RMF7PB80–Print on wove paper : letterpress text. Thomas Moore, lithographer. Independence declared 1776. Memorial to the Declaration of Independence and the American Revolution, with distinctly pro-Democratic overtones. Below the title 'Independence Declared' are bust portraits of the first eight Presidents, with Jackson and Van Buren joining hands.
RM2A6032Y–Triumph by Morris H Traubel (1820-1897). Print on wove paper : lithograph printed in pale green, buff and black. A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and 'King Cotton'. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the working of an insidious 'Hydra of human discord', spawner of treachery and rebellion.
RMRAH5GD–Louis Eilshemius, Self-Portrait 1882 Graphite pencil on wove paper, The Phillips Collection, Washington, D.C., USA.
RM2DMA78N–Print, Hans Sebald Lautensack, German, 1524 – 1561, Etching on wove paper, 1553, landscapes, Print
RMF7PAMH–Print on wove paper : lithograph printed in black and buff, of an imaginative and biting satire on Harriet Beecher Stowe and her recently published antislavery novel 'Uncle Tom's Cabin'. Printed serially beginning in June 1851, the novel first appeared in 1852. The artist has concocted a chaotic, nightmarish vision, where armies of demons and other monsters battle in a barren, desert setting reminiscent of the infernal visions of Hieronymus Bosch and Jacques Callot.
RM2A6032F–Print on wove paper : lithograph printed in black and buff, of an imaginative and biting satire on Harriet Beecher Stowe and her recently published antislavery novel 'Uncle Tom's Cabin'. Printed serially beginning in June 1851, the novel first appeared in 1852. The artist has concocted a chaotic, nightmarish vision, where armies of demons and other monsters battle in a barren, desert setting reminiscent of the infernal visions of Hieronymus Bosch and Jacques Callot.
RM2A2PRJ1–Wyatt Eaton, American, 1849-1896, Mother and Child, 1877, charcoal on grey-blue wove paper
RM2CWBFCT–(after) Joan Miro (1893-1983); Three Pochoirs from 'Cartones' (Cramer 103) Three pochoirs in colours on offset lithographs, 1965, from the edition of 1200, each on wove paper
RM2DM9R38–Design for Headpiece, Engraving, with some etching Support: cream wove paper, France, France, 1700–1725, ornament, Print
RM2DCEG0M–William Etty, (artist), British, 1787 - 1849, Study of a Horse, after 1807, graphite on wove paper
RM2DN7MH1–Print, Charles Emile Jacque, French, 1813 - 1894, Etching on wove paper, France, ca. 1860, Print
RM2DMHMJT–The Passing of the Queen, W. Walton, I. Cordwell, Lithograph Support: white wove paper, England, England, 1837, Print
RM2DMB12P–Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, USA, 1881, figures, Drawing
RM2DCF662–Mary Cassatt, (artist), American, 1844 - 1926, The Picture Book (No. 1), c. 1901, graphite on wove paper
RM2A2PGK9–Thomas Cole, American, 1801-1848, (Untitled), between 1801 and 1848, graphite pencil on off-white wove paper
RMRY6R1P–Les Salles d'Estampes en Province, 1877. Félix Hilaire Buhot (French, 1847-1898). Etching on wove paper
RM2DMEG7D–Napoleon Bonaparte at Fon, Giuseppe Guzzi, Etching Support: white wove paper, Italy, France, 1820–30, figures, Print
RM2DMB14P–Designs for Two Chairs in, Watercolor, graphite Support: white wove paper, England, England, ca. 1830, furniture, Drawing
RM2DMB70K–Design for a Bracelet, Graphite Support: off-white wove paper, Rome, Italy, Italy, 1875–1900, jewelry, Drawing
RM2A2KW6G–Gaeta, 1807, Simon Petrus Klotz, German, 1776-1824, Germany, Lithograph on wove paper, 340 x 482 mm
RM2A2HPE2–Study, 1845, Charles Meryon, French, 1821-1868, France, Graphite on cream wove paper, 242 × 416 mm
RM2DJ6594–The Secret, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RM2DJ6852–Library at Strawberry Hill, Print made by John Godfrey, 1784, Line engraving on medium, slightly textured, cream wove paper
RM2DJ654A–The Burglary, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RM2DJ6642–Otter, Print made by Samuel Howitt, 1756–1822, British, 1812, Etching on medium, slightly textured, cream wove paper
RM2DJ64RX–The Portrait, Print made by George Cruikshank, 1792–1878, British, 1836, Etching on medium, slightly textured, cream wove paper
RM2DJ653C–The Meeting, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RM2DJ6982–Treport, after Clarkson Stanfield, 1793–1867, British, 1834, Line engraving on medium, slightly textured, cream wove paper
RM2DMP0MC–Black Bird with Roses, Pen and ink, graphite on coated wove paper, Black Bird with Roses, ca. 1800–1830, Drawing
RM2DMBGPC–Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of landscape., USA, 1879, landscapes, Drawing
RM2DMBA7A–Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of figure., USA, 1876, figures, Drawing
RM2DMX1EG–Clouds, Daniel Huntington, American, 1816–1906, White chalk Support: Gray wove paper, USA, ca. 1840, landscapes, Drawing
RM2DMH2HJ–Study for 'Titian Showing, Daniel Huntington, American, 1816–1906, Graphite Support: Gray Wove Paper, USA, 1872, figures, Drawing
RM2DMEBXP–Study for 'Titian Showing, Daniel Huntington, American, 1816–1906, Graphite Support: Gray wove paper, USA, 1866, figures, Drawing
RM2A2KWRP–Lion with Cubs, 1831, Johann Höchle, German, 1790-1835, Germany, Lithograph on cream wove paper, 285 x 392 mm
RM2A2JGED–Landscape, c. 1875, Léon Richet, French, 1847-1907, France, Charcoal on ivory wove paper, 234 × 333 mm
RM2DCET49–Francisco de Goya, (artist), Spanish, 1746 - 1828, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper
RM2A2KW97–Monte Circello, 1831, Ludwig Richter, German, 1803-1884, Germany, Etching on ivory wove paper, 155 x 198 mm
RM2A2JF2M–Landscape, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory wove paper, 49 × 72 mm
RM2A2KWWF–Figures, c. 1817, John Flaxman, English, 1755-1826, England, Lithograph on ivory wove paper, 285 × 178 mm
RM2DJ64T8–The Fall of the Leaf, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RM2DJ67WW–Hamburg, Print made by Samuel Davenport, 1783–1867, British, undated, Line engraving on medium, slightly textured, cream wove paper
RM2DJ6855–London, Print made by George Augustus Sala, 1828–1895, British, undated, Lithograph on medium, slightly textured, cream wove paper
RM2DJ666X–Three Dogs, Print made by Samuel Howitt, 1756–1822, British, undated, Etching on medium, slightly textured, cream wove paper
RM2DJ64RR–Mystery and Crockery, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RM2DJ67WP–Too Clever to Live, Print made by John Leech, 1817–1864, British, undated, Etching on medium, slightly textured, cream wove paper
RM2DJ64N0–The Battle of the Nile, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RM2DN6F7K–Drawing, Gouache over graphite, correction in white gouache Support: white wove paper, China, England, 1794–1804, furniture, Drawing
RM2DJ666B–Fallow Deer, Print made by Samuel Howitt, 1756–1822, British, 1819, Etching on medium, slightly textured, cream wove paper
RM2DJ6676–The Otter Hound, Print made by Samuel Howitt, 1756–1822, British, 1834, Etching on medium, slightly textured, cream wove paper
RM2DJ652W–The Evidence Destroyed, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RM2DJ650D–The Last Chance, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RM2DMWT1A–Dog, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a dog., USA, 1883, figures, Drawing
RM2DMHWYF–Doorway, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a doorway., USA, 1881, architecture, Drawing
RM2DMCKEK–Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a landscape., USA, 1879, landscapes, Drawing
RM2DMB38T–Courtyard, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a courtyard., USA, 1880, architecture, Drawing
RM2A2JFH5–The Village Church, n.d., Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink on ivory wove paper
RM2DMW9HM–Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of buildings and chimneys., USA, 1880, architecture, Drawing
RM2DMY2HM–Friezes, Panels and Ornam, M[ichel?] Pourchet, 1805, Desflorennes, Lithograph Support: white wove paper, France, Europe, 1823, ornament, Print
RM2DMWDXJ–Friezes, Panels and Ornam, M[ichel?] Pourchet, 1805, Desflorennes, Lithograph Support: white wove paper, France, France, 1827, ornament, Print
RM2DMY7BK–Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on brown wove paper, USA, 1865–70, figures, Drawing
RM2DN8DMW–Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, USA, 1865–70, figures, Drawing
RM2DNAPJ9–Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, USA, 1865–70, figures, Drawing
RM2DMT6RB–Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of landscape with trees., USA, 1879, landscapes, Drawing
RM2DN19C6–Doorway, Apartment of Lou, François Chauveau, 1613 – 1676, Engraving Support: thick white wove paper, France, France, 1710, architecture, Print
RM2DMCCR5–Fashion Plate for Woman's, Hand-colored engraving Support: off-white wove paper, France, Europe, 1827, costume & accessories, Print
RM2DMF36J–Doorway, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of an arched doorway., USA, 1883, architecture, Drawing
RM2DMB87Y–Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of disparate figures., USA, 1882, figures, Drawing
RM2DMB9GG–Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of seated figure., USA, 1876, figures, Drawing
RM2DN7DAN–Clouds, Daniel Huntington, American, 1816–1906, White chalk Support: Gray wove paper, USA, USA, ca. 1840, landscapes, Drawing
RM2DMX8NA–Flower Stand, E. Bechetti, 19th century, Graphite, watercolor Support: thick white wove paper, Italy, Italy, 1871, furniture, Drawing
RM2A2JE3K–Crossing the Channel, 1866, Charles François Daubigny, French, 1817-1878, France, Graphite on tan wove paper, 121 × 201 mm
RM2A2KPRD–Study for Mazas, 1894, Maximilien Luce, French, 1858-1941, France, Black chalk on buff wove paper, 220 × 283 mm
RM2A2K2R0–The Sparrow Aviary, 1843, Charles François Daubigny, French, 1817-1878, France, Etching on white wove paper, 272 × 176 mm
RM2A2KPRG–Head, c. 1880, Simeon Solomon, English, 1840-1905, England, Red chalk on buff wove paper, 350 × 240 mm
RM2A2J59J–The Holy Family with Pole, 1858, Rodolphe Bresdin, French, 1825-1885, France, Etching on gray wove paper, 52 × 108 mm
RM2A2K91W–Portrait of Eugène Lacheurié, 1852, Gustave Moreau, French, 1826-1898, France, Graphite on ivory wove paper, 323 × 245 mm
RM2A2JE3E–Study, c. 1850, Charles François Daubigny, French, 1817-1878, France, Graphite on ivory wove paper, 104 × 166 mm
RM2A2JTN3–Shipwreck, 1839, Charles Meryon, French, 1821-1868, Paris, Graphite with smudging, on off-white wove paper, 100 x 200 mm
RM2A2JF9F–Vagabond, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching on ivory wove paper, 24 × 23 mm
RM2A2KRG9–Woman Kneeling, c. 1868, Odilon Redon, French, 1840-1916, France, Graphite on cream wove paper, 255 × 205 mm
RM2A2JF5M–Drinkers, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching on ivory wove paper, 24 × 28 mm
RM2A2KF99–Castel Sant’Angelo, 1746, Alexander Cozens, English, c. 1717-1786, England, Etching on ivory wove paper, 275 × 380 mm
RM2A2KDB9–Self-Portrait, 1860, Simeon Solomon, English, 1840-1905, England, Graphite on off-white wove paper, 193 × 101 mm
RM2DJ646G–Palace, Liege, after George Sidney Shepherd, 1784–1862, British, undated, Line engraving on medium, slightly textured, cream wove paper
RM2DJ662N–Deer Shooting, Print made by John Romney, 1786–1863, British, undated, Line engraving on medium, slightly textured, cream wove paper
RM2DJ64TY–Not Again-Not Again, Printed by George Cruikshank, 1792–1878, British, 1836, Etching on medium, slightly textured, cream wove paper
RM2DJ64MH–The Gamekeepers Attacking the Poachers, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RM2DMR62Y–Basket of Blooms on Earth, Pen and ink, graphite on coated wove paper, Basket of Blooms on Earth, ca. 1800–1830, Drawing
RM2DJ64YW–Whiles-at brose-time, Print made by George Cruikshank, 1792–1878, British, 1836, Etching on medium, slightly textured, cream wove paper
RM2DJ665N–The Buck's Death Wound, Print made by Samuel Howitt, 1756–1822, British, 1818, Etching on medium, slightly textured, cream wove paper
RM2DJ6908–Rouen, Print made by Albert Henry Payne, 1812–1902, British, 1845, Line engraving on medium, slightly textured, cream wove paper
RM2DJ66KB–William Shakespeare, Print made by George Vertue, 1684–1756, British, 1719, Line engraving on medium, slightly textured, cream wove paper
RM2DJ6BPC–Chelsea New Bridge, Print made by Leighton Brothers, active 1858–1885, 1858, Chromoxylograph on medium, slightly textured, cream wove paper
RM2DJ677E–John Milton, Print made by Jacobus Houbraken, 1698–1780, Dutch, 1741, Line engraving on medium, slightly textured, cream wove paper
RM2DJ66FG–Westminster Abbey, Print made by Charles William Sherborn, 1831–1912, British, 1877, Etching on medium, slightly textured, cream wove paper
RM2DJ66WJ–Cardinal Wolsey, Print made by Jacobus Houbraken, 1698–1780, Dutch, 1738, Line engraving on medium, slightly textured, cream wove paper
RM2DJ66N1–Thomas Otway, Print made by Jacobus Houbraken, 1698–1780, Dutch, 1741, Line engraving on medium, slightly textured, cream wove paper
RM2A2PGK5–Thomas Cole, American, 1801-1848, (Untitled), between 1801 and 1848, pen and brown ink with some graphite pencil on off-white wove paper
RM2A2P4AX–Johann Ladenspelder, German, 1512-1561, The Trinity, 1542, Engraving printed in black on wove paper, sheet (trimmed within plate mark
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