French style Pedestal gold clock from Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH

French style Pedestal gold clock from Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK  HP18 0JH Stock Photo
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Image details

Contributor:

Tony Smith

Image ID:

DCYRRK

File size:

34.3 MB (1.5 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

3000 x 4000 px | 25.4 x 33.9 cm | 10 x 13.3 inches | 300dpi

Date taken:

8 August 2013

Location:

Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH

More information:

. French style Pedestal gold clock from Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH. Photographed on 8 August 2013. Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England, UK. The house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild. Waddesdon Manor was built from 1874 for Baron Ferdinand de Rothschild in the style of a French Renaissance château and is now managed by the National Trust on behalf of the Rothschild Foundation. Its collections bring together French decorative arts, furniture, clocks, ceramics, paintings, textiles and sculpture assembled through the Rothschild family's collecting networks. Close-up photographs of individual objects therefore sit within a broader story of nineteenth-century wealth, collecting and European craftsmanship. As background, room interiors are records of both design and daily activity; Furnishings, lighting, surfaces and specialist fittings can identify a building's function and period, while later refurbishment may erase these smaller details. Against the 2026 backdrop, restoration projects increasingly emphasise retaining significant interiors as well as façades, making earlier photographs useful evidence when rooms are refurbished, repurposed or opened to visitors. From a heritage perspective, historic interiors combine architecture with material culture; Furniture, clocks, silverware, screens, organs and decorative schemes can show craftsmanship, status and institutional use in ways that a façade alone cannot convey. Looking at the subject's development, interiors preserve details that exterior photographs cannot show: furniture, fittings, decorative finishes and room layouts reveal how buildings were actually used; Such features are often altered during refurbishment even when the outside remains unchanged.