Detail of mosiac from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum

Image details
Contributor:
Tony SmithImage ID:
DBHRHWFile size:
34.3 MB (1.7 MB Compressed download)Releases:
Model - no | Property - noDo I need a release?Dimensions:
4000 x 3000 px | 33.9 x 25.4 cm | 13.3 x 10 inches | 300dpiDate taken:
27 July 2013Location:
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQMore information:
. Detail of mosiac from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum. Photographed on 27 July 2013. The recorded location is Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ. Gladstone Pottery Museum preserves a complete former pottery works in Longton, one of the six towns of Stoke-on-Trent. Bottle ovens, workshops, mould rooms and surviving equipment explain the labour-intensive processes behind the Staffordshire ceramics industry, which made the Potteries internationally famous. The site is particularly valuable because so many similar potbanks and kilns disappeared during industrial restructuring and later redevelopment. In the longer view, murals, sculptures and civic artworks turn public space into a record of local culture; They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. In the longer view, industrial heritage links machinery and architecture with the lives of workers who operated mines, mills, potbanks, foundries and factories; As production declined or modernised, many sites were demolished, adapted or preserved, making photographs an important record of manufacturing landscapes and engineering culture. From a heritage perspective, museums and heritage attractions turn surviving objects and places into interpreted public history; Displays, reconstructed rooms and preserved machinery can place everyday artefacts within broader stories of work, domestic life, conflict, design and technological change. Current 2026 relevance comes from the fact that public art and murals remain important to place-making, tourism and regeneration, particularly in city districts where street art has become part of the visitor economy; They also raise questions about conservation, ownership, temporary work and the rapid redevelopment of urban neighbourhoods.