Greek art. Classical period. Initial Period. Zeus. Bronze sculpture. Dated to the year 460 BCE. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greek-art-classical-period-initial-period-zeus-bronze-sculpture-dated-39418885.html
RMC83K59–Greek art. Classical period. Initial Period. Zeus. Bronze sculpture. Dated to the year 460 BCE.
Greece, Athens. Area of Kerameikos (Ceramicus). Remains of the Dipylon Gate, the main gate in the city wall of Classical Athens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-area-of-kerameikos-ceramicus-remains-of-the-dipylon-gate-the-main-gate-in-the-city-wall-of-classical-athens-image346849025.html
RM2B489D5–Greece, Athens. Area of Kerameikos (Ceramicus). Remains of the Dipylon Gate, the main gate in the city wall of Classical Athens.
Greece, Athens. Area of Kerameikos (Ceramicus). Remains of the Dipylon Gate, the main gate in the city wall of Classical Athens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-area-of-kerameikos-ceramicus-remains-of-the-dipylon-gate-the-main-gate-in-the-city-wall-of-classical-athens-image346849021.html
RM2B489D1–Greece, Athens. Area of Kerameikos (Ceramicus). Remains of the Dipylon Gate, the main gate in the city wall of Classical Athens.
Greek art. Grave relief of Paramythion with a vase for wedding and burial. About 370 BC. Late Classical. Glyptothek. Munich. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greek-art-grave-relief-of-paramythion-with-a-vase-for-wedding-and-56031753.html
RMD74D21–Greek art. Grave relief of Paramythion with a vase for wedding and burial. About 370 BC. Late Classical. Glyptothek. Munich.
Euripides (480-406 BC). Was a tragedian of classical Athens. Bust. Roman copy of a Greek original (270 BC). Ny Carlsberg Glyptotek Museum. Copenhagen. Denmark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-euripides-480-406-bc-was-a-tragedian-of-classical-athens-bust-roman-92830864.html
RMFB0PM0–Euripides (480-406 BC). Was a tragedian of classical Athens. Bust. Roman copy of a Greek original (270 BC). Ny Carlsberg Glyptotek Museum. Copenhagen. Denmark
Nicolas Poussin (1594-1665). The leading painter of the classical French Baroque style. Et in Arcadia ego (The Shepherds of Arcadia), second version, (1637-1638). Oil on canvas (85 x 121 cm). Louvre Museum. Paris, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicolas-poussin-1594-1665-the-leading-painter-of-the-classical-french-baroque-style-et-in-arcadia-ego-the-shepherds-of-arcadia-second-version-1637-1638-oil-on-canvas-85-x-121-cm-louvre-museum-paris-france-image368332961.html
RM2CB70CH–Nicolas Poussin (1594-1665). The leading painter of the classical French Baroque style. Et in Arcadia ego (The Shepherds of Arcadia), second version, (1637-1638). Oil on canvas (85 x 121 cm). Louvre Museum. Paris, France.
Head of female statue. A marble copy of a gold-and-ivory statue of the Classical period (5th-4th century BC) it represents a goddess, perhaps Aphrodite. The colour that has leaked below her eyes is a product of the oxidation of the statue's bronze eyelashed. 2nd century AD. Acropolis Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-female-statue-a-marble-copy-of-a-gold-and-ivory-statue-of-the-classical-period-5th-4th-century-bc-it-represents-a-goddess-perhaps-aphrodite-the-colour-that-has-leaked-below-her-eyes-is-a-product-of-the-oxidation-of-the-statues-bronze-eyelashed-2nd-century-ad-acropolis-museum-athens-greece-image182767555.html
RMMH9NTK–Head of female statue. A marble copy of a gold-and-ivory statue of the Classical period (5th-4th century BC) it represents a goddess, perhaps Aphrodite. The colour that has leaked below her eyes is a product of the oxidation of the statue's bronze eyelashed. 2nd century AD. Acropolis Museum. Athens. Greece.
Plato (428 BC-348/347 BC). Greek philosopher, student of Socrates. Founder of the Academy. Watercolor. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plato-428-bc-348347-bc-greek-philosopher-student-of-socrates-founder-of-the-academy-watercolor-image261768779.html
RMW5TGMY–Plato (428 BC-348/347 BC). Greek philosopher, student of Socrates. Founder of the Academy. Watercolor.
Roman times. From left to right: 4- tribune costume, 5 and 6- actors. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-times-from-left-to-right-4-tribune-costume-5-and-6-actors-chromolithography-historia-universal-by-csar-cant-volume-ii-1881-image551035534.html
RM2R0DRCE–Roman times. From left to right: 4- tribune costume, 5 and 6- actors. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881.
Greece. Kritios Boy. Early Clasical period of ancient Greek sculpture. Attributed by Kritios. Marble. C. 480 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greece-kritios-boy-early-clasical-period-of-ancient-greek-sculpture-74766529.html
RME9HWD5–Greece. Kritios Boy. Early Clasical period of ancient Greek sculpture. Attributed by Kritios. Marble. C. 480 BC.
West frieze of Parthenon, Acropolis of Athens. Greece. W VII, 13-14. Panatheniac procession. Two Horseman. Figure 14, wearing a panther skin over his chito, components of Thracian dress. Supervised by Phidias. 5th century BC. Acropolis Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/west-frieze-of-parthenon-acropolis-of-athens-greece-w-vii-13-14-panatheniac-procession-two-horseman-figure-14-wearing-a-panther-skin-over-his-chito-components-of-thracian-dress-supervised-by-phidias-5th-century-bc-acropolis-museum-athens-greece-image183131563.html
RMMHXA4Y–West frieze of Parthenon, Acropolis of Athens. Greece. W VII, 13-14. Panatheniac procession. Two Horseman. Figure 14, wearing a panther skin over his chito, components of Thracian dress. Supervised by Phidias. 5th century BC. Acropolis Museum. Athens. Greece.
Customs in Ancient Greece. Chromolithography. La Civilizacion (The Civilization), volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/customs-in-ancient-greece-chromolithography-la-civilizacion-the-civilization-volume-ii-1881-image227080505.html
RMR5CBE1–Customs in Ancient Greece. Chromolithography. La Civilizacion (The Civilization), volume II, 1881.
Head of Hermes. Probably a bigger part of a slab with face in high relief. 2nd century AD. From Serdica. National Archaeological Museum. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-hermes-probably-a-bigger-part-of-a-slab-with-face-in-high-relief-2nd-century-ad-from-serdica-national-archaeological-museum-sofia-bulgaria-image595295791.html
RM2WGE1RY–Head of Hermes. Probably a bigger part of a slab with face in high relief. 2nd century AD. From Serdica. National Archaeological Museum. Sofia. Bulgaria.
Zeus. Head of a marble statue. Second half of the 2nd century AD. From Gigen (Ulpia Oescus), Pleven region, Bulgaria. National Archaeological Museum. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zeus-head-of-a-marble-statue-second-half-of-the-2nd-century-ad-from-gigen-ulpia-oescus-pleven-region-bulgaria-national-archaeological-museum-sofia-bulgaria-image595472162.html
RM2WGP2PX–Zeus. Head of a marble statue. Second half of the 2nd century AD. From Gigen (Ulpia Oescus), Pleven region, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
Athena. Head of a marble statue. 2nd century AD. From the ancient city of Philippi, Greece. National Archaeological Museum. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/athena-head-of-a-marble-statue-2nd-century-ad-from-the-ancient-city-of-philippi-greece-national-archaeological-museum-sofia-bulgaria-image595472142.html
RM2WGP2P6–Athena. Head of a marble statue. 2nd century AD. From the ancient city of Philippi, Greece. National Archaeological Museum. Sofia. Bulgaria.
Head from a statue of Apollo. Bronze. 2nd-3rd centuries AD. From Serdica (Sofia), Bulgaria. National Archaeological Museum. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-from-a-statue-of-apollo-bronze-2nd-3rd-centuries-ad-from-serdica-sofia-bulgaria-national-archaeological-museum-sofia-bulgaria-image595472238.html
RM2WGP2WJ–Head from a statue of Apollo. Bronze. 2nd-3rd centuries AD. From Serdica (Sofia), Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
Acroterion. 2nd century AD. From the Sanctuary of the Nymphs and Aphrodite. Kasnakovo, Haskovo region, Bulgaria. National Archaeological Museum. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/acroterion-2nd-century-ad-from-the-sanctuary-of-the-nymphs-and-aphrodite-kasnakovo-haskovo-region-bulgaria-national-archaeological-museum-sofia-bulgaria-image595747959.html
RM2WH6JGR–Acroterion. 2nd century AD. From the Sanctuary of the Nymphs and Aphrodite. Kasnakovo, Haskovo region, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
Head from a statue of Apollo. Bronze. 2nd-3rd centuries AD. From Serdica (Sofia), Bulgaria. National Archaeological Museum. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-from-a-statue-of-apollo-bronze-2nd-3rd-centuries-ad-from-serdica-sofia-bulgaria-national-archaeological-museum-sofia-bulgaria-image595472233.html
RM2WGP2WD–Head from a statue of Apollo. Bronze. 2nd-3rd centuries AD. From Serdica (Sofia), Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
Head of Hermes. Probably a bigger part of a slab with face in high relief. 2nd century AD. From Serdica. National Archaeological Museum. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-hermes-probably-a-bigger-part-of-a-slab-with-face-in-high-relief-2nd-century-ad-from-serdica-national-archaeological-museum-sofia-bulgaria-image595295784.html
RM2WGE1RM–Head of Hermes. Probably a bigger part of a slab with face in high relief. 2nd century AD. From Serdica. National Archaeological Museum. Sofia. Bulgaria.
Xenophon (430-354 BC). Historian and philosopher of Ancient Greece. Works. Book printed in 1516 in Florence by Filippo Giunta. Greek edition. It belonged to El Greco's private library. The annotations on the text are attributed to Antonio de Covarrubias. El Greco Museum. Toledo, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/xenophon-430-354-bc-historian-and-philosopher-of-ancient-greece-works-book-printed-in-1516-in-florence-by-filippo-giunta-greek-edition-it-belonged-to-el-grecos-private-library-the-annotations-on-the-text-are-attributed-to-antonio-de-covarrubias-el-greco-museum-toledo-spain-image474944001.html
RM2JGKFWN–Xenophon (430-354 BC). Historian and philosopher of Ancient Greece. Works. Book printed in 1516 in Florence by Filippo Giunta. Greek edition. It belonged to El Greco's private library. The annotations on the text are attributed to Antonio de Covarrubias. El Greco Museum. Toledo, Spain.
Dionysus (Bacchus). God of wine. Head of Dionysus. 1st and 2nd centuries AD. From Mértola, Beja district, Portugal. National Archaeology Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dionysus-bacchus-god-of-wine-head-of-dionysus-1st-and-2nd-centuries-ad-from-mrtola-beja-district-portugal-national-archaeology-museum-lisbon-portugal-image592430657.html
RM2WBRF9N–Dionysus (Bacchus). God of wine. Head of Dionysus. 1st and 2nd centuries AD. From Mértola, Beja district, Portugal. National Archaeology Museum. Lisbon, Portugal.
Fragment of a statuette depicting Eros riding a dolphin. Dated to around the 2nd century AD. Found in the Roman Villa of Milreu. Faro, Portugal. National Archaeology Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-a-statuette-depicting-eros-riding-a-dolphin-dated-to-around-the-2nd-century-ad-found-in-the-roman-villa-of-milreu-faro-portugal-national-archaeology-museum-lisbon-portugal-image592320257.html
RM2WBJEEW–Fragment of a statuette depicting Eros riding a dolphin. Dated to around the 2nd century AD. Found in the Roman Villa of Milreu. Faro, Portugal. National Archaeology Museum. Lisbon, Portugal.
The Indian Triumph of Bacchus. Roman mosaic panel. 3rd-4th centuries AD. Detail. From Torre de Palma Lusitan-Roman villa, Monforte, Portalegre district, Portugal. National Archaeology Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-indian-triumph-of-bacchus-roman-mosaic-panel-3rd-4th-centuries-ad-detail-from-torre-de-palma-lusitan-roman-villa-monforte-portalegre-district-portugal-national-archaeology-museum-lisbon-portugal-image592320484.html
RM2WBJER0–The Indian Triumph of Bacchus. Roman mosaic panel. 3rd-4th centuries AD. Detail. From Torre de Palma Lusitan-Roman villa, Monforte, Portalegre district, Portugal. National Archaeology Museum. Lisbon, Portugal.
Dionysus (Bacchus). God of wine. Bust of Dionysus. 2nd century AD. Found in the Roman Villa of Milreu. Faro, Portugal. National Archaeology Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dionysus-bacchus-god-of-wine-bust-of-dionysus-2nd-century-ad-found-in-the-roman-villa-of-milreu-faro-portugal-national-archaeology-museum-lisbon-portugal-image592430664.html
RM2WBRFA0–Dionysus (Bacchus). God of wine. Bust of Dionysus. 2nd century AD. Found in the Roman Villa of Milreu. Faro, Portugal. National Archaeology Museum. Lisbon, Portugal.
Apollo and Daphne. Roman mosaic panel. 3rd-4th centuries AD. Detail. From Torre de Palma Lusitan-Roman villa, Monforte, Portalegre district, Portugal. National Archaeology Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-and-daphne-roman-mosaic-panel-3rd-4th-centuries-ad-detail-from-torre-de-palma-lusitan-roman-villa-monforte-portalegre-district-portugal-national-archaeology-museum-lisbon-portugal-image592320460.html
RM2WBJEP4–Apollo and Daphne. Roman mosaic panel. 3rd-4th centuries AD. Detail. From Torre de Palma Lusitan-Roman villa, Monforte, Portalegre district, Portugal. National Archaeology Museum. Lisbon, Portugal.
Theseus and the Minotaur. Roman mosaic panel. 3rd-4th centuries AD. Detail. From Torre de Palma Lusitan-Roman villa, Monforte, Portalegre district, Portugal. National Archaeology Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theseus-and-the-minotaur-roman-mosaic-panel-3rd-4th-centuries-ad-detail-from-torre-de-palma-lusitan-roman-villa-monforte-portalegre-district-portugal-national-archaeology-museum-lisbon-portugal-image592320274.html
RM2WBJEFE–Theseus and the Minotaur. Roman mosaic panel. 3rd-4th centuries AD. Detail. From Torre de Palma Lusitan-Roman villa, Monforte, Portalegre district, Portugal. National Archaeology Museum. Lisbon, Portugal.
Voltaire (Francois Marie Arouet) (1694-1778). French writer of the Enlightenment. Portrait. Engraving by Geoffroy. 'Historia Universal', by César Cantú. Volume VI. 1857. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/voltaire-francois-marie-arouet-1694-1778-french-writer-of-the-enlightenment-portrait-engraving-by-geoffroy-historia-universal-by-csar-cant-volume-vi-1857-image490485187.html
RM2KDYET3–Voltaire (Francois Marie Arouet) (1694-1778). French writer of the Enlightenment. Portrait. Engraving by Geoffroy. 'Historia Universal', by César Cantú. Volume VI. 1857.
Socrates (ca. 470 BC - 399 BC). Greek philosopher. Accused of corrupting the youth, he was condemned to death by the Heliaia (Supreme Court of Ancient Athens). Death of Socrates. The scene shows Plato seated at the foot of the bed, in a meditative attitude. Engraving by A. Roca, based on the painting by Jacques-Louis David. 'Historia Universal', by César Cantú. Volume I, 1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/socrates-ca-470-bc-399-bc-greek-philosopher-accused-of-corrupting-the-youth-he-was-condemned-to-death-by-the-heliaia-supreme-court-of-ancient-athens-death-of-socrates-the-scene-shows-plato-seated-at-the-foot-of-the-bed-in-a-meditative-attitude-engraving-by-a-roca-based-on-the-painting-by-jacques-louis-david-historia-universal-by-csar-cant-volume-i-1854-image476799254.html
RM2JKM28P–Socrates (ca. 470 BC - 399 BC). Greek philosopher. Accused of corrupting the youth, he was condemned to death by the Heliaia (Supreme Court of Ancient Athens). Death of Socrates. The scene shows Plato seated at the foot of the bed, in a meditative attitude. Engraving by A. Roca, based on the painting by Jacques-Louis David. 'Historia Universal', by César Cantú. Volume I, 1854.
Etruscans. Clothing. From left to right: 1- Etruscan coat, 2- longer coat, 3- hooded coat, 4- chiton, 5- hooded women's coats. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscans-clothing-from-left-to-right-1-etruscan-coat-2-longer-coat-3-hooded-coat-4-chiton-5-hooded-womens-coats-chromolithography-historia-universal-by-csar-cant-volume-ii-1881-image551035505.html
RM2R0DRBD–Etruscans. Clothing. From left to right: 1- Etruscan coat, 2- longer coat, 3- hooded coat, 4- chiton, 5- hooded women's coats. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881.
Etruscans. Clothing. From left to right: 1- Etruscan coat, 2- longer coat, 3- hooded coat, 4- chiton, 5 and 6- hooded women's coats, 7- chiton. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscans-clothing-from-left-to-right-1-etruscan-coat-2-longer-coat-3-hooded-coat-4-chiton-5-and-6-hooded-womens-coats-7-chiton-chromolithography-historia-universal-by-csar-cant-volume-ii-1881-image551035513.html
RM2R0DRBN–Etruscans. Clothing. From left to right: 1- Etruscan coat, 2- longer coat, 3- hooded coat, 4- chiton, 5 and 6- hooded women's coats, 7- chiton. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881.
Numerical glyph depicting numeral 4. Palenque. Maya culture. Late Classic period (600-900 AD). Located on the facade of the Palace. It was collected in 1787 by captain Antonio del Rio. Stucco. Palenque, Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/numerical-glyph-depicting-numeral-4-palenque-maya-culture-late-classic-period-600-900-ad-located-on-the-facade-of-the-palace-it-was-collected-in-1787-by-captain-antonio-del-rio-stucco-palenque-mexico-museum-of-the-americas-madrid-spain-image263271741.html
RMW891P5–Numerical glyph depicting numeral 4. Palenque. Maya culture. Late Classic period (600-900 AD). Located on the facade of the Palace. It was collected in 1787 by captain Antonio del Rio. Stucco. Palenque, Mexico. Museum of the Americas. Madrid, Spain.
Angelo Massini (1844-1926). Italian tenor. Portrait. Engraving by Arturo Carretero. La Ilustración Española y Americana, 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angelo-massini-1844-1926-italian-tenor-portrait-engraving-by-arturo-carretero-la-ilustracin-espaola-y-americana-1882-image453038958.html
RM2H91KPP–Angelo Massini (1844-1926). Italian tenor. Portrait. Engraving by Arturo Carretero. La Ilustración Española y Americana, 1882.
Wolfgang Amadeus Mozart (1756-1791). Austrian composer. Portrait. Watercolor. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-wolfgang-amadeus-mozart-1756-1791-austrian-composer-portrait-watercolor-167425202.html
Spain, Madrid. Royal Palace. It was built by order of Philip V. The project was commissioned to Giovanni Battista Sachetti (1690-1764). Its construction began in 1738 and the building was completed in 1764. Facade. Architectural detail. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spain-madrid-royal-palace-it-was-built-by-order-of-philip-v-the-project-was-commissioned-to-giovanni-battista-sachetti-1690-1764-its-construction-began-in-1738-and-the-building-was-completed-in-1764-facade-architectural-detail-image340646409.html
RM2AP5NY5–Spain, Madrid. Royal Palace. It was built by order of Philip V. The project was commissioned to Giovanni Battista Sachetti (1690-1764). Its construction began in 1738 and the building was completed in 1764. Facade. Architectural detail.
Franz Schubert (1797-1828). Austrian composer. Entrance door to the house on Kettenbrückengasse 6. Apartment of his brother Ferdinand where Franz Schubert died on November 19, 1828. The Schubert Sterbewohnung is a small museum. Vienna, Austria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franz-schubert-1797-1828-austrian-composer-entrance-door-to-the-house-on-kettenbrckengasse-6-apartment-of-his-brother-ferdinand-where-franz-schubert-died-on-november-19-1828-the-schubert-sterbewohnung-is-a-small-museum-vienna-austria-image368332891.html
RM2CB70A3–Franz Schubert (1797-1828). Austrian composer. Entrance door to the house on Kettenbrückengasse 6. Apartment of his brother Ferdinand where Franz Schubert died on November 19, 1828. The Schubert Sterbewohnung is a small museum. Vienna, Austria.
Collection of Classical Antiquities. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-collection-of-classical-antiquities-the-state-hermitage-museum-saint-101594859.html
RMFW817R–Collection of Classical Antiquities. The State Hermitage Museum. Saint Petersburg. Russia.
Mexico. Yaxchilan. Temple of Labyrinth. Late Classical period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mexico-yaxchilan-temple-of-labyrinth-late-classical-period-111772380.html
RMGDRJPM–Mexico. Yaxchilan. Temple of Labyrinth. Late Classical period.
Mexico. Yaxchilan. Temple of Labyrinth. Late Classical period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mexico-yaxchilan-temple-of-labyrinth-late-classical-period-111772383.html
RMGDRJPR–Mexico. Yaxchilan. Temple of Labyrinth. Late Classical period.
Ny Carlsberg Glyptotek. Copenhagen. Inside. Room dedicated to classical sculpture. Copenhagen. Denmark. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ny-carlsberg-glyptotek-copenhagen-inside-room-dedicated-to-classical-92830805.html
The State Hermitage Museum. Collection of Classical Antiquities. Statues hall. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-state-hermitage-museum-collection-of-classical-antiquities-statues-101192813.html
RMFTHMD1–The State Hermitage Museum. Collection of Classical Antiquities. Statues hall. Saint Petersburg. Russia.
The State Hermitage Museum. Collection of Classical Antiquities. Statues hall. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-state-hermitage-museum-collection-of-classical-antiquities-statues-101594850.html
RMFW817E–The State Hermitage Museum. Collection of Classical Antiquities. Statues hall. Saint Petersburg. Russia.
Olympia Stadium. Classical period. Olympia. Ilia Province. Peloponnese region. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-olympia-stadium-classical-period-olympia-ilia-province-peloponnese-40239004.html
RMC9D178–Olympia Stadium. Classical period. Olympia. Ilia Province. Peloponnese region. Greece.
Odessa Archaeological Museum. Ukraine. General view of one of the rooms devoted to classical civilizations (Romans and Greeks). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/odessa-archaeological-museum-ukraine-general-view-of-one-of-the-rooms-devoted-to-classical-civilizations-romans-and-greeks-image229754861.html
RMR9P6JN–Odessa Archaeological Museum. Ukraine. General view of one of the rooms devoted to classical civilizations (Romans and Greeks).
Classical theatre. Theatrical masks made in terracotta. Kerch Historical and Archaeological Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-classical-theatre-theatrical-masks-made-in-terracotta-kerch-historical-54081221.html
RMD3YH45–Classical theatre. Theatrical masks made in terracotta. Kerch Historical and Archaeological Museum.
Italy. Rome. Altemps Palace. National Museum. Interior room with statues of classical mythology. Hercules and Asclepius. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-italy-rome-altemps-palace-national-museum-interior-room-with-statues-162652853.html
RMKCHDAD–Italy. Rome. Altemps Palace. National Museum. Interior room with statues of classical mythology. Hercules and Asclepius.
Mayas. Uxmal city. Classical period. Pyramid ot the Magician. Yucatan. Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mayas-uxmal-city-classical-period-pyramid-ot-the-magician-yucatan-108845181.html
RMG9293W–Mayas. Uxmal city. Classical period. Pyramid ot the Magician. Yucatan. Mexico.
Mayas. Uxmal city. Classical period. Pyramid ot the Magician. Yucatan. Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mayas-uxmal-city-classical-period-pyramid-ot-the-magician-yucatan-107127005.html
RMG681GD–Mayas. Uxmal city. Classical period. Pyramid ot the Magician. Yucatan. Mexico.
Nicolas Poussin (1594-1665). Painter of the classical French Baroque style. Self-portrait. 1650. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nicolas-poussin-1594-1665-painter-of-the-classical-french-baroque-83552673.html
RMERX481–Nicolas Poussin (1594-1665). Painter of the classical French Baroque style. Self-portrait. 1650. Louvre Museum. Paris. France.
Italy. Pavia. The Regisole (Sun King). Bronze classical equestrian monument. Copy by Francesco Messina according with original. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-pavia-the-regisole-sun-king-bronze-classical-equestrian-monument-53455552.html
RMD2Y32T–Italy. Pavia. The Regisole (Sun King). Bronze classical equestrian monument. Copy by Francesco Messina according with original.
Italy. Pavia. The Regisole (Sun King). Bronze classical equestrian monument. Copy by Francesco Messina according with original. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-pavia-the-regisole-sun-king-bronze-classical-equestrian-monument-53455554.html
RMD2Y32X–Italy. Pavia. The Regisole (Sun King). Bronze classical equestrian monument. Copy by Francesco Messina according with original.
Italy. Pavia. The Regisole (Sun King). Bronze classical equestrian monument. Copy by Francesco Messina according with original. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-pavia-the-regisole-sun-king-bronze-classical-equestrian-monument-53455513.html
RMD2Y31D–Italy. Pavia. The Regisole (Sun King). Bronze classical equestrian monument. Copy by Francesco Messina according with original.
Phoenician art. Cyprus. Bearded man with votive offerings. Ca. 475-450 BC. Classical Period. Limestone. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-phoenician-art-cyprus-bearded-man-with-votive-offerings-ca-475-450-36498709.html
RMC3AJD9–Phoenician art. Cyprus. Bearded man with votive offerings. Ca. 475-450 BC. Classical Period. Limestone.
Diadumenos by sculptor Polyclitus. Ancient Greek sculpture. 420 BC. Classical era. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-diadumenos-by-sculptor-polyclitus-ancient-greek-sculpture-420-bc-classical-83050259.html
RMER37CK–Diadumenos by sculptor Polyclitus. Ancient Greek sculpture. 420 BC. Classical era. National Archaeological Museum. Athens. Greece.
Maya civilization. Uxmal city. Classical period. Puuc region. The altar or platform of Jaguars. Yucatan. Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maya-civilization-uxmal-city-classical-period-puuc-region-the-altar-107126995.html
RMG681G3–Maya civilization. Uxmal city. Classical period. Puuc region. The altar or platform of Jaguars. Yucatan. Mexico.
Anthropoid sarcophagus. 3rd quarter of 5th century BC. Marble. Classical Period. From Gazza (Palestine). Archaeological Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anthropoid-sarcophagus-3rd-quarter-of-5th-century-bc-marble-classical-71572728.html
RME4CBMT–Anthropoid sarcophagus. 3rd quarter of 5th century BC. Marble. Classical Period. From Gazza (Palestine). Archaeological Museum.
Doryphoros of Polykleitos. Greek statue, Classical era. C. 440 BC. Roman copy. National Archaeological Museum, Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-doryphoros-of-polykleitos-greek-statue-classical-era-c-440-bc-roman-125720895.html
RMH8F27Y–Doryphoros of Polykleitos. Greek statue, Classical era. C. 440 BC. Roman copy. National Archaeological Museum, Naples. Italy.
Parthenon. 447-432BC. Greek Classical period. Sculptures from the West Pediment. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-447-432bc-greek-classical-period-sculptures-from-the-west-78765145.html
RMEG41MW–Parthenon. 447-432BC. Greek Classical period. Sculptures from the West Pediment. British Museum. London. England. United Kingdom.
Greece. Athens. Parthenon West Pediment. Figure of Hermes. About 438-432 BC. High Classical. Attica. British Museum. London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greece-athens-parthenon-west-pediment-figure-of-hermes-about-438-432-72025281.html
RME550YD–Greece. Athens. Parthenon West Pediment. Figure of Hermes. About 438-432 BC. High Classical. Attica. British Museum. London.
Doryphoros of Polykleitos. Greek statue, Classical era. C. 440 BC. Roman copy. Head. National Archaeological Museum, Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-doryphoros-of-polykleitos-greek-statue-classical-era-c-440-bc-roman-125720896.html
RMH8F280–Doryphoros of Polykleitos. Greek statue, Classical era. C. 440 BC. Roman copy. Head. National Archaeological Museum, Naples. Italy.
Parthenon. South frieze. 447-432BC. Greek Classical period. Cavalry. XXXI panel. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-south-frieze-447-432bc-greek-classical-period-cavalry-xxxi-78765146.html
RMEG41MX–Parthenon. South frieze. 447-432BC. Greek Classical period. Cavalry. XXXI panel. British Museum. London. England. United Kingdom.
Parthenon Marbles. Classical Greek. C. 447-438 BC. Acropolis, Athens. East Pediment. Supervision by Phidias. The British Museum. London. UK. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-marbles-classical-greek-c-447-438-bc-acropolis-athens-east-116945985.html
RMGP79P9–Parthenon Marbles. Classical Greek. C. 447-438 BC. Acropolis, Athens. East Pediment. Supervision by Phidias. The British Museum. London. UK.
Phoenician art. Cyprus. 4th century BC. Classical Period. Grave marker depicting two men reclining at a banquet and a couple. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-phoenician-art-cyprus-4th-century-bc-classical-period-grave-marker-36498762.html
RMC3AJF6–Phoenician art. Cyprus. 4th century BC. Classical Period. Grave marker depicting two men reclining at a banquet and a couple.
Parthenon. South frieze. 447-432BC. Greek Classical period. Scene sacrifice. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-south-frieze-447-432bc-greek-classical-period-scene-sacrifice-78765147.html
RMEG41MY–Parthenon. South frieze. 447-432BC. Greek Classical period. Scene sacrifice. British Museum. London. England. United Kingdom.
Hercules (Roman mythology) or Heracles (Greek mythology). Hero of classical mythology. Engraving. Later colouration. Historia General de España by Father Mariana. Madrid, 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-roman-mythology-or-heracles-greek-mythology-hero-of-classical-mythology-engraving-later-colouration-historia-general-de-espaa-by-father-mariana-madrid-1852-image468029705.html
RM2J5CGJH–Hercules (Roman mythology) or Heracles (Greek mythology). Hero of classical mythology. Engraving. Later colouration. Historia General de España by Father Mariana. Madrid, 1852.
Parthenon. East side. 447-432BC. Greek Classical period. Frieze. The folding of the peplos. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-east-side-447-432bc-greek-classical-period-frieze-the-folding-78765161.html
RMEG41ND–Parthenon. East side. 447-432BC. Greek Classical period. Frieze. The folding of the peplos. British Museum. London. England. United Kingdom.
Parthenon Marbles. Classical Greek. Ca. 447-438 BC. Acropolis, Athens. Supervision by Phidias. The Cavalcade. South frieze. The British Museum. London. UK. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-marbles-classical-greek-ca-447-438-bc-acropolis-athens-supervision-116945986.html
RMGP79PA–Parthenon Marbles. Classical Greek. Ca. 447-438 BC. Acropolis, Athens. Supervision by Phidias. The Cavalcade. South frieze. The British Museum. London. UK.
Socrates (470-399 BC). Classical Greek philosopher. Roman copy from a Greek original bust, 380-360 BC. British Museum. London, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/socrates-470-399-bc-classical-greek-philosopher-roman-copy-from-a-greek-original-bust-380-360-bc-british-museum-london-england-image178452986.html
RMMA96GX–Socrates (470-399 BC). Classical Greek philosopher. Roman copy from a Greek original bust, 380-360 BC. British Museum. London, England.
Maya civilization. Uxmal city. Classical period. Puuc region. Nunery Quadrangle and the Ballcourt por playing Mesoamerican ballgame. Yucatan. Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maya-civilization-uxmal-city-classical-period-puuc-region-nunery-quadrangle-107126998.html
RMG681G6–Maya civilization. Uxmal city. Classical period. Puuc region. Nunery Quadrangle and the Ballcourt por playing Mesoamerican ballgame. Yucatan. Mexico.
Early Classical. Late Archaic. Guardian Sphinxes. Limestone. 470BC-450BC. Lycian. Xanthos, building H. Turkey. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-early-classical-late-archaic-guardian-sphinxes-limestone-470bc-450bc-78401078.html
RMEFFDAE–Early Classical. Late Archaic. Guardian Sphinxes. Limestone. 470BC-450BC. Lycian. Xanthos, building H. Turkey. British Museum. London. England. United Kingdom.
Classical Veracruz culture. Mexico. Incense burner. Figure in transformation. Man-Jaguar. Terracotta and pigments. 600-900. Israel Museum. Jerusalem. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-classical-veracruz-culture-mexico-incense-burner-figure-in-transformation-82165301.html
RMENJXK1–Classical Veracruz culture. Mexico. Incense burner. Figure in transformation. Man-Jaguar. Terracotta and pigments. 600-900. Israel Museum. Jerusalem.
Parthenon. 447-432BC. Greek Classical period. East frieze. Girls walking in procession with jugs and phiale. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-447-432bc-greek-classical-period-east-frieze-girls-walking-78765154.html
RMEG41N6–Parthenon. 447-432BC. Greek Classical period. East frieze. Girls walking in procession with jugs and phiale. British Museum. London. England. United Kingdom.
Neried Monument. Sculptured tomb from Xanthos. Classical Period Lycia. Kinik, Antalya province, Turkey. Built 4th century BC. T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-neried-monument-sculptured-tomb-from-xanthos-classical-period-lycia-71895315.html
RME4Y35R–Neried Monument. Sculptured tomb from Xanthos. Classical Period Lycia. Kinik, Antalya province, Turkey. Built 4th century BC. T
Neried Monument. Sculptured tomb from Xanthos. Classical Period Lycia. Kinik, Antalya province, Turkey. Built 4th century BC. T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-neried-monument-sculptured-tomb-from-xanthos-classical-period-lycia-71895323.html
RME4Y363–Neried Monument. Sculptured tomb from Xanthos. Classical Period Lycia. Kinik, Antalya province, Turkey. Built 4th century BC. T
Neried Monument. Sculptured tomb from Xanthos. Classical Period Lycia. Kinik, Antalya province, Turkey. Built 4th century BC. T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-neried-monument-sculptured-tomb-from-xanthos-classical-period-lycia-71893504.html
RME4Y0W4–Neried Monument. Sculptured tomb from Xanthos. Classical Period Lycia. Kinik, Antalya province, Turkey. Built 4th century BC. T
Plato (428/427-348/347 BC). Philosopher and mathematician in Classical Greece. Bust. 2nd-3rd C. AD. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-plato-428427-348347-bc-philosopher-and-mathematician-in-classical-83050263.html
RMER37CR–Plato (428/427-348/347 BC). Philosopher and mathematician in Classical Greece. Bust. 2nd-3rd C. AD. National Archaeological Museum. Athens. Greece.
Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Statue of Nereid. 390-380 BC. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nereid-monument-sculptured-tomb-from-xanthos-classical-period-lycia-78374633.html
RMEFE7J1–Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Statue of Nereid. 390-380 BC. British Museum. London. England. United Kingdom.
Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Statue of Nereid. 390-380 BC. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nereid-monument-sculptured-tomb-from-xanthos-classical-period-lycia-78374637.html
RMEFE7J5–Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Statue of Nereid. 390-380 BC. British Museum. London. England. United Kingdom.
Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Statue of Nereid. 390-380 BC. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nereid-monument-sculptured-tomb-from-xanthos-classical-period-lycia-78374628.html
RMEFE7HT–Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Statue of Nereid. 390-380 BC. British Museum. London. England. United Kingdom.
Ancient Greece. Classical-era Athens. Aspasia of Miletus (c. 470-400 BC). with her lover Pericles. Chromolithography. La Civilizacion (The Civilization), volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-greece-classical-era-athens-aspasia-of-miletus-c-470-400-bc-with-her-lover-pericles-chromolithography-la-civilizacion-the-civilization-volume-ii-1881-image227080503.html
RMR5CBDY–Ancient Greece. Classical-era Athens. Aspasia of Miletus (c. 470-400 BC). with her lover Pericles. Chromolithography. La Civilizacion (The Civilization), volume II, 1881.
Maya civilization. Classical period, 900-1224. Chichen Itza. A feathered serp sculpture at the base of one of the stairsways of El castillo. Yucatan. Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maya-civilization-classical-period-900-1224-chichen-itza-a-feathered-111772382.html
RMGDRJPP–Maya civilization. Classical period, 900-1224. Chichen Itza. A feathered serp sculpture at the base of one of the stairsways of El castillo. Yucatan. Mexico.
Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Statue of lion. Custodian. 390-380 BC. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nereid-monument-sculptured-tomb-from-xanthos-classical-period-lycia-78401116.html
RMEFFDBT–Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Statue of lion. Custodian. 390-380 BC. British Museum. London. England. United Kingdom.
Three Goddesses. Hestia, Dione and Aphrodite. From the East Pediment of the Parthenon, Athens. High Classical Greek. 438-432 BC. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-three-goddesses-hestia-dione-and-aphrodite-from-the-east-pediment-78770719.html
RMEG48RY–Three Goddesses. Hestia, Dione and Aphrodite. From the East Pediment of the Parthenon, Athens. High Classical Greek. 438-432 BC. British Museum. London. England. United Kingdom.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena, 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor: Phidias. General view. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-classical-temple-dedicated-to-athena-447-bc-432-bc-doric-order-architects-iktinos-and-callicrates-sculptor-phidias-general-view-image221474240.html
RMPT90J8–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena, 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor: Phidias. General view.
Parthenon. East side. 447-432BC. Greek Classical period. Scene form a procession of sacrificial victims. Young cow and herdsmen. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-east-side-447-432bc-greek-classical-period-scene-form-a-78765148.html
RMEG41N0–Parthenon. East side. 447-432BC. Greek Classical period. Scene form a procession of sacrificial victims. Young cow and herdsmen. British Museum. London. England. United Kingdom.
Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Battle. Greater podium frieze. 390-380 BC. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nereid-monument-sculptured-tomb-from-xanthos-classical-period-lycia-78374652.html
RMEFE7JM–Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Battle. Greater podium frieze. 390-380 BC. British Museum. London. England. United Kingdom.
Classical antiquity. Olympia. Remains of the ancient Gymnasium, north-West of the Altis. Large quadrangular building, with central court enclosed by Doric stoas. 2nd century BC. Elis region, Peloponnese, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/classical-antiquity-olympia-remains-of-the-ancient-gymnasium-north-west-of-the-altis-large-quadrangular-building-with-central-court-enclosed-by-doric-stoas-2nd-century-bc-elis-region-peloponnese-greece-image178729645.html
RMMANRDH–Classical antiquity. Olympia. Remains of the ancient Gymnasium, north-West of the Altis. Large quadrangular building, with central court enclosed by Doric stoas. 2nd century BC. Elis region, Peloponnese, Greece.
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