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1820 73 Stock Photos and Images
RMKCC5T4–Study of a Dog, 1820–73, Black chalk heightened with white and red chalk, sheet: 6 15/16 x 9 3/4 in. (17.7 x 24.7 cm), Drawings
RF2HW5C8B–Art inspired by Two Stags Running, 1820–73, Brush and brown wash over graphite, Overall: 4 3/16 x 5 7/16in. (10.7 x 13.8cm), Drawings, Sir Edwin Henry Landseer (British, London 1802–1873 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA953K–Two Stags Running. Artist: Sir Edwin Henry Landseer (British, London 1802-1873 London). Dimensions: Overall: 4 3/16 x 5 7/16in. (10.7 x 13.8cm). Date: 1820-73. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW5C87–Art inspired by Study of a Dog Facing Left, 1820–73, Graphite, sheet: 5 5/16 x 7 3/16 in. (13.5 x 18.3 cm), Drawings, Sir Edwin Henry Landseer (British, London 1802–1873 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMT96G9C–John Tyndall (August 2, 1820 - December 4, 1893) was an Irish physicist and medical educator. Beginning in the late 1850s, Tyndall studied the action of radiant energy on the constituents of air. In 1893 he died from an accidental overdose of chloral hydrate. He was 73 years old. No photographer credited, undated.
RM2B2E4F1–The great ruins of the Colossi of Memnon in Luxor in south Egypt 73, raft of earthenware pitchers on the Nile 74, and women carrying water pitchers on their heads 74. Handcoloured copperplate engraving from Rev. Isaac Taylor’s Scenes in Africa for the Amusement and Instruction of Little Tarry-at-Home Travelers, Harris and Son, London, 1820.
RM2M6ABGF–Risorgimento - Celebration of Te Deum in Milan Cathedral at presence of kings of Italy and France, 1859 - Napoleon III (1808-73) and Victor Emmanuel II (1820-78) -
RM2HH7M79–Stag and Its Young 1820–73 Sir Edwin Henry Landseer British. Stag and Its Young. Sir Edwin Henry Landseer (British, London 1802–1873 London). 1820–73. Brush and brown wash over graphite. Drawings
RMT3JDWF–A sabre for a sapper, France, circa 1820 Slightly curved, single-edged blade (somewhat pitted and stained) with fullers on both sides, a double-edged point, and a 'CF.' for Coulaux Frères and an 'S' with star (Inspector F.C. Schmidt?) stamped on the ricasso. Two-piece brass hilt with a rooster head pommel and lion head masks and quillon finials. A '3' and 'GV' are stamped on the smooth grip. Black leather scabbard with brass mountings (locket loose). Length 92 cm. Blade length 73.5 cm. historic, historical, 19th century, thrusting, thrustings, bl, Additional-Rights-Clearance-Info-Not-Available
RM2HHF1TW–Study of a Dog 1820–73 Sir Edwin Henry Landseer British The careful preparations that underpinned Landseer's accomplishments as an animal painter are revealed here. Compared to traditional French three color chalk drawings, the Englishman's technique is rugged and focused on anatomy. His primary concern is with the distinctive shape of the dog's head and its intent expression. A lightly sketched human hand holding a cloth in the right foreground reveals how the animal's attention was held long enough for the artist to capture its form on paper.. Study of a Dog 342263
RM2AHP5DC–Francisco José de Goya y Lucientes. Feline pantomime, plate 73 from The Disasters of War. 1815–1820. Spain. Etching, burin, and burnishing on ivory wove paper with gilt edges
RM2E9FP6H–Mappa di Pozzuoli. Map information: Title: Mappa di Pozzuoli. 83.73. Former owner: George III, King of Great Britain, 1738-1820
RM2X424KT–240429-N-OZ224-1820 NAVAL STATION MAYPORT, Fla. (April 29, 2024) - Line handlers standby on the pier as the Nimitz-class aircraft carrier USS George Washington (CVN 73) pulls into Naval Station Mayport, April 29, 2024. George Washington is deployed as part of Southern Seas 2024 which seeks to enhance capability, improve interoperability, and strengthen maritime partnerships with countries throughout the U.S. Southern Command area of responsibility through joint, multinational and interagency exchanges and cooperation. (U.S. Navy photo by Mass Communication Specialist 1st Class Brandon J. Vi
RMPAA7TX–Stag and Its Young. Artist: Sir Edwin Henry Landseer (British, London 1802-1873 London). Dimensions: sheet: 4 1/8 x 5 3/8 in. (10.5 x 13.6 cm). Date: 1820-73. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW5C82–Art inspired by Study of a Dog Facing Right, 1820–73, Graphite, plate: 5 5/16 x 7 1/4 in. (13.5 x 18.4 cm), Drawings, Sir Edwin Henry Landseer (British, London 1802–1873 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMJ9BFBX–Merlin; Falco aesalon; Falco columbarius Linnaeus by Joseph Wolf (1820 1899), Pencil and watercolor heightened with bodycolor, white heightening and gum arabic. c. 1862 73, Arader Galleries, New York City
![Songs in honour of Queen Caroline. Caroline Triumphant. (The Poor Royal Stranger.-Britons Claim Her as Your Queen.-British Seamen's Address to their Queen.-The Wandering Boy.) [Songs; the first three on Queen Caroline's return to England.].. J. Pitts: [London, 1820.]. Source: 1852.b.9.(73). Language: English. Stock Photo](https://c8.alamy.com/comp/R529GJ/songs-in-honour-of-queen-caroline-caroline-triumphant-the-poor-royal-stranger-britons-claim-her-as-your-queen-british-seamens-address-to-their-queen-the-wandering-boy-songs-the-first-three-on-queen-carolines-return-to-england-j-pitts-london-1820-source-1852b973-language-english-R529GJ.jpg "Songs in honour of Queen Caroline. Caroline Triumphant. (The Poor Royal Stranger.-Britons Claim Her as Your Queen.-British Seamen's Address to their Queen.-The Wandering Boy.) [Songs; the first three on Queen Caroline's return to England.].. J. Pitts: [London, 1820.]. Source: 1852.b.9.(73). Language: English. Stock Photo")
RMR529GJ–Songs in honour of Queen Caroline. Caroline Triumphant. (The Poor Royal Stranger.-Britons Claim Her as Your Queen.-British Seamen's Address to their Queen.-The Wandering Boy.) [Songs; the first three on Queen Caroline's return to England.].. J. Pitts: [London, 1820.]. Source: 1852.b.9.(73). Language: English.
RM2W6DBEH–Merlin; Falco aesalon; Falco columbarius Linnaeus by Joseph Wolf (1820-1899), Pencil and watercolor heightened with bodycolor, white heightening and gum arabic. c. 1862-73, Arader Galleries, New York City.
RMT96G98–John Tyndall (August 2, 1820 - December 4, 1893) was an Irish physicist and medical educator. Beginning in the late 1850s, Tyndall studied the action of radiant energy on the constituents of air. In 1893 he died from an accidental overdose of chloral hydrate. He was 73 years old. Wood engraving, 1893, after Elliott & Fry.
RMFB5W2C–Syracuse, NY, USA. 9th Jan, 2016. Syracuse forward Michael Gbinije (0) looks to pass the ball as North Carolina defeated Syracuse 84-73 in front of 26,811 fans in an ACC matchup at the Carrier Dome in Syracuse, NY. Photo by Alan Schwartz/Cal Sport Media/Alamy Live News
RM2A2J8NA–Episode 73 (Nanajusan dan), from the series Tales of Ise for the Asakusa Group (Asakusagawa Ise Monogatari), c. 1812, Kubo Shunman, Japanese, 1757–1820, Japan, Color woodblock print, shikishiban, surimono, 21.1 x 18.3 cm
RMG02HKR–The 8th Flying Scotsman Rally crossing the Scottish Border over the Union Chain Bridge, Horncliffe, Northumberland.
RMPFYGKM–. Fresh-water biology. Freshwater biology. 62 (63) Furca normal, with two spines and two setae (Fig. 1278rf). Subgenus Cypris . 64 63 (62) Furca abnormal, the terminal seta missing (Fig. 1280c). Paracypris New Subgenus . 73 64 (65) Both spines of first maxillary process smooth 66 65 (64) Both spines of first maxillary process toothed (Fig. 1270 e). . 68 66 (67) Shell bluish black, with two yellowish areas in region of eye-spot (Fig. 1275 a). . Cypris {Cypris) virens Jurine 1820. Length 1.70 to 2.00 mm., height 0.90 to i.oo mm. Shell covered with short hairs, and left valve slightly overlapping
RMT3JDWG–A sabre for a sapper, France, circa 1820 Slightly curved, single-edged blade (somewhat pitted and stained) with fullers on both sides, a double-edged point, and a 'CF.' for Coulaux Frères and an 'S' with star (Inspector F.C. Schmidt?) stamped on the ricasso. Two-piece brass hilt with a rooster head pommel and lion head masks and quillon finials. A '3' and 'GV' are stamped on the smooth grip. Black leather scabbard with brass mountings (locket loose). Length 92 cm. Blade length 73.5 cm. historic, historical, 19th century, thrusting, thrustings, bl, Additional-Rights-Clearance-Info-Not-Available
RM2B6KJET–A bouquet Bouquet A bouquet bouquet object type: drawing watercolor Object number: RP-T-FM-73 Manufacturer : draftsman: Henriėtte Geertruida Cut Dated: ca. 1820 Physical characteristics: brush in color material: paper watercolor Technique: brush dimensions: h 462 mm × W 338 mm Subject : cut flowers; nosegay, bunch of flowers
![BERGVE. Map information: Title: BERGVE. 61.42. Date of publication: [about 1660] Item type: 1 map Medium: ink and wash Dimensions: 52.6 x 73 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FA2H/bergve-map-information-title-bergve-6142-date-of-publication-about-1660-item-type-1-map-medium-ink-and-wash-dimensions-526-x-73-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FA2H.jpg "BERGVE. Map information: Title: BERGVE. 61.42. Date of publication: [about 1660] Item type: 1 map Medium: ink and wash Dimensions: 52.6 x 73 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FA2H–BERGVE. Map information: Title: BERGVE. 61.42. Date of publication: [about 1660] Item type: 1 map Medium: ink and wash Dimensions: 52.6 x 73 cm Former owner: George III, King of Great Britain, 1738-1820
RMPAX8X6–Study of a Dog. Artist: Sir Edwin Henry Landseer (British, London 1802-1873 London). Dimensions: sheet: 6 15/16 x 9 3/4 in. (17.7 x 24.7 cm). Date: 1820-73. The careful preparations that underpinned Landseer's accomplishments as an animal painter are revealed here. Compared to traditional French three color chalk drawings, the Englishman's technique is rugged and focused on anatomy. His primary concern is with the distinctive shape of the dog's head and its intent expression. A lightly sketched human hand holding a cloth in the right foreground reveals how the animal's attention was held long
RF2HW5C8M–Art inspired by Stag and Its Young, 1820–73, Brush and brown wash over graphite, sheet: 4 1/8 x 5 3/8 in. (10.5 x 13.6 cm), Drawings, Sir Edwin Henry Landseer (British, London 1802–1873 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMYB4H7–. English: Lithographic print by Edward Beyer, published in his portfolio 'Album of Virginia' . 1857. Edward Beyer (1820-1865) 73 BeyerRedSulphurSprings
RF2HTXDAW–Art inspired by Study of a Dog, 1820–73, Black chalk heightened with white and red chalk, sheet: 6 15/16 x 9 3/4 in. (17.7 x 24.7 cm), Drawings, Sir Edwin Henry Landseer (British, London 1802–1873 London), The careful preparations that underpinned Landseer's accomplishments as an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMY67W8–. Posthumous equestrian portrait of Maharana Ari Singh (r. 1761-73). Mewar, circa 1820-40. Opaque watercolour with gold on wasli. 30.4 x 22.3cm The inscriptions inform that the artist was Memji, with two of the attendants named: Keso and Piro chabardar (the chawar/chauri-bearer). circa 1820-40. Unknown 361 Mewar Maharana Ari Singh
RF2HW8HP1–Art inspired by The Mill of Montmartre, probably ca. 1820, Oil on canvas, 29 x 40 in. (73.7 x 101.6 cm), Paintings, Georges Michel (French, Paris 1763–1843 Paris), In the first quarter of the nineteenth century Montmartre was still a picturesque suburb of Paris, where about forty, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2ANAGCH–Life and letters of DrWilliam Beaumont, including hitherto unpublished data concerning the case of Alexis StMartin . lilt 4. ^ H i^Ri -4 *> 1812 1820—Medical and Physical Journal 73
RMT96G96–Tyndall demonstrating a fog-horn to Queen Victoria and her entourage. John Tyndall (August 2, 1820 - December 4, 1893) was an Irish physicist and medical educator. Beginning in the late 1850s, Tyndall studied the action of radiant energy on the constituents of air. In 1893 he died from an accidental overdose of chloral hydrate. He was 73 years old. Engraving by Theodore Blake Wirgman, 1876.
RF2HW2F6P–Art inspired by Sofa, ca. 1860, Made in New York, New York, United States, American, Maple, gilt bronze, 42 1/2 x 73 x 34 1/2 in. (108 x 185.4 x 87.6 cm), Furniture, Léon Marcotte (1824–1887), This sofa is part of a suite of Louis XVI–style furniture that John Taylor Johnston (1820–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMFB5080–Syracuse, NY, USA. 9th Jan, 2016. Syracuse forward Michael Gbinije (0) looks to pass the ball during the second half of play as North Carolina defeated Syracuse 84-73 in front of 26,811 fans in an ACC matchup at the Carrier Dome in Syracuse, NY. Photo by Alan Schwartz/Cal Sport Media/Alamy Live News
RM2B0KR6N–Georges Michel, The Mill of Montmartre, Georges Michel (French, Paris 1763–1843 Paris), probably ca. 1820, Oil on canvas, 29 x 40 in. (73.7 x 101.6 cm), Paintings
RF2B8WN7R–Episode 73 (Nanajusan dan), from the series Tales of Ise for the Asakusa Group (Asakusagawa Ise Monogatari), c. 1812, Kubo Shunman, Japanese, 1757–1820, Japan, Color woodblock print, shikishiban, surimono, 21.1 x 18.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![Archive image from page 73 of Philipps, 1820 settler; his letters Philipps, 1820 settler; his letters dilixueziliao06zhon Year: 1960 70 m m m * . 1959 MOO 1200 lOOP 250 i X f Pi 7a Til 55 4 Bi:ka#3i»rrd:jii»jftE, iw-w j&80 30—50 ,0] 7K 100 i£*Jg* fc, ftTlf fi«F 77—85, MTf (10—3 ;§){££20 7o «E1?geJi, #(3—5 M) 25—41, (6—8 37—54 ,(9—11 ) 11—16, (12—2 fi)m&6—110 *fe e frmm-hzkn.& mwAt mm, m,Jz$c&xtT, mm—itumm- i£»7K#1£&£T3$ CC Sfc $ * fi: Pi ,11—2 4 fiti7m, 3|P10 tk; 4-9 jtko stoi&TJn*, m0 iz&mi&t 4,5,6,7 4 n£y£nfo,m&7mfi&& f 7Xf,,7K 6 , gfefiT £#&Sfc:iffj24.3 (IfUj>, (SSM&RniS 89b 'p-fcn&lh Stock Photo](https://c8.alamy.com/comp/T231XK/archive-image-from-page-73-of-philipps-1820-settler-his-letters-philipps-1820-settler-his-letters-dilixueziliao06zhon-year-1960-70-m-m-m-1959-moo-1200-loop-250-i-x-f-pi-7a-til-55-4-bika3irrdjiijfte-iw-w-j80-3050-0-7k-100-ijg-fc-fttlf-fif-7785-mtf-103-20-7o-e1geji-35-m-2541-68-3754-911-1116-122-fim6110-fe-e-frmm-hzkn-mwat-mm-mjzcxtt-mmitumm-i7k1t3-cc-sfc-fi-pi-112-4-fiti7m-3p10-tk-4-9-jtko-stoitjn-m0-izmit-4567-4-nynfom7mfi-f-7xf7k-6-gfefit-sfciffj243-ifujgt-ssmrnis-89b-p-fcnlh-T231XK.jpg "Archive image from page 73 of Philipps, 1820 settler; his letters Philipps, 1820 settler; his letters dilixueziliao06zhon Year: 1960 70 m m m * . 1959 MOO 1200 lOOP 250 i X f Pi 7a Til 55 4 Bi:ka#3i»rrd:jii»jftE, iw-w j&80 30—50 ,0] 7K 100 i£*Jg* fc, ftTlf fi«F 77—85, MTf (10—3 ;§){££20 7o «E1?geJi, #(3—5 M) 25—41, (6—8 37—54 ,(9—11 ) 11—16, (12—2 fi)m&6—110 *fe e frmm-hzkn.& mwAt mm, m,Jz$c&xtT, mm—itumm- i£»7K#1£&£T3$ CC Sfc $ * fi: Pi ,11—2 4 fiti7m, 3|P10 tk; 4-9 jtko stoi&TJn*, m0 iz&mi&t 4,5,6,7 4 n£y£nfo,m&7mfi&& f 7Xf,,7K 6 , gfefiT £#&Sfc:iffj24.3 (IfUj>, (SSM&RniS 89b 'p-fcn&lh Stock Photo")
RMT231XK–Archive image from page 73 of Philipps, 1820 settler; his letters Philipps, 1820 settler; his letters dilixueziliao06zhon Year: 1960 70 m m m * . 1959 MOO 1200 lOOP 250 i X f Pi 7a Til 55 4 Bi:ka#3i»rrd:jii»jftE, iw-w j&80 30—50 ,0] 7K 100 i£*Jg* fc, ftTlf fi«F 77—85, MTf (10—3 ;§){££20 7o «E1?geJi, #(3—5 M) 25—41, (6—8 37—54 ,(9—11 ) 11—16, (12—2 fi)m&6—110 *fe e frmm-hzkn.& mwAt mm, m,Jz$c&xtT, mm—itumm- i£»7K#1£&£T3$ CC Sfc $ * fi: Pi ,11—2 4 fiti7m, 3|P10 tk; 4-9 jtko stoi&TJn*, m0 iz&mi&t 4,5,6,7 4 n£y£nfo,m&7mfi&& f 7Xf,,7K 6 , gfefiT £#&Sfc:iffj24.3 (IfUj>, (SSM&RniS 89b 'p-fcn&lh
RMT3JDWH–A sabre for a sapper, France, circa 1820 Slightly curved, single-edged blade (somewhat pitted and stained) with fullers on both sides, a double-edged point, and a 'CF.' for Coulaux Frères and an 'S' with star (Inspector F.C. Schmidt?) stamped on the ricasso. Two-piece brass hilt with a rooster head pommel and lion head masks and quillon finials. A '3' and 'GV' are stamped on the smooth grip. Black leather scabbard with brass mountings (locket loose). Length 92 cm. Blade length 73.5 cm. historic, historical, 19th century, thrusting, thrustings, bl, Additional-Rights-Clearance-Info-Not-Available
RF2HW88RB–Art inspired by The Abbatial House, Abbey of St. Ouen, Rouen, 1824–31, Graphite and watercolour, heightened with bodycolour and with scratching out, Sheet: 21 x 28 3/4 in. (53.4 x 73.1 cm), Drawings, John Sell Cotman (British, Norwich 1782–1842 London), Cotman described the Abbey of St, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B6CN67–Bekrooning to Genderen Ao 1820 RP-P-2018-596 Medal awarded as a prize in a competition or exhibition in Ghent in 1820, in frame of laurel and eikenloof. Manufacturer : printmaker D. Abrahams (Lithographie Royale) (listed building) place manufacture: Den Haag Date: 1820 Physical features: etching material: paper Technique: etching dimensions: sheet: h 73 mm (irregular cut and pasted) × b 107 mm Subject: medal (Considered as a piece of sculpture, regard less of its specific function) When: 1820 - 1820
RM2E9FP3H–NAPLES. Visual Material information: Title: NAPLES. 83.54. Date of publication: about 1650. Item type: 1 drawing Medium: brown ink and watercolour Dimensions: sheet 48 x 73 cm Former owner: George III, King of Great Britain, 1738-1820
RF2HW40RB–Art inspired by Door panel from the 'Cabinet Turc' of Comte d'Artois at Versailles, 1781, French, Oil on oak, Overall (confirmed): 33 1/8 x 28 7/8 x 1 3/8 in. (84.1 x 73.3 x 3.5 cm); Painted surface: 27 7/8 x 23 1/2 in. (70.8 x 59.7 cm), Paintings-Decorative, Attributed to Jean -Siméon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HGKYYY–Salisbury Cathedral from Lower March Close - 1820 - oil on canvas 73 x 91 cm - 00001Constable John
RM2T68P0E–The great ruins of the Colossi of Memnon in Luxor in south Egypt 73, raft of earthenware pitchers on the Nile 74, and women carrying water pitchers on their heads 74. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in Africa for the Amusement and Instruction of Little Tarry-at-Home Travelers, Harris and Son, London, 1820.
RF2B8YN0P–Jeanne d’Arc (Joan of Arc) (Furnishing Fabric), c. 1820, Fleury Francois Richard (French, 1777-1852), France, Rouen, Rouen, Cotton, plain weave, engraved roller printed, 40.1 x 73.6 cm (15 3/4 x 30 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMMX1YYY–. Posthumous equestrian portrait of Maharana Ari Singh (r. 1761-73). Mewar, circa 1820-40. Opaque watercolour with gold on wasli. 30.4 x 22.3cm The inscriptions inform that the artist was Memji, with two of the attendants named: Keso and Piro chabardar (the chawar/chauri-bearer). circa 1820-40. Unknown 414 Mewar Maharana Ari Singh
![Life and letters of DrWilliam Beaumont, including hitherto unpublished data concerning the case of Alexis StMartin . ^ H i^Ri -4 *> 1812 1820—Medical and Physical Journal 73. K M IN - ^ Mil!] Stock Photo](https://c8.alamy.com/comp/2ANAG6B/life-and-letters-of-drwilliam-beaumont-including-hitherto-unpublished-data-concerning-the-case-of-alexis-stmartin-h-iri-4-gt-1812-1820medical-and-physical-journal-73-k-m-in-mil!-2ANAG6B.jpg "Life and letters of DrWilliam Beaumont, including hitherto unpublished data concerning the case of Alexis StMartin . ^ H i^Ri -4 *> 1812 1820—Medical and Physical Journal 73. K M IN - ^ Mil!] Stock Photo")
RM2ANAG6B–Life and letters of DrWilliam Beaumont, including hitherto unpublished data concerning the case of Alexis StMartin . ^ H i^Ri -4 *> 1812 1820—Medical and Physical Journal 73. K M IN - ^ Mil!]
RMT96G9B–John Tyndall (August 2, 1820 - December 4, 1893) was an Irish physicist and medical educator. Beginning in the late 1850s, Tyndall studied the action of radiant energy on the constituents of air. In 1893 he died from an accidental overdose of chloral hydrate. He was 73 years old. Vanity Fair color lithograph by Adriano Cecioni, 1872.
RM2B0J8N3–Benjamin West, Sarah Ursula Rose, American, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), 1756, American, Oil on canvas, 29 x 23 3/8 in. (73.7 x 59.4 cm), Paintings
RM2B6JBR8–The damn tree and beaten flat grain Blasted tree and flattened crops Illustrations or imitation of Eclogue I (series title object) a tree in the moonlight beside a field with beaten down graan. Manufacturer : printmaker William Blake to own design: William Blake Principal: Robert John Thornton Place manufacture: England Date: 1820 - 1821 Physical characteristics: houtgravure material: paper Technique: wood engra dimensions: image: h 34 mm × b 73 mmToelichtingIllustratie from imitations or Ecologue I, the eighteenth-century imitation of the first eclogue of Virgil, written by Ambrose Philips, w
![NAVARRE. Map information: Title: NAVARRE. 73.60. Place of publication: [France?] Publisher: [publisher not identified] Date of publication: [about 1650?] Item type: 1 map Dimensions: 33 x 44 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FG5E/navarre-map-information-title-navarre-7360-place-of-publication-france-publisher-publisher-not-identified-date-of-publication-about-1650-item-type-1-map-dimensions-33-x-44-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FG5E.jpg "NAVARRE. Map information: Title: NAVARRE. 73.60. Place of publication: [France?] Publisher: [publisher not identified] Date of publication: [about 1650?] Item type: 1 map Dimensions: 33 x 44 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FG5E–NAVARRE. Map information: Title: NAVARRE. 73.60. Place of publication: [France?] Publisher: [publisher not identified] Date of publication: [about 1650?] Item type: 1 map Dimensions: 33 x 44 cm Former owner: George III, King of Great Britain, 1738-1820
RF2HGKW09–Salisbury Cathedral from Lower March Close - 1820 - oil on canvas 73 x 91 cm - Constable John
RMRFDYK6–The Mill of Montmartre. Artist: Georges Michel (French, Paris 1763-1843 Paris). Dimensions: 29 x 40 in. (73.7 x 101.6 cm). Date: probably ca. 1820. In the first quarter of the nineteenth century Montmartre was still a picturesque suburb of Paris, where about forty windmills could be seen. Michel loved this stretch of land and painted many views of it throughout his career. The detailed observation and the rather precise technique of this picture suggest that it was done around 1820. Museum: Metropolitan Museum of Art, New York, USA.
RFRAY7GJ–Charles-Melchior Descourtis (French, 1753-1820) after Jean-François Schall (French, died 1812). Mischievous Boys (Les reimagined
RMMW4E79–. Posthumous equestrian portrait of Maharana Ari Singh (r. 1761-73). Mewar, circa 1820-40. Opaque watercolour with gold on wasli. 30.4 x 22.3cm The inscriptions inform that the artist was Memji, with two of the attendants named: Keso and Piro chabardar (the chawar/chauri-bearer). circa 1820-40. Unknown 414 Mewar Maharana Ari Singh
RMMP314M–. Deutsch: Des Königreichs Daenemark Halbinsel Jütland. Nro. 73. Kolorierter Kupferstich . 1791. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 851 Map of Denmark in 1791 by Reilly 073
RM2AWNDCM–The seasons . cms WICK: JFrom ti?e Ipress of er* S^fjittine^jam, COLLEGE HOUSE. SOLD BY R. JENNINGS, POULTRF; T. TEGG, CHEAPSIDE; A. K. NEW3IAN AND CO. LEADENHALL STREET, LONDON J. SUTHERLAND, EDINBURGH ; AND RICHARD GRIFFIN AND CO. GLASGOW. 1820. fK 3-73^ #a^iw®*thomseasons00rich
RM2B0J8NW–Charles C. Hofmann, View of the Schuylkill County Almshouse Property, American, Charles C. Hofmann (1820–1882), 1876, American, Oil on canvas, 28 3/4 x 38 7/8 in. (73 x 98.7 cm), Paintings
RMP21G1K–73 Cyphorhinus unirufus - 1820-1860 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200457
RMPC8AH8–Captain Christopher Cole (1770-1836) *oil on canvas *91.5 x 73.3 cm *1820-1824 560 Sir Christopher Cole
RMP5KECW–N/A. English: Albert Guillaume (1873-1942), French painter and caricaturist . circa 1900, published 1908 by Chocolats Félix Potin. Nadar (1820–1910) Alternative names legal name: Gaspard-Félix Tournachon pseudonym: Nadar Description French photographer, caricaturist, writer and balloonist Date of birth/death 6 April 1820 20 March 1910 Location of birth/death Paris former 4th arrondissement of Paris Work period 1854–1910 Work location Paris Authority control : Q40116 VIAF:84808952 ISNI:0000 0001 2141 8535 ULAN:500005199 LCCN:n50014563 NLA:35553829 WorldCat 73 Albert Guillaume 1
![GRAVELINES. Map information: Title: GRAVELINES. 61.73. Date of publication: [about 1650] Item type: 1 map Medium: ink and wash, on two sheets Dimensions: 42.5 x 59.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FA7H/gravelines-map-information-title-gravelines-6173-date-of-publication-about-1650-item-type-1-map-medium-ink-and-wash-on-two-sheets-dimensions-425-x-595-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FA7H.jpg "GRAVELINES. Map information: Title: GRAVELINES. 61.73. Date of publication: [about 1650] Item type: 1 map Medium: ink and wash, on two sheets Dimensions: 42.5 x 59.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FA7H–GRAVELINES. Map information: Title: GRAVELINES. 61.73. Date of publication: [about 1650] Item type: 1 map Medium: ink and wash, on two sheets Dimensions: 42.5 x 59.5 cm Former owner: George III, King of Great Britain, 1738-1820
RM2B6MAN1–Farao's dochter vindt Mozes in het biezen mandje The daughter of Pharaoh found Moses in the bulrushes basket between the reeds on the bank of the river Nile (Ex. 2: 5). Behind her the second woman in the background a runaway husband. Bottom right: p. 9. Manufacturer : print maker: Philippus Vellum (indicated on object) Place manufacture: The Netherlands Date: 1820 Physical characteristics: etching and stippelets Material: paper Technique: etching / engra (printing process) Measurements: sheet: h 99 mm × b 73 mmToelichtingPrent used as the book illustration in: almanac dedicated to grace and vi
RMPNCX79–Studies for the Duke of Wellington. Date/Period: Ca. 1820. Painting. Oil on millboard. Height: 337 mm (13.26 in); Width: 425 mm (16.73 in). Author: GEORGE HAYTER.
RF2B9CDAC–Portrait of a Man, perhaps J.W. Beynen, Portrait of a man, perhaps J.W. Beynen. Bust to the right. historical persons not known by name, Charles Howard Hodges, c. 1790 - c. 1820, canvas, oil paint (paint), h 73 cm × w 60 cm d 9.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AFX1JT–. English costume. A MAN OF THE TIME OF GEORGE III.(1760—1820) The ciifts have gone, and now the sleeve is leftunbuttoned at the wrist. The coat is long and full-skirted, but not stiffened. The cravat is loosely tied,and the frilled ends stick out. These frills were, irfthe end, made on the shirt, and were called chitterlings.. GEORGE THE THIRD 73 the shorter hair, the larger neck-cloth, the panta-loons—forerunners of Brummells invention—theopen sleeve. Number twelve shows us an ordinary gentlemanin a coat and waistcoat, with square flaps, calleddogs ears. As the drawings continue you can see
RM2B0J8PR–Benjamin West, Moses Shown the Promised Land, American, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), 1801, American, Oil on wood, 19 3/4 x 28 3/4 in. (50.2 x 73 cm), Paintings
RMMNTPKN–. Deutsch: Karte von Polen. Nach Sotzmann. Kolorierter Kupferstich. Aus Grosser Deutscher Atlas. Karte ca. 58 × 73 cm . between 1794 and 1796. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat Stecher: A. Amon 1047 Reilly Karte von Polen
![Plan and Views of Vilvorden Castle Author Mace, James 103.72.2.a. Date of publication: [about 1745] Item type: 1 map Medium: hand-coloured manuscript, pen and wash Dimensions: 52 x 73 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EMFP/plan-and-views-of-vilvorden-castle-author-mace-james-103722a-date-of-publication-about-1745-item-type-1-map-medium-hand-coloured-manuscript-pen-and-wash-dimensions-52-x-73-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EMFP.jpg "Plan and Views of Vilvorden Castle Author Mace, James 103.72.2.a. Date of publication: [about 1745] Item type: 1 map Medium: hand-coloured manuscript, pen and wash Dimensions: 52 x 73 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9EMFP–Plan and Views of Vilvorden Castle Author Mace, James 103.72.2.a. Date of publication: [about 1745] Item type: 1 map Medium: hand-coloured manuscript, pen and wash Dimensions: 52 x 73 cm Former owner: George III, King of Great Britain, 1738-1820
RM2B6NKPJ–Gedenkteken aan het beleg van Haarlem in 1572-1573, opgericht in de Sint-Bavo te Haarlem Herinnering aan de Jaren 1572-73 (titel op object) Memorial to the siege of Haarlem in 1572 to 1573, founded the St. Bavo in Haarlem. Monument in the form of a large plate with text and arches, divided into several compartments. The board are some bezoekers. Manufacturer : printmaker François DESTERBECQ (listed property) to drawing: Hubert William Plaatzer of the Hull (listed property) Place manufacture: Netherlands Date: 1820 - 1862 Physical features: lithography material: paper Technique: lithography ( t
RMREPRC4–Portrait of a Woman. Dating: c. 1790 - c. 1820. Measurements: h 73 cm × w 60 cm; d 10.4 cm. Museum: Rijksmuseum, Amsterdam. Author: CHARLES HOWARD HODGES.
RF2B9CDAD–Portrait of a Woman, Portrait of an Unknown Woman, Perhaps the Wife of J.W. Beynen. historical persons not known by name - BB - woman, Charles Howard Hodges, c. 1790 - c. 1820, canvas, oil paint (paint), h 73 cm × w 60 cm d 10.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AFXYR9–. Ilios : the city and country of the Trojans : the results of researches and discoveries on the site of Troy and throughout the Troad in the years 1871-72-73-78-79, including an autobiography of the author. ed in metres ; and thus all thosewhich are marked from 7 to 10 m. (23 to 33 ft.), inclusive, may be con-sidered to have been collected in the third or burnt city. Among the mostfrequent patterns are those of Nos. 1817 and 1818, representing crosseswith a large dot in each arm, and the pattern No. 1820, which alsoshows a cross. The pattern No. 1822 occurs but seldom, as alsoNo. 1825; -that
![Descent of Charles and Robert in the presence of the Duke of Chartres, Jacques Alexandre César Charles (1746-1823) and Nicolas-Louis Robert aka Marie-Noël Robert (1760 1820) after the landing of the Hydrogen Balloon in Nesles-la-Vallée on December 1, 1783, and Louis-Philippe II Joseph, de Bourbon, duc d'Orléans, Signed: A. Tissandier; Tellier, Fig. 18, p. 73, Tissandier, Albert (dess.); Tellier, Edmond (sc.), 1876, Alfred Sircos; Th. Pallier: Histoire des ballons et des ascensions célèbres avec une préface de Nadar: dessins de A. Tissandier [...]. Paris: F. Roy, 1876 Stock Photo](https://c8.alamy.com/comp/2A2RW26/descent-of-charles-and-robert-in-the-presence-of-the-duke-of-chartres-jacques-alexandre-csar-charles-1746-1823-and-nicolas-louis-robert-aka-marie-nol-robert-1760-1820-after-the-landing-of-the-hydrogen-balloon-in-nesles-la-valle-on-december-1-1783-and-louis-philippe-ii-joseph-de-bourbon-duc-dorlans-signed-a-tissandier-tellier-fig-18-p-73-tissandier-albert-dess-tellier-edmond-sc-1876-alfred-sircos-th-pallier-histoire-des-ballons-et-des-ascensions-clbres-avec-une-prface-de-nadar-dessins-de-a-tissandier-paris-f-roy-1876-2A2RW26.jpg "Descent of Charles and Robert in the presence of the Duke of Chartres, Jacques Alexandre César Charles (1746-1823) and Nicolas-Louis Robert aka Marie-Noël Robert (1760 1820) after the landing of the Hydrogen Balloon in Nesles-la-Vallée on December 1, 1783, and Louis-Philippe II Joseph, de Bourbon, duc d'Orléans, Signed: A. Tissandier; Tellier, Fig. 18, p. 73, Tissandier, Albert (dess.); Tellier, Edmond (sc.), 1876, Alfred Sircos; Th. Pallier: Histoire des ballons et des ascensions célèbres avec une préface de Nadar: dessins de A. Tissandier [...]. Paris: F. Roy, 1876 Stock Photo")
RM2A2RW26–Descent of Charles and Robert in the presence of the Duke of Chartres, Jacques Alexandre César Charles (1746-1823) and Nicolas-Louis Robert aka Marie-Noël Robert (1760 1820) after the landing of the Hydrogen Balloon in Nesles-la-Vallée on December 1, 1783, and Louis-Philippe II Joseph, de Bourbon, duc d'Orléans, Signed: A. Tissandier; Tellier, Fig. 18, p. 73, Tissandier, Albert (dess.); Tellier, Edmond (sc.), 1876, Alfred Sircos; Th. Pallier: Histoire des ballons et des ascensions célèbres avec une préface de Nadar: dessins de A. Tissandier [...]. Paris: F. Roy, 1876
RMP01N2K–. English: 'Borneo' of London on Southsea beach, 22 October 1820 No. 32 of 73 (PAI0889 - PAI0961) Drawing inscribed in the upper right 'Borneo of London – on South Sea beach/ Sunday octr/1820.' 'Borneo' of London on Southsea beach . 22 October 1820. John Christian Schetky (1778–1874) Alternative names J. C. Schetky; J.C. Schetky Description British painter Date of birth/death 11 August 1778 28 January 1874 Location of birth/death Edinburgh, Scotland, UK London, England, UK Authority control : Q6226028 VIAF:?76190554 ULAN:?500007430 LCCN:?nr93032868 RKD:?70397 WorldCat 2 'Borneo'
![Port of Alicante . Visual Material information: Title: [Port of Alicante]. 73.66. Date of publication: [around 1660] Item type: 1 drawing Medium: brown ink and graphite Dimensions: sheet 37.7 x 55.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FG7E/port-of-alicante-visual-material-information-title-port-of-alicante-7366-date-of-publication-around-1660-item-type-1-drawing-medium-brown-ink-and-graphite-dimensions-sheet-377-x-557-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FG7E.jpg "Port of Alicante . Visual Material information: Title: [Port of Alicante]. 73.66. Date of publication: [around 1660] Item type: 1 drawing Medium: brown ink and graphite Dimensions: sheet 37.7 x 55.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FG7E–Port of Alicante . Visual Material information: Title: [Port of Alicante]. 73.66. Date of publication: [around 1660] Item type: 1 drawing Medium: brown ink and graphite Dimensions: sheet 37.7 x 55.7 cm Former owner: George III, King of Great Britain, 1738-1820
RM2B6W93B–Infanteriesabel met schede Bataafse Republiek en Koninkrijk Holland, 1805-1810 Copper hilt consisting of button, grip hood, front bracket, two side brackets, half hilt. Handle of seals leather (or rye skin) wrapped with copper wire. Iron blade, black leather scabbard with brass top band with support button. Copper punt. Manufacturer : Heavy: dveger: anonymous Date: 1805 - 1820 Material: iron copper sheath: leather robbenvel Technique: forging / cutting dimensions: whole: L 76.8 cm. (With the sheath) saber: l 73.6 cm. blade: 64 cm l. b: 3.8 cm. Subject When: 1805 - 1810Wie: Batavian Republic
RMRET5T7–A Musical Party by Candlelight. Dating: 1786 - 1820. Measurements: h 88.4 cm × w 73.9 cm × t 1.5 cm; d 12.0 cm. Museum: Rijksmuseum, Amsterdam. Author: Michiel Versteegh.
RF2B9BB4K–Death of Wilhelmina Frederica Louisa, Queen of the Netherlands, Silver Medal. Obverse: grieving woman, representing the Netherlands, wraps her arms around the veil, for which she holds a cypress wreath, on a pedestal, on which the corpse is, inscriptions against a pedestal within a circle, cut: signature. Reverse: inscription inner star wreath, Wilhelmina van Prussia (1751-1820), David van der Kellen (1804-1879), Utrecht, 1837, silver (metal), striking (metalworking), d 4.1 cm × w 21.73 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art
RM2AXBMR8–Ilios; the city and country of the TrojansThe results of researches and discoveries on the site of Troy and throughout the Troad in the years 1871-72-73-78-79, including an autobiography of the author . d is marked in metres; and thus all thosewhich are marked from 7 to 10 m. (23 to 33 ft.), inclusive, may be con-sidered to have been collected in the third or burnt city. Among the mostfrequent patterns are those of Nos. 1817 and 1818, representing crosseswith a large dot in each arm, and the pattern No. 1820, which alsoshows a cross. The pattern No. 1822 occurs but seldom, as alsoNo. 1825; -th
RM2A2KXMX–Sideboard, c. 1820, Attributed to Edward Priestley, American, 1778–1837, Baltimore, Baltimore, Mahogany, 114.3 × 186.7 × 64.8 cm (45 × 73 1/2 × 25 1/2 in
RMMNTPKA–. Deutsch: Karte von dem Koenigreiche Preussen. Kolorierter Kupferstich. Aus Grosser Deutscher Atlas. Karte ca. 58 × 73 cm . between 1794 and 1796. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat Stecher: A. Benedicti 1047 Reilly Karte von
![Bay of Alfaques, Tarragona . Visual Material information: Title: [Bay of Alfaques, Tarragona]. 73.33.1. Date of publication: [around 1680] Item type: 1 drawing Medium: watercolour Dimensions: sheet 15.5 x 56 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FG1G/bay-of-alfaques-tarragona-visual-material-information-title-bay-of-alfaques-tarragona-73331-date-of-publication-around-1680-item-type-1-drawing-medium-watercolour-dimensions-sheet-155-x-56-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FG1G.jpg "Bay of Alfaques, Tarragona . Visual Material information: Title: [Bay of Alfaques, Tarragona]. 73.33.1. Date of publication: [around 1680] Item type: 1 drawing Medium: watercolour Dimensions: sheet 15.5 x 56 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FG1G–Bay of Alfaques, Tarragona . Visual Material information: Title: [Bay of Alfaques, Tarragona]. 73.33.1. Date of publication: [around 1680] Item type: 1 drawing Medium: watercolour Dimensions: sheet 15.5 x 56 cm Former owner: George III, King of Great Britain, 1738-1820
RMMP95DR–1-L302-A1787-B Graefin Lichtenau / Graff Lichtenau, Wilhelmine, Graefin von, geb. Enke, verehel. (Joh.Friedr.) Ritz u. (Franz) von Holbein, Geliebte Fried- rich Wilhelms II. von Preussen, Dessau 19.12.1753 - Berlin 9.6.1820. - Portraet. - Gemaelde, 1787/88, von Anton Graff (1736- 1813). Oel/Lw., auf Holz, 73 x 56 cm. Berlin, Berlin Museum. F: Comtesse Lichtenau / Graff Lichtenau, Wilhelmine von, comtesse, nee Enke, epouse (Johann Friedrich) Ritz et (Franz) von Holbein, maitresse de Frederic Guillaume II de Prusse, Dessau 19.12.1753 - Berlin 9.6.1820. - Portrait. - Peinture, 1787/88, de An
RM2AC2EED–Gatesca pantomima 1863 is the date of publication of the first edition. The plates were executed 1810-1820. The paper is described according to the guidelines in The Print Council of America's paper sample book. Printed in sepia ink. The ink, along with the paper, corresponds to the description of the first edition according to Tomás Harris, Goya: engravings and lithographs. Holdings checked in departmental copy of Loys Delteil, Le Peintre-graveur illustré, v. XIV and v. XV. Citation/Reference: 73 Citation/Reference: D192(III/III); Gatesca pantomima.
Search Results for 1820 73 Stock Photos and Images (460)
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