Bridgwater Baptist Chapel rebuilt 1837 in neo-classical style, St Mary Street, Sedgemoor, Somerset, England, UK, TA6 3LY

Bridgwater Baptist Chapel rebuilt 1837 in neo-classical style, St Mary Street, Sedgemoor, Somerset, England, UK, TA6 3LY Stock Photo
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Image details

Contributor:

Tony Smith

Image ID:

2K0YX5E

File size:

34.9 MB (1.2 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

4032 x 3024 px | 34.1 x 25.6 cm | 13.4 x 10.1 inches | 300dpi

Date taken:

13 July 2022

Location:

St Mary Street, Sedgemoor, Somerset, England, UK, TA6 3LY

More information:

Baptist church. 1837. By Edwin Down; galleries added 1870s; partly refitted and extended to the rear c1902. Bath stone ashlar with stucco recess and slate roof. Rectangular plan with schoolrooms to rear. Classical style. Single-storey; symmetrical 2-window range. A pediment over a dentilled cornice spans the facade; it is supported by full-height Ionic columns flanking the deeply recessed centre which has Egyptian-style tapered 2-panel double doors with 2 panels above, set in a moulded architrave with cornice; dated plaque above and smaller doors to sides of recess. The outer bays are each flanked by Tuscan antae and have a semicircular arched window with small panes, moulded architrave and panelled apron above banded rustication. A moulded string-course below the apron continues round central recess. The moulding to base of columns continues round the building as a plinth. Steps up to central range are flanked by c1837 cast-iron lamp standards with rope-pattern moulding on octagonal bases and with C20 lamps. INTERIOR: the church room is virtually complete, rear rooms are being remodelled (1991). A richly moulded cornice to the coved and panelled ceiling continues round a recess to the north end which is curved at the inner corners. Organ, at gallery level, is flanked by paired Corinthian pilasters. Pulpit below is Classical style. The base has 3 semicircular arches with moulded archivolts and fluted keystones over shallow fluted recesses; the central, larger recess has 3 brackets to support projecting panel above; this upper part has 4 moulded semicircular arches, the central 2 project, resting on vase columns. To each side the pulpit stairs curve backward, with square fluted newels and thick vertical moulding to stick balusters. Gallery to sides and south end has a moulded wooden rail over cast-iron trellised panels of leaves, coved beneath to rest on cast-iron capitals with acanthus capitals. Gallery is steeply raked with original numbered wooden pews;