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Plate 13 Stock Photos and Images
Plate 13 from Mineralogie by Swebach Desfontaines Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-from-mineralogie-by-swebach-desfontaines-image66745303.htmlRMDTGE8R–Plate 13 from Mineralogie by Swebach Desfontaines
William BLake - The First Book of Urizen, Plate 13 - Thus the Eternal Prophet was divided Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-blake-the-first-book-of-urizen-plate-13-thus-the-eternal-prophet-88394185.htmlRMF3PKK5–William BLake - The First Book of Urizen, Plate 13 - Thus the Eternal Prophet was divided
TEXTBOOK/1880/PLATE 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-textbook1880plate-13-56760414.htmlRMD89JDJ–TEXTBOOK/1880/PLATE 13
PLATE 13. The Invention of Sugar Refinery. Thirteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men at work in a sugar refinery. In the background men chop down sugarcane. In the middle ground men process the sugar by heating it in barrels. In the foreground men cut up the sugarcane into smaller pieces. On the left side is a water mill. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-the-invention-of-sugar-refinery-thirteenth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-men-at-work-in-a-sugar-refinery-in-the-background-men-chop-down-sugarcane-in-the-middle-ground-men-process-the-sugar-by-heating-it-in-barrels-in-the-foreground-men-cut-up-the-sugarcane-into-smaller-pieces-on-the-left-side-is-a-water-mill-image352835411.htmlRM2BE114K–PLATE 13. The Invention of Sugar Refinery. Thirteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men at work in a sugar refinery. In the background men chop down sugarcane. In the middle ground men process the sugar by heating it in barrels. In the foreground men cut up the sugarcane into smaller pieces. On the left side is a water mill.
Plate 13 of the 'Mutus Liber' (Wordless Book), printed for Jacob Saulat in 1677, one of the most important of the alchemical books of that century. Various stages in the production of the alchemical Stone. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-of-the-mutus-liber-wordless-book-printed-for-jacob-saulat-in-1677-one-of-the-most-important-of-the-alchemical-books-of-that-century-various-stages-in-the-production-of-the-alchemical-stone-image179156151.htmlRMMBD7DY–Plate 13 of the 'Mutus Liber' (Wordless Book), printed for Jacob Saulat in 1677, one of the most important of the alchemical books of that century. Various stages in the production of the alchemical Stone.
Part of Section 1 : Plate 13, New York, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-part-of-section-1-plate-13-new-york-usa-123305261.htmlRMH4H139–Part of Section 1 : Plate 13, New York, USA
Art inspired by Drawings and Prints, Print, The Last Judgment, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-the-last-judgment-from-thronus-justitiae-tredecim-pulcherrimus-tabulis-plate-13-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463057284.htmlRF2HWA284–Art inspired by Drawings and Prints, Print, The Last Judgment, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Painting by Wassily Kandinsky, 1910s. Klange Plate 13 (1913) - 'Klänge' (Sounds) Woodcut art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-by-wassily-kandinsky-1910s-klange-plate-13-1913-klnge-sounds-woodcut-art-image466297764.htmlRM2J2HKFG–Painting by Wassily Kandinsky, 1910s. Klange Plate 13 (1913) - 'Klänge' (Sounds) Woodcut art
Engraving by Jacques Callot. 'Les Grandes Miseres de la guerre' (The Miseries and Misfortunes of War). Plate 13: le bucher (burning at the stake) Etching published in 1633 Plate located at the Musee Lorrain in Nancy (France) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-engraving-by-jacques-callot-les-grandes-miseres-de-la-guerre-the-miseries-133440487.htmlRMHN2MKK–Engraving by Jacques Callot. 'Les Grandes Miseres de la guerre' (The Miseries and Misfortunes of War). Plate 13: le bucher (burning at the stake) Etching published in 1633 Plate located at the Musee Lorrain in Nancy (France)
'They are hot', 1799 Artist: Francisco Goya. Plate 13 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/they-are-hot-1799-artist-francisco-goya-plate-13-of-los-caprichos-los-caprichos-are-a-set-of-80-prints-in-aquatint-and-etching-created-by-the-spanish-artist-francisco-goya-in-1797-and-1798-and-published-as-an-album-in-1799-image377037053.htmlRM2CWBEH1–'They are hot', 1799 Artist: Francisco Goya. Plate 13 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.
The Flagellation, from The Passion of Christ, plate 13. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 1/2 × 14 1/16 in. (49.5 × 35.7 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flagellation-from-the-passion-of-christ-plate-13-artist-grgoire-huret-french-lyon-1606-1670-paris-dimensions-sheet-19-12-14-116-in-495-357-cm-seriesportfolio-the-passion-of-christ-date-1664-museum-metropolitan-museum-of-art-new-york-usa-image213324935.htmlRMPB1P3K–The Flagellation, from The Passion of Christ, plate 13. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 1/2 × 14 1/16 in. (49.5 × 35.7 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.
Japanese lacquer painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-japanese-lacquer-painting-50076498.htmlRMCWD52A–Japanese lacquer painting
MELLISS(1875) p127 - PLATE 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-melliss1875-p127-plate-13-76560639.htmlRMECFHTF–MELLISS(1875) p127 - PLATE 13
Beetles (Plate 13) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beetles-plate-13-image218140982.htmlRMPJW51A–Beetles (Plate 13)
The Proverbs or The Follies, series of etchings by Francisco de Goya, plate 13: 'Modo de volar' (… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-proverbs-or-the-follies-series-of-etchings-by-francisco-de-goya-plate-13-modo-de-volar-image212469733.htmlRMP9JR8N–The Proverbs or The Follies, series of etchings by Francisco de Goya, plate 13: 'Modo de volar' (…
. English: 1st Brigade of Kowno of Army of Grand Duchy of Lithuania in 1792 . end of XVIII century. Anonymous plate 13 1st Brigade of Kowno of Army of Grand Duchy of Lithuania in 1792 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-1st-brigade-of-kowno-of-army-of-grand-duchy-of-lithuania-in-1792-end-of-xviii-century-anonymous-plate-13-1st-brigade-of-kowno-of-army-of-grand-duchy-of-lithuania-in-1792-image187631532.htmlRMMW79X4–. English: 1st Brigade of Kowno of Army of Grand Duchy of Lithuania in 1792 . end of XVIII century. Anonymous plate 13 1st Brigade of Kowno of Army of Grand Duchy of Lithuania in 1792
Piazzi plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-piazzi-plate-13-140363227.htmlRMJ4A2MB–Piazzi plate 13
William Blake - Jerusalem, Plate 13, And that toward Eden.... Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-jerusalem-plate-13-and-that-toward-eden-image430983975.htmlRF2G150CR–William Blake - Jerusalem, Plate 13, And that toward Eden....
De Re Metallica Plate 13: Rag and Chain Pump Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-de-re-metallica-plate-13-rag-and-chain-pump-24005706.htmlRMBB1FEJ–De Re Metallica Plate 13: Rag and Chain Pump
Plate 13 from Libellulinae Europaeae by de Charpentier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-from-libellulinae-europaeae-by-de-charpentier-image66744483.htmlRMDTGD7F–Plate 13 from Libellulinae Europaeae by de Charpentier
Francisco de Goya - They are hot 1799. Plate 13 of Los caprichos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-francisco-de-goya-they-are-hot-1799-plate-13-of-los-caprichos-174814639.htmlRMM4BDRY–Francisco de Goya - They are hot 1799. Plate 13 of Los caprichos.
Butterflies and Moths, Plate 13, Bombyces, Lasiocampidae, Saturniidae, Drepanidae, Notodontidae. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/butterflies-and-moths-plate-13-bombyces-lasiocampidae-saturniidae-drepanidae-notodontidae-image560819126.htmlRM2RGBEEE–Butterflies and Moths, Plate 13, Bombyces, Lasiocampidae, Saturniidae, Drepanidae, Notodontidae.
PLATE 13. The Invention of Sugar Refinery. Thirteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men at work in a sugar refinery. In the background men chop down sugarcane. In the middle ground men process the sugar by heating it in barrels. In the foreground men cut up the sugarcane into smaller pieces. On the left side is a water mill. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-the-invention-of-sugar-refinery-thirteenth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-men-at-work-in-a-sugar-refinery-in-the-background-men-chop-down-sugarcane-in-the-middle-ground-men-process-the-sugar-by-heating-it-in-barrels-in-the-foreground-men-cut-up-the-sugarcane-into-smaller-pieces-on-the-left-side-is-a-water-mill-image352826977.htmlRM2BE0JBD–PLATE 13. The Invention of Sugar Refinery. Thirteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men at work in a sugar refinery. In the background men chop down sugarcane. In the middle ground men process the sugar by heating it in barrels. In the foreground men cut up the sugarcane into smaller pieces. On the left side is a water mill.
![Plate 13 from William Law's study of Jacob Boehme, 'The Works of Jacob Behmen, The Teutonic Theosopher' [1764]. The reconciliation of opposites (hinted at in the previous plate in the series) is now portrayed effective. Boehme has told us that the third hierarchy, which Lucifer destroyed, is now re-made, and the time has come when there will be Time no more, and GOD shall be All in All. Stock Photo](https://c8.alamy.com/comp/MC6NG1/plate-13-from-william-laws-study-of-jacob-boehme-the-works-of-jacob-behmen-the-teutonic-theosopher-1764-the-reconciliation-of-opposites-hinted-at-in-the-previous-plate-in-the-series-is-now-portrayed-effective-boehme-has-told-us-that-the-third-hierarchy-which-lucifer-destroyed-is-now-re-made-and-the-time-has-come-when-there-will-be-time-no-more-and-god-shall-be-all-in-all-MC6NG1.jpg "Plate 13 from William Law's study of Jacob Boehme, 'The Works of Jacob Behmen, The Teutonic Theosopher' [1764]. The reconciliation of opposites (hinted at in the previous plate in the series) is now portrayed effective. Boehme has told us that the third hierarchy, which Lucifer destroyed, is now re-made, and the time has come when there will be Time no more, and GOD shall be All in All. Stock Photo")
Plate 13 from William Law's study of Jacob Boehme, 'The Works of Jacob Behmen, The Teutonic Theosopher' [1764]. The reconciliation of opposites (hinted at in the previous plate in the series) is now portrayed effective. Boehme has told us that the third hierarchy, which Lucifer destroyed, is now re-made, and the time has come when there will be Time no more, and GOD shall be All in All. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-from-william-laws-study-of-jacob-boehme-the-works-of-jacob-behmen-the-teutonic-theosopher-1764-the-reconciliation-of-opposites-hinted-at-in-the-previous-plate-in-the-series-is-now-portrayed-effective-boehme-has-told-us-that-the-third-hierarchy-which-lucifer-destroyed-is-now-re-made-and-the-time-has-come-when-there-will-be-time-no-more-and-god-shall-be-all-in-all-image179628177.htmlRMMC6NG1–Plate 13 from William Law's study of Jacob Boehme, 'The Works of Jacob Behmen, The Teutonic Theosopher' [1764]. The reconciliation of opposites (hinted at in the previous plate in the series) is now portrayed effective. Boehme has told us that the third hierarchy, which Lucifer destroyed, is now re-made, and the time has come when there will be Time no more, and GOD shall be All in All.
Suite of Vases: Plate 13, 1746. Jacques François Saly (French, 1717-1776). Etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/suite-of-vases-plate-13-1746-jacques-franois-saly-french-1717-1776-etching-image240462481.htmlRMRY609N–Suite of Vases: Plate 13, 1746. Jacques François Saly (French, 1717-1776). Etching
Art inspired by Drawings and Prints, Print, The Flagellation, from The Passion of Christ, plate 13, The Passion of Christ, Grégoire Huret, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-the-flagellation-from-the-passion-of-christ-plate-13-the-passion-of-christ-grgoire-huret-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463056385.htmlRF2HWA141–Art inspired by Drawings and Prints, Print, The Flagellation, from The Passion of Christ, plate 13, The Passion of Christ, Grégoire Huret, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plate 13 Dinobryon Flagellata from ‘Kunstformen der Natur’ (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919). See more information below. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-dinobryon-flagellata-from-kunstformen-der-natur-art-forms-in-nature-illustrated-by-ernst-haeckel-1834-1919-see-more-information-below-image179225018.htmlRMMBGB9E–Plate 13 Dinobryon Flagellata from ‘Kunstformen der Natur’ (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919). See more information below.
![THE HORNED HEIFER Author Richardson, William 19.7.2. Place of publication: [London] Publisher: Publishd Feby,, 1809 by Wm,, Richardson No,, 31 Strand London. Date of publication: [Feburary 1809] Item type: 1 print Medium: etching, with letterpress below the plate Dimensions: plate 13.3 x 18.5 cm, on sheet 33.0 x 21.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HCNM/the-horned-heifer-author-richardson-william-1972-place-of-publication-london-publisher-publishd-feby-1809-by-wm-richardson-no-31-strand-london-date-of-publication-feburary-1809-item-type-1-print-medium-etching-with-letterpress-below-the-plate-dimensions-plate-133-x-185-cm-on-sheet-330-x-213-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HCNM.jpg "THE HORNED HEIFER Author Richardson, William 19.7.2. Place of publication: [London] Publisher: Publishd Feby,, 1809 by Wm,, Richardson No,, 31 Strand London. Date of publication: [Feburary 1809] Item type: 1 print Medium: etching, with letterpress below the plate Dimensions: plate 13.3 x 18.5 cm, on sheet 33.0 x 21.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE HORNED HEIFER Author Richardson, William 19.7.2. Place of publication: [London] Publisher: Publishd Feby,, 1809 by Wm,, Richardson No,, 31 Strand London. Date of publication: [Feburary 1809] Item type: 1 print Medium: etching, with letterpress below the plate Dimensions: plate 13.3 x 18.5 cm, on sheet 33.0 x 21.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-horned-heifer-author-richardson-william-1972-place-of-publication-london-publisher-publishd-feby-1809-by-wm-richardson-no-31-strand-london-date-of-publication-feburary-1809-item-type-1-print-medium-etching-with-letterpress-below-the-plate-dimensions-plate-133-x-185-cm-on-sheet-330-x-213-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401753568.htmlRM2E9HCNM–THE HORNED HEIFER Author Richardson, William 19.7.2. Place of publication: [London] Publisher: Publishd Feby,, 1809 by Wm,, Richardson No,, 31 Strand London. Date of publication: [Feburary 1809] Item type: 1 print Medium: etching, with letterpress below the plate Dimensions: plate 13.3 x 18.5 cm, on sheet 33.0 x 21.3 cm Former owner: George III, King of Great Britain, 1738-1820
The Plates from the First Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 13 - The first figure of the nineteenth chapter represents from the anterior aspect the entire assembly of the bones of the thorax, that is, the twelve vertebrae and the twelve pairs of ribs together with the pectoral bone which is formed from several bones. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-plates-from-the-first-book-of-the-de-humani-corporis-fabrica-by-image68553412.htmlRMDYETG4–The Plates from the First Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 13 - The first figure of the nineteenth chapter represents from the anterior aspect the entire assembly of the bones of the thorax, that is, the twelve vertebrae and the twelve pairs of ribs together with the pectoral bone which is formed from several bones.
Plate 13: buffalo lying down, from 'Various animals' (Diversi animali). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 3 3/8 × 4 5/16 in. (8.6 × 10.9 cm). Series/Portfolio: 'Various animals' (Diversi animali). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-buffalo-lying-down-from-various-animals-diversi-animali-artist-stefano-della-bella-italian-florence-1610-1664-florence-dimensions-sheet-trimmed-to-plate-3-38-4-516-in-86-109-cm-seriesportfolio-various-animals-diversi-animali-date-ca-1641-museum-metropolitan-museum-of-art-new-york-usa-image233229944.htmlRMRFCF4T–Plate 13: buffalo lying down, from 'Various animals' (Diversi animali). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 3 3/8 × 4 5/16 in. (8.6 × 10.9 cm). Series/Portfolio: 'Various animals' (Diversi animali). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA.
The Yellow Book - Volume 2 - Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-yellow-book-volume-2-plate-13-image260170541.htmlRMW37P51–The Yellow Book - Volume 2 - Plate 13
New York and Brooklyn Bridge (1883) - Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-new-york-and-brooklyn-bridge-1883-plate-13-73583457.htmlRME7M0CH–New York and Brooklyn Bridge (1883) - Plate 13
American entomology (Plate 13) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-entomology-plate-13-image214516904.htmlRMPD02E0–American entomology (Plate 13)
The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 13: 'Amarga pr… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-disasters-of-war-a-series-of-etchings-by-francisco-de-goya-1746-1828-plate-13-amarga-pr-image212467413.htmlRMP9JM9W–The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 13: 'Amarga pr…
. English: 1st Brigade of Kowno of Army of Grand Duchy of Lithuania in 1792 . end of XVIII century. Anonymous plate 13 1st Brigade of Kowno of Army of Grand Duchy of Lithuania in 1792 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-1st-brigade-of-kowno-of-army-of-grand-duchy-of-lithuania-in-1792-end-of-xviii-century-anonymous-plate-13-1st-brigade-of-kowno-of-army-of-grand-duchy-of-lithuania-in-1792-image188153144.htmlRMMX3374–. English: 1st Brigade of Kowno of Army of Grand Duchy of Lithuania in 1792 . end of XVIII century. Anonymous plate 13 1st Brigade of Kowno of Army of Grand Duchy of Lithuania in 1792
Ipy thordsen2 plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ipy-thordsen2-plate-13-140033930.htmlRMJ3R2KP–Ipy thordsen2 plate 13
William Blake - For the Sexes- The Gates of Paradise, Plate 13, Aged Ignorance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-for-the-sexes-the-gates-of-paradise-plate-13-aged-ignorance-image430983548.htmlRF2G14YWG–William Blake - For the Sexes- The Gates of Paradise, Plate 13, Aged Ignorance
Cries of London Plate 13: Turnips & Carrots, Carottes & Navets, 1797. (1911). Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cries-of-london-plate-13-turnips-carrots-carottes-navets-1797-1911-artist-unknown-image262779621.htmlRMW7EJ2D–Cries of London Plate 13: Turnips & Carrots, Carottes & Navets, 1797. (1911). Artist: Unknown
Plate 13 from Mineralogie Volume 1 (1790) by Swebach Desfontaines Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-from-mineralogie-volume-1-1790-by-swebach-desfontaines-image66745296.htmlRMDTGE8G–Plate 13 from Mineralogie Volume 1 (1790) by Swebach Desfontaines
Oct. 13, 1966 - 13-10-66 Newmarket Town Plate. The Newmarket Town Plate, the only race for women under Jockey Club rules, took place today. The race was won by Ms. D. Law riding Nikko . Second was 12-year old Marilyn Calvert, the youngest ever competitor, riding Queens Tree. Keystone Photo Shows: Miss Gilda Griffiths, who was unseated from her mount Toy Soldier, at the finishing post, is seen being assisted off the course at Newmarket today. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oct-13-1966-13-10-66-newmarket-town-plate-the-newmarket-town-plate-image69425916.htmlRME0XHD0–Oct. 13, 1966 - 13-10-66 Newmarket Town Plate. The Newmarket Town Plate, the only race for women under Jockey Club rules, took place today. The race was won by Ms. D. Law riding Nikko . Second was 12-year old Marilyn Calvert, the youngest ever competitor, riding Queens Tree. Keystone Photo Shows: Miss Gilda Griffiths, who was unseated from her mount Toy Soldier, at the finishing post, is seen being assisted off the course at Newmarket today.
Dinner Services, Best English Stoneware, Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dinner-services-best-english-stoneware-plate-13-105358425.htmlRMG3BDMW–Dinner Services, Best English Stoneware, Plate 13
Plate 13 Snow Bird, from The Birds of America folio (1827–1839) by John James Audubon - Very high resolution and quality edited image Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-snow-bird-from-the-birds-of-america-folio-18271839-by-john-james-audubon-very-high-resolution-and-quality-edited-image-image350791563.htmlRF2BAKX63–Plate 13 Snow Bird, from The Birds of America folio (1827–1839) by John James Audubon - Very high resolution and quality edited image
ALCHEMY - MUTUS LIBER, OR SILENT BOOK - PLATE 13 Plate 13 in the series is a sort of recapitulation of plate 10, with the same processes and the same hermetic sealing, by melting the glass tube. The most significant change is in the size of the Elemental target to the left of the bottom register, and the fact that, in this case, the bow string of Diana's bow is now tight. The number 10 (marked significantly near both figures in plate 10) has now changed (we might almost use the word transmuted), in progressions of 10, even to a thousand-fold. Perhaps these figures are an indication of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alchemy-mutus-liber-or-silent-book-plate-13-plate-13-in-the-series-is-a-sort-of-recapitulation-of-plate-10-with-the-same-processes-and-the-same-hermetic-sealing-by-melting-the-glass-tube-the-most-significant-change-is-in-the-size-of-the-elemental-target-to-the-left-of-the-bottom-register-and-the-fact-that-in-this-case-the-bow-string-of-dianas-bow-is-now-tight-the-number-10-marked-significantly-near-both-figures-in-plate-10-has-now-changed-we-might-almost-use-the-word-transmuted-in-progressions-of-10-even-to-a-thousand-fold-perhaps-these-figures-are-an-indication-of-the-image179624804.htmlRMMC6H7G–ALCHEMY - MUTUS LIBER, OR SILENT BOOK - PLATE 13 Plate 13 in the series is a sort of recapitulation of plate 10, with the same processes and the same hermetic sealing, by melting the glass tube. The most significant change is in the size of the Elemental target to the left of the bottom register, and the fact that, in this case, the bow string of Diana's bow is now tight. The number 10 (marked significantly near both figures in plate 10) has now changed (we might almost use the word transmuted), in progressions of 10, even to a thousand-fold. Perhaps these figures are an indication of the
Plate 13 from 'Los Caprichos':They are hot (Estan calientes.), Goya, 1799 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-plate-13-from-los-caprichosthey-are-hot-estan-calientes-goya-1799-162486108.htmlRMKC9TK8–Plate 13 from 'Los Caprichos':They are hot (Estan calientes.), Goya, 1799
Art inspired by Drawings and Prints, Print, Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-plate-13-psyche-looking-at-cupid-from-the-story-of-cupid-and-psyche-as-told-by-apuleius-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065233.htmlRF2HWACC1–Art inspired by Drawings and Prints, Print, Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Elaborate patterns, Victorian decorative art and design, engraving, Polychromatic decoration in Medieval style, W & G Audsley, Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elaborate-patterns-victorian-decorative-art-and-design-engraving-polychromatic-decoration-in-medieval-style-w-g-audsley-plate-13-image615562408.htmlRM2XND83M–Elaborate patterns, Victorian decorative art and design, engraving, Polychromatic decoration in Medieval style, W & G Audsley, Plate 13
cartography, historical maps, Second World War/WWII, naval warfare, Battle of the River Plate, 13.12.1939, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cartography-historical-maps-second-world-warwwii-naval-warfare-battle-110769666.htmlRMGC5YRE–cartography, historical maps, Second World War/WWII, naval warfare, Battle of the River Plate, 13.12.1939, Additional-Rights-Clearences-Not Available
'A way of flying', 1819-1823 Artist: Francisco Goya. Plate 13 of 'Proverbs', published in 1864. 'Proverbs' is an album of twenty-two prints which is the last major series of prints by Francisco Goya. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-way-of-flying-1819-1823-artist-francisco-goya-plate-13-of-proverbs-published-in-1864-proverbs-is-an-album-of-twenty-two-prints-which-is-the-last-major-series-of-prints-by-francisco-goya-image377036951.htmlRM2CWBEDB–'A way of flying', 1819-1823 Artist: Francisco Goya. Plate 13 of 'Proverbs', published in 1864. 'Proverbs' is an album of twenty-two prints which is the last major series of prints by Francisco Goya.
Bitter to be Present, plate 13 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1811. Dimensions: 130 x 160 mm (image); 141 x 170 mm (plate); 240 x 340 mm (sheet). Etching, lavis, drypoint, burin, and burnishing on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bitter-to-be-present-plate-13-from-the-disasters-of-war-francisco-jos-de-goya-y-lucientes-spanish-1746-1828-date-1810-1811-dimensions-130-x-160-mm-image-141-x-170-mm-plate-240-x-340-mm-sheet-etching-lavis-drypoint-burin-and-burnishing-on-ivory-wove-paper-with-gilt-edges-origin-spain-museum-the-chicago-art-institute-image240132880.htmlRMRXJYX8–Bitter to be Present, plate 13 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1811. Dimensions: 130 x 160 mm (image); 141 x 170 mm (plate); 240 x 340 mm (sheet). Etching, lavis, drypoint, burin, and burnishing on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute.
Millipeds of Central America 1922 Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/millipeds-of-central-america-1922-plate-13-image259985916.htmlRMW2YAK8–Millipeds of Central America 1922 Plate 13
MELLISS(1875) p127 - PLATE 13 - Lot's Wife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-melliss1875-p127-plate-13-lots-wife-76560642.htmlRMECFHTJ–MELLISS(1875) p127 - PLATE 13 - Lot's Wife
American conchology (Plate 13) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-conchology-plate-13-image214516707.htmlRMPD026Y–American conchology (Plate 13)
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 13: 'Están calientes' (… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/los-caprichos-series-of-etchings-by-francisco-de-goya-1746-1828-plate-13-estn-calientes-image212421842.htmlRMP9GJ6A–Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 13: 'Están calientes' (…
1009 Maya Hieroglyphs Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1009-maya-hieroglyphs-plate-13-image213751729.htmlRMPBN6E9–1009 Maya Hieroglyphs Plate 13
The Kurz Sketchbook Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-kurz-sketchbook-plate-13-140676773.htmlRMJ4TAJD–The Kurz Sketchbook Plate 13
William Blake - Europe. A Prophecy, Plate 13 (Bentley 10) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-europe-a-prophecy-plate-13-bentley-10-image430983198.htmlRF2G14YD2–William Blake - Europe. A Prophecy, Plate 13 (Bentley 10)
The Plates from the First Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 13 - The first figure of the nineteenth chapter represents from the anterior aspect the entire assembly of the bones of the thorax, that is, the twelve vertebrae and the twelve pairs of ribs together with the pectoral bone which is formed from several bones. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-plates-from-the-first-book-of-the-de-humani-corporis-fabrica-by-andreas-vesalius-1514-1564-plate-13-the-first-figure-of-the-nineteenth-chapter-represents-from-the-anterior-aspect-the-entire-assembly-of-the-bones-of-the-thorax-that-is-the-twelve-vertebrae-and-the-twelve-pairs-of-ribs-together-with-the-pectoral-bone-which-is-formed-from-several-bones-image210323823.htmlRMP65253–The Plates from the First Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 13 - The first figure of the nineteenth chapter represents from the anterior aspect the entire assembly of the bones of the thorax, that is, the twelve vertebrae and the twelve pairs of ribs together with the pectoral bone which is formed from several bones.
LS Plate 13 from the John Reeves Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ls-plate-13-from-the-john-reeves-collection-image66742266.htmlRMDTGACA–LS Plate 13 from the John Reeves Collection
Alexander Jamieson - Aries, Triangula, and Musca - Plate 13 from A celestial atlas comprising a systematic display of the heavens - 1822 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-jamieson-aries-triangula-and-musca-plate-13-from-a-celestial-atlas-comprising-a-systematic-display-of-the-heavens-1822-image469643201.htmlRF2J822KD–Alexander Jamieson - Aries, Triangula, and Musca - Plate 13 from A celestial atlas comprising a systematic display of the heavens - 1822
Interior view of the Temple of Neptune, Paestum, plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-interior-view-of-the-temple-of-neptune-paestum-plate-13-83179494.htmlRMER9486–Interior view of the Temple of Neptune, Paestum, plate 13
Plate 13 Musk-Rat, Musquash (Muskrat) The Viviparous Quadrupeds of North America, John James Audubon, Very high resolution and quality edited image Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-musk-rat-musquash-muskrat-the-viviparous-quadrupeds-of-north-america-john-james-audubon-very-high-resolution-and-quality-edited-image-image350945142.htmlRF2BAXX32–Plate 13 Musk-Rat, Musquash (Muskrat) The Viviparous Quadrupeds of North America, John James Audubon, Very high resolution and quality edited image
SYMBOLS - OCCULT ART - ROSICRUCIANS - SPIRALS One of a series of influential occult engravings by William Law, in explication of the principles in the arcane thought of the Rosicrucian, Jacob Boehme, from The Works of Jacob Behmen, The Teutonic Theosopher, Vol 1, 1764. Plate 13. The reconciliation of opposites hinted at in the previous plate is now effective. Boehme tells us that the third Hierarchy, which Lucifer destroyed, is re-made, and the time has come when there will be Time no more, and GOD shall be All in All. The primal symbolism of this future state is reflected in the symbol o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/symbols-occult-art-rosicrucians-spirals-one-of-a-series-of-influential-occult-engravings-by-william-law-in-explication-of-the-principles-in-the-arcane-thought-of-the-rosicrucian-jacob-boehme-from-the-works-of-jacob-behmen-the-teutonic-theosopher-vol-1-1764-plate-13-the-reconciliation-of-opposites-hinted-at-in-the-previous-plate-is-now-effective-boehme-tells-us-that-the-third-hierarchy-which-lucifer-destroyed-is-re-made-and-the-time-has-come-when-there-will-be-time-no-more-and-god-shall-be-all-in-all-the-primal-symbolism-of-this-future-state-is-reflected-in-the-symbol-o-image179624100.htmlRMMC6GAC–SYMBOLS - OCCULT ART - ROSICRUCIANS - SPIRALS One of a series of influential occult engravings by William Law, in explication of the principles in the arcane thought of the Rosicrucian, Jacob Boehme, from The Works of Jacob Behmen, The Teutonic Theosopher, Vol 1, 1764. Plate 13. The reconciliation of opposites hinted at in the previous plate is now effective. Boehme tells us that the third Hierarchy, which Lucifer destroyed, is re-made, and the time has come when there will be Time no more, and GOD shall be All in All. The primal symbolism of this future state is reflected in the symbol o
Plate 13 from 'Los Caprichos':They are Hot (Estan Calientes), Goya, 1797–98 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-plate-13-from-los-caprichosthey-are-hot-estan-calientes-goya-179798-162486113.htmlRMKC9TKD–Plate 13 from 'Los Caprichos':They are Hot (Estan Calientes), Goya, 1797–98
Art inspired by Drawings and Prints, Print, New Inventions of Modern Times Nova Reperta, The Invention of Sugar Refinery, plate 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-new-inventions-of-modern-times-nova-reperta-the-invention-of-sugar-refinery-plate-13-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463060456.htmlRF2HWA69C–Art inspired by Drawings and Prints, Print, New Inventions of Modern Times Nova Reperta, The Invention of Sugar Refinery, plate 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
nest box series, step 7/13: screw gable plate between the two roof plates Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nest-box-series-step-713-screw-gable-plate-between-the-two-roof-plates-image478924286.htmlRM2JR4TPP–nest box series, step 7/13: screw gable plate between the two roof plates
Plate 13, from 'World in Miniature' 1917 by Rudolph Ackermann, London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-from-world-in-miniature-1917-by-rudolph-ackermann-london-image575124196.htmlRM2TBK4NT–Plate 13, from 'World in Miniature' 1917 by Rudolph Ackermann, London
Railway bridge number plate 13, at Padley Grindleford Derbyshire England, on the hope valley line Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/railway-bridge-number-plate-13-at-padley-grindleford-derbyshire-england-on-the-hope-valley-line-image451681752.htmlRM2H6RTK4–Railway bridge number plate 13, at Padley Grindleford Derbyshire England, on the hope valley line
'Oui c'est Agamemnon c'est ton Roi qui t'éveille!...' (Iphigénie), plate 13 from the series Physionomies tragico-classiques, published in Le Charivari. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 10 3/16 × 14 11/16 in. (25.9 × 37.3 cm). Publisher: Aubert et Cie. Date: April 27, 1841. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oui-cest-agamemnon-cest-ton-roi-qui-tveille!-iphignie-plate-13-from-the-series-physionomies-tragico-classiques-published-in-le-charivari-artist-honor-daumier-french-marseilles-1808-1879-valmondois-dimensions-sheet-10-316-14-1116-in-259-373-cm-publisher-aubert-et-cie-date-april-27-1841-museum-metropolitan-museum-of-art-new-york-usa-image213401010.htmlRMPB574J–'Oui c'est Agamemnon c'est ton Roi qui t'éveille!...' (Iphigénie), plate 13 from the series Physionomies tragico-classiques, published in Le Charivari. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 10 3/16 × 14 11/16 in. (25.9 × 37.3 cm). Publisher: Aubert et Cie. Date: April 27, 1841. Museum: Metropolitan Museum of Art, New York, USA.
Plate 13 Folk-Lore, vol 14 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-folk-lore-vol-14-image260033173.htmlRMW31EY1–Plate 13 Folk-Lore, vol 14
MELLISS(1875) p127 - PLATE 13 - Great Dike Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-melliss1875-p127-plate-13-great-dike-76560640.htmlRMECFHTG–MELLISS(1875) p127 - PLATE 13 - Great Dike
American conchology (Plate 13) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-conchology-plate-13-image214516706.htmlRMPD026X–American conchology (Plate 13)
The Country Doctor (plate 13), 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-country-doctor-plate-13-1843-image457046347.htmlRM2HFG77R–The Country Doctor (plate 13), 1843.
37 Maya Hieroglyphs Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/37-maya-hieroglyphs-plate-13-image214161284.htmlRMPCBTW8–37 Maya Hieroglyphs Plate 13
Plate 13 Plan of Demerara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plate-13-plan-of-demerara-140363850.htmlRMJ4A3EJ–Plate 13 Plan of Demerara
William Blake - For Children. The Gates of Paradise, Plate 13, Aged Ignorance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-for-children-the-gates-of-paradise-plate-13-aged-ignorance-image430983373.htmlRF2G14YK9–William Blake - For Children. The Gates of Paradise, Plate 13, Aged Ignorance
The set of the bears. Untitled plate 13, 1664, Netherlands, by Marcus de Bye, Marcus Gheeraerts I. Gift of Bishop Monrad, 1869. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-set-of-the-bears-untitled-plate-13-1664-netherlands-by-marcus-de-bye-marcus-gheeraerts-i-gift-of-bishop-monrad-1869-image479266724.htmlRM2JRMDGM–The set of the bears. Untitled plate 13, 1664, Netherlands, by Marcus de Bye, Marcus Gheeraerts I. Gift of Bishop Monrad, 1869.
Plate 13 from Mineralogie by Swebach Desfontaines Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plate-13-from-mineralogie-by-swebach-desfontaines-12193911.htmlRMA8XP2G–Plate 13 from Mineralogie by Swebach Desfontaines
George Angas artwork entitled Zulu Warrior Utimuni - nephew of Zulu warrior hero and chief Shaka Zulu - Plate 13 from 'The Kafirs Illustrated', 1849. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-angas-artwork-entitled-zulu-warrior-utimuni-nephew-of-zulu-warrior-hero-and-chief-shaka-zulu-plate-13-from-the-kafirs-illustrated-1849-image438998164.htmlRF2GE62HT–George Angas artwork entitled Zulu Warrior Utimuni - nephew of Zulu warrior hero and chief Shaka Zulu - Plate 13 from 'The Kafirs Illustrated', 1849.
Modern Athenians plate 13 - Edinburgh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-modern-athenians-plate-13-edinburgh-56683845.htmlRMD864R1–Modern Athenians plate 13 - Edinburgh
Plate 13, The Golden Eagle - Chromolithographed plate from 1893 book 'The Hawks and Owls of the United States in Their Relation to Agriculture' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-the-golden-eagle-chromolithographed-plate-from-1893-book-the-hawks-and-owls-of-the-united-states-in-their-relation-to-agriculture-image389826020.htmlRF2DJ631T–Plate 13, The Golden Eagle - Chromolithographed plate from 1893 book 'The Hawks and Owls of the United States in Their Relation to Agriculture'
SYMBOLS - OCCULT ART - ROSICRUCIANS - SPIRALS One of a series of influential occult engravings by William Law, in explication of the principles in the arcane thought of the Rosicrucian, Jacob Boehme, from The Works of Jacob Behmen, The Teutonic Theosopher, Vol 1, 1764. Plate 13. The reconciliation of opposites hinted at in the previous plate is now effective. Boehme tells us that the third Hierarchy, which Lucifer destroyed, is re-made, and the time has come when there will be Time no more, and GOD shall be All in All. The primal symbolism of this future state is reflected in the symbol o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/symbols-occult-art-rosicrucians-spirals-one-of-a-series-of-influential-occult-engravings-by-william-law-in-explication-of-the-principles-in-the-arcane-thought-of-the-rosicrucian-jacob-boehme-from-the-works-of-jacob-behmen-the-teutonic-theosopher-vol-1-1764-plate-13-the-reconciliation-of-opposites-hinted-at-in-the-previous-plate-is-now-effective-boehme-tells-us-that-the-third-hierarchy-which-lucifer-destroyed-is-re-made-and-the-time-has-come-when-there-will-be-time-no-more-and-god-shall-be-all-in-all-the-primal-symbolism-of-this-future-state-is-reflected-in-the-symbol-o-image179624163.htmlRMMC6GCK–SYMBOLS - OCCULT ART - ROSICRUCIANS - SPIRALS One of a series of influential occult engravings by William Law, in explication of the principles in the arcane thought of the Rosicrucian, Jacob Boehme, from The Works of Jacob Behmen, The Teutonic Theosopher, Vol 1, 1764. Plate 13. The reconciliation of opposites hinted at in the previous plate is now effective. Boehme tells us that the third Hierarchy, which Lucifer destroyed, is re-made, and the time has come when there will be Time no more, and GOD shall be All in All. The primal symbolism of this future state is reflected in the symbol o
Drawings and Prints, Print, The Flagellation, from The Passion of Christ, plate 13, The Passion of Christ, Grégoire Huret Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-the-flagellation-from-the-passion-of-christ-162524275.htmlRMKCBHAB–Drawings and Prints, Print, The Flagellation, from The Passion of Christ, plate 13, The Passion of Christ, Grégoire Huret
Art inspired by Drawings and Prints, Print, Ornament & Architecture, Fete, Plate 13: Allegory on the Discord in France, from Caspar Barlaeus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-ornament-architecture-fete-plate-13-allegory-on-the-discord-in-france-from-caspar-barlaeus-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463064420.htmlRF2HWABB0–Art inspired by Drawings and Prints, Print, Ornament & Architecture, Fete, Plate 13: Allegory on the Discord in France, from Caspar Barlaeus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
nest box series, step 4/13: screw the base plate to the side parts and the back wall, pre-drill beforehand Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nest-box-series-step-413-screw-the-base-plate-to-the-side-parts-and-the-back-wall-pre-drill-beforehand-image478924386.htmlRM2JR4TXA–nest box series, step 4/13: screw the base plate to the side parts and the back wall, pre-drill beforehand
'He smothers her': plate 13 from Othello (Act 5, Scene 2) 1932 by Theodore Chasseriau Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/he-smothers-her-plate-13-from-othello-act-5-scene-2-1932-by-theodore-chasseriau-image575399186.htmlRM2TC3KEX–'He smothers her': plate 13 from Othello (Act 5, Scene 2) 1932 by Theodore Chasseriau
Painting by Georges Valmier (1885-1937) Collection decors et couleurs Plate 13 (1930) Joker / Harlekin. Collection of decors and colors. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-by-georges-valmier-1885-1937-collection-decors-et-couleurs-plate-13-1930-joker-harlekin-collection-of-decors-and-colors-image466400794.htmlRM2J2PAY6–Painting by Georges Valmier (1885-1937) Collection decors et couleurs Plate 13 (1930) Joker / Harlekin. Collection of decors and colors.
Frieze with Tritons and Dolphins, Plate 13 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 3/8 × 9 5/8 in. (8.6 × 24.4 cm). Series/Portfolio: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Date: ca. 1648. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frieze-with-tritons-and-dolphins-plate-13-from-decorative-friezes-and-foliage-ornamenti-di-fregi-e-fogliami-artist-stefano-della-bella-italian-florence-1610-1664-florence-dimensions-sheet-3-38-9-58-in-86-244-cm-seriesportfolio-decorative-friezes-and-foliage-ornamenti-di-fregi-e-fogliami-date-ca-1648-museum-metropolitan-museum-of-art-new-york-usa-image233231646.htmlRMRFCH9J–Frieze with Tritons and Dolphins, Plate 13 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 3/8 × 9 5/8 in. (8.6 × 24.4 cm). Series/Portfolio: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Date: ca. 1648. Museum: Metropolitan Museum of Art, New York, USA.
The Yellow Book - Volume 6 - Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-yellow-book-volume-6-plate-13-image260170581.htmlRMW37P6D–The Yellow Book - Volume 6 - Plate 13
New York and Brooklyn Bridge (1883) - Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-new-york-and-brooklyn-bridge-1883-plate-13-74894270.htmlRME9RMBA–New York and Brooklyn Bridge (1883) - Plate 13
American medicinal plants (Plate 13) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-medicinal-plants-plate-13-image214518150.htmlRMPD042E–American medicinal plants (Plate 13)
The Siege of La Rochelle: Plate 13, 1628-1630. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-siege-of-la-rochelle-plate-13-1628-1630-image330130345.htmlRM2A52MHD–The Siege of La Rochelle: Plate 13, 1628-1630.
596 The Kurz Sketchbook Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/596-the-kurz-sketchbook-plate-13-image213994286.htmlRMPC47W2–596 The Kurz Sketchbook Plate 13
Birds of Paradise Rollers Plate 13 Barraband Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-birds-of-paradise-rollers-plate-13-barraband-142522408.htmlRMJ7TCP0–Birds of Paradise Rollers Plate 13 Barraband
William Blake - America. A Prophecy, Plate 13, Fiery the Angels Rose.... Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-america-a-prophecy-plate-13-fiery-the-angels-rose-image430982678.htmlRF2G14XPE–William Blake - America. A Prophecy, Plate 13, Fiery the Angels Rose....
Landscapes with villages near Amsterdam. Plate 13. De Brugh tot Maersen., Mid 17th century, Netherlands, by Geertruydt Roghman, Roeland Roghman. Gift of Bishop Monrad, 1869. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscapes-with-villages-near-amsterdam-plate-13-de-brugh-tot-maersen-mid-17th-century-netherlands-by-geertruydt-roghman-roeland-roghman-gift-of-bishop-monrad-1869-image479268158.htmlRM2JRMFBX–Landscapes with villages near Amsterdam. Plate 13. De Brugh tot Maersen., Mid 17th century, Netherlands, by Geertruydt Roghman, Roeland Roghman. Gift of Bishop Monrad, 1869.
Print, Plate 13, from Diverses pièces de serruriers (Various Designs for Locksmiths); Designed by Hugues Brisville (French, active ca. 1663); Engraved by Gabriel Ladame (French, active ca. 1645 - 1668); Published by Pierre Mariette II (French, 1634 - 1716); France; engraving on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-plate-13-from-diverses-pices-de-serruriers-various-designs-for-locksmiths-designed-by-hugues-brisville-french-active-ca-1663-engraved-by-gabriel-ladame-french-active-ca-1645-1668-published-by-pierre-mariette-ii-french-1634-1716-france-engraving-on-laid-paper-image546110525.htmlRM2PMDDF9–Print, Plate 13, from Diverses pièces de serruriers (Various Designs for Locksmiths); Designed by Hugues Brisville (French, active ca. 1663); Engraved by Gabriel Ladame (French, active ca. 1645 - 1668); Published by Pierre Mariette II (French, 1634 - 1716); France; engraving on laid paper
Engraved map image from an atlas, with original caption reading 'Plate 13: Map bounded by Canal Street, Division Street, Chatham Square, Mulberry Street, Cross Street, Mott Street', New York City, New York, 1859. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-engraved-map-image-from-an-atlas-with-original-caption-reading-plate-166773250.htmlRMKK94YE–Engraved map image from an atlas, with original caption reading 'Plate 13: Map bounded by Canal Street, Division Street, Chatham Square, Mulberry Street, Cross Street, Mott Street', New York City, New York, 1859. From the New York Public Library.
Blunt Full Moon Plate 13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blunt-full-moon-plate-13-image5547592.htmlRMAY4P49–Blunt Full Moon Plate 13
Plate 13 from Augustissimorium Imperatorum Regum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-13-from-augustissimorium-imperatorum-regum-image213384593.htmlRMPB4E69–Plate 13 from Augustissimorium Imperatorum Regum
Plate 13, “The Wailing Place of the Jews, Jerusalem,” Israel, by Jules Guerin, 1920, J. H. Jansen, Cleveland, Publisher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plate-13-the-wailing-place-of-the-jews-jerusalem-israel-by-jules-guerin-43376287.htmlRMCEFXW3–Plate 13, “The Wailing Place of the Jews, Jerusalem,” Israel, by Jules Guerin, 1920, J. H. Jansen, Cleveland, Publisher.
