. Studio international . BUCKLE IN REPOUSSE, SILVER, AND ENAMELBY ALEXANDER FISHER •36 PENDANT IN GOLD, MOONSTONES, AND ENAMEL (THE METEOR). BY ALEXANDER FISHER Christian Symons at the Goupil Gallery did justiceto the art of a painter who in his lifetime did notcome into the fullness of the recognition hedeserved. His sketches are often marred by faultsof taste in colour, but as an executant of theschool of Mr. Sargent he was often within measur-able distance of his great master. An ardent Im-pressionist, Mr. Symons seemed to decline all butthe most difficult problems. His versatility wasextre

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. Studio international . BUCKLE IN REPOUSSE, SILVER, AND ENAMELBY ALEXANDER FISHER •36 PENDANT IN GOLD, MOONSTONES, AND ENAMEL (THE METEOR). BY ALEXANDER FISHER Christian Symons at the Goupil Gallery did justiceto the art of a painter who in his lifetime did notcome into the fullness of the recognition hedeserved. His sketches are often marred by faultsof taste in colour, but as an executant of theschool of Mr. Sargent he was often within measur-able distance of his great master. An ardent Im-pressionist, Mr. Symons seemed to decline all butthe most difficult problems. His versatility wasextre Stock Photo
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. Studio international . BUCKLE IN REPOUSSE, SILVER, AND ENAMELBY ALEXANDER FISHER •36 PENDANT IN GOLD, MOONSTONES, AND ENAMEL (THE METEOR). BY ALEXANDER FISHER Christian Symons at the Goupil Gallery did justiceto the art of a painter who in his lifetime did notcome into the fullness of the recognition hedeserved. His sketches are often marred by faultsof taste in colour, but as an executant of theschool of Mr. Sargent he was often within measur-able distance of his great master. An ardent Im-pressionist, Mr. Symons seemed to decline all butthe most difficult problems. His versatility wasextre
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. Studio international . BUCKLE IN REPOUSSE, SILVER, AND ENAMELBY ALEXANDER FISHER •36 PENDANT IN GOLD, MOONSTONES, AND ENAMEL (THE METEOR). BY ALEXANDER FISHER Christian Symons at the Goupil Gallery did justiceto the art of a painter who in his lifetime did notcome into the fullness of the recognition hedeserved. His sketches are often marred by faultsof taste in colour, but as an executant of theschool of Mr. Sargent he was often within measur-able distance of his great master. An ardent Im-pressionist, Mr. Symons seemed to decline all butthe most difficult problems. His versatility wasextreme and the range of his subjects vast, whetherin oils or water-colours ; among other things hewas an eminently successful flower painter.

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