The Wolcott house at Windsor, still image, Wood engravings, 1848 - 1899
The Wolcott house at Windsor, still image, Wood engravings, 1848 - 1899 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-wolcott-house-at-windsor-still-image-wood-engravings-1848-1899-image376463971.html
The War in East Tennessee, published November 21, 1863, Unknown artist, American, 19th century, United States, Wood engravings in black on cream wove paper (newspaper), folded, 405 x 285 mm (folded sheet), 405 x 570 mm (unfolded sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The War in East Tennessee, published November 21, 1863, Unknown artist, American, 19th century, United States, Wood engravings in black on cream wove paper (newspaper), folded, 405 x 285 mm (folded sheet), 405 x 570 mm (unfolded sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-war-in-east-tennessee-published-november-21-1863-unknown-artist-american-19th-century-united-states-wood-engravings-in-black-on-cream-wove-paper-newspaper-folded-405-x-285-mm-folded-sheet-405-x-570-mm-unfolded-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349747120.html
Old House in Rouen, France_ Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith.
Old House in Rouen, France_ Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-old-house-in-rouen-france-illustration-from-the-british-isles-cassell-71812894.html
Two wood engravings on a page, the top one depicting a shore with dunes and a hill in the background, captioned 'Northern End of the Dead Sea', the bottom one depicting a man on a camel in the desert, stone ruins in the background, captioned 'Kasr Hajla, the ancient Beth Hogla', from the book 'Picturesque Palestine, Sinai, and Egypt', by Sir Charles William Wilson, 1882. From the New York Public Library.
Two wood engravings on a page, the top one depicting a shore with dunes and a hill in the background, captioned 'Northern End of the Dead Sea', the bottom one depicting a man on a camel in the desert, stone ruins in the background, captioned 'Kasr Hajla, the ancient Beth Hogla', from the book 'Picturesque Palestine, Sinai, and Egypt', by Sir Charles William Wilson, 1882. From the New York Public Library. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-two-wood-engravings-on-a-page-the-top-one-depicting-a-shore-with-dunes-166813380.html
EDWARD WHYMPER Prolific alpinist and talented wood engraver. Illustrated his books on alpine exploration with wood engravings. Date: 1840 - 1911
EDWARD WHYMPER Prolific alpinist and talented wood engraver. Illustrated his books on alpine exploration with wood engravings. Date: 1840 - 1911 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-edward-whymper-prolific-alpinist-and-talented-wood-engraver-illustrated-105319210.html
'Monsters born from the Deluge' - after wood engravings in 'Chronique de Nuremberg', printed in 1493.
'Monsters born from the Deluge' - after wood engravings in 'Chronique de Nuremberg', printed in 1493. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-monsters-born-from-the-deluge-after-wood-engravings-in-chronique-de-83341996.html
literature,fairy tales,storyteller,after drawing by Ludwig Richter(1803 - 1884),wood engraving,19th century,19th century,graphic,graphics,half length,sitting,sit,storyteller,storytellers,narrator,teller,narrators,tellers,telling,tell,tells,narrate,narrating,audience,audiences,listening,listen,intimate,guardian angel,ornament,ornaments,childhood,infancy,fairy tales for children,fairytale,fairy-tale,fairy story,fairytales,fairy-tales,fairy stories,wood engraving,wood engravings,historic,historical,woman,women,female,,Additional-Rights-Clearences-Not Available
literature,fairy tales,storyteller,after drawing by Ludwig Richter(1803 - 1884),wood engraving,19th century,19th century,graphic,graphics,half length,sitting,sit,storyteller,storytellers,narrator,teller,narrators,tellers,telling,tell,tells,narrate,narrating,audience,audiences,listening,listen,intimate,guardian angel,ornament,ornaments,childhood,infancy,fairy tales for children,fairytale,fairy-tale,fairy story,fairytales,fairy-tales,fairy stories,wood engraving,wood engravings,historic,historical,woman,women,female,,Additional-Rights-Clearences-Not Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-literaturefairy-talesstorytellerafter-drawing-by-ludwig-richter1803-96399521.html
Immigrants waving farewell to crowd on dock, as their ship leaves a Western European port for North America. Wood engravings
Immigrants waving farewell to crowd on dock, as their ship leaves a Western European port for North America. Wood engravings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-immigrants-waving-farewell-to-crowd-on-dock-as-their-ship-leaves-a-50048622.html
The Great Flood, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful
The Great Flood, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-great-flood-illustration-from-the-dore-bible-1866-in-1866-the-french-artist-and-illustrator-gustave-dore-18321883-published-a-series-of-241-wood-engravings-for-a-new-deluxe-edition-of-the-1843-french-translation-of-the-vulgate-bible-popularly-known-as-the-bible-de-tours-this-new-edition-was-known-as-la-grande-bible-de-tours-and-its-illustrations-were-immensely-successful-image186340592.html
ZURICH 1860 old antique vintage print picture
ZURICH 1860 old antique vintage print picture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/zurich-1860-old-antique-vintage-print-picture-image184805759.html
Craftsman Keith Pettit working on one of his wood engravings depicting Birling Gap, Seven Sisters, East Sussex.
Craftsman Keith Pettit working on one of his wood engravings depicting Birling Gap, Seven Sisters, East Sussex. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/craftsman-keith-pettit-working-on-one-of-his-wood-engravings-depicting-birling-gap-seven-sisters-east-sussex-image178832865.html
TheFriendly visitor, title page. Friendly visitor. Date Issued: 1825. Vignettes. Periodicals Title pages. Wood engravings.
TheFriendly visitor, title page. Friendly visitor. Date Issued: 1825. Vignettes. Periodicals Title pages. Wood engravings. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/thefriendly-visitor-title-page-friendly-visitor-date-issued-1825-vignettes-periodicals-title-pages-wood-engravings-image360098964.html
Work by Guillaume Apollinaire, 'The Bestiary or cortege of Orpheus', frontispiece Illustrations with wood engravings by Raoul Dufy 1911 France
Work by Guillaume Apollinaire, 'The Bestiary or cortege of Orpheus', frontispiece Illustrations with wood engravings by Raoul Dufy 1911 France https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-work-by-guillaume-apollinaire-the-bestiary-or-cortege-of-orpheus-frontispiece-133440983.html
Jaffa Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859
Jaffa Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/jaffa-wood-engravings-from-the-book-palestine-past-and-present-with-biblical-literary-and-scientific-notices-by-rev-osborn-h-s-henry-stafford-1823-1894-published-in-philadelphia-by-j-challen-son-in-1859-image381350770.html
Thanksgiving Day--Ways and Means and Thanksgiving Day--Arrival at the Old Home. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1858. Dimensions: 174 x 234 mm (image, Ways and Means); 166 x 234 mm (image, Arrival); 405 x 391 mm (sheet). Wood engravings on paper. Origin: United States. Museum: The Chicago Art Institute.
Thanksgiving Day--Ways and Means and Thanksgiving Day--Arrival at the Old Home. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1858. Dimensions: 174 x 234 mm (image, Ways and Means); 166 x 234 mm (image, Arrival); 405 x 391 mm (sheet). Wood engravings on paper. Origin: United States. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/thanksgiving-day-ways-and-means-and-thanksgiving-day-arrival-at-the-old-home-winslow-homer-american-1836-1910-published-by-harpers-weekly-american-1857-1916-date-1858-dimensions-174-x-234-mm-image-ways-and-means-166-x-234-mm-image-arrival-405-x-391-mm-sheet-wood-engravings-on-paper-origin-united-states-museum-the-chicago-art-institute-image240172098.html
The Pastorals of Virgil, Eclogue I: The Shepherd chases away a wolf , 1821. In 1820, Blake was commissioned to illustrate a new edition of The Pastorals of Virgil, published as a school text, which included commentary by Dr. Robert John Thornton on the famous poem from the 1st century BC. Blake’s seventeen wood engravings became tremendously influential to the Ancients. Samuel Palmer (also in this gallery) wrote of these wood engravings: "They are visions of little dells, and nooks, and corners of Paradise; models of the exquisitest [sic] pitch of intense poetry... There is in all
The Pastorals of Virgil, Eclogue I: The Shepherd chases away a wolf , 1821. In 1820, Blake was commissioned to illustrate a new edition of The Pastorals of Virgil, published as a school text, which included commentary by Dr. Robert John Thornton on the famous poem from the 1st century BC. Blake’s seventeen wood engravings became tremendously influential to the Ancients. Samuel Palmer (also in this gallery) wrote of these wood engravings: "They are visions of little dells, and nooks, and corners of Paradise; models of the exquisitest [sic] pitch of intense poetry... There is in all https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-pastorals-of-virgil-eclogue-i-the-shepherd-chases-away-a-wolf-1821-in-1820-blake-was-commissioned-to-illustrate-a-new-edition-of-the-pastorals-of-virgil-published-as-a-school-text-which-included-commentary-by-dr-robert-john-thornton-on-the-famous-poem-from-the-1st-century-bc-blakex2019s-seventeen-wood-engravings-became-tremendously-influential-to-the-ancients-samuel-palmer-also-in-this-gallery-wrote-of-these-wood-engravings-quotthey-are-visions-of-little-dells-and-nooks-and-corners-of-paradise-models-of-the-exquisitest-sic-pitch-of-intense-poetry-there-is-in-all-image330129515.html
Immigrants waving farewell to crowd on dock, as their ship leaves a Western European port for North America. Wood engravings 1850-1860.
Immigrants waving farewell to crowd on dock, as their ship leaves a Western European port for North America. Wood engravings 1850-1860. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-immigrants-waving-farewell-to-crowd-on-dock-as-their-ship-leaves-a-32393060.html
The Savoyard Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
The Savoyard Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-savoyard-godeys-ladys-book-and-magazine-august-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385082805.html
For the Scientific American. Dyeing. To Transfer a Print to the Surface of Wood. A Perspectograph. Receipt for Cleaning Engravings. Caoutchouc from Drying Oils. Indelible Ink. MECHANICAL 1t1017EDDLNTS. Oscillating Column. Graham's Escapement. Watering Dahlias. Strawberries. Hedges. Keeping Fresh Beef. BY MUNN dr COMPANY., 1848-05-20
For the Scientific American. Dyeing. To Transfer a Print to the Surface of Wood. A Perspectograph. Receipt for Cleaning Engravings. Caoutchouc from Drying Oils. Indelible Ink. MECHANICAL 1t1017EDDLNTS. Oscillating Column. Graham's Escapement. Watering Dahlias. Strawberries. Hedges. Keeping Fresh Beef. BY MUNN dr COMPANY., 1848-05-20 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/for-the-scientific-american-dyeing-to-transfer-a-print-to-the-surface-of-wood-a-perspectograph-receipt-for-cleaning-engravings-caoutchouc-from-drying-oils-indelible-ink-mechanical-1t1017eddlnts-oscillating-column-grahams-escapement-watering-dahlias-strawberries-hedges-keeping-fresh-beef-by-munn-dr-company-1848-05-20-image334295945.html
The old meeting-house at South Windsor, still image, Wood engravings, 1848 - 1899
The old meeting-house at South Windsor, still image, Wood engravings, 1848 - 1899 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-old-meeting-house-at-south-windsor-still-image-wood-engravings-1848-1899-image376456057.html
Colonel Wilson, of Wilson’s Brigade, and Colonel Ellsworth, of the Fire Zouaves, published May 11, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 403 x 264 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Colonel Wilson, of Wilson’s Brigade, and Colonel Ellsworth, of the Fire Zouaves, published May 11, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 403 x 264 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/colonel-wilson-of-wilsons-brigade-and-colonel-ellsworth-of-the-fire-zouaves-published-may-11-1861-winslow-homer-american-1836-1910-published-by-harpers-weekly-american-1857-1916-united-states-wood-engravings-on-paper-403-x-264-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349747075.html
Old houses at Dol, France, Normandy_Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith.
Old houses at Dol, France, Normandy_Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-old-houses-at-dol-france-normandy-illustration-from-the-british-isles-71813246.html
Frankfurt Oder, Germany. 23rd July, 2014. A journalist looks at colored wood engravings of Salvador Dali of the cycle 'The Divine Comedy' in Frankfurt Oder, Germany, 23 July 2014. The exhibition 'Weiche Schaedel und Schaedelharfe' (lit: Soft skulls and skull harp) shows watercolor paintings, drawings and graphics about world literature of surrealist artist Salvador Dali in the townhall. Photo: Bernd Settnik dpa/Alamy Live News
Frankfurt Oder, Germany. 23rd July, 2014. A journalist looks at colored wood engravings of Salvador Dali of the cycle 'The Divine Comedy' in Frankfurt Oder, Germany, 23 July 2014. The exhibition 'Weiche Schaedel und Schaedelharfe' (lit: Soft skulls and skull harp) shows watercolor paintings, drawings and graphics about world literature of surrealist artist Salvador Dali in the townhall. Photo: Bernd Settnik dpa/Alamy Live News https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-frankfurt-oder-germany-23rd-july-2014-a-journalist-looks-at-colored-72099959.html
Exhibition of recent fine prints Etchings, lithographs, wood engravings by artists in the Graphic Art Division of the Federal Art Project, WPA : For allocation to tax-supported public institutions. Poster for Federal Art Project exhibition of fine prints
Exhibition of recent fine prints Etchings, lithographs, wood engravings by artists in the Graphic Art Division of the Federal Art Project, WPA : For allocation to tax-supported public institutions. Poster for Federal Art Project exhibition of fine prints https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-exhibition-of-recent-fine-prints-etchings-lithographs-wood-engravings-83185362.html
'Monsters born from the Deluge' - after wood engravings in 'Chronique de Nuremberg', printed in 1493.
'Monsters born from the Deluge' - after wood engravings in 'Chronique de Nuremberg', printed in 1493. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-monsters-born-from-the-deluge-after-wood-engravings-in-chronique-de-83342078.html
portraits of the Joseph Tichatschek (opera singer), Friedrich Oskar v. Schwarze (lawyer), and O.F. Berg (Ottokar Franz Ebersberg, poet and journalist), wood engravings, 1886, ,
portraits of the Joseph Tichatschek (opera singer), Friedrich Oskar v. Schwarze (lawyer), and O.F. Berg (Ottokar Franz Ebersberg, poet and journalist), wood engravings, 1886, , https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portraits-of-the-joseph-tichatschek-opera-singer-friedrich-oskar-v-schwarze-lawyer-and-of-berg-ottokar-franz-ebersberg-poet-and-journalist-wood-engravings-1886-image278516134.html
Names and love notes etched into a wooden bench back.
Names and love notes etched into a wooden bench back. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/names-and-love-notes-etched-into-a-wooden-bench-back-image388079582.html
Christ crucified, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
Christ crucified, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/christ-crucified-illustration-from-the-dore-bible-1866-in-1866-the-french-artist-and-illustrator-gustave-dore-18321883-published-a-series-of-241-wood-engravings-for-a-new-deluxe-edition-of-the-1843-french-translation-of-the-vulgate-bible-popularly-known-as-the-bible-de-tours-this-new-edition-was-known-as-la-grande-bible-de-tours-and-its-illustrations-were-immensely-successful-image186340734.html
'16th Century. From Wood Engravings', 1862. Artist: Unknown.
'16th Century. From Wood Engravings', 1862. Artist: Unknown. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/16th-century-from-wood-engravings-1862-artist-unknown-image218465059.html
Craftsman Keith Pettit working on one of his wood engravings depicting Birling Gap, Seven Sisters, East Sussex.
Craftsman Keith Pettit working on one of his wood engravings depicting Birling Gap, Seven Sisters, East Sussex. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/craftsman-keith-pettit-working-on-one-of-his-wood-engravings-depicting-birling-gap-seven-sisters-east-sussex-image178832834.html
Collage. March 1804. Wagner, Anne (Author). Anne Wagner album. Date Created: 1795 - 1834. Ink drawings. Extent: 7.5 x 12 cm ; wood-engravings, gilded
Collage. March 1804. Wagner, Anne (Author). Anne Wagner album. Date Created: 1795 - 1834. Ink drawings. Extent: 7.5 x 12 cm ; wood-engravings, gilded https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/collage-march-1804-wagner-anne-author-anne-wagner-album-date-created-1795-1834-ink-drawings-extent-75-x-12-cm-wood-engravings-gilded-image235881820.html
Image taken from page 98 of 'Bachelder's Illustrated Tourist's Guide of the United States. Popular resorts, and how to reach them. Embellished by ... wood engravings, etc' Image taken from page 98 of 'Bachelder's Illustrated Tou
Image taken from page 98 of 'Bachelder's Illustrated Tourist's Guide of the United States. Popular resorts, and how to reach them. Embellished by ... wood engravings, etc' Image taken from page 98 of 'Bachelder's Illustrated Tou https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-image-taken-from-page-98-of-bachelders-illustrated-tourists-guide-132372854.html
Woman Churning Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859
Woman Churning Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/woman-churning-wood-engravings-from-the-book-palestine-past-and-present-with-biblical-literary-and-scientific-notices-by-rev-osborn-h-s-henry-stafford-1823-1894-published-in-philadelphia-by-j-challen-son-in-1859-image381350409.html
King Sigurd the Crusader (Good Words for 1862, opp. p. 248). Artist: After Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: Sheet: 9 5/16 × 6 5/16 in. (23.7 × 16 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Date: 1862. King Sigurd the Crusader is one of the many wood engravings used to embellish the first volume of Good Words. Designed by Burne-Jones at the outset of his career, the image employs deliberately simplified forms and demonstrates admiration for medieval art and the work of the artist's mentor Dante Gabriel Rossetti. The illustration accom
King Sigurd the Crusader (Good Words for 1862, opp. p. 248). Artist: After Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: Sheet: 9 5/16 × 6 5/16 in. (23.7 × 16 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Date: 1862. King Sigurd the Crusader is one of the many wood engravings used to embellish the first volume of Good Words. Designed by Burne-Jones at the outset of his career, the image employs deliberately simplified forms and demonstrates admiration for medieval art and the work of the artist's mentor Dante Gabriel Rossetti. The illustration accom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/king-sigurd-the-crusader-good-words-for-1862-opp-p-248-artist-after-sir-edward-burne-jones-british-birmingham-1833-1898-fulham-dimensions-sheet-9-516-6-516-in-237-16-cm-engraver-dalziel-brothers-british-active-1839-1893-date-1862-king-sigurd-the-crusader-is-one-of-the-many-wood-engravings-used-to-embellish-the-first-volume-of-good-words-designed-by-burne-jones-at-the-outset-of-his-career-the-image-employs-deliberately-simplified-forms-and-demonstrates-admiration-for-medieval-art-and-the-work-of-the-artists-mentor-dante-gabriel-rossetti-the-illustration-accom-image213247383.html
The Pastorals of Virgil, Eclogue I: The Blasted Tree, 1821. In 1820, Blake was commissioned to illustrate a new edition of The Pastorals of Virgil, published as a school text, which included commentary by Dr. Robert John Thornton on the famous poem from the 1st century BC. Blake’s seventeen wood engravings became tremendously influential to the Ancients. Samuel Palmer (also in this gallery) wrote of these wood engravings: "They are visions of little dells, and nooks, and corners of Paradise; models of the exquisitest [sic] pitch of intense poetry... There is in all such a mystic an
The Pastorals of Virgil, Eclogue I: The Blasted Tree, 1821. In 1820, Blake was commissioned to illustrate a new edition of The Pastorals of Virgil, published as a school text, which included commentary by Dr. Robert John Thornton on the famous poem from the 1st century BC. Blake’s seventeen wood engravings became tremendously influential to the Ancients. Samuel Palmer (also in this gallery) wrote of these wood engravings: "They are visions of little dells, and nooks, and corners of Paradise; models of the exquisitest [sic] pitch of intense poetry... There is in all such a mystic an https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-pastorals-of-virgil-eclogue-i-the-blasted-tree-1821-in-1820-blake-was-commissioned-to-illustrate-a-new-edition-of-the-pastorals-of-virgil-published-as-a-school-text-which-included-commentary-by-dr-robert-john-thornton-on-the-famous-poem-from-the-1st-century-bc-blakex2019s-seventeen-wood-engravings-became-tremendously-influential-to-the-ancients-samuel-palmer-also-in-this-gallery-wrote-of-these-wood-engravings-quotthey-are-visions-of-little-dells-and-nooks-and-corners-of-paradise-models-of-the-exquisitest-sic-pitch-of-intense-poetry-there-is-in-all-such-a-mystic-an-image330129514.html
Depressing scene of poverty at Five Points in New York City. People at a tenement house watch men carry out a coffin; in the street, two boys drag a dead dog by one leg. Wood engravings of 1865.
Depressing scene of poverty at Five Points in New York City. People at a tenement house watch men carry out a coffin; in the street, two boys drag a dead dog by one leg. Wood engravings of 1865. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-depressing-scene-of-poverty-at-five-points-in-new-york-city-people-32393427.html
TORTURES - SLAVERY Torments meted out to Christian slaves by their captors. From left to right, from top: Vertical impaling on hooks. Tearing asunder by ships. Roasting alive. Crucifixion. [Bottom] Burning with candles. Walling up alive. Flaying alive. Dragging over sharp rocks. Wood-engravings from Stanley Lane-Poole, The Barbary Corsairs, 1890.
TORTURES - SLAVERY Torments meted out to Christian slaves by their captors. From left to right, from top: Vertical impaling on hooks. Tearing asunder by ships. Roasting alive. Crucifixion. [Bottom] Burning with candles. Walling up alive. Flaying alive. Dragging over sharp rocks. Wood-engravings from Stanley Lane-Poole, The Barbary Corsairs, 1890. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/tortures-slavery-torments-meted-out-to-christian-slaves-by-their-captors-from-left-to-right-from-top-vertical-impaling-on-hooks-tearing-asunder-by-ships-roasting-alive-crucifixion-bottom-burning-with-candles-walling-up-alive-flaying-alive-dragging-over-sharp-rocks-wood-engravings-from-stanley-lane-poole-the-barbary-corsairs-1890-image179156385.html
Vertical page of wood engravings from Frank Leslie's Illustrated Newspaper, June 16, 1888, pages 281 and 281, showing various scenes from the Democratic National Convention: Arch at Olive and Fourth Streets; Hon. Patrick A. Collins, Chairman of the Convention; Hon. Daniel Dougherty, who nominated Mr. Cleveland; Arch on Olive Street; After the Nomination--A Scene of Wild Excitement and Enthusiasm; The Topeka (Kansas) Club with Flash Flambeaux; The Red Bandana Demonstration; and, Triumphant Democracy. Title: 'Missouri.--The Democratic National Convention at St. Louis--Demonstration in the Conven
Vertical page of wood engravings from Frank Leslie's Illustrated Newspaper, June 16, 1888, pages 281 and 281, showing various scenes from the Democratic National Convention: Arch at Olive and Fourth Streets; Hon. Patrick A. Collins, Chairman of the Convention; Hon. Daniel Dougherty, who nominated Mr. Cleveland; Arch on Olive Street; After the Nomination--A Scene of Wild Excitement and Enthusiasm; The Topeka (Kansas) Club with Flash Flambeaux; The Red Bandana Demonstration; and, Triumphant Democracy. Title: 'Missouri.--The Democratic National Convention at St. Louis--Demonstration in the Conven https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vertical-page-of-wood-engravings-from-frank-leslies-illustrated-newspaper-june-16-1888-pages-281-and-281-showing-various-scenes-from-the-democratic-national-convention-arch-at-olive-and-fourth-streets-hon-patrick-a-collins-chairman-of-the-convention-hon-daniel-dougherty-who-nominated-mr-cleveland-arch-on-olive-street-after-the-nomination-a-scene-of-wild-excitement-and-enthusiasm-the-topeka-kansas-club-with-flash-flambeaux-the-red-bandana-demonstration-and-triumphant-democracy-title-missouri-the-democratic-national-convention-at-st-louis-demonstration-in-the-conven-image178666559.html
The Pastorals of Virgil, Eclogue I: The Blasted Tree, 1821. William Blake (British, 1757-1827). Wood engravings; image: 3.4 x 7.3 cm (1 5/16 x 2 7/8 in
The Pastorals of Virgil, Eclogue I: The Blasted Tree, 1821. William Blake (British, 1757-1827). Wood engravings; image: 3.4 x 7.3 cm (1 5/16 x 2 7/8 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-pastorals-of-virgil-eclogue-i-the-blasted-tree-1821-william-blake-british-1757-1827-wood-engravings-image-34-x-73-cm-1-516-x-2-78-in-image240395099.html
Thanksgiving Day—Ways and Means and Thanksgiving Day—Arrival at the Old Home, published November 27, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 174 x 234 mm (image, Ways and Means),, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Thanksgiving Day—Ways and Means and Thanksgiving Day—Arrival at the Old Home, published November 27, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 174 x 234 mm (image, Ways and Means),, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/thanksgiving-dayways-and-means-and-thanksgiving-dayarrival-at-the-old-home-published-november-27-1858-winslow-homer-american-1836-1910-published-by-harpers-weekly-american-1857-1916-united-states-wood-engravings-on-paper-174-x-234-mm-image-ways-and-means-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349747045.html
Orta_Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith.
Orta_Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-orta-illustration-from-the-british-isles-cassell-petter-galpin-part-71802550.html
Frankfurt Oder, Germany. 23rd July, 2014. A journalist looks at colored wood engravings of Salvador Dali of the cycle 'The Divine Comedy' in Frankfurt Oder, Germany, 23 July 2014. The exhibition 'Weiche Schaedel und Schaedelharfe' (lit: Soft skulls and skull harp) shows watercolor paintings, drawings and graphics about world literature of surrealist artist Salvador Dali in the townhall. Photo: Bernd Settnik dpa/Alamy Live News
Frankfurt Oder, Germany. 23rd July, 2014. A journalist looks at colored wood engravings of Salvador Dali of the cycle 'The Divine Comedy' in Frankfurt Oder, Germany, 23 July 2014. The exhibition 'Weiche Schaedel und Schaedelharfe' (lit: Soft skulls and skull harp) shows watercolor paintings, drawings and graphics about world literature of surrealist artist Salvador Dali in the townhall. Photo: Bernd Settnik dpa/Alamy Live News https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-frankfurt-oder-germany-23rd-july-2014-a-journalist-looks-at-colored-72099953.html
flooring patterns, both for wood as well as tile.
flooring patterns, both for wood as well as tile. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/flooring-patterns-both-for-wood-as-well-as-tile-image68722015.html
Japanese Wood Engravings-1895-041.
Japanese Wood Engravings-1895-041. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japanese-wood-engravings-1895-041-image369356243.html
portraits of the Joseph Tichatschek (opera singer), Friedrich Oskar v. Schwarze (lawyer), and O.F. Berg (Ottokar Franz Ebersberg, poet and journalist), wood engravings, 1886, ,
portraits of the Joseph Tichatschek (opera singer), Friedrich Oskar v. Schwarze (lawyer), and O.F. Berg (Ottokar Franz Ebersberg, poet and journalist), wood engravings, 1886, , https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-portraits-of-the-joseph-tichatschek-opera-singer-friedrich-oskar-v-28828211.html
A treatise on wood engravings : historical and practical .
A treatise on wood engravings : historical and practical . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-treatise-on-wood-engravings-historical-and-practical-image343240573.html
The prophet Amos , Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
The prophet Amos , Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-prophet-amos-illustration-from-the-dore-bible-1866-in-1866-the-french-artist-and-illustrator-gustave-dor-18321883-published-a-series-of-241-wood-engravings-for-a-new-deluxe-edition-of-the-1843-french-translation-of-the-vulgate-bible-popularly-known-as-the-bible-de-tours-this-new-edition-was-known-as-la-grande-bible-de-tours-and-its-illustrations-were-immensely-successful-image186340985.html
-Collection of British Calotypes and Wood-engravings- MET DP70835 265767
-Collection of British Calotypes and Wood-engravings- MET DP70835 265767 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-collection-of-british-calotypes-and-wood-engravings-met-dp70835-265767-168469969.html
Craftsman Keith Pettit working on one of his wood engravings depicting Birling Gap, Seven Sisters, East Sussex.
Craftsman Keith Pettit working on one of his wood engravings depicting Birling Gap, Seven Sisters, East Sussex. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/craftsman-keith-pettit-working-on-one-of-his-wood-engravings-depicting-birling-gap-seven-sisters-east-sussex-image178832850.html
Belgium ... Book containing 323 wood engravings.jpg - 2CCC3DC
Belgium ... Book containing 323 wood engravings.jpg - 2CCC3DC https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/belgium-book-containing-323-wood-engravingsjpg-2ccc3dc-image369059743.html
A treatise on wood engravings - historical and practical (1881)
A treatise on wood engravings - historical and practical (1881) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-treatise-on-wood-engravings-historical-and-practical-1881-114568701.html
Bedouin women Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859
Bedouin women Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bedouin-women-wood-engravings-from-the-book-palestine-past-and-present-with-biblical-literary-and-scientific-notices-by-rev-osborn-h-s-henry-stafford-1823-1894-published-in-philadelphia-by-j-challen-son-in-1859-image381348853.html
Dalziels' Bible Gallery: Illustrations from the Old Testament. Dimensions: Mounts: 16 7/16 × 12 15/16 in. (41.8 × 32.8 cm) Portfolio: 16 15/16 × 13 9/16 × 1 1/4 in. (43 × 34.5 × 3.2 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1881. Title, contents, etc., followed by 62 wood engravings on India paper mounted on light ivory card. The Dalziel Brothers began a project for an illustrated bible in 1863, commissioning images from leading artists, and beginning to engrave the designs into
Dalziels' Bible Gallery: Illustrations from the Old Testament. Dimensions: Mounts: 16 7/16 × 12 15/16 in. (41.8 × 32.8 cm) Portfolio: 16 15/16 × 13 9/16 × 1 1/4 in. (43 × 34.5 × 3.2 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1881. Title, contents, etc., followed by 62 wood engravings on India paper mounted on light ivory card. The Dalziel Brothers began a project for an illustrated bible in 1863, commissioning images from leading artists, and beginning to engrave the designs into https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dalziels-bible-gallery-illustrations-from-the-old-testament-dimensions-mounts-16-716-12-1516-in-418-328-cm-portfolio-16-1516-13-916-1-14-in-43-345-32-cm-engraver-dalziel-brothers-british-active-1839-1893-printer-camden-press-british-london-publisher-scribner-and-welford-new-york-ny-date-1881-title-contents-etc-followed-by-62-wood-engravings-on-india-paper-mounted-on-light-ivory-card-the-dalziel-brothers-began-a-project-for-an-illustrated-bible-in-1863-commissioning-images-from-leading-artists-and-beginning-to-engrave-the-designs-into-image213164030.html
Collection of British Calotypes and Wood-engravings, 1850s. [Colonel Whitmore?].
Collection of British Calotypes and Wood-engravings, 1850s. [Colonel Whitmore?]. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/collection-of-british-calotypes-and-wood-engravings-1850s-colonel-whitmore-image368412367.html
Winslow Homer. Christmas—Gathering Evergreens and The Christmas-Tree. 1858. United States. Wood engravings on paper
Winslow Homer. Christmas—Gathering Evergreens and The Christmas-Tree. 1858. United States. Wood engravings on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/winslow-homer-christmasgathering-evergreens-and-the-christmas-tree-1858-united-states-wood-engravings-on-paper-image337947409.html
EGYPT - 'CLEOPATRA'S NEEDLE' The collection and transport, from Egypt to Gravesend [destination the London Embankment], of the Egyptian obelisk by John Dixon, in 1877. Top image - adjusting the obelisk so that it is parallel to the shore, to facilitate loading. Middle image - a view of the construction of the cylindrical protective case. Bottom image - arrival at Gravesend, after a disastrous voyage. Wood engravings from The World of Wonders.
EGYPT - 'CLEOPATRA'S NEEDLE' The collection and transport, from Egypt to Gravesend [destination the London Embankment], of the Egyptian obelisk by John Dixon, in 1877. Top image - adjusting the obelisk so that it is parallel to the shore, to facilitate loading. Middle image - a view of the construction of the cylindrical protective case. Bottom image - arrival at Gravesend, after a disastrous voyage. Wood engravings from The World of Wonders. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/egypt-cleopatras-needle-the-collection-and-transport-from-egypt-to-gravesend-destination-the-london-embankment-of-the-egyptian-obelisk-by-john-dixon-in-1877-top-image-adjusting-the-obelisk-so-that-it-is-parallel-to-the-shore-to-facilitate-loading-middle-image-a-view-of-the-construction-of-the-cylindrical-protective-case-bottom-image-arrival-at-gravesend-after-a-disastrous-voyage-wood-engravings-from-the-world-of-wonders-image179624298.html
. English: (1) 'Todas'; (2) 'Santals'; (3) 'Gonds'; wood engravings, c.1870's Source: ebay, Oct. 2004 . 1870. Unknown 542 Santals
. English: (1) 'Todas'; (2) 'Santals'; (3) 'Gonds'; wood engravings, c.1870's Source: ebay, Oct. 2004 . 1870. Unknown 542 Santals https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-1-todas-2-santals-3-gonds-wood-engravings-c1870s-source-ebay-oct-2004-1870-unknown-542-santals-image187845476.html
The Pastorals of Virgil, Eclogue I: The Shepherd chases away a wolf, 1821. William Blake (British, 1757-1827). Wood engravings; image: 3.5 x 7.4 cm (1 3/8 x 2 15/16 in
The Pastorals of Virgil, Eclogue I: The Shepherd chases away a wolf, 1821. William Blake (British, 1757-1827). Wood engravings; image: 3.5 x 7.4 cm (1 3/8 x 2 15/16 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-pastorals-of-virgil-eclogue-i-the-shepherd-chases-away-a-wolf-1821-william-blake-british-1757-1827-wood-engravings-image-35-x-74-cm-1-38-x-2-1516-in-image240395101.html
Christmas—Gathering Evergreens and The Christmas-Tree, published December 25, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 149 x 230 mm (image, Gathering), 150 x 233 mm (image, Tree), 404 x 288 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Christmas—Gathering Evergreens and The Christmas-Tree, published December 25, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 149 x 230 mm (image, Gathering), 150 x 233 mm (image, Tree), 404 x 288 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/christmasgathering-evergreens-and-the-christmas-tree-published-december-25-1858-winslow-homer-american-1836-1910-published-by-harpers-weekly-american-1857-1916-united-states-wood-engravings-on-paper-149-x-230-mm-image-gathering-150-x-233-mm-image-tree-404-x-288-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349747047.html
Depedale Chuch_Illustration from 'The British isles - Cassell Petter & Galpin Part 6 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith.
Depedale Chuch_Illustration from 'The British isles - Cassell Petter & Galpin Part 6 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-depedale-chuch-illustration-from-the-british-isles-cassell-petter-71798167.html
Woman artist honoured . Three women , Clare Leighton , Vanessa Bell and Winifred Nicholson, are included in the list of 24 contemporary British artists whose work will represent this country at the nineteenth International art exhibition at Venice this summer . Photo shows , Miss Clare Leighton with some of her work which will be exhibited , photographed in her London home . These are wood engravings some of which were done in Canadian lumber camps . 28 March 1934
Woman artist honoured . Three women , Clare Leighton , Vanessa Bell and Winifred Nicholson, are included in the list of 24 contemporary British artists whose work will represent this country at the nineteenth International art exhibition at Venice this summer . Photo shows , Miss Clare Leighton with some of her work which will be exhibited , photographed in her London home . These are wood engravings some of which were done in Canadian lumber camps . 28 March 1934 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/woman-artist-honoured-three-women-clare-leighton-vanessa-bell-and-winifred-nicholson-are-included-in-the-list-of-24-contemporary-british-artists-whose-work-will-represent-this-country-at-the-nineteenth-international-art-exhibition-at-venice-this-summer-photo-shows-miss-clare-leighton-with-some-of-her-work-which-will-be-exhibited-photographed-in-her-london-home-these-are-wood-engravings-some-of-which-were-done-in-canadian-lumber-camps-28-march-1934-image359456241.html
Flooring patterns, both for wood as well as tile.
Flooring patterns, both for wood as well as tile. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/flooring-patterns-both-for-wood-as-well-as-tile-image68722005.html
Japanese Wood Engravings-1895-071.
Japanese Wood Engravings-1895-071. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japanese-wood-engravings-1895-071-image369356268.html
Martin Luther (after Lucas Kranach), German Reformer, illustration from: 'Deutsche Männer ' (German men), images from the history of the German people by Manuel Raschke, with 317 wood engravings from J.J. Webers xyl. Anstalt in Leipzig, published by Karl Prochaska, Leipzig and Teschen, 1868., Additional-Rights-Clearance-Info-Not-Available
Martin Luther (after Lucas Kranach), German Reformer, illustration from: 'Deutsche Männer ' (German men), images from the history of the German people by Manuel Raschke, with 317 wood engravings from J.J. Webers xyl. Anstalt in Leipzig, published by Karl Prochaska, Leipzig and Teschen, 1868., Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/martin-luther-after-lucas-kranach-german-reformer-illustration-from-deutsche-mnner-german-men-images-from-the-history-of-the-german-people-by-manuel-raschke-with-317-wood-engravings-from-jj-webers-xyl-anstalt-in-leipzig-published-by-karl-prochaska-leipzig-and-teschen-1868-additional-rights-clearance-info-not-available-image238622245.html
A treatise on wood engravings : historical and practical .
A treatise on wood engravings : historical and practical . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-treatise-on-wood-engravings-historical-and-practical-image343279129.html
The mother of the Maccabees, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
The mother of the Maccabees, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-mother-of-the-maccabees-illustration-from-the-dore-bible-1866-in-1866-the-french-artist-and-illustrator-gustave-dor-18321883-published-a-series-of-241-wood-engravings-for-a-new-deluxe-edition-of-the-1843-french-translation-of-the-vulgate-bible-popularly-known-as-the-bible-de-tours-this-new-edition-was-known-as-la-grande-bible-de-tours-and-its-illustrations-were-immensely-successful-image186340934.html
-Collection of British Calotypes and Wood-engravings- MET DP70829 265767
-Collection of British Calotypes and Wood-engravings- MET DP70829 265767 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-collection-of-british-calotypes-and-wood-engravings-met-dp70829-265767-168302664.html
Life and Discoveries of David Livingstone ... with ... wood engravings.jpg - 2C84CMA
Life and Discoveries of David Livingstone ... with ... wood engravings.jpg - 2C84CMA https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/life-and-discoveries-of-david-livingstone-with-wood-engravingsjpg-2c84cma-image366432762.html
A treatise on wood engravings - historical and practical (1881)
A treatise on wood engravings - historical and practical (1881) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-treatise-on-wood-engravings-historical-and-practical-1881-114471874.html
Woman Churning Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859
Woman Churning Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/woman-churning-wood-engravings-from-the-book-palestine-past-and-present-with-biblical-literary-and-scientific-notices-by-rev-osborn-h-s-henry-stafford-1823-1894-published-in-philadelphia-by-j-challen-son-in-1859-image381350219.html
Colonel Wilson, of Wilson's Brigade, and Colonel Ellsworth, of the Fire Zouaves. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1861. Dimensions: 403 x 264 mm. Wood engravings on paper. Origin: United States. Museum: The Chicago Art Institute.
Colonel Wilson, of Wilson's Brigade, and Colonel Ellsworth, of the Fire Zouaves. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1861. Dimensions: 403 x 264 mm. Wood engravings on paper. Origin: United States. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/colonel-wilson-of-wilsons-brigade-and-colonel-ellsworth-of-the-fire-zouaves-winslow-homer-american-1836-1910-published-by-harpers-weekly-american-1857-1916-date-1861-dimensions-403-x-264-mm-wood-engravings-on-paper-origin-united-states-museum-the-chicago-art-institute-image240172772.html
The Army of the Potomac - A Sharpshooter on Picket Duty, 1862. Although now most famous as a painter, Homer was also a graphic artist throughout his career and from 1857 provided illustrations for the New York-based Harper's Weekly. When the Civil War began in 1861, the magazine sent Homer to Virginia, where he made numerous drawings of the military. He seldom depicted actual fighting, instead candidly describing everyday camp life. The drawings were reproduced as wood engravings (professionals cut the blocks)-the technique used to reproduce illustrations in magazines and books before the deve
The Army of the Potomac - A Sharpshooter on Picket Duty, 1862. Although now most famous as a painter, Homer was also a graphic artist throughout his career and from 1857 provided illustrations for the New York-based Harper's Weekly. When the Civil War began in 1861, the magazine sent Homer to Virginia, where he made numerous drawings of the military. He seldom depicted actual fighting, instead candidly describing everyday camp life. The drawings were reproduced as wood engravings (professionals cut the blocks)-the technique used to reproduce illustrations in magazines and books before the deve https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-army-of-the-potomac-a-sharpshooter-on-picket-duty-1862-although-now-most-famous-as-a-painter-homer-was-also-a-graphic-artist-throughout-his-career-and-from-1857-provided-illustrations-for-the-new-york-based-harpers-weekly-when-the-civil-war-began-in-1861-the-magazine-sent-homer-to-virginia-where-he-made-numerous-drawings-of-the-military-he-seldom-depicted-actual-fighting-instead-candidly-describing-everyday-camp-life-the-drawings-were-reproduced-as-wood-engravings-professionals-cut-the-blocks-the-technique-used-to-reproduce-illustrations-in-magazines-and-books-before-the-deve-image330124785.html
Winslow Homer. Driving Home the Corn and The Dance After the Husking. 1858. United States. Wood engravings on paper
Winslow Homer. Driving Home the Corn and The Dance After the Husking. 1858. United States. Wood engravings on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/winslow-homer-driving-home-the-corn-and-the-dance-after-the-husking-1858-united-states-wood-engravings-on-paper-image337947379.html
. English: (1) 'Todas'; (2) 'Santals'; (3) 'Gonds'; wood engravings, c.1870's Source: ebay, Oct. 2004 . 1870. Unknown 216 Gonds
. English: (1) 'Todas'; (2) 'Santals'; (3) 'Gonds'; wood engravings, c.1870's Source: ebay, Oct. 2004 . 1870. Unknown 216 Gonds https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-1-todas-2-santals-3-gonds-wood-engravings-c1870s-source-ebay-oct-2004-1870-unknown-216-gonds-image189172974.html
The War in East Tennessee, published November 21, 1863, Unknown artist, American, 19th century, United States, Wood engravings in black on cream wove paper (newspaper), folded, 405 x 285 mm (folded sheet), 405 x 570 mm (unfolded sheet
The War in East Tennessee, published November 21, 1863, Unknown artist, American, 19th century, United States, Wood engravings in black on cream wove paper (newspaper), folded, 405 x 285 mm (folded sheet), 405 x 570 mm (unfolded sheet https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-war-in-east-tennessee-published-november-21-1863-unknown-artist-american-19th-century-united-states-wood-engravings-in-black-on-cream-wove-paper-newspaper-folded-405-x-285-mm-folded-sheet-405-x-570-mm-unfolded-sheet-image328659539.html
Thanksgiving Day—The Dinner and Thanksgiving Day—The Dance, published November 27, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 176 x 234 mm (image, Dinner), 165 x 233 mm (image, Dance), 404 x 278 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Thanksgiving Day—The Dinner and Thanksgiving Day—The Dance, published November 27, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 176 x 234 mm (image, Dinner), 165 x 233 mm (image, Dance), 404 x 278 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/thanksgiving-daythe-dinner-and-thanksgiving-daythe-dance-published-november-27-1858-winslow-homer-american-1836-1910-published-by-harpers-weekly-american-1857-1916-united-states-wood-engravings-on-paper-176-x-234-mm-image-dinner-165-x-233-mm-image-dance-404-x-278-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349747046.html
Linlithglow Castle_Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith.
Linlithglow Castle_Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-linlithglow-castle-illustration-from-the-british-isles-cassell-petter-71800107.html
Woman artist honoured . Three women , Clare Leighton , Vanessa Bell and Winifred Nicholson, are included in the list of 24 contemporary British artists whose wrok will represent this country at the nineteenth International art exhibition at Venice this summer . Photo shows , Miss Clare Leighton with some of her work which will be exhibited , photographed in her London home . These are wood engravings some of which were done in Canadian lumber camps . 28 March 1934
Woman artist honoured . Three women , Clare Leighton , Vanessa Bell and Winifred Nicholson, are included in the list of 24 contemporary British artists whose wrok will represent this country at the nineteenth International art exhibition at Venice this summer . Photo shows , Miss Clare Leighton with some of her work which will be exhibited , photographed in her London home . These are wood engravings some of which were done in Canadian lumber camps . 28 March 1934 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/woman-artist-honoured-three-women-clare-leighton-vanessa-bell-and-winifred-nicholson-are-included-in-the-list-of-24-contemporary-british-artists-whose-wrok-will-represent-this-country-at-the-nineteenth-international-art-exhibition-at-venice-this-summer-photo-shows-miss-clare-leighton-with-some-of-her-work-which-will-be-exhibited-photographed-in-her-london-home-these-are-wood-engravings-some-of-which-were-done-in-canadian-lumber-camps-28-march-1934-image359456238.html
Flooring patterns, both for wood as well as tile.
Flooring patterns, both for wood as well as tile. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/flooring-patterns-both-for-wood-as-well-as-tile-image68722007.html
-Collection of British Calotypes and Wood-engravings-
-Collection of British Calotypes and Wood-engravings- https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/collection-of-british-calotypes-and-wood-engravings-image231035126.html
Huldreich Zwingli (also Huldrych or Ulrich), 1484-1531, theologian from Switzerland, illustration from: 'Deutsche Männer ' (German men), images from the history of the German people by Manuel Raschke, with 317 wood-engravings from J.J. Webers xyl. Anstalt in Leipzig, published by Karl Prochaska, Leipzig and Teschen, 1868., Additional-Rights-Clearance-Info-Not-Available
Huldreich Zwingli (also Huldrych or Ulrich), 1484-1531, theologian from Switzerland, illustration from: 'Deutsche Männer ' (German men), images from the history of the German people by Manuel Raschke, with 317 wood-engravings from J.J. Webers xyl. Anstalt in Leipzig, published by Karl Prochaska, Leipzig and Teschen, 1868., Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/huldreich-zwingli-also-huldrych-or-ulrich-1484-1531-theologian-from-switzerland-illustration-from-deutsche-mnner-german-men-images-from-the-history-of-the-german-people-by-manuel-raschke-with-317-wood-engravings-from-jj-webers-xyl-anstalt-in-leipzig-published-by-karl-prochaska-leipzig-and-teschen-1868-additional-rights-clearance-info-not-available-image238621889.html
A treatise on wood engravings : historical and practical .
A treatise on wood engravings : historical and practical . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-treatise-on-wood-engravings-historical-and-practical-image343305470.html
Jesus crucified, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
Jesus crucified, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/jesus-crucified-illustration-from-the-dore-bible-1866-in-1866-the-french-artist-and-illustrator-gustave-dore-18321883-published-a-series-of-241-wood-engravings-for-a-new-deluxe-edition-of-the-1843-french-translation-of-the-vulgate-bible-popularly-known-as-the-bible-de-tours-this-new-edition-was-known-as-la-grande-bible-de-tours-and-its-illustrations-were-immensely-successful-image186340731.html
-Collection of British Calotypes and Wood-engravings- MET DP70834 265767
-Collection of British Calotypes and Wood-engravings- MET DP70834 265767 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-collection-of-british-calotypes-and-wood-engravings-met-dp70834-265767-168469968.html
Belgium ... Book containing 323 wood engravings.jpg - 2CCC3DC
Belgium ... Book containing 323 wood engravings.jpg - 2CCC3DC https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/belgium-book-containing-323-wood-engravingsjpg-2ccc3dc-image369059752.html
A treatise on wood engravings - historical and practical (1881)
A treatise on wood engravings - historical and practical (1881) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-treatise-on-wood-engravings-historical-and-practical-1881-101828083.html
Mohammedan Postures [Moslems at Prayer] Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859
Mohammedan Postures [Moslems at Prayer] Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mohammedan-postures-moslems-at-prayer-wood-engravings-from-the-book-palestine-past-and-present-with-biblical-literary-and-scientific-notices-by-rev-osborn-h-s-henry-stafford-1823-1894-published-in-philadelphia-by-j-challen-son-in-1859-image381346866.html
The War in East Tennessee. Unknown Artist; American, 19th century. Date: 1863. Dimensions: 405 x 285 mm (folded sheet); 405 x 570 mm (unfolded sheet). Wood engravings in black on cream wove paper (newspaper), folded. Origin: United States. Museum: The Chicago Art Institute.
The War in East Tennessee. Unknown Artist; American, 19th century. Date: 1863. Dimensions: 405 x 285 mm (folded sheet); 405 x 570 mm (unfolded sheet). Wood engravings in black on cream wove paper (newspaper), folded. Origin: United States. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-war-in-east-tennessee-unknown-artist-american-19th-century-date-1863-dimensions-405-x-285-mm-folded-sheet-405-x-570-mm-unfolded-sheet-wood-engravings-in-black-on-cream-wove-paper-newspaper-folded-origin-united-states-museum-the-chicago-art-institute-image239906721.html
The Brook, 1829. Calvert was so influenced by William Blake's wood engravings that The Sheep of his Pasture is directly based on an illustration for The Pastorals of Virgil (on view nearby). Calvert, however, even more than Blake, exploited the ability of wood engraving to achieve the most delicate detail, so astonishing in these miniatures. Calvert's subject matter originated from a vision of the golden age of pastoral innocence and abundance that has both Christian and classical overtones. The women in The Brook resemble figures carved on antique gems, and the tree stumps symbolize the tran
The Brook, 1829. Calvert was so influenced by William Blake's wood engravings that The Sheep of his Pasture is directly based on an illustration for The Pastorals of Virgil (on view nearby). Calvert, however, even more than Blake, exploited the ability of wood engraving to achieve the most delicate detail, so astonishing in these miniatures. Calvert's subject matter originated from a vision of the golden age of pastoral innocence and abundance that has both Christian and classical overtones. The women in The Brook resemble figures carved on antique gems, and the tree stumps symbolize the tran https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-brook-1829-calvert-was-so-influenced-by-william-blakes-wood-engravings-that-the-sheep-of-his-pasture-is-directly-based-on-an-illustration-for-the-pastorals-of-virgil-on-view-nearby-calvert-however-even-more-than-blake-exploited-the-ability-of-wood-engraving-to-achieve-the-most-delicate-detail-so-astonishing-in-these-miniatures-calverts-subject-matter-originated-from-a-vision-of-the-golden-age-of-pastoral-innocence-and-abundance-that-has-both-christian-and-classical-overtones-the-women-in-the-brook-resemble-figures-carved-on-antique-gems-and-the-tree-stumps-symbolize-the-tran-image330125371.html
Winslow Homer. Thanksgiving Day—The Dinner and Thanksgiving Day—The Dance. 1858. United States. Wood engravings on paper
Winslow Homer. Thanksgiving Day—The Dinner and Thanksgiving Day—The Dance. 1858. United States. Wood engravings on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/winslow-homer-thanksgiving-daythe-dinner-and-thanksgiving-daythe-dance-1858-united-states-wood-engravings-on-paper-image337947416.html
. English: (1) 'Todas'; (2) 'Santals'; (3) 'Gonds'; wood engravings, c.1870's Source: ebay, Oct. 2004 . 1870. Unknown 543 Santals
. English: (1) 'Todas'; (2) 'Santals'; (3) 'Gonds'; wood engravings, c.1870's Source: ebay, Oct. 2004 . 1870. Unknown 543 Santals https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-1-todas-2-santals-3-gonds-wood-engravings-c1870s-source-ebay-oct-2004-1870-unknown-543-santals-image188353398.html
Fontainebleau Forest: Grapes, Cul-de-lampe (Table of Engravings) (La Forêt de Fontainebleau: Tables des Gravures), 1908. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Paris. Color wood engraving, from bound volume with 34 wood engravings; sheet: 43.8 x 33 cm (17 1/4 x 13 in.); image: 8.4 x 11.4 cm (3 5/16 x 4 1/2 in
Fontainebleau Forest: Grapes, Cul-de-lampe (Table of Engravings) (La Forêt de Fontainebleau: Tables des Gravures), 1908. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Paris. Color wood engraving, from bound volume with 34 wood engravings; sheet: 43.8 x 33 cm (17 1/4 x 13 in.); image: 8.4 x 11.4 cm (3 5/16 x 4 1/2 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fontainebleau-forest-grapes-cul-de-lampe-table-of-engravings-la-fort-de-fontainebleau-tables-des-gravures-1908-auguste-louis-lepre-french-1849-1918-a-desmoulins-paris-color-wood-engraving-from-bound-volume-with-34-wood-engravings-sheet-438-x-33-cm-17-14-x-13-in-image-84-x-114-cm-3-516-x-4-12-in-image240479833.html
Driving Home the Corn and The Dance After the Husking, published November 13, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 152 x 235 mm (image, The Dance), 154 x 238 mm (image, Driving Home), 400 x 286 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Driving Home the Corn and The Dance After the Husking, published November 13, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper, 152 x 235 mm (image, The Dance), 154 x 238 mm (image, Driving Home), 400 x 286 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/driving-home-the-corn-and-the-dance-after-the-husking-published-november-13-1858-winslow-homer-american-1836-1910-published-by-harpers-weekly-american-1857-1916-united-states-wood-engravings-on-paper-152-x-235-mm-image-the-dance-154-x-238-mm-image-driving-home-400-x-286-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349747044.html
Dinan, France_Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith.
Dinan, France_Illustration from 'The British isles - Cassell Petter & Galpin Part 8 Picturesque Europe. Picturesque Europe was an illustrated set of Magazines published by Cassell, Petter, Galpin & Co. of London, Paris and New York in 1877. The publications depicted tourist haunts in Europe, with text descriptions and steel and wood engravings by eminent artists of the time, such as Harry Fenn, William H J Boot, Thomas C. L. Rowbotham, Henry T. Green , Myles B. Foster, John Mogford , David H. McKewan, William L. Leitch, Edmund M. Wimperis and Joseph B. Smith. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-dinan-france-illustration-from-the-british-isles-cassell-petter-galpin-71812985.html
Flooring patterns, both for wood as well as tile.
Flooring patterns, both for wood as well as tile. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/flooring-patterns-both-for-wood-as-well-as-tile-image68722006.html
Japanese Wood Engravings-1895-065.
Japanese Wood Engravings-1895-065. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japanese-wood-engravings-1895-065-image369356246.html
A treatise on wood engravings : historical and practical . No. ].. No. 2.
A treatise on wood engravings : historical and practical . No. ].. No. 2. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-treatise-on-wood-engravings-historical-and-practical-no-no-2-image343297180.html
The crucifixion of Christ, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
The crucifixion of Christ, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-crucifixion-of-christ-illustration-from-the-dore-bible-1866-in-1866-the-french-artist-and-illustrator-gustave-dore-18321883-published-a-series-of-241-wood-engravings-for-a-new-deluxe-edition-of-the-1843-french-translation-of-the-vulgate-bible-popularly-known-as-the-bible-de-tours-this-new-edition-was-known-as-la-grande-bible-de-tours-and-its-illustrations-were-immensely-successful-image186340738.html
-Collection of British Calotypes and Wood-engravings- MET DP70837 265767
-Collection of British Calotypes and Wood-engravings- MET DP70837 265767 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-collection-of-british-calotypes-and-wood-engravings-met-dp70837-265767-168469974.html
The Louvre and its history. Book illustrated with 140 wood engravings.jpg - 2CCCJEF
The Louvre and its history. Book illustrated with 140 wood engravings.jpg - 2CCCJEF https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-louvre-and-its-history-book-illustrated-with-140-wood-engravingsjpg-2cccjef-image369071543.html
![The Pastorals of Virgil, Eclogue I: The Shepherd chases away a wolf , 1821. In 1820, Blake was commissioned to illustrate a new edition of The Pastorals of Virgil, published as a school text, which included commentary by Dr. Robert John Thornton on the famous poem from the 1st century BC. Blake’s seventeen wood engravings became tremendously influential to the Ancients. Samuel Palmer (also in this gallery) wrote of these wood engravings: "They are visions of little dells, and nooks, and corners of Paradise; models of the exquisitest [sic] pitch of intense poetry... There is in all - Stock Image](https://c8.alamy.com/comp/2A52KFR/the-pastorals-of-virgil-eclogue-i-the-shepherd-chases-away-a-wolf-1821-in-1820-blake-was-commissioned-to-illustrate-a-new-edition-of-the-pastorals-of-virgil-published-as-a-school-text-which-included-commentary-by-dr-robert-john-thornton-on-the-famous-poem-from-the-1st-century-bc-blakex2019s-seventeen-wood-engravings-became-tremendously-influential-to-the-ancients-samuel-palmer-also-in-this-gallery-wrote-of-these-wood-engravings-quotthey-are-visions-of-little-dells-and-nooks-and-corners-of-paradise-models-of-the-exquisitest-sic-pitch-of-intense-poetry-there-is-in-all-2A52KFR.jpg)
![The Pastorals of Virgil, Eclogue I: The Blasted Tree, 1821. In 1820, Blake was commissioned to illustrate a new edition of The Pastorals of Virgil, published as a school text, which included commentary by Dr. Robert John Thornton on the famous poem from the 1st century BC. Blake’s seventeen wood engravings became tremendously influential to the Ancients. Samuel Palmer (also in this gallery) wrote of these wood engravings: "They are visions of little dells, and nooks, and corners of Paradise; models of the exquisitest [sic] pitch of intense poetry... There is in all such a mystic an - Stock Image](https://c8.alamy.com/comp/2A52KFP/the-pastorals-of-virgil-eclogue-i-the-blasted-tree-1821-in-1820-blake-was-commissioned-to-illustrate-a-new-edition-of-the-pastorals-of-virgil-published-as-a-school-text-which-included-commentary-by-dr-robert-john-thornton-on-the-famous-poem-from-the-1st-century-bc-blakex2019s-seventeen-wood-engravings-became-tremendously-influential-to-the-ancients-samuel-palmer-also-in-this-gallery-wrote-of-these-wood-engravings-quotthey-are-visions-of-little-dells-and-nooks-and-corners-of-paradise-models-of-the-exquisitest-sic-pitch-of-intense-poetry-there-is-in-all-such-a-mystic-an-2A52KFP.jpg)
![TORTURES - SLAVERY Torments meted out to Christian slaves by their captors. From left to right, from top: Vertical impaling on hooks. Tearing asunder by ships. Roasting alive. Crucifixion. [Bottom] Burning with candles. Walling up alive. Flaying alive. Dragging over sharp rocks. Wood-engravings from Stanley Lane-Poole, The Barbary Corsairs, 1890. - Stock Image](https://c8.alamy.com/comp/MBD7P9/tortures-slavery-torments-meted-out-to-christian-slaves-by-their-captors-from-left-to-right-from-top-vertical-impaling-on-hooks-tearing-asunder-by-ships-roasting-alive-crucifixion-bottom-burning-with-candles-walling-up-alive-flaying-alive-dragging-over-sharp-rocks-wood-engravings-from-stanley-lane-poole-the-barbary-corsairs-1890-MBD7P9.jpg)
![Collection of British Calotypes and Wood-engravings, 1850s. [Colonel Whitmore?]. - Stock Image](https://c8.alamy.com/comp/2CBAHMF/collection-of-british-calotypes-and-wood-engravings-1850s-colonel-whitmore-2CBAHMF.jpg)
![EGYPT - 'CLEOPATRA'S NEEDLE' The collection and transport, from Egypt to Gravesend [destination the London Embankment], of the Egyptian obelisk by John Dixon, in 1877. Top image - adjusting the obelisk so that it is parallel to the shore, to facilitate loading. Middle image - a view of the construction of the cylindrical protective case. Bottom image - arrival at Gravesend, after a disastrous voyage. Wood engravings from The World of Wonders. - Stock Image](https://c8.alamy.com/comp/MC6GHE/egypt-cleopatras-needle-the-collection-and-transport-from-egypt-to-gravesend-destination-the-london-embankment-of-the-egyptian-obelisk-by-john-dixon-in-1877-top-image-adjusting-the-obelisk-so-that-it-is-parallel-to-the-shore-to-facilitate-loading-middle-image-a-view-of-the-construction-of-the-cylindrical-protective-case-bottom-image-arrival-at-gravesend-after-a-disastrous-voyage-wood-engravings-from-the-world-of-wonders-MC6GHE.jpg)
![Mohammedan Postures [Moslems at Prayer] Wood Engravings from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859 - Stock Image](https://c8.alamy.com/comp/2D4BRPX/mohammedan-postures-moslems-at-prayer-wood-engravings-from-the-book-palestine-past-and-present-with-biblical-literary-and-scientific-notices-by-rev-osborn-h-s-henry-stafford-1823-1894-published-in-philadelphia-by-j-challen-son-in-1859-2D4BRPX.jpg)
![A treatise on wood engravings : historical and practical . No. ].. No. 2. - Stock Image](https://c8.alamy.com/comp/2AXEF1G/a-treatise-on-wood-engravings-historical-and-practical-no-no-2-2AXEF1G.jpg)
