Study of a Dog, 1820–73, Black chalk heightened with white and red chalk, sheet: 6 15/16 x 9 3/4 in. (17.7 x 24.7 cm), Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-study-of-a-dog-182073-black-chalk-heightened-with-white-and-red-chalk-162537204.html
RMKCC5T4–Study of a Dog, 1820–73, Black chalk heightened with white and red chalk, sheet: 6 15/16 x 9 3/4 in. (17.7 x 24.7 cm), Drawings
Stag and Its Young, Sir Edwin Henry Landseer, 1820–73 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-stag-and-its-young-sir-edwin-henry-landseer-182073-162462794.html
RMKC8PXJ–Stag and Its Young, Sir Edwin Henry Landseer, 1820–73
Two Stags Running, Sir Edwin Henry Landseer, 1820–73 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-two-stags-running-sir-edwin-henry-landseer-182073-162556085.html
RMKCD1XD–Two Stags Running, Sir Edwin Henry Landseer, 1820–73
Study of a Dog Facing Left, Sir Edwin Henry Landseer, 1820–73 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-study-of-a-dog-facing-left-sir-edwin-henry-landseer-182073-162462790.html
RMKC8PXE–Study of a Dog Facing Left, Sir Edwin Henry Landseer, 1820–73
Study of a Dog Facing Right, Sir Edwin Henry Landseer, 1820–73 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-study-of-a-dog-facing-right-sir-edwin-henry-landseer-182073-162462795.html
RMKC8PXK–Study of a Dog Facing Right, Sir Edwin Henry Landseer, 1820–73
Episode 73 (Nanajusan dan), from the series Tales of Ise for the Asakusa Group (Asakusagawa Ise Monogatari), c. 1812, Kubo Shunman, Japanese, 1757–1820, Japan, Color woodblock print, shikishiban, surimono, 21.1 x 18.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/episode-73-nanajusan-dan-from-the-series-tales-of-ise-for-the-asakusa-group-asakusagawa-ise-monogatari-c-1812-kubo-shunman-japanese-17571820-japan-color-woodblock-print-shikishiban-surimono-211-x-183-cm-image328628310.html
RM2A2J8NA–Episode 73 (Nanajusan dan), from the series Tales of Ise for the Asakusa Group (Asakusagawa Ise Monogatari), c. 1812, Kubo Shunman, Japanese, 1757–1820, Japan, Color woodblock print, shikishiban, surimono, 21.1 x 18.3 cm
Georges Michel, The Mill of Montmartre, Georges Michel (French, Paris 1763–1843 Paris), probably ca. 1820, Oil on canvas, 29 x 40 in. (73.7 x 101.6 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/georges-michel-the-mill-of-montmartre-georges-michel-french-paris-17631843-paris-probably-ca-1820-oil-on-canvas-29-x-40-in-737-x-1016-cm-paintings-image344642669.html
RM2B0KR6N–Georges Michel, The Mill of Montmartre, Georges Michel (French, Paris 1763–1843 Paris), probably ca. 1820, Oil on canvas, 29 x 40 in. (73.7 x 101.6 cm), Paintings
Benjamin West, Sarah Ursula Rose, American, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), 1756, American, Oil on canvas, 29 x 23 3/8 in. (73.7 x 59.4 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benjamin-west-sarah-ursula-rose-american-benjamin-west-american-swarthmore-pennsylvania-17381820-london-1756-american-oil-on-canvas-29-x-23-38-in-737-x-594-cm-paintings-image344609359.html
RM2B0J8N3–Benjamin West, Sarah Ursula Rose, American, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), 1756, American, Oil on canvas, 29 x 23 3/8 in. (73.7 x 59.4 cm), Paintings
Charles C. Hofmann, View of the Schuylkill County Almshouse Property, American, Charles C. Hofmann (1820–1882), 1876, American, Oil on canvas, 28 3/4 x 38 7/8 in. (73 x 98.7 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-c-hofmann-view-of-the-schuylkill-county-almshouse-property-american-charles-c-hofmann-18201882-1876-american-oil-on-canvas-28-34-x-38-78-in-73-x-987-cm-paintings-image344609381.html
RM2B0J8NW–Charles C. Hofmann, View of the Schuylkill County Almshouse Property, American, Charles C. Hofmann (1820–1882), 1876, American, Oil on canvas, 28 3/4 x 38 7/8 in. (73 x 98.7 cm), Paintings
Benjamin West, Moses Shown the Promised Land, American, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), 1801, American, Oil on wood, 19 3/4 x 28 3/4 in. (50.2 x 73 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benjamin-west-moses-shown-the-promised-land-american-benjamin-west-american-swarthmore-pennsylvania-17381820-london-1801-american-oil-on-wood-19-34-x-28-34-in-502-x-73-cm-paintings-image344609407.html
RM2B0J8PR–Benjamin West, Moses Shown the Promised Land, American, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), 1801, American, Oil on wood, 19 3/4 x 28 3/4 in. (50.2 x 73 cm), Paintings
Descent of Charles and Robert in the presence of the Duke of Chartres, Jacques Alexandre César Charles (1746-1823) and Nicolas-Louis Robert aka Marie-Noël Robert (1760 1820) after the landing of the Hydrogen Balloon in Nesles-la-Vallée on December 1, 1783, and Louis-Philippe II Joseph, de Bourbon, duc d'Orléans, Signed: A. Tissandier; Tellier, Fig. 18, p. 73, Tissandier, Albert (dess.); Tellier, Edmond (sc.), 1876, Alfred Sircos; Th. Pallier: Histoire des ballons et des ascensions célèbres avec une préface de Nadar: dessins de A. Tissandier [...]. Paris: F. Roy, 1876 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/descent-of-charles-and-robert-in-the-presence-of-the-duke-of-chartres-jacques-alexandre-csar-charles-1746-1823-and-nicolas-louis-robert-aka-marie-nol-robert-1760-1820-after-the-landing-of-the-hydrogen-balloon-in-nesles-la-valle-on-december-1-1783-and-louis-philippe-ii-joseph-de-bourbon-duc-dorlans-signed-a-tissandier-tellier-fig-18-p-73-tissandier-albert-dess-tellier-edmond-sc-1876-alfred-sircos-th-pallier-histoire-des-ballons-et-des-ascensions-clbres-avec-une-prface-de-nadar-dessins-de-a-tissandier-paris-f-roy-1876-image328750862.html
RM2A2RW26–Descent of Charles and Robert in the presence of the Duke of Chartres, Jacques Alexandre César Charles (1746-1823) and Nicolas-Louis Robert aka Marie-Noël Robert (1760 1820) after the landing of the Hydrogen Balloon in Nesles-la-Vallée on December 1, 1783, and Louis-Philippe II Joseph, de Bourbon, duc d'Orléans, Signed: A. Tissandier; Tellier, Fig. 18, p. 73, Tissandier, Albert (dess.); Tellier, Edmond (sc.), 1876, Alfred Sircos; Th. Pallier: Histoire des ballons et des ascensions célèbres avec une préface de Nadar: dessins de A. Tissandier [...]. Paris: F. Roy, 1876
Sideboard, c. 1820, Attributed to Edward Priestley, American, 1778–1837, Baltimore, Baltimore, Mahogany, 114.3 × 186.7 × 64.8 cm (45 × 73 1/2 × 25 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sideboard-c-1820-attributed-to-edward-priestley-american-17781837-baltimore-baltimore-mahogany-1143-1867-648-cm-45-73-12-25-12-in-image328664362.html
RM2A2KXMX–Sideboard, c. 1820, Attributed to Edward Priestley, American, 1778–1837, Baltimore, Baltimore, Mahogany, 114.3 × 186.7 × 64.8 cm (45 × 73 1/2 × 25 1/2 in
Coverlet, 1820/30, United States, Kentucky, Warren County, Kentucky, Cotton and wool, plain weave with supplementary patterning wefts (overshot), two loom widths joined, fringed, 226.5 x 186.5 cm (89 1/4 x 73 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coverlet-182030-united-states-kentucky-warren-county-kentucky-cotton-and-wool-plain-weave-with-supplementary-patterning-wefts-overshot-two-loom-widths-joined-fringed-2265-x-1865-cm-89-14-x-73-12-in-image328617333.html
RM2A2HPN9–Coverlet, 1820/30, United States, Kentucky, Warren County, Kentucky, Cotton and wool, plain weave with supplementary patterning wefts (overshot), two loom widths joined, fringed, 226.5 x 186.5 cm (89 1/4 x 73 1/2 in
Jeanne d’Arc (Joan of Arc) (Furnishing Fabric), c. 1820, Fleury Francois Richard (French, 1777-1852), France, Rouen, Rouen, Cotton, plain weave, engraved roller printed, 40.1 x 73.6 cm (15 3/4 x 30 1/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jeanne-darc-joan-of-arc-furnishing-fabric-c-1820-fleury-francois-richard-french-1777-1852-france-rouen-rouen-cotton-plain-weave-engraved-roller-printed-401-x-736-cm-15-34-x-30-18-in-image328652339.html
RM2A2KBBF–Jeanne d’Arc (Joan of Arc) (Furnishing Fabric), c. 1820, Fleury Francois Richard (French, 1777-1852), France, Rouen, Rouen, Cotton, plain weave, engraved roller printed, 40.1 x 73.6 cm (15 3/4 x 30 1/8 in
Coverlet, 1820/40, United States, Probably Pennsylvania, Pennsylvania, Cotton and wool, plain weave with supplementary wefts in composite point twill weave (star, work, multiple shaft), two loom widths joined, 201.6 x 186 cm (79 3/8 x 73 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coverlet-182040-united-states-probably-pennsylvania-pennsylvania-cotton-and-wool-plain-weave-with-supplementary-wefts-in-composite-point-twill-weave-star-work-multiple-shaft-two-loom-widths-joined-2016-x-186-cm-79-38-x-73-14-in-image328664000.html
RM2A2KX80–Coverlet, 1820/40, United States, Probably Pennsylvania, Pennsylvania, Cotton and wool, plain weave with supplementary wefts in composite point twill weave (star, work, multiple shaft), two loom widths joined, 201.6 x 186 cm (79 3/8 x 73 1/4 in
Shakespeare and His Friends at the Mermaid Tavern, Print made by James Faed Sr., 1821–1911, British, after John Faed, 1820–1902, British, 1850, Engraving on thick beige slightly textured wove paper, Sheet: 29 x 34 inches (73.7 x 86.4 cm), food, portrait, tavern Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shakespeare-and-his-friends-at-the-mermaid-tavern-print-made-by-james-faed-sr-18211911-british-after-john-faed-18201902-british-1850-engraving-on-thick-beige-slightly-textured-wove-paper-sheet-29-x-34-inches-737-x-864-cm-food-portrait-tavern-image389815048.html
RM2DJ5H20–Shakespeare and His Friends at the Mermaid Tavern, Print made by James Faed Sr., 1821–1911, British, after John Faed, 1820–1902, British, 1850, Engraving on thick beige slightly textured wove paper, Sheet: 29 x 34 inches (73.7 x 86.4 cm), food, portrait, tavern
The Age, Brighton Coach, at the Bull and Mouth Regent Circus, Charles Hunt, 1803–1877, British, George Hunt, active 1820–1840, British, after E. F. Lambert, active 1790–1846, 1829, Aquatint, hand-colored, Sheet: 20 1/2 x 29in. (52.1 x 73.7cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-age-brighton-coach-at-the-bull-and-mouth-regent-circus-charles-hunt-18031877-british-george-hunt-active-18201840-british-after-e-f-lambert-active-17901846-1829-aquatint-hand-colored-sheet-20-12-x-29in-521-x-737cm-image389770733.html
RM2DJ3GF9–The Age, Brighton Coach, at the Bull and Mouth Regent Circus, Charles Hunt, 1803–1877, British, George Hunt, active 1820–1840, British, after E. F. Lambert, active 1790–1846, 1829, Aquatint, hand-colored, Sheet: 20 1/2 x 29in. (52.1 x 73.7cm
Charles Severin, (artist), American, born 1808/1820, Peytona and Fashion's Great Match, published 1845, lithograph in black and beige on wove paper, image: 48 x 73.5 cm (18 7/8 x 28 15/16 in.), sheet: 60.2 x 92.8 cm (23 11/16 x 36 9/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-severin-artist-american-born-18081820-peytona-and-fashions-great-match-published-1845-lithograph-in-black-and-beige-on-wove-paper-image-48-x-735-cm-18-78-x-28-1516-in-sheet-602-x-928-cm-23-1116-x-36-916-in-image386247029.html
RM2DCB20N–Charles Severin, (artist), American, born 1808/1820, Peytona and Fashion's Great Match, published 1845, lithograph in black and beige on wove paper, image: 48 x 73.5 cm (18 7/8 x 28 15/16 in.), sheet: 60.2 x 92.8 cm (23 11/16 x 36 9/16 in
John Constable, (artist), British, 1776 - 1837, Salisbury Cathedral from Lower Marsh Close, 1820, oil on canvas, overall: 73 x 91 cm (28 3/4 x 35 13/16 in.), framed: 97.1 x 115.6 x 10.7 cm (38 1/4 x 45 1/2 x 4 3/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-constable-artist-british-1776-1837-salisbury-cathedral-from-lower-marsh-close-1820-oil-on-canvas-overall-73-x-91-cm-28-34-x-35-1316-in-framed-971-x-1156-x-107-cm-38-14-x-45-12-x-4-316-in-image386266155.html
RM2DCBXBR–John Constable, (artist), British, 1776 - 1837, Salisbury Cathedral from Lower Marsh Close, 1820, oil on canvas, overall: 73 x 91 cm (28 3/4 x 35 13/16 in.), framed: 97.1 x 115.6 x 10.7 cm (38 1/4 x 45 1/2 x 4 3/16 in
The Avon Gorge, Looking toward Clifton, Francis Danby, 1793–1861, Irish, ca. 1820, Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper, Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm), birds, boats, canal, cliffs, costume, evolution, fossils, geology, gorge, landscape, limestone, pointing, river, science, umbrella, Avon, Clifton, England, Lancashire, United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-avon-gorge-looking-toward-clifton-francis-danby-17931861-irish-ca-1820-watercolor-gouache-and-graphite-with-scraping-out-on-medium-moderately-textured-cream-wove-paper-sheet-19-14-x-28-34-inches-489-x-73-cm-birds-boats-canal-cliffs-costume-evolution-fossils-geology-gorge-landscape-limestone-pointing-river-science-umbrella-avon-clifton-england-lancashire-united-kingdom-image389865066.html
RM2DJ7TTA–The Avon Gorge, Looking toward Clifton, Francis Danby, 1793–1861, Irish, ca. 1820, Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper, Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm), birds, boats, canal, cliffs, costume, evolution, fossils, geology, gorge, landscape, limestone, pointing, river, science, umbrella, Avon, Clifton, England, Lancashire, United Kingdom
Seran Raja's Palace, Print made by Robert Havell, 1769–1832, British, and Robert Havell Jr., 1793–1878, American, Thomas Baines, 1820–1875, British, Published by Rodwell & Martin, active 1819–1835, British, 1820, Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper, Sheet: 21 1/4 x 29 inches (54 x 73.7 cm), architectural subject, Hinduism, landscape, men, mountains, palace, temple, village, Asia, Bhimakali Temple, Himachal Pradesh, India, Sarahan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seran-rajas-palace-print-made-by-robert-havell-17691832-british-and-robert-havell-jr-17931878-american-thomas-baines-18201875-british-published-by-rodwell-martin-active-18191835-british-1820-aquatint-with-hand-coloring-on-moderately-thick-moderately-textured-cream-wove-paper-sheet-21-14-x-29-inches-54-x-737-cm-architectural-subject-hinduism-landscape-men-mountains-palace-temple-village-asia-bhimakali-temple-himachal-pradesh-india-sarahan-image389813288.html
RM2DJ5ER4–Seran Raja's Palace, Print made by Robert Havell, 1769–1832, British, and Robert Havell Jr., 1793–1878, American, Thomas Baines, 1820–1875, British, Published by Rodwell & Martin, active 1819–1835, British, 1820, Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper, Sheet: 21 1/4 x 29 inches (54 x 73.7 cm), architectural subject, Hinduism, landscape, men, mountains, palace, temple, village, Asia, Bhimakali Temple, Himachal Pradesh, India, Sarahan
Benjamin West, (painter), American, 1738 - 1820, The Expulsion of Adam and Eve from Paradise, 1791, oil on canvas, overall: 186.8 x 278.1 cm (73 9/16 x 109 1/2 in.), By 1779, Benjamin West had conceived his life's 'great work,' intending to rebuild the Royal Chapel at Windsor Castle as a shrine to Revealed Religion. After sponsoring the elaborate scheme for two decades, George III abruptly canceled it in 1801. Though the overall project was abandoned, many individual paintings, including this nine–foot–long, Expulsion, were completed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benjamin-west-painter-american-1738-1820-the-expulsion-of-adam-and-eve-from-paradise-1791-oil-on-canvas-overall-1868-x-2781-cm-73-916-x-109-12-in-by-1779-benjamin-west-had-conceived-his-lifes-great-work-intending-to-rebuild-the-royal-chapel-at-windsor-castle-as-a-shrine-to-revealed-religion-after-sponsoring-the-elaborate-scheme-for-two-decades-george-iii-abruptly-canceled-it-in-1801-though-the-overall-project-was-abandoned-many-individual-paintings-including-this-ninefootlong-expulsion-were-completed-image386287711.html
RM2DCCWWK–Benjamin West, (painter), American, 1738 - 1820, The Expulsion of Adam and Eve from Paradise, 1791, oil on canvas, overall: 186.8 x 278.1 cm (73 9/16 x 109 1/2 in.), By 1779, Benjamin West had conceived his life's 'great work,' intending to rebuild the Royal Chapel at Windsor Castle as a shrine to Revealed Religion. After sponsoring the elaborate scheme for two decades, George III abruptly canceled it in 1801. Though the overall project was abandoned, many individual paintings, including this nine–foot–long, Expulsion, were completed
The Apotheosis of Nelson, Benjamin West, 1738–1820, American, active in Britain (from 1763), 1807, Oil on canvas, Support (PTG): 39 1/2 x 29 inches (100.3 x 73.7 cm), admiral, allegory, architectural subject, babies, cannon, cannonballs, cherubs, children, columns (architectural elements), costume, death, divine, engraving (incising), flags, hero, laurel, lifting, lion, memorial, men, military art, monument, mythology, painting (visual work), raising (lifting), relief (sculpture), sculpture, sea, shelf, ships, soldiers, sword, triumph, trompe-l'oeil, women Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-apotheosis-of-nelson-benjamin-west-17381820-american-active-in-britain-from-1763-1807-oil-on-canvas-support-ptg-39-12-x-29-inches-1003-x-737-cm-admiral-allegory-architectural-subject-babies-cannon-cannonballs-cherubs-children-columns-architectural-elements-costume-death-divine-engraving-incising-flags-hero-laurel-lifting-lion-memorial-men-military-art-monument-mythology-painting-visual-work-raising-lifting-relief-sculpture-sculpture-sea-shelf-ships-soldiers-sword-triumph-trompe-loeil-women-image389770480.html
RM2DJ3G68–The Apotheosis of Nelson, Benjamin West, 1738–1820, American, active in Britain (from 1763), 1807, Oil on canvas, Support (PTG): 39 1/2 x 29 inches (100.3 x 73.7 cm), admiral, allegory, architectural subject, babies, cannon, cannonballs, cherubs, children, columns (architectural elements), costume, death, divine, engraving (incising), flags, hero, laurel, lifting, lion, memorial, men, military art, monument, mythology, painting (visual work), raising (lifting), relief (sculpture), sculpture, sea, shelf, ships, soldiers, sword, triumph, trompe-l'oeil, women
Charles-Melchior Descourtis (French, 1753-1820) after Jean-François Schall (French, died 1812). Mischievous Boys (Les Espiègles) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-melchior-descourtis-french-1753-1820-after-jean-franois-schall-77325564.html
RMEDPDF8–Charles-Melchior Descourtis (French, 1753-1820) after Jean-François Schall (French, died 1812). Mischievous Boys (Les Espiègles)
Ciconia abdimii, Print, The Abdim's stork (Ciconia abdimii), also known as white-bellied stork, is a black stork with grey legs, red knees and feet, grey bill and white underparts. It has red facial skin in front of the eye and blue skin near the bill in breeding season. It is the smallest species of stork, at 73 cm (29 in) and a weight of just over 1 kg (2.2 lbs). The female lays two to three eggs and is slightly smaller than the male., 1820-1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ciconia-abdimii-print-the-abdims-stork-ciconia-abdimii-also-known-as-white-bellied-stork-is-a-black-stork-with-grey-legs-red-knees-and-feet-grey-bill-and-white-underparts-it-has-red-facial-skin-in-front-of-the-eye-and-blue-skin-near-the-bill-in-breeding-season-it-is-the-smallest-species-of-stork-at-73-cm-29-in-and-a-weight-of-just-over-1-kg-22-lbs-the-female-lays-two-to-three-eggs-and-is-slightly-smaller-than-the-male-1820-1863-image328672739.html
RM2A2M9C3–Ciconia abdimii, Print, The Abdim's stork (Ciconia abdimii), also known as white-bellied stork, is a black stork with grey legs, red knees and feet, grey bill and white underparts. It has red facial skin in front of the eye and blue skin near the bill in breeding season. It is the smallest species of stork, at 73 cm (29 in) and a weight of just over 1 kg (2.2 lbs). The female lays two to three eggs and is slightly smaller than the male., 1820-1863
William Long, Huntsmen to his Grace the duke of Beaufort, on his Favorite Horse (Milkman), after Charles Hunt, 1803–1877, British, James Loder, active 1820–1857, British, 1836, Hand-colored aquatint, Sheet: 22 x 28 7/8in. (55.9 x 73.3cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-long-huntsmen-to-his-grace-the-duke-of-beaufort-on-his-favorite-horse-milkman-after-charles-hunt-18031877-british-james-loder-active-18201857-british-1836-hand-colored-aquatint-sheet-22-x-28-78in-559-x-733cm-image389770762.html
RM2DJ3GGA–William Long, Huntsmen to his Grace the duke of Beaufort, on his Favorite Horse (Milkman), after Charles Hunt, 1803–1877, British, James Loder, active 1820–1857, British, 1836, Hand-colored aquatint, Sheet: 22 x 28 7/8in. (55.9 x 73.3cm
Portrait of a Woman, Portrait of an Unknown Woman, Perhaps the Wife of J.W. Beynen. historical persons not known by name - BB - woman, Charles Howard Hodges, c. 1790 - c. 1820, canvas, oil paint (paint), h 73 cm × w 60 cm d 10.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-portrait-of-an-unknown-woman-perhaps-the-wife-of-jw-beynen-historical-persons-not-known-by-name-bb-woman-charles-howard-hodges-c-1790-c-1820-canvas-oil-paint-paint-h-73-cm-w-60-cm-d-104-cm-image261409284.html
RMW5865T–Portrait of a Woman, Portrait of an Unknown Woman, Perhaps the Wife of J.W. Beynen. historical persons not known by name - BB - woman, Charles Howard Hodges, c. 1790 - c. 1820, canvas, oil paint (paint), h 73 cm × w 60 cm d 10.4 cm
Portrait of a Man, perhaps J.W. Beynen, Portrait of a man, perhaps J.W. Beynen. Bust to the right. historical persons not known by name, Charles Howard Hodges, c. 1790 - c. 1820, canvas, oil paint (paint), h 73 cm × w 60 cm d 9.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-perhaps-jw-beynen-portrait-of-a-man-perhaps-jw-beynen-bust-to-the-right-historical-persons-not-known-by-name-charles-howard-hodges-c-1790-c-1820-canvas-oil-paint-paint-h-73-cm-w-60-cm-d-98-cm-image261409286.html
RMW5865X–Portrait of a Man, perhaps J.W. Beynen, Portrait of a man, perhaps J.W. Beynen. Bust to the right. historical persons not known by name, Charles Howard Hodges, c. 1790 - c. 1820, canvas, oil paint (paint), h 73 cm × w 60 cm d 9.8 cm
Death of Wilhelmina Frederica Louisa, Queen of the Netherlands, Silver Medal. Obverse: grieving woman, representing the Netherlands, wraps her arms around the veil, for which she holds a cypress wreath, on a pedestal, on which the corpse is, inscriptions against a pedestal within a circle, cut: signature. Reverse: inscription inner star wreath, Wilhelmina van Prussia (1751-1820), David van der Kellen (1804-1879), Utrecht, 1837, silver (metal), striking (metalworking), d 4.1 cm × w 21.73 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/death-of-wilhelmina-frederica-louisa-queen-of-the-netherlands-silver-medal-obverse-grieving-woman-representing-the-netherlands-wraps-her-arms-around-the-veil-for-which-she-holds-a-cypress-wreath-on-a-pedestal-on-which-the-corpse-is-inscriptions-against-a-pedestal-within-a-circle-cut-signature-reverse-inscription-inner-star-wreath-wilhelmina-van-prussia-1751-1820-david-van-der-kellen-1804-1879-utrecht-1837-silver-metal-striking-metalworking-d-41-cm-w-2173-image261386733.html
RMW575CD–Death of Wilhelmina Frederica Louisa, Queen of the Netherlands, Silver Medal. Obverse: grieving woman, representing the Netherlands, wraps her arms around the veil, for which she holds a cypress wreath, on a pedestal, on which the corpse is, inscriptions against a pedestal within a circle, cut: signature. Reverse: inscription inner star wreath, Wilhelmina van Prussia (1751-1820), David van der Kellen (1804-1879), Utrecht, 1837, silver (metal), striking (metalworking), d 4.1 cm × w 21.73
Infantry saber with scabbard Batavian Republic and Kingdom of Holland, 1805-1810, Copper hilt consisting of knob, grip cap, front bracket, two side brackets, half guard. Handle made of seal leather (or ray skin) wrapped with copper wire. Iron blade, black leather scabbard with copper top band with carrying button. Copper point, Batavian Republic, anonymous, 1805 - 1820, iron (metal), copper (metal), schede, sealskin, cutting, l 76.8 cm l 73.6 cm l 64 cm w 3.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/infantry-saber-with-scabbard-batavian-republic-and-kingdom-of-holland-1805-1810-copper-hilt-consisting-of-knob-grip-cap-front-bracket-two-side-brackets-half-guard-handle-made-of-seal-leather-or-ray-skin-wrapped-with-copper-wire-iron-blade-black-leather-scabbard-with-copper-top-band-with-carrying-button-copper-point-batavian-republic-anonymous-1805-1820-iron-metal-copper-metal-schede-sealskin-cutting-l-768-cm-l-736-cm-l-64-cm-w-38-cm-image261382338.html
RMW56YRE–Infantry saber with scabbard Batavian Republic and Kingdom of Holland, 1805-1810, Copper hilt consisting of knob, grip cap, front bracket, two side brackets, half guard. Handle made of seal leather (or ray skin) wrapped with copper wire. Iron blade, black leather scabbard with copper top band with carrying button. Copper point, Batavian Republic, anonymous, 1805 - 1820, iron (metal), copper (metal), schede, sealskin, cutting, l 76.8 cm l 73.6 cm l 64 cm w 3.8 cm
A Musical Party by Candlelight, music company by candlelight. Interior with a group of people who make music around a table. A standing boy plays the violin, two women sing from songbooks. A girl is playing on the floor by the light of a lantern with a cat. On the wall on the right a painting, above the fireplace a portrait bust., Michiel Versteegh, 1786 - 1820, panel, oil paint (paint), h 88.4 cm × w 73.9 cm × t 1.5 cm d 12.0 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-musical-party-by-candlelight-music-company-by-candlelight-interior-with-a-group-of-people-who-make-music-around-a-table-a-standing-boy-plays-the-violin-two-women-sing-from-songbooks-a-girl-is-playing-on-the-floor-by-the-light-of-a-lantern-with-a-cat-on-the-wall-on-the-right-a-painting-above-the-fireplace-a-portrait-bust-michiel-versteegh-1786-1820-panel-oil-paint-paint-h-884-cm-w-739-cm-t-15-cm-d-120-cm-image261413375.html
RMW58BBY–A Musical Party by Candlelight, music company by candlelight. Interior with a group of people who make music around a table. A standing boy plays the violin, two women sing from songbooks. A girl is playing on the floor by the light of a lantern with a cat. On the wall on the right a painting, above the fireplace a portrait bust., Michiel Versteegh, 1786 - 1820, panel, oil paint (paint), h 88.4 cm × w 73.9 cm × t 1.5 cm d 12.0 cm
Half Model of a Lugger, Polychromed mold model (starboard) of a three-mast. Eight gun ports indicated on one deck. Twisted mirror, large hollow wulf, clay flat fence, strong stern falling, straight rudder with square rudder king. The sheer runs forward, one bar wood. Peaked round truss, sharp underwater ship, very much steering load. Three masts, a bowsprit and a parrot pole are indicated. Scale approx. 1:33 (derived)., anonymous, Netherlands, c. 1780 - c. 1820, wood (plant material), h 25 cm × w 73 cm × d 10.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-model-of-a-lugger-polychromed-mold-model-starboard-of-a-three-mast-eight-gun-ports-indicated-on-one-deck-twisted-mirror-large-hollow-wulf-clay-flat-fence-strong-stern-falling-straight-rudder-with-square-rudder-king-the-sheer-runs-forward-one-bar-wood-peaked-round-truss-sharp-underwater-ship-very-much-steering-load-three-masts-a-bowsprit-and-a-parrot-pole-are-indicated-scale-approx-133-derived-anonymous-netherlands-c-1780-c-1820-wood-plant-material-h-25-cm-w-73-cm-d-105-cm-image261381356.html
RMW56XGC–Half Model of a Lugger, Polychromed mold model (starboard) of a three-mast. Eight gun ports indicated on one deck. Twisted mirror, large hollow wulf, clay flat fence, strong stern falling, straight rudder with square rudder king. The sheer runs forward, one bar wood. Peaked round truss, sharp underwater ship, very much steering load. Three masts, a bowsprit and a parrot pole are indicated. Scale approx. 1:33 (derived)., anonymous, Netherlands, c. 1780 - c. 1820, wood (plant material), h 25 cm × w 73 cm × d 10.5 cm
The Mill of Montmartre, Georges Michel, probably ca. 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-mill-of-montmartre-georges-michel-probably-ca-1820-162536766.html
RMKCC58E–The Mill of Montmartre, Georges Michel, probably ca. 1820
Sofa, ca. 1860, Made in New York, New York, United States, American, Maple, gilt bronze, 42 1/2 x 73 x 34 1/2 in. (108 x 185.4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sofa-ca-1860-made-in-new-york-new-york-united-states-american-maple-162399313.html
RMKC5WYD–Sofa, ca. 1860, Made in New York, New York, United States, American, Maple, gilt bronze, 42 1/2 x 73 x 34 1/2 in. (108 x 185.4
The Abbatial House, Abbey of St. Ouen, Rouen, John Sell Cotman, 1824–31 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-abbatial-house-abbey-of-st-ouen-rouen-john-sell-cotman-182431-162449568.html
RMKC8628–The Abbatial House, Abbey of St. Ouen, Rouen, John Sell Cotman, 1824–31
Door panel from the 'Cabinet Turc' of Comte d'Artois at Versailles, Attributed to Jean -Siméon Rousseau de la Rottière, 1781 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-door-panel-from-the-cabinet-turc-of-comte-dartois-at-versailles-attributed-162387252.html
RMKC5AGM–Door panel from the 'Cabinet Turc' of Comte d'Artois at Versailles, Attributed to Jean -Siméon Rousseau de la Rottière, 1781
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