A Bit of War History: The Veteran by Thomas Waterman Wood (1823-1903), oil on canvas, 1866

RMID:2G20EF5

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Contributor:

IanDagnall Computing / Alamy Stock Photo

Image ID:

2G20EF5

File size:

46.3 MB (2.7 MB Compressed download)

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Dimensions:

3386 x 4780 px | 28.7 x 40.5 cm | 11.3 x 15.9 inches | 300dpi

Date taken:

7 June 2021

More information:

This image could have imperfections as it’s either historical or reportage.

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a bit of war history american artist black crutches man old soldier one leg painter painting paintings the veteran thomas waterman wood thomas wood veterans

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RM2B0M3BR–Thomas Waterman Wood, A Bit of War History: The Veteran, American, Thomas Waterman Wood (American, Montpelier, Vermont 1823–1903 New York), 1866, American, Oil on canvas, 28 1/4 x 20 1/4 in. (71.8 x 51.4 cm), (framed with 84.12a and 84.12b), Paintings

RMPANR17–A Bit of War History: The Veteran. Artist: Thomas Waterman Wood (American, Montpelier, Vermont 1823-1903 New York). Dimensions: 28 1/4 x 20 1/4 in. (71.8 x 51.4 cm) (framed with 84.12a and 84.12b). Date: 1866. This painting is one of a group of three canvases (84.12a--c) said to have been inspired by the imagined narrative of an African American soldier in the Civil War. In 'The Contraband,' (84.12a) the newly emancipated slave, his belongings wrapped in an old kerchief, seeks enlistment in the Union army. Having been trained for service and wearing his uniform, he looks happy and proud in '

RM2HHFDMW–A Bit of War History: The Contraband 1865 Thomas Waterman Wood American This work, painted at the close of the Civil War, forms a narrative triptych (84.12a, b, c) of African American military service. In 'The Contraband' (84.12a)—a term that referred to enslaved people who fled to Union lines at the beginning of the conflict—the self-emancipated man appears in a U.S. Army Provost Marshall General office, eager to enlist. The Recruit (84.12b) represents him as proudly ready for military service. In 'The Veteran' (84.12c), he is depicted as an amputee possibly seeking his pension in the same of

RM2HH8N15–A Bit of War History: The Veteran 1866 Thomas Waterman Wood American This work, painted at the close of the Civil War, forms a narrative triptych (84.12a, b, c) of African American military service. In 'The Contraband' (84.12a)—a term that referred to enslaved people who fled to Union lines at the beginning of the conflict—the self-emancipated man appears in a U.S. Army Provost Marshall General office, eager to enlist. The Recruit (84.12b) represents him as proudly ready for military service. In 'The Veteran' (84.12c), he is depicted as an amputee possibly seeking his pension in the same offic

RM2HH79NX–A Bit of War History: The Recruit 1866 Thomas Waterman Wood American This work, painted at the close of the Civil War, forms a narrative triptych (84.12a, b, c) of African American military service. In 'The Contraband' (84.12a)—a term that referred to enslaved people who fled to Union lines at the beginning of the conflict—the self-emancipated man appears in a U.S. Army Provost Marshall General office, eager to enlist. The Recruit (84.12b) represents him as proudly ready for military service. In 'The Veteran' (84.12c), he is depicted as an amputee possibly seeking his pension in the same offic

A Bit of War History: The Veteran by Thomas Waterman Wood (1823-1903), oil on canvas, 1866

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