Imitator of Jean-Baptiste-Camille Corot, French, 1796–1875, Barnyard Scene, 19th century, Oil on canvas, 13 7/16 x 9 7/16 in. (34.2 x 24 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/imitator-of-jean-baptiste-camille-corot-french-17961875-barnyard-scene-19th-century-oil-on-canvas-13-716-x-9-716-in-342-x-24-cm-image344574163.html
RM2B0GKT3–Imitator of Jean-Baptiste-Camille Corot, French, 1796–1875, Barnyard Scene, 19th century, Oil on canvas, 13 7/16 x 9 7/16 in. (34.2 x 24 cm
Art inspired by Saint Catherine, ca. 1500, North French, Walnut, Overall: 13 7/16 in. (34.2 cm), Sculpture-Wood, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-catherine-ca-1500-north-french-walnut-overall-13-716-in-342-cm-sculpture-wood-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462840606.html
RF2HW05WJ–Art inspired by Saint Catherine, ca. 1500, North French, Walnut, Overall: 13 7/16 in. (34.2 cm), Sculpture-Wood, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Accession Number: 1957.338 Display Artist: Utagawa Hiroshige II Display Title: Ochanomizu Translation(s): Ochanomizu; Ocha no mizu enneig Series Title: Views of Noted Places in Edo Suite Name: Edo meisho zue Creation Date: 1861 Medium: Woodblock Height: 13 7/16 in. Width: 9 1/8 in. Display Dimensions: 13 7/16 in. x 9 1/8 in. (34.13 cm x 23.18 cm) Publisher: Fujiokaya Keijiro Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'Duplicate of foregoing print in slightly different printingHiroshiges follower, who took on the art name of Hiroshige II, was hired by publishers in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-1957338-display-artist-utagawa-hiroshige-ii-display-title-ochanomizu-translations-ochanomizu-ocha-no-mizu-enneig-series-title-views-of-noted-places-in-edo-suite-name-edo-meisho-zue-creation-date-1861-medium-woodblock-height-13-716-in-width-9-18-in-display-dimensions-13-716-in-x-9-18-in-3413-cm-x-2318-cm-publisher-fujiokaya-keijiro-credit-line-bequest-of-mrs-cora-timken-burnett-label-copy-duplicate-of-foregoing-print-in-slightly-different-printinghiroshiges-follower-who-took-on-the-art-name-of-hiroshige-ii-was-hired-by-publishers-in-image185820347.html
RMMP8RMY–. English: Accession Number: 1957.338 Display Artist: Utagawa Hiroshige II Display Title: Ochanomizu Translation(s): Ochanomizu; Ocha no mizu enneig Series Title: Views of Noted Places in Edo Suite Name: Edo meisho zue Creation Date: 1861 Medium: Woodblock Height: 13 7/16 in. Width: 9 1/8 in. Display Dimensions: 13 7/16 in. x 9 1/8 in. (34.13 cm x 23.18 cm) Publisher: Fujiokaya Keijiro Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'Duplicate of foregoing print in slightly different printingHiroshiges follower, who took on the art name of Hiroshige II, was hired by publishers in
he Belles Heures of Jean de France, duc de Berry. Artist: The Limbourg Brothers (Franco-Netherlandish, active France, by 1399-1416). Culture: French. Dimensions: Single leaf, Overall: 9 3/8 x 6 11/16 in. (23.8 x 17 cm); Double leaf, Overall: 9 3/8 x 13 7/16 in. (23.8 x 34.1 cm). Date: 1405-1408/1409. Technique/material: Tempera, gold, and ink on vellum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/he-belles-heures-of-jean-de-france-duc-de-berry-artist-the-limbourg-brothers-franco-netherlandish-active-france-by-1399-1416-culture-french-dimensions-single-leaf-overall-9-38-x-6-1116-in-238-x-17-cm-double-leaf-overall-9-38-x-13-716-in-238-x-341-cm-date-1405-14081409-techniquematerial-tempera-gold-and-ink-on-vellum-image490446155.html
RM2KDWN23–he Belles Heures of Jean de France, duc de Berry. Artist: The Limbourg Brothers (Franco-Netherlandish, active France, by 1399-1416). Culture: French. Dimensions: Single leaf, Overall: 9 3/8 x 6 11/16 in. (23.8 x 17 cm); Double leaf, Overall: 9 3/8 x 13 7/16 in. (23.8 x 34.1 cm). Date: 1405-1408/1409. Technique/material: Tempera, gold, and ink on vellum
Handkerchief, early 1800s. France, early 19th century. Embroidery: linen; overall: 34.2 x 34.2 cm (13 7/16 x 13 7/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handkerchief-early-1800s-france-early-19th-century-embroidery-linen-overall-342-x-342-cm-13-716-x-13-716-in-image448077915.html
RM2H0YKXK–Handkerchief, early 1800s. France, early 19th century. Embroidery: linen; overall: 34.2 x 34.2 cm (13 7/16 x 13 7/16 in.).
Drawing, Mount Chimborazo; Frederic Edwin Church (American, 1826–1900); Ecuador; brush and oil paint, traces of graphite on paperboard; 34.2 × 52.2 cm (13 7/16 × 20 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-mount-chimborazo-frederic-edwin-church-american-18261900-ecuador-brush-and-oil-paint-traces-of-graphite-on-paperboard-342-522-cm-13-716-20-916-in-image546219589.html
RM2PMJCJD–Drawing, Mount Chimborazo; Frederic Edwin Church (American, 1826–1900); Ecuador; brush and oil paint, traces of graphite on paperboard; 34.2 × 52.2 cm (13 7/16 × 20 9/16 in.)
Antalya, TURKEY - June 7, 2022. iPhone 13 Pro with new iOS 16 screen, the next operating system for Apple's smartphones will be released Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antalya-turkey-june-7-2022-iphone-13-pro-with-new-ios-16-screen-the-next-operating-system-for-apples-smartphones-will-be-released-image471859344.html
RF2JBK1BC–Antalya, TURKEY - June 7, 2022. iPhone 13 Pro with new iOS 16 screen, the next operating system for Apple's smartphones will be released
Petrus Camper discussing a paper on the hawk, from Life of John Hunter by Jesse Foote, 1794. Petrus Camper (May 11, 1722 - April 7, 1789) was a Dutch physician, anatomist, physiologist, midwife, zoologist, anthropologist, paleontologist and a naturalist. John Hunter (February 13, 1728 - October 16, 1793) was a Scottish surgeon. He was an early advocate of careful observation, scientific method in medicine, and an excellent anatomist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/petrus-camper-discussing-a-paper-on-the-hawk-from-life-of-john-hunter-by-jesse-foote-1794-petrus-camper-may-11-1722-april-7-1789-was-a-dutch-physician-anatomist-physiologist-midwife-zoologist-anthropologist-paleontologist-and-a-naturalist-john-hunter-february-13-1728-october-16-1793-was-a-scottish-surgeon-he-was-an-early-advocate-of-careful-observation-scientific-method-in-medicine-and-an-excellent-anatomist-image246621250.html
RMT96FWP–Petrus Camper discussing a paper on the hawk, from Life of John Hunter by Jesse Foote, 1794. Petrus Camper (May 11, 1722 - April 7, 1789) was a Dutch physician, anatomist, physiologist, midwife, zoologist, anthropologist, paleontologist and a naturalist. John Hunter (February 13, 1728 - October 16, 1793) was a Scottish surgeon. He was an early advocate of careful observation, scientific method in medicine, and an excellent anatomist.
Crucifixion, also called Christ MET DP834405 Crucifixion, also called Christ MET DP834405 /383166 Artist: ?mile Bernard, French, Lille 1868?1941 Paris, Crucifixion, also called Christ, January?March 1894, Woodcut on heavy, cream laid paper, Image: 13 3/4 ? 5 3/4 in. (35 ? 14.6 cm) Sheet: 18 13/16 ? 13 7/16 in. (47.8 ? 34.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.82.1-42) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-crucifixion-also-called-christ-met-dp834405-crucifixion-also-called-168039529.html
RMKNAT3N–Crucifixion, also called Christ MET DP834405 Crucifixion, also called Christ MET DP834405 /383166 Artist: ?mile Bernard, French, Lille 1868?1941 Paris, Crucifixion, also called Christ, January?March 1894, Woodcut on heavy, cream laid paper, Image: 13 3/4 ? 5 3/4 in. (35 ? 14.6 cm) Sheet: 18 13/16 ? 13 7/16 in. (47.8 ? 34.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.82.1-42)
HMS Challenger: When she was fitted out for special service in 1872, she carried over 16,000 square feet of sails. On the original plan is a superimposed key. 1. fore-sail. 2. fore topsail. 3. fore topgallant. 4. fore royal. 5. main sail. 6. main topsail. 7. main topgallant. 8. main royal. 9. mizen topsail. 10. mizen gallant. 11. mizen royal. 12. flying job. 13. outer jib. 14. inner job. 15. fore topmast staysail. 16. main topmast staysail. 17. mizen staysail. 18. spanker. Not all the fore and aft sails are shown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hms-challenger-when-she-was-fitted-out-for-special-service-in-1872-she-carried-over-16000-square-feet-of-sails-on-the-original-plan-is-a-superimposed-key-1-fore-sail-2-fore-topsail-3-fore-topgallant-4-fore-royal-5-main-sail-6-main-topsail-7-main-topgallant-8-main-royal-9-mizen-topsail-10-mizen-gallant-11-mizen-royal-12-flying-job-13-outer-jib-14-inner-job-15-fore-topmast-staysail-16-main-topmast-staysail-17-mizen-staysail-18-spanker-not-all-the-fore-and-aft-sails-are-shown-image268807634.html
RMWH96TJ–HMS Challenger: When she was fitted out for special service in 1872, she carried over 16,000 square feet of sails. On the original plan is a superimposed key. 1. fore-sail. 2. fore topsail. 3. fore topgallant. 4. fore royal. 5. main sail. 6. main topsail. 7. main topgallant. 8. main royal. 9. mizen topsail. 10. mizen gallant. 11. mizen royal. 12. flying job. 13. outer jib. 14. inner job. 15. fore topmast staysail. 16. main topmast staysail. 17. mizen staysail. 18. spanker. Not all the fore and aft sails are shown.
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435594.html
RMR97KCA–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Arm ornaments, Egyptian (1), Roman (2-5), Celtic (7-13), Band of Diana of Poitiers (14), Spanish (15), Venetian (16), Renaissance style (17) / Armschmuck, ägyptisch (1), römisch (2-5), keltisch (7-13), Band der Diana von Poitiers (14), spanisch (15), venezianisch (16), Renaissancestil (17), Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arm-ornaments-egyptian-1-roman-2-5-celtic-7-13-band-of-diana-of-poitiers-14-spanish-15-venetian-16-renaissance-style-17-armschmuck-gyptisch-1-rmisch-2-5-keltisch-7-13-band-der-diana-von-poitiers-14-spanisch-15-venezianisch-16-renaissancestil-17-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image390034458.html
RF2DJFGX2–Arm ornaments, Egyptian (1), Roman (2-5), Celtic (7-13), Band of Diana of Poitiers (14), Spanish (15), Venetian (16), Renaissance style (17) / Armschmuck, ägyptisch (1), römisch (2-5), keltisch (7-13), Band der Diana von Poitiers (14), spanisch (15), venezianisch (16), Renaissancestil (17), Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
architecture, towers, comparison of the hightest towers, wood engraving, circa 1890, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-architecture-towers-comparison-of-the-hightest-towers-wood-engraving-20726866.html
RMB5M596–architecture, towers, comparison of the hightest towers, wood engraving, circa 1890,
Siblings On A Couch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-siblings-on-a-couch-29703691.html
RFBM93A3–Siblings On A Couch
Paul and Virginia; Julia Margaret Cameron, British, born India, 1815 - 1879; Freshwater, England, Europe; 1864; Albumen silver print; Image: 25.4 x 19.8 cm (10 x 7 13/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paul-and-virginia-julia-margaret-cameron-british-born-india-1815-1879-76531045.html
RMECE83H–Paul and Virginia; Julia Margaret Cameron, British, born India, 1815 - 1879; Freshwater, England, Europe; 1864; Albumen silver print; Image: 25.4 x 19.8 cm (10 x 7 13/16 in.)
Portrait of General Napoleon Bonaparte, Charles Howard Hodges, British, 1764-1837, Mezzotint on laid paper, 18 7/16 x 13 7/16 in., 46.9 x 34.2 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-general-napoleon-bonaparte-charles-howard-hodges-british-1764-1837-mezzotint-on-laid-paper-18-716-x-13-716-in-469-x-342-cm-image454283243.html
RM2HB2AWF–Portrait of General Napoleon Bonaparte, Charles Howard Hodges, British, 1764-1837, Mezzotint on laid paper, 18 7/16 x 13 7/16 in., 46.9 x 34.2 cm
Inspired by Portrait of General Napoleon Bonaparte, Charles Howard Hodges, British, 1764-1837, Mezzotint on laid paper, 18 7/16 x 13 7/16 in., 46.9 x 34.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-portrait-of-general-napoleon-bonaparte-charles-howard-hodges-british-1764-1837-mezzotint-on-laid-paper-18-716-x-13-716-in-469-x-342-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264352.html
RF2HK58A8–Inspired by Portrait of General Napoleon Bonaparte, Charles Howard Hodges, British, 1764-1837, Mezzotint on laid paper, 18 7/16 x 13 7/16 in., 46.9 x 34.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: Display Artist: Wajid Creation Date: ca. 1725 Display Dimensions: 13 7/16 in. x 11 7/32 in. (34.1 cm x 28.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.880 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:32. English: thesandiegomuseumofartcollection 775 Krishna and Radha in a bower (6124518769) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-display-artist-wajid-creation-date-ca-1725-display-dimensions-13-716-in-x-11-732-in-341-cm-x-285-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990880-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140732-english-thesandiegomuseumofartcollection-775-krishna-and-radha-in-a-bower-6124518769-image185706213.html
RMMP3J4N–. English: Display Artist: Wajid Creation Date: ca. 1725 Display Dimensions: 13 7/16 in. x 11 7/32 in. (34.1 cm x 28.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.880 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:32. English: thesandiegomuseumofartcollection 775 Krishna and Radha in a bower (6124518769)
Theatrical Male Character with Sword Unknown.. Woodblock color print, mat: 13 7/16 x 9 1/16 in. (34.1 x 23 cm). Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theatrical-male-character-with-sword-unknown-woodblock-color-print-mat-13-716-x-9-116-in-341-x-23-cm-asian-art-image504727159.html
RM2M948HY–Theatrical Male Character with Sword Unknown.. Woodblock color print, mat: 13 7/16 x 9 1/16 in. (34.1 x 23 cm). Asian Art
Drawing, Designs for Three Chairs; Attributed to Jean Démosthène Dugourc (French, 1749–1825), Henri Jacob (1753–1824), Georges Jacob (French, 1739–1814); Germany; pen and brown ink, brush and wash, graphite on white laid paper; 21.5 x 34.2 cm (8 7/16 x 13 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-designs-for-three-chairs-attributed-to-jean-dmosthne-dugourc-french-17491825-henri-jacob-17531824-georges-jacob-french-17391814-germany-pen-and-brown-ink-brush-and-wash-graphite-on-white-laid-paper-215-x-342-cm-8-716-x-13-716-in-image546084181.html
RM2PMC7XD–Drawing, Designs for Three Chairs; Attributed to Jean Démosthène Dugourc (French, 1749–1825), Henri Jacob (1753–1824), Georges Jacob (French, 1739–1814); Germany; pen and brown ink, brush and wash, graphite on white laid paper; 21.5 x 34.2 cm (8 7/16 x 13 7/16 in.)
Antalya, TURKEY - June 7, 2022. iPhone 13 Pro screen with new iOS 16 logo, the next operating system for Apple's smartphones will be released Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antalya-turkey-june-7-2022-iphone-13-pro-screen-with-new-ios-16-logo-the-next-operating-system-for-apples-smartphones-will-be-released-image471859434.html
RF2JBK1EJ–Antalya, TURKEY - June 7, 2022. iPhone 13 Pro screen with new iOS 16 logo, the next operating system for Apple's smartphones will be released
Extraordinary Express Across the Atlantic Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846 MET DP853636 380849 Lithographer: Lithographed and published by Nathaniel Currier, American, Roxbury, Massachusetts 1813?1888 New York, Extraordinary Express Across the Atlantic ? Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846, 1846, Hand-colored lithograph, Image: 8 1/4 x 12 11/16 in. (21 x 32.2 cm) Sheet: 13 7/16 x 18 1/16 in. (34.1 x 45.9 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-extraordinary-express-across-the-atlantic-pilot-boat-william-j-romer-168080320.html
RMKNCM4G–Extraordinary Express Across the Atlantic Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846 MET DP853636 380849 Lithographer: Lithographed and published by Nathaniel Currier, American, Roxbury, Massachusetts 1813?1888 New York, Extraordinary Express Across the Atlantic ? Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846, 1846, Hand-colored lithograph, Image: 8 1/4 x 12 11/16 in. (21 x 32.2 cm) Sheet: 13 7/16 x 18 1/16 in. (34.1 x 45.9 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435585.html
RMR97KC1–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Papst Pius IX., 13. Mai 1792 - 7. Februar 1878, geboren als Giovanni Maria Mastai-Ferretti, regierte als Papst vom 16. Juni 1846 bis zu seinem Tod im Jahr 1878, Reproduktion eines Bildes, Holzschnitt aus dem Jahr 1881, digitalrestauriert, Historisch / Pope Pius IX., 13 May 1792 - 7 February 1878, born Giovanni Maria Mastai-Ferretti, reigned as Pope from 16 June 1846 to his death in 1878, reproduction of an image, woodcut from the year 1881, digital improved, historical Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/papst-pius-ix-13-mai-1792-7-februar-1878-geboren-als-giovanni-maria-mastai-ferretti-regierte-als-papst-vom-16-juni-1846-bis-zu-seinem-tod-im-jahr-1878-reproduktion-eines-bildes-holzschnitt-aus-dem-jahr-1881-digitalrestauriert-historisch-pope-pius-ix-13-may-1792-7-february-1878-born-giovanni-maria-mastai-ferretti-reigned-as-pope-from-16-june-1846-to-his-death-in-1878-reproduction-of-an-image-woodcut-from-the-year-1881-digital-improved-historical-image570887619.html
RF2T4P4YF–Papst Pius IX., 13. Mai 1792 - 7. Februar 1878, geboren als Giovanni Maria Mastai-Ferretti, regierte als Papst vom 16. Juni 1846 bis zu seinem Tod im Jahr 1878, Reproduktion eines Bildes, Holzschnitt aus dem Jahr 1881, digitalrestauriert, Historisch / Pope Pius IX., 13 May 1792 - 7 February 1878, born Giovanni Maria Mastai-Ferretti, reigned as Pope from 16 June 1846 to his death in 1878, reproduction of an image, woodcut from the year 1881, digital improved, historical
Portrait - New York; Paul Strand, American, 1890 - 1976; New York, New York, United States, North America; 1916; Platinum print; Image: 33.3 x 23.7 cm (13 1/8 x 9 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-new-york-paul-strand-american-1890-1976-new-york-new-york-76541905.html
RMECENYD–Portrait - New York; Paul Strand, American, 1890 - 1976; New York, New York, United States, North America; 1916; Platinum print; Image: 33.3 x 23.7 cm (13 1/8 x 9 5/16 in.)
Untitled, Oskar Laske (Czernowitz 1874 - 1951 Vienna), drawing, watercolour, 34.1 x 51 cm (13 7/16 x 20 1/16 in.), l.l. Albertina, M.l. 'SRSE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-oskar-laske-czernowitz-1874-1951-vienna-drawing-watercolour-341-x-51-cm-13-716-x-20-116-in-ll-albertina-ml-srse-image573304264.html
RM2T8M7C8–Untitled, Oskar Laske (Czernowitz 1874 - 1951 Vienna), drawing, watercolour, 34.1 x 51 cm (13 7/16 x 20 1/16 in.), l.l. Albertina, M.l. 'SRSE
Art inspired by Platter, 1750–55, Italian, Florence, Hard-paste porcelain, 13 7/16 × 11 1/8 in. (34.1 × 28.3 cm), Ceramics-Porcelain, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-platter-175055-italian-florence-hard-paste-porcelain-13-716-11-18-in-341-283-cm-ceramics-porcelain-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776012.html
RF2HTW7EM–Art inspired by Platter, 1750–55, Italian, Florence, Hard-paste porcelain, 13 7/16 × 11 1/8 in. (34.1 × 28.3 cm), Ceramics-Porcelain, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Accession Number: 1957.266 Display Artist: Utagawa Hiroshige Display Title: 'Bizen Province, Tanokuchi Coast, Yugasan torii' Translation(s): '(Bizen, Tanokuchikaihin, Yugasan torii) Tanokuchi kaigan yugasan torii' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1853 Medium: Woodblock Height: 13 7/16 in. Width: 8 7/8 in. Display Dimensions: 13 7/16 in. x 8 7/8 in. (34.13 cm x 22.54 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of Series: Rokuju ye Shin. Meisho dzu. ''View of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-1957266-display-artist-utagawa-hiroshige-display-title-bizen-province-tanokuchi-coast-yugasan-torii-translations-bizen-tanokuchikaihin-yugasan-torii-tanokuchi-kaigan-yugasan-torii-series-title-famous-views-of-the-sixty-odd-provinces-suite-name-rokujuyoshu-meisho-zue-creation-date-1853-medium-woodblock-height-13-716-in-width-8-78-in-display-dimensions-13-716-in-x-8-78-in-3413-cm-x-2254-cm-publisher-koshimuraya-heisuke-credit-line-bequest-of-mrs-cora-timken-burnett-label-copy-one-of-series-rokuju-ye-shin-meisho-dzu-view-of-image184778230.html
RMMMHAEE–. English: Accession Number: 1957.266 Display Artist: Utagawa Hiroshige Display Title: 'Bizen Province, Tanokuchi Coast, Yugasan torii' Translation(s): '(Bizen, Tanokuchikaihin, Yugasan torii) Tanokuchi kaigan yugasan torii' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1853 Medium: Woodblock Height: 13 7/16 in. Width: 8 7/8 in. Display Dimensions: 13 7/16 in. x 8 7/8 in. (34.13 cm x 22.54 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of Series: Rokuju ye Shin. Meisho dzu. ''View of
Portrait of General Napoleon Bonaparte Charles Howard Hodges (British, 1764-1837).. Mezzotint on laid paper, 18 7/16 x 13 7/16 in. (46.9 x 34.2 cm). European Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-general-napoleon-bonaparte-charles-howard-hodges-british-1764-1837-mezzotint-on-laid-paper-18-716-x-13-716-in-469-x-342-cm-european-art-image504733369.html
RM2M94GFN–Portrait of General Napoleon Bonaparte Charles Howard Hodges (British, 1764-1837).. Mezzotint on laid paper, 18 7/16 x 13 7/16 in. (46.9 x 34.2 cm). European Art
Drawing, Two Chairs and a Table; Designed by Jean Démosthène Dugourc (French, 1749–1825); Attributed to Georges Jacob (French, 1739–1814), Henri Jacob (1753–1824); France; brush and watercolor, pen and black ink, graphite on white laid paper; 21.3 x 34.1 cm (8 3/8 x 13 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-two-chairs-and-a-table-designed-by-jean-dmosthne-dugourc-french-17491825-attributed-to-georges-jacob-french-17391814-henri-jacob-17531824-france-brush-and-watercolor-pen-and-black-ink-graphite-on-white-laid-paper-213-x-341-cm-8-38-x-13-716-in-image546080126.html
RM2PMC2NJ–Drawing, Two Chairs and a Table; Designed by Jean Démosthène Dugourc (French, 1749–1825); Attributed to Georges Jacob (French, 1739–1814), Henri Jacob (1753–1824); France; brush and watercolor, pen and black ink, graphite on white laid paper; 21.3 x 34.1 cm (8 3/8 x 13 7/16 in.)
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435603.html
RMR97KCK–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Self-portrait with a daguerreotype of Geneva Jean-Gabriel Eynard Swiss 1775 - 1863 about 1847 Daguerreotype hand-colored 1/4 plate Image: 9.7 x 7.3 cm (3 13/16 x 2 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-self-portrait-with-a-daguerreotype-of-geneva-jean-gabriel-eynard-swiss-76530909.html
RMECE7XN–Self-portrait with a daguerreotype of Geneva Jean-Gabriel Eynard Swiss 1775 - 1863 about 1847 Daguerreotype hand-colored 1/4 plate Image: 9.7 x 7.3 cm (3 13/16 x 2 7/8 in.)
Design for an Artistic Object, Dagobert Peche (Sankt Michael im Lungau 1887–1923 Mödling), 1920, drawing, crayon, pencil, 34.2 × 19.5 cm (13 7/16 × 7 11/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-artistic-object-dagobert-peche-sankt-michael-im-lungau-18871923-mdling-1920-drawing-crayon-pencil-342-195-cm-13-716-7-1116-in-image573303057.html
RM2T8M5W5–Design for an Artistic Object, Dagobert Peche (Sankt Michael im Lungau 1887–1923 Mödling), 1920, drawing, crayon, pencil, 34.2 × 19.5 cm (13 7/16 × 7 11/16 in
Art inspired by Papyrus, 7th century, Made in Byzantine Egypt, Coptic, Papyrus and ink, Overall: 5 13/16 x 13 7/16 in. (14.8 x 34.1 cm), Papyrus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-papyrus-7th-century-made-in-byzantine-egypt-coptic-papyrus-and-ink-overall-5-1316-x-13-716-in-148-x-341-cm-papyrus-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462842438.html
RF2HW0872–Art inspired by Papyrus, 7th century, Made in Byzantine Egypt, Coptic, Papyrus and ink, Overall: 5 13/16 x 13 7/16 in. (14.8 x 34.1 cm), Papyrus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Accession Number: 1957.272 Display Artist: Utagawa Hiroshige Display Title: 'Iki Province, Shisa' Translation(s): '(Iki, Shisa)Shisaku' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1856 Medium: Woodblock Height: 13 7/16 in. Width: 8 13/16 in. Display Dimensions: 13 7/16 in. x 8 13/16 in. (34.13 cm x 22.38 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Collection: The San Diego Museum of Art . 20 December 2007, 13:38:39. English: thesandiegomuseumofartcollection Iki Province, Shisa (57653 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-1957272-display-artist-utagawa-hiroshige-display-title-iki-province-shisa-translations-iki-shisashisaku-series-title-famous-views-of-the-sixty-odd-provinces-suite-name-rokujuyoshu-meisho-zue-creation-date-1856-medium-woodblock-height-13-716-in-width-8-1316-in-display-dimensions-13-716-in-x-8-1316-in-3413-cm-x-2238-cm-publisher-koshimuraya-heisuke-credit-line-bequest-of-mrs-cora-timken-burnett-collection-the-san-diego-museum-of-art-20-december-2007-133839-english-thesandiegomuseumofartcollection-iki-province-shisa-57653-image184778103.html
RMMMHA9Y–. English: Accession Number: 1957.272 Display Artist: Utagawa Hiroshige Display Title: 'Iki Province, Shisa' Translation(s): '(Iki, Shisa)Shisaku' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1856 Medium: Woodblock Height: 13 7/16 in. Width: 8 13/16 in. Display Dimensions: 13 7/16 in. x 8 13/16 in. (34.13 cm x 22.38 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Collection: The San Diego Museum of Art . 20 December 2007, 13:38:39. English: thesandiegomuseumofartcollection Iki Province, Shisa (57653
Tête de Jeune Fille, 1824- 1898. Pierre Puvis de Chavannes (French, 1824-1898). Lithograph; print size: 47.3 x 34.1 cm (18 5/8 x 13 7/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tte-de-jeune-fille-1824-1898-pierre-puvis-de-chavannes-french-1824-1898-lithograph-print-size-473-x-341-cm-18-58-x-13-716-in-image448081777.html
RM2H0YTTH–Tête de Jeune Fille, 1824- 1898. Pierre Puvis de Chavannes (French, 1824-1898). Lithograph; print size: 47.3 x 34.1 cm (18 5/8 x 13 7/16 in.).
Drawing, Designs for Three Chairs; Designed by Jean Démosthène Dugourc (French, 1749–1825); Attributed to Henri Jacob (1753–1824), Georges Jacob (French, 1739–1814); Germany; pen and brown ink, brush and wash, graphite on white laid paper; 21.5 x 34.2 cm (8 7/16 x 13 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-designs-for-three-chairs-designed-by-jean-dmosthne-dugourc-french-17491825-attributed-to-henri-jacob-17531824-georges-jacob-french-17391814-germany-pen-and-brown-ink-brush-and-wash-graphite-on-white-laid-paper-215-x-342-cm-8-716-x-13-716-in-image546082460.html
RM2PMC5N0–Drawing, Designs for Three Chairs; Designed by Jean Démosthène Dugourc (French, 1749–1825); Attributed to Henri Jacob (1753–1824), Georges Jacob (French, 1739–1814); Germany; pen and brown ink, brush and wash, graphite on white laid paper; 21.5 x 34.2 cm (8 7/16 x 13 7/16 in.)
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435596.html
RMR97KCC–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Portrait of a Jewelry Salesman; Attributed to Robert H. Vance, American, 1825 - 1876; 1853 - 1854; Daguerreotype, hand-colored; 1/6 plate, Image: 7.1 x 5.9 cm (2 13/16 x 2 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-a-jewelry-salesman-attributed-to-robert-h-vance-american-76541897.html
RMECENY5–Portrait of a Jewelry Salesman; Attributed to Robert H. Vance, American, 1825 - 1876; 1853 - 1854; Daguerreotype, hand-colored; 1/6 plate, Image: 7.1 x 5.9 cm (2 13/16 x 2 5/16 in.)
House of the Hungarian Chancellor Count Erdoedy in Vienna, Xavier Laurent, drawing, pencil; pencil framing line, 34.1 x 50.1 cm (13 7/16 x 19 3/4 in.), l.l. Duke Albert of Saxe-Teschen, passe-partout: on Albert mount 'Xavier Laurent', 'La Vue de la Maison du Comte Erödy à Vienne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/house-of-the-hungarian-chancellor-count-erdoedy-in-vienna-xavier-laurent-drawing-pencil-pencil-framing-line-341-x-501-cm-13-716-x-19-34-in-ll-duke-albert-of-saxe-teschen-passe-partout-on-albert-mount-xavier-laurent-la-vue-de-la-maison-du-comte-erdy-vienne-image573316613.html
RM2T8MR59–House of the Hungarian Chancellor Count Erdoedy in Vienna, Xavier Laurent, drawing, pencil; pencil framing line, 34.1 x 50.1 cm (13 7/16 x 19 3/4 in.), l.l. Duke Albert of Saxe-Teschen, passe-partout: on Albert mount 'Xavier Laurent', 'La Vue de la Maison du Comte Erödy à Vienne
Art inspired by Portal of a Venetian Palace, 1839–1911, Watercolor, 13 7/16 x 10 3/16in. (34.1 x 25.9cm), Drawings, Daniele Bucciarelli (Italian, Rome 1839–1911 Velletri, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portal-of-a-venetian-palace-18391911-watercolor-13-716-x-10-316in-341-x-259cm-drawings-daniele-bucciarelli-italian-rome-18391911-velletri-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950991.html
RF2HW56KY–Art inspired by Portal of a Venetian Palace, 1839–1911, Watercolor, 13 7/16 x 10 3/16in. (34.1 x 25.9cm), Drawings, Daniele Bucciarelli (Italian, Rome 1839–1911 Velletri, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Accession Number: 1957.298 Display Artist: Utagawa Hiroshige Display Title: 'Ise Province, Mount Asama, Teahouses on the Mountain Pass' Translation(s): '(Ise, Asamayama, Toge no chaya)' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1853 Medium: Woodblock Height: 13 7/16 in. Width: 9 1/4 in. Display Dimensions: 13 7/16 in. x 9 1/4 in. (34.13 cm x 23.5 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of Series: Rokuju ye Shin. Meisho dzu. ''Views of 60 or More Provinces''. Pub Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-1957298-display-artist-utagawa-hiroshige-display-title-ise-province-mount-asama-teahouses-on-the-mountain-pass-translations-ise-asamayama-toge-no-chaya-series-title-famous-views-of-the-sixty-odd-provinces-suite-name-rokujuyoshu-meisho-zue-creation-date-1853-medium-woodblock-height-13-716-in-width-9-14-in-display-dimensions-13-716-in-x-9-14-in-3413-cm-x-235-cm-publisher-koshimuraya-heisuke-credit-line-bequest-of-mrs-cora-timken-burnett-label-copy-one-of-series-rokuju-ye-shin-meisho-dzu-views-of-60-or-more-provinces-pub-image185848207.html
RMMPA37Y–. English: Accession Number: 1957.298 Display Artist: Utagawa Hiroshige Display Title: 'Ise Province, Mount Asama, Teahouses on the Mountain Pass' Translation(s): '(Ise, Asamayama, Toge no chaya)' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1853 Medium: Woodblock Height: 13 7/16 in. Width: 9 1/4 in. Display Dimensions: 13 7/16 in. x 9 1/4 in. (34.13 cm x 23.5 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of Series: Rokuju ye Shin. Meisho dzu. ''Views of 60 or More Provinces''. Pub
Fragment of a Shawl Border, 1815-1825. India, Kashmir ?, 19th century. Tapestry twill; wool and silk; overall: 34.1 x 38.7 cm (13 7/16 x 15 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-a-shawl-border-1815-1825-india-kashmir-19th-century-tapestry-twill-wool-and-silk-overall-341-x-387-cm-13-716-x-15-14-in-image448079140.html
RM2H0YNEC–Fragment of a Shawl Border, 1815-1825. India, Kashmir ?, 19th century. Tapestry twill; wool and silk; overall: 34.1 x 38.7 cm (13 7/16 x 15 1/4 in.).
Print, Grille, probably from the series 'Héré Plans et Elevations de la Place Royale De Nancy... 1753 A Paris Chéz J.C. François; After Jean Lamour; France; etching on paper; Plate: 55.7 × 34.2 cm (21 15/16 × 13 7/16 in.) Paper: 57 × 39.7 cm (22 7/16 × 15 5/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-grille-probably-from-the-series-hr-plans-et-elevations-de-la-place-royale-de-nancy-1753-a-paris-chz-jc-franois-after-jean-lamour-france-etching-on-paper-plate-557-342-cm-21-1516-13-716-in-paper-57-397-cm-22-716-15-58-in-image546142062.html
RM2PMEWNJ–Print, Grille, probably from the series 'Héré Plans et Elevations de la Place Royale De Nancy... 1753 A Paris Chéz J.C. François; After Jean Lamour; France; etching on paper; Plate: 55.7 × 34.2 cm (21 15/16 × 13 7/16 in.) Paper: 57 × 39.7 cm (22 7/16 × 15 5/8 in.)
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435601.html
RMR97KCH–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Portrait of a Laundress; Unknown maker, French; 1848 - 1850; Daguerreotype, hand-colored; Image: 13.5 x 10 cm (5 5/16 x 3 15/16 in.), Plate (Crudely cut-down whole plate to oval shape): 15.7 x 11.9 cm (6 3/16 x 4 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-a-laundress-unknown-maker-french-1848-1850-daguerreotype-76531013.html
RMECE82D–Portrait of a Laundress; Unknown maker, French; 1848 - 1850; Daguerreotype, hand-colored; Image: 13.5 x 10 cm (5 5/16 x 3 15/16 in.), Plate (Crudely cut-down whole plate to oval shape): 15.7 x 11.9 cm (6 3/16 x 4 11/16 in.)
Der Wei ßKunig, 1775, Woodcuts, 13 7/16 × 9 3/4 × 2 11/16 in. (34.2 × 24.8 × 6.8 cm), Books, Hans Burgkmair (German, Augsburg 14 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-der-wei-kunig-1775-woodcuts-13-716-9-34-2-1116-in-342-248-68-cm-books-162569345.html
Art inspired by John Bull at the Italian Opera, October 2, 1811, Etching, hand colored, Sheet: 13 7/16 × 9 5/8 in. (34.1 × 24.5 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-john-bull-at-the-italian-opera-october-2-1811-etching-hand-colored-sheet-13-716-9-58-in-341-245-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462807994.html
RF2HTXM8X–Art inspired by John Bull at the Italian Opera, October 2, 1811, Etching, hand colored, Sheet: 13 7/16 × 9 5/8 in. (34.1 × 24.5 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Accession Number: 1957.283 Display Artist: Utagawa Hiroshige Display Title: 'Suo Province, Iwakuni, Kintai Bridge' Translation(s): '(Suo, Iwakuni, Kintaikyo)' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1856 Medium: Woodblock Height: 13 7/16 in. Width: 8 7/8 in. Display Dimensions: 13 7/16 in. x 8 7/8 in. (34.13 cm x 22.54 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of Series: Rokuju ye Shin. Meisho dzu. 'View of 60 or More Provinces''. Published by Koshei kei in 1853 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-1957283-display-artist-utagawa-hiroshige-display-title-suo-province-iwakuni-kintai-bridge-translations-suo-iwakuni-kintaikyo-series-title-famous-views-of-the-sixty-odd-provinces-suite-name-rokujuyoshu-meisho-zue-creation-date-1856-medium-woodblock-height-13-716-in-width-8-78-in-display-dimensions-13-716-in-x-8-78-in-3413-cm-x-2254-cm-publisher-koshimuraya-heisuke-credit-line-bequest-of-mrs-cora-timken-burnett-label-copy-one-of-series-rokuju-ye-shin-meisho-dzu-view-of-60-or-more-provinces-published-by-koshei-kei-in-1853-image185848172.html
RMMPA36M–. English: Accession Number: 1957.283 Display Artist: Utagawa Hiroshige Display Title: 'Suo Province, Iwakuni, Kintai Bridge' Translation(s): '(Suo, Iwakuni, Kintaikyo)' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1856 Medium: Woodblock Height: 13 7/16 in. Width: 8 7/8 in. Display Dimensions: 13 7/16 in. x 8 7/8 in. (34.13 cm x 22.54 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of Series: Rokuju ye Shin. Meisho dzu. 'View of 60 or More Provinces''. Published by Koshei kei in 1853
Stele of Hetpet, 1980-1801 BC. Egypt, Middle Kingdom, Dynasty 12. Limestone; overall: 34.2 x 20 x 6 cm (13 7/16 x 7 7/8 x 2 3/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stele-of-hetpet-1980-1801-bc-egypt-middle-kingdom-dynasty-12-limestone-overall-342-x-20-x-6-cm-13-716-x-7-78-x-2-38-in-image448072088.html
RM2H0YCEG–Stele of Hetpet, 1980-1801 BC. Egypt, Middle Kingdom, Dynasty 12. Limestone; overall: 34.2 x 20 x 6 cm (13 7/16 x 7 7/8 x 2 3/8 in.).
Drawing, Design for Two Chairs; Designed by Jean Démosthène Dugourc (French, 1749–1825); Attributed to Georges Jacob (French, 1739–1814), Henri Jacob (1753–1824); Germany; brush and watercolor, pen and black ink, graphite on white laid paper, ruled border in pen and black ink.; 21.2 x 34.1 cm (8 3/8 x 13 7/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-two-chairs-designed-by-jean-dmosthne-dugourc-french-17491825-attributed-to-georges-jacob-french-17391814-henri-jacob-17531824-germany-brush-and-watercolor-pen-and-black-ink-graphite-on-white-laid-paper-ruled-border-in-pen-and-black-ink-212-x-341-cm-8-38-x-13-716-in-mat-356-x-457-cm-14-x-18-in-image546125017.html
RM2PME40W–Drawing, Design for Two Chairs; Designed by Jean Démosthène Dugourc (French, 1749–1825); Attributed to Georges Jacob (French, 1739–1814), Henri Jacob (1753–1824); Germany; brush and watercolor, pen and black ink, graphite on white laid paper, ruled border in pen and black ink.; 21.2 x 34.1 cm (8 3/8 x 13 7/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435581.html
RMR97KBW–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
John Wilkes, Esq., May 16, 1763, Etching and engraving; first state of two, sheet: 13 7/16 x 8 11/16 in. (34.2 x 22 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-john-wilkes-esq-may-16-1763-etching-and-engraving-first-state-of-two-162515243.html
RMKCB5RR–John Wilkes, Esq., May 16, 1763, Etching and engraving; first state of two, sheet: 13 7/16 x 8 11/16 in. (34.2 x 22 cm), Prints
Art inspired by Spindle, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Wood and iron, Overall: 13 7/16 x 3 3/16 in. (34.2 x 8.1 cm), Woodwork-Miscellany, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-spindle-580640-made-in-thebes-byzantine-egypt-coptic-wood-and-iron-overall-13-716-x-3-316-in-342-x-81-cm-woodwork-miscellany-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462843118.html
RF2HW093A–Art inspired by Spindle, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Wood and iron, Overall: 13 7/16 x 3 3/16 in. (34.2 x 8.1 cm), Woodwork-Miscellany, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Accession Number: 1957.279 Display Artist: Utagawa Hiroshige Display Title: 'Kazusa Province, Yasashi Bay, Common name: Kujukuri' Translation(s): '(Kazusa, Yasashika ura, Torina Kujukuri) Yasashigaura tsumei kujukuri' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1853 Medium: Woodblock Height: 13 7/16 in. Width: 8 15/16 in. Display Dimensions: 13 7/16 in. x 8 15/16 in. (34.13 cm x 22.7 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of Series: Rokuju ye Shin. Meisho dzu. '' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-1957279-display-artist-utagawa-hiroshige-display-title-kazusa-province-yasashi-bay-common-name-kujukuri-translations-kazusa-yasashika-ura-torina-kujukuri-yasashigaura-tsumei-kujukuri-series-title-famous-views-of-the-sixty-odd-provinces-suite-name-rokujuyoshu-meisho-zue-creation-date-1853-medium-woodblock-height-13-716-in-width-8-1516-in-display-dimensions-13-716-in-x-8-1516-in-3413-cm-x-227-cm-publisher-koshimuraya-heisuke-credit-line-bequest-of-mrs-cora-timken-burnett-label-copy-one-of-series-rokuju-ye-shin-meisho-dzu-image185823116.html
RMMP8Y7T–. English: Accession Number: 1957.279 Display Artist: Utagawa Hiroshige Display Title: 'Kazusa Province, Yasashi Bay, Common name: Kujukuri' Translation(s): '(Kazusa, Yasashika ura, Torina Kujukuri) Yasashigaura tsumei kujukuri' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1853 Medium: Woodblock Height: 13 7/16 in. Width: 8 15/16 in. Display Dimensions: 13 7/16 in. x 8 15/16 in. (34.13 cm x 22.7 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of Series: Rokuju ye Shin. Meisho dzu. ''
Evening Glow at Seta, from the series Eight Views of Ōmi, 1857. Utagawa Hiroshige (Japanese, 1797-1858). Color woodblock print, ink and color on paper; sheet: 34.2 x 22.5 cm (13 7/16 x 8 7/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/evening-glow-at-seta-from-the-series-eight-views-of-mi-1857-utagawa-hiroshige-japanese-1797-1858-color-woodblock-print-ink-and-color-on-paper-sheet-342-x-225-cm-13-716-x-8-78-in-image448066763.html
RM2H0Y5MB–Evening Glow at Seta, from the series Eight Views of Ōmi, 1857. Utagawa Hiroshige (Japanese, 1797-1858). Color woodblock print, ink and color on paper; sheet: 34.2 x 22.5 cm (13 7/16 x 8 7/8 in.).
Drawing, Design for Three Chairs; Designed by Jean Démosthène Dugourc (French, 1749–1825); Attributed to Georges Jacob (French, 1739–1814), Henri Jacob (1753–1824); France; brush and watercolor, pen and black ink, graphite on white laid paper. ruled borders in pen and black ink.; Sheet: 21.4 x 34.2 cm (8 7/16 x 13 7/16 in.) matted with -135 Mat: 55.9 x 40.6 cm (22 x 16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-three-chairs-designed-by-jean-dmosthne-dugourc-french-17491825-attributed-to-georges-jacob-french-17391814-henri-jacob-17531824-france-brush-and-watercolor-pen-and-black-ink-graphite-on-white-laid-paper-ruled-borders-in-pen-and-black-ink-sheet-214-x-342-cm-8-716-x-13-716-in-matted-with-135-mat-559-x-406-cm-22-x-16-in-image546129142.html
RM2PME986–Drawing, Design for Three Chairs; Designed by Jean Démosthène Dugourc (French, 1749–1825); Attributed to Georges Jacob (French, 1739–1814), Henri Jacob (1753–1824); France; brush and watercolor, pen and black ink, graphite on white laid paper. ruled borders in pen and black ink.; Sheet: 21.4 x 34.2 cm (8 7/16 x 13 7/16 in.) matted with -135 Mat: 55.9 x 40.6 cm (22 x 16 in.)
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435588.html
RMR97KC4–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Saint Catherine, ca. 1500, North French, Walnut, Overall: 13 7/16 in. (34.2 cm), Sculpture-Wood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-saint-catherine-ca-1500-north-french-walnut-overall-13-716-in-342-162400846.html
RMKC5YX6–Saint Catherine, ca. 1500, North French, Walnut, Overall: 13 7/16 in. (34.2 cm), Sculpture-Wood
Art inspired by Venus and Cupid, 1506, Woodcut, Sheet: 13 7/16 × 7 7/8 in. (34.1 × 20 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-venus-and-cupid-1506-woodcut-sheet-13-716-7-78-in-341-20-cm-prints-lucas-cranach-the-elder-german-kronach-14721553-weimar-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462863620.html
RF2HW177G–Art inspired by Venus and Cupid, 1506, Woodcut, Sheet: 13 7/16 × 7 7/8 in. (34.1 × 20 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Accession Number: 1957.339 Display Artist: Utagawa Hiroshige Display Title: 'Bamboo branches, Chinese woman with child, orchid grass' Series Title: Famous Paintings of the Past and Present in the Mirror of Stone Rubbings Suite Name: Kokin meihitsu ishizuri kagami Creation Date: 1830-1832 Medium: Woodblock Height: 13 7/16 in. Width: 9 3/4 in. Display Dimensions: 13 7/16 in. x 9 3/4 in. (34.13 cm x 24.77 cm) Publisher: Izumiya Ichibei Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'In this series of scrapbook prints Hiroshige demonstrated his versatility and skill in dep Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-1957339-display-artist-utagawa-hiroshige-display-title-bamboo-branches-chinese-woman-with-child-orchid-grass-series-title-famous-paintings-of-the-past-and-present-in-the-mirror-of-stone-rubbings-suite-name-kokin-meihitsu-ishizuri-kagami-creation-date-1830-1832-medium-woodblock-height-13-716-in-width-9-34-in-display-dimensions-13-716-in-x-9-34-in-3413-cm-x-2477-cm-publisher-izumiya-ichibei-credit-line-bequest-of-mrs-cora-timken-burnett-label-copy-in-this-series-of-scrapbook-prints-hiroshige-demonstrated-his-versatility-and-skill-in-dep-image184775673.html
RMMMH775–. English: Accession Number: 1957.339 Display Artist: Utagawa Hiroshige Display Title: 'Bamboo branches, Chinese woman with child, orchid grass' Series Title: Famous Paintings of the Past and Present in the Mirror of Stone Rubbings Suite Name: Kokin meihitsu ishizuri kagami Creation Date: 1830-1832 Medium: Woodblock Height: 13 7/16 in. Width: 9 3/4 in. Display Dimensions: 13 7/16 in. x 9 3/4 in. (34.13 cm x 24.77 cm) Publisher: Izumiya Ichibei Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'In this series of scrapbook prints Hiroshige demonstrated his versatility and skill in dep
L'Estampe Moderne: Brunnhild, 1899. Gaston Bussiere (French, 1862-1929). Color lithograph; sheet: 40.2 x 30.5 cm (15 13/16 x 12 in.); image: 34.1 x 22.3 cm (13 7/16 x 8 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lestampe-moderne-brunnhild-1899-gaston-bussiere-french-1862-1929-color-lithograph-sheet-402-x-305-cm-15-1316-x-12-in-image-341-x-223-cm-13-716-x-8-34-in-image448075772.html
RM2H0YH64–L'Estampe Moderne: Brunnhild, 1899. Gaston Bussiere (French, 1862-1929). Color lithograph; sheet: 40.2 x 30.5 cm (15 13/16 x 12 in.); image: 34.1 x 22.3 cm (13 7/16 x 8 3/4 in.).
Drawing, Designs for Three Chairs; Attributed to Jean Démosthène Dugourc (French, 1749–1825); Germany; brush and watercolor, pen and black ink, graphite on white laid paper; Sheet: 21.4 x 34.2 cm (8 7/16 x 13 7/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 in. x 19 3/4 in. x 1 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-designs-for-three-chairs-attributed-to-jean-dmosthne-dugourc-french-17491825-germany-brush-and-watercolor-pen-and-black-ink-graphite-on-white-laid-paper-sheet-214-x-342-cm-8-716-x-13-716-in-mat-356-x-457-cm-14-x-18-in-frame-h-x-w-x-d-397-x-502-x-25-cm-15-58-in-x-19-34-in-x-1-in-image546245976.html
RM2PMKJ8T–Drawing, Designs for Three Chairs; Attributed to Jean Démosthène Dugourc (French, 1749–1825); Germany; brush and watercolor, pen and black ink, graphite on white laid paper; Sheet: 21.4 x 34.2 cm (8 7/16 x 13 7/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 in. x 19 3/4 in. x 1 in.)
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435591.html
RMR97KC7–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
La Pucelle d'Orléans, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/16 x 8 7/16 in. (34.2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-la-pucelle-dorlans-1647-engraving-figure-by-rousselet-and-etching-162511666.html
RMKCB182–La Pucelle d'Orléans, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/16 x 8 7/16 in. (34.2
Art inspired by Design for Curtains, 1841–1900, Graphite, sheet: 13 7/16 x 9 3/16 in. (34.1 x 23.3 cm), Charles Hindley and Sons (British, London 1841–1917 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-curtains-18411900-graphite-sheet-13-716-x-9-316-in-341-x-233-cm-charles-hindley-and-sons-british-london-18411917-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462968592.html
RF2HW614G–Art inspired by Design for Curtains, 1841–1900, Graphite, sheet: 13 7/16 x 9 3/16 in. (34.1 x 23.3 cm), Charles Hindley and Sons (British, London 1841–1917 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Exhibit in the Dallas Museum of Art, Dallas, Texas, USA. 7 May 2017, 16:58:13. Daderot 225 Boshisattva Maitreya, India, Gandharan period, 200s-300s AD, gray schist - Dallas Museum of Art - DSC05023 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-exhibit-in-the-dallas-museum-of-art-dallas-texas-usa-7-may-2017-165813-daderot-225-boshisattva-maitreya-india-gandharan-period-200s-300s-ad-gray-schist-dallas-museum-of-art-dsc05023-image209969068.html
RMP5GWK8–N/A. English: Exhibit in the Dallas Museum of Art, Dallas, Texas, USA. 7 May 2017, 16:58:13. Daderot 225 Boshisattva Maitreya, India, Gandharan period, 200s-300s AD, gray schist - Dallas Museum of Art - DSC05023
The Witch's House in Salem. Karl Friedrich Wilhelm Mielatz (American, 1864–1919). Etching; sheet: 34.1 x 2.5 cm (13 7/16 x 1 in.); platemark: 24.5 x 27 cm (9 5/8 x 10 5/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-witchs-house-in-salem-karl-friedrich-wilhelm-mielatz-american-18641919-etching-sheet-341-x-25-cm-13-716-x-1-in-platemark-245-x-27-cm-9-58-x-10-58-in-image573087081.html
RM2T8AABN–The Witch's House in Salem. Karl Friedrich Wilhelm Mielatz (American, 1864–1919). Etching; sheet: 34.1 x 2.5 cm (13 7/16 x 1 in.); platemark: 24.5 x 27 cm (9 5/8 x 10 5/8 in.).
Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs; Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); France; etching printed in red ink on paper; Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-design-for-a-clock-plate-4-from-nouveaux-livre-de-boites-de-pendulles-de-coqs-et-etuys-de-montres-et-autres-necessaire-au-orlogeurs-designed-by-daniel-marot-french-active-in-the-netherlands-and-england-16611752-france-etching-printed-in-red-ink-on-paper-mount-342-x-221-cm-13-716-x-8-1116-in-sheet-298-x-191-cm-11-34-x-7-12-in-platemark-285-x-195-cm-11-14-x-7-1116-in-mat-457-x-356-cm-18-x-14-in-frame-h-x-w-x-d-502-x-397-x-25-cm-19-34-in-x-15-58-in-x-1-in-image546220883.html
RM2PMJE8K–Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs; Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); France; etching printed in red ink on paper; Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.)
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435600.html
RMR97KCG–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Harper's, September, 1895, Commercial relief process and letterpress, Sheet: 13 7/16 × 9 5/16 in. (34.2 × 23.7 cm), Edward Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-harpers-september-1895-commercial-relief-process-and-letterpress-sheet-162496567.html
RMKCAA0R–Harper's, September, 1895, Commercial relief process and letterpress, Sheet: 13 7/16 × 9 5/16 in. (34.2 × 23.7 cm), Edward
Art inspired by Portrait of General Napoleon Bonaparte, Charles Howard Hodges, British, 1764-1837, Mezzotint on laid paper, 18 7/16 x 13 7/16 in., 46.9 x 34.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-general-napoleon-bonaparte-charles-howard-hodges-british-1764-1837-mezzotint-on-laid-paper-18-716-x-13-716-in-469-x-342-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573733.html
RF2HKKAYH–Art inspired by Portrait of General Napoleon Bonaparte, Charles Howard Hodges, British, 1764-1837, Mezzotint on laid paper, 18 7/16 x 13 7/16 in., 46.9 x 34.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Ancient archaeological finds: bracelets with overlaping ends ; ancient Dacia . 23 July 2011, 16:29 (UTC). 7-8-10-11-13-14 .jpg: Römer Floris Ferencz (1815–1889) derivative work: Boldwin (talk) 405 Dacian bracelet type Slimnic2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-ancient-archaeological-finds-bracelets-with-overlaping-ends-ancient-dacia-23-july-2011-1629-utc-7-8-10-11-13-14-jpg-rmer-floris-ferencz-18151889-derivative-work-boldwin-talk-405-dacian-bracelet-type-slimnic2-image209868502.html
RMP5C9BJ–N/A. English: Ancient archaeological finds: bracelets with overlaping ends ; ancient Dacia . 23 July 2011, 16:29 (UTC). 7-8-10-11-13-14 .jpg: Römer Floris Ferencz (1815–1889) derivative work: Boldwin (talk) 405 Dacian bracelet type Slimnic2
Sir Edward Poynter, 1877. Alphonse Legros (French, 1837-1911). Etching; sheet: 34.2 x 23.6 cm (13 7/16 x 9 5/16 in.); platemark: 25.6 x 17.1 cm (10 1/16 x 6 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-edward-poynter-1877-alphonse-legros-french-1837-1911-etching-sheet-342-x-236-cm-13-716-x-9-516-in-platemark-256-x-171-cm-10-116-x-6-34-in-image448075401.html
RM2H0YGMW–Sir Edward Poynter, 1877. Alphonse Legros (French, 1837-1911). Etching; sheet: 34.2 x 23.6 cm (13 7/16 x 9 5/16 in.); platemark: 25.6 x 17.1 cm (10 1/16 x 6 3/4 in.).
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435587.html
RMR97KC3–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Lot's Flight from Sodom, 1582, Engraving, 13 7/16 x 15 3/4 in. (34.2 x 40 cm), Prints, Hendrick Goltzius (Netherlandish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-lots-flight-from-sodom-1582-engraving-13-716-x-15-34-in-342-x-40-cm-162569304.html
RMKCDJPG–Lot's Flight from Sodom, 1582, Engraving, 13 7/16 x 15 3/4 in. (34.2 x 40 cm), Prints, Hendrick Goltzius (Netherlandish
Art inspired by The Surgeon (La Saignée), 1632, Etching and engraving, sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-surgeon-la-saigne-1632-etching-and-engraving-sheet-10-14-x-13-716-in-26-x-342-cm-prints-abraham-bosse-french-tours-160216041676-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808113.html
RF2HTXMD5–Art inspired by The Surgeon (La Saignée), 1632, Etching and engraving, sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Ancient archaeological finds: bracelets with overlaping ends ; ancient Dacia . 23 July 2011, 16:33 (UTC). 7-8-10-11-13-14 .jpg: Römer Floris Ferencz (1815–1889) derivative work: Boldwin (talk) 405 Dacian bracelet type Slimnic4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-ancient-archaeological-finds-bracelets-with-overlaping-ends-ancient-dacia-23-july-2011-1633-utc-7-8-10-11-13-14-jpg-rmer-floris-ferencz-18151889-derivative-work-boldwin-talk-405-dacian-bracelet-type-slimnic4-image209868505.html
RMP5C9BN–N/A. English: Ancient archaeological finds: bracelets with overlaping ends ; ancient Dacia . 23 July 2011, 16:33 (UTC). 7-8-10-11-13-14 .jpg: Römer Floris Ferencz (1815–1889) derivative work: Boldwin (talk) 405 Dacian bracelet type Slimnic4
L'Estampe Moderne: La Romance, 1898. Auguste Roedel (French, 1859-1900). Color lithograph; sheet: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in.); image: 34.2 x 22.6 cm (13 7/16 x 8 7/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lestampe-moderne-la-romance-1898-auguste-roedel-french-1859-1900-color-lithograph-sheet-401-x-304-cm-15-1316-x-11-1516-in-image-342-x-226-cm-13-716-x-8-78-in-image448075779.html
RM2H0YH6B–L'Estampe Moderne: La Romance, 1898. Auguste Roedel (French, 1859-1900). Color lithograph; sheet: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in.); image: 34.2 x 22.6 cm (13 7/16 x 8 7/8 in.).
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435586.html
RMR97KC2–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
Art inspired by Fragment, 5th–6th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 13 7/16 in. high 9 13/16 in. wide (34.2 cm high 25 cm wide), Textiles, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragment-5th6th-century-made-in-egypt-wool-linen-plain-weave-tapestry-weave-13-716-in-high-9-1316-in-wide-342-cm-high-25-cm-wide-textiles-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462817998.html
RF2HTY526–Art inspired by Fragment, 5th–6th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 13 7/16 in. high 9 13/16 in. wide (34.2 cm high 25 cm wide), Textiles, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Ancient archaeological finds: bracelets with overlaping ends ; ancient Dacia Slimnic type according to Dorin Popescu historian . 23 July 2011, 16:25 (UTC). 7-8-10-11-13-14 .jpg: Römer Floris Ferencz (1815–1889) derivative work: Boldwin (talk) 405 Dacian bracelet type Slimnic1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-ancient-archaeological-finds-bracelets-with-overlaping-ends-ancient-dacia-slimnic-type-according-to-dorin-popescu-historian-23-july-2011-1625-utc-7-8-10-11-13-14-jpg-rmer-floris-ferencz-18151889-derivative-work-boldwin-talk-405-dacian-bracelet-type-slimnic1-image209868500.html
RMP5C9BG–N/A. English: Ancient archaeological finds: bracelets with overlaping ends ; ancient Dacia Slimnic type according to Dorin Popescu historian . 23 July 2011, 16:25 (UTC). 7-8-10-11-13-14 .jpg: Römer Floris Ferencz (1815–1889) derivative work: Boldwin (talk) 405 Dacian bracelet type Slimnic1
Monkeys, early 1800s. Mori Sosen (Japanese, 1747-1821). Hanging scroll; ink and light color on silk; painting only: 34.2 x 45.2 cm (13 7/16 x 17 13/16 in.); including mounting: 115.5 x 62.1 cm (45 1/2 x 24 7/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monkeys-early-1800s-mori-sosen-japanese-1747-1821-hanging-scroll-ink-and-light-color-on-silk-painting-only-342-x-452-cm-13-716-x-17-1316-in-including-mounting-1155-x-621-cm-45-12-x-24-716-in-image448069477.html
RM2H0Y959–Monkeys, early 1800s. Mori Sosen (Japanese, 1747-1821). Hanging scroll; ink and light color on silk; painting only: 34.2 x 45.2 cm (13 7/16 x 17 13/16 in.); including mounting: 115.5 x 62.1 cm (45 1/2 x 24 7/16 in.).
Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmes-ptahmose-sacrifice-godimestone-dimensions-110-x-129-x-20-cm-43-516-x-50-1316-x-7-78-in-c-400-kg-period-new-empire-19th-dynasty-ramses-iegypt-egyptian-image229435604.html
RMR97KCM–Ptahmes - Ptahmose sacrifice; godimestone Dimensions: 110 x 129 x 20 cm (43 5/16 x 50 13/16 x 7 7/8 in.); c. 400 kg Period: New Empire; 19th Dynasty; Ramses I.Egypt, Egyptian.
The Surgeon (La Saignée), 1632, Etching and engraving, sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm), Prints, Abraham Bosse (French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-surgeon-la-saigne-1632-etching-and-engraving-sheet-10-14-x-13-162511035.html
RMKCB0DF–The Surgeon (La Saignée), 1632, Etching and engraving, sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm), Prints, Abraham Bosse (French
Art inspired by Peter from Christ, the Apostles and St. Paul, Woodblock and letterpress, Image: 13 7/16 × 8 7/16 in. (34.2 × 21.5 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-peter-from-christ-the-apostles-and-st-paul-woodblock-and-letterpress-image-13-716-8-716-in-342-215-cm-prints-lucas-cranach-the-elder-german-kronach-14721553-weimar-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023738.html
RF2HW8FE2–Art inspired by Peter from Christ, the Apostles and St. Paul, Woodblock and letterpress, Image: 13 7/16 × 8 7/16 in. (34.2 × 21.5 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Ancient archaeological finds: bracelets with overlaping ends ; ancient Dacia They are of Slimnic type according to historian Popescu Dorin (1941) . 23 July 2011, 16:31 (UTC). 7-8-10-11-13-14 .jpg: Römer Floris Ferencz (1815–1889) derivative work: Boldwin (talk) 405 Dacian bracelet type Slimnic3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-ancient-archaeological-finds-bracelets-with-overlaping-ends-ancient-dacia-they-are-of-slimnic-type-according-to-historian-popescu-dorin-1941-23-july-2011-1631-utc-7-8-10-11-13-14-jpg-rmer-floris-ferencz-18151889-derivative-work-boldwin-talk-405-dacian-bracelet-type-slimnic3-image209868504.html
RMP5C9BM–N/A. English: Ancient archaeological finds: bracelets with overlaping ends ; ancient Dacia They are of Slimnic type according to historian Popescu Dorin (1941) . 23 July 2011, 16:31 (UTC). 7-8-10-11-13-14 .jpg: Römer Floris Ferencz (1815–1889) derivative work: Boldwin (talk) 405 Dacian bracelet type Slimnic3
Suite de Paysages: Landscape, Plate 3, Remarque, Bat, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printed by Monrocq Frères, Paris. Color lithograph ; sheet: 65.1 x 50.3 cm (25 5/8 x 19 13/16 in.); image: 41 x 34.2 cm (16 1/8 x 13 7/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suite-de-paysages-landscape-plate-3-remarque-bat-1892-1893-charles-marie-dulac-french-1865-1898-printed-by-monrocq-frres-paris-color-lithograph-sheet-651-x-503-cm-25-58-x-19-1316-in-image-41-x-342-cm-16-18-x-13-716-in-image448064104.html
RM2H0Y29C–Suite de Paysages: Landscape, Plate 3, Remarque, Bat, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printed by Monrocq Frères, Paris. Color lithograph ; sheet: 65.1 x 50.3 cm (25 5/8 x 19 13/16 in.); image: 41 x 34.2 cm (16 1/8 x 13 7/16 in.).
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