Colour glaze bottles from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum

Image details
Contributor:
Tony SmithImage ID:
DBHRN5File size:
34.3 MB (1.3 MB Compressed download)Releases:
Model - no | Property - noDo I need a release?Dimensions:
4000 x 3000 px | 33.9 x 25.4 cm | 13.3 x 10 inches | 300dpiDate taken:
27 July 2013Location:
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQMore information:
Interior view of the historic colour room at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, showing shelves filled with old labelled jars and containers used for ceramic colours, stains, pigments and glaze materials. The black, grey, cream and brown storage pots, worn paper labels and utilitarian wooden shelving give the image a strong documentary feel, recording the practical back-room materials behind Staffordshire pottery decoration. Visible labels appear to include colour names and coded recipes, suggesting the careful organisation needed by decorators, paintresses, gilders and colour room workers in a busy potbank. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road, Longton, and its displays interpret the industrial processes that made Stoke-on-Trent internationally known as The Potteries. The site is associated with bottle ovens, kilns, workshops, decorating rooms and the everyday labour of ceramic production, from clay preparation and firing to glazing, colour, enamel and gilding. This image is useful for editorial and commercial themes around British ceramics, Staffordshire industry, museum collections, craft skills, heritage conservation, industrial archaeology, social history, factory interiors, material culture, pottery design, ceramic chemistry and traditional trades. The colour room shows that the success of tableware and decorative pottery depended not only on kilns and clay, but on specialist knowledge of colours, oxides, recipes and finishes. The muted indoor light, dusty shelves and ageing jars create an atmospheric visual for articles about Longton heritage, Stoke tourism, manufacturing history, education, preservation and the fragile survival of workshop objects. It can also support features on hand decoration, pottery painting, women’s work in ceramics, archives of industrial knowledge and the wider story of how North Staffordshire became a global centre for ceramic manufacture.