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1441 42 Stock Photos and Images
The Nativity. Artist: Jacopo del Sellaio (Italian, Florence 1441/42-1493 Florence). Dimensions: Arched top, 41 x 27 in. (104.1 x 68.6 cm). Date: late 1480s. According to the biographer Giorgio Vasari, Sellaio was a pupil of Filippo Lippi, and several features of the present painting, such as the rays surrounding the Christ Child, are also common to Lippi's paintings of the same subject. The tree stumps in the landscape are a reference to Matthew 3:10 ('And now also the axe is laid unto the root of the trees: therefore every tree which bringeth not forth good fruit is hewn down, and cast into Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-nativity-artist-jacopo-del-sellaio-italian-florence-144142-1493-florence-dimensions-arched-top-41-x-27-in-1041-x-686-cm-date-late-1480s-according-to-the-biographer-giorgio-vasari-sellaio-was-a-pupil-of-filippo-lippi-and-several-features-of-the-present-painting-such-as-the-rays-surrounding-the-christ-child-are-also-common-to-lippis-paintings-of-the-same-subject-the-tree-stumps-in-the-landscape-are-a-reference-to-matthew-310-and-now-also-the-axe-is-laid-unto-the-root-of-the-trees-therefore-every-tree-which-bringeth-not-forth-good-fruit-is-hewn-down-and-cast-into-image212774010.htmlRMPA4KBP–The Nativity. Artist: Jacopo del Sellaio (Italian, Florence 1441/42-1493 Florence). Dimensions: Arched top, 41 x 27 in. (104.1 x 68.6 cm). Date: late 1480s. According to the biographer Giorgio Vasari, Sellaio was a pupil of Filippo Lippi, and several features of the present painting, such as the rays surrounding the Christ Child, are also common to Lippi's paintings of the same subject. The tree stumps in the landscape are a reference to Matthew 3:10 ('And now also the axe is laid unto the root of the trees: therefore every tree which bringeth not forth good fruit is hewn down, and cast into
Saint John the Baptist by the Italian Renaissance artist, Jacopo del Sellaio (1441/42-1493), tempera on canvas, 1485 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-john-the-baptist-by-the-italian-renaissance-artist-jacopo-del-sellaio-144142-1493-tempera-on-canvas-1485-image566466742.htmlRM2RWGP32–Saint John the Baptist by the Italian Renaissance artist, Jacopo del Sellaio (1441/42-1493), tempera on canvas, 1485
. Jacopo del Sallaio (Florentine, 1441/42-1493), Panel with the Story of Cupid and Psyche, 1470s, Tempera on panel, Without frame, 23-¼ x 70', Private collection. 1470s. Jacopo da Sellaio (1441/1442–1493) Alternative names Jacopo di Arcangelo Description Italian painter father of Arcangelo di Jacopo del Sellaio Date of birth/death 1441 or 1442 between 12 November 1493 and 12 December 1493 Location of birth/death Florence Florence Work period from 1472 until 1493 Work location Florence (1472-1493), Milan Authority control : Q2525549 VIAF: 57747885 ISNI: 0000 0000 6688 0953 ULAN: 5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacopo-del-sallaio-florentine-144142-1493-panel-with-the-story-of-cupid-and-psyche-1470s-tempera-on-panel-without-frame-23-x-70-private-collection-1470s-jacopo-da-sellaio-144114421493-alternative-names-jacopo-di-arcangelo-description-italian-painter-father-of-arcangelo-di-jacopo-del-sellaio-date-of-birthdeath-1441-or-1442-between-12-november-1493-and-12-december-1493-location-of-birthdeath-florence-florence-work-period-from-1472-until-1493-work-location-florence-1472-1493-milan-authority-control-q2525549-viaf57747885-isni0000-0000-6688-0953-ulan5-image185793647.htmlRMMP7HKB–. Jacopo del Sallaio (Florentine, 1441/42-1493), Panel with the Story of Cupid and Psyche, 1470s, Tempera on panel, Without frame, 23-¼ x 70', Private collection. 1470s. Jacopo da Sellaio (1441/1442–1493) Alternative names Jacopo di Arcangelo Description Italian painter father of Arcangelo di Jacopo del Sellaio Date of birth/death 1441 or 1442 between 12 November 1493 and 12 December 1493 Location of birth/death Florence Florence Work period from 1472 until 1493 Work location Florence (1472-1493), Milan Authority control : Q2525549 VIAF: 57747885 ISNI: 0000 0000 6688 0953 ULAN: 5
St Peter Martyr 1441-42 by Fra Angelico Frescoes (1438-50) Convent of San Marco - Museo del Convento di San Marco. Florence Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-st-peter-martyr-1441-42-by-fra-angelico-frescoes-1438-50-convent-of-167497551.htmlRMKME4RB–St Peter Martyr 1441-42 by Fra Angelico Frescoes (1438-50) Convent of San Marco - Museo del Convento di San Marco. Florence Italy Italian
Florence. Italy. Museum of San Marco, cell 25, fresco (1441-42) by Fra Angelico and assistants. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florence-italy-museum-of-san-marco-cell-25-fresco-1441-42-by-fra-angelico-93072770.htmlRMFBBR7E–Florence. Italy. Museum of San Marco, cell 25, fresco (1441-42) by Fra Angelico and assistants.
Jacopo del Sellaio Italian (active Florence), 1441-42-1493 -- The Reconciliation of the Romans and Sabines. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacopo-del-sellaio-italian-active-florence-1441-42-1493-the-reconciliation-of-the-romans-and-sabines-image384796725.htmlRM2DA1045–Jacopo del Sellaio Italian (active Florence), 1441-42-1493 -- The Reconciliation of the Romans and Sabines.
Art inspired by The Nativity, late 1480s, Tempera and gold on wood, Arched top, 41 x 27 in. (104.1 x 68.6 cm), Paintings, Jacopo del Sellaio (Italian, Florence 1441/42–1493 Florence), According to the biographer Giorgio Vasari, Sellaio was a pupil of Filippo Lippi, and several features, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-nativity-late-1480s-tempera-and-gold-on-wood-arched-top-41-x-27-in-1041-x-686-cm-paintings-jacopo-del-sellaio-italian-florence-1441421493-florence-according-to-the-biographer-giorgio-vasari-sellaio-was-a-pupil-of-filippo-lippi-and-several-features-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462816942.htmlRF2HTY3ME–Art inspired by The Nativity, late 1480s, Tempera and gold on wood, Arched top, 41 x 27 in. (104.1 x 68.6 cm), Paintings, Jacopo del Sellaio (Italian, Florence 1441/42–1493 Florence), According to the biographer Giorgio Vasari, Sellaio was a pupil of Filippo Lippi, and several features, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Man of Sorrows, by Fra Beato Angelico, Cell 39, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-man-of-sorrows-by-fra-beato-angelico-cell-39-1441-42-convent-of-san-148177916.htmlRMJH22CC–Man of Sorrows, by Fra Beato Angelico, Cell 39, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe
The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting (L) a cupboard containing astrological instruments and books and (R) Faith in an architectural niche, designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-study-of-federigo-da-montefeltro-duke-of-urbino-intarsia-panelling-depicting-l-a-cupboard-containing-astrological-instruments-and-books-and-r-faith-in-an-architectural-niche-designed-by-baccio-pontelli-d1492-15th-century-wood-palazzo-ducale-urbino-italy-out-of-copyright-image469649792.htmlRM2J82B2T–The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting (L) a cupboard containing astrological instruments and books and (R) Faith in an architectural niche, designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright.
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) St Benedict (detail of Crucifixion) 1441-42 Fresco, 550 x 950 cm (full fresco) Convento di San Marco, Florence The main wall of the Chapter Room of the Convent is occupied by a large fresco showing the Crucifixion and saints. The original blue of the background has gone and the red which remaines accentuates the solitary figures which stand out dramatically. The large fresco is in the form of a lunette, with life-size figures. Below, on the right there are eleven saints, one of them St Benedict. *** Keywords: ************ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-st-benedict-detail-of-crucifixion-1441-42-fresco-550-x-950-cm-full-fresco-convento-di-san-marco-florence-the-main-wall-of-the-chapter-room-of-the-convent-is-occupied-by-a-large-fresco-showing-the-crucifixion-and-saints-the-original-blue-of-the-background-has-gone-and-the-red-which-remaines-accentuates-the-solitary-figures-which-stand-out-dramatically-the-large-fresco-is-in-the-form-of-a-lunette-with-life-size-figures-below-on-the-right-there-are-eleven-saints-one-of-them-st-benedict-keywords-image604918236.htmlRF2X44BAM–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) St Benedict (detail of Crucifixion) 1441-42 Fresco, 550 x 950 cm (full fresco) Convento di San Marco, Florence The main wall of the Chapter Room of the Convent is occupied by a large fresco showing the Crucifixion and saints. The original blue of the background has gone and the red which remaines accentuates the solitary figures which stand out dramatically. The large fresco is in the form of a lunette, with life-size figures. Below, on the right there are eleven saints, one of them St Benedict. *** Keywords: ************
Luca Signorelli, Italian, 1441-1523, The Resurrected Christ Appearing to His Disciples, c. 1514, Tempera and oil on wood panel, Unframed: 7 5/16 × 16 3/4 inches (18.6 × 42.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-signorelli-italian-1441-1523-the-resurrected-christ-appearing-to-his-disciples-c-1514-tempera-and-oil-on-wood-panel-unframed-7-516-16-34-inches-186-425-cm-image328719187.htmlRM2A2PCJY–Luca Signorelli, Italian, 1441-1523, The Resurrected Christ Appearing to His Disciples, c. 1514, Tempera and oil on wood panel, Unframed: 7 5/16 × 16 3/4 inches (18.6 × 42.5 cm
. Sun dials and roses of yesterday; garden delights which are here displayed in every truth and are moreover regarded as emblems . aseemly and a pleasing decoration. Edward IV wasoften called the Rose of Rouen, he having beenborn in that town in 1441-42. He presented him-self in London when nineteen years old and claimedthe English crown. Perhaps the fact that he was the beautifullest prince of his time helped hiswelcome. Agnes Strickland gives one of his coro-nation songs, which begins thus : — **Now is the Rose of Rouen grown to great honour ;Therefore sing wee everyone y-blessed be that flo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sun-dials-and-roses-of-yesterday-garden-delights-which-are-here-displayed-in-every-truth-and-are-moreover-regarded-as-emblems-aseemly-and-a-pleasing-decoration-edward-iv-wasoften-called-the-rose-of-rouen-he-having-beenborn-in-that-town-in-1441-42-he-presented-him-self-in-london-when-nineteen-years-old-and-claimedthe-english-crown-perhaps-the-fact-that-he-was-the-beautifullest-prince-of-his-time-helped-hiswelcome-agnes-strickland-gives-one-of-his-coro-nation-songs-which-begins-thus-now-is-the-rose-of-rouen-grown-to-great-honour-therefore-sing-wee-everyone-y-blessed-be-that-flo-image375589021.htmlRM2CR1FHH–. Sun dials and roses of yesterday; garden delights which are here displayed in every truth and are moreover regarded as emblems . aseemly and a pleasing decoration. Edward IV wasoften called the Rose of Rouen, he having beenborn in that town in 1441-42. He presented him-self in London when nineteen years old and claimedthe English crown. Perhaps the fact that he was the beautifullest prince of his time helped hiswelcome. Agnes Strickland gives one of his coro-nation songs, which begins thus : — **Now is the Rose of Rouen grown to great honour ;Therefore sing wee everyone y-blessed be that flo
Miami Gardens, Florida, USA. 05th Oct, 2019. A group of Virginia Tech Hokies players gather on the field during a timeout during the college football game against the Miami Hurricanes at the Hard Rock Stadium in Miami Gardens, Florida. Virginia Tech won 42-35. Mario Houben/CSM/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miami-gardens-florida-usa-05th-oct-2019-a-group-of-virginia-tech-hokies-players-gather-on-the-field-during-a-timeout-during-the-college-football-game-against-the-miami-hurricanes-at-the-hard-rock-stadium-in-miami-gardens-florida-virginia-tech-won-42-35-mario-houbencsmalamy-live-news-image329074386.htmlRM2A3AHMJ–Miami Gardens, Florida, USA. 05th Oct, 2019. A group of Virginia Tech Hokies players gather on the field during a timeout during the college football game against the Miami Hurricanes at the Hard Rock Stadium in Miami Gardens, Florida. Virginia Tech won 42-35. Mario Houben/CSM/Alamy Live News
Miami Gardens, Florida, USA. 21st Oct, 2018. Miami Dolphins quarterback Brock Osweiler (8) is stopped by Detroit Lions cornerback Teez Tabor (31), bottom, and linebacker Devon Kennard (42), right, during a NFL football game between the Detroit Lions and the Miami Dolphins at the Hard Rock Stadium in Miami Gardens, Florida. Credit: Mario Houben/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miami-gardens-florida-usa-21st-oct-2018-miami-dolphins-quarterback-brock-osweiler-8-is-stopped-by-detroit-lions-cornerback-teez-tabor-31-bottom-and-linebacker-devon-kennard-42-right-during-a-nfl-football-game-between-the-detroit-lions-and-the-miami-dolphins-at-the-hard-rock-stadium-in-miami-gardens-florida-credit-mario-houbenzuma-wirealamy-live-news-image223114497.htmlRMPXYMPW–Miami Gardens, Florida, USA. 21st Oct, 2018. Miami Dolphins quarterback Brock Osweiler (8) is stopped by Detroit Lions cornerback Teez Tabor (31), bottom, and linebacker Devon Kennard (42), right, during a NFL football game between the Detroit Lions and the Miami Dolphins at the Hard Rock Stadium in Miami Gardens, Florida. Credit: Mario Houben/ZUMA Wire/Alamy Live News
West Lafayette, Indiana, USA. 07th Sep, 2019. Purdue wide receiver Rondale Moore (4) catches the ball as Vanderbilt defensive back Cam Watkins (31) defends during NCAA football game action between the Vanderbilt Commodores and the Purdue Boilermakers at Ross-Ade Stadium in West Lafayette, Indiana. Purdue defeated Vanderbilt 42-24. John Mersits/CSM/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/west-lafayette-indiana-usa-07th-sep-2019-purdue-wide-receiver-rondale-moore-4-catches-the-ball-as-vanderbilt-defensive-back-cam-watkins-31-defends-during-ncaa-football-game-action-between-the-vanderbilt-commodores-and-the-purdue-boilermakers-at-ross-ade-stadium-in-west-lafayette-indiana-purdue-defeated-vanderbilt-42-24-john-mersitscsmalamy-live-news-image272503325.htmlRMWR9GNH–West Lafayette, Indiana, USA. 07th Sep, 2019. Purdue wide receiver Rondale Moore (4) catches the ball as Vanderbilt defensive back Cam Watkins (31) defends during NCAA football game action between the Vanderbilt Commodores and the Purdue Boilermakers at Ross-Ade Stadium in West Lafayette, Indiana. Purdue defeated Vanderbilt 42-24. John Mersits/CSM/Alamy Live News
Scenes from the Story of the Argonauts. Artist: Biagio d'Antonio (Italian, Florentine, active by 1472-died 1516). Dimensions: Overall 24 1/8 x 60 3/8 in. (61.3 x 153.4 cm); painted surface 19 5/8 x 56 in. (49.8 x 142.2 cm). In this and its companion panel, the story of Jason and the Argonauts unfolds in a continuous narrative. In the first panel, Jason is charged by King Pelias to retrieve the Golden Fleece. Jason then mounts his horse and consults the centaur Chiron on Mount Pelion together with Hercules and Orpheus. In the distance is Jason's ship, the Argo. In this panel, King Aëetes and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scenes-from-the-story-of-the-argonauts-artist-biagio-dantonio-italian-florentine-active-by-1472-died-1516-dimensions-overall-24-18-x-60-38-in-613-x-1534-cm-painted-surface-19-58-x-56-in-498-x-1422-cm-in-this-and-its-companion-panel-the-story-of-jason-and-the-argonauts-unfolds-in-a-continuous-narrative-in-the-first-panel-jason-is-charged-by-king-pelias-to-retrieve-the-golden-fleece-jason-then-mounts-his-horse-and-consults-the-centaur-chiron-on-mount-pelion-together-with-hercules-and-orpheus-in-the-distance-is-jasons-ship-the-argo-in-this-panel-king-aetes-and-image212936179.htmlRMPAC27F–Scenes from the Story of the Argonauts. Artist: Biagio d'Antonio (Italian, Florentine, active by 1472-died 1516). Dimensions: Overall 24 1/8 x 60 3/8 in. (61.3 x 153.4 cm); painted surface 19 5/8 x 56 in. (49.8 x 142.2 cm). In this and its companion panel, the story of Jason and the Argonauts unfolds in a continuous narrative. In the first panel, Jason is charged by King Pelias to retrieve the Golden Fleece. Jason then mounts his horse and consults the centaur Chiron on Mount Pelion together with Hercules and Orpheus. In the distance is Jason's ship, the Argo. In this panel, King Aëetes and
St Peter Martyr 1441-42 by Fra Angelico Frescoes (1438-50) Convent of San Marco - Museo del Convento di San Marco. Florence Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-st-peter-martyr-1441-42-by-fra-angelico-frescoes-1438-50-convent-of-167497558.htmlRMKME4RJ–St Peter Martyr 1441-42 by Fra Angelico Frescoes (1438-50) Convent of San Marco - Museo del Convento di San Marco. Florence Italy Italian
Florence. Italy. Museum of San Marco, cell 25, fresco (1441-42) by Fra Angelico and assistants. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florence-italy-museum-of-san-marco-cell-25-fresco-1441-42-by-fra-angelico-93072774.htmlRMFBBR7J–Florence. Italy. Museum of San Marco, cell 25, fresco (1441-42) by Fra Angelico and assistants.
Art inspired by Portrait of a Woman, ca. 1480, Tempera on wood, 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm), Paintings, Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome), Some of the most distinguished female portraits produced in Florence in the third, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-woman-ca-1480-tempera-on-wood-19-14-x-13-78-in-489-x-352-cm-paintings-piero-del-pollaiuolo-piero-di-jacopo-benci-italian-florence-144142148596-rome-some-of-the-most-distinguished-female-portraits-produced-in-florence-in-the-third-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025849.htmlRF2HW8J5D–Art inspired by Portrait of a Woman, ca. 1480, Tempera on wood, 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm), Paintings, Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome), Some of the most distinguished female portraits produced in Florence in the third, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Institution of the Eucharist, Cell 35, by Fra Beato Angelico, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-institution-of-the-eucharist-cell-35-by-fra-beato-angelico-1441-42-148177912.htmlRMJH22C8–Institution of the Eucharist, Cell 35, by Fra Beato Angelico, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe
Pieta and Saints by Sellaio, Jacopo del (1441/42-93); Galleria dell'Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pieta-and-saints-by-sellaio-jacopo-del-144142-93-galleria-dellaccademia-museo-degli-strumenti-musicali-florence-tuscany-italy-italian-out-of-copyright-image468942509.htmlRM2J6X4XN–Pieta and Saints by Sellaio, Jacopo del (1441/42-93); Galleria dell'Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright.
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) St Romuald (detail of Crucifixion) 1441-42 Fresco, 550 x 950 cm (full fresco) Convento di San Marco, Florence The main wall of the Chapter Room of the Convent is occupied by a large fresco showing the Crucifixion and saints. The original blue of the background has gone and the red which remaines accentuates the solitary figures which stand out dramatically. The large fresco is in the form of a lunette, with life-size figures. Below, on the right there are eleven saints, one of them St Romuald. *** Keywords: ************* Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-st-romuald-detail-of-crucifixion-1441-42-fresco-550-x-950-cm-full-fresco-convento-di-san-marco-florence-the-main-wall-of-the-chapter-room-of-the-convent-is-occupied-by-a-large-fresco-showing-the-crucifixion-and-saints-the-original-blue-of-the-background-has-gone-and-the-red-which-remaines-accentuates-the-solitary-figures-which-stand-out-dramatically-the-large-fresco-is-in-the-form-of-a-lunette-with-life-size-figures-below-on-the-right-there-are-eleven-saints-one-of-them-st-romuald-keywords-image604918529.htmlRF2X44BN5–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) St Romuald (detail of Crucifixion) 1441-42 Fresco, 550 x 950 cm (full fresco) Convento di San Marco, Florence The main wall of the Chapter Room of the Convent is occupied by a large fresco showing the Crucifixion and saints. The original blue of the background has gone and the red which remaines accentuates the solitary figures which stand out dramatically. The large fresco is in the form of a lunette, with life-size figures. Below, on the right there are eleven saints, one of them St Romuald. *** Keywords: *************
Luca Signorelli, Italian, 1441-1523, The Resurrected Christ Appearing to St. Magdalene, c. 1514, Tempera and oil on wood panel, Unframed: 7 3/8 × 16 11/16 inches (18.7 × 42.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-signorelli-italian-1441-1523-the-resurrected-christ-appearing-to-st-magdalene-c-1514-tempera-and-oil-on-wood-panel-unframed-7-38-16-1116-inches-187-424-cm-image328719164.htmlRM2A2PCJ4–Luca Signorelli, Italian, 1441-1523, The Resurrected Christ Appearing to St. Magdalene, c. 1514, Tempera and oil on wood panel, Unframed: 7 3/8 × 16 11/16 inches (18.7 × 42.4 cm
't Vergulde licht der zee-vaard, : of te konst der stuurliedenZynde een volkomen en klare onderwyzinge der navigatie, bestaande in 't geen een Stuurman hoognodig behoor de te weten . 42- 4 fip-asj*^42- $1159-37!,42- 9 i^;-4i-v42II-69-4(5^. < Ver. br. langte Ver. br. langte Ver. 1 br. langte. Ver. 1 br. langte! rayl.1381 gr, m.!gr. m.51- 589-22 mvl. gr. m. gr. m. myl. gr. m.1501 55-35 gr. m myl. gr. m. gr. m. 1441 53-22 94-48 100-32 1561 57-49 106-36 I3«a 51-11 89-28 1442 53-24 94-54 150a 55-38 100-38 1562 57-51 106.4a 13^3 51-1389-33 1443 53-27 95- 0 1503 55-40 100-44 1563 57-53 106-48 13^4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/t-vergulde-licht-der-zee-vaard-of-te-konst-der-stuurliedenzynde-een-volkomen-en-klare-onderwyzinge-der-navigatie-bestaande-in-t-geen-een-stuurman-hoognodig-behoor-de-te-weten-42-4-fip-asj42-1159-37!42-9-i-4i-v42ii-69-45-lt-ver-br-langte-ver-br-langte-ver-1-br-langte-ver-1-br-langte!-rayl1381-gr-m!gr-m51-589-22-mvl-gr-m-gr-m-myl-gr-m1501-55-35-gr-m-myl-gr-m-gr-m-1441-53-22-94-48-100-32-1561-57-49-106-36-i3a-51-11-89-28-1442-53-24-94-54-150a-55-38-100-38-1562-57-51-1064a-133-51-1389-33-1443-53-27-95-0-1503-55-40-100-44-1563-57-53-106-48-134-image343107432.htmlRM2AX5W0T–'t Vergulde licht der zee-vaard, : of te konst der stuurliedenZynde een volkomen en klare onderwyzinge der navigatie, bestaande in 't geen een Stuurman hoognodig behoor de te weten . 42- 4 fip-asj*^42- $1159-37!,42- 9 i^;-4i-v42II-69-4(5^. < Ver. br. langte Ver. br. langte Ver. 1 br. langte. Ver. 1 br. langte! rayl.1381 gr, m.!gr. m.51- 589-22 mvl. gr. m. gr. m. myl. gr. m.1501 55-35 gr. m myl. gr. m. gr. m. 1441 53-22 94-48 100-32 1561 57-49 106-36 I3«a 51-11 89-28 1442 53-24 94-54 150a 55-38 100-38 1562 57-51 106.4a 13^3 51-1389-33 1443 53-27 95- 0 1503 55-40 100-44 1563 57-53 106-48 13^4
Artist: Jacopo del Sellaio, Italian, Florence, ca. 1441–1498, Virgin and Child with Angels Seated on Clouds, ca. 1485–90, Tempera on panel, 107.8 × 67.3 cm (42 7/16 × 26 1/2 in.), Made in Florence, Italy, Italian, Florence, 15th century, Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-jacopo-del-sellaio-italian-florence-ca-14411498-virgin-and-child-with-angels-seated-onclouds-ca148590-tempera-on-panel-1078-673-cm-42-716-26-12in-made-in-florence-italy-italianflorence-15thcentury-paintings-image393450891.htmlRM2DT36HF–Artist: Jacopo del Sellaio, Italian, Florence, ca. 1441–1498, Virgin and Child with Angels Seated on Clouds, ca. 1485–90, Tempera on panel, 107.8 × 67.3 cm (42 7/16 × 26 1/2 in.), Made in Florence, Italy, Italian, Florence, 15th century, Paintings
Jan van Eyck, (artist), Netherlandish, c. 1390 - 1441, The Annunciation, c. 1434/1436, oil on canvas transferred from panel, painted surface: 90.2 x 34.1 cm (35 1/2 x 13 7/16 in.), support: 92.7 x 36.7 cm (36 1/2 x 14 7/16 in.), framed: 97.31 × 42.23 × 6.99 cm (38 5/16 × 16 5/8 × 2 3/4 in.), The Annunciation described by Saint Luke is interpreted in terms of actuality in this painting, which was probably once the left wing of a triptych. The forms—even that of the archangel—seem to have weight and volume. Light and shadow play over them in a natural way, and with amazing skill, Jan van Eyck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-van-eyck-artist-netherlandish-c-1390-1441-the-annunciation-c-14341436-oil-on-canvas-transferred-from-panel-painted-surface-902-x-341-cm-35-12-x-13-716-in-support-927-x-367-cm-36-12-x-14-716-in-framed-9731-4223-699-cm-38-516-16-58-2-34-in-the-annunciation-described-by-saint-luke-is-interpreted-in-terms-of-actuality-in-this-painting-which-was-probably-once-the-left-wing-of-a-triptych-the-formseven-that-of-the-archangelseem-to-have-weight-and-volume-light-and-shadow-play-over-them-in-a-natural-way-and-with-amazing-skill-jan-van-eyck-image386330142.htmlRM2DCET12–Jan van Eyck, (artist), Netherlandish, c. 1390 - 1441, The Annunciation, c. 1434/1436, oil on canvas transferred from panel, painted surface: 90.2 x 34.1 cm (35 1/2 x 13 7/16 in.), support: 92.7 x 36.7 cm (36 1/2 x 14 7/16 in.), framed: 97.31 × 42.23 × 6.99 cm (38 5/16 × 16 5/8 × 2 3/4 in.), The Annunciation described by Saint Luke is interpreted in terms of actuality in this painting, which was probably once the left wing of a triptych. The forms—even that of the archangel—seem to have weight and volume. Light and shadow play over them in a natural way, and with amazing skill, Jan van Eyck
The Nativity, late 1480s, Tempera and gold on wood, Arched top, 41 x 27 in. (104.1 x 68.6 cm), Paintings, Jacopo del Sellaio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-nativity-late-1480s-tempera-and-gold-on-wood-arched-top-41-x-27-162537528.htmlRMKCC67M–The Nativity, late 1480s, Tempera and gold on wood, Arched top, 41 x 27 in. (104.1 x 68.6 cm), Paintings, Jacopo del Sellaio
Art inspired by Scenes from the Story of the Argonauts, Tempera on wood, gilt ornaments, Overall 24 1/8 x 60 3/8 in. (61.3 x 153.4 cm); painted surface 19 5/8 x 56 in. (49.8 x 142.2 cm), Paintings, Biagio d'Antonio (Italian, Florentine, active by 1472–died 1516), and Jacopo del Sellaio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-scenes-from-the-story-of-the-argonauts-tempera-on-wood-gilt-ornaments-overall-24-18-x-60-38-in-613-x-1534-cm-painted-surface-19-58-x-56-in-498-x-1422-cm-paintings-biagio-dantonio-italian-florentine-active-by-1472died-1516-and-jacopo-del-sellaio-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023960.htmlRF2HW8FP0–Art inspired by Scenes from the Story of the Argonauts, Tempera on wood, gilt ornaments, Overall 24 1/8 x 60 3/8 in. (61.3 x 153.4 cm); painted surface 19 5/8 x 56 in. (49.8 x 142.2 cm), Paintings, Biagio d'Antonio (Italian, Florentine, active by 1472–died 1516), and Jacopo del Sellaio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Nailing of Christ to the Cross, Cell 36, by Fra Beato Angelico, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nailing-of-christ-to-the-cross-cell-36-by-fra-beato-angelico-1441-148177913.htmlRMJH22C9–Nailing of Christ to the Cross, Cell 36, by Fra Beato Angelico, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Crucifixion and Saints 1441-42 Fresco, 550 x 950 cm Convento di San Marco, Florence The giant fresco occupies the entire wall opposite to the entrance of the Chapter Room. The saints depicted are, from the left: Cosmas and Damian, Lawrence, Mark the Evangelist, John the Baptist, the Virgin and the pious women; to the right of the Cricifixion kneeling Dominic, Jerome, Francis, Bernard, John Gualberto and Peter the Martyr, standing Zanobi (or perhaps Ambrose), Augustin, Benedict, Romuald and Thomas of Aquino. Around the fresco, o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-crucifixion-and-saints-1441-42-fresco-550-x-950-cm-convento-di-san-marco-florence-the-giant-fresco-occupies-the-entire-wall-opposite-to-the-entrance-of-the-chapter-room-the-saints-depicted-are-from-the-left-cosmas-and-damian-lawrence-mark-the-evangelist-john-the-baptist-the-virgin-and-the-pious-women-to-the-right-of-the-cricifixion-kneeling-dominic-jerome-francis-bernard-john-gualberto-and-peter-the-martyr-standing-zanobi-or-perhaps-ambrose-augustin-benedict-romuald-and-thomas-of-aquino-around-the-fresco-o-image604917979.htmlRF2X44B1F–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Crucifixion and Saints 1441-42 Fresco, 550 x 950 cm Convento di San Marco, Florence The giant fresco occupies the entire wall opposite to the entrance of the Chapter Room. The saints depicted are, from the left: Cosmas and Damian, Lawrence, Mark the Evangelist, John the Baptist, the Virgin and the pious women; to the right of the Cricifixion kneeling Dominic, Jerome, Francis, Bernard, John Gualberto and Peter the Martyr, standing Zanobi (or perhaps Ambrose), Augustin, Benedict, Romuald and Thomas of Aquino. Around the fresco, o
![. Proceedings of the ... annual meeting of the Baptist State Convention [serial]. .00 3.11 10.00 1.001.00 7.4510.00 24.4627.00352.3790.3512.1012.3614.50 3.0010.50 5.0037.97 3.00 5.00 2.001.003.86 17.251. 93.9813.091.4022.1411.0078.07 5.00 1.00 15.00 3.00i 3.00] 1.001.00 849.99 37. 1.002. 60 5.005.00 1.003.001.002.96 5.00 6.001.005.00 1.001.00 22.35 33.00 13.31 137.26 40.15 3.183.84 248.35 52.23 42.56 60.40 6.50 39.90 20.00 114.79 9.50 50.85 7.50 336.3942.2050.9261.1441.00 650.01 15.0016.00 40.56 5,319.65 MITCHELL. L. C. Wilson 2958 1296694 27467 207997237 143 171534528 7810S15050658310310063 Stock Photo](https://c8.alamy.com/comp/2AG0DJY/proceedings-of-the-annual-meeting-of-the-baptist-state-convention-serial-00-311-1000-100100-7451000-24462700352379035121012361450-3001050-5003797-300-500-200100386-17251-93981309140221411007807-500-100-1500-300i-300-100100-84999-37-1002-60-500500-100300100296-500-600100500-100100-2235-3300-1331-13726-4015-318384-24835-5223-4256-6040-650-3990-2000-11479-950-5085-750-336394220509261144100-65001-15001600-4056-531965-mitchell-l-c-wilson-2958-1296694-27467-207997237-143-171534528-7810s15050658310310063-2AG0DJY.jpg ". Proceedings of the ... annual meeting of the Baptist State Convention [serial]. .00 3.11 10.00 1.001.00 7.4510.00 24.4627.00352.3790.3512.1012.3614.50 3.0010.50 5.0037.97 3.00 5.00 2.001.003.86 17.251. 93.9813.091.4022.1411.0078.07 5.00 1.00 15.00 3.00i 3.00] 1.001.00 849.99 37. 1.002. 60 5.005.00 1.003.001.002.96 5.00 6.001.005.00 1.001.00 22.35 33.00 13.31 137.26 40.15 3.183.84 248.35 52.23 42.56 60.40 6.50 39.90 20.00 114.79 9.50 50.85 7.50 336.3942.2050.9261.1441.00 650.01 15.0016.00 40.56 5,319.65 MITCHELL. L. C. Wilson 2958 1296694 27467 207997237 143 171534528 7810S15050658310310063 Stock Photo")
. Proceedings of the ... annual meeting of the Baptist State Convention [serial]. .00 3.11 10.00 1.001.00 7.4510.00 24.4627.00352.3790.3512.1012.3614.50 3.0010.50 5.0037.97 3.00 5.00 2.001.003.86 17.251. 93.9813.091.4022.1411.0078.07 5.00 1.00 15.00 3.00i 3.00] 1.001.00 849.99 37. 1.002. 60 5.005.00 1.003.001.002.96 5.00 6.001.005.00 1.001.00 22.35 33.00 13.31 137.26 40.15 3.183.84 248.35 52.23 42.56 60.40 6.50 39.90 20.00 114.79 9.50 50.85 7.50 336.3942.2050.9261.1441.00 650.01 15.0016.00 40.56 5,319.65 MITCHELL. L. C. Wilson 2958 1296694 27467 207997237 143 171534528 7810S15050658310310063 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/proceedings-of-the-annual-meeting-of-the-baptist-state-convention-serial-00-311-1000-100100-7451000-24462700352379035121012361450-3001050-5003797-300-500-200100386-17251-93981309140221411007807-500-100-1500-300i-300-100100-84999-37-1002-60-500500-100300100296-500-600100500-100100-2235-3300-1331-13726-4015-318384-24835-5223-4256-6040-650-3990-2000-11479-950-5085-750-336394220509261144100-65001-15001600-4056-531965-mitchell-l-c-wilson-2958-1296694-27467-207997237-143-171534528-7810s15050658310310063-image336842211.htmlRM2AG0DJY–. Proceedings of the ... annual meeting of the Baptist State Convention [serial]. .00 3.11 10.00 1.001.00 7.4510.00 24.4627.00352.3790.3512.1012.3614.50 3.0010.50 5.0037.97 3.00 5.00 2.001.003.86 17.251. 93.9813.091.4022.1411.0078.07 5.00 1.00 15.00 3.00i 3.00] 1.001.00 849.99 37. 1.002. 60 5.005.00 1.003.001.002.96 5.00 6.001.005.00 1.001.00 22.35 33.00 13.31 137.26 40.15 3.183.84 248.35 52.23 42.56 60.40 6.50 39.90 20.00 114.79 9.50 50.85 7.50 336.3942.2050.9261.1441.00 650.01 15.0016.00 40.56 5,319.65 MITCHELL. L. C. Wilson 2958 1296694 27467 207997237 143 171534528 7810S15050658310310063
Portrait of a Woman, Piero del Pollaiuolo, ca. 1480 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-a-woman-piero-del-pollaiuolo-ca-1480-162559326.htmlRMKCD626–Portrait of a Woman, Piero del Pollaiuolo, ca. 1480
Art inspired by Scenes from the Story of the Argonauts, ca. 1465, Tempera on wood, gilt ornaments, Overall 24 1/8 x 60 1/8 in. (61.3 x 152.7 cm); painted surface 19 5/8 x 56 in. (49.8 x 142.2 cm), Paintings, Biagio d'Antonio (Italian, Florentine, active by 1472–died 1516), and Jacopo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-scenes-from-the-story-of-the-argonauts-ca-1465-tempera-on-wood-gilt-ornaments-overall-24-18-x-60-18-in-613-x-1527-cm-painted-surface-19-58-x-56-in-498-x-1422-cm-paintings-biagio-dantonio-italian-florentine-active-by-1472died-1516-and-jacopo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025379.htmlRF2HW8HGK–Art inspired by Scenes from the Story of the Argonauts, ca. 1465, Tempera on wood, gilt ornaments, Overall 24 1/8 x 60 1/8 in. (61.3 x 152.7 cm); painted surface 19 5/8 x 56 in. (49.8 x 142.2 cm), Paintings, Biagio d'Antonio (Italian, Florentine, active by 1472–died 1516), and Jacopo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christ in Limbo, Cell 31, by Fra Beato Angelico, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christ-in-limbo-cell-31-by-fra-beato-angelico-1441-42-convent-of-san-148174848.htmlRMJH1XET–Christ in Limbo, Cell 31, by Fra Beato Angelico, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe
acopo del Sellaio (Jacopo di Archangelo), Italian (active Florence), 1441/42-1493 -- The Reconciliation of the Romans and Sabines 1485-90 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/acopo-del-sellaio-jacopo-di-archangelo-italian-active-florence-144142-1493-the-reconciliation-of-the-romans-and-sabines-1485-90-image557572746.htmlRF2RB3HMA–acopo del Sellaio (Jacopo di Archangelo), Italian (active Florence), 1441/42-1493 -- The Reconciliation of the Romans and Sabines 1485-90
. The World almanac and encyclopedia. 527 1,306 1,6S9 1,724 2,088 3: 1.610 Lin-ney.Rep. 2 483 922 784 2,047 1,889 321 1,949 1,475 1,269 825 4,4^:7 1,585 2,091 1,724 374 1,143 838 2,547 1,813 1,003 604 398 2,705 2,19: 1,787 1,996 921 4.58 2,617 901 1,836 2,505 2,018 4,103 2,092 3,019 1/51,7021,00:4,5882.3371,9792.3761,1549677927943,2901,3023,2277051.0491,6961,5021,1209411,4601,2684,4034621,2251,3612,1742,4991,4021,1441,2137001,1689736319372,7C:6832.7611,6063,0682,2S83,0012,4321.3269,42, (05 Counties. 2,2921,2086162741,9501,2831,256605939813,8351,1842,3081,707641,2633422,6851,5141,361804611,4691 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-world-almanac-and-encyclopedia-527-1306-16s9-1724-2088-3-1610-lin-neyrep-2-483-922-784-2047-1889-321-1949-1475-1269-825-447-1585-2091-1724-374-1143-838-2547-1813-1003-604-398-2705-219-1787-1996-921-458-2617-901-1836-2505-2018-4103-2092-3019-1517021004588233719792376115496779279432901302322770510491696150211209411460126844034621225136121742499140211441213700116897363193727c68327611606306822s8300124321326942-05-counties-229212086162741950128312566059398138351184230817076412633422685151413618046114691-image370472955.htmlRM2CEME0Y–. The World almanac and encyclopedia. 527 1,306 1,6S9 1,724 2,088 3: 1.610 Lin-ney.Rep. 2 483 922 784 2,047 1,889 321 1,949 1,475 1,269 825 4,4^:7 1,585 2,091 1,724 374 1,143 838 2,547 1,813 1,003 604 398 2,705 2,19: 1,787 1,996 921 4.58 2,617 901 1,836 2,505 2,018 4,103 2,092 3,019 1/51,7021,00:4,5882.3371,9792.3761,1549677927943,2901,3023,2277051.0491,6961,5021,1209411,4601,2684,4034621,2251,3612,1742,4991,4021,1441,2137001,1689736319372,7C:6832.7611,6063,0682,2S83,0012,4321.3269,42, (05 Counties. 2,2921,2086162741,9501,2831,256605939813,8351,1842,3081,707641,2633422,6851,5141,361804611,4691
Scenes from the Story of the Argonauts, Biagio d'Antonio, ca. 1465 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-scenes-from-the-story-of-the-argonauts-biagio-dantonio-ca-1465-162424475.htmlRMKC7223–Scenes from the Story of the Argonauts, Biagio d'Antonio, ca. 1465
Adoration of the Magi, and Man of Sorrows, by Fra Beato Angelico, Cell 39, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-adoration-of-the-magi-and-man-of-sorrows-by-fra-beato-angelico-cell-148177914.htmlRMJH22CA–Adoration of the Magi, and Man of Sorrows, by Fra Beato Angelico, Cell 39, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, Europe
Scenes from the Story of the Argonauts, Biagio d'Antonio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-scenes-from-the-story-of-the-argonauts-biagio-dantonio-162424474.htmlRMKC7222–Scenes from the Story of the Argonauts, Biagio d'Antonio
Crucifixion with the Virgin, Mary Magdalene and St Dominic, Cell 25, by Fra Beato Angelico, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-crucifixion-with-the-virgin-mary-magdalene-and-st-dominic-cell-25-148174835.htmlRMJH1XEB–Crucifixion with the Virgin, Mary Magdalene and St Dominic, Cell 25, by Fra Beato Angelico, 1441-42, Convent of San Marco, Florence, Tuscany, Italy, E
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