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1763 1804 Stock Photos and Images
Claude CHAPPE, 1763-1804; French engineer and inventor: 1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-claude-chappe-1763-1804-french-engineer-and-inventor-1870-131238865.htmlRMHHECE9–Claude CHAPPE, 1763-1804; French engineer and inventor: 1870
Portrait of Peter Broes, Carel Jacob de Huyser, 1763 - 1804 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-peter-broes-carel-jacob-de-huyser-1763-1804-77346765.htmlRMEDRCGD–Portrait of Peter Broes, Carel Jacob de Huyser, 1763 - 1804
Inspired by John Vinall, John Mason Furness, American, 1763-1804, Oil on canvas, ca. 1792, 49 5/16 x 39 7/16 in., 125.2 x 100.2 cm, at desk, ca. 1792, feather pen, globe, letter, male, oil, painting, portrait, quill, streaming light, white man, wig, writing, x-ray, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-john-vinall-john-mason-furness-american-1763-1804-oil-on-canvas-ca-1792-49-516-x-39-716-in-1252-x-1002-cm-at-desk-ca-1792-feather-pen-globe-letter-male-oil-painting-portrait-quill-streaming-light-white-man-wig-writing-x-ray-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254306.htmlRF2HK4RFE–Inspired by John Vinall, John Mason Furness, American, 1763-1804, Oil on canvas, ca. 1792, 49 5/16 x 39 7/16 in., 125.2 x 100.2 cm, at desk, ca. 1792, feather pen, globe, letter, male, oil, painting, portrait, quill, streaming light, white man, wig, writing, x-ray, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
View of the Monument, Philip Audinet, 1766–1837, British, after Edward Dayes, 1763–1804, British, 1796, Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-monument-philip-audinet-17661837-british-after-edward-dayes-17631804-british-1796-engraving-image389691417.htmlRM2DHYYAH–View of the Monument, Philip Audinet, 1766–1837, British, after Edward Dayes, 1763–1804, British, 1796, Engraving
Art inspired by Landscape with Figure, 1763–1804, Black chalk on off-white wove paper, laid on gray wash-line mount, laid on board, Sheet: 9 1/8 x 7 1/4 in. (23.2 x 18.4 cm), Drawings, George Morland (British, London 1763–1804 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-with-figure-17631804-black-chalk-on-off-white-wove-paper-laid-on-gray-wash-line-mount-laid-on-board-sheet-9-18-x-7-14-in-232-x-184-cm-drawings-george-morland-british-london-17631804-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462803786.htmlRF2HTXEXJ–Art inspired by Landscape with Figure, 1763–1804, Black chalk on off-white wove paper, laid on gray wash-line mount, laid on board, Sheet: 9 1/8 x 7 1/4 in. (23.2 x 18.4 cm), Drawings, George Morland (British, London 1763–1804 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Arun District Council blue plaque on the wall of The Fox Inn, Felphan, West Sussex, England, UK - George Morland 1763-1804 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arun-district-council-blue-plaque-on-the-wall-of-the-fox-inn-felphan-west-sussex-england-uk-george-morland-1763-1804-image418803986.htmlRF2F9A4N6–Arun District Council blue plaque on the wall of The Fox Inn, Felphan, West Sussex, England, UK - George Morland 1763-1804
Art inspired by John Vinall, John Mason Furness, American, 1763-1804, Oil on canvas, ca. 1792, 49 5/16 x 39 7/16 in., 125.2 x 100.2 cm, at desk, ca. 1792, feather pen, globe, letter, male, oil, painting, portrait, quill, streaming light, white man, wig, writing, x-ray, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-john-vinall-john-mason-furness-american-1763-1804-oil-on-canvas-ca-1792-49-516-x-39-716-in-1252-x-1002-cm-at-desk-ca-1792-feather-pen-globe-letter-male-oil-painting-portrait-quill-streaming-light-white-man-wig-writing-x-ray-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568725.htmlRF2HKK4GN–Art inspired by John Vinall, John Mason Furness, American, 1763-1804, Oil on canvas, ca. 1792, 49 5/16 x 39 7/16 in., 125.2 x 100.2 cm, at desk, ca. 1792, feather pen, globe, letter, male, oil, painting, portrait, quill, streaming light, white man, wig, writing, x-ray, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
GEORGE MORLAND Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-image65633571.htmlRMDPNT83–GEORGE MORLAND
A view of Sydney Cove, New South Wales, 1804. Frances Jukes engraver (1746–1812). Edward Dayes artist (1763–1804) after Thomas Watling artist (b.1762). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-view-of-sydney-cove-new-south-wales-1804-frances-jukes-engraver-104952917.htmlRMG2N0ED–A view of Sydney Cove, New South Wales, 1804. Frances Jukes engraver (1746–1812). Edward Dayes artist (1763–1804) after Thomas Watling artist (b.1762).
The Bell Inn. Artist: George Morland (British, London 1763-1804 London). Dimensions: 20 1/2 x 26 1/4 in. (52.1 x 66.7 cm). Date: late 1780s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bell-inn-artist-george-morland-british-london-1763-1804-london-dimensions-20-12-x-26-14-in-521-x-667-cm-date-late-1780s-museum-metropolitan-museum-of-art-new-york-usa-image233251121.htmlRMRFDE55–The Bell Inn. Artist: George Morland (British, London 1763-1804 London). Dimensions: 20 1/2 x 26 1/4 in. (52.1 x 66.7 cm). Date: late 1780s. Museum: Metropolitan Museum of Art, New York, USA.
Watercolour painting titled 'Soldier's Return' depicts a family seated around a table listening to the stories of war. By George Morland (1763 - 1804) English painter of animals and rustic scenes. Dated 1792 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watercolour-painting-titled-soldiers-return-depicts-a-family-seated-image68544093.htmlRMDYECK9–Watercolour painting titled 'Soldier's Return' depicts a family seated around a table listening to the stories of war. By George Morland (1763 - 1804) English painter of animals and rustic scenes. Dated 1792
Pigsty by George Morland (1763-1804), oil on canvas, c. 1791 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pigsty-by-george-morland-1763-1804-oil-on-canvas-c-1791-image566466733.htmlRM2RWGP2N–Pigsty by George Morland (1763-1804), oil on canvas, c. 1791
Morning: Higglers Preparing for Market', 1791. Oil on canvas. George Morland (1763-1804) English painter of animals and rustic scenes. Higglers were travelling market traders, often of poultry. Stable Thatch Pig Wagon Family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-morning-higglers-preparing-for-market-1791-oil-on-canvas-george-morland-57359375.htmlRMD98XD3–Morning: Higglers Preparing for Market', 1791. Oil on canvas. George Morland (1763-1804) English painter of animals and rustic scenes. Higglers were travelling market traders, often of poultry. Stable Thatch Pig Wagon Family
Winter Landscape by George Morland (1763-1804), oil on canvas, 1790 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winter-landscape-by-george-morland-1763-1804-oil-on-canvas-1790-image437445322.htmlRM2GBK9Y6–Winter Landscape by George Morland (1763-1804), oil on canvas, 1790
'fine arts, Moreland, George (1763 - 1804), painting, 'The Tea Garden', circa 1790, Tate Gallery, London, British, classizism, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-moreland-george-1763-1804-painting-the-tea-garden-circa-14566216.htmlRMAHXXEH–'fine arts, Moreland, George (1763 - 1804), painting, 'The Tea Garden', circa 1790, Tate Gallery, London, British, classizism,
The Bell Inn by the English artist, George Morland (1763-1804), oil on canvas, late 1780s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bell-inn-by-the-english-artist-george-morland-1763-1804-oil-on-canvas-late-1780s-image499354253.htmlRM2M0BFCD–The Bell Inn by the English artist, George Morland (1763-1804), oil on canvas, late 1780s
. A Windy Day . 1790s. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF:?37185990 ISNI:?0000 0000 6629 7696 ULAN:?500031295 LCCN:?n83013597 NLA:?35362849 WorldCat George Morland A Windy Day Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-windy-day-1790s-george-morland-17631804-description-british-painter-date-of-birthdeath-26-june-1763-29-october-1804-location-of-birthdeath-london-london-work-location-london-margate-st-omer-authority-control-q2405427-viaf37185990-isni0000-0000-6629-7696-ulan500031295-lccnn83013597-nla35362849-worldcat-george-morland-a-windy-day-image184990296.htmlRMMMY108–. A Windy Day . 1790s. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF:?37185990 ISNI:?0000 0000 6629 7696 ULAN:?500031295 LCCN:?n83013597 NLA:?35362849 WorldCat George Morland A Windy Day
Before a Thunderstorm by the English artist, George Morland (1763-1804), oil on canvas, 1791 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/before-a-thunderstorm-by-the-english-artist-george-morland-1763-1804-oil-on-canvas-1791-image458293030.htmlRM2HHH1C6–Before a Thunderstorm by the English artist, George Morland (1763-1804), oil on canvas, 1791
Encampment of Gipsies, 18th century. By George Morland (1763-1804). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/encampment-of-gipsies-18th-century-by-george-morland-1763-1804-image568855703.htmlRM2T1DH73–Encampment of Gipsies, 18th century. By George Morland (1763-1804).
George Morland, 1763 –1804. English painter of animals and rustic scenes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-morland-1763-1804-english-painter-of-animals-and-rustic-scenes-52223241.htmlRMD0XY7N–George Morland, 1763 –1804. English painter of animals and rustic scenes.
Interior of Drury Lane Theatre, 1795. By Edward Dayes (1763-1804). The third Drury Lane Theatre, designed by Henry Holland, which was opened on 12th March 1794. Detail from a watercolour by Edward Dayes dated 1795. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-of-drury-lane-theatre-1795-by-edward-dayes-1763-1804-the-third-drury-lane-theatre-designed-by-henry-holland-which-was-opened-on-12th-march-1794-detail-from-a-watercolour-by-edward-dayes-dated-1795-image352502228.htmlRM2BDDT58–Interior of Drury Lane Theatre, 1795. By Edward Dayes (1763-1804). The third Drury Lane Theatre, designed by Henry Holland, which was opened on 12th March 1794. Detail from a watercolour by Edward Dayes dated 1795.
This painting, titled The inside of a Stable, is by English artist George Morland (1763-1804)and is part of the Tate Art Gallery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-this-painting-titled-the-inside-of-a-stable-is-by-english-artist-george-44093971.htmlRFCFMJ8K–This painting, titled The inside of a Stable, is by English artist George Morland (1763-1804)and is part of the Tate Art Gallery
View of the Tower, Philip Audinet, 1766–1837, British, after Edward Dayes, 1763–1804, British, 1797, Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-tower-philip-audinet-17661837-british-after-edward-dayes-17631804-british-1797-engraving-image389717329.htmlRM2DJ14C1–View of the Tower, Philip Audinet, 1766–1837, British, after Edward Dayes, 1763–1804, British, 1797, Engraving
George Morland (1763-1804). English painter. Before a Thunderstorm, 1791. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-morland-1763-1804-english-painter-before-a-thunderstorm-1791-94693228.htmlRMFE1J50–George Morland (1763-1804). English painter. Before a Thunderstorm, 1791. The State Hermitage Museum. Saint Petersburg. Russia.
'The Cowshed' mezzotint after George Morland (1763-1804) English artist. Cowman milks into bucket. Milkmaid waits, holding yoke on which buckets carried. Hay loft: Lantern: hens. Milkmaids 'pretty' because not marked by Smallpox as Cowpox gave immunity Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cowshed-mezzotint-after-george-morland-1763-1804-english-artist-cowman-milks-into-bucket-milkmaid-waits-holding-yoke-on-which-buckets-carried-hay-loft-lantern-hens-milkmaids-pretty-because-not-marked-by-smallpox-as-cowpox-gave-immunity-image257299154.htmlRMTXGYKE–'The Cowshed' mezzotint after George Morland (1763-1804) English artist. Cowman milks into bucket. Milkmaid waits, holding yoke on which buckets carried. Hay loft: Lantern: hens. Milkmaids 'pretty' because not marked by Smallpox as Cowpox gave immunity
George Morland, the celebrated painter, 1763-1804. Painter of rustic scenes and landscapes who fell into debt and alcoholism. Lithograph after a stipple engraving by R. Page after a portrait by Robert Muller from Henry Wilson and James Caulfield’s Book of Wonderful Characters, Memoirs and Anecdotes, of Remarkable and Eccentric Persons in all ages and countries, John Camden Hotten, Piccadilly, London, 1869. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-the-celebrated-painter-1763-1804-painter-of-rustic-scenes-and-landscapes-who-fell-into-debt-and-alcoholism-lithograph-after-a-stipple-engraving-by-r-page-after-a-portrait-by-robert-muller-from-henry-wilson-and-james-caulfields-book-of-wonderful-characters-memoirs-and-anecdotes-of-remarkable-and-eccentric-persons-in-all-ages-and-countries-john-camden-hotten-piccadilly-london-1869-image387949447.htmlRM2DF4HDB–George Morland, the celebrated painter, 1763-1804. Painter of rustic scenes and landscapes who fell into debt and alcoholism. Lithograph after a stipple engraving by R. Page after a portrait by Robert Muller from Henry Wilson and James Caulfield’s Book of Wonderful Characters, Memoirs and Anecdotes, of Remarkable and Eccentric Persons in all ages and countries, John Camden Hotten, Piccadilly, London, 1869.
George Morland, English, 1763-1804 -- The Stagecoach Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-english-1763-1804-the-stagecoach-image384796747.htmlRM2DA104Y–George Morland, English, 1763-1804 -- The Stagecoach
GEORGE MORLAND artist, whose favoured subject matter - gin-shops, stables and public houses - reflected his personal habits... Colourised version of : 10166377 Date: 1763 - 1804 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-artist-whose-favoured-subject-matter-gin-shops-stables-and-public-houses-reflected-his-personal-habits-colourised-version-of-10166377-date-1763-1804-image472811325.htmlRM2JD6BJN–GEORGE MORLAND artist, whose favoured subject matter - gin-shops, stables and public houses - reflected his personal habits... Colourised version of : 10166377 Date: 1763 - 1804
Landscape with Figure. Artist: George Morland (British, London 1763-1804 London). Dimensions: Sheet: 9 1/8 x 7 1/4 in. (23.2 x 18.4 cm). Former Attribution: John Constable (British, East Bergholt 1776-1837 Hampstead). Date: 1763-1804. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-figure-artist-george-morland-british-london-1763-1804-london-dimensions-sheet-9-18-x-7-14-in-232-x-184-cm-former-attribution-john-constable-british-east-bergholt-1776-1837-hampstead-date-1763-1804-museum-metropolitan-museum-of-art-new-york-usa-image233251477.htmlRMRFDEHW–Landscape with Figure. Artist: George Morland (British, London 1763-1804 London). Dimensions: Sheet: 9 1/8 x 7 1/4 in. (23.2 x 18.4 cm). Former Attribution: John Constable (British, East Bergholt 1776-1837 Hampstead). Date: 1763-1804. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Bell Inn, late 1780s, Oil on canvas, 20 1/2 x 26 1/4 in. (52.1 x 66.7 cm), Paintings, George Morland (British, London 1763–1804 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-bell-inn-late-1780s-oil-on-canvas-20-12-x-26-14-in-521-x-667-cm-paintings-george-morland-british-london-17631804-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462816228.htmlRF2HTY2R0–Art inspired by The Bell Inn, late 1780s, Oil on canvas, 20 1/2 x 26 1/4 in. (52.1 x 66.7 cm), Paintings, George Morland (British, London 1763–1804 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Traite des noirs. Un marchand d'esclaves tente de negocier un homme que se disputent deux proprietaires tandis que la femme et l'enfant de l'esclave sont mis a l'ecart. Gravure de John Raphael Smith, 1814 d'apres la peinture de George Morland (1763-1804) de 1788. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/traite-des-noirs-un-marchand-desclaves-tente-de-negocier-un-homme-que-se-disputent-deux-proprietaires-tandis-que-la-femme-et-lenfant-de-lesclave-sont-mis-a-lecart-gravure-de-john-raphael-smith-1814-dapres-la-peinture-de-george-morland-1763-1804-de-1788-image508115433.htmlRM2MEJJBN–Traite des noirs. Un marchand d'esclaves tente de negocier un homme que se disputent deux proprietaires tandis que la femme et l'enfant de l'esclave sont mis a l'ecart. Gravure de John Raphael Smith, 1814 d'apres la peinture de George Morland (1763-1804) de 1788.
The Cowshed' mezzotint after George Morland (1763-1804) English artist. Cowman milks into bucket. Milkmaid waits, holding yoke on which buckets carried. Hay loft: Lantern: hens. Milkmaids 'pretty' because not marked by Smallpox as Cowpox gave immunity. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-cowshed-mezzotint-after-george-morland-1763-1804-english-artist-57302766.htmlRMD96A7A–The Cowshed' mezzotint after George Morland (1763-1804) English artist. Cowman milks into bucket. Milkmaid waits, holding yoke on which buckets carried. Hay loft: Lantern: hens. Milkmaids 'pretty' because not marked by Smallpox as Cowpox gave immunity.
Art inspired by Dancing Dogs, 1790, Stipple engraving, printed in color, image: 20 9/16 x 16 in. (52.2 x 40.6 cm), Prints, After George Morland (British, London 1763–1804 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-dancing-dogs-1790-stipple-engraving-printed-in-color-image-20-916-x-16-in-522-x-406-cm-prints-after-george-morland-british-london-17631804-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806700.htmlRF2HTXJJM–Art inspired by Dancing Dogs, 1790, Stipple engraving, printed in color, image: 20 9/16 x 16 in. (52.2 x 40.6 cm), Prints, After George Morland (British, London 1763–1804 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Watercolour painting titled 'Soldier's Departure' depicts a husband and wife saying their goodbyes as he leaves for war in his military uniform. A drummer is seen next to the couple. By George Morland (1763 - 1804) English painter of animals and rustic scenes. Dated 1791 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watercolour-painting-titled-soldiers-departure-depicts-a-husband-and-image68544094.htmlRMDYECKA–Watercolour painting titled 'Soldier's Departure' depicts a husband and wife saying their goodbyes as he leaves for war in his military uniform. A drummer is seen next to the couple. By George Morland (1763 - 1804) English painter of animals and rustic scenes. Dated 1791
Portrait of Kenau Simonsdochter Hasselaer, Carel Jacob de Huyser, 1763 - 1804 Bust of Kenau Simonsdochter Hasselaer to the right in oval frame. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-kenau-simonsdochter-hasselaer-carel-jacob-de-huyser-1763-1804-bust-of-kenau-simonsdochter-hasselaer-to-the-right-in-oval-frame-image570302343.htmlRF2T3RECR–Portrait of Kenau Simonsdochter Hasselaer, Carel Jacob de Huyser, 1763 - 1804 Bust of Kenau Simonsdochter Hasselaer to the right in oval frame.
. Vor dem Schweinestall, 1793 . 1793. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF:?37185990 ISNI:?0000 0000 6629 7696 ULAN:?500031295 LCCN:?n83013597 NLA:?35362849 WorldCat George Morland Vor dem Schweinestall 1793 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vor-dem-schweinestall-1793-1793-george-morland-17631804-description-british-painter-date-of-birthdeath-26-june-1763-29-october-1804-location-of-birthdeath-london-london-work-location-london-margate-st-omer-authority-control-q2405427-viaf37185990-isni0000-0000-6629-7696-ulan500031295-lccnn83013597-nla35362849-worldcat-george-morland-vor-dem-schweinestall-1793-image184990298.htmlRMMMY10A–. Vor dem Schweinestall, 1793 . 1793. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF:?37185990 ISNI:?0000 0000 6629 7696 ULAN:?500031295 LCCN:?n83013597 NLA:?35362849 WorldCat George Morland Vor dem Schweinestall 1793
Painting titled 'The Inside of a Stable' by George Morland. George Morland (1763-1804) an English painter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-the-inside-of-a-stable-by-george-morland-george-morland-1763-1804-an-english-painter-image377032792.htmlRM2CWB94T–Painting titled 'The Inside of a Stable' by George Morland. George Morland (1763-1804) an English painter
Portrait of Johanna Koerten, Carel Jacob de Huyser, 1763 - 1804 Bust of the cutting artist Johanna Koerten to the left, head turned to the right, in a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johanna-koerten-carel-jacob-de-huyser-1763-1804-bust-of-the-cutting-artist-johanna-koerten-to-the-left-head-turned-to-the-right-in-a-image570300046.htmlRF2T3RBEP–Portrait of Johanna Koerten, Carel Jacob de Huyser, 1763 - 1804 Bust of the cutting artist Johanna Koerten to the left, head turned to the right, in a
George Morland, 1763 – 1804. English painter of animals and rustic scenes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-morland-1763-1804-english-painter-of-animals-and-rustic-scenes-36383593.htmlRMC35BJ1–George Morland, 1763 – 1804. English painter of animals and rustic scenes.
Painting titled 'A Visit to the Boarding School' by George Morland (1763-1804) English painter. Dated 18th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-titled-a-visit-to-the-boarding-school-by-george-morland-1763-90850439.htmlRMF7PGJF–Painting titled 'A Visit to the Boarding School' by George Morland (1763-1804) English painter. Dated 18th Century
Portrait of Marie-Jeanne Roland de la Platiere, Carel Jacob de Huyser, 1763 - 1804 Bust of Marie-Jeanne Roland de la Platiere, politician, to the left Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-marie-jeanne-roland-de-la-platiere-carel-jacob-de-huyser-1763-1804-bust-of-marie-jeanne-roland-de-la-platiere-politician-to-the-left-image570305099.htmlRF2T3RHY7–Portrait of Marie-Jeanne Roland de la Platiere, Carel Jacob de Huyser, 1763 - 1804 Bust of Marie-Jeanne Roland de la Platiere, politician, to the left
Susan's Farewell, Charles Knight, 1743–c.1826, British, after George Morland, 1763–1804, British, 1786 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/susans-farewell-charles-knight-1743c1826-british-after-george-morland-17631804-british-1786-image389673291.htmlRM2DHY477–Susan's Farewell, Charles Knight, 1743–c.1826, British, after George Morland, 1763–1804, British, 1786
Morning: Higglers Preparing for Market', 1791. Artist: George Morland. George Morland (1763-1804) was an English painter. His compositions focus on rustic scenes: farms and hunting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morning-higglers-preparing-for-market-1791-artist-george-morland-george-morland-1763-1804-was-an-english-painter-his-compositions-focus-on-rustic-scenes-farms-and-hunting-image377037952.htmlRM2CWBFN4–Morning: Higglers Preparing for Market', 1791. Artist: George Morland. George Morland (1763-1804) was an English painter. His compositions focus on rustic scenes: farms and hunting.
Freston Tower, Suffolk. Edward Dayes (English, 1763 - 1804) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/freston-tower-suffolk-edward-dayes-english-1763-1804-image416579753.htmlRM2F5MRM9–Freston Tower, Suffolk. Edward Dayes (English, 1763 - 1804)
Portrait of Guinea Pigs. The scene depicts a family playing with guinea pigs. By George Morland (1763 - 1804) an English painter of animals and rustic scenes. Dated 1792 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-guinea-pigs-the-scene-depicts-a-family-playing-with-guinea-image69820152.htmlRME1GG8T–Portrait of Guinea Pigs. The scene depicts a family playing with guinea pigs. By George Morland (1763 - 1804) an English painter of animals and rustic scenes. Dated 1792
George Morland, English, 1763-1804 -- Fruits of Early Industry and Economy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-english-1763-1804-fruits-of-early-industry-and-economy-image384797546.htmlRM2DA115E–George Morland, English, 1763-1804 -- Fruits of Early Industry and Economy
Portrait of Dancing Dogs. The scene depicts dogs being trained to dance, whilst in costume. By George Morland (1763 - 1804) an English painter of animals and rustic scenes. Dated 1790. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-dancing-dogs-the-scene-depicts-dogs-being-trained-to-dance-image69820151.htmlRME1GG8R–Portrait of Dancing Dogs. The scene depicts dogs being trained to dance, whilst in costume. By George Morland (1763 - 1804) an English painter of animals and rustic scenes. Dated 1790.
Guinea Pigs. Artist: Thomas Gaugain (British, London 1756-ca. 1810 London); After George Morland (British, London 1763-1804 London). Dimensions: image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm) sheet (trimmed to plate): 20 3/4 x 16 5/16 in. (52.7 x 41.4 cm). Printer: Peter Gaugain (British, active 1782-1799). Publisher: Thomas Gaugain (British, London 1756-ca. 1810 London). Date: 1789. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guinea-pigs-artist-thomas-gaugain-british-london-1756-ca-1810-london-after-george-morland-british-london-1763-1804-london-dimensions-image-20-38-x-15-1516-in-518-x-405-cm-sheet-trimmed-to-plate-20-34-x-16-516-in-527-x-414-cm-printer-peter-gaugain-british-active-1782-1799-publisher-thomas-gaugain-british-london-1756-ca-1810-london-date-1789-museum-metropolitan-museum-of-art-new-york-usa-image213213991.htmlRMPATMHB–Guinea Pigs. Artist: Thomas Gaugain (British, London 1756-ca. 1810 London); After George Morland (British, London 1763-1804 London). Dimensions: image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm) sheet (trimmed to plate): 20 3/4 x 16 5/16 in. (52.7 x 41.4 cm). Printer: Peter Gaugain (British, active 1782-1799). Publisher: Thomas Gaugain (British, London 1756-ca. 1810 London). Date: 1789. Museum: Metropolitan Museum of Art, New York, USA.
GEORGE MORLAND artist, whose favoured subject matter - gin-shops, stables and public houses - reflected his personal habits... Colourised version of : 10166379 Date: 1763 - 1804 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-artist-whose-favoured-subject-matter-gin-shops-stables-and-public-houses-reflected-his-personal-habits-colourised-version-of-10166379-date-1763-1804-image472811270.htmlRM2JD6BGP–GEORGE MORLAND artist, whose favoured subject matter - gin-shops, stables and public houses - reflected his personal habits... Colourised version of : 10166379 Date: 1763 - 1804
THE STORY OF LAETITIA THE ELOPEMENT by artist George Morland ( 1763 - 1804 ) English painter of rustic scenes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-story-of-laetitia-the-elopement-by-artist-george-morland-1763-73194508.htmlRME7289G–THE STORY OF LAETITIA THE ELOPEMENT by artist George Morland ( 1763 - 1804 ) English painter of rustic scenes.
Drawn by Edward Dayes (1763-1804) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawn-by-edward-dayes-1763-1804-image608030730.htmlRM2X965B6–Drawn by Edward Dayes (1763-1804)
Art inspired by Guinea Pigs, 1789, Stipple engraving and etching, printed in color à la poupée, image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm), Prints, Thomas Gaugain (British, London 1756–ca. 1810 London), After George Morland (British, London 1763–1804 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-guinea-pigs-1789-stipple-engraving-and-etching-printed-in-color-la-poupe-image-20-38-x-15-1516-in-518-x-405-cm-prints-thomas-gaugain-british-london-1756ca-1810-london-after-george-morland-british-london-17631804-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806688.htmlRF2HTXJJ8–Art inspired by Guinea Pigs, 1789, Stipple engraving and etching, printed in color à la poupée, image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm), Prints, Thomas Gaugain (British, London 1756–ca. 1810 London), After George Morland (British, London 1763–1804 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jemima Yorke (1763–1804), Mrs Reginald Pole-Carew 1784 by George Romney Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jemima-yorke-17631804-mrs-reginald-pole-carew-1784-by-george-romney-image557841528.htmlRM2RBFTFM–Jemima Yorke (1763–1804), Mrs Reginald Pole-Carew 1784 by George Romney
Salisbury Publ 1798 JUKES, Francis (1745-1812) after Edward DAYES (1763-1804) edited. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salisbury-publ-1798-jukes-francis-1745-1812-after-edward-dayes-1763-1804-edited-image456263283.htmlRM2HE8GD7–Salisbury Publ 1798 JUKES, Francis (1745-1812) after Edward DAYES (1763-1804) edited.
. Morning of the Benevolent Sportsman . TBD, will be updated. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF: 37185990 ISNI: 0000 0000 6629 7696 ULAN: 500031295 LCCN: n83013597 NLA: 35362849 WorldCat 906 Morning of the Benevolent Sportsman - George Morland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morning-of-the-benevolent-sportsman-tbd-will-be-updated-george-morland-17631804-description-british-painter-date-of-birthdeath-26-june-1763-29-october-1804-location-of-birthdeath-london-london-work-location-london-margate-st-omer-authority-control-q2405427-viaf37185990-isni0000-0000-6629-7696-ulan500031295-lccnn83013597-nla35362849-worldcat-906-morning-of-the-benevolent-sportsman-george-morland-image185866443.htmlRMMPAXF7–. Morning of the Benevolent Sportsman . TBD, will be updated. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF: 37185990 ISNI: 0000 0000 6629 7696 ULAN: 500031295 LCCN: n83013597 NLA: 35362849 WorldCat 906 Morning of the Benevolent Sportsman - George Morland
George Morland, English, 1763-1804 -- Fruits of Early Industry and Economy 1789. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-english-1763-1804-fruits-of-early-industry-and-economy-1789-image557583249.htmlRF2RB433D–George Morland, English, 1763-1804 -- Fruits of Early Industry and Economy 1789.
'L'arrivee en caleche de l'empereur Napoleon Ier (1769-1821) et de l'imperatrice Josephine de Beauharnais (1763-1814) a la cathedrale Notre Dame de Paris le jour du sacre - gravure d'apres Jean Baptiste Isabey (1767-1855) 19eme siecle - Arrival at Notre-Dame cathedral, Paris of Emperor Napoleon I and Empress Josephine for their coronation on 2 December, 1804 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/larrivee-en-caleche-de-lempereur-napoleon-ier-1769-1821-et-de-limperatrice-josephine-de-beauharnais-1763-1814-a-la-cathedrale-notre-dame-de-paris-le-jour-du-sacre-gravure-dapres-jean-baptiste-isabey-1767-1855-19eme-siecle-arrival-at-notre-dame-cathedral-paris-of-emperor-napoleon-i-and-empress-josephine-for-their-coronation-on-2-december-1804-image551734677.htmlRM2R1HK5W–'L'arrivee en caleche de l'empereur Napoleon Ier (1769-1821) et de l'imperatrice Josephine de Beauharnais (1763-1814) a la cathedrale Notre Dame de Paris le jour du sacre - gravure d'apres Jean Baptiste Isabey (1767-1855) 19eme siecle - Arrival at Notre-Dame cathedral, Paris of Emperor Napoleon I and Empress Josephine for their coronation on 2 December, 1804
Art inspired by Clavichord, 1763, Neuwied, Germany, German, Wood, ebony, bone, walnut, paint, metal, Height (of case, without lid): 4 in. (10.1 cm), Chordophone-Zither-struck-clavichord, Attributed to Christian Kintzing (German, Neuwied 1707–1804 Neuwied), Clavichords were built as far, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-clavichord-1763-neuwied-germany-german-wood-ebony-bone-walnut-paint-metal-height-of-case-without-lid-4-in-101-cm-chordophone-zither-struck-clavichord-attributed-to-christian-kintzing-german-neuwied-17071804-neuwied-clavichords-were-built-as-far-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462848395.htmlRF2HW0FRR–Art inspired by Clavichord, 1763, Neuwied, Germany, German, Wood, ebony, bone, walnut, paint, metal, Height (of case, without lid): 4 in. (10.1 cm), Chordophone-Zither-struck-clavichord, Attributed to Christian Kintzing (German, Neuwied 1707–1804 Neuwied), Clavichords were built as far, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
An Allegory of Joséphine Bonaparte (1763-1814), Empress Consort of France (1804-1810) as Patroness of the Gardens at Malmaison, painting by baron François Gérard, 1805-1806 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-allegory-of-josphine-bonaparte-1763-1814-empress-consort-of-france-1804-1810-as-patroness-of-the-gardens-at-malmaison-painting-by-baron-franois-grard-1805-1806-image425922878.htmlRM2FMXCYA–An Allegory of Joséphine Bonaparte (1763-1814), Empress Consort of France (1804-1810) as Patroness of the Gardens at Malmaison, painting by baron François Gérard, 1805-1806
Portrait of Queen Mary I Stuart, of Scotland, Carel Jacob de Huyser, after Reinier Vinkeles (I), 1763 - 1804 Bust of Mary I Stuart, Queen of Scotland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-queen-mary-i-stuart-of-scotland-carel-jacob-de-huyser-after-reinier-vinkeles-i-1763-1804-bust-of-mary-i-stuart-queen-of-scotland-image570302113.htmlRF2T3RE4H–Portrait of Queen Mary I Stuart, of Scotland, Carel Jacob de Huyser, after Reinier Vinkeles (I), 1763 - 1804 Bust of Mary I Stuart, Queen of Scotland
Putney Bridge, James Walker, 1748–1808, British, after Edward Dayes, 1763–1804, British, 1796, Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/putney-bridge-james-walker-17481808-british-after-edward-dayes-17631804-british-1796-engraving-image389696746.htmlRM2DJ064X–Putney Bridge, James Walker, 1748–1808, British, after Edward Dayes, 1763–1804, British, 1796, Engraving
Art inspired by A Flock of Sheep Drinking at a Pool, with a Bullock and a Dog, after 1763, Pen and black ink, gray wash, 10 9/16 x 7 13/16 in. (26.8 x 19.8 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-flock-of-sheep-drinking-at-a-pool-with-a-bullock-and-a-dog-after-1763-pen-and-black-ink-gray-wash-10-916-x-7-1316-in-268-x-198-cm-drawings-giovanni-domenico-tiepolo-italian-venice-17271804-venice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031225.htmlRF2HW8W1D–Art inspired by A Flock of Sheep Drinking at a Pool, with a Bullock and a Dog, after 1763, Pen and black ink, gray wash, 10 9/16 x 7 13/16 in. (26.8 x 19.8 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Boatman's House, George Morland (London, England, 1763 - 1804) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-boatmans-house-george-morland-london-england-1763-1804-image537156575.htmlRM2P5WGKB–The Boatman's House, George Morland (London, England, 1763 - 1804)
Art inspired by Horinouchi Myo-ho-ji Eho Mairi no Zu, Edo period (1615–1868), ca. 1804, Japan, Two sheets of a pentaptych of polychrome woodblock prints; ink and color on paper, Aiban; H. 13 3/8 in. (34 cm); W. 19 1/2 in. (49.5 cm), Prints, Utagawa Toyohiro (Japanese, 1763–1828, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-horinouchi-myo-ho-ji-eho-mairi-no-zu-edo-period-16151868-ca-1804-japan-two-sheets-of-a-pentaptych-of-polychrome-woodblock-prints-ink-and-color-on-paper-aiban-h-13-38-in-34-cm-w-19-12-in-495-cm-prints-utagawa-toyohiro-japanese-17631828-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462914298.htmlRF2HW3FWE–Art inspired by Horinouchi Myo-ho-ji Eho Mairi no Zu, Edo period (1615–1868), ca. 1804, Japan, Two sheets of a pentaptych of polychrome woodblock prints; ink and color on paper, Aiban; H. 13 3/8 in. (34 cm); W. 19 1/2 in. (49.5 cm), Prints, Utagawa Toyohiro (Japanese, 1763–1828, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Joséphine Bonaparte (1763-1814), Empress Consort of France (1804-18100), wife of Emperor Napoleon I of France, portrait engraving by Henry Wolf, 1895 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/josphine-bonaparte-1763-1814-empress-consort-of-france-1804-18100-wife-of-emperor-napoleon-i-of-france-portrait-engraving-by-henry-wolf-1895-image425453272.htmlRM2FM51YM–Joséphine Bonaparte (1763-1814), Empress Consort of France (1804-18100), wife of Emperor Napoleon I of France, portrait engraving by Henry Wolf, 1895
George Morland (British, 1763 - 1804), Anne Ward Morland, c. 1786, graphite with black and red chalk on laid paper reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-british-1763-1804-anne-ward-morland-c-1786-graphite-with-black-and-red-chalk-on-laid-paper-reimagined-image230443719.htmlRFRAWH8R–George Morland (British, 1763 - 1804), Anne Ward Morland, c. 1786, graphite with black and red chalk on laid paper reimagined
The Honister Pass from Gatesgarth Farm, Gatesgarthdale, Lake District. Artist: Edward Dayes (British, London 1763-1804 London). Dimensions: Sheet: 12 5/8 × 17 13/16 in. (32.1 × 45.2 cm). Date: 1789-1804. The Lake District inspired some of Dayes's finest work, and lively washes are here applied in a manner that influenced Thomas Girtin, the artist's most notable pupil. When Girtin and J. M. W. Turner toured Britain in the 1790s, they worked in a style learned from Dayes, whose important role in developing watercolor's potential is little recognized. Here, he uses strong framing elements and en Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-honister-pass-from-gatesgarth-farm-gatesgarthdale-lake-district-artist-edward-dayes-british-london-1763-1804-london-dimensions-sheet-12-58-17-1316-in-321-452-cm-date-1789-1804-the-lake-district-inspired-some-of-dayess-finest-work-and-lively-washes-are-here-applied-in-a-manner-that-influenced-thomas-girtin-the-artists-most-notable-pupil-when-girtin-and-j-m-w-turner-toured-britain-in-the-1790s-they-worked-in-a-style-learned-from-dayes-whose-important-role-in-developing-watercolors-potential-is-little-recognized-here-he-uses-strong-framing-elements-and-en-image213372847.htmlRMPB3Y6R–The Honister Pass from Gatesgarth Farm, Gatesgarthdale, Lake District. Artist: Edward Dayes (British, London 1763-1804 London). Dimensions: Sheet: 12 5/8 × 17 13/16 in. (32.1 × 45.2 cm). Date: 1789-1804. The Lake District inspired some of Dayes's finest work, and lively washes are here applied in a manner that influenced Thomas Girtin, the artist's most notable pupil. When Girtin and J. M. W. Turner toured Britain in the 1790s, they worked in a style learned from Dayes, whose important role in developing watercolor's potential is little recognized. Here, he uses strong framing elements and en
The Slave Trade 1815 By George Morland English painter born 1763 - died 1804 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-slave-trade-1815-by-george-morland-english-painter-born-1763-died-104952894.htmlRMG2N0DJ–The Slave Trade 1815 By George Morland English painter born 1763 - died 1804
THE STORY OF LAETITIA THE FAIR PENITENT by artist George Morland ( 1763 - 1804 ) English painter of rustic scenes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-story-of-laetitia-the-fair-penitent-by-artist-george-morland-1763-73194522.htmlRME728A2–THE STORY OF LAETITIA THE FAIR PENITENT by artist George Morland ( 1763 - 1804 ) English painter of rustic scenes.
Drawn by Edward Dayes (1763-1804) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawn-by-edward-dayes-1763-1804-image608030772.htmlRM2X965CM–Drawn by Edward Dayes (1763-1804)
View of the Mikhailovsky Palace, 1804. Artist: Lory, Gabriel Ludwig, the Elder (1763-1840) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-view-of-the-mikhailovsky-palace-1804-artist-lory-gabriel-ludwig-the-135276062.htmlRMHT29YX–View of the Mikhailovsky Palace, 1804. Artist: Lory, Gabriel Ludwig, the Elder (1763-1840)
Johann Adam Hiller, until 1763 Hueller, December 25, 1728 - June 16, 1804, a German composer, music writer, and bandmaster / Johann Adam Hiller, bis 1763 Hueller, 25. Dezember 1728 - 16. Juni 1804, ein deutscher Komponist, Musikschriftsteller und Kapellmeister, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-adam-hiller-until-1763-hueller-december-25-1728-june-16-1804-a-german-composer-music-writer-and-bandmaster-johann-adam-hiller-bis-1763-hueller-25-dezember-1728-16-juni-1804-ein-deutscher-komponist-musikschriftsteller-und-kapellmeister-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image404402019.htmlRF2EDX2W7–Johann Adam Hiller, until 1763 Hueller, December 25, 1728 - June 16, 1804, a German composer, music writer, and bandmaster / Johann Adam Hiller, bis 1763 Hueller, 25. Dezember 1728 - 16. Juni 1804, ein deutscher Komponist, Musikschriftsteller und Kapellmeister, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
View of the Palace Square from the Nevsky Prospekt, 1804. Artist: Lory, Gabriel Ludwig, the Elder (1763-1840) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-view-of-the-palace-square-from-the-nevsky-prospekt-1804-artist-lory-135252652.htmlRMHT183T–View of the Palace Square from the Nevsky Prospekt, 1804. Artist: Lory, Gabriel Ludwig, the Elder (1763-1840)
. The First of September - Evening . TBD, will be updated. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF: 37185990 ISNI: 0000 0000 6629 7696 ULAN: 500031295 LCCN: n83013597 NLA: 35362849 WorldCat 1173 The First of September - Evening - George Morland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-first-of-september-evening-tbd-will-be-updated-george-morland-17631804-description-british-painter-date-of-birthdeath-26-june-1763-29-october-1804-location-of-birthdeath-london-london-work-location-london-margate-st-omer-authority-control-q2405427-viaf37185990-isni0000-0000-6629-7696-ulan500031295-lccnn83013597-nla35362849-worldcat-1173-the-first-of-september-evening-george-morland-image185599058.htmlRMMNXNDP–. The First of September - Evening . TBD, will be updated. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF: 37185990 ISNI: 0000 0000 6629 7696 ULAN: 500031295 LCCN: n83013597 NLA: 35362849 WorldCat 1173 The First of September - Evening - George Morland
George Morland, English, 1763-1804 -- The Happy Cottagers (The Cottage Door) 1790-92. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-english-1763-1804-the-happy-cottagers-the-cottage-door-1790-92-image557583256.htmlRF2RB433M–George Morland, English, 1763-1804 -- The Happy Cottagers (The Cottage Door) 1790-92.
Empress Josephine of France in ceremonial robes at her coronation, 1804. Josephine Bonaparte, or Josephine de Beauharnais, 1763-1814. In gold crown, white and gold gown, scarlet cape with gold embroidery and ermine trim. Josephine de Tacher de la Pagerie, 1804. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/empress-josephine-of-france-in-ceremonial-robes-at-her-coronation-1804-josephine-bonaparte-or-josephine-de-beauharnais-1763-1814-in-gold-crown-white-and-gold-gown-scarlet-cape-with-gold-embroidery-and-ermine-trim-josephine-de-tacher-de-la-pagerie-1804-handcoloured-lithograph-by-lorenzo-bianchi-and-domenico-cuciniello-after-hippolyte-lecomte-from-costumi-civili-e-militari-della-monarchia-francese-dal-1200-al-1820-naples-1825-italian-edition-of-lecomtes-civilian-and-military-costumes-of-the-french-monarchy-from-1200-to-1820-image465599687.htmlRM2J1DW47–Empress Josephine of France in ceremonial robes at her coronation, 1804. Josephine Bonaparte, or Josephine de Beauharnais, 1763-1814. In gold crown, white and gold gown, scarlet cape with gold embroidery and ermine trim. Josephine de Tacher de la Pagerie, 1804. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820.
Hessische Polizeihusaren 1763 bis 1804. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hessische-polizeihusaren-1763-bis-1804-image354402306.htmlRM2BGGBN6–Hessische Polizeihusaren 1763 bis 1804.
Joséphine Bonaparte (1763-1814), Empress Consort of France (1804-1810), portrait engraving by Henry Buquet, 1780-1799 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/josphine-bonaparte-1763-1814-empress-consort-of-france-1804-1810-portrait-engraving-by-henry-buquet-1780-1799-image425922976.htmlRM2FMXD2T–Joséphine Bonaparte (1763-1814), Empress Consort of France (1804-1810), portrait engraving by Henry Buquet, 1780-1799
Portrait of Magdalena Moons, Carel Jacob de Huyser, 1763 - 1804 Bust of Magdalena Moons, heroine of the Leiden relief, to the left in an oval frame. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-magdalena-moons-carel-jacob-de-huyser-1763-1804-bust-of-magdalena-moons-heroine-of-the-leiden-relief-to-the-left-in-an-oval-frame-image570301760.htmlRF2T3RDM0–Portrait of Magdalena Moons, Carel Jacob de Huyser, 1763 - 1804 Bust of Magdalena Moons, heroine of the Leiden relief, to the left in an oval frame.
View of Somerset House, George Murray, died 1822, after Edward Dayes, 1763–1804, British, 1797, Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-somerset-house-george-murray-died-1822-after-edward-dayes-17631804-british-1797-engraving-image389707447.htmlRM2DJ0KR3–View of Somerset House, George Murray, died 1822, after Edward Dayes, 1763–1804, British, 1797, Engraving
Beauharnais, Josephine de 23.6.1763 - 29.5.1814, French empress (1804 - 1809), after a portrait by Gérard, circa 1805, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beauharnais-josephine-de-2361763-2951814-french-empress-1804-1809-19751109.htmlRMB43MMN–Beauharnais, Josephine de 23.6.1763 - 29.5.1814, French empress (1804 - 1809), after a portrait by Gérard, circa 1805,
Landscape with Bridge and Figures, Edward Dayes (London, England, 1763 - 1804) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-bridge-and-figures-edward-dayes-london-england-1763-1804-image537167919.htmlRM2P5X34F–Landscape with Bridge and Figures, Edward Dayes (London, England, 1763 - 1804)
Beauharnais, Josephine de, 23.6.1763 - 29.5.1814, Empress of the French 2.12.1804 - 10.1.1810, portrait, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beauharnais-josephine-de-2361763-2951814-empress-of-the-french-2121804-28740762.htmlRMBJN73P–Beauharnais, Josephine de, 23.6.1763 - 29.5.1814, Empress of the French 2.12.1804 - 10.1.1810, portrait, wood engraving, 19th century, ,
George Morland (1763 – 1804) - an English painter. Engraving by W. C. Edwards, 1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-1763-1804-an-english-painter-engraving-by-w-c-edwards-1830-image597609952.htmlRM2WM7DGG–George Morland (1763 – 1804) - an English painter. Engraving by W. C. Edwards, 1830.
George Morland (British, 1763 - 1804), Anne Ward Morland, c. 1786, graphite with black and red chalk on laid paper reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-british-1763-1804-anne-ward-morland-c-1786-graphite-with-black-and-red-chalk-on-laid-paper-reimagined-image230055579.htmlRFRA7X6K–George Morland (British, 1763 - 1804), Anne Ward Morland, c. 1786, graphite with black and red chalk on laid paper reimagined
The Slave Trade - 1835 - coloured engraving. Author: George Morland (1763-1804). Also known as: TRATA DE NEGROS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-slave-trade-1835-coloured-engraving-author-george-morland-1763-1804-also-known-as-trata-de-negros-image208375545.htmlRMP3093N–The Slave Trade - 1835 - coloured engraving. Author: George Morland (1763-1804). Also known as: TRATA DE NEGROS.
Beauharnais, Josephine de, 23.6.1763 - 29.5.1814, Empress of the French 2.12.1804 - 10.1.1810, portrait, scetch by Jacques Louis David, 1804, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beauharnais-josephine-de-2361763-2951814-empress-of-the-french-2121804-28650863.htmlRMBJH4D3–Beauharnais, Josephine de, 23.6.1763 - 29.5.1814, Empress of the French 2.12.1804 - 10.1.1810, portrait, scetch by Jacques Louis David, 1804, ,
THE STORY OF LAETITIA THE VIRTUOUS PARENT by artist George Morland ( 1763 - 1804 ) English painter of rustic scenes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-story-of-laetitia-the-virtuous-parent-by-artist-george-morland-73194512.htmlRME7289M–THE STORY OF LAETITIA THE VIRTUOUS PARENT by artist George Morland ( 1763 - 1804 ) English painter of rustic scenes.
Drawn by Edward Dayes (1763-1804) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawn-by-edward-dayes-1763-1804-image608031226.htmlRM2X9660X–Drawn by Edward Dayes (1763-1804)
Beauharnais, Josephine de, 23.6.1763 - 29.5.1814, Empress of the French 2.12.1804 - 10.1.1810, full length, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beauharnais-josephine-de-2361763-2951814-empress-of-the-french-2121804-28651013.htmlRMBJH4JD–Beauharnais, Josephine de, 23.6.1763 - 29.5.1814, Empress of the French 2.12.1804 - 10.1.1810, full length, wood engraving, 19th century, ,
A quarter of France, an XII (1804) Pierre-Joseph Tiolier (1763-1851). Un quart de Franc, an XII (1804). Argent. 1804. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-quarter-of-france-an-xii-1804-pierre-joseph-tiolier-1763-1851-un-quart-de-franc-an-xii-1804-argent-1804-paris-muse-carnavalet-image350104337.htmlRM2B9GHJ9–A quarter of France, an XII (1804) Pierre-Joseph Tiolier (1763-1851). Un quart de Franc, an XII (1804). Argent. 1804. Paris, musée Carnavalet.
Captain Sir Alexander Schomberg, 1720-1804 1763 by William Hogarth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/captain-sir-alexander-schomberg-1720-1804-1763-by-william-hogarth-image561075599.htmlRM2RGR5J7–Captain Sir Alexander Schomberg, 1720-1804 1763 by William Hogarth
. Selling Peas, July 1801 . TBD, will be updated. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF: 37185990 ISNI: 0000 0000 6629 7696 ULAN: 500031295 LCCN: n83013597 NLA: 35362849 WorldCat 1110 Selling Peas, July 1801 - George Morland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/selling-peas-july-1801-tbd-will-be-updated-george-morland-17631804-description-british-painter-date-of-birthdeath-26-june-1763-29-october-1804-location-of-birthdeath-london-london-work-location-london-margate-st-omer-authority-control-q2405427-viaf37185990-isni0000-0000-6629-7696-ulan500031295-lccnn83013597-nla35362849-worldcat-1110-selling-peas-july-1801-george-morland-image185588020.htmlRMMNX7BG–. Selling Peas, July 1801 . TBD, will be updated. George Morland (1763–1804) Description British painter Date of birth/death 26 June 1763 29 October 1804 Location of birth/death London London Work location London, Margate, St. Omer Authority control : Q2405427 VIAF: 37185990 ISNI: 0000 0000 6629 7696 ULAN: 500031295 LCCN: n83013597 NLA: 35362849 WorldCat 1110 Selling Peas, July 1801 - George Morland
George Morland, English, 1763-1804 -- The Stagecoach 1791. 87.6 x 118.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-morland-english-1763-1804-the-stagecoach-1791-876-x-1181-cm-image557583259.htmlRF2RB433R–George Morland, English, 1763-1804 -- The Stagecoach 1791. 87.6 x 118.1 cm
André Masséna, prince d'Essling (1758-1817), maréchal d'Empire (1804) Louis Jaley (1763-1838). André Masséna, prince d'Essling (1758-1817), maréchal d'Empire (1804). Bronze. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andr-massna-prince-dessling-1758-1817-marchal-dempire-1804-louis-jaley-1763-1838-andr-massna-prince-dessling-1758-1817-marchal-dempire-1804-bronze-paris-muse-carnavalet-image349947534.htmlRM2B99DJ6–André Masséna, prince d'Essling (1758-1817), maréchal d'Empire (1804) Louis Jaley (1763-1838). André Masséna, prince d'Essling (1758-1817), maréchal d'Empire (1804). Bronze. Paris, musée Carnavalet.
Sketch of Josephine at Napoleon's coronation, 2 December 1804, (1921). 'L'Impératrice Joséphine au couronnement'. Preparatory study from life of Napoleon's empress consort Josephine de Beauharnais (1763-1814) for a painting of the coronation of Emperor Napoleon I (1769-1821) which took place on Sunday 2 December 1804 at the cathedral of Notre-Dame in Paris. Napoleon first crowned himself, then put the crown on Josephine's head, proclaiming her empress. Here she bows her head, ready to receive the crown. 'Le Sacre de Napoléon' by Jacques-Louis David, the official painter of Napol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketch-of-josephine-at-napoleons-coronation-2-december-1804-1921-limpxe9ratrice-josxe9phine-au-couronnement-preparatory-study-from-life-of-napoleons-empress-consort-josephine-de-beauharnais-1763-1814-for-a-painting-of-the-coronation-of-emperor-napoleon-i-1769-1821-which-took-place-on-sunday-2-december-1804-at-the-cathedral-of-notre-dame-in-paris-napoleon-first-crowned-himself-then-put-the-crown-on-josephines-head-proclaiming-her-empress-here-she-bows-her-head-ready-to-receive-the-crown-le-sacre-de-napolxe9on-by-jacques-louis-david-the-official-painter-of-napol-image329498356.htmlRM2A41XEC–Sketch of Josephine at Napoleon's coronation, 2 December 1804, (1921). 'L'Impératrice Joséphine au couronnement'. Preparatory study from life of Napoleon's empress consort Josephine de Beauharnais (1763-1814) for a painting of the coronation of Emperor Napoleon I (1769-1821) which took place on Sunday 2 December 1804 at the cathedral of Notre-Dame in Paris. Napoleon first crowned himself, then put the crown on Josephine's head, proclaiming her empress. Here she bows her head, ready to receive the crown. 'Le Sacre de Napoléon' by Jacques-Louis David, the official painter of Napol
Joséphine de Beauharnais (1763-1814), impératrice des Français (1804-1810) Bertrand Andrieu (1761-1822). Joséphine de Beauharnais (1763-1814), impératrice des Français (1804-1810). Etain. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/josphine-de-beauharnais-1763-1814-impratrice-des-franais-1804-1810-bertrand-andrieu-1761-1822-josphine-de-beauharnais-1763-1814-impratrice-des-franais-1804-1810-etain-paris-muse-carnavalet-image349947304.htmlRM2B99DA0–Joséphine de Beauharnais (1763-1814), impératrice des Français (1804-1810) Bertrand Andrieu (1761-1822). Joséphine de Beauharnais (1763-1814), impératrice des Français (1804-1810). Etain. Paris, musée Carnavalet.
Portrait of Anna Roemers Visscher, Carel Jacob de Huyser, 1763 - 1804 Anna Roemers Visscher, poet and glass engraver, sitting on a chair, a book in he Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-anna-roemers-visscher-carel-jacob-de-huyser-1763-1804-anna-roemers-visscher-poet-and-glass-engraver-sitting-on-a-chair-a-book-in-he-image570303691.htmlRF2T3RG4Y–Portrait of Anna Roemers Visscher, Carel Jacob de Huyser, 1763 - 1804 Anna Roemers Visscher, poet and glass engraver, sitting on a chair, a book in he
The Deserter, 29 July 1791, George Keating, 1762–1842, Irish, after George Morland, 1763–1804, British, 1791 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-deserter-29-july-1791-george-keating-17621842-irish-after-george-morland-17631804-british-1791-image389673244.htmlRM2DHY45G–The Deserter, 29 July 1791, George Keating, 1762–1842, Irish, after George Morland, 1763–1804, British, 1791
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