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New Creative Relevant Search filters William Morris Wife Stock Photos and Images  (129) Narrow your search: Black & white | Cut Outs Page 1 of 2 JANE BURDEN MORRIS (1839-1914) wife of designer William Morris with May about 1865 JANE BURDEN MORRIS (1839-1914) wife of designer William Morris with May about 1865https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jane-burden-morris-1839-1914-wife-of-designer-william-morris-with-127039966.html Edward Burne-Jones pictured with his father, wife and two children and William Morris with his wife and two daughters. WM: Edward Burne-Jones pictured with his father, wife and two children and William Morris with his wife and two daughters. WM:https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-edward-burne-jones-pictured-with-his-father-wife-and-two-children-83361450.html The grave of William Morris and his wife Jane in the churchyard in the Cotswold village of Kelmscott, Oxfordshire. The grave of William Morris and his wife Jane in the churchyard in the Cotswold village of Kelmscott, Oxfordshire.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-grave-of-william-morris-and-his-wife-jane-in-the-churchyard-in-31248060.html Jane Morris, Study for 'Mariana', (Mrs William Morris), drawing by Dante Gabriel Rossetti, 1868 Jane Morris, Study for 'Mariana', (Mrs William Morris), drawing by Dante Gabriel Rossetti, 1868https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jane-morris-study-for-mariana-mrs-william-morris-drawing-by-dante-gabriel-rossetti-1868-image331834692.html The grave of William Morris and his wife Jane in the churchyard in the Cotswold village of Kelmscott, Oxfordshire. The grave of William Morris and his wife Jane in the churchyard in the Cotswold village of Kelmscott, Oxfordshire.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-grave-of-william-morris-and-his-wife-jane-in-the-churchyard-in-38100428.html Assistant Custodian Carole Moulton reveals four panels of a wall painting recently discovered in the house of William Morris in Bexleyheath, Kent, today 6th September 2005.The Philosopher and Artist Craftsman lived their with his wife Jane Morris,and decorated parts of the House in 1860. Press Association Photo . Photo Credit should read Gareth Fuller/PA Standalone Assistant Custodian Carole Moulton reveals four panels of a wall painting recently discovered in the house of William Morris in Bexleyheath, Kent, today 6th September 2005.The Philosopher and Artist Craftsman lived their with his wife Jane Morris,and decorated parts of the House in 1860. Press Association Photo . Photo Credit should read Gareth Fuller/PA Standalonehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-assistant-custodian-carole-moulton-reveals-four-panels-of-a-wall-painting-108653334.html The four Marys, as depicted by William Morris and Burne-Jones, St. Ladoca Church, Ladock, Cornwall, England The four Marys, as depicted by William Morris and Burne-Jones, St. Ladoca Church, Ladock, Cornwall, Englandhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-four-marys-as-depicted-by-william-morris-and-burne-jones-st-ladoca-image66427168.html HEMEL HEMPSTEAD - ENGLAND 89. William Manuel Morris (The Lord Morris of Handsworth) and wife Minetta at there home in Hemel Hempstead in 1988. Photo b HEMEL HEMPSTEAD - ENGLAND 89. William Manuel Morris (The Lord Morris of Handsworth) and wife Minetta at there home in Hemel Hempstead in 1988. Photo bhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hemel-hempstead-england-89-william-manuel-morris-the-lord-morris-of-handsworth-and-wife-minetta-at-there-home-in-hemel-hempstead-in-1988-photo-b-image397969894.html Mrs. William Morris Seated in Chair, May 1870. Mrs. William Morris Seated in Chair, May 1870.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-william-morris-seated-in-chair-may-1870-image462398735.html River Thames: The grave of famous philosopher, writer and designer William Morris and his wife Jane in St George's churchyard, Kelmscot. River Thames: The grave of famous philosopher, writer and designer William Morris and his wife Jane in St George's churchyard, Kelmscot.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/river-thames-the-grave-of-famous-philosopher-writer-and-designer-william-morris-and-his-wife-jane-in-st-georges-churchyard-kelmscot-image414279280.html Bed Morris Was Born In, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed Bed Morris Was Born In, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bed-morris-was-born-in-1896-platinum-print-albums-frederick-h-evans-162421778.html Former William Morris Agency Chairman Jim Wiatt arrives at the Sun Valley Inn with his wife Elizabeth (L) in Sun Valley, Idaho July 8, 2009. Guests at this year's Sun Valley media conference, hosted by boutique investment bank Allen & Co, are grappling with questions about technology and the Web that could determine their survival, though some are putting a braver face on it than others. The conference will feature morning panel discussions, and executives will roam the grounds and potentially discuss doing big deals and acquisitions that has made Sun Valley famous as a 'summer camp' for the m Former William Morris Agency Chairman Jim Wiatt arrives at the Sun Valley Inn with his wife Elizabeth (L) in Sun Valley, Idaho July 8, 2009. Guests at this year's Sun Valley media conference, hosted by boutique investment bank Allen & Co, are grappling with questions about technology and the Web that could determine their survival, though some are putting a braver face on it than others. The conference will feature morning panel discussions, and executives will roam the grounds and potentially discuss doing big deals and acquisitions that has made Sun Valley famous as a 'summer camp' for the mhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/former-william-morris-agency-chairman-jim-wiatt-arrives-at-the-sun-valley-inn-with-his-wife-elizabeth-l-in-sun-valley-idaho-july-8-2009-guests-at-this-years-sun-valley-media-conference-hosted-by-boutique-investment-bank-allen-co-are-grappling-with-questions-about-technology-and-the-web-that-could-determine-their-survival-though-some-are-putting-a-braver-face-on-it-than-others-the-conference-will-feature-morning-panel-discussions-and-executives-will-roam-the-grounds-and-potentially-discuss-doing-big-deals-and-acquisitions-that-has-made-sun-valley-famous-as-a-summer-camp-for-the-m-image400021837.html The crucifixion of Jesus, St. Mary's Church, Speldhurst, Kent, England The crucifixion of Jesus, St. Mary's Church, Speldhurst, Kent, Englandhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-crucifixion-of-jesus-st-marys-church-speldhurst-kent-england-41949830.html Art inspired by Bed Morris Was Born In, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Bed Morris Was Born In, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bed-morris-was-born-in-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866125.html Jane Morris 1873 Dante Gabriel Rossetti In the 1870s Rossetti and Jane Morris, the wife of his friend William Morris, became involved emotionally and are believed to have had an extended affair. In 1871 the two families jointly rented Kelmscott Manor, near Oxford, and Rossetti lived there between 1872 and 1874. In the summers, while Morris travelled to Iceland to study Norse sagas, Jane and their two daughters took up residence at Kelmscott. Rossetti's studies of Jane made during this period have a relaxed domenstic quality, showing her seated and reading or dreaming. Later, the artist used th Jane Morris 1873 Dante Gabriel Rossetti In the 1870s Rossetti and Jane Morris, the wife of his friend William Morris, became involved emotionally and are believed to have had an extended affair. In 1871 the two families jointly rented Kelmscott Manor, near Oxford, and Rossetti lived there between 1872 and 1874. In the summers, while Morris travelled to Iceland to study Norse sagas, Jane and their two daughters took up residence at Kelmscott. Rossetti's studies of Jane made during this period have a relaxed domenstic quality, showing her seated and reading or dreaming. Later, the artist used thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jane-morris-1873-dante-gabriel-rossetti-in-the-1870s-rossetti-and-jane-morris-the-wife-of-his-friend-william-morris-became-involved-emotionally-and-are-believed-to-have-had-an-extended-affair-in-1871-the-two-families-jointly-rented-kelmscott-manor-near-oxford-and-rossetti-lived-there-between-1872-and-1874-in-the-summers-while-morris-travelled-to-iceland-to-study-norse-sagas-jane-and-their-two-daughters-took-up-residence-at-kelmscott-rossettis-studies-of-jane-made-during-this-period-have-a-relaxed-domenstic-quality-showing-her-seated-and-reading-or-dreaming-later-the-artist-used-th-image457990829.html Former T.U.C. Boss Bill Morris at the 20th anniversary memorial of the death of Stephen Lawrence. Former T.U.C. Boss Bill Morris at the 20th anniversary memorial of the death of Stephen Lawrence.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/former-tuc-boss-bill-morris-at-the-20th-anniversary-memorial-of-the-death-of-stephen-lawrence-image335952851.html The Queen of the Fishes: Plate 2, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fai The Queen of the Fishes: Plate 2, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old faihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-2-1894-lucien-pissarro-british-1863-1944-woodcut-printed-in-gray-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fai-image448093584.html This illustration shows the Germanic hero Siegfried swinging the hammer with his powerful strength. Prince Siegfried (also known as Sigurd), the famed hero of Germanic mythology, was the son of King Siegmund of the Netherlands. His wife was Kriemhild, the heroine of the Nibelungenlied. In Germanic legends she is also called Gudrun, and in Wagner's Der Ring des Nibelungen she is known as Gutrune. In Norse mythology she was the sister of Gunnar. Revenge, intrigue, sibling rivalry all play a role in Gunnar's killing of Siegfried. This illustration shows the Germanic hero Siegfried swinging the hammer with his powerful strength. Prince Siegfried (also known as Sigurd), the famed hero of Germanic mythology, was the son of King Siegmund of the Netherlands. His wife was Kriemhild, the heroine of the Nibelungenlied. In Germanic legends she is also called Gudrun, and in Wagner's Der Ring des Nibelungen she is known as Gutrune. In Norse mythology she was the sister of Gunnar. Revenge, intrigue, sibling rivalry all play a role in Gunnar's killing of Siegfried.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-illustration-shows-the-germanic-hero-siegfried-swinging-the-hammer-with-his-powerful-strength-prince-siegfried-also-known-as-sigurd-the-famed-hero-of-germanic-mythology-was-the-son-of-king-siegmund-of-the-netherlands-his-wife-was-kriemhild-the-heroine-of-the-nibelungenlied-in-germanic-legends-she-is-also-called-gudrun-and-in-wagners-der-ring-des-nibelungen-she-is-known-as-gutrune-in-norse-mythology-she-was-the-sister-of-gunnar-revenge-intrigue-sibling-rivalry-all-play-a-role-in-gunnars-killing-of-siegfried-image367479575.html Fred Jowett MP aged 78 and a portrait of a lady said to be his wife Fred Jowett MP aged 78 and a portrait of a lady said to be his wifehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fred-jowett-mp-aged-78-and-a-portrait-of-a-lady-said-to-be-his-wife-image151763204.html 091125-N-7179M-084 NORFOLK (Nov. 25, 2009) MachinistÕs Mate 1st Class William H. Kern receives the traditional first kiss from his wife after returning to Naval Station Norfolk after a six-month deployment aboard the Los Angeles-class attack submarine USS Montpelier (SSN 765). (U.S. Navy photo by Mass Communications Specialist Third Class Danna M. Morris/Released) US Navy 091125-N-7179M-084 Machinist's Mate 1st Class William H. Kern receives the traditional first kiss from his wife after returning to Naval Station Norfolk after a six-month deployment aboard the Los Angeles-class attack s 091125-N-7179M-084 NORFOLK (Nov. 25, 2009) MachinistÕs Mate 1st Class William H. Kern receives the traditional first kiss from his wife after returning to Naval Station Norfolk after a six-month deployment aboard the Los Angeles-class attack submarine USS Montpelier (SSN 765). (U.S. Navy photo by Mass Communications Specialist Third Class Danna M. Morris/Released) US Navy 091125-N-7179M-084 Machinist's Mate 1st Class William H. Kern receives the traditional first kiss from his wife after returning to Naval Station Norfolk after a six-month deployment aboard the Los Angeles-class attack shttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-091125-n-7179m-084-norfolk-nov-25-2009-machinists-mate-1st-class-william-130284277.html Sheet music cover image of the song 'Third Edition The Miniature', with original authorship notes reading 'Written by Geo P Morris, Esq The Music by Joseph Philip Knight', United States, 1839. The publisher is listed as 'Hewitt and Jaques, 259 Broadway', the form of composition is 'strophic', the instrumentation is 'piano and voice', the first line reads 'William was holding in his hand the likeness of his wife', and the illustration artist is listed as 'Weir Pinx [?]; Thayer and Co. Lith. Boston; G.W. Quidor Engvr.'. Sheet music cover image of the song 'Third Edition The Miniature', with original authorship notes reading 'Written by Geo P Morris, Esq The Music by Joseph Philip Knight', United States, 1839. The publisher is listed as 'Hewitt and Jaques, 259 Broadway', the form of composition is 'strophic', the instrumentation is 'piano and voice', the first line reads 'William was holding in his hand the likeness of his wife', and the illustration artist is listed as 'Weir Pinx [?]; Thayer and Co. Lith. Boston; G.W. Quidor Engvr.'.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sheet-music-cover-image-of-the-song-third-edition-the-miniature-with-134094624.html Capt. William Timmons, commander, Coast Guard Sector Columbia River, and his wife Laura toss candy during the Astoria Regatta parade in downtown Astoria, Ore., Aug. 12, 2017. The Astoria Regatta is an annual event that brings together the town and its rich maritime history. U.S. Coast Guard photo by Lt. Cmdr. Christopher Morris. Capt. William Timmons, commander, Coast Guard Sector Columbia River, and his wife Laura toss candy during the Astoria Regatta parade in downtown Astoria, Ore., Aug. 12, 2017. The Astoria Regatta is an annual event that brings together the town and its rich maritime history. U.S. Coast Guard photo by Lt. Cmdr. Christopher Morris.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/capt-william-timmons-commander-coast-guard-sector-columbia-river-and-his-wife-laura-toss-candy-during-the-astoria-regatta-parade-in-downtown-astoria-ore-aug-12-2017-the-astoria-regatta-is-an-annual-event-that-brings-together-the-town-and-its-rich-maritime-history-us-coast-guard-photo-by-lt-cmdr-christopher-morris-image185054729.html Jane Morris, (Mrs William Morris), portrait photograph by John Robert Parsons, 1865 Jane Morris, (Mrs William Morris), portrait photograph by John Robert Parsons, 1865https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jane-morris-mrs-william-morris-portrait-photograph-by-john-robert-parsons-1865-image331834536.html The grave of William Morris and his wife Jane in the churchyard in the Cotswold village of Kelmscott, Oxfordshire. The grave of William Morris and his wife Jane in the churchyard in the Cotswold village of Kelmscott, Oxfordshire.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-grave-of-william-morris-and-his-wife-jane-in-the-churchyard-in-38100422.html Assistant Custodian Carole Moulton reveals four panels of a wall painting recently discovered in the house of William Morris in Bexleyheath, Kent, today 6th September 2005 The Philosopher and Artist Craftsman lived their with his wife Jane Morris,and decorated parts of the House in 1860. Press Association Photo . Photo Credit should read Gareth Fuller/PA Standalone Assistant Custodian Carole Moulton reveals four panels of a wall painting recently discovered in the house of William Morris in Bexleyheath, Kent, today 6th September 2005 The Philosopher and Artist Craftsman lived their with his wife Jane Morris,and decorated parts of the House in 1860. Press Association Photo . Photo Credit should read Gareth Fuller/PA Standalonehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-assistant-custodian-carole-moulton-reveals-four-panels-of-a-wall-painting-108653318.html The Collins family ; genealogical record (in part) of the descendants of John Collins, sr., from 1640 to 1760; a complete record of the descendants of William Collins and Esther Morris, from 1760 to 1897 . at Mount 1 lulyokeSeminary, where she was a fa-orite [nipil of .Mar)- L_-on. She was a wnnian ofrare intellectual L,nfts. Her contributions to the press, in both jjrose and poetry, foinidman- admirers. But her life was devoted to her duties as wife and mother. Withunconiplainint^ patience and fortitude she endured the absence of her husband at thefront, during; the Civil War, for three _ The Collins family ; genealogical record (in part) of the descendants of John Collins, sr., from 1640 to 1760; a complete record of the descendants of William Collins and Esther Morris, from 1760 to 1897 . at Mount 1 lulyokeSeminary, where she was a fa-orite [nipil of .Mar)- L_-on. She was a wnnian ofrare intellectual L,nfts. Her contributions to the press, in both jjrose and poetry, foinidman- admirers. But her life was devoted to her duties as wife and mother. Withunconiplainint^ patience and fortitude she endured the absence of her husband at thefront, during; the Civil War, for three _https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-collins-family-genealogical-record-in-part-of-the-descendants-of-john-collins-sr-from-1640-to-1760-a-complete-record-of-the-descendants-of-william-collins-and-esther-morris-from-1760-to-1897-at-mount-1-lulyokeseminary-where-she-was-a-fa-orite-nipil-of-mar-l-on-she-was-a-wnnian-ofrare-intellectual-lnfts-her-contributions-to-the-press-in-both-jjrose-and-poetry-foinidman-admirers-but-her-life-was-devoted-to-her-duties-as-wife-and-mother-withunconiplainint-patience-and-fortitude-she-endured-the-absence-of-her-husband-at-thefront-during-the-civil-war-for-three-image339399247.html U.S. Army Sgt. Bless Sherrill, right, and Sgt. Raheem Rowell, both with the New Jersey Army National Guard, carry a flag and an urn containing the cremains of a veteran during the 28th New Jersey Mission of Honor (NJMOH) ceremony at the Brigadier General William C. Doyle Veterans Memorial Cemetery at North Hanover Township, N.J., June 14, 2018. The cremains of seven World War II veterans Geoffrey N. Barrow, Henry Brandon and wife, Willa Mae; Arthur R. Callan, James Grant Sr., Theodore R. Jackson Jr., Monroe E. Morris, and Charlie Waters; two Vietnam veterans Johnny W. Morgan and Gilbert J. She U.S. Army Sgt. Bless Sherrill, right, and Sgt. Raheem Rowell, both with the New Jersey Army National Guard, carry a flag and an urn containing the cremains of a veteran during the 28th New Jersey Mission of Honor (NJMOH) ceremony at the Brigadier General William C. Doyle Veterans Memorial Cemetery at North Hanover Township, N.J., June 14, 2018. The cremains of seven World War II veterans Geoffrey N. Barrow, Henry Brandon and wife, Willa Mae; Arthur R. Callan, James Grant Sr., Theodore R. Jackson Jr., Monroe E. Morris, and Charlie Waters; two Vietnam veterans Johnny W. Morgan and Gilbert J. Shehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/us-army-sgt-bless-sherrill-right-and-sgt-raheem-rowell-both-with-the-new-jersey-army-national-guard-carry-a-flag-and-an-urn-containing-the-cremains-of-a-veteran-during-the-28th-new-jersey-mission-of-honor-njmoh-ceremony-at-the-brigadier-general-william-c-doyle-veterans-memorial-cemetery-at-north-hanover-township-nj-june-14-2018-the-cremains-of-seven-world-war-ii-veterans-geoffrey-n-barrow-henry-brandon-and-wife-willa-mae-arthur-r-callan-james-grant-sr-theodore-r-jackson-jr-monroe-e-morris-and-charlie-waters-two-vietnam-veterans-johnny-w-morgan-and-gilbert-j-she-image216989499.html The dramatic Easter Window in All Saints' Parish Church, Ilkley, Yorkshire, England The dramatic Easter Window in All Saints' Parish Church, Ilkley, Yorkshire, Englandhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-dramatic-easter-window-in-all-saints-parish-church-ilkley-yorkshire-54089451.html The Thompson Children. Artist: John Carlin (American, Philadelphia, Pennsylvania 1813-1891 New York); Date: 1846; Medium: Watercolor on ivory; The Thompson Children. Artist: John Carlin (American, Philadelphia, Pennsylvania 1813-1891 New York); Date: 1846; Medium: Watercolor on ivory;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-thompson-children-artist-john-carlin-american-philadelphia-pennsylvania-168151840.html Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-main-entrance-1896-platinum-print-albums-frederick-h-evans-british-162421768.html Mrs. Stephen Van Rensselaer III (Cornelia Paterson). Artist: Nathaniel Rogers (American, Bridgehampton, New York 1788-1844 Bridgehampton, New York); Mrs. Stephen Van Rensselaer III (Cornelia Paterson). Artist: Nathaniel Rogers (American, Bridgehampton, New York 1788-1844 Bridgehampton, New York);https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-mrs-stephen-van-rensselaer-iii-cornelia-paterson-artist-nathaniel-168152377.html UK Gloucestershire Broadway Tower UK Gloucestershire Broadway Towerhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-uk-gloucestershire-broadway-tower-11282606.html Art inspired by Kelmscott Manor from the Garden, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Kelmscott Manor from the Garden, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-kelmscott-manor-from-the-garden-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-1870-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463044010.html Kelmscott Manor Photographs. Artist: Frederick H. Evans (British, London 1853-1943 London); Artist: Bookplate designed by Aubrey Vincent Beardsley Kelmscott Manor Photographs. Artist: Frederick H. Evans (British, London 1853-1943 London); Artist: Bookplate designed by Aubrey Vincent Beardsleyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-kelmscott-manor-photographs-artist-frederick-h-evans-british-london-168409299.html The Queen of the Fishes: Plate 12, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale i The Queen of the Fishes: Plate 12, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale ihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-12-1894-lucien-pissarro-british-1863-1944-color-woodcut-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fairy-tale-i-image448093685.html Portrait of the Painter. Artist: John La Farge (American, New York 1835-1910 Providence, Rhode Island); Date: 1859; Medium: Oil on wood panel; Portrait of the Painter. Artist: John La Farge (American, New York 1835-1910 Providence, Rhode Island); Date: 1859; Medium: Oil on wood panel;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-the-painter-artist-john-la-farge-american-new-york-1835-168152210.html Jane Morris, (Mrs William Morris), portrait photograph by John Robert Parsons, 1865 Jane Morris, (Mrs William Morris), portrait photograph by John Robert Parsons, 1865https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jane-morris-mrs-william-morris-portrait-photograph-by-john-robert-parsons-1865-image331834573.html The church of St George in the village of Kelmscott, Oxfordshire, England UK - William Morris and his wife are buried here. The church of St George in the village of Kelmscott, Oxfordshire, England UK - William Morris and his wife are buried here.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-church-of-st-george-in-the-village-of-kelmscott-oxfordshire-england-38100435.html Assistant Custodian Carole Moulton reveals four panels of a wall painting for the cameras today 6th September 2005 recently discovered in the house of William Morris, Bexleyheath, Kent.The Philosopher and Artist Craftsman lived their with his wife Jane Morris,and decorated parts of the House in 1860. Press Association Photo . Photo Credit should read Gareth Fuller/PA Standalone Assistant Custodian Carole Moulton reveals four panels of a wall painting for the cameras today 6th September 2005 recently discovered in the house of William Morris, Bexleyheath, Kent.The Philosopher and Artist Craftsman lived their with his wife Jane Morris,and decorated parts of the House in 1860. Press Association Photo . Photo Credit should read Gareth Fuller/PA Standalonehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-assistant-custodian-carole-moulton-reveals-four-panels-of-a-wall-painting-108653323.html The Collins family ; genealogical record (in part) of the descendants of John Collins, sr., from 1640 to 1760; a complete record of the descendants of William Collins and Esther Morris, from 1760 to 1897 . ADELINE COLLINS PEERS.. ELIZA B. GRIDLEY COLLINS. ELIZA B. GRIDLEY COLLINS. 7 NATIVE of Williamstown, Massachusetts. She was educated at Mount 1 lulyokeSeminary, where she was a fa-orite [nipil of .Mar)- L_-on. She was a wnnian ofrare intellectual L,nfts. Her contributions to the press, in both jjrose and poetry, foinidman- admirers. But her life was devoted to her duties as wife and mot The Collins family ; genealogical record (in part) of the descendants of John Collins, sr., from 1640 to 1760; a complete record of the descendants of William Collins and Esther Morris, from 1760 to 1897 . ADELINE COLLINS PEERS.. ELIZA B. GRIDLEY COLLINS. ELIZA B. GRIDLEY COLLINS. 7 NATIVE of Williamstown, Massachusetts. She was educated at Mount 1 lulyokeSeminary, where she was a fa-orite [nipil of .Mar)- L_-on. She was a wnnian ofrare intellectual L,nfts. Her contributions to the press, in both jjrose and poetry, foinidman- admirers. But her life was devoted to her duties as wife and mothttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-collins-family-genealogical-record-in-part-of-the-descendants-of-john-collins-sr-from-1640-to-1760-a-complete-record-of-the-descendants-of-william-collins-and-esther-morris-from-1760-to-1897-adeline-collins-peers-eliza-b-gridley-collins-eliza-b-gridley-collins-7-native-of-williamstown-massachusetts-she-was-educated-at-mount-1-lulyokeseminary-where-she-was-a-fa-orite-nipil-of-mar-l-on-she-was-a-wnnian-ofrare-intellectual-lnfts-her-contributions-to-the-press-in-both-jjrose-and-poetry-foinidman-admirers-but-her-life-was-devoted-to-her-duties-as-wife-and-mot-image339399539.html U.S. Navy Lt. Cmdr. Justin Callaghan, right, salutes as Sgt. Raheem Rowell, center, and Sgt. Bless Sherrill, both with the New Jersey Army National Guard, place an urn containing the cremains of a veteran and a flag during the 28th New Jersey Mission of Honor (NJMOH) ceremony at the Brigadier General William C. Doyle Veterans Memorial Cemetery at North Hanover Township, N.J., June 14, 2018. The cremains of seven World War II veterans Geoffrey N. Barrow, Henry Brandon and wife, Willa Mae; Arthur R. Callan, James Grant Sr., Theodore R. Jackson Jr., Monroe E. Morris, and Charlie Waters; two Vietn U.S. Navy Lt. Cmdr. Justin Callaghan, right, salutes as Sgt. Raheem Rowell, center, and Sgt. Bless Sherrill, both with the New Jersey Army National Guard, place an urn containing the cremains of a veteran and a flag during the 28th New Jersey Mission of Honor (NJMOH) ceremony at the Brigadier General William C. Doyle Veterans Memorial Cemetery at North Hanover Township, N.J., June 14, 2018. The cremains of seven World War II veterans Geoffrey N. Barrow, Henry Brandon and wife, Willa Mae; Arthur R. Callan, James Grant Sr., Theodore R. Jackson Jr., Monroe E. Morris, and Charlie Waters; two Vietnhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/us-navy-lt-cmdr-justin-callaghan-right-salutes-as-sgt-raheem-rowell-center-and-sgt-bless-sherrill-both-with-the-new-jersey-army-national-guard-place-an-urn-containing-the-cremains-of-a-veteran-and-a-flag-during-the-28th-new-jersey-mission-of-honor-njmoh-ceremony-at-the-brigadier-general-william-c-doyle-veterans-memorial-cemetery-at-north-hanover-township-nj-june-14-2018-the-cremains-of-seven-world-war-ii-veterans-geoffrey-n-barrow-henry-brandon-and-wife-willa-mae-arthur-r-callan-james-grant-sr-theodore-r-jackson-jr-monroe-e-morris-and-charlie-waters-two-vietn-image216989495.html In the Attics, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey In the Attics, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubreyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-in-the-attics-1896-platinum-print-albums-frederick-h-evans-british-162421792.html Art inspired by Main Entrance, with Hedge, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Main Entrance, with Hedge, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-main-entrance-with-hedge-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463043997.html The Queen of the Fishes: Plate 13 (colophon), 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based o The Queen of the Fishes: Plate 13 (colophon), 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based ohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-13-colophon-1894-lucien-pissarro-british-1863-1944-woodcut-printed-in-gray-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-o-image448093629.html The church of St George in the village of Kelmscott, Oxfordshire, England UK - William Morris and his wife are buried here. The church of St George in the village of Kelmscott, Oxfordshire, England UK - William Morris and his wife are buried here.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-church-of-st-george-in-the-village-of-kelmscott-oxfordshire-england-38100442.html ARTS Morris 4 ARTS Morris 4https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arts-morris-4-108653340.html The Birkbecks of Westmorland and their descendants . MORRIS BIRKBECK AND HIS WIFE. THE BIRKBECKS OF WESTMORLAND. loi I. Deborah, born 9 December, 1756 ; died unmarried; buried atPlymouth 15 February, 1821. William Birkbeck died 15 September, 1772, and was buried at Settle. MORRIS BIRKBECK of Wanborough, Surrey, eldest son of Williamand Sarah (p. 99), born at Settle 4 November, 1734. He does not appearto have been in the Settle business, but from a letter in the box of papers atSettle before-mentioned, he would seem in 1784 to have been engaged inan insurance business in London, Birkbeck and Bl The Birkbecks of Westmorland and their descendants . MORRIS BIRKBECK AND HIS WIFE. THE BIRKBECKS OF WESTMORLAND. loi I. Deborah, born 9 December, 1756 ; died unmarried; buried atPlymouth 15 February, 1821. William Birkbeck died 15 September, 1772, and was buried at Settle. MORRIS BIRKBECK of Wanborough, Surrey, eldest son of Williamand Sarah (p. 99), born at Settle 4 November, 1734. He does not appearto have been in the Settle business, but from a letter in the box of papers atSettle before-mentioned, he would seem in 1784 to have been engaged inan insurance business in London, Birkbeck and Blhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-birkbecks-of-westmorland-and-their-descendants-morris-birkbeck-and-his-wife-the-birkbecks-of-westmorland-loi-i-deborah-born-9-december-1756-died-unmarried-buried-atplymouth-15-february-1821-william-birkbeck-died-15-september-1772-and-was-buried-at-settle-morris-birkbeck-of-wanborough-surrey-eldest-son-of-williamand-sarah-p-99-born-at-settle-4-november-1734-he-does-not-appearto-have-been-in-the-settle-business-but-from-a-letter-in-the-box-of-papers-atsettle-before-mentioned-he-would-seem-in-1784-to-have-been-engaged-inan-insurance-business-in-london-birkbeck-and-bl-image338506693.html U.S. Air Force Airman 1st Class Jared Clower, right, and Master at Arms 2nd Class Roosevelt Smallwood carry a flag and an urn containing the cremains of a veteran during the 28th New Jersey Mission of Honor (NJMOH) ceremony at the Brigadier General William C. Doyle Veterans Memorial Cemetery at North Hanover Township, N.J., June 14, 2018. The cremains of seven World War II veterans Geoffrey N. Barrow, Henry Brandon and wife, Willa Mae; Arthur R. Callan, James Grant Sr., Theodore R. Jackson Jr., Monroe E. Morris, and Charlie Waters; two Vietnam veterans Johnny W. Morgan and Gilbert J. Shelton, U.S. Air Force Airman 1st Class Jared Clower, right, and Master at Arms 2nd Class Roosevelt Smallwood carry a flag and an urn containing the cremains of a veteran during the 28th New Jersey Mission of Honor (NJMOH) ceremony at the Brigadier General William C. Doyle Veterans Memorial Cemetery at North Hanover Township, N.J., June 14, 2018. The cremains of seven World War II veterans Geoffrey N. Barrow, Henry Brandon and wife, Willa Mae; Arthur R. Callan, James Grant Sr., Theodore R. Jackson Jr., Monroe E. Morris, and Charlie Waters; two Vietnam veterans Johnny W. Morgan and Gilbert J. Shelton, https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/us-air-force-airman-1st-class-jared-clower-right-and-master-at-arms-2nd-class-roosevelt-smallwood-carry-a-flag-and-an-urn-containing-the-cremains-of-a-veteran-during-the-28th-new-jersey-mission-of-honor-njmoh-ceremony-at-the-brigadier-general-william-c-doyle-veterans-memorial-cemetery-at-north-hanover-township-nj-june-14-2018-the-cremains-of-seven-world-war-ii-veterans-geoffrey-n-barrow-henry-brandon-and-wife-willa-mae-arthur-r-callan-james-grant-sr-theodore-r-jackson-jr-monroe-e-morris-and-charlie-waters-two-vietnam-veterans-johnny-w-morgan-and-gilbert-j-shelton-image216989496.html The Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by The Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-tapestry-room-1896-platinum-print-albums-frederick-h-evans-british-162421790.html Art inspired by Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-main-entrance-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866122.html The Queen of the Fishes: Plate 7, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in The Queen of the Fishes: Plate 7, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-7-1894-lucien-pissarro-british-1863-1944-color-woodcut-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fairy-tale-in-image448093583.html ARTS Morris 5 ARTS Morris 5https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arts-morris-5-108653388.html The Collins family ; genealogical record (in part) of the descendants of John Collins, sr., from 1640 to 1760; a complete record of the descendants of William Collins and Esther Morris, from 1760 to 1897 . rah, who married a Mr. Stahl, and a son, Etlward ]5ecbe, a merchant for many yearsin Chicago. Another sister of Charles Hempstead became the wife of Manuel Liza, a .Spaniardin the Indian trade. He had had an Indian wife, and a daughter by her, nameil Rosalie,lived with my mother in Collinsville for years. She afterward married a Baj^tistpreacher, Reverend Mr. Ely, and lived for many years ne The Collins family ; genealogical record (in part) of the descendants of John Collins, sr., from 1640 to 1760; a complete record of the descendants of William Collins and Esther Morris, from 1760 to 1897 . rah, who married a Mr. Stahl, and a son, Etlward ]5ecbe, a merchant for many yearsin Chicago. Another sister of Charles Hempstead became the wife of Manuel Liza, a .Spaniardin the Indian trade. He had had an Indian wife, and a daughter by her, nameil Rosalie,lived with my mother in Collinsville for years. She afterward married a Baj^tistpreacher, Reverend Mr. Ely, and lived for many years nehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-collins-family-genealogical-record-in-part-of-the-descendants-of-john-collins-sr-from-1640-to-1760-a-complete-record-of-the-descendants-of-william-collins-and-esther-morris-from-1760-to-1897-rah-who-married-a-mr-stahl-and-a-son-etlward-5ecbe-a-merchant-for-many-yearsin-chicago-another-sister-of-charles-hempstead-became-the-wife-of-manuel-liza-a-spaniardin-the-indian-trade-he-had-had-an-indian-wife-and-a-daughter-by-her-nameil-rosalielived-with-my-mother-in-collinsville-for-years-she-afterward-married-a-bajtistpreacher-reverend-mr-ely-and-lived-for-many-years-ne-image339398654.html U.S. Navy Lt. Cmdr. Justin Callaghan, right, presents the American flag to Wally Noonan, ceremonial chairman, New Jersey Mission of Honor (NJMOH), during the 28th NJMOH ceremony at the Brigadier General William C. Doyle Veterans Memorial Cemetery at North Hanover Township, N.J., June 14, 2018. The cremains of seven World War II veterans Geoffrey N. Barrow, Henry Brandon and wife, Willa Mae; Arthur R. Callan, James Grant Sr., Theodore R. Jackson Jr., Monroe E. Morris, and Charlie Waters; two Vietnam veterans Johnny W. Morgan and Gilbert J. Shelton, and one Cold War era veteran Leland D. Bey, we U.S. Navy Lt. Cmdr. Justin Callaghan, right, presents the American flag to Wally Noonan, ceremonial chairman, New Jersey Mission of Honor (NJMOH), during the 28th NJMOH ceremony at the Brigadier General William C. Doyle Veterans Memorial Cemetery at North Hanover Township, N.J., June 14, 2018. The cremains of seven World War II veterans Geoffrey N. Barrow, Henry Brandon and wife, Willa Mae; Arthur R. Callan, James Grant Sr., Theodore R. Jackson Jr., Monroe E. Morris, and Charlie Waters; two Vietnam veterans Johnny W. Morgan and Gilbert J. Shelton, and one Cold War era veteran Leland D. Bey, wehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/us-navy-lt-cmdr-justin-callaghan-right-presents-the-american-flag-to-wally-noonan-ceremonial-chairman-new-jersey-mission-of-honor-njmoh-during-the-28th-njmoh-ceremony-at-the-brigadier-general-william-c-doyle-veterans-memorial-cemetery-at-north-hanover-township-nj-june-14-2018-the-cremains-of-seven-world-war-ii-veterans-geoffrey-n-barrow-henry-brandon-and-wife-willa-mae-arthur-r-callan-james-grant-sr-theodore-r-jackson-jr-monroe-e-morris-and-charlie-waters-two-vietnam-veterans-johnny-w-morgan-and-gilbert-j-shelton-and-one-cold-war-era-veteran-leland-d-bey-we-image216989500.html Motorola Youth Parliament competition. Motorola Youth Parliament competition.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-motorola-youth-parliament-competition-106667353.html Kelmscott Manor from the Garden, Frederick H. Evans, 1896 Kelmscott Manor from the Garden, Frederick H. Evans, 1896https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-kelmscott-manor-from-the-garden-frederick-h-evans-1896-162421802.html Art inspired by Tithe Barn, Great Cokkeswell, Interior, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Tithe Barn, Great Cokkeswell, Interior, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tithe-barn-great-cokkeswell-interior-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463043965.html The Queen of the Fishes: Plate 8, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fai The Queen of the Fishes: Plate 8, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old faihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-8-1894-lucien-pissarro-british-1863-1944-woodcut-printed-in-gray-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fai-image448093635.html The Collins family ; genealogical record (in part) of the descendants of John Collins, sr., from 1640 to 1760; a complete record of the descendants of William Collins and Esther Morris, from 1760 to 1897 . th his brother-in-law, under the name of Collins & Blatchford. In 1852 he married Martha W.Hlatchford, a daughter of Reverend John Blatchford. In St. Louis he was identified with the First Presbyterian Church, founded at anearly day by his uncle, Reverend Salmon Giddings. He was an elder in the churchand held other positions of trust. He went to Hartford in 1859. Here his wife died,May g, 18 The Collins family ; genealogical record (in part) of the descendants of John Collins, sr., from 1640 to 1760; a complete record of the descendants of William Collins and Esther Morris, from 1760 to 1897 . th his brother-in-law, under the name of Collins & Blatchford. In 1852 he married Martha W.Hlatchford, a daughter of Reverend John Blatchford. In St. Louis he was identified with the First Presbyterian Church, founded at anearly day by his uncle, Reverend Salmon Giddings. He was an elder in the churchand held other positions of trust. He went to Hartford in 1859. Here his wife died,May g, 18https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-collins-family-genealogical-record-in-part-of-the-descendants-of-john-collins-sr-from-1640-to-1760-a-complete-record-of-the-descendants-of-william-collins-and-esther-morris-from-1760-to-1897-th-his-brother-in-law-under-the-name-of-collins-blatchford-in-1852-he-married-martha-whlatchford-a-daughter-of-reverend-john-blatchford-in-st-louis-he-was-identified-with-the-first-presbyterian-church-founded-at-anearly-day-by-his-uncle-reverend-salmon-giddings-he-was-an-elder-in-the-churchand-held-other-positions-of-trust-he-went-to-hartford-in-1859-here-his-wife-diedmay-g-18-image339401184.html Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubreyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tapestry-room-1896-platinum-print-albums-frederick-h-evans-british-162421783.html Art inspired by WM's Bedroom, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by WM's Bedroom, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-wms-bedroom-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866121.html The Queen of the Fishes: Plate 11 , 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old f The Queen of the Fishes: Plate 11 , 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-11-1894-lucien-pissarro-british-1863-1944-woodcut-printed-in-gray-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-f-image448093640.html A genealogical history of the descendants of Peter White, of New Jersey, from 1670, and of William White and Deborah Tilton his wife, loyalists . ,, 1850; issue, one daughter.II.—Ella Annie, born julv 8. 1852; unmarried.100. III.—Albert Scott, born April 12, 1855; issue, one son. l.—Lila Mary, born August 15, i860; married EdwinA. Morris. April 29, 1897; no issue; reside nPhiladelphia. Pa.lOoVi. .—C)scar Brunswick, born October 9, 1864; resides inSouris, Atanitoba.I.—incent William, died in infancy.1I.—Emma Gordon, died in infancy.111.—Ada H., died in infancy. Simeon Flatfield hite, fi A genealogical history of the descendants of Peter White, of New Jersey, from 1670, and of William White and Deborah Tilton his wife, loyalists . ,, 1850; issue, one daughter.II.—Ella Annie, born julv 8. 1852; unmarried.100. III.—Albert Scott, born April 12, 1855; issue, one son. l.—Lila Mary, born August 15, i860; married EdwinA. Morris. April 29, 1897; no issue; reside nPhiladelphia. Pa.lOoVi. .—C)scar Brunswick, born October 9, 1864; resides inSouris, Atanitoba.I.—incent William, died in infancy.1I.—Emma Gordon, died in infancy.111.—Ada H., died in infancy. Simeon Flatfield hite, fihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-genealogical-history-of-the-descendants-of-peter-white-of-new-jersey-from-1670-and-of-william-white-and-deborah-tilton-his-wife-loyalists-1850-issue-one-daughteriiella-annie-born-julv-8-1852-unmarried100-iiialbert-scott-born-april-12-1855-issue-one-son-llila-mary-born-august-15-i860-married-edwina-morris-april-29-1897-no-issue-reside-nphiladelphia-paloovi-cscar-brunswick-born-october-9-1864-resides-insouris-atanitobaiincent-william-died-in-infancy1iemma-gordon-died-in-infancy111ada-h-died-in-infancy-simeon-flatfield-hite-fi-image340262371.html Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tapestry-room-1896-platinum-print-albums-frederick-h-evans-british-162421789.html Art inspired by From the Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by From the Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-from-the-tapestry-room-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866138.html The Queen of the Fishes: Plate 6, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in The Queen of the Fishes: Plate 6, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-6-1894-lucien-pissarro-british-1863-1944-color-woodcut-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fairy-tale-in-image448093609.html Pedigrees of Thomas, Chew, and Lawrence : the West River register, and genealogical notes . Chew d. Lyman, Mary Kerr Coffey dau. of Charles H. and Rebecca (Chew) b.Lyman, Frisby Freeland son, of the same b.Montgomery, John C. d.Morris, Ann (Cheston) wife of Dr. Caspar d.Morris, Effingham B md. Ellen Douglas dau. of H. Nelson Burroughs and has issue :Rhoda b. Newlin, Thomas S d.Pemberton, Gen. John C dPeterson, J. Howard, drowned.Philips, Sophia (Chew) wife of Henry d.Poultney, Thomas Jr. d.Reese, Walter d.Smith, Harriet J. dau. of Thomas and Elizabeth (Leiper) Md. William De ForestThomas, Ann Pedigrees of Thomas, Chew, and Lawrence : the West River register, and genealogical notes . Chew d. Lyman, Mary Kerr Coffey dau. of Charles H. and Rebecca (Chew) b.Lyman, Frisby Freeland son, of the same b.Montgomery, John C. d.Morris, Ann (Cheston) wife of Dr. Caspar d.Morris, Effingham B md. Ellen Douglas dau. of H. Nelson Burroughs and has issue :Rhoda b. Newlin, Thomas S d.Pemberton, Gen. John C dPeterson, J. Howard, drowned.Philips, Sophia (Chew) wife of Henry d.Poultney, Thomas Jr. d.Reese, Walter d.Smith, Harriet J. dau. of Thomas and Elizabeth (Leiper) Md. William De ForestThomas, Annhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pedigrees-of-thomas-chew-and-lawrence-the-west-river-register-and-genealogical-notes-chew-d-lyman-mary-kerr-coffey-dau-of-charles-h-and-rebecca-chew-blyman-frisby-freeland-son-of-the-same-bmontgomery-john-c-dmorris-ann-cheston-wife-of-dr-caspar-dmorris-effingham-b-md-ellen-douglas-dau-of-h-nelson-burroughs-and-has-issue-rhoda-b-newlin-thomas-s-dpemberton-gen-john-c-dpeterson-j-howard-drownedphilips-sophia-chew-wife-of-henry-dpoultney-thomas-jr-dreese-walter-dsmith-harriet-j-dau-of-thomas-and-elizabeth-leiper-md-william-de-forestthomas-ann-image342698096.html Entrance, On Right, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Entrance, On Right, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-entrance-on-right-1896-platinum-print-albums-frederick-h-evans-british-162421760.html Art inspired by The Panelled Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by The Panelled Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-panelled-room-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866147.html The Queen of the Fishes: Plate 3, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fai The Queen of the Fishes: Plate 3, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old faihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-3-1894-lucien-pissarro-british-1863-1944-woodcut-printed-in-gray-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fai-image448093599.html . William De Morgan and his wife . ience foryou, De M. ! said Morris. I explained that, if the analyst hadknown that 250,000 people drank the water daily, he wouldhave analysed it different. This was in Battersea, and nevercame to anything. I think Blockley was nearest to fructifying of any of theplaces we saw. Blockley is a village in Gloucestershire, orOxford or Worcester, I cant say which, all those counties havingsplit up into fragments in that corner, and become as it were>prays of map-chips. We drove there somehow, from Fairfordmaybe, and found it an old village of many water-mills, w . William De Morgan and his wife . ience foryou, De M. ! said Morris. I explained that, if the analyst hadknown that 250,000 people drank the water daily, he wouldhave analysed it different. This was in Battersea, and nevercame to anything. I think Blockley was nearest to fructifying of any of theplaces we saw. Blockley is a village in Gloucestershire, orOxford or Worcester, I cant say which, all those counties havingsplit up into fragments in that corner, and become as it were>prays of map-chips. We drove there somehow, from Fairfordmaybe, and found it an old village of many water-mills, whttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-de-morgan-and-his-wife-ience-foryou-de-m-!-said-morris-i-explained-that-if-the-analyst-hadknown-that-250000-people-drank-the-water-daily-he-wouldhave-analysed-it-different-this-was-in-battersea-and-nevercame-to-anything-i-think-blockley-was-nearest-to-fructifying-of-any-of-theplaces-we-saw-blockley-is-a-village-in-gloucestershire-oroxford-or-worcester-i-cant-say-which-all-those-counties-havingsplit-up-into-fragments-in-that-corner-and-become-as-it-weregtprays-of-map-chips-we-drove-there-somehow-from-fairfordmaybe-and-found-it-an-old-village-of-many-water-mills-w-image371639181.html In the Orchard, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by In the Orchard, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-in-the-orchard-1896-platinum-print-albums-frederick-h-evans-british-162421776.html Art inspired by The Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by The Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-tapestry-room-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866137.html The Queen of the Fishes: Plate 9, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fai The Queen of the Fishes: Plate 9, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old faihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-9-1894-lucien-pissarro-british-1863-1944-woodcut-printed-in-gray-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fai-image448093601.html . William De Morgan and his wife . and thedaughter of William Morris; while numbers who had neverknown him in hfe came to pay a last tribute to the man whosegenius had gladdened them, and whose rare personality had wonan affection such as few men win. Thus amidst the music andthe flowers he had once rejoiced in, he passed on to his finalresting-place in Brookwood Cemetery, then a lovely space ofunspoilt moorland, where, about the spot chosen for his grave,the heather grew thickly, and the wind in the pine-trees sang aneternal dirge. And there, as the coffin sank to earth, Florentineblossoms fr . William De Morgan and his wife . and thedaughter of William Morris; while numbers who had neverknown him in hfe came to pay a last tribute to the man whosegenius had gladdened them, and whose rare personality had wonan affection such as few men win. Thus amidst the music andthe flowers he had once rejoiced in, he passed on to his finalresting-place in Brookwood Cemetery, then a lovely space ofunspoilt moorland, where, about the spot chosen for his grave,the heather grew thickly, and the wind in the pine-trees sang aneternal dirge. And there, as the coffin sank to earth, Florentineblossoms frhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-de-morgan-and-his-wife-and-thedaughter-of-william-morris-while-numbers-who-had-neverknown-him-in-hfe-came-to-pay-a-last-tribute-to-the-man-whosegenius-had-gladdened-them-and-whose-rare-personality-had-wonan-affection-such-as-few-men-win-thus-amidst-the-music-andthe-flowers-he-had-once-rejoiced-in-he-passed-on-to-his-finalresting-place-in-brookwood-cemetery-then-a-lovely-space-ofunspoilt-moorland-where-about-the-spot-chosen-for-his-gravethe-heather-grew-thickly-and-the-wind-in-the-pine-trees-sang-aneternal-dirge-and-there-as-the-coffin-sank-to-earth-florentineblossoms-fr-image371622033.html From the Fields, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by From the Fields, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-the-fields-1896-platinum-print-albums-frederick-h-evans-british-162421759.html Art inspired by K. Church, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by K. Church, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-k-church-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866118.html The Queen of the Fishes, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a The Queen of the Fishes, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which ahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-1894-lucien-pissarro-british-1863-1944-color-woodcut-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fairy-tale-in-which-a-image448093593.html . History of the Carlile family : Paisley branch . h theLondon Rifle Brigade. In politics he is a Liberal, and is amember of the Eighty Club. He resides at Glenthorne, 48,Christchurch Road, Streatham Hill, Surrey, and at Wargrave,Berks. He has four children, daughters; see Morris, AliceMarjorie, Ethel Honor and Eileen Spencer; and Boyton, Elsie. BIOGRAPHICAL NOTICES. *°3 Orme-Webb, Agnes Mary, the younger daughter ofCarlile, James William, by his first wife, was born on i June,1855. and was educated privately. On 23 April, 1878, shemarried Robert Orme Orme-Webb. She resides at Eastbourne.Her h . History of the Carlile family : Paisley branch . h theLondon Rifle Brigade. In politics he is a Liberal, and is amember of the Eighty Club. He resides at Glenthorne, 48,Christchurch Road, Streatham Hill, Surrey, and at Wargrave,Berks. He has four children, daughters; see Morris, AliceMarjorie, Ethel Honor and Eileen Spencer; and Boyton, Elsie. BIOGRAPHICAL NOTICES. *°3 Orme-Webb, Agnes Mary, the younger daughter ofCarlile, James William, by his first wife, was born on i June,1855. and was educated privately. On 23 April, 1878, shemarried Robert Orme Orme-Webb. She resides at Eastbourne.Her hhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-the-carlile-family-paisley-branch-h-thelondon-rifle-brigade-in-politics-he-is-a-liberal-and-is-amember-of-the-eighty-club-he-resides-at-glenthorne-48christchurch-road-streatham-hill-surrey-and-at-wargraveberks-he-has-four-children-daughters-see-morris-alicemarjorie-ethel-honor-and-eileen-spencer-and-boyton-elsie-biographical-notices-3-orme-webb-agnes-mary-the-younger-daughter-ofcarlile-james-william-by-his-first-wife-was-born-on-i-june1855-and-was-educated-privately-on-23-april-1878-shemarried-robert-orme-orme-webb-she-resides-at-eastbourneher-h-image372204916.html Main Gate Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Main Gate Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-main-gate-entrance-1896-platinum-print-albums-frederick-h-evans-british-162421761.html Art inspired by Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-main-entrance-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866022.html The Queen of the Fishes: Plate 4, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in The Queen of the Fishes: Plate 4, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-4-1894-lucien-pissarro-british-1863-1944-color-woodcut-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fairy-tale-in-image448093603.html . William De Morgan and his wife . (r> V, /tv.^^. <-^ * aesthetic-Catholic revival going on in the London Churches,To meet the need of the age in matters both ecclesiastical andsecular, William Morris established himself as the champion ofartistic handicraft. THE OLD MANS YOUTH 77 Fresh from painting the Oxford Union, he and others of hisfraternity met and discussed methods for rendering the common-place things of hfe more beautiful. The first notion of the firmof Morris & Company, the name and wares of which have sincebecome so widely spread, relates Mr. Mackail, sprang up amongfriends . William De Morgan and his wife . (r> V, /tv.^^. <-^ * aesthetic-Catholic revival going on in the London Churches,To meet the need of the age in matters both ecclesiastical andsecular, William Morris established himself as the champion ofartistic handicraft. THE OLD MANS YOUTH 77 Fresh from painting the Oxford Union, he and others of hisfraternity met and discussed methods for rendering the common-place things of hfe more beautiful. The first notion of the firmof Morris & Company, the name and wares of which have sincebecome so widely spread, relates Mr. Mackail, sprang up amongfriendshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-de-morgan-and-his-wife-rgt-v-tv-lt-aesthetic-catholic-revival-going-on-in-the-london-churchesto-meet-the-need-of-the-age-in-matters-both-ecclesiastical-andsecular-william-morris-established-himself-as-the-champion-ofartistic-handicraft-the-old-mans-youth-77-fresh-from-painting-the-oxford-union-he-and-others-of-hisfraternity-met-and-discussed-methods-for-rendering-the-common-place-things-of-hfe-more-beautiful-the-first-notion-of-the-firmof-morris-company-the-name-and-wares-of-which-have-sincebecome-so-widely-spread-relates-mr-mackail-sprang-up-amongfriends-image371644064.html Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-main-entrance-1896-platinum-print-albums-frederick-h-evans-british-162421766.html Art inspired by Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-main-entrance-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866032.html The Queen of the Fishes: Plate 1, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in The Queen of the Fishes: Plate 1, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-1-1894-lucien-pissarro-british-1863-1944-color-woodcut-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fairy-tale-in-image448093611.html . Mount Morris: past and present; an illustrated history of the township and the village of Mount Morris, Ogle County, Illinois, in their various stages of development, together with a local biographical directory . retired: married. 306 MOUNT morris: past and PRESEN-i wife dead. RoDERJiuxD, August, farmer : born inGermany April 13, 1851 ; married in1881 to Elizabetli Stengel : five ctiildren. KoDERMUND, WILLIAM, farmer, son ofA. Rodermund ; unmarried. RoHxs, Wm., farmer ; born in MountMorris township September 5, 1862;married in 1883 to Lana Wilt; six chil-dren. Row, Hiram H.. retired farmer; . Mount Morris: past and present; an illustrated history of the township and the village of Mount Morris, Ogle County, Illinois, in their various stages of development, together with a local biographical directory . retired: married. 306 MOUNT morris: past and PRESEN-i wife dead. RoDERJiuxD, August, farmer : born inGermany April 13, 1851 ; married in1881 to Elizabetli Stengel : five ctiildren. KoDERMUND, WILLIAM, farmer, son ofA. Rodermund ; unmarried. RoHxs, Wm., farmer ; born in MountMorris township September 5, 1862;married in 1883 to Lana Wilt; six chil-dren. Row, Hiram H.. retired farmer;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mount-morris-past-and-present-an-illustrated-history-of-the-township-and-the-village-of-mount-morris-ogle-county-illinois-in-their-various-stages-of-development-together-with-a-local-biographical-directory-retired-married-306-mount-morris-past-and-presen-i-wife-dead-roderjiuxd-august-farmer-born-ingermany-april-13-1851-married-in1881-to-elizabetli-stengel-five-ctiildren-kodermund-william-farmer-son-ofa-rodermund-unmarried-rohxs-wm-farmer-born-in-mountmorris-township-september-5-1862married-in-1883-to-lana-wilt-six-chil-dren-row-hiram-h-retired-farmer-image372099390.html The Thames near Kelmscott Manor, Frederick H. Evans, 1896 The Thames near Kelmscott Manor, Frederick H. Evans, 1896https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-thames-near-kelmscott-manor-frederick-h-evans-1896-162421754.html Art inspired by Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tapestry-room-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866124.html The Queen of the Fishes: Plate 10, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale i The Queen of the Fishes: Plate 10, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale ihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-10-1894-lucien-pissarro-british-1863-1944-color-woodcut-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fairy-tale-i-image448093587.html . William De Morgan and his wife . rs. Allingham, Mr. Stewart Ellis,Deaconess Gilmore (the sister of William Morris), Mr. H. de T.Glazebrook, Lady Glcnconner, the Rev. Augustus De ]IorganHensley, Mrs. Horatio Lucas, Mr. Walter De Morgan, Mr. Scott-Moncriefi, Mrs. Bram Stoker, Mrs. G. F. Watts, Mrs. HughWoolner, 13 14 AUTHORS NOTE etc.; and to Mrs. Edward Carpenter and Mr. Lionel Bradgate,M.A., of Trinity College, Oxford, for kindly reading the proofs.If, however, among the great number of those who havewritten to her from all parts of the world it has been impossibleto mention categorically t . William De Morgan and his wife . rs. Allingham, Mr. Stewart Ellis,Deaconess Gilmore (the sister of William Morris), Mr. H. de T.Glazebrook, Lady Glcnconner, the Rev. Augustus De ]IorganHensley, Mrs. Horatio Lucas, Mr. Walter De Morgan, Mr. Scott-Moncriefi, Mrs. Bram Stoker, Mrs. G. F. Watts, Mrs. HughWoolner, 13 14 AUTHORS NOTE etc.; and to Mrs. Edward Carpenter and Mr. Lionel Bradgate,M.A., of Trinity College, Oxford, for kindly reading the proofs.If, however, among the great number of those who havewritten to her from all parts of the world it has been impossibleto mention categorically thttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-de-morgan-and-his-wife-rs-allingham-mr-stewart-ellisdeaconess-gilmore-the-sister-of-william-morris-mr-h-de-tglazebrook-lady-glcnconner-the-rev-augustus-de-iorganhensley-mrs-horatio-lucas-mr-walter-de-morgan-mr-scott-moncriefi-mrs-bram-stoker-mrs-g-f-watts-mrs-hughwoolner-13-14-authors-note-etc-and-to-mrs-edward-carpenter-and-mr-lionel-bradgatema-of-trinity-college-oxford-for-kindly-reading-the-proofsif-however-among-the-great-number-of-those-who-havewritten-to-her-from-all-parts-of-the-world-it-has-been-impossibleto-mention-categorically-t-image371644839.html Garden, Front, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Garden, Front, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-garden-front-1896-platinum-print-albums-frederick-h-evans-british-162421775.html Art inspired by Passage to Panelled Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Passage to Panelled Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-passage-to-panelled-room-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866142.html The Queen of the Fishes: Plate 5, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fai The Queen of the Fishes: Plate 5, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old faihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-the-fishes-plate-5-1894-lucien-pissarro-british-1863-1944-woodcut-printed-in-gray-book-page-192-x-133-cm-7-916-x-5-14-in-pissarro-son-of-the-french-impressionist-artist-camille-pissarro-moved-to-england-in-1890-by-1894-he-and-his-wife-esther-bensusan-pissarro-had-bought-a-printing-press-and-established-the-eragny-press-influenced-by-william-morris-they-were-involved-in-every-step-of-the-production-process-designing-cutting-the-woodblocks-setting-type-and-printing-the-first-book-published-by-ergany-press-the-queen-of-the-fishes-is-based-on-an-old-fai-image448093589.html . William De Morgan and his wife . corrupting the text, or in any wayleaning towards exaggeration of the facts. [Further Note by W. M., Well! well! well! ) They reached Sunbury at 10.15 P^^- ( Curious and ratherpleasant,notes William Morris, muddling ones way across tothe Inn in the dark !)—where, on arrival,— W.M. exclaimed, WTiat a stink ! The waiter replied, It isnothing, sir, I assure you. R. C. G. inquisitively, Is it a sewer ? Waiter in answer, Yes, sir, quite sure. (Note by R. C. G. : After thisunfortunate jeu desprit some of the males of the party seemed to thinkthat they were entitled . William De Morgan and his wife . corrupting the text, or in any wayleaning towards exaggeration of the facts. [Further Note by W. M., Well! well! well! ) They reached Sunbury at 10.15 P^^- ( Curious and ratherpleasant,notes William Morris, muddling ones way across tothe Inn in the dark !)—where, on arrival,— W.M. exclaimed, WTiat a stink ! The waiter replied, It isnothing, sir, I assure you. R. C. G. inquisitively, Is it a sewer ? Waiter in answer, Yes, sir, quite sure. (Note by R. C. G. : After thisunfortunate jeu desprit some of the males of the party seemed to thinkthat they were entitledhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-de-morgan-and-his-wife-corrupting-the-text-or-in-any-wayleaning-towards-exaggeration-of-the-facts-further-note-by-w-m-well!-well!-well!-they-reached-sunbury-at-1015-p-curious-and-ratherpleasantnotes-william-morris-muddling-ones-way-across-tothe-inn-in-the-dark-!where-on-arrival-wm-exclaimed-wtiat-a-stink-!-the-waiter-replied-it-isnothing-sir-i-assure-you-r-c-g-inquisitively-is-it-a-sewer-waiter-in-answer-yes-sir-quite-sure-note-by-r-c-g-after-thisunfortunate-jeu-desprit-some-of-the-males-of-the-party-seemed-to-thinkthat-they-were-entitled-image371640983.html Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tapestry-room-1896-platinum-print-albums-frederick-h-evans-british-162421784.html Art inspired by From the Meadows, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by From the Meadows, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-from-the-meadows-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866044.html WM's Bedroom, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey WM's Bedroom, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubreyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-wms-bedroom-1896-platinum-print-albums-frederick-h-evans-british-london-162421779.html Art inspired by Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Art inspired by Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney (British, 1870–1951), Unknown (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFThttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tapestry-room-1896-platinum-print-albums-frederick-h-evans-british-london-18531943-london-bookplate-designed-by-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-bookplate-designed-by-frederick-colin-tilney-british-18701951-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866155.html From the Meadows, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by From the Meadows, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed byhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-the-meadows-1896-platinum-print-albums-frederick-h-evans-british-162421758.html Next page Recent searches: Search Results for William Morris Wife Stock Photos and Images  (129) Page 1 of 2 12