weAreFeelGoodClub Liverpool, Merseyside, England, UK - I want you to know that you are one hundred thousand percent going to get through this

weAreFeelGoodClub Liverpool, Merseyside, England, UK - I want you to know that you are one hundred thousand percent going to get through this Stock Photo
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Image details

Contributor:

Tony Smith

Image ID:

2P4JWNP

File size:

43.4 MB (1.9 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

5076 x 2988 px | 43 x 25.3 cm | 16.9 x 10 inches | 300dpi

Date taken:

16 January 2023

More information:

. Recorded at the recorded location in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The image documents weAreFeelGoodClub Liverpool, Merseyside, England, UK - I want you to know that you are one hundred thousand percent going to get through this. The wider scene also brings together historical comparison, regional identity, archival record, urban graphics, changing streetscape, contemporary social history, changing land use, community identity, public realm, place identity, period detail, mural culture, contemporary mural, and everyday life. The modern context includes continuing discussion of creative industries, local identity and how regeneration can support and displace informal culture at the same time. The archival value lies partly in recording landscape treatment and surrounding development around the recorded location before new ownership alters the character of the place. The subject also sits alongside local character, visual street culture, public-realm art, temporary artwork, public art, before-and-after reference, documentary photography, and urban artwork. References to Liverpool, Merseyside, through, percent, and thousand give the picture a strong period identity and tie it closely to its named subject. A later view of the recorded location may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for creative industries and the blurred line between commissioned public art and unsanctioned graffiti in a form that can be compared with future views of the recorded location. Another useful connection is local identity and how regeneration can support and displace informal culture at the same time within the real-world context of the recorded location. The photograph keeps a local visual benchmark before later change alters the scene.