RM2D6CXRP–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2BM16AF–Utagawa Hiroshige, woodblock print, Haneda Ferry and Benten Shrine, from the series One Hundred Famous Views of Edo, 1858
RMKNE6XW–Asazuma-bune-Courtesan in Ancient Costume Seated in a Boat MET DP138877 Asazuma-bune-Courtesan in Ancient Costume Seated in a Boat MET DP138877 /54019 Artist: Kubo Shunman, Japanese, 1757?1820 (?), Courtesan in Ancient Costume Seated in a Boat, 19th century, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/16 x 5 5/16 in. (20.8 x 13.5 cm). The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP2250)
RM2J02EFN–Demons of Illness and Poverty Stalking the Lucky Gods. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, 1884. Prints; woodblocks. Triptych; color woodblock prints
RMHDN3DJ–Liaocheng, Liaocheng, China. 12th Dec, 2016. Liaocheng, CHINA-December 12 2016: (EDITORIAL USE ONLY. CHINA OUT) .Students make woodblock prints at Liaocheng University in Liaocheng, east China's Shandong Province, December 12th, 2016. Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD, and woodblock printing remained the most common East Asian metho
RM2BMG57K–[ 1850s Japan - Japanese Boats on the Nakagawa River ] — Boats on the Nakagawa River and Onagigawa and Shinkawa canals in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 70 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 30 summer scenes in the series. Title: The mouth of the Nakagawa River (中川口, Nakagawaguchi) 19th century vintage Ukiyoe woodblock print.
RM2B0KPWN–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 9 in. × 10 3/4 in. (22.9 × 27.3 cm), Prints
RF2HW3ECJ–Art inspired by Toothpicks and Their Cover, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/2 x 7 7/16 in. (14 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A7C8EB–Haiku: Does the Cuckoo Also/ Announce its Name from above the Clouds?/ Yorimasa Extemporizes/ I Only Bent my Bow/ And the Arrow Shot Itself. Woodblock prints by Tsukioka Yoshitoshi.
RM2B01JKR–Japan: 'Naniwa Okita Admiring Herself in a Mirror'. Ukiyo-e woodblock print from the series 'Seven Women Applying Make-up Using a Mirror' by Kitagawa Utamaro (c. 1753 - 31 October 1806), c. 1792-1793. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
RM2RK2MNY–Bildnummer: 53224894 Datum: 25.07.2009 Copyright: imago/Xinhua (090725) -- BEIJING, July 25, 2009 (Xinhua) -- Huang Yongyu is seen on an elevator creating his work at his home in Beijing on July 24, 2009. The work, with a length of 5 meters and a width of 6 meters, shows colorful lotuses in the sunshine. The almost-finished work, with Huang s nearly one month s efforts, was promised before by Huang as a present for the new building of Rong Bao Zhai , a more-than-250-year-old gallery of antique art works in China, where Huang studied woodblock prints in 1953 for two months. Born in 1924, Hua
RM2AHR5MW–Utagawa Hiroshige. The Whirlpools in Naruto Strait, Awa Province (Awa Naruto no fukei). 1857. Japan. Color woodblock prints; oban triptych
RMRXN16F–Two Chinese Women Examining Thread and a Spider's Web in a Box, from the series 'Diptych for the Drum Group'. Yashima Gakutei; Japanese, 1786 (?)-1868. Date: 1816-1833. Dimensions: 20.6 x 18.4 cm. Color woodblock prints with metallic pigment; surimono shikishiban diptych. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CXKR–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2BM16GR–Utagawa Hiroshige, woodblock print, Suijin Shrine and Massaki on the Sumida River, from the series One Hundred Famous Views of Edo, 1856
RM2J027E6–Reading. Utagawa Kunisada (Toyokuni III) (Japan, Edo, 1786-1865). Japan, circa 1847-1852. Prints; woodblocks. Triptych; color woodblock prints
RMHDN3DF–Liaocheng, Liaocheng, China. 12th Dec, 2016. Liaocheng, CHINA-December 12 2016: (EDITORIAL USE ONLY. CHINA OUT) .Students make woodblock prints at Liaocheng University in Liaocheng, east China's Shandong Province, December 12th, 2016. Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD, and woodblock printing remained the most common East Asian metho
RM2BMFWJK–[ 1850s Japan - Visitors at Falls ] — Visitors enjoy Fudo Falls in Oji, near Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 49 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 30 summer scenes in the series. Title: Fudo Falls in Oji (王子不動之滝, Ōji Fudō no taki) 19th century vintage Ukiyoe woodblock print.
RM2B0KPXC–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 12 1/2 in. × 8 in. (31.8 × 20.3 cm), Prints
RF2HW3ECF–Art inspired by Cakes and Food Made of Seaweed, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A7C8E7–Haiku: In the Midst of Glimmering Whiteness/ Among the Night's Moon-Shadows/ I Part the Snow and Pluck Plum Blossoms - Kintō, woodblock prints by Tsukioka Yoshitoshi.
RM2B01AKM–Japan: The actor Nakamura Utaemon III playing Ichikawa Gomeon. Ukiyo-e woodblock print by Gigado Ashiyuki (fl. 1813-1835), 1826. Gigadō Ashiyuki was a designer of ukiyo-e style Japanese woodblock prints in Osaka, who was active from about 1813 to 1833. He was a pupil of Asayama Ashikuni, and was also a haiku poet. Ashiyuki is best known for his ōban sized (about 14 x 10 inches or 36 x 25 centimetres) prints of kabuki actors, although he also illustrated books.
RM2RK2MPJ–Bildnummer: 53224892 Datum: 25.07.2009 Copyright: imago/Xinhua (090725) -- BEIJING, July 25, 2009 (Xinhua) -- Huang Yongyu is seen in front of his unfinished work at his home in Beijing on July 24, 2009. The work, with a length of 5 meters and a width of 6 meters, shows colorful lotuses in the sunshine. The almost-finished work, with Huang s nearly one month s efforts, was promised before by Huang as a present for the new building of Rong Bao Zhai , a more-than-250-year-old gallery of antique art works in China, where Huang studied woodblock prints in 1953 for two months. Born in 1924, Huan
RM2AHNRCJ–Utagawa Toyokuni I. Doing the Laundry by the Well Curb (Idobata no sentaku to araihari). 1790–1800. Japan. Color woodblock prints; oban triptych
RMRXMG0A–Roben Waterfall at Mount Oyama (Oyama Roben no taki). Utagawa Kuniyoshi; Japanese, 1797-1861. Date: 1813-1825. Dimensions: . Color woodblock prints; oban triptych. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CXKT–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2BM16GH–Utagawa Hiroshige, woodblock print, Maple Trees at Mama, Tekona Shrine and Linked Bridge, from the series One Hundred Famous Views of Edo, 1857
RM2J027DG–Flowers. Utagawa Kunisada (Toyokuni III) (Japan, Edo, 1786-1865). Japan, circa 1847-1852. Prints; woodblocks. Triptych; color woodblock prints
RMHDN3EC–Liaocheng, Liaocheng, China. 12th Dec, 2016. Liaocheng, CHINA-December 12 2016: (EDITORIAL USE ONLY. CHINA OUT) .Students make woodblock prints at Liaocheng University in Liaocheng, east China's Shandong Province, December 12th, 2016. Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD, and woodblock printing remained the most common East Asian metho
RM2BMG12P–[ 1850s Japan - Sumidagawa River ] — Boats on the Sumidagawa River in Edo (current Tokyo), 1857 (Ansei 4). In the background, Mount Fuji can be seen. This woodblock print is image 57 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 30 summer scenes in the series. Title: Mitsumata Wakarenofuchi (みつまたわかれの淵) 19th century vintage Ukiyoe woodblock print.
RM2B0KPXF–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 16 in. × 11 7/16 in. (40.6 × 29.1 cm), Prints
RF2HW3EF5–Art inspired by People with Lanterns in Procession, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A7C8EM–Haiku: As I Look Out into the Vast Expanse/ Can This be the Same Moon/ That I Saw Rise in Kasuga behind Mount Mikasa? Woodblock prints by Tsukioka Yoshitoshi.
RM2B017AF–Japan: 'Hatsuhana doing Penance under the Tonosawa Waterfall'. Ukiyo-e woodblock print by Utagawa Kuniyoshi (1 January 1798 - 14 April 1861), c. 1841-1842. Utagawa Kuniyoshi was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences.
RM2RNBB6K–YUNCHENG, Feb. 26, 2016 -- Wu Baisuo, an inheritor of Jiangzhou New Year woodblock print, sketches a New Year woodblock print in Jiangzhou County, north China s Shanxi Province, Feb. 26, 2016. Jiangzhou New Year woodblock print is a provincial intangible cultural heritage in Shanxi Province. ) (dhf) CHINA-SHANXI-NEW YEAR WOODBLOCK PRINTS-INTANGIBLE CULTURAL HERITAGE (CN) CaoxYang PUBLICATIONxNOTxINxCHN Yuncheng Feb 26 2016 Wu to inheritor of Jiang Zhou New Year Woodblock Print sketches a New Year Woodblock Print in Jiang Zhou County North China S Shanxi Province Feb 26 2016 Jiang Zhou New Y
RM2AHPN6W–Tsukioka Yoshitoshi. Seigen Languishing for His Love, Princess Sakura (Seigen daraku no zu). 1884–1892. Japan. Color woodblock prints; oban diptych
RMRX7JAE–Kintaro Captures the Carp (Kintaro rigyo o torau). Tsukioka Yoshitoshi; Japanese, 1839-1892. Date: 1885. Dimensions: 73.8 x 26 cm. Color woodblock prints; oban diptych. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CXD0–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2HKBWJC–Famous Places in the Eastern Capital: Enjoying an Evening Breeze at Ryogoku Bridge (Toto meisho Ryogoku no yusuzumi), woodblock print by Utagawa Hiroshige, 1847-1848
RM2J00F2W–Mitsuuji Pleasuring by the Ōi River. Utagawa Yoshiiku (Japan, 1833-1904). Japan, 1861, 11th month. Prints; woodblocks. Triptych; color woodblock prints
RMHDN3DH–Liaocheng, Liaocheng, China. 12th Dec, 2016. Liaocheng, CHINA-December 12 2016: (EDITORIAL USE ONLY. CHINA OUT) .Students make woodblock prints at Liaocheng University in Liaocheng, east China's Shandong Province, December 12th, 2016. Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD, and woodblock printing remained the most common East Asian metho
RM2BMFXX2–[ 1850s Japan - Zojoji Pagoda in Shiba ] — The pagoda of Zojoji temple in Shiba, Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 53 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 30 summer scenes in the series. Title: The Pagoda of Zojoji Temple and Akabane (増上寺塔赤羽根, Zojojito Akabane) 19th century vintage Ukiyoe woodblock print.
RM2B0KPWD–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 16 1/4 in. × 10 in. (41.3 × 25.4 cm), Prints
RF2HW3EFN–Art inspired by Plum Branches with Flowers and a Rolled Mat, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 6 1/8 x 11 in. (15.6 x 27.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A7C8GH–Haiku: Did I Ever Imagine That/ As the Clouds of the High Autumn Sky Cleared/ I Would View the Moon through a Bamboo Lattice Window - Hidetsugu, woodblock prints by Tsukioka Yoshitoshi.
RM2B016E4–Japan: 'Series of Beauties'. Ukiyo-e woodblock print by Utagawa Kuniyoshi (1 January 1798 - 14 April 1861). c. 1840s. Utagawa Kuniyoshi was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature.
RM2AHNFCH–Tsukioka Yoshitoshi. The actor Ichikawa Danjuro IX as Musashibo Benkei in the play The Subscription List (Kanjincho). 1890. Japan. Color woodblock prints; oban triptych
RMRXHKTB–Chinese Beauties at a Banquet. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1783-1795. Dimensions: 37.1 x 75.5 cm. Color woodblock prints; oban triptych. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CXYJ–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2J00EDJ–The Arts of Koto, Go, Writing and Painting. Mizuno Toshikata (Japan, 1866-1908). Japan, 1889. Prints; woodblocks. Triptych; color woodblock prints, embossing
RMHDN3D0–Liaocheng, Liaocheng, China. 12th Dec, 2016. Liaocheng, CHINA-December 12 2016: (EDITORIAL USE ONLY. CHINA OUT) .Students make woodblock prints at Liaocheng University in Liaocheng, east China's Shandong Province, December 12th, 2016. Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD, and woodblock printing remained the most common East Asian metho
RM2BMGH0J–[ 1850s Japan - Practicing Archery ] — Samurai practicing archery at the Takatanobaba Riding Grounds in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 115 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: The Takata Riding Grounds (高田の馬場, Takada no baba) 19th century vintage Ukiyoe woodblock print.
RM2B0KPX0–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 16 1/2 in. × 11 in. (41.9 × 27.9 cm), Prints
RF2HTTWW5–Art inspired by Lady Hotoke Dancing, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/8 x 7 3/8 in. (21.3 x 18.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A7C8N0–Haiku: Cherry Blossom by the Sumida River/ Boats Fade from View in the Gathering Dusk/ At Sekiya as I View the Moon - Mizuki Tatsunosuke, woodblock prints by Tsukioka Yoshitoshi.
RM2B016E3–Japan: 'Series of Beauties'. Ukiyo-e woodblock print by Utagawa Kuniyoshi (1 January 1798 - 14 April 1861). c. 1834. Utagawa Kuniyoshi was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature.
RM2AHR63G–Chôbunsai Eishi. Watching the Shellfish Gathering during Low Tide at Shinagawa (Shinagawa shiohigari kenbutsu). 1756–1829. Japan. Color woodblock prints; oban triptych
RMRXHJ3X–Pleasure Boats on the Sumida River. Chobunsai Eishi; Japanese, 1756-1827. Date: 1787-1797. Dimensions: 14 1/2 x 50 1/2 in. Color woodblock prints; oban pentaptych. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CXA6–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2J04GX3–Gojō Bridge, an Episode from the Life of Yoshitsune. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, 1881. Prints; woodblocks. Triptych; color woodblock prints
RMHDN3DY–Liaocheng, Liaocheng, China. 12th Dec, 2016. Liaocheng, CHINA-December 12 2016: (EDITORIAL USE ONLY. CHINA OUT) .Students make woodblock prints at Liaocheng University in Liaocheng, east China's Shandong Province, December 12th, 2016. Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD, and woodblock printing remained the most common East Asian metho
RM2BMFXC6–[ 1850s Japan - Zojoji Pagoda in Shiba ] — The pagoda of Zojoji temple in Shiba, Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 53 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 30 summer scenes in the series. Title: The Pagoda of Zojoji Temple and Akabane (増上寺塔赤羽根, Zojojito Akabane) 19th century vintage Ukiyoe woodblock print.
RM2B0KPRR–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 10 1/2 in. (25.4 × 26.7 cm), Prints
RF2HW3EGK–Art inspired by Various Moths and Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 13/16 x 7 13/16 in. (19.8 x 19.8 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A7C8H5–Haiku: The Moon Glimmers like Bright Snow/ And Plum Blossoms Appear like Reflected Stars/ Ah! The Golden Mirror of the Moon Passes Overhead/ As Fragrance from the Jade Chamber Fills the Garden - Sugawara no Michizane, woodblock prints by Tsukioka Yoshitoshi.
RM2B01JXH–Japan: 'Abalone Divers / The Abalone Fisherwomen'. Ukiyo-e woodblock triptych print by Kitagawa Utamaro (c. 1753 - 31 October 1806), c. 1797-1798. The title would appear to be a double entendre, as few 'abalone divers' would have dressed, let alone looked, like these 'bijin' beauties. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
RM2AHR5A1–Eishosai Choki. Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame). 1790–1800. Japan. Color woodblock prints; oban triptych
RMRXADF1–Seigen Languishing for His Love, Princess Sakura (Seigen daraku no zu). Tsukioka Yoshitoshi; Japanese, 1839-1892. Date: 1884-1892. Dimensions: 73.8 x 26 cm. Color woodblock prints; oban diptych. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CXTP–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2J04ETT–Eight Views of Ōmi. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, 1856, 10th month. Prints; woodblocks. Triptych, color woodblock prints
RMHDN3EN–Liaocheng, Liaocheng, China. 12th Dec, 2016. Liaocheng, CHINA-December 12 2016: (EDITORIAL USE ONLY. CHINA OUT) .Students make woodblock prints at Liaocheng University in Liaocheng, east China's Shandong Province, December 12th, 2016. Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD, and woodblock printing remained the most common East Asian metho
RM2BMFRD9–[ 1850s Japan - Dawn at the Yoshiwara Red Light District ] — Dawn at the Yoshiwara red light district in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 38 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 42 spring scenes in the series. Title: Dawn Inside the Yoshiwara (廓中東雲, Kakuchū shinonome) 19th century vintage Ukiyoe woodblock print.
RM2B0KPXM–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 16 in. × 11 5/8 in. (40.6 × 29.5 cm), Prints
RF2HW3E8W–Art inspired by These are Only Poems, Edo period (1615–1868), 18th–19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 3 1/8 x 7 5/8 in. (7.9 x 19.4 cm), Prints, Unidentified Artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A7C8E1–Chinese poem: The Night is Still and a Hundred Flowers are Fragrant in the Western Palace/ She Orders the Screen to be Rolled up, Regretting the Passing of Spring/ With the Yunhe across her Lap she Gazes at the Moon/ The Colors of the Trees are Hazy in the Indistinct Moonlight - Wang Changling, woodblock prints by Tsukioka Yoshitoshi.
RM2B01JTG–Japan: The actors Nakamura Utaemon IV, Ichikawa Kuzô II and Matsumoto Kôshirô VI playing the game Ken. Ukiyo-e woodblock print by Utagawa Kuniyoshi (1 January 1797 - 14 April 1862), 1849. Utagawa Kuniyoshi was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes.
RM2AHR5K7–Torii Kiyonaga. The Fourth Month, from the series Twelve Months in the South (Minami juni ko). 1779–1789. Japan. Color woodblock prints; oban diptych
RMRXEAYE–Parade of the Puppets. Okumura Masanobu; Japanese, 1686-1764. Date: 1695-1705. Dimensions: Each sheet 10 1/4 x 14 1/2 in. Hand-colored woodblock prints; oban yoko-e, tan-e. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CX17–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2J0277R–Seventy-sixth Generation, Emperor Sutoku. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, circa 1880. Prints; woodblocks. Triptych; color woodblock prints
RM2BMG0R5–[ 1850s Japan - Sumidagawa River ] — Boats on the Sumidagawa River in Edo (current Tokyo), 1857 (Ansei 4). In the background, Mount Fuji can be seen. This woodblock print is image 57 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 30 summer scenes in the series. Title: Mitsumata Wakarenofuchi (みつまたわかれの淵) 19th century vintage Ukiyoe woodblock print.
RM2B0KPWH–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 9 1/4 in. × 11 in. (23.5 × 27.9 cm), Prints
RF2HTTXW2–Art inspired by Print, ca. 1870, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, Triptych 14 1/16 x 28 1/8 in. (35.7 x 71.4 cm), Prints, Shōsai Ikkei (Japanese, active ca. 1870, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B01AKK–Japan: The actor Ichikawa Ebijuro. Ukiyo-e woodblock print by Toyokawa Umekuni (fl. early-mid 19th century), 1820. Ukiyo-e, literally 'pictures of the floating world', are a genre of Japanese woodblock prints (or woodcuts) and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters. It is the main artistic genre of woodblock printing in Japan. Usually the word ukiyo is literally translated as 'floating world' in English, referring to a conception of an evanescent world and impermanent, fleeting beauty.
RM2AHW07X–Utagawa Kuniyoshi. Low Tide at Susaki - A Set of Five (Shiohi goban no uchi). 1823–1835. Japan. Color woodblock prints; shikishiban pentaptych, surimono
RMRXK6W1–Mount Fuji from Lake Ashi in Hakone. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1825-1840. Dimensions: 21.9 x 18.2 cm. Color woodblock prints with metallic pigments; shikishiban, surimono. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CXEM–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2J04FHX–Fujiwara no Yasumasa Playing the Flute by Moonlight. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, 1883. Prints; woodblocks. Triptych; color woodblock prints
RM2BMGAMN–[ 1850s Japan - Shrine Garden ] — Garden of Akiba Shrine in Mukojima ( (向島), Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 91 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 26 autumn scenes in the series. Title: In the Akiba Shrine at Ukechi (請地秋葉の境内, Ukechi Akiba no keinai) 19th century vintage Ukiyoe woodblock print.
RM2B0KPWC–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 20 in. × 11 1/16 in. (50.8 × 28.1 cm), Prints
RF2HTTYH3–Art inspired by Print, Edo period (1615–1868), 1762–1819, Japan, Triptych of polychrome woodblock prints; ink and color on paper, A: 12 3/4 x 5 5/8 in. (32.4 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B01AKF–Japan: Portrait of an unknown actor. Ukiyo-e woodblock print by Mori Yoshiyuki (1835-1879), c. 1860s. Ukiyo-e, literally 'pictures of the floating world', are a genre of Japanese woodblock prints (or woodcuts) and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters. It is the main artistic genre of woodblock printing in Japan. Usually the word ukiyo is literally translated as 'floating world' in English, referring to a conception of an evanescent world and impermanent, fleeting beauty.
RM2AHR688–Utagawa Toyohiro. The Seventh Month, from the series The Twelve Months by Two Artists (Ryoga juni ko). 1773–1828. Japan. Color woodblock prints; oban triptych
RMRX98KH–Korean Embassy Parade. Attributed to Hishikawa Moronobu; Japanese, (?)-1694. Date: 1677-1687. Dimensions: 24.2 x 75 cm (9 1/2 x 29 1/2 in.). Hand-colored woodblock prints; makimono-e. Origin: Japan. Museum: The Chicago Art Institute.
RM2D6CXKN–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, 19th-20th century.
RM2J026R8–Nakamuraza Kabuki Theatre. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, 1854, 2nd month. Prints; woodblocks. Triptych; color woodblock prints
RM2BMG4K9–[ 1850s Japan - Japanese Boats on the Nakagawa River ] — Boats on the Nakagawa River and Onagigawa and Shinkawa canals in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 70 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 30 summer scenes in the series. Title: The mouth of the Nakagawa River (中川口, Nakagawaguchi) 19th century vintage Ukiyoe woodblock print.
RM2B0KPXA–One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities, China, 19th–20th century, China, Polychrome woodblock print; ink and color on paper, Image: 14 3/4 in. × 11 in. (37.5 × 27.9 cm), Prints
RF2HW3EJ4–Art inspired by Flower Arrangement, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 5/16 x 6 1/2 in. (18.6 x 16.5 cm), Prints, Utagawa Itchinsai (Japanese, 18th–19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B016DN–Japan/China: Portrait of fictional astronomer Chicasei Goyo (Wu Yong). Ukiyo-e woodblock print by Utagawa Kuniyoshi (1798-1861), c. 1827-1830. Wu Yong is a fictional character in the Water Margin, one of the Four Great Classical Novels of Chinese literature. He ranks 3rd of the 36 Heavenly Spirits of the 108 Liangshan heroes and is nicknamed the 'Resourceful Star'. He is called Chicasei Goyo in Japan. Utagawa Kuniyoshi was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school.
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