Terracotta painted gorgoneion antefix (roof tile). Culture: Greek, South Italian, Tarentine. Dimensions: H. 8 1/4 in. (21 cm.) W. 10 5/16 in. (26.2 cm.) Depth as preserved 3 11/16 in. (9.4 cm.). Date: ca. 540 B.C.. The clear modeling and the vivid traces of paint make this antefix a fine example of its kind. Although the colors (yellow, red, and blue) may appear faded now, their original hue would have been rich and pronounced, appropriate for the frightful theme and its high placement along the roof of a temple. The Gorgon functioned as a protective symbol and thus was an appropriate decor

Terracotta painted gorgoneion antefix (roof tile). Culture: Greek, South Italian, Tarentine. Dimensions: H. 8 1/4 in. (21 cm.)  W. 10 5/16 in. (26.2 cm.)  Depth as preserved 3 11/16 in. (9.4 cm.). Date: ca. 540 B.C..  The clear modeling and the vivid traces of paint make this antefix a fine example of its kind. Although the colors (yellow, red, and blue) may appear faded now, their original hue would have been rich and pronounced, appropriate for the frightful theme and its high placement along the roof of a temple. The Gorgon functioned as a protective symbol and thus was an appropriate decor Stock Photo
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Contributor:

Album / Alamy Stock Photo

Image ID:

PAPHDG

File size:

37.9 MB (1.2 MB Compressed download)

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Dimensions:

4200 x 3150 px | 35.6 x 26.7 cm | 14 x 10.5 inches | 300dpi

Photographer:

Album

More information:

This image could have imperfections as it’s either historical or reportage.

Terracotta painted gorgoneion antefix (roof tile). Culture: Greek, South Italian, Tarentine. Dimensions: H. 8 1/4 in. (21 cm.) W. 10 5/16 in. (26.2 cm.) Depth as preserved 3 11/16 in. (9.4 cm.). Date: ca. 540 B.C.. The clear modeling and the vivid traces of paint make this antefix a fine example of its kind. Although the colors (yellow, red, and blue) may appear faded now, their original hue would have been rich and pronounced, appropriate for the frightful theme and its high placement along the roof of a temple. The Gorgon functioned as a protective symbol and thus was an appropriate decoration for sacred architecture. Museum: Metropolitan Museum of Art, New York, USA.