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RMMC6P97–'Saul and the Witch of Endor' - woodengraving of circa 1875, after the painting by Frederick Appleyard.
RMERGF7Y–'The Sea- Dog' - from reproduction of a woodengraving in 'Dyalogue des Créatures' by Gérat Leeu, 1482, Gouda.
RM2DT287R–Artist: Edwin Austin Abbey, American, 1852–1911, M.A., 1897, Untitled woodengraving by E.A. Abbey (?) of two ladies on a wooden footbridge - illustration for William Black’s Judith Shakespeare (?), Woodblock Engraving, 7 3/8 × 4 7/8 in. (18.7 × 12.4 cm), Made in United States, American, 19th century, Works on Paper - Prints
RMHR8EFA–The Pastorals of Virgil, related materials, object 5 woodblock bb504 bm-woodengraving 5 300
RMMNXPDY–. English: The Pastorals of Virgil, related materials, object 5 woodblock bb504 bm-woodengraving 5 300bw . 15 June 2013, 09:49:12. William Blake (1757–1827) Alternative names W. Blake; Uil'iam Bleik Description British painter, poet, writer, theologian, collector and engraver Date of birth/death 28 November 1757 12 August 1827 Location of birth/death Broadwick Street Charing Cross Work location London Authority control : Q41513 VIAF: 54144439 ISNI: 0000 0001 2096 135X ULAN: 500012489 LCCN: n78095331 NLA: 35019221 WorldCat This is a faithful photographic reproduction of a two
RM2JP77WD–The Pastorals of Virgil, related materials, object 5 woodblock bb504 bm-woodengraving 5 300
RM2HWG3F5–Untitled woodengraving by E.A. Abbey (?) of two ladies on a wooden footbridge - illustration for William Black’s Judith Shakespeare (?). Artist: Edwin Austin Abbey, American, 1852–1911, M.A. (HON.) 1897
RMP3T6J7–Plate with 'onion pattern'. Meissen Porcelain. The onion pattern, showing blue flowers and fruits, twigs and tendrils on a white background, is one of the most successful porcelain decors of all time. Developed according to Chinese models, it was already manufactured by the porcelain manufacturer Meissen in 1730 and since then has been adopted by many porcelain manufacturers., 1872
RMMC87J2–Witches dancing to the skirl of the devil's bagpipes. Hand-coloured print afer the woodengraving by D.P. Bliss.
RMERGFJ4–Andrew Vesalius - from woodengraving after design by J. de Calcar, pupil of Titian. Flemish anatomist, physician, and author of
RM2DCFKX7–Henri de Toulouse-Lautrec, (artist), French, 1864 - 1901, Félix Vallotton, (artist), Swiss, 1865 - 1925, Antonio de la Gandara, (artist), French, 1861 - 1917, M. Doudelet, (artist), French, active second half 19th century, Maurice Denis, (artist), French, 1870 - 1943, Edouard Vuillard, (artist), French, 1868 - 1940, Prospectus Programme de l'Oeuvre, Théâtre de L'Oeuvre, (series), 1895, one sheet folded in thirds with text and text insert, and 6 prints: Cover in lithograph by Toulouse-Lautrec, 1 woodcut by Charles Doudelet, 1 woodcut or woodengraving by Denis, 1 woodcut by Vallotton
RMHR8327–The Pastorals of Virgil, related materials, object 5 woodblock bb504 bm-woodengraving 5 300bw
RMMP339Y–. English: The Pastorals of Virgil, related materials, object 5 woodblock bb504 bm-woodengraving 5 300 . 1 March 2010, 08:59:54. William Blake (1757–1827) Alternative names W. Blake; Uil'iam Bleik Description British painter, poet, writer, theologian, collector and engraver Date of birth/death 28 November 1757 12 August 1827 Location of birth/death Broadwick Street Charing Cross Work location London Authority control : Q41513 VIAF: 54144439 ISNI: 0000 0001 2096 135X ULAN: 500012489 LCCN: n78095331 NLA: 35019221 WorldCat This is a faithful photographic reproduction of a two-d
RM2JP77WR–The Pastorals of Virgil, related materials, object 5 woodblock bb504 bm-woodengraving 5 300bw
RM2HGXJAF–Sheich Ibrahim and His Visitors (from 'Illustrated Arabian Nights' Entertainments') ca. 1865 Dalziel Brothers British This woodengraving was made to illustrate 'The History of Noureddin and the Beautiful Persian,' one of the stories published in Dalziel's Illustrated Arabian Nights Entertainments in 1865. This version on newprint comes from a periodical where he stories were issued first in serial form. This print came to the Museum inserted in an album of caricatures clipped from contemporary periodicals, assembled around 1873 by the artist and etcher Arthur Heseltine. Born in England, Heselt
RMMC6FM3–'Gigantic Sea Surian' - woodengraving of sea-monster, after the famous print used to illustrate Gosse's natural history.
RMERGFBC–Andrew Vesalius - from woodengraving after design by J. de Calcar, pupil of Titian. Flemish anatomist, physician, and author of
RMMC6F4H–'Gigantic Sea Surian' - woodengraving of sea-monster, after the famous print used to illustrate Gosse's natural history.
RMP3T685–Scene from the coronation procession of King Edwards VI :, 1547. After a painting on Cowdray, 1881
RMMC6M6R–Monsters. Medieval exhibitor of monsters. Nineteenth century woodengraving, based on mediaeval miniature. From 'Manners and Customs', 1864.
RMMC6NN8–Demon used as a woodengraving illustration by Collin de Plancy in his 'Dictionnaire Infernal' of 1863, but derived from a painting by Salvator Rosa, 'The Nightmare.'
RMMBD73R–Demons - Nightmare demon used as a woodengraving by Collin de Plancy in his Dictionnaire Infernal of 1863 but derived from a painting by Salvator Rosa
RMMBD63W–Christian - St Veronica Saint Veronica with the image of Christ's face upon her kerchief Woodengraving after a print of 1482, in the magazine of art, 1884
RMMBD67H–The lunar influence, as evinced in its action on women. Woodengraving for Lagniet's La Nature, 1890, based on a much earlier print (circa 1720). - © / Charles Walker
RMMA2T8R–Claude Gelée, called Lorrain. After a contemporary painting by Girour. (Galerie de Versailles)
RMMC6G4H–CLOWNS - FOOLS Woodengraving, reference to the Feast of Fools, when the grinning bauble, or fool's head, was held as God. Frontispiece to William Hone, Ancient Mysteries Described, Especially the English Miracle Plays, 1823.
RMMC87E8–Victorian woodengraving showing women divining the future loved one by placing row of chestnuts in front of the fire. The nuts are 'named' and the one which jumps off the hearth would be the sucessful lover. 2004 Charles Walker /
![This hand-coloured woodengraving portays the event which became [in the sixteenth century at least] the most important of Nostradamus' prophecies. Henri died in consequence of the accident portrayed in the print, when the lance of his opponent slipped and pierced his eye. The woodcut is from Tortorel and Perrissin, 1570. Stock Photo](https://c8.alamy.com/comp/MC6NY8/this-hand-coloured-woodengraving-portays-the-event-which-became-in-the-sixteenth-century-at-least-the-most-important-of-nostradamus-prophecies-henri-died-in-consequence-of-the-accident-portrayed-in-the-print-when-the-lance-of-his-opponent-slipped-and-pierced-his-eye-the-woodcut-is-from-tortorel-and-perrissin-1570-MC6NY8.jpg "This hand-coloured woodengraving portays the event which became [in the sixteenth century at least] the most important of Nostradamus' prophecies. Henri died in consequence of the accident portrayed in the print, when the lance of his opponent slipped and pierced his eye. The woodcut is from Tortorel and Perrissin, 1570. Stock Photo")
RMMC6NY8–This hand-coloured woodengraving portays the event which became [in the sixteenth century at least] the most important of Nostradamus' prophecies. Henri died in consequence of the accident portrayed in the print, when the lance of his opponent slipped and pierced his eye. The woodcut is from Tortorel and Perrissin, 1570.
RMMC6GD6–MYTHOLOGY - EARTH-MOTHER Woodengraving of the Earth-Mother (variously Ceres, Isis, Virgo, Cybele, etc.) in a chariot drawn by two lions - the favoured transport of Cybele. The goddess holds up a key, which links her with the Egyptian mythology. From the Anna Kingsford version of The Virgin of the World, 1885.
RMMBD7PK–CARTOMANCY - PLAYING CARDS Wood-engraved (or perhaps engraved, in the style of woodengraving) images for playing cards, cut about 1500. The symbolism is now lost, but it appears to portray a king and servant of a foreign land - to judge from the elephant, perhaps from some domain of Africa. They are unlikely to be 'Indians' of the newly discovered Americas, because of their early date. Reproduced by Samuel Weller Singer, Researches into the History of Playing Cards, 1816.
RMMC88HB–DANCE - WITCH DANCE Witches dancing to the skirl of the devil's bagpipes. Hand-coloured print after the woodengraving by D.P. Bliss.
RMMC6ETD–DIVINATION - CATOPROMANCY A witch divining the future by means of a mirror, reflecting light within a bowl of water: woodengraving from Picturesque Science for the Young.
RMMC6F67–The demon Flauros, tiger-headed and a remnant o the ancient Egyptian pantheon - presumably of the cat-headed Bastet. Woodengraving from Collin de Plancy, Dictionnaire Infernal, 1863.
RMMC6FP7–The demon Flauros, tiger-headed and a remnant o the ancient Egyptian pantheon - presumably of the cat-headed Bastet. Woodengraving from Collin de Plancy, Dictionnaire Infernal, 1863.
RMMC6FP0–The unicorn-demon, Amduscias, a grand-duke of the infernal legions, who is conjured mainly for his power to command sweet music (hence, the trumpets). Woodengraving from Collin de Plancy's Dictionnaire Infernal, 1863
RMMC6F5H–The unicorn-demon, Amduscias, a grand-duke of the infernal legions, who is conjured mainly for his power to command sweet music (hence, the trumpets). Woodengraving from Collin de Plancy's Dictionnaire Infernal, 1863
RMMBD4TR–HISTORY OF AMERICA - COLUMBUS On 12 May 1492, Christopher Columbus erects the cross, and invests the Isle of Guanahani (in the Bahamas) with the name St. Salvador. Woodengraving based on the copperprint by Theodore de Bry, Grands Voyages, 1590.
RMMC6FR1–Spectral evidence has always been linked with the entertainment business, so that the earliest seances were little more than experiences of 'entertainment' to those who frequented them. This early 19th century woodengraving shows the magician De Philipsthal performing 'Phantasmagoria' on the stage of the Lyceum, London in 1803
RMMC6F7Y–Spectral evidence has always been linked with the entertainment business, so that the earliest seances were little more than experiences of 'entertainment' to those who frequented them. This early 19th century woodengraving shows the magician De Philipsthal performing 'Phantasmagoria' on the stage of the Lyceum, London in 1803
RMMC6EK7–STRANGE PHENOMENA - BALLOONING The German engineer, George Rodek, making one of his daring ascents in the balloon-saddle he made famous. The meteorological and other instruments, needed for his exploration, hang conveniently from the upper ring. The long pole behind him is not for warfare - it is a grappling hook, used as an aid for landing. Late nineteenth century woodengraving.
RMMC6EGJ–DEMONS - CATS A curious contract - Saint Cado offers the Devil a Cat, with the understanding that, in return, the Devil will build a bridge. The print does not tell the whole story: apparently, Saint Cado had tricked the Devil, who thought that he would receive, in return for his labours, a human soul. Woodengraving of 1855.
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