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RMBJHTBA–Laureates of the 2006 Praemium Imperiale art awards, Tokyo, Japan, on Tuesday, Oct. 17, 2006.
RMF0PXT0–Japan, Yoshinogari Historical Park. North Inner Palace, interior of the assembly hall with mannequins seated during meeting with settlement leaders.
RFHK2461–Women trought The Pumpkin artwork, by Yayoi Kusama, in Marunouchi naka Street, Tokyo, Japan
RMRY6G4F–Vessel, 300s BC. Japan, Yayoi period (about 300s BC–AD 200s). Earthenware; diameter: 33 cm (13 in.); overall: 34 cm (13 3/8 in
RMAFCX33–geography / travel, Japan, tradition / folklore, Yayoi Matsuri, shrine ceremony in Nikko, priest on horse, ,
RFRB87H2–Beppu, Japan - November 3, 2018: Yayoi Tengu, located down Yayoi dori, red male face with a long, phallic nose, it’s presence is said to protect the l
RMJ7C76X–TOKYO - MAY 13 : Ginza Six, a new shopping mall in Ginza district. MAY 13, 2017 in Tokyo, Japan. The mall has a Yayoi Kusama installation
RM2F3MWKN–Young Japanese females wearing kimonos crossing road at the annual Yayoi Matsuri to celebrate the start of spring, Nikko, Japan
RF2HK52DX–Inspired by The Courtesans Usugomo, Haruka, and Yayoi of the Tamaya Teahouse, Utagawa Kuniyoshi, Japanese, 1798-1861, Color woodblock print on paper, Japan, ca. 1840, Edo Period, Other, Sheet: 15 3/8 x 10 7/8 in., 39.1 x 27.6 cm, blossoms, blue, flowers, historical costume, Japanese, textiles, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[ 1890s Japan - Geta Footwear Shop ] — A shop selling geta, Japanese wooden shoe wear, ca. 1880s. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600–1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage glass slide. Stock Photo](https://c8.alamy.com/comp/W2RNNM/1890s-japan-geta-footwear-shop-a-shop-selling-geta-japanese-wooden-shoe-wear-ca-1880s-the-roots-of-geta-go-back-to-the-yayoi-era-but-they-became-especially-popular-in-the-edo-period-16001868-geta-craftsmen-offered-a-wide-variety-of-geta-depending-on-the-fashion-of-the-time-19th-century-vintage-glass-slide-W2RNNM.jpg "[ 1890s Japan - Geta Footwear Shop ] — A shop selling geta, Japanese wooden shoe wear, ca. 1880s. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600–1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage glass slide. Stock Photo")
RMW2RNNM–[ 1890s Japan - Geta Footwear Shop ] — A shop selling geta, Japanese wooden shoe wear, ca. 1880s. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600–1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage glass slide.
RM2FM3WKB–New York City, New York, United States. 5th May, 2021. Visitors to the New York Botanical Gardens in the Bronx enjoy Yayoi Kusama's 'I Want to Fly to the Universe' (2020) sculpture, part of the 'Kusama: Cosmic Infinity' exhibition currently on display on the grounds through October 31st. Credit: Adam Stoltman/Alamy Live News
RMBN5DG0–Yayoi Kusama, Japanese artist and laureate of the 2006 Praemium Imperiale art awards, Tokyo, Japan
RFRB00YP–Themed Coca Cola vending machine featuring local born Artist, Yayoi Kusama, at city museum featuring her work in Matsumoto
RM2B0HHXN–Jar, Japan, Late Yayoi period (ca. 4th century B.C.–3rd century A.D.), Date ca. 100–300, Japan, Earthenware, H. 13 in. (33 cm), Ceramics
RMAFCX34–geography / travel, Japan, tradition / folklore, Yayoi Matsuri, shrine ceremony in Nikko, priest on horse, ,
RM2ARK6X2–NAOSHIMA, JAPAN. MAY 6: Yayoi Kusama's giant pumpkin sculpture in Naoshima. MAY 6, 2017 on Naoshima Art island, Japan.
RM2F3MMHN–Young Japanese female leads the procession of floats (hanayatais) at the annual Yayoi Matsuri to celebrate the start of spring, Nikko, Japan
RF2HTW03P–Art inspired by Jar, 土器壷, Yayoi period (ca. 300 B.C.–ca. A.D. 300), ca. 100–300, Japan, Earthenware with paint, H. 9 5/8 in. (24.4 cm); Diam. 11 1/8 in. (28.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[ 1880s Japan - Geta Clog Shop ] — A shop selling geta, Japanese wooden shoe wear, ca. 1880s. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600–1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage albumen photograph. Stock Photo](https://c8.alamy.com/comp/W2MBDE/1880s-japan-geta-clog-shop-a-shop-selling-geta-japanese-wooden-shoe-wear-ca-1880s-the-roots-of-geta-go-back-to-the-yayoi-era-but-they-became-especially-popular-in-the-edo-period-16001868-geta-craftsmen-offered-a-wide-variety-of-geta-depending-on-the-fashion-of-the-time-19th-century-vintage-albumen-photograph-W2MBDE.jpg "[ 1880s Japan - Geta Clog Shop ] — A shop selling geta, Japanese wooden shoe wear, ca. 1880s. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600–1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage albumen photograph. Stock Photo")
RMW2MBDE–[ 1880s Japan - Geta Clog Shop ] — A shop selling geta, Japanese wooden shoe wear, ca. 1880s. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600–1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage albumen photograph.
RM2FM3WMK–New York City, New York, United States. 5th May, 2021. Visitors to the New York Botanical Gardens in the Bronx enjoy Yayoi Kusama's 'I Want to Fly to the Universe' (2020) sculpture, part of the 'Kusama: Cosmic Infinity' exhibition currently on display on the grounds through October 31st. Credit: Adam Stoltman/Alamy Live News
RMBN5CET–Yayoi Kusama, Japanese artist and laureate of the 2006 Praemium Imperiale art awards, Tokyo, Japan
RMRY1GJF–Dotaku, 100-200. Japan, Yayoi Period (c. 4th century BC-c. 3rd century). Cast bronze; overall: 97.8 x 48.9 cm (38 1/2 x 19 1/4 in
RM2R0NX3M–Yellow pumpkin sculpture by Japanese artist Yayoi Kusama on the island of Naoshima, Japan. The island hosts a collection of contemporary art that is m
RF2G2R1B5–Nikko, Japan - April 16, 2018 : People in Nikko celebrating Yayoi festival to welcome spring season. A traditional event which began over 1,200 years
RME5B1YY–'Pumpkin' art by Yayoi Kusama. This one is located on Naoshima in Kagawa Prefecture, Japan.
RM2ARK6WY–NAOSHIMA, JAPAN. JUNE 2: Yayoi Kusama's giant pumpkin sculpture in Naoshima. June 2, 2016 on Naoshima Art island, Japan.
RM2F3MMDC–Young Japanese females lead the procession of floats (hanayatais) at the annual Yayoi Matsuri to celebrate the start of spring, Nikko, Japan
RF2HW3R6K–Art inspired by Annual event - the third month (Ukiyo nenjū gyōji: Yayoi), Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/8 × 10 1/2 in. (36.5 × 26.7 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[ 1890s Japan - Geta Clog Store ] — A studio photo of a woman selling geta, Japanese wooden shoe wear. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600 - 1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage albumen photograph. Stock Photo](https://c8.alamy.com/comp/W13KHA/1890s-japan-geta-clog-store-a-studio-photo-of-a-woman-selling-geta-japanese-wooden-shoe-wear-the-roots-of-geta-go-back-to-the-yayoi-era-but-they-became-especially-popular-in-the-edo-period-1600-1868-geta-craftsmen-offered-a-wide-variety-of-geta-depending-on-the-fashion-of-the-time-19th-century-vintage-albumen-photograph-W13KHA.jpg "[ 1890s Japan - Geta Clog Store ] — A studio photo of a woman selling geta, Japanese wooden shoe wear. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600 - 1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage albumen photograph. Stock Photo")
RMW13KHA–[ 1890s Japan - Geta Clog Store ] — A studio photo of a woman selling geta, Japanese wooden shoe wear. The roots of geta go back to the Yayoi era, but they became especially popular in the Edo Period (1600 - 1868). Geta craftsmen offered a wide variety of geta, depending on the fashion of the time. 19th century vintage albumen photograph.
RM2FM3WMX–New York City, New York, United States. 5th May, 2021. Visitors to the New York Botanical Gardens in the Bronx enjoy Yayoi Kusama's 'I Want to Fly to the Universe' (2020) sculpture, part of the 'Kusama: Cosmic Infinity' exhibition currently on display on the grounds through October 31st. Credit: Adam Stoltman/Alamy Live News
RMBN5DTF–Yayoi Kusama, Japanese artist and laureate of the 2006 Praemium Imperiale art awards, Tokyo, Japan
RMRPMA98–ROME - Mirrored room entitled All the Eternal Love I have for the Pumpkins by Japanese artist Yayoi Kusama at the LOVE exposition.
RMRY5T9N–Jar, c. 100 BC-100 AD. Japan, Yayoi period (c. 300 BC-AD 400). Burnished earthenware; diameter: 29.8 cm (11 3/4 in.); overall: 19 cm (7 1/2 in
RM2R0NX35–Yellow pumpkin sculpture by Japanese artist Yayoi Kusama on the island of Naoshima, Japan. The island hosts a collection of contemporary art that is m
RMR38C7M–Pumpkin by Yayoi Kusama displayed at the entrance of the Forever Museum of Contemporary Art FMOCA in Gion Kyoto
RME5B1YT–'Pumpkin' art by Yayoi Kusama. This one is located on Naoshima in Kagawa Prefecture, Japan.
RM2F3MK93–Japanese male crouches to adjust another male participant's kimono at the annual Yayoi Matsuri to celebrate the start of spring, Nikko, Japan
RF2HKK7PH–Art inspired by The Courtesans Usugomo, Haruka, and Yayoi of the Tamaya Teahouse, Utagawa Kuniyoshi, Japanese, 1798-1861, Color woodblock print on paper, Japan, ca. 1840, Edo Period, Other, Sheet: 15 3/8 x 10 7/8 in., 39.1 x 27.6 cm, blossoms, blue, flowers, historical costume, Japanese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2AF432G–Tourists taking photos with Yayoi Kusama's giant yellow pumpkin sculpture in Naoshima, Japan.
RM2FM3WK4–New York City, New York, United States. 5th May, 2021. Visitors to the New York Botanical Gardens in the Bronx enjoy Yayoi Kusama's 'I Want to Fly to the Universe' (2020) sculpture, part of the 'Kusama: Cosmic Infinity' exhibition currently on display on the grounds through October 31st. Credit: Adam Stoltman/Alamy Live News
RMBN5CBA–Yayoi Kusama, Japanese artist and laureate of the 2006 Praemium Imperiale art awards, Tokyo, Japan
RMRPMA95–ROME - Mirrored room entitled All the Eternal Love I have for the Pumpkins by Japanese artist Yayoi Kusama at the LOVE exposition.
RM2A52TRW–Vessel, 300s BC. Pottery existed for thousands of years in Japan before the Yayoi period, but the development of wet rice agriculture and permanent settlements by previously nomadic communities changed its form significantly. Yayoi period pots were aimed more at long-term storage than those from prior millennia. Their smooth, unadorned surfaces and round shapes also reflect the style of contemporaneous works from the Korean peninsula, indicating the strong ties between Japanese communities and Korean kingdoms at the time.
RM2B0HKEM–Jar, Japan, Yayoi period (ca. 300 B.C.–300 A.D.), Date ca. 100–300, Japan, Earthenware with incised decoration (Southern Tokai region), H. 16 5/8 in. (42.2 cm); Diam. 14 in. (35.6 cm), Ceramics
RM2R0NX30–Yellow pumpkin sculpture by Japanese artist Yayoi Kusama on the island of Naoshima, Japan. The island hosts a collection of contemporary art that is m
RME5B1YN–'Pumpkin' art by Yayoi Kusama. This one is located on Naoshima in Kagawa Prefecture, Japan.
RMJHP404–NAOSHIMA, JAPAN. MAY 6: Yayoi Kusama's giant pumpkin sculpture in Naoshima. May 6, 2017 on Naoshima Art island, Japan.
RM2F3MJ7B–People of Nikko standing beside a hanayatai float celebrating the annual Yayoi Matsuri to celebrate the start of spring, Nikko, Japan
RF2HTTGRG–Art inspired by Jar, Yayoi period (ca. 300 B.C.–ca. A.D. 300), ca. 100–300, Japan, Earthenware with incised decoration, H. 10 in. (25.4 cm); Diam. 9 in. (22.9 cm), Ceramics, During the second century B.C., an influx of people from the continent brought the first of several waves of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RME8GXM3–Giant yellow pop art pumpkin by the Japanese artist Yayoi Kusama. Benesse Art Site Naoshima, Japan
RMBN5DKA–Yayoi Kusama, Japanese artist and laureate of the 2006 Praemium Imperiale art awards, Tokyo, Japan
RMRPMADT–ROME - Mirrored room entitled All the Eternal Love I have for the Pumpkins by Japanese artist Yayoi Kusama at the LOVE exposition.
RM2A50M5C–Dotaku, AD 100-200. The flow of new peoples from Korea to Japan during the Yayoi period brought new technologies of bronze and iron casting. Similarly, the form of the dotaku , or bronze bell, is thought to have originated in Korea. The original Korean prototypes—stout, thickly cast bells—were transformed in Japan into sculptural forms with sophisticated surface decoration. These dotaku are often uncovered near burial sites paired with a metal spear or sword nearby, suggesting ceremonial importance.
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