in-new-brunswick-new-jersey-financial-hardships-however-landed-him-in-debtors-prison-in-1814-after-his-release-he-embarked-upon-his-second-career-as-an-itinerant-portraitist-to-new-jerseys-middle-class-he-worked-primarily-in-pastel-a-medium-that-enabled-him-to-execute-likenesses-quickly-and-inexpensively-williams-completed-this-portrait-when-the-sitter-was-in-his-seventies-signs-of-age-are-visible-in-the-highly-stylized-wrinkles-on-his-face-yet-the-works-stiffness-is-relieved-by-soft-p-image458300764.htmlRM2HHHB8C–Captain Abraham Vorhees ca. 1803–5 Micah Williams Williams began his career as a silver plater in New Brunswick, New Jersey. Financial hardships, however, landed him in debtors’ prison in 1814. After his release, he embarked upon his second career, as an itinerant portraitist to New Jersey’s middle class. He worked primarily in pastel, a medium that enabled him to execute likenesses quickly and inexpensively. Williams completed this portrait when the sitter was in his seventies. Signs of age are visible in the highly stylized wrinkles on his face, yet the work’s stiffness is relieved by soft p
Richard Airey, Baron Airey (1803-81) English soldier; Quartermaster General to Crimean army 1854-5; Governor of Gibraltar 1865-70 Photograph published 1875 Woodburytype Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-airey-baron-airey-1803-81-english-soldier-quartermaster-general-to-crimean-army-1854-5-governor-of-gibraltar-1865-70-photograph-published-1875-woodburytype-image257297563.htmlRMTXGWJK–Richard Airey, Baron Airey (1803-81) English soldier; Quartermaster General to Crimean army 1854-5; Governor of Gibraltar 1865-70 Photograph published 1875 Woodburytype
SKETCH BOOK FOR 'FOR TRAVEL ETERNITY' 5 FOLIO VERSO (PAGE TEXT) Jean-Jacques Grandville (1803-1847). Carnet de croquis pour 'Voyage pour l'Eternité' folio 5 verso (page de texte). Encre. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketch-book-for-for-travel-eternity-5-folio-verso-page-text-jean-jacques-grandville-1803-1847-carnet-de-croquis-pour-voyage-pour-leternit-folio-5-verso-page-de-texte-encre-paris-muse-carnavalet-image350046458.htmlRM2B9DYR6–SKETCH BOOK FOR 'FOR TRAVEL ETERNITY' 5 FOLIO VERSO (PAGE TEXT) Jean-Jacques Grandville (1803-1847). Carnet de croquis pour 'Voyage pour l'Eternité' folio 5 verso (page de texte). Encre. Paris, musée Carnavalet.
Corkscrew vine, Cochliasanthus caracalla. Snail-flowered kidney-bean, Phaseolus caracalla. From Brazil, South America. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/corkscrew-vine-cochliasanthus-caracalla-snail-flowered-kidney-bean-phaseolus-caracalla-from-brazil-south-america-copperplate-engraving-drawn-engraved-and-hand-coloured-by-henry-andrews-from-his-botanical-register-volume-5-self-published-in-knightsbridge-london-1803-image470038680.htmlRM2J8M33M–Corkscrew vine, Cochliasanthus caracalla. Snail-flowered kidney-bean, Phaseolus caracalla. From Brazil, South America. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803.
Panel, c. 1775, After a design by Philippe de LaSalle (French, 1723–1803/5), Woven and produced by Camille Pernon & Cie, France, Lyon, France, Silk and linen, satin weave with brocading wefts, painted, 192.4 × 54.8 cm (75 3/4 × 21 5/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-c-1775-after-a-design-by-philippe-de-lasalle-french-172318035-woven-and-produced-by-camille-pernon-cie-france-lyon-france-silk-and-linen-satin-weave-with-brocading-wefts-painted-1924-548-cm-75-34-21-58-in-image328652191.htmlRM2A2KB67–Panel, c. 1775, After a design by Philippe de LaSalle (French, 1723–1803/5), Woven and produced by Camille Pernon & Cie, France, Lyon, France, Silk and linen, satin weave with brocading wefts, painted, 192.4 × 54.8 cm (75 3/4 × 21 5/8 in
The British Farmer defies the Corsican. November 5, 1803 Napoleon and the invasion of England : the story of the great terror Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-british-farmer-defies-the-corsican-november-5-1803-napoleon-and-the-invasion-of-england-the-story-of-the-great-terror-image601745419.htmlRF2WXYTBR–The British Farmer defies the Corsican. November 5, 1803 Napoleon and the invasion of England : the story of the great terror
Art inspired by Snuffbox, Samuel Pemberton, 1803, British, Birmingham, Silver, Length: 1 in. (2.5 cm), Metalwork-Silver, Samuel Pemberton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-snuffbox-samuel-pemberton-1803-british-birmingham-silver-length-1-in-25-cm-metalwork-silver-samuel-pemberton-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776204.htmlRF2HTW7NG–Art inspired by Snuffbox, Samuel Pemberton, 1803, British, Birmingham, Silver, Length: 1 in. (2.5 cm), Metalwork-Silver, Samuel Pemberton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The 'Shipwreck Medal'. Culture: American. Dimensions: Diam. 2 5/8 in. (6.7 cm). Maker: Salathiel Ellis (1803-1879). Date: 1845-57. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-shipwreck-medal-culture-american-dimensions-diam-2-58-in-67-cm-maker-salathiel-ellis-1803-1879-date-1845-57-museum-metropolitan-museum-of-art-new-york-usa-image213269278.htmlRMPAY73X–The 'Shipwreck Medal'. Culture: American. Dimensions: Diam. 2 5/8 in. (6.7 cm). Maker: Salathiel Ellis (1803-1879). Date: 1845-57. Museum: Metropolitan Museum of Art, New York, USA.
A Phantasmagoria;—Scene–Conjuring-Up an Armed-Skeleton 5 January 1803 by James Gillray Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-phantasmagoriasceneconjuring-up-an-armed-skeleton-5-january-1803-by-james-gillray-image559239212.htmlRM2RDRF90–A Phantasmagoria;—Scene–Conjuring-Up an Armed-Skeleton 5 January 1803 by James Gillray
. English: Hugo Francis Meynell Ingram (1822-1871) . Unknown date. Francis Grant (1803–1878) Alternative names Sir Francis Grant; Sir Grant; Francis Grant (Sir) Description Scottish painter Date of birth/death 18 January 1803 5 October 1878 Location of birth/death Melton Mowbray Authority control : Q1628686 VIAF: 22921949 ISNI: 0000 0000 6675 7242 ULAN: 500013574 LCCN: nr2003022771 GND: 117553514 WorldCat 414 HugoFrancisMeynellIngram Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-hugo-francis-meynell-ingram-1822-1871-unknown-date-francis-grant-18031878-alternative-names-sir-francis-grant-sir-grant-francis-grant-sir-description-scottish-painter-date-of-birthdeath-18-january-1803-5-october-1878-location-of-birthdeath-melton-mowbray-authority-control-q1628686-viaf22921949-isni0000-0000-6675-7242-ulan500013574-lccnnr2003022771-gnd117553514-worldcat-414-hugofrancismeynellingram-image188358428.htmlRMMXCD2M–. English: Hugo Francis Meynell Ingram (1822-1871) . Unknown date. Francis Grant (1803–1878) Alternative names Sir Francis Grant; Sir Grant; Francis Grant (Sir) Description Scottish painter Date of birth/death 18 January 1803 5 October 1878 Location of birth/death Melton Mowbray Authority control : Q1628686 VIAF: 22921949 ISNI: 0000 0000 6675 7242 ULAN: 500013574 LCCN: nr2003022771 GND: 117553514 WorldCat 414 HugoFrancisMeynellIngram
Anne Charton-Demeur - portrait of the creator of the role of Didon in 'Les Troyens', opera by Louis Berlioz. Lyric Theatre 1863. Anne Charton-Demeur, French soprano: 5 Mar 1824 - 30 Nov 1892. Louis Berlioz, French Romantic composer: 11 December 1803 - 8 March 1869. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-charton-demeur-portrait-of-the-creator-of-the-role-of-didon-in-image159142939.htmlRMK6WGCB–Anne Charton-Demeur - portrait of the creator of the role of Didon in 'Les Troyens', opera by Louis Berlioz. Lyric Theatre 1863. Anne Charton-Demeur, French soprano: 5 Mar 1824 - 30 Nov 1892. Louis Berlioz, French Romantic composer: 11 December 1803 - 8 March 1869.
FARMER(1884) p172 MAP OF COUNTRY BOUNDARY - NO. 5 (1803) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-farmer1884-p172-map-of-country-boundary-no-5-1803-74877073.htmlRME9PXD5–FARMER(1884) p172 MAP OF COUNTRY BOUNDARY - NO. 5 (1803)
George Henry Borrow (geb. 5. Juli 1803 in East Dereham; gest. 26. Juli 1881 in Lowestoft) war ein britischer Schriftsteller, Reisender, Missionar und Philologe aus England, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-henry-borrow-geb-5-juli-1803-in-east-dereham-gest-26-juli-1881-in-lowestoft-war-ein-britischer-schriftsteller-reisender-missionar-und-philologe-aus-england-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image596641661.htmlRF2WJKAEN–George Henry Borrow (geb. 5. Juli 1803 in East Dereham; gest. 26. Juli 1881 in Lowestoft) war ein britischer Schriftsteller, Reisender, Missionar und Philologe aus England, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Juan Bravo Murillo (1803-1873). Spanish politician and jurist. Minister of Commerce, Instruction and Public Works in Narváez's government. Portrait of Juan Bravo Murillo wearing the uniform of the Minister of Fomento (Development) in 1848, by Jose Gutierrez de la Vega Bocanegra (1791-1865). Oil on canvas (120,5 x 91 cm). Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juan-bravo-murillo-1803-1873-spanish-politician-and-jurist-minister-of-commerce-instruction-and-public-works-in-narvezs-government-portrait-of-juan-bravo-murillo-wearing-the-uniform-of-the-minister-of-fomento-development-in-1848-by-jose-gutierrez-de-la-vega-bocanegra-1791-1865-oil-on-canvas-1205-x-91-cm-prado-museum-madrid-spain-image576457932.htmlRM2TDRWY8–Juan Bravo Murillo (1803-1873). Spanish politician and jurist. Minister of Commerce, Instruction and Public Works in Narváez's government. Portrait of Juan Bravo Murillo wearing the uniform of the Minister of Fomento (Development) in 1848, by Jose Gutierrez de la Vega Bocanegra (1791-1865). Oil on canvas (120,5 x 91 cm). Prado Museum. Madrid. Spain.
SUFFOLK: Aikin: Scarce small county map. (5th edition) , 1803 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-suffolk-aikin-scarce-small-county-map-5th-edition-1803-106874830.htmlRFG5TFX6–SUFFOLK: Aikin: Scarce small county map. (5th edition) , 1803
Emerson, Ralph Waldo, 25.5.1803 - 27.4.1882, US philosopher, poet, portrait, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-emerson-ralph-waldo-2551803-2741882-us-philosopher-poet-portrait-23531637.htmlRMBA7XRH–Emerson, Ralph Waldo, 25.5.1803 - 27.4.1882, US philosopher, poet, portrait,
British Attack on Buenos Aires (Second Battle of Buenos Aires), Argentina, 4-5 July 1807, as part of the Napoleonic Wars (1803-1815). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-attack-on-buenos-aires-second-battle-of-buenos-aires-argentina-4-5-july-1807-as-part-of-the-napoleonic-wars-1803-1815-image560813602.htmlRM2RGB7D6–British Attack on Buenos Aires (Second Battle of Buenos Aires), Argentina, 4-5 July 1807, as part of the Napoleonic Wars (1803-1815).
The Sydney gazette and New South Wales advertiser-first issue 5 March 1803 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-sydney-gazette-and-new-south-wales-advertiser-first-issue-5-march-165723830.htmlRMKHHAC6–The Sydney gazette and New South Wales advertiser-first issue 5 March 1803
![. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. ower, notsignificant.] About 30 species, natives of warm and tropical regions. Type species: SpUanthes urens Jacq. I. Spilanthes repens (Walt.) Michx.Spilanthes. Fig. 4441. Antheniis repens Walt. Fl. Car. 211. 1788.Spilanthes repens Michx. Fl. Bor. Am. 2: 131. 1803.5. ainericana repens A. H. Moore, Proc. Am. Acad.42: 547. 1907. Perennial, usually rooting at the lower nodes;st Stock Photo](https://c8.alamy.com/comp/2AG8H13/an-illustrated-flora-of-the-northern-united-states-canada-and-the-british-possessions-from-newfoundland-to-the-parallel-of-the-southern-boundary-of-virginia-and-from-the-atlantic-ocean-westward-to-the-102nd-meridian-ower-notsignificant-about-30-species-natives-of-warm-and-tropical-regions-type-species-spuanthes-urens-jacq-i-spilanthes-repens-walt-michxspilanthes-fig-4441-antheniis-repens-walt-fl-car-211-1788spilanthes-repens-michx-fl-bor-am-2-131-18035-ainericana-repens-a-h-moore-proc-am-acad42-547-1907-perennial-usually-rooting-at-the-lower-nodesst-2AG8H13.jpg ". An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. ower, notsignificant.] About 30 species, natives of warm and tropical regions. Type species: SpUanthes urens Jacq. I. Spilanthes repens (Walt.) Michx.Spilanthes. Fig. 4441. Antheniis repens Walt. Fl. Car. 211. 1788.Spilanthes repens Michx. Fl. Bor. Am. 2: 131. 1803.5. ainericana repens A. H. Moore, Proc. Am. Acad.42: 547. 1907. Perennial, usually rooting at the lower nodes;st Stock Photo")
. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. ower, notsignificant.] About 30 species, natives of warm and tropical regions. Type species: SpUanthes urens Jacq. I. Spilanthes repens (Walt.) Michx.Spilanthes. Fig. 4441. Antheniis repens Walt. Fl. Car. 211. 1788.Spilanthes repens Michx. Fl. Bor. Am. 2: 131. 1803.5. ainericana repens A. H. Moore, Proc. Am. Acad.42: 547. 1907. Perennial, usually rooting at the lower nodes;st Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustrated-flora-of-the-northern-united-states-canada-and-the-british-possessions-from-newfoundland-to-the-parallel-of-the-southern-boundary-of-virginia-and-from-the-atlantic-ocean-westward-to-the-102nd-meridian-ower-notsignificant-about-30-species-natives-of-warm-and-tropical-regions-type-species-spuanthes-urens-jacq-i-spilanthes-repens-walt-michxspilanthes-fig-4441-antheniis-repens-walt-fl-car-211-1788spilanthes-repens-michx-fl-bor-am-2-131-18035-ainericana-repens-a-h-moore-proc-am-acad42-547-1907-perennial-usually-rooting-at-the-lower-nodesst-image337020463.htmlRM2AG8H13–. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. ower, notsignificant.] About 30 species, natives of warm and tropical regions. Type species: SpUanthes urens Jacq. I. Spilanthes repens (Walt.) Michx.Spilanthes. Fig. 4441. Antheniis repens Walt. Fl. Car. 211. 1788.Spilanthes repens Michx. Fl. Bor. Am. 2: 131. 1803.5. ainericana repens A. H. Moore, Proc. Am. Acad.42: 547. 1907. Perennial, usually rooting at the lower nodes;st
![High Street OXFORD. Author Garnaut, L. 34.23.a. Place of publication: [Oxford] Publisher: Published by Wm Delamotte Oxford, Date of publication: Janr 1803. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 57.5 x 75.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HMHX/high-street-oxford-author-garnaut-l-3423a-place-of-publication-oxford-publisher-published-by-wm-delamotte-oxford-date-of-publication-janr-1803-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-575-x-759-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HMHX.jpg "High Street OXFORD. Author Garnaut, L. 34.23.a. Place of publication: [Oxford] Publisher: Published by Wm Delamotte Oxford, Date of publication: Janr 1803. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 57.5 x 75.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
High Street OXFORD. Author Garnaut, L. 34.23.a. Place of publication: [Oxford] Publisher: Published by Wm Delamotte Oxford, Date of publication: Janr 1803. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 57.5 x 75.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/high-street-oxford-author-garnaut-l-3423a-place-of-publication-oxford-publisher-published-by-wm-delamotte-oxford-date-of-publication-janr-1803-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-575-x-759-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401759734.htmlRM2E9HMHX–High Street OXFORD. Author Garnaut, L. 34.23.a. Place of publication: [Oxford] Publisher: Published by Wm Delamotte Oxford, Date of publication: Janr 1803. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 57.5 x 75.9 cm Former owner: George III, King of Great Britain, 1738-1820
Luigi Basiletti . 1780-1859. The Tivoli waterfall. 1803-1810. oil painting on canvas. cm 133 x 96.5. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luigi-basiletti-1780-1859-the-tivoli-waterfall-1803-1810-oil-painting-on-canvas-cm-133-x-965-image390688332.htmlRM2DKHAXM–Luigi Basiletti . 1780-1859. The Tivoli waterfall. 1803-1810. oil painting on canvas. cm 133 x 96.5.
Opening of Boulevard Sebastopol April 5, 1858; decoration giving input on the boulevard Léon Leymonnerie (1803-1879). 'Ouverture du boulevard Sébastopol le 5 avril 1858; décoration donnant entrée sur le boulevard'. Aquarelle. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/opening-of-boulevard-sebastopol-april-5-1858-decoration-giving-input-on-the-boulevard-lon-leymonnerie-1803-1879-ouverture-du-boulevard-sbastopol-le-5-avril-1858-dcoration-donnant-entre-sur-le-boulevard-aquarelle-paris-muse-carnavalet-image349977628.htmlRM2B9AT10–Opening of Boulevard Sebastopol April 5, 1858; decoration giving input on the boulevard Léon Leymonnerie (1803-1879). 'Ouverture du boulevard Sébastopol le 5 avril 1858; décoration donnant entrée sur le boulevard'. Aquarelle. Paris, musée Carnavalet.
Linear-leaved pharnaceum, Pharnaceum lineare. From the Cape of Good Hope, South Africa, in the George Hibbert collection. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/linear-leaved-pharnaceum-pharnaceum-lineare-from-the-cape-of-good-hope-south-africa-in-the-george-hibbert-collection-copperplate-engraving-drawn-engraved-and-hand-coloured-by-henry-andrews-from-his-botanical-register-volume-5-self-published-in-knightsbridge-london-1803-image470038586.htmlRM2J8M30A–Linear-leaved pharnaceum, Pharnaceum lineare. From the Cape of Good Hope, South Africa, in the George Hibbert collection. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803.
Panel, c. 1770, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, France, Silk, satin weave with brocading wefts and plain interlacing of secondary binding warps and self-patterning ground wefts, 205.1 × 54.2 cm (80 3/4 × 21 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-c-1770-designed-by-philippe-de-lasalle-french-172318035-france-lyon-france-silk-satin-weave-with-brocading-wefts-and-plain-interlacing-of-secondary-binding-warps-and-self-patterning-ground-wefts-2051-542-cm-80-34-21-14-in-image328652181.htmlRM2A2KB5W–Panel, c. 1770, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, France, Silk, satin weave with brocading wefts and plain interlacing of secondary binding warps and self-patterning ground wefts, 205.1 × 54.2 cm (80 3/4 × 21 1/4 in
CITY GOVERNMENT. ( 1 ) City Hall Park, looking south on Broadway. (2) City Hall, seat of government of Greater New York, founded 1624, chartered 1653, 326.9 sq mi, 4,711,956 inhabitants, and Borough of Manhattan, 21.9 sq mi, 2,417,917 population; built 1803- 12. (3) Borough Hall, Brooklyn, incorporated 1834, consolidated with New York 1898, 77.6 sq mi, 1,586.934 inhabitants. (4) BOROUGH Hall, Queens, 129.5 sq mi. (5) Borough Hall, Bronx, 40.7 sq mi. (6) Borough Hall, Richmond, 57.2 sq mi from the book ' King's color-graphs of New York city ' Published in New York by M. King, inc. in 1910 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-government-1-city-hall-park-looking-south-on-broadway-2-city-hall-seat-of-government-of-greater-new-york-founded-1624-chartered-1653-3269-sq-mi-4711956-inhabitants-and-borough-of-manhattan-219-sq-mi-2417917-population-built-1803-12-3-borough-hall-brooklyn-incorporated-1834-consolidated-with-new-york-1898-776-sq-mi-1586934-inhabitants-4-borough-hall-queens-1295-sq-mi-5-borough-hall-bronx-407-sq-mi-6-borough-hall-richmond-572-sq-mi-from-the-book-kings-color-graphs-of-new-york-city-published-in-new-york-by-m-king-inc-in-1910-image452652291.htmlRF2H8C2H7–CITY GOVERNMENT. ( 1 ) City Hall Park, looking south on Broadway. (2) City Hall, seat of government of Greater New York, founded 1624, chartered 1653, 326.9 sq mi, 4,711,956 inhabitants, and Borough of Manhattan, 21.9 sq mi, 2,417,917 population; built 1803- 12. (3) Borough Hall, Brooklyn, incorporated 1834, consolidated with New York 1898, 77.6 sq mi, 1,586.934 inhabitants. (4) BOROUGH Hall, Queens, 129.5 sq mi. (5) Borough Hall, Bronx, 40.7 sq mi. (6) Borough Hall, Richmond, 57.2 sq mi from the book ' King's color-graphs of New York city ' Published in New York by M. King, inc. in 1910
Art inspired by Augustin Pajou (1730–1809), 1803–9, French, Bronze, Diameter: 12 in. (30.5 cm), Sculpture-Bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-augustin-pajou-17301809-18039-french-bronze-diameter-12-in-305-cm-sculpture-bronze-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778671.htmlRF2HTWAWK–Art inspired by Augustin Pajou (1730–1809), 1803–9, French, Bronze, Diameter: 12 in. (30.5 cm), Sculpture-Bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cavalier and Shepherd. Artist: Francesco Casanova (Italian, London 1727-1803 Brühl). Dimensions: 25 5/8 x 32 in. (65.1 x 81.3 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cavalier-and-shepherd-artist-francesco-casanova-italian-london-1727-1803-brhl-dimensions-25-58-x-32-in-651-x-813-cm-museum-metropolitan-museum-of-art-new-york-usa-image213104527.htmlRMPAKMYY–Cavalier and Shepherd. Artist: Francesco Casanova (Italian, London 1727-1803 Brühl). Dimensions: 25 5/8 x 32 in. (65.1 x 81.3 cm). Museum: Metropolitan Museum of Art, New York, USA.
A general View of Paris, taken from Chaillot 1803. Plate 5 from Views in Paris, the Emanuel Volume no tracing of the plate is known 1803 by William Pickett Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-general-view-of-paris-taken-from-chaillot-1803-plate-5-from-views-in-paris-the-emanuel-volume-no-tracing-of-the-plate-is-known-1803-by-william-pickett-image559654675.htmlRM2REED6Y–A general View of Paris, taken from Chaillot 1803. Plate 5 from Views in Paris, the Emanuel Volume no tracing of the plate is known 1803 by William Pickett
. Sir James Brooke (1803–1868) Čeština: James Brooke . 1847. Francis Grant (1803–1878) Alternative names Sir Francis Grant; Sir Grant; Francis Grant (Sir) Description Scottish painter Date of birth/death 18 January 1803 5 October 1878 Location of birth/death Melton Mowbray Authority control : Q1628686 VIAF: 22921949 ISNI: 0000 0000 6675 7242 ULAN: 500013574 LCCN: nr2003022771 GND: 117553514 WorldCat 1124 Sir James Brooke (1847) by Francis Grant Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-james-brooke-18031868-etina-james-brooke-1847-francis-grant-18031878-alternative-names-sir-francis-grant-sir-grant-francis-grant-sir-description-scottish-painter-date-of-birthdeath-18-january-1803-5-october-1878-location-of-birthdeath-melton-mowbray-authority-control-q1628686-viaf22921949-isni0000-0000-6675-7242-ulan500013574-lccnnr2003022771-gnd117553514-worldcat-1124-sir-james-brooke-1847-by-francis-grant-image185590988.htmlRMMNXB5G–. Sir James Brooke (1803–1868) Čeština: James Brooke . 1847. Francis Grant (1803–1878) Alternative names Sir Francis Grant; Sir Grant; Francis Grant (Sir) Description Scottish painter Date of birth/death 18 January 1803 5 October 1878 Location of birth/death Melton Mowbray Authority control : Q1628686 VIAF: 22921949 ISNI: 0000 0000 6675 7242 ULAN: 500013574 LCCN: nr2003022771 GND: 117553514 WorldCat 1124 Sir James Brooke (1847) by Francis Grant
George Washington, by Gilbert Stuart, c. 1803-05, American painting, oil on canvas. In 1796 Washington sat for Stuart who created the famous, but never finished 'Athenaeum' portrait. From that work, he sold up to 70 of his reproductions, such as this one, (BSLOC 2016 5 62) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-washington-by-gilbert-stuart-c-1803-05-american-painting-oil-115917774.htmlRMGMGE8E–George Washington, by Gilbert Stuart, c. 1803-05, American painting, oil on canvas. In 1796 Washington sat for Stuart who created the famous, but never finished 'Athenaeum' portrait. From that work, he sold up to 70 of his reproductions, such as this one, (BSLOC 2016 5 62)
FARMER(1884) p172 MAP OF COUNTRY BOUNDARY - NO. 5 (1803) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-farmer1884-p172-map-of-country-boundary-no-5-1803-75167207.htmlRMEA84F3–FARMER(1884) p172 MAP OF COUNTRY BOUNDARY - NO. 5 (1803)
Souvenirs: Souvenir of Brittany, Plate 5, 1832. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/souvenirs-souvenir-of-brittany-plate-5-1832-image330120736.htmlRM2A528A8–Souvenirs: Souvenir of Brittany, Plate 5, 1832.
Juan Bravo Murillo (1803-1873). Spanish politician and jurist. Minister of Commerce, Instruction and Public Works in Narváez's government. Portrait of Juan Bravo Murillo wearing the uniform of the Minister of Fomento (Development) in 1848, by Jose Gutierrez de la Vega Bocanegra (1791-1865). Oil on canvas (120,5 x 91 cm). Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juan-bravo-murillo-1803-1873-spanish-politician-and-jurist-minister-of-commerce-instruction-and-public-works-in-narvezs-government-portrait-of-juan-bravo-murillo-wearing-the-uniform-of-the-minister-of-fomento-development-in-1848-by-jose-gutierrez-de-la-vega-bocanegra-1791-1865-oil-on-canvas-1205-x-91-cm-prado-museum-madrid-spain-image576457941.htmlRM2TDRWYH–Juan Bravo Murillo (1803-1873). Spanish politician and jurist. Minister of Commerce, Instruction and Public Works in Narváez's government. Portrait of Juan Bravo Murillo wearing the uniform of the Minister of Fomento (Development) in 1848, by Jose Gutierrez de la Vega Bocanegra (1791-1865). Oil on canvas (120,5 x 91 cm). Prado Museum. Madrid. Spain.
ESSEX: Aikin. Fairly scarce small county map. (5th Edition) , 1803 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-essex-aikin-fairly-scarce-small-county-map-5th-edition-1803-106904166.htmlRFG5WW9X–ESSEX: Aikin. Fairly scarce small county map. (5th Edition) , 1803
Liebig, Justus von, 12.5.1803 - 18.4.1873, German chemist, portrait, photo, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-liebig-justus-von-1251803-1841873-german-chemist-portrait-photo-23528328.htmlRMBA7PHC–Liebig, Justus von, 12.5.1803 - 18.4.1873, German chemist, portrait, photo, ,
Bonaparte valica il Gran San Bernardo - 1803 - oil on canvas 267,5 x 223 cm - David Jacques-Louis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonaparte-valica-il-gran-san-bernardo-1803-oil-on-canvas-2675-x-223-cm-david-jacques-louis-image457732952.htmlRF2HGKF1C–Bonaparte valica il Gran San Bernardo - 1803 - oil on canvas 267,5 x 223 cm - David Jacques-Louis
FARMER(1884) p172 MAP OF COUNTRY BOUNDARY NO. 5 (1803) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farmer1884-p172-map-of-country-boundary-no-5-1803-image154605957.htmlRMJYEWD9–FARMER(1884) p172 MAP OF COUNTRY BOUNDARY NO. 5 (1803)
. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. h Dakota, New Jersey, Georgia, Ne-braska and Louisiana. Naturalized near NewYork City, and elsewhere escaped from culti-vation. Called also ragged-cup. July-Sept. 2. Silphium integrifolium ^lichx. Entire-leaved Rosin-wood. Fig. 4422. S. integrifolium Michx. Fl. Bor. Am. 2: 146. 1803. 5. speciosnm Nutt. Trans. Am. Phil. Soc. (II) 7: 341.1841. Stem glabrous, rough or sometimes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustrated-flora-of-the-northern-united-states-canada-and-the-british-possessions-from-newfoundland-to-the-parallel-of-the-southern-boundary-of-virginia-and-from-the-atlantic-ocean-westward-to-the-102nd-meridian-h-dakota-new-jersey-georgia-ne-braska-and-louisiana-naturalized-near-newyork-city-and-elsewhere-escaped-from-culti-vation-called-also-ragged-cup-july-sept-2-silphium-integrifolium-lichx-entire-leaved-rosin-wood-fig-4422-s-integrifolium-michx-fl-bor-am-2-146-1803-5-speciosnm-nutt-trans-am-phil-soc-ii-7-3411841-stem-glabrous-rough-or-sometimes-image337025140.htmlRM2AG8R04–. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. h Dakota, New Jersey, Georgia, Ne-braska and Louisiana. Naturalized near NewYork City, and elsewhere escaped from culti-vation. Called also ragged-cup. July-Sept. 2. Silphium integrifolium ^lichx. Entire-leaved Rosin-wood. Fig. 4422. S. integrifolium Michx. Fl. Bor. Am. 2: 146. 1803. 5. speciosnm Nutt. Trans. Am. Phil. Soc. (II) 7: 341.1841. Stem glabrous, rough or sometimes
![FROM PIERCEFIELD WALKS. Author Suffren, AmeÃÅlia de 31.13.2. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [1803] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 28.5 x 40.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HKM5/from-piercefield-walks-author-suffren-amelia-de-31132-place-of-publication-england-publisher-publisher-not-identified-date-of-publication-1803-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-285-x-401-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HKM5.jpg "FROM PIERCEFIELD WALKS. Author Suffren, AmeÃÅlia de 31.13.2. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [1803] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 28.5 x 40.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
FROM PIERCEFIELD WALKS. Author Suffren, AmeÃÅlia de 31.13.2. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [1803] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 28.5 x 40.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-piercefield-walks-author-suffren-amelia-de-31132-place-of-publication-england-publisher-publisher-not-identified-date-of-publication-1803-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-285-x-401-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401759013.htmlRM2E9HKM5–FROM PIERCEFIELD WALKS. Author Suffren, AmeÃÅlia de 31.13.2. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [1803] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 28.5 x 40.1 cm Former owner: George III, King of Great Britain, 1738-1820
Vitale Sala. 1803-1835. The meeting of Dante with Paolo and Francesca. about 1823. oil painting on canvas cm 162.5 x 228.5. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vitale-sala-1803-1835-the-meeting-of-dante-with-paolo-and-francesca-about-1823-oil-painting-on-canvas-cm-1625-x-2285-image390687121.htmlRM2DKH9BD–Vitale Sala. 1803-1835. The meeting of Dante with Paolo and Francesca. about 1823. oil painting on canvas cm 162.5 x 228.5.
Children, trust me, do not play with these weapons there Jean Ignace Isidore Gérard Grandville (1803-1847). Caricature de presse. 'Enfans, croyez-moi, ne jouez pas avec ces armes là'. Planche parue dans 'La Caricature' du 5 juin 1834. Lithographie. Paris, Maison de Balzac. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/children-trust-me-do-not-play-with-these-weapons-there-jean-ignace-isidore-grard-grandville-1803-1847-caricature-de-presse-enfans-croyez-moi-ne-jouez-pas-avec-ces-armes-l-planche-parue-dans-la-caricature-du-5-juin-1834-lithographie-paris-maison-de-balzac-image349582037.htmlRM2B8MRCN–Children, trust me, do not play with these weapons there Jean Ignace Isidore Gérard Grandville (1803-1847). Caricature de presse. 'Enfans, croyez-moi, ne jouez pas avec ces armes là'. Planche parue dans 'La Caricature' du 5 juin 1834. Lithographie. Paris, Maison de Balzac.
Ribbed-leaved anthericum, Anthericum costatum. From the Cape of Good Hope, South Africa, in the George Hibbert collection. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ribbed-leaved-anthericum-anthericum-costatum-from-the-cape-of-good-hope-south-africa-in-the-george-hibbert-collection-copperplate-engraving-drawn-engraved-and-hand-coloured-by-henry-andrews-from-his-botanical-register-volume-5-self-published-in-knightsbridge-london-1803-image470038483.htmlRM2J8M2TK–Ribbed-leaved anthericum, Anthericum costatum. From the Cape of Good Hope, South Africa, in the George Hibbert collection. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803.
Mrs. Abraham Vorhees (née Leah Nevius or Jane Kershow), American, ca. 1803–5, American, Pastel on off-white wove paper with black grosgrain-type ribbon, mounted on a wood strainer, 25 11/16 x 21 3/4 in. (65.2 x 55.2 cm), Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-abraham-vorhees-ne-leah-nevius-or-jane-kershow-american-ca-18035-american-pastel-on-off-white-wove-paper-with-black-grosgrain-type-ribbon-mounted-on-a-wood-strainer-25-1116-x-21-34-in-652-x-552-cm-drawings-image344589648.htmlRM2B0HBH4–Mrs. Abraham Vorhees (née Leah Nevius or Jane Kershow), American, ca. 1803–5, American, Pastel on off-white wove paper with black grosgrain-type ribbon, mounted on a wood strainer, 25 11/16 x 21 3/4 in. (65.2 x 55.2 cm), Drawings
37,5 jarig huwelijk van Hendrik Jan Bloemen (1804-1877) en Christina Wilhelmina Elisa Lantzendörffer (1803-1885), objectnr 1251. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/375-jarig-huwelijk-van-hendrik-jan-bloemen-1804-1877-en-christina-wilhelmina-elisa-lantzendrffer-1803-1885-objectnr-1251-image593334354.htmlRM2WD8M0J–37,5 jarig huwelijk van Hendrik Jan Bloemen (1804-1877) en Christina Wilhelmina Elisa Lantzendörffer (1803-1885), objectnr 1251.
Inspired by Lord River's 'Rosemary', William Henry Davis, British, active 1803-1849, Watercolor, England, ca. 1818, 9 5/8 x 13 5/8 in., 24.4 x 34.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-lord-rivers-rosemary-william-henry-davis-british-active-1803-1849-watercolor-england-ca-1818-9-58-x-13-58-in-244-x-346-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252218.htmlRF2HK4MTX–Inspired by Lord River's 'Rosemary', William Henry Davis, British, active 1803-1849, Watercolor, England, ca. 1818, 9 5/8 x 13 5/8 in., 24.4 x 34.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Pelargonium undulatum. Waved-flowered geranium, Geranium undulatum. In the George Hibbert collection. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pelargonium-undulatum-waved-flowered-geranium-geranium-undulatum-in-the-george-hibbert-collection-copperplate-engraving-drawn-engraved-and-hand-coloured-by-henry-andrews-from-his-botanical-register-volume-5-self-published-in-knightsbridge-london-1803-image571850468.htmlRM2T6A130–Pelargonium undulatum. Waved-flowered geranium, Geranium undulatum. In the George Hibbert collection. Copperplate engraving drawn, engraved and hand-coloured by Henry Andrews from his Botanical Register, Volume 5, self-published in Knightsbridge, London, 1803.
'Cornelius Varley, Tally Llyn from Llyn Trigrain, 1803, graphite on wove paper; laid down, overall: 25.5 x 40 cm (10 1/16 x 15 3/4 in.), Gift of John Nichols Estabrook and Dorothy Coogan Estabrook, 1988.20.44' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cornelius-varley-tally-llyn-from-llyn-trigrain-1803-graphite-on-wove-paper-laid-down-overall-255-x-40-cm-10-116-x-15-34-in-gift-of-john-nichols-estabrook-and-dorothy-coogan-estabrook-19882044-image559635510.htmlRM2REDGPE–'Cornelius Varley, Tally Llyn from Llyn Trigrain, 1803, graphite on wove paper; laid down, overall: 25.5 x 40 cm (10 1/16 x 15 3/4 in.), Gift of John Nichols Estabrook and Dorothy Coogan Estabrook, 1988.20.44'
Search Results for 1803 5 Stock Photos and Images (2,752)
Page 1 of 28