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1560s Stock Photos and Images
Native American Medicine, 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-native-american-medicine-1560s-135045494.htmlRMHRKRWA–Native American Medicine, 1560s
Lady - Messengers 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lady-messengers-1560s-105361645.htmlRMG3BHRW–Lady - Messengers 1560s
Pencil portrait of Jeanne d'Albret, Queen of Navarre - School of Francois Clouet, 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pencil-portrait-of-jeanne-dalbret-queen-of-navarre-school-of-francois-clouet-1560s-image356320274.htmlRM2BKKP42–Pencil portrait of Jeanne d'Albret, Queen of Navarre - School of Francois Clouet, 1560s
HOLLAND Catholic informers pin up denunciations during Duke of Alba's reign of terror in the 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-holland-catholic-informers-pin-up-denunciations-during-duke-of-albas-17557032.htmlRMB0FP4T–HOLLAND Catholic informers pin up denunciations during Duke of Alba's reign of terror in the 1560s
Portrait of a Woman, late 1560s, Oil on canvas, 55 5/8 x 38 1/4 in. (141.3 x 97.2 cm), Paintings, Bernardino Campi (Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-a-woman-late-1560s-oil-on-canvas-55-58-x-38-14-in-1413-162555574.htmlRMKCD186–Portrait of a Woman, late 1560s, Oil on canvas, 55 5/8 x 38 1/4 in. (141.3 x 97.2 cm), Paintings, Bernardino Campi (Italian
PORTRAIT OF A SURGEON, 1569, Netherlandish, Northern Renaissance painting, oil on wood. A surgeon with the attributes of his trade: a skull; a metal instrument used to cauterize skulls; and a saw (BSLOC 2017 16 116) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-a-surgeon-1569-netherlandish-northern-renaissance-painting-170559649.htmlRMKWDJG1–PORTRAIT OF A SURGEON, 1569, Netherlandish, Northern Renaissance painting, oil on wood. A surgeon with the attributes of his trade: a skull; a metal instrument used to cauterize skulls; and a saw (BSLOC 2017 16 116)
Inspired by Portrait of Mlle. de Cosse, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera on panel, late 1540s-1560s, 6 1/2 x 5 1/8 in., 16.5 x 13.0 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-portrait-of-mlle-de-cosse-corneille-de-lyon-dutch150010-1575-active-in-france-tempera-on-panel-late-1540s-1560s-6-12-x-5-18-in-165-x-130-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252230.htmlRF2HK4MWA–Inspired by Portrait of Mlle. de Cosse, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera on panel, late 1540s-1560s, 6 1/2 x 5 1/8 in., 16.5 x 13.0 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Virgin and Child with John the Baptist and Saint Anthony the Abbot, 1560s. Creator: Bassano, Jacopo, il vecchio (ca. 1510-1592). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-with-john-the-baptist-and-saint-anthony-the-abbot-1560s-creator-bassano-jacopo-il-vecchio-ca-1510-1592-image248913145.htmlRMTCXY75–Virgin and Child with John the Baptist and Saint Anthony the Abbot, 1560s. Creator: Bassano, Jacopo, il vecchio (ca. 1510-1592).
PORTRAIT OF A SURGEON, 1569, Netherlandish, Northern Renaissance painting, oil on wood. A surgeon with the attributes of his trade: a skull; a metal instrument used to cauterize skulls; and a saw (BSLOC 2017 16 116) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-a-surgeon-1569-netherlandish-northern-renaissance-painting-170560961.htmlRMKWDM6W–PORTRAIT OF A SURGEON, 1569, Netherlandish, Northern Renaissance painting, oil on wood. A surgeon with the attributes of his trade: a skull; a metal instrument used to cauterize skulls; and a saw (BSLOC 2017 16 116)
English: Plato 1560s. 1009 Platon, Biblioteka Marciana Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-plato-1560s-1009-platon-biblioteka-marciana-image185549551.htmlRMMNTE9K–English: Plato 1560s. 1009 Platon, Biblioteka Marciana
Illustration depicting a French expedition arriving in Florida in the 1560s. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-depicting-a-french-expedition-arriving-in-florida-in-90822012.htmlRMF7N8B8–Illustration depicting a French expedition arriving in Florida in the 1560s. Dated 16th Century
'Portrait of Marshal de Saint-Andre'. France, 1560-1570s. Dimensions: 25,2x18,9 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist. 1560s-1570s. ANONYMOUS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-marshal-de-saint-andre-france-1560-1570s-dimensions-252x189-cm-museum-state-hermitage-st-petersburg-author-anonymous-artist-1560s-1570s-anonymous-image241122250.htmlRMT081TX–'Portrait of Marshal de Saint-Andre'. France, 1560-1570s. Dimensions: 25,2x18,9 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist. 1560s-1570s. ANONYMOUS.
The Statue Nettuno (Neptune) Piazza del Nettuno Bologna Emilia-Romagna Italy C.1563 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-statue-nettuno-neptune-piazza-del-nettuno-bologna-emilia-romagna-image68878669.htmlRME01KCD–The Statue Nettuno (Neptune) Piazza del Nettuno Bologna Emilia-Romagna Italy C.1563
Vecellio di Gregorio Tiziano (c.1490-1576). Italian Renaissance painter. Venetian school. Christ carrying of the Cross, 1560s. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vecellio-di-gregorio-tiziano-c1490-1576-italian-renaissance-painter-104663857.htmlRMG27RPW–Vecellio di Gregorio Tiziano (c.1490-1576). Italian Renaissance painter. Venetian school. Christ carrying of the Cross, 1560s. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.
Fox hunt at Burton Constable Hall, Yorkshire, England. Built in the 12th century, and rebuilt into an Elizabethan mansion in the 1560s by Sir John Constable. Home of Sir Thomas Hugh Clifford-Constable, 2nd Baronet Constable. Colour woodblock by Benjamin Fawcett in the Baxter process of an illustration by Alexander Francis Lydon from Reverend Francis Orpen Morris’s A Series of Picturesque Views of the Seats of Noblemen and Gentlemen of Great Britain and Ireland, William Mackenzie, London, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fox-hunt-at-burton-constable-hall-yorkshire-england-built-in-the-12th-century-and-rebuilt-into-an-elizabethan-mansion-in-the-1560s-by-sir-john-constable-home-of-sir-thomas-hugh-clifford-constable-2nd-baronet-constable-colour-woodblock-by-benjamin-fawcett-in-the-baxter-process-of-an-illustration-by-alexander-francis-lydon-from-reverend-francis-orpen-morriss-a-series-of-picturesque-views-of-the-seats-of-noblemen-and-gentlemen-of-great-britain-and-ireland-william-mackenzie-london-1880-image389233082.htmlRM2DH72NE–Fox hunt at Burton Constable Hall, Yorkshire, England. Built in the 12th century, and rebuilt into an Elizabethan mansion in the 1560s by Sir John Constable. Home of Sir Thomas Hugh Clifford-Constable, 2nd Baronet Constable. Colour woodblock by Benjamin Fawcett in the Baxter process of an illustration by Alexander Francis Lydon from Reverend Francis Orpen Morris’s A Series of Picturesque Views of the Seats of Noblemen and Gentlemen of Great Britain and Ireland, William Mackenzie, London, 1880.
Upper Barracca Gardens, upper tier Saints Peter & Paul Bastion, 1560s, trees, flowers, plants, people, stone paths, Europe; Valletta; Malta; spring, h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upper-barracca-gardens-upper-tier-saints-peter-paul-bastion-1560s-trees-flowers-plants-people-stone-paths-europe-valletta-malta-spring-h-image266003489.htmlRFWCNE4H–Upper Barracca Gardens, upper tier Saints Peter & Paul Bastion, 1560s, trees, flowers, plants, people, stone paths, Europe; Valletta; Malta; spring, h
Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cathedral-of-our-lady-of-smolensk-smolensky-cathedral-1560s-novodevichy-convent-moscow-russia-image356316491.htmlRM2BKKH8Y–Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia
John the Angel of Desert (1560s, Rublev museum) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-the-angel-of-desert-1560s-rublev-museum-140049222.htmlRMJ3RP5X–John the Angel of Desert (1560s, Rublev museum)
Statue of Father Francisco López de Mendoza Grajales, first parish priest (mid 1560s) at what became Nombre de Dios Mission in St. Augustine, Florida. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-father-francisco-lpez-de-mendoza-grajales-first-parish-priest-mid-1560s-at-what-became-nombre-de-dios-mission-in-st-augustine-florida-image185764903.htmlRMMP690R–Statue of Father Francisco López de Mendoza Grajales, first parish priest (mid 1560s) at what became Nombre de Dios Mission in St. Augustine, Florida.
Giacomo Gastaldi, World Map, 1560 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giacomo-gastaldi-world-map-1560-image245866925.htmlRMT805NH–Giacomo Gastaldi, World Map, 1560
Slussen Hogenberg 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-slussen-hogenberg-1560s-134865559.htmlRMHRBJB3–Slussen Hogenberg 1560s
Preparations to burn the body of William Tyndale, 1563. Tyndale, before being strangled and burned at the stake in Vilvoorde, cries out, 'Lord, open the King of England's eyes'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/preparations-to-burn-the-body-of-william-tyndale-1563-tyndale-before-being-strangled-and-burned-at-the-stake-in-vilvoorde-cries-out-lord-open-the-king-of-englands-eyes-image336494184.htmlRM2AFCHNC–Preparations to burn the body of William Tyndale, 1563. Tyndale, before being strangled and burned at the stake in Vilvoorde, cries out, 'Lord, open the King of England's eyes'.
Fedor David and Constantin (1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fedor-david-and-constantin-1560s-image329603566.htmlRM2A46MKX–Fedor David and Constantin (1560s
Three Sketches: Fortitude, a Sandal, and Grotesques (recto), Sketches of Grotesques, and Roman Cuirass (verso), 1560s, Italian, Mid-16th century, Italy, Pen and brown ink with brush and brown wash, on buff laid paper, 226 x 190 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-sketches-fortitude-a-sandal-and-grotesques-recto-sketches-of-grotesques-and-roman-cuirass-verso-1560s-italian-mid-16th-century-italy-pen-and-brown-ink-with-brush-and-brown-wash-on-buff-laid-paper-226-x-190-mm-image328624186.htmlRM2A2J3E2–Three Sketches: Fortitude, a Sandal, and Grotesques (recto), Sketches of Grotesques, and Roman Cuirass (verso), 1560s, Italian, Mid-16th century, Italy, Pen and brown ink with brush and brown wash, on buff laid paper, 226 x 190 mm
FISHMARKET, by Joachim Beuckelaer, 1568, Netherlandish, Northern Renaissance oil painting. This daily fish market represents the new genre of still-life painting, celebrating abundance and commerce in Antwerp. Northern Netherlands artists turned to secular themes when Calvinist Iconoclasm of 1566, limited the market for religious subjects (BSLOC 2017 16 121) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fishmarket-by-joachim-beuckelaer-1568-netherlandish-northern-renaissance-170559656.htmlRMKWDJG8–FISHMARKET, by Joachim Beuckelaer, 1568, Netherlandish, Northern Renaissance oil painting. This daily fish market represents the new genre of still-life painting, celebrating abundance and commerce in Antwerp. Northern Netherlands artists turned to secular themes when Calvinist Iconoclasm of 1566, limited the market for religious subjects (BSLOC 2017 16 121)
Art inspired by Portrait of a Woman, late 1560s, Oil on canvas, 55 5/8 x 38 1/4 in. (141.3 x 97.2 cm), Paintings, Bernardino Campi (Italian, Cremona 1522–1591 Reggio Emilia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-woman-late-1560s-oil-on-canvas-55-58-x-38-14-in-1413-x-972-cm-paintings-bernardino-campi-italian-cremona-15221591-reggio-emilia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814353.htmlRF2HTY0C1–Art inspired by Portrait of a Woman, late 1560s, Oil on canvas, 55 5/8 x 38 1/4 in. (141.3 x 97.2 cm), Paintings, Bernardino Campi (Italian, Cremona 1522–1591 Reggio Emilia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Resurrection of Lazarus, 1560s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-resurrection-of-lazarus-1560s-image228941823.htmlRMR8D5HK–The Resurrection of Lazarus, 1560s.
FISHMARKET, by Joachim Beuckelaer, 1568, Netherlandish, Northern Renaissance oil painting. This daily fish market represents the new genre of still-life painting, celebrating abundance and commerce in Antwerp. Northern Netherlands artists turned to secular themes when Calvinist Iconoclasm of 1566, limited the market for religious subjects (BSLOC 2017 16 121) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fishmarket-by-joachim-beuckelaer-1568-netherlandish-northern-renaissance-170560969.htmlRMKWDM75–FISHMARKET, by Joachim Beuckelaer, 1568, Netherlandish, Northern Renaissance oil painting. This daily fish market represents the new genre of still-life painting, celebrating abundance and commerce in Antwerp. Northern Netherlands artists turned to secular themes when Calvinist Iconoclasm of 1566, limited the market for religious subjects (BSLOC 2017 16 121)
Allegory of Painting 1560s. 959 Paolo Veronese, Allegory of Painting, 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-painting-1560s-959-paolo-veronese-allegory-of-painting-1560s-image185538937.htmlRMMNT0PH–Allegory of Painting 1560s. 959 Paolo Veronese, Allegory of Painting, 1560s
The Palazzo Tiepolo, on the Grand Canal in Venice. Renaissance style, built in the 1560's, two watergates indicate that it was built for two families Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-palazzo-tiepolo-on-the-grand-canal-in-venice-renaissance-style-built-in-the-1560s-two-watergates-indicate-that-it-was-built-for-two-families-image259534408.htmlRMW26PP0–The Palazzo Tiepolo, on the Grand Canal in Venice. Renaissance style, built in the 1560's, two watergates indicate that it was built for two families
'Carrying of the Cross'. Italy, 1560s. Dimensions: 89x77 cm. Museum: State Hermitage, St. Petersburg. Author: TITIAN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carrying-of-the-cross-italy-1560s-dimensions-89x77-cm-museum-state-hermitage-st-petersburg-author-titian-image241163863.htmlRMT09XY3–'Carrying of the Cross'. Italy, 1560s. Dimensions: 89x77 cm. Museum: State Hermitage, St. Petersburg. Author: TITIAN.
Landscape with the Fall of Icarus - by Pieter Bruegel, 1560's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-fall-of-icarus-by-pieter-bruegel-1560s-image62644307.htmlRMDHWKCK–Landscape with the Fall of Icarus - by Pieter Bruegel, 1560's
1500s 1560s CHRIST AND HIS APOSTLES PAINTING OF THE LAST SUPPER BY JUAN DE JUANES IN PRADO MADRID SPAIN - ka3608 PLE001 HARS CHRISTIANITY EUCHARIST HOLY COMMUNION SUPPER HOST DE PRADO SACRAMENT SUPPORT DISCIPLES FAITHFUL APOSTLES FAITH THE LAST SUPPER 12 1500s BELIEF LAST OLD FASHIONED TWELVE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1500s-1560s-christ-and-his-apostles-painting-of-the-last-supper-by-juan-de-juanes-in-prado-madrid-spain-ka3608-ple001-hars-christianity-eucharist-holy-communion-supper-host-de-prado-sacrament-support-disciples-faithful-apostles-faith-the-last-supper-12-1500s-belief-last-old-fashioned-twelve-image397516709.htmlRM2E2MCH9–1500s 1560s CHRIST AND HIS APOSTLES PAINTING OF THE LAST SUPPER BY JUAN DE JUANES IN PRADO MADRID SPAIN - ka3608 PLE001 HARS CHRISTIANITY EUCHARIST HOLY COMMUNION SUPPER HOST DE PRADO SACRAMENT SUPPORT DISCIPLES FAITHFUL APOSTLES FAITH THE LAST SUPPER 12 1500s BELIEF LAST OLD FASHIONED TWELVE
![ILBA siue ILVA insula est immari tusco continet distans mill. X. pasuum et nascuntur minerales metalli bene munita et forti situ impetui turcarum resistit. ferando. bertelli. Author Bertelli, Ferando 80.24. Place of publication: [Venice] Publisher: [Ferrando Bertelli] Date of publication: [early 1560s] Item type: 1 map Medium: copperplate engraving Dimensions: 25.1 x 17.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FMK4/ilba-siue-ilva-insula-est-immari-tusco-continet-distans-mill-x-pasuum-et-nascuntur-minerales-metalli-bene-munita-et-forti-situ-impetui-turcarum-resistit-ferando-bertelli-author-bertelli-ferando-8024-place-of-publication-venice-publisher-ferrando-bertelli-date-of-publication-early-1560s-item-type-1-map-medium-copperplate-engraving-dimensions-251-x-175-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FMK4.jpg "ILBA siue ILVA insula est immari tusco continet distans mill. X. pasuum et nascuntur minerales metalli bene munita et forti situ impetui turcarum resistit. ferando. bertelli. Author Bertelli, Ferando 80.24. Place of publication: [Venice] Publisher: [Ferrando Bertelli] Date of publication: [early 1560s] Item type: 1 map Medium: copperplate engraving Dimensions: 25.1 x 17.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ILBA siue ILVA insula est immari tusco continet distans mill. X. pasuum et nascuntur minerales metalli bene munita et forti situ impetui turcarum resistit. ferando. bertelli. Author Bertelli, Ferando 80.24. Place of publication: [Venice] Publisher: [Ferrando Bertelli] Date of publication: [early 1560s] Item type: 1 map Medium: copperplate engraving Dimensions: 25.1 x 17.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ilba-siue-ilva-insula-est-immari-tusco-continet-distans-mill-x-pasuum-et-nascuntur-minerales-metalli-bene-munita-et-forti-situ-impetui-turcarum-resistit-ferando-bertelli-author-bertelli-ferando-8024-place-of-publication-venice-publisher-ferrando-bertelli-date-of-publication-early-1560s-item-type-1-map-medium-copperplate-engraving-dimensions-251-x-175-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401715864.htmlRM2E9FMK4–ILBA siue ILVA insula est immari tusco continet distans mill. X. pasuum et nascuntur minerales metalli bene munita et forti situ impetui turcarum resistit. ferando. bertelli. Author Bertelli, Ferando 80.24. Place of publication: [Venice] Publisher: [Ferrando Bertelli] Date of publication: [early 1560s] Item type: 1 map Medium: copperplate engraving Dimensions: 25.1 x 17.5 cm Former owner: George III, King of Great Britain, 1738-1820
Upper Barracca Gardens, upper tier Saints Peter & Paul Bastio, 1560s, garden, colorful flowers, Lord Strickland statue, public art, arches, outlook, E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upper-barracca-gardens-upper-tier-saints-peter-paul-bastio-1560s-garden-colorful-flowers-lord-strickland-statue-public-art-arches-outlook-e-image266004589.htmlRFWCNFFW–Upper Barracca Gardens, upper tier Saints Peter & Paul Bastio, 1560s, garden, colorful flowers, Lord Strickland statue, public art, arches, outlook, E
Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cathedral-of-our-lady-of-smolensk-smolensky-cathedral-1560s-novodevichy-convent-moscow-russia-image356316567.htmlRM2BKKHBK–Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia
Olga of Kiev's vita (Stepennaya kniga, 1560s) 01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-olga-of-kievs-vita-stepennaya-kniga-1560s-01-140293634.htmlRMJ46WXX–Olga of Kiev's vita (Stepennaya kniga, 1560s) 01
Statue of Father Francisco López de Mendoza Grajales, first parish priest (mid 1560s) and Great Cross at Nombre de Dios Mission in St. Augustine, FL. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-father-francisco-lpez-de-mendoza-grajales-first-parish-priest-mid-1560s-and-great-cross-at-nombre-de-dios-mission-in-st-augustine-fl-image186529119.htmlRMMRD3P7–Statue of Father Francisco López de Mendoza Grajales, first parish priest (mid 1560s) and Great Cross at Nombre de Dios Mission in St. Augustine, FL.
Hercules, Roman Hero and God Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hercules-roman-hero-and-god-173727011.htmlRMM2HXG3–Hercules, Roman Hero and God
Slussen Hogenberg 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-slussen-hogenberg-1560s-134835664.htmlRMHRA87C–Slussen Hogenberg 1560s
Martin Bucer, circa 1560 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martin-bucer-circa-1560-image229622044.htmlRMR9G578–Martin Bucer, circa 1560
Fedor, David and Constantin (1560s, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fedor-david-and-constantin-1560s-image329624647.htmlRM2A47KGR–Fedor, David and Constantin (1560s,
Initial P: The Adoration of the Christ Child, Fra Vincentius a Fundis (Italian, active about 1560s), Nola, Campania, Italy, 1567, Tempera and gold leaf on parchment, Leaf: 41 x 27 cm (16 1/8 x 10 5/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/initial-p-the-adoration-of-the-christ-child-fra-vincentius-a-fundis-italian-active-about-1560s-nola-campania-italy-1567-tempera-and-gold-leaf-on-parchment-leaf-41-x-27-cm-16-18-x-10-58-in-image261260055.htmlRMW51BT7–Initial P: The Adoration of the Christ Child, Fra Vincentius a Fundis (Italian, active about 1560s), Nola, Campania, Italy, 1567, Tempera and gold leaf on parchment, Leaf: 41 x 27 cm (16 1/8 x 10 5/8 in
THE HARVESTERS, by Pieter Bruegel the Elder, 1565, Netherlandish, Northern Renaissance oil painting. This is a purely secular and descriptive landscape painting with realist depictions of peasants harvesting grain. It is one of six seasonal landscapes commissioned by the Antwerp merchant Niclaes Jongelinck. Five of them still survive (BSLOC 2017 16 120) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-harvesters-by-pieter-bruegel-the-elder-1565-netherlandish-northern-170559655.htmlRMKWDJG7–THE HARVESTERS, by Pieter Bruegel the Elder, 1565, Netherlandish, Northern Renaissance oil painting. This is a purely secular and descriptive landscape painting with realist depictions of peasants harvesting grain. It is one of six seasonal landscapes commissioned by the Antwerp merchant Niclaes Jongelinck. Five of them still survive (BSLOC 2017 16 120)
Art inspired by Portrait of Mlle. de Cosse, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera on panel, late 1540s-1560s, 6 1/2 x 5 1/8 in., 16.5 x 13.0 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-mlle-de-cosse-corneille-de-lyon-dutch150010-1575-active-in-france-tempera-on-panel-late-1540s-1560s-6-12-x-5-18-in-165-x-130-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567816.htmlRF2HKK3C8–Art inspired by Portrait of Mlle. de Cosse, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera on panel, late 1540s-1560s, 6 1/2 x 5 1/8 in., 16.5 x 13.0 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Eleanor of Toledo', 1560s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-eleanor-of-toledo-1560s-image60413869.htmlRMDE82E5–Portrait of Eleanor of Toledo', 1560s.
THE HARVESTERS, by Pieter Bruegel the Elder, 1565, Netherlandish, Northern Renaissance oil painting. This is a purely secular and descriptive landscape painting with realist depictions of peasants harvesting grain. It is one of six seasonal landscapes commissioned by the Antwerp merchant Niclaes Jongelinck. Five of them still survive (BSLOC 2017 16 120) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-harvesters-by-pieter-bruegel-the-elder-1565-netherlandish-northern-170560968.htmlRMKWDM74–THE HARVESTERS, by Pieter Bruegel the Elder, 1565, Netherlandish, Northern Renaissance oil painting. This is a purely secular and descriptive landscape painting with realist depictions of peasants harvesting grain. It is one of six seasonal landscapes commissioned by the Antwerp merchant Niclaes Jongelinck. Five of them still survive (BSLOC 2017 16 120)
Decorative grotesques 1560s. 1214 Unknown painter - Decorative grotesques - WGA23944 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorative-grotesques-1560s-1214-unknown-painter-decorative-grotesques-wga23944-image185605666.htmlRMMNY1WP–Decorative grotesques 1560s. 1214 Unknown painter - Decorative grotesques - WGA23944
The Palazzo Tiepolo, on the Grand Canal in Venice. Renaissance style, built in the 1560's, two watergates indicate that it was built for two families Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-palazzo-tiepolo-on-the-grand-canal-in-venice-renaissance-style-built-in-the-1560s-two-watergates-indicate-that-it-was-built-for-two-families-image259534446.htmlRMW26PRA–The Palazzo Tiepolo, on the Grand Canal in Venice. Renaissance style, built in the 1560's, two watergates indicate that it was built for two families
Vecellio di Gregorio Tiziano (c.1490-1576). Italian Renaissance painter. Venetian school. Christ carrying of the Cross, 1560s. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vecellio-di-gregorio-tiziano-c1490-1576-italian-renaissance-painter-venetian-school-christ-carrying-of-the-cross-1560s-oil-on-canvas-the-state-hermitage-museum-saint-petersburg-russia-image231216213.htmlRMRC4PHW–Vecellio di Gregorio Tiziano (c.1490-1576). Italian Renaissance painter. Venetian school. Christ carrying of the Cross, 1560s. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.
Landscape with the Fall of Icarus by Pieter Bruegel, 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-fall-of-icarus-by-pieter-bruegel-1560s-image69605110.htmlRME16P0P–Landscape with the Fall of Icarus by Pieter Bruegel, 1560s
Chatelar Playing the Lute to Mary Queen of Scots, 1560s, (1860). Artist: JC Armytage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chatelar-playing-the-lute-to-mary-queen-of-scots-1560s-1860-artist-jc-armytage-image262745677.htmlRMW7D2P5–Chatelar Playing the Lute to Mary Queen of Scots, 1560s, (1860). Artist: JC Armytage
![ILBA, siue ILVA insula est in mari Tusco continet distans mill. X pasuum, et nascuntur minerales, metalli, bene munita, et forti situ impetui turcarum resistit. Map information: Title: ILBA, siue ILVA insula est in mari Tusco continet distans mill. X pasuum, et nascuntur minerales, metalli, bene munita, et forti situ impetui turcarum resistit. 80.25. Place of publication: [Venice?], Date of publication: [1560s] Item type: 1 print Medium: copperplate engraving Dimensions: 24.5 x 17.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FMKB/ilba-siue-ilva-insula-est-in-mari-tusco-continet-distans-mill-x-pasuum-et-nascuntur-minerales-metalli-bene-munita-et-forti-situ-impetui-turcarum-resistit-map-information-title-ilba-siue-ilva-insula-est-in-mari-tusco-continet-distans-mill-x-pasuum-et-nascuntur-minerales-metalli-bene-munita-et-forti-situ-impetui-turcarum-resistit-8025-place-of-publication-venice-date-of-publication-1560s-item-type-1-print-medium-copperplate-engraving-dimensions-245-x-178-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FMKB.jpg "ILBA, siue ILVA insula est in mari Tusco continet distans mill. X pasuum, et nascuntur minerales, metalli, bene munita, et forti situ impetui turcarum resistit. Map information: Title: ILBA, siue ILVA insula est in mari Tusco continet distans mill. X pasuum, et nascuntur minerales, metalli, bene munita, et forti situ impetui turcarum resistit. 80.25. Place of publication: [Venice?], Date of publication: [1560s] Item type: 1 print Medium: copperplate engraving Dimensions: 24.5 x 17.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ILBA, siue ILVA insula est in mari Tusco continet distans mill. X pasuum, et nascuntur minerales, metalli, bene munita, et forti situ impetui turcarum resistit. Map information: Title: ILBA, siue ILVA insula est in mari Tusco continet distans mill. X pasuum, et nascuntur minerales, metalli, bene munita, et forti situ impetui turcarum resistit. 80.25. Place of publication: [Venice?], Date of publication: [1560s] Item type: 1 print Medium: copperplate engraving Dimensions: 24.5 x 17.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ilba-siue-ilva-insula-est-in-mari-tusco-continet-distans-mill-x-pasuum-et-nascuntur-minerales-metalli-bene-munita-et-forti-situ-impetui-turcarum-resistit-map-information-title-ilba-siue-ilva-insula-est-in-mari-tusco-continet-distans-mill-x-pasuum-et-nascuntur-minerales-metalli-bene-munita-et-forti-situ-impetui-turcarum-resistit-8025-place-of-publication-venice-date-of-publication-1560s-item-type-1-print-medium-copperplate-engraving-dimensions-245-x-178-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401715871.htmlRM2E9FMKB–ILBA, siue ILVA insula est in mari Tusco continet distans mill. X pasuum, et nascuntur minerales, metalli, bene munita, et forti situ impetui turcarum resistit. Map information: Title: ILBA, siue ILVA insula est in mari Tusco continet distans mill. X pasuum, et nascuntur minerales, metalli, bene munita, et forti situ impetui turcarum resistit. 80.25. Place of publication: [Venice?], Date of publication: [1560s] Item type: 1 print Medium: copperplate engraving Dimensions: 24.5 x 17.8 cm Former owner: George III, King of Great Britain, 1738-1820
Illustration depicting a French expedition arriving in Florida in the 1560s. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-depicting-a-french-expedition-arriving-in-florida-in-the-1560s-dated-16th-century-image225044249.htmlRMR23J6H–Illustration depicting a French expedition arriving in Florida in the 1560s. Dated 16th Century
Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cathedral-of-our-lady-of-smolensk-smolensky-cathedral-1560s-novodevichy-convent-moscow-russia-image356316484.htmlRM2BKKH8M–Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia
Funeral of Fatima, Folio from a Falnama (Book of Divination) mid-1550s-early 1560s Iran, Tabriz. Metropolitan Mus. N-Y Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-funeral-of-fatima-folio-from-a-falnama-book-of-divination-mid-1550s-147549138.htmlRMJG1CC2–Funeral of Fatima, Folio from a Falnama (Book of Divination) mid-1550s-early 1560s Iran, Tabriz. Metropolitan Mus. N-Y
Portrait of a Man mid-1560s Moroni, Giovanni Battista, between 1520 and 1525-1578 Italian, Italy, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-mid-1560s-moroni-giovanni-battista-between-1520-and-1525-1578-italian-italy-image331442804.htmlRM2A76EK0–Portrait of a Man mid-1560s Moroni, Giovanni Battista, between 1520 and 1525-1578 Italian, Italy,
Paracelsus operating on a man's head. Paracelsus (1493-1541), born Theophrastus von Hohenheim, was a Swiss physician, alchemist, lay theologian, and philosopher of the German Renaissance, known as the father of toxicology. From Der ander Theyl der grossen, circa 1560s. Colorized. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paracelsus-operating-on-a-mans-head-paracelsus-1493-1541-born-theophrastus-von-hohenheim-was-a-swiss-physician-alchemist-lay-theologian-and-philosopher-of-the-german-renaissance-known-as-the-father-of-toxicology-from-der-ander-theyl-der-grossen-circa-1560s-colorized-image526958297.htmlRM2NH90K5–Paracelsus operating on a man's head. Paracelsus (1493-1541), born Theophrastus von Hohenheim, was a Swiss physician, alchemist, lay theologian, and philosopher of the German Renaissance, known as the father of toxicology. From Der ander Theyl der grossen, circa 1560s. Colorized.
Paolo Veronese, Allegory of Painting, 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paolo-veronese-allegory-of-painting-1560s-134715161.htmlRMHR4PFN–Paolo Veronese, Allegory of Painting, 1560s
Galleys and carracks in battle - Battle of Messina Straights, circa 1561 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/galleys-and-carracks-in-battle-battle-of-messina-straights-circa-1561-image228855502.htmlRMR897EP–Galleys and carracks in battle - Battle of Messina Straights, circa 1561
Fedor, David and Constantin (1560s, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fedor-david-and-constantin-1560s-image329624643.htmlRM2A47KGK–Fedor, David and Constantin (1560s,
Allegorical Figure Holding a Sphere, mid 1560s. Giorgio Ghisi (Italian, 1520-1582), possibly after Giulio Romano (Italian, 1492/99-1546). Engraving; sheet: 24 x 13.4 cm (9 7/16 x 5 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-figure-holding-a-sphere-mid-1560s-giorgio-ghisi-italian-1520-1582-possibly-after-giulio-romano-italian-149299-1546-engraving-sheet-24-x-134-cm-9-716-x-5-14-in-image240449015.htmlRMRY5B4R–Allegorical Figure Holding a Sphere, mid 1560s. Giorgio Ghisi (Italian, 1520-1582), possibly after Giulio Romano (Italian, 1492/99-1546). Engraving; sheet: 24 x 13.4 cm (9 7/16 x 5 1/4 in
William Cecil, 1st Baron Burghley (1520/1-1598). Principal adviser to England's Queen Elizabeth I. Portrait by an unknown Anglo-Netherlandish artist. Oil on panel, 1560s. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-cecil-1st-baron-burghley-15201-1598-principal-adviser-to-englands-queen-elizabeth-i-portrait-by-an-unknown-anglo-netherlandish-artist-oil-on-panel-1560s-national-portrait-gallery-london-england-united-kingdom-image384661654.htmlRM2D9PRT6–William Cecil, 1st Baron Burghley (1520/1-1598). Principal adviser to England's Queen Elizabeth I. Portrait by an unknown Anglo-Netherlandish artist. Oil on panel, 1560s. National Portrait Gallery. London, England, United Kingdom.
Art inspired by Three Muses and a Gesturing Putto, 1560s, Engraving, sheet: 12 5/16 x 7 3/8 in. (31.2 x 18.8 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-three-muses-and-a-gesturing-putto-1560s-engraving-sheet-12-516-x-7-38-in-312-x-188-cm-prints-giorgio-ghisi-italian-mantua-ca-15201582-mantua-after-francesco-primaticcio-italian-bologna-150451570-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463004854.htmlRF2HW7KBJ–Art inspired by Three Muses and a Gesturing Putto, 1560s, Engraving, sheet: 12 5/16 x 7 3/8 in. (31.2 x 18.8 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
John the Baptist, Angel of the Wilderness, 1560s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-the-baptist-angel-of-the-wilderness-1560s-image228941817.htmlRMR8D5HD–John the Baptist, Angel of the Wilderness, 1560s.
The Flagellation of Christ 1560s by Marcello Venusti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-flagellation-of-christ-1560s-by-marcello-venusti-image574117422.htmlRM2TA18HJ–The Flagellation of Christ 1560s by Marcello Venusti
English: Adoration of the Kings 1560s. 1195 Titian - Adoration of the Kings GG 98 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-adoration-of-the-kings-1560s-1195-titian-adoration-of-the-kings-gg-98-image185602485.htmlRMMNXWT5–English: Adoration of the Kings 1560s. 1195 Titian - Adoration of the Kings GG 98
Portrait of a Woman. Bernardino Campi. Late 1560s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-bernardino-campi-late-1560s-image554989173.htmlRM2R6WX9W–Portrait of a Woman. Bernardino Campi. Late 1560s.
Portrait of a Woman. Artist: Bernardino Campi (Italian, Cremona 1522-1591 Reggio Emilia). Dimensions: 55 5/8 x 38 1/4 in. (141.3 x 97.2 cm). Date: late 1560s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-artist-bernardino-campi-italian-cremona-1522-1591-reggio-emilia-dimensions-55-58-x-38-14-in-1413-x-972-cm-date-late-1560s-museum-metropolitan-museum-of-art-new-york-usa-image213171750.htmlRMPAPPMP–Portrait of a Woman. Artist: Bernardino Campi (Italian, Cremona 1522-1591 Reggio Emilia). Dimensions: 55 5/8 x 38 1/4 in. (141.3 x 97.2 cm). Date: late 1560s. Museum: Metropolitan Museum of Art, New York, USA.
Italy Europe European Western Europe Architecture building Italian Villa Foscari 1550s 1560s Andrea Palladio Mira Venice Veneto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-europe-european-western-europe-architecture-building-italian-30574302.htmlRMBNMNRA–Italy Europe European Western Europe Architecture building Italian Villa Foscari 1550s 1560s Andrea Palladio Mira Venice Veneto
Four storeyed gate tower remaining from elizabethan courtyard house built 1560s, sissinghurst castle kent Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-storeyed-gate-tower-remaining-from-elizabethan-courtyard-house-built-1560s-sissinghurst-castle-kent-image398322049.htmlRM2E413RD–Four storeyed gate tower remaining from elizabethan courtyard house built 1560s, sissinghurst castle kent
Juno seated on a cloud, 1560s, by Giorgio Ghisi, Francesco Primaticcio. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juno-seated-on-a-cloud-1560s-by-giorgio-ghisi-francesco-primaticcio-image479267736.htmlRM2JRMETT–Juno seated on a cloud, 1560s, by Giorgio Ghisi, Francesco Primaticcio.
ROME, ITALY - MARCH 11, 2016: The Esau Sells His Birthright by Prospero Orsi (1560s-1630s). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rome-italy-march-11-2016-the-esau-sells-his-birthright-by-prospero-104436210.htmlRFG1WDCJ–ROME, ITALY - MARCH 11, 2016: The Esau Sells His Birthright by Prospero Orsi (1560s-1630s).
Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cathedral-of-our-lady-of-smolensk-smolensky-cathedral-1560s-novodevichy-convent-moscow-russia-image356316481.htmlRM2BKKH8H–Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia
The Humayun's Tomb complex in Delhi, India. A Mughal period built in the 1560's by Emperor Akbar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-humayuns-tomb-complex-in-delhi-india-a-mughal-period-built-in-the-1560s-by-emperor-akbar-image330324674.htmlRF2A5BGDP–The Humayun's Tomb complex in Delhi, India. A Mughal period built in the 1560's by Emperor Akbar
Valentin Kötzler, 1499 -1564, Nürnberg, Jurist und Rat der Stadt Nürnberg, 16th century, by Nicolas Neufchatel or Neufchâtel 1527 – 1590, known as Lucidel, was a Flemish painter and draughtsman. He worked in Germany and was noted as one of the leading portrait painters of the 1560s. Museum, Luxembourg, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valentin-ktzler-1499-1564-nrnberg-jurist-und-rat-der-stadt-nrnberg-16th-century-by-nicolas-neufchatel-or-neufchtel-1527-1590-known-as-lucidel-was-a-flemish-painter-and-draughtsman-he-worked-in-germany-and-was-noted-as-one-of-the-leading-portrait-painters-of-the-1560s-museum-luxembourg-image492959917.htmlRM2KJ07B9–Valentin Kötzler, 1499 -1564, Nürnberg, Jurist und Rat der Stadt Nürnberg, 16th century, by Nicolas Neufchatel or Neufchâtel 1527 – 1590, known as Lucidel, was a Flemish painter and draughtsman. He worked in Germany and was noted as one of the leading portrait painters of the 1560s. Museum, Luxembourg,
René Boyvin after Rosso Fiorentino, The Conquest of Ignorance, 1560s, The Conquest of Ignorance; 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rene-boyvin-after-rosso-fiorentino-the-conquest-of-ignorance-1560s-the-conquest-of-ignorance-1560s-image336050946.htmlRM2AEMCBE–René Boyvin after Rosso Fiorentino, The Conquest of Ignorance, 1560s, The Conquest of Ignorance; 1560s
Stockholm 1560s copperplate Frantz Hogenberg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-stockholm-1560s-copperplate-frantz-hogenberg-134799867.htmlRMHR8JGY–Stockholm 1560s copperplate Frantz Hogenberg
Szigetvar campaign 1566 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/szigetvar-campaign-1566-image185658178.htmlRMMP1CW6–Szigetvar campaign 1566
John the Angel of Desert (1560s, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-the-angel-of-desert-1560s-image374413259.htmlRM2CN3YX3–John the Angel of Desert (1560s,
Jost Amman, (artist), Swiss, 1539 - 1591, A Boy on a Sled, late 1560s, pen and black ink with brown, blue, and pink wash on laid paper, overall: 8.6 x 12.3 cm (3 3/8 x 4 13/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jost-amman-artist-swiss-1539-1591-a-boy-on-a-sled-late-1560s-pen-and-black-ink-with-brown-blue-and-pink-wash-on-laid-paper-overall-86-x-123-cm-3-38-x-4-1316-in-image386365212.htmlRM2DCGCNG–Jost Amman, (artist), Swiss, 1539 - 1591, A Boy on a Sled, late 1560s, pen and black ink with brown, blue, and pink wash on laid paper, overall: 8.6 x 12.3 cm (3 3/8 x 4 13/16 in
Portrait of Elizabeth I, 1560's, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-elizabeth-i-1560s-image553288108.htmlRF2R44CHG–Portrait of Elizabeth I, 1560's,
Art inspired by Coffin of Imam 'Ali', Folio from a Falnama (The Book of Omens) of Ja'far al-Sadiq, mid-1550s–early 1560s, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, Painting: H. 22 5/16 in. (56.7 cm), Codices, This folio is from a manuscript of the Falnama (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-coffin-of-imam-ali-folio-from-a-falnama-the-book-of-omens-of-jafar-al-sadiq-mid-1550searly-1560s-attributed-to-iran-qazvin-ink-opaque-watercolor-and-gold-on-paper-painting-h-22-516-in-567-cm-codices-this-folio-is-from-a-manuscript-of-the-falnama-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027821.htmlRF2HW8MKW–Art inspired by Coffin of Imam 'Ali', Folio from a Falnama (The Book of Omens) of Ja'far al-Sadiq, mid-1550s–early 1560s, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, Painting: H. 22 5/16 in. (56.7 cm), Codices, This folio is from a manuscript of the Falnama (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'The Annunciation', 1560s. Artist: Orazio Samacchini Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-annunciation-1560s-artist-orazio-samacchini-image60418479.htmlRMDE88AR–'The Annunciation', 1560s. Artist: Orazio Samacchini
The Birth of Cupid 1560s by Master Of Flora Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-birth-of-cupid-1560s-by-master-of-flora-image573927997.htmlRM2T9MK0D–The Birth of Cupid 1560s by Master Of Flora
Portrait of a Lady 1560s. 688 Jacopo Zucchi Portrait of a Lady Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-lady-1560s-688-jacopo-zucchi-portrait-of-a-lady-image185794113.htmlRMMP7J81–Portrait of a Lady 1560s. 688 Jacopo Zucchi Portrait of a Lady
The Priest's Hole at Oxburgh Hall, Norfolk. Sir Henry Bedingfeld (1511-1583) was a Catholic and the Priest's Hole was created in the late 1560s to give refuge to co-religionists. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-priests-hole-at-oxburgh-hall-norfolk-sir-henry-bedingfeld-1511-94471005.htmlRMFDKEMD–The Priest's Hole at Oxburgh Hall, Norfolk. Sir Henry Bedingfeld (1511-1583) was a Catholic and the Priest's Hole was created in the late 1560s to give refuge to co-religionists.
Fox hunt at Burton Constable Hall, Yorkshire, England. Built in the 12th century, and rebuilt into an Elizabethan mansion in the 1560s by Sir John Constable. Home of Sir Thomas Hugh Clifford-Constable, 2nd Baronet Constable. Colour woodblock by Benjamin Fawcett in the Baxter process of an illustration by Alexander Francis Lydon from Reverend Francis Orpen Morriss A Series of Picturesque Views of the Seats of Noblemen and Gentlemen of Great Britain and Ireland, William Mackenzie, London, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fox-hunt-at-burton-constable-hall-yorkshire-england-built-in-the-12th-century-and-rebuilt-into-an-elizabethan-mansion-in-the-1560s-by-sir-john-constable-home-of-sir-thomas-hugh-clifford-constable-2nd-baronet-constable-colour-woodblock-by-benjamin-fawcett-in-the-baxter-process-of-an-illustration-by-alexander-francis-lydon-from-reverend-francis-orpen-morriss-a-series-of-picturesque-views-of-the-seats-of-noblemen-and-gentlemen-of-great-britain-and-ireland-william-mackenzie-london-1880-image571824081.htmlRM2T68RCH–Fox hunt at Burton Constable Hall, Yorkshire, England. Built in the 12th century, and rebuilt into an Elizabethan mansion in the 1560s by Sir John Constable. Home of Sir Thomas Hugh Clifford-Constable, 2nd Baronet Constable. Colour woodblock by Benjamin Fawcett in the Baxter process of an illustration by Alexander Francis Lydon from Reverend Francis Orpen Morriss A Series of Picturesque Views of the Seats of Noblemen and Gentlemen of Great Britain and Ireland, William Mackenzie, London, 1880.
Italy Europe European Western Europe Architecture building Italian Villa Foscari 1550s 1560s Andrea Palladio Mira Venice Veneto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-europe-european-western-europe-architecture-building-italian-30575063.htmlRMBNMPPF–Italy Europe European Western Europe Architecture building Italian Villa Foscari 1550s 1560s Andrea Palladio Mira Venice Veneto
Red flowers in the foreground before Humayun s Tomb a Mughal masterpiece built in the late 1560s India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/red-flowers-in-the-foreground-before-humayun-s-tomb-a-mughal-masterpiece-image1215715.htmlRMAJ8CE4–Red flowers in the foreground before Humayun s Tomb a Mughal masterpiece built in the late 1560s India
The Crucifixion. Fra Vincentius a Fundis (Italian, active about 1560s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-fra-vincentius-a-fundis-italian-active-about-1560s-image416600940.htmlRM2F5NPN0–The Crucifixion. Fra Vincentius a Fundis (Italian, active about 1560s)
Narrow Water Castle built in 1560s at the entrance to the Newry River Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-narrow-water-castle-built-in-1560s-at-the-entrance-to-the-newry-river-85663193.htmlRMEYA87N–Narrow Water Castle built in 1560s at the entrance to the Newry River
Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cathedral-of-our-lady-of-smolensk-smolensky-cathedral-1560s-novodevichy-convent-moscow-russia-image356316555.htmlRM2BKKHB7–Cathedral of Our Lady of Smolensk, Smolensky cathedral, 1560s, Novodevichy convent, Moscow, Russia
Giovanni Battista Moroni: 'Portrait of Bearded Man' (1560s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-moroni-portrait-of-bearded-man-1560s-image544375181.htmlRF2PHJC2N–Giovanni Battista Moroni: 'Portrait of Bearded Man' (1560s)
Valentin Kötzler, 1499 -1564, Nürnberg, Jurist und Rat der Stadt Nürnberg, 16th century, by Nicolas Neufchatel or Neufchâtel 1527 – 1590, known as Lucidel, was a Flemish painter and draughtsman. He worked in Germany and was noted as one of the leading portrait painters of the 1560s. Museum, Luxembourg, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valentin-ktzler-1499-1564-nrnberg-jurist-und-rat-der-stadt-nrnberg-16th-century-by-nicolas-neufchatel-or-neufchtel-1527-1590-known-as-lucidel-was-a-flemish-painter-and-draughtsman-he-worked-in-germany-and-was-noted-as-one-of-the-leading-portrait-painters-of-the-1560s-museum-luxembourg-image492959867.htmlRM2KJ079F–Valentin Kötzler, 1499 -1564, Nürnberg, Jurist und Rat der Stadt Nürnberg, 16th century, by Nicolas Neufchatel or Neufchâtel 1527 – 1590, known as Lucidel, was a Flemish painter and draughtsman. He worked in Germany and was noted as one of the leading portrait painters of the 1560s. Museum, Luxembourg,
Jacopo Zanguidi, called Bertoia, Christ in Gethsemane, 1560s Christ in Gethsemane; 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacopo-zanguidi-called-bertoia-christ-in-gethsemane-1560s-christ-in-gethsemane-1560s-image335922034.htmlRM2AEEFYE–Jacopo Zanguidi, called Bertoia, Christ in Gethsemane, 1560s Christ in Gethsemane; 1560s
Storkyrkan Tre kronor Hogenberg 1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-storkyrkan-tre-kronor-hogenberg-1560s-134803054.htmlRMHR8PJP–Storkyrkan Tre kronor Hogenberg 1560s
The Tribute Money, circa 1560 - Titian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tribute-money-circa-1560-titian-image152039608.htmlRMJRA020–The Tribute Money, circa 1560 - Titian
Fedor David and Constantin (1560s - center. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fedor-david-and-constantin-1560s-center-image329624488.htmlRM2A47KB4–Fedor David and Constantin (1560s - center.
Combats and Triumphs, probably 1560s. Etienne Delaune (French, 1518/19-c. 1583). Engraving; image: 6.5 x 21.9 cm (2 9/16 x 8 5/8 in.); secondary support: 7 x 22.5 cm (2 3/4 x 8 7/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/combats-and-triumphs-probably-1560s-etienne-delaune-french-151819-c-1583-engraving-image-65-x-219-cm-2-916-x-8-58-in-secondary-support-7-x-225-cm-2-34-x-8-78-in-image240381051.htmlRMRY28DF–Combats and Triumphs, probably 1560s. Etienne Delaune (French, 1518/19-c. 1583). Engraving; image: 6.5 x 21.9 cm (2 9/16 x 8 5/8 in.); secondary support: 7 x 22.5 cm (2 3/4 x 8 7/8 in
Search Results for 1560s Stock Photos and Images (1,032)
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