Study for Astyanax’s Nurse ca. 1812 Pierre Paul Prud'hon This drawing is a study for The Met's painting, Andromache and Astyanax, begun by Prud’hon in 1813 as a commission for Empress Marie-Louise. Left incomplete at the artist’s death in 1823, the canvas would be completed by his student, Charles Boulanger de Boisfremont (1773-1838). Quickly sketched in black and white chalk on blue paper, the study depicts Astyanax’s nurse, who, in the painting, sits in the right foreground facing Andromache, her arms extended towards her ward. Executed quickly, with brusque, energetic strokes, it intermixes

Study for Astyanax’s Nurse ca. 1812 Pierre Paul Prud'hon This drawing is a study for The Met's painting, Andromache and Astyanax, begun by Prud’hon in 1813 as a commission for Empress Marie-Louise. Left incomplete at the artist’s death in 1823, the canvas would be completed by his student, Charles Boulanger de Boisfremont (1773-1838). Quickly sketched in black and white chalk on blue paper, the study depicts Astyanax’s nurse, who, in the painting, sits in the right foreground facing Andromache, her arms extended towards her ward. Executed quickly, with brusque, energetic strokes, it intermixes Stock Photo
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Image details

Contributor:

MET/BOT / Alamy Stock Photo

Image ID:

2HGPX55

File size:

25.6 MB (1.7 MB Compressed download)

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Dimensions:

2511 x 3559 px | 21.3 x 30.1 cm | 8.4 x 11.9 inches | 300dpi

Date taken:

20 January 2022

More information:

This image is a public domain image, which means either that copyright has expired in the image or the copyright holder has waived their copyright. Alamy charges you a fee for access to the high resolution copy of the image.

This image could have imperfections as it’s either historical or reportage.

Study for Astyanax’s Nurse ca. 1812 Pierre Paul Prud'hon This drawing is a study for The Met's painting, Andromache and Astyanax, begun by Prud’hon in 1813 as a commission for Empress Marie-Louise. Left incomplete at the artist’s death in 1823, the canvas would be completed by his student, Charles Boulanger de Boisfremont (1773-1838). Quickly sketched in black and white chalk on blue paper, the study depicts Astyanax’s nurse, who, in the painting, sits in the right foreground facing Andromache, her arms extended towards her ward. Executed quickly, with brusque, energetic strokes, it intermixes parallel hatching in black and white chalk to effective model the heavy folds of the drapery and the highlights on the arms and face.. Study for Astyanax’s Nurse 702452