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RMW51D69–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery
RMPB4N2B–America. Artist: After a composition by Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris). Culture: French, Beauvais. Dimensions: Overall: 42 1/4 × 75 3/8 × 28 in. (107.3 × 191.5 × 71.1 cm). Factory: Tapestry upholstery by Beauvais. Maker: Workshop of de Menou (French, active 1780-93). Patron: Commissioned for Louis XVI, King of France (French, Versailles 1754-1793 Paris). Date: designed ca. 1786, woven 1790-91; settee frame second half 19th century. Louis XVI commissioned the tapestry-woven upholstery for two settees (1978.5a-c, .6a-c) and twelve armchairs (1978.404.7a-c-.18a-
RF2HW4000–Art inspired by America, designed ca. 1786, woven 1790–91; settee frame second half 19th century, French, Beauvais, Carved and gilded wood; wool, silk, Overall: 42 1/4 × 75 3/8 × 28 in. (107.3 × 191.5 × 71.1 cm), After a composition by Jean Jacques François Le Barbier (French, Rouen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A523D3–Savonnerie Panel: Autumn, c. 1717. Courtiers and aristocrats anxious to model their lifestyles on the king also commissioned works from the same state manufactories that produced tapestries, carpets, and upholstery for the French monarchy. Established in the early 1600s, the Savonnerie factory provided both domestic furnishings for the king’s palaces and diplomatic gifts for foreign heads of state. The double coat of arms in this tapestry suggests that it was made fora count and countess who married in 1717. One of a group of four tapestries depicting the seasons, this work depicts th
RM2H0XR5W–Set of Four Armchairs and Settee, c. 1715. Royal Savonnerie Manufactory, Chaillot Workshops (French, est. 1627). Carved wood, Savonnerie knotted-pile (symmetrical rug knot) upholstery; wool, hemp; overall: 120 x 201.3 x 55.9 cm (47 1/4 x 79 1/4 x 22 in.). These chairs belong to a suite that includes a settee (also in the CMA’s collection) and a tapestry made for a count and countess to mark their wedding in 1717. Furniture of this scale was usually placed against the wall in grand reception halls, more as a display of wealth than for use. Upholstered in Savonnerie tapestries, this suite was a
RMKNJE6Y–Four upholstery panels for a settee. Factory: Beauvais; Designer: Jean-Baptiste Oudry (French, Paris 1686-1755 Beauvais); Factory director: woven
RF2PP20CK–Fiber art line icons collection. Knitting, Weaving, Crochet, Macrame, Embroidery, Quilting, Spinning vector and linear illustration. Felting,Tapestry
RMR2W0GE–Aubusson (central France). Interior of the Royal Saint-Jean d’Aubusson Factory, dating back to the XVth century. Workshops of the tapestry manufacture
RF2PEYP3N–Fabric shop line vector icons and signs. Store, Cloth, Textile, Wool, Cotton, Shop, Linen, Silks outline vector illustration set
RF2EJ6H5P–Carpet rugs floor covering sale discount offer texture samples 3 realistic horizontal banners set isolated vector illustration
RMKNX71D–America from a set of The Four Continents. Designer: Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris); Maker: Workshop of de Menou
RMW51D6C–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RMKNX791–Europe from a set of The Four Continents. Designer: Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris); Maker: Workshop of de Menou
RMPAXPA3–Settee. Artist: After a composition by Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris). Culture: French, Beauvais. Dimensions: Overall: 42 1/4 × 75 3/8 × 28 in. (107.3 × 191.5 × 71.1 cm). Factory: Tapestry upholstery by Beauvais. Maker: Workshop of de Menou (French, active 1780-93). Patron: Commissioned for Louis XVI, King of France (French, Versailles 1754-1793 Paris). Date: designed ca. 1786, woven 1790-91; settee frame second half 19th century. Louis XVI commissioned the tapestry-woven upholstery for two settees (1978.5a-c, .6a-c) and twelve armchairs (1978.404.7a-c-.18a-c
RF2HW4048–Art inspired by Settee, designed ca. 1786, woven 1790–91; settee frame second half 19th century, French, Beauvais, Carved and gilded wood; wool, silk, Overall: 42 1/4 × 75 3/8 × 28 in. (107.3 × 191.5 × 71.1 cm), After a composition by Jean Jacques François Le Barbier (French, Rouen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A50F57–Chair, before 1717. These chairs belong to a suite that includes a settee (also in the CMA’s collection) and a tapestry made for a count and countess to mark their wedding in 1717. Furniture of this scale was usually placed against the wall in grand reception halls, more as a display of wealth than for use. Upholstered in Savonnerie tapestries, this suite was among the most treasured and expensive example anyone could own and typically reserved for royalty. To add decorative and intellectual interest to the textiles, weavers incorporated symbols depicting various stories from the Fa
RF2B970GG–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2H8C6BB–Cloth textile clearance sale special offer 3 horizontal advertisement banners with realistic fabric texture isolated vector illustration
RF2H86PAR–Textile texture color realistic square samples collection of home decorating and apparel fabric swatches isolated vector illustration
RF2J65EMW–Realistic textile fabric texture price tags labels badges and cloth sale swathes collection isolated vector illustration
RF2J493AF–Cloth textile clearance sale special offer 3 horizontal advertisement banners with realistic fabric texture isolated vector illustration
RF2J65X96–Textile texture color realistic square samples collection of home decorating and apparel fabric swatches isolated vector illustration
RMW51D6E–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RMKNX793–Asia from a set of The Four Continents. Designer: Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris); Maker: Workshop of de Menou
RMPANJ8X–Armchair. Artist: After a composition by Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris). Culture: French, Beauvais. Dimensions: Overall: 37 3/4 × 27 × 24 in. (95.9 × 68.6 × 61 cm). Factory: Tapestry upholstery by Beauvais. Maker: Workshop of de Menou (French, active 1780-93). Patron: Commissioned for Louis XVI, King of France (French, Versailles 1754-1793 Paris). Date: designed ca. 1786, woven 1790-91; chair frame second half 19th century. Commissioned by Louis XVI, this ensemble belongs to a set of four wall hangings (1978.404.1-.4) and fifty-six pieces of furniture upholst
RM2A50F59–Chair, before 1717. These chairs belong to a suite that includes a settee (also in the CMA’s collection) and a tapestry made for a count and countess to mark their wedding in 1717. Furniture of this scale was usually placed against the wall in grand reception halls, more as a display of wealth than for use. Upholstered in Savonnerie tapestries, this suite was among the most treasured and expensive example anyone could own and typically reserved for royalty. To add decorative and intellectual interest to the textiles, weavers incorporated symbols depicting various stories from the Fa
RF2B9CYB1–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2HD6CPY–Carpet rugs floor covering texture patterns styles 9 realistic square samples collection on grey background vector illustration
RF2EJ6G15–Realistic textile fabric texture price tags labels badges and cloth sale swathes collection isolated vector illustration
RF2J97W02–Carpet rugs floor covering texture patterns styles 9 realistic square samples collection on grey background vector illustration
RF2EM1N0B–Cloth textile clearance sale special offer 3 horizontal advertisement banners with realistic fabric texture isolated vector illustration
RF2PF0KWC–Textiles line vector icons and signs. Cloth, Garment, Linen, Woollen, Yarn, Cotton, Thread, Weave outline vector illustration set
RMW51D6F–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RMKNX792–Africa from a set of The Four Continents. Designer: Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris); Maker: Workshop of de Menou
RMPAR8N1–Armchair. Artist: After a composition by Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris). Culture: French, Beauvais. Dimensions: Overall: 37 3/4 × 27 × 24 in. (95.9 × 68.6 × 61 cm). Factory: Tapestry upholstery by Beauvais. Maker: Workshop of de Menou (French, active 1780-93). Patron: Commissioned for Louis XVI, King of France (French, Versailles 1754-1793 Paris). Date: designed ca. 1786, woven 1790-91; chair frame second half 19th century. Commissioned by Louis XVI, this ensemble belongs to a set of four wall hangings (1978.404.1-.4) and fifty-six pieces of furniture upholst
RF2EJ6HBC–Carpet rugs mats flooring texture and pattern design concept 4 realistic green brown samples isolated vector illustration
RM2A50F58–Chair, before 1717. These chairs belong to a suite that includes a settee (also in the CMA’s collection) and a tapestry made for a count and countess to mark their wedding in 1717. Furniture of this scale was usually placed against the wall in grand reception halls, more as a display of wealth than for use. Upholstered in Savonnerie tapestries, this suite was among the most treasured and expensive example anyone could own and typically reserved for royalty. To add decorative and intellectual interest to the textiles, weavers incorporated symbols depicting various stories from the Fa
RF2B970GK–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2A1FYRD–Oriental Rug (India) with floral motifs and colors (Orange, green, red, blue)... colorful Indian textile.
RMW51D6A–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RMPAB3P7–Shoes. Culture: American. Date: 1854-60. The elegant black foliate patterned textile of these shoes was woven by hand, á la disposition, to conform to the pattern piece of the uppers. After the Crimean War, textiles with this tapestry weave were exported for reticules, slippers, and even upholstery. In this instance, it is possible that the textile with the woven pattern of uppers, rather than the completed slippers, was imported to this country to be cobbled together here. The ballet-slipper-like flats, with their square toes, were a style that persisted throughout the first half of the ni
RF2EM2PDW–Textile texture color realistic square samples collection of home decorating and apparel fabric swatches isolated vector illustration
RM2A50F5Y–Chair, before 1717. These chairs belong to a suite that includes a settee (also in the CMA’s collection) and a tapestry made for a count and countess to mark their wedding in 1717. Furniture of this scale was usually placed against the wall in grand reception halls, more as a display of wealth than for use. Upholstered in Savonnerie tapestries, this suite was among the most treasured and expensive example anyone could own and typically reserved for royalty. To add decorative and intellectual interest to the textiles, weavers incorporated symbols depicting various stories from the Fa
RF2B9CYB0–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 x 63.5 x 48.3 cm (39 5,8 x 25 x 19 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2A1FYRH–Oriental Rug (India) with floral motifs and colors (Orange, green, red, blue)... colorful Indian textile.
RMW51D6D–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RMPAR8BF–America. Artist: After a composition by Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris). Culture: French, Beauvais. Dimensions: Overall: 37 3/4 × 27 × 24 in. (95.9 × 68.6 × 61 cm). Factory: Tapestry upholstery by Beauvais. Maker: Workshop of de Menou (French, active 1780-93). Patron: Commissioned for Louis XVI, King of France (French, Versailles 1754-1793 Paris). Date: designed ca. 1786, woven 1790-91; chair frame second half 19th century. Commissioned by Louis XVI, this ensemble belongs to a set of four wall hangings (1978.404.1-.4) and fifty-six pieces of furniture upholste
RF2EM2XXC–Fabric cloth swatches closeup with textile texture and color for sewing decoration backgrounds horizontal set realistic vector illustration
RM2A51T58–Panel: Spring, c. 1715. Courtiers and aristocrats anxious to model their lifestyles on the king also commissioned works from the same state manufactories that produced tapestries, carpets, and upholstery for the French monarchy. Established in the early 1600s, the Savonnerie factory provided both domestic furnishings for the king’s palaces and diplomatic gifts for foreign heads of state. The double coat of arms in this tapestry suggests that it was made for a count and countess who married in 1717. One of a group of four tapestries depicting the seasons, this work depicts the abundant f
RF2B970GP–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2R2JG–Georges Jacob, French, 1739-1814, Arm Chair, c. 1780/1785, carved and gilded beechwood frame, wool and silk upholstery (Beauvais tapestry), 36 x 25 1/2 x 22 in
RM2DN82R6–Textile, Medium: wool Technique: tapestry weave, Fragments of upholstery fabric in reddish-brown with isolated motifs in dull yellow. Motifs consist of rosettes, palmettes, and leafy arabesques., England, 1820–1830, woven textiles, Textile
RMPA95WT–Armchair back. Culture: French, Beauvais. Designer: Jean-Baptiste Oudry (French, Paris 1686-1755 Beauvais). Dimensions: H. 29 x W. 24 in. (approx.) (73.7 x 61 cm). Factory: Beauvais. Factory director: woven under the direction of Jean-Baptiste Oudry (French, Paris 1686-1755 Beauvais); and André Charlemagne Charron (French, active 1754-80). Date: 1754-56. Museum: Metropolitan Museum of Art, New York, USA.
RM2A2R2JF–Georges Jacob, French, 1739-1814, Arm Chair, c. 1780/1785, carved and gilded beechwood frame, wool and silk upholstery (Beauvais tapestry), 35 3/4 x 25 1/8 x 22 in. (90.8 x 63.8 x 55.88 cm
RF2B970GT–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A524C6–Set of Four Chairs and Settee, c. 1715. These chairs belong to a suite that includes a settee (also in the CMA’s collection) and a tapestry made for a count and countess to mark their wedding in 1717. Furniture of this scale was usually placed against the wall in grand reception halls, more as a display of wealth than for use. Upholstered in Savonnerie tapestries, this suite was among the most treasured and expensive example anyone could own and typically reserved for royalty. To add decorative and intellectual interest to the textiles, weavers incorporated symbols depicting various
RF2EJ6GYC–Carpet rugs floor covering texture patterns styles 9 realistic square samples collection on grey background vector illustration
RM2A2R2J9–Georges Jacob, French, 1739-1814, Arm Chair, between 1780 and 1785, carved and gilded beechwood frame, wool and silk upholstery (Beauvais tapestry), Overall: 36 × 25 1/2 × 22 inches (91.4 × 64.8 × 55.9 cm
RF2B970GR–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A524D7–Settee, before 1717. These chairs belong to a suite that includes a settee (also in the CMA’s collection) and a tapestry made for a count and countess to mark their wedding in 1717. Furniture of this scale was usually placed against the wall in grand reception halls, more as a display of wealth than for use. Upholstered in Savonnerie tapestries, this suite was among the most treasured and expensive example anyone could own and typically reserved for royalty. To add decorative and intellectual interest to the textiles, weavers incorporated symbols depicting various stories from the F
Search Results for Wool tapestry upholstery Stock Photos and Images (146)
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