Terracotta neck-amphora (jar). Culture: Greek, Attic. Dimensions: H. 16 5/8 in. (42.2 cm); diameter 10 3/4 in. (27.3 cm). Date: ca. 490 B.C.. Obverse, warrior departing Reverse, satyrs and maenad Although the Kleophrades Painter used the red-figure technique predominantly, he was perfectly conversant with black-figure, as indicated by his Panathenaic prize amphorae. While the decoration of this vase is similar to that of examples of the late sixth century B.C., the fluidity of the incision, the rendering of the satyrs' tails, and the procession of animals drawn without articulation indicat

- Image ID: PB61PA
Terracotta neck-amphora (jar). Culture: Greek, Attic. Dimensions: H. 16 5/8 in. (42.2 cm); diameter 10 3/4 in. (27.3 cm). Date: ca. 490 B.C.. Obverse, warrior departing Reverse, satyrs and maenad Although the Kleophrades Painter used the red-figure technique predominantly, he was perfectly conversant with black-figure, as indicated by his Panathenaic prize amphorae. While the decoration of this vase is similar to that of examples of the late sixth century B.C., the fluidity of the incision, the rendering of the satyrs' tails, and the procession of animals drawn without articulation indicat
Album / Alamy Stock Photo
Image ID: PB61PA
Terracotta neck-amphora (jar). Culture: Greek, Attic. Dimensions: H. 16 5/8 in. (42.2 cm); diameter 10 3/4 in. (27.3 cm). Date: ca. 490 B.C.. Obverse, warrior departing Reverse, satyrs and maenad Although the Kleophrades Painter used the red-figure technique predominantly, he was perfectly conversant with black-figure, as indicated by his Panathenaic prize amphorae. While the decoration of this vase is similar to that of examples of the late sixth century B.C., the fluidity of the incision, the rendering of the satyrs' tails, and the procession of animals drawn without articulation indicate a red-figure hand. Museum: Metropolitan Museum of Art, New York, USA.

Similar stock images