Robert Fergusson Scots Poet bronze Statue from the canongate Edinburgh Royal Mile.

Robert Fergusson Scots Poet bronze Statue from the canongate Edinburgh Royal Mile. Stock Photo
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Image details

Contributor:

Tony Smith

Image ID:

DED0TX

File size:

31.9 MB (1.9 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

2784 x 4000 px | 23.6 x 33.9 cm | 9.3 x 13.3 inches | 300dpi

Date taken:

26 August 2013

Location:

Canongate kirk, Edinburgh Royal Mile, Scotland UK

More information:

. Robert Fergusson Scots Poet bronze Statue from the canongate Edinburgh Royal Mile. Photographed on 26 August 2013. The recorded location is Canongate kirk, Edinburgh Royal Mile, Scotland UK. Edinburgh-born poet Robert Fergusson achieved so much poetical success in his short life of twenty-four years that Robert Burns called him 'my elder brother in the muse'. Robert Fergusson was an eighteenth-century Scots poet whose vivid writing about Edinburgh strongly influenced Robert Burns. The bronze statue outside Canongate Kirk was sculpted by David Annand and unveiled in 2004, showing Fergusson walking through the street environment he wrote about. Burns admired Fergusson so much that he paid for a memorial stone over the poet's grave in Canongate Kirkyard, creating a direct link between two major figures in Scottish literary history. Canongate Kirk was built between 1688 and 1691 after the congregation was displaced from Holyrood Abbey. The distinctive Dutch-gabled church serves the Canongate parish at the lower end of Edinburgh's Royal Mile and has longstanding links with Holyroodhouse and the military. Its interior, monuments, organ and stained glass sit within one of Scotland's most historically dense streetscapes. The historical context is that murals, sculptures and civic artworks turn public space into a record of local culture; They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. In historical terms, public wording is part of the visual landscape; Direction signs, warning notices, painted advertisements and engraved plaques show how authorities and businesses communicated before digital screens and app-based information became widespread. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism.