James Barry, Esq., Professor of Painting in the Royal Academy, Charles Picart, c.1780–1837, British, William Evans, active 1797–1856, British, 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-barry-esq-professor-of-painting-in-the-royal-academy-charles-picart-c17801837-british-william-evans-active-17971856-british-1811-image389785404.html
RM2DJ4778–James Barry, Esq., Professor of Painting in the Royal Academy, Charles Picart, c.1780–1837, British, William Evans, active 1797–1856, British, 1811
Henry O. Walker - Mrs. William T. Evans and Her Son Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-henry-o-walker-mrs-william-t-evans-and-her-son-112460970.html
RMGEY136–Henry O. Walker - Mrs. William T. Evans and Her Son
Sir Arthur Evans (1851-1941), portrait by Sir William Richmond, oil on canvas, 1907. Arthur Evans is most famous for his controversial excavations at the Palace of Knossos in Crete. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-arthur-evans-1851-1941-portrait-by-sir-william-richmond-oil-on-175413808.html
RMM5AP2T–Sir Arthur Evans (1851-1941), portrait by Sir William Richmond, oil on canvas, 1907. Arthur Evans is most famous for his controversial excavations at the Palace of Knossos in Crete.
The Celebration of the Fourth of June at Eton, 1837. By Charles George Lewis (1808-1880), after William Evans (1798-1877). The celebrations of the 'Fourth of June' recognise the birthday of Eton's greatest patron, King George III. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-celebration-of-the-fourth-of-june-at-eton-1837-by-charles-george-lewis-1808-1880-after-william-evans-1798-1877-the-celebrations-of-the-fourth-of-june-recognise-the-birthday-of-etons-greatest-patron-king-george-iii-image241951951.html
RMT1HT53–The Celebration of the Fourth of June at Eton, 1837. By Charles George Lewis (1808-1880), after William Evans (1798-1877). The celebrations of the 'Fourth of June' recognise the birthday of Eton's greatest patron, King George III.
Landscape, With Fishermen, 1843, (1924). Artist: William Evans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-fishermen-1843-1924-artist-william-evans-image262779899.html
RMW7EJCB–Landscape, With Fishermen, 1843, (1924). Artist: William Evans
'Reverend Christmas Evans (1766-1838)', 1835. Artist: William Roos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reverend-christmas-evans-1766-1838-1835-artist-william-roos-135268924.html
RMHT20W0–'Reverend Christmas Evans (1766-1838)', 1835. Artist: William Roos
Mrs. William T. Evans and Her Son. Date/Period: 1895. Painting. Oil on canvas. Height: 91.7 cm (36.1 in); Width: 73.6 cm (29 in). Author: Henry Oliver Walker. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-william-t-evans-and-her-son-dateperiod-1895-painting-oil-on-canvas-height-917-cm-361-in-width-736-cm-29-in-author-henry-oliver-walker-image219731506.html
RMPNDHNP–Mrs. William T. Evans and Her Son. Date/Period: 1895. Painting. Oil on canvas. Height: 91.7 cm (36.1 in); Width: 73.6 cm (29 in). Author: Henry Oliver Walker.
Landscape, With Fishermen, 1843, (1924). Artist: William Evans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-landscape-with-fishermen-1843-1924-artist-william-evans-135248982.html
RMHT13CP–Landscape, With Fishermen, 1843, (1924). Artist: William Evans
Scott William Bell - Thomas Evans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scott-william-bell-thomas-evans-image183016597.html
RFMHN3F1–Scott William Bell - Thomas Evans
John Douglas by Gaetano Stefano Bartolozzi, after William Evans, after Robert Muller Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-douglas-by-gaetano-stefano-bartolozzi-after-william-evans-after-142850178.html
RMJ8BAT2–John Douglas by Gaetano Stefano Bartolozzi, after William Evans, after Robert Muller
William Roos - Christmas Evans (1835) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-roos-christmas-evans-1835-134802266.html
RMHR8NJJ–William Roos - Christmas Evans (1835)
Scott William Bell - Thomas Evans - British School - 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scott-william-bell-thomas-evans-british-school-19th-century-image371640523.html
RM2CGHK7R–Scott William Bell - Thomas Evans - British School - 19th Century
Sir William Jones by William Evans 1804 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-william-jones-by-william-evans-1804-134865807.html
RMHRBJKY–Sir William Jones by William Evans 1804
Thomas William Evans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-thomas-william-evans-161655979.html
RMKB01RR–Thomas William Evans
'Sir Martin Frobisher', late 16th century, (1946). Portrait of Martin Frobisher (c1535-1594), English navigator, explorer and privateer who made three voyages to the New World in search of the Northwest Passage. Painting in the collection of the Bodleian Libraries, University of Oxford. From "British Polar Explorers", by Admiral Sir Edward Evans. [Collins, London, 1946] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-martin-frobisher-late-16th-century-1946-portrait-of-martin-frobisher-c1535-1594-english-navigator-explorer-and-privateer-who-made-three-voyages-to-the-new-world-in-search-of-the-northwest-passage-painting-in-the-collection-of-the-bodleian-libraries-university-of-oxford-from-quotbritish-polar-explorersquot-by-admiral-sir-edward-evans-collins-london-1946-image336845037.html
RM2AG0H7W–'Sir Martin Frobisher', late 16th century, (1946). Portrait of Martin Frobisher (c1535-1594), English navigator, explorer and privateer who made three voyages to the New World in search of the Northwest Passage. Painting in the collection of the Bodleian Libraries, University of Oxford. From "British Polar Explorers", by Admiral Sir Edward Evans. [Collins, London, 1946]
William Evans (Tygwyn nr. St Davids) (4152535719) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-william-evans-tygwyn-nr-st-davids-4152535719-161657530.html
RMKB03R6–William Evans (Tygwyn nr. St Davids) (4152535719)
'George Eliot', c1850, (1942). Portrait of British author George Eliot (1819-1880), born Mary Ann Evans. Painting in the National Portrait Gallery, London. From "English Women", by Edith Sitwell. [Collins, London, 1942] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-eliot-c1850-1942-portrait-of-british-author-george-eliot-1819-1880-born-mary-ann-evans-painting-in-the-national-portrait-gallery-london-from-quotenglish-womenquot-by-edith-sitwell-collins-london-1942-image336844940.html
RM2AG0H4C–'George Eliot', c1850, (1942). Portrait of British author George Eliot (1819-1880), born Mary Ann Evans. Painting in the National Portrait Gallery, London. From "English Women", by Edith Sitwell. [Collins, London, 1942]
William T. Evans, 1889. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-t-evans-1889-image426151962.html
RM2FN8W4X–William T. Evans, 1889.
Illustration of the Romans landing in Britain, featuring the standard bearer of the X legion James William Edmund Doyle / Edmund Evans - Doyle, James William Edmund (1864) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-of-the-romans-landing-in-britain-featuring-the-standard-bearer-of-the-x-legion-james-william-edmund-doyle-edmund-evans-doyle-james-william-edmund-1864-image638875489.html
RM2S3B85N–Illustration of the Romans landing in Britain, featuring the standard bearer of the X legion James William Edmund Doyle / Edmund Evans - Doyle, James William Edmund (1864)
Sir William Beechey, R. A., Print made by Richard Cooper the Younger, 1740–1814, British, after William Evans, active 1797–1856, British, after Sir William Beechey, 1753–1839, British, Published by Thomas Cadell the younger, 1773–1836, British, Published by William Davies, 1776–1820, British, 1814, Crayon manner, stipple engraving, and line engraving on moderately thick, moderately textured, cream wove paper, Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm), Plate: 14 15/16 x 11 7/16 inches (38 x 29 cm), and Image: 6 7/8 x 8 7/16 inches (17.5 x 21.5 cm), artist, coat, cravat, easel, man, painting ( Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-beechey-r-a-print-made-by-richard-cooper-the-younger-17401814-british-after-william-evans-active-17971856-british-after-sir-william-beechey-17531839-british-published-by-thomas-cadell-the-younger-17731836-british-published-by-william-davies-17761820-british-1814-crayon-manner-stipple-engraving-and-line-engraving-on-moderately-thick-moderately-textured-cream-wove-paper-sheet-15-34-x-11-716-inches-40-x-29-cm-plate-14-1516-x-11-716-inches-38-x-29-cm-and-image-6-78-x-8-716-inches-175-x-215-cm-artist-coat-cravat-easel-man-painting-image389783479.html
RM2DJ44PF–Sir William Beechey, R. A., Print made by Richard Cooper the Younger, 1740–1814, British, after William Evans, active 1797–1856, British, after Sir William Beechey, 1753–1839, British, Published by Thomas Cadell the younger, 1773–1836, British, Published by William Davies, 1776–1820, British, 1814, Crayon manner, stipple engraving, and line engraving on moderately thick, moderately textured, cream wove paper, Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm), Plate: 14 15/16 x 11 7/16 inches (38 x 29 cm), and Image: 6 7/8 x 8 7/16 inches (17.5 x 21.5 cm), artist, coat, cravat, easel, man, painting (
HENRY Bird STEINHAUR Steinhauer was born in Rama on Lake Simcoe in Ontario. He was a pure-blooded Chippewa Indian, and was likely named Sowengisik. He received his name of Steinhauer from a German family that adopted and educated him from a colonial perspective. He accompanied the Rev. James Evans, a Methodist missionary, to the northwest in 1840, and settled at Norway House, where he remained until 1855, and made himself useful to the missionaries as an interpreter. He assisted Evans in inventing and perfecting the Cree syllabic characters, in which nearly all books in the Indian languages ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-bird-steinhaur-steinhauer-was-born-in-rama-on-lake-simcoe-in-ontario-he-was-a-pure-blooded-chippewa-indian-and-was-likely-named-sowengisik-he-received-his-name-of-steinhauer-from-a-german-family-that-adopted-and-educated-him-from-a-colonial-perspective-he-accompanied-the-rev-james-evans-a-methodist-missionary-to-the-northwest-in-1840-and-settled-at-norway-house-where-he-remained-until-1855-and-made-himself-useful-to-the-missionaries-as-an-interpreter-he-assisted-evans-in-inventing-and-perfecting-the-cree-syllabic-characters-in-which-nearly-all-books-in-the-indian-languages-ar-image455029598.html
RF2HC8AW2–HENRY Bird STEINHAUR Steinhauer was born in Rama on Lake Simcoe in Ontario. He was a pure-blooded Chippewa Indian, and was likely named Sowengisik. He received his name of Steinhauer from a German family that adopted and educated him from a colonial perspective. He accompanied the Rev. James Evans, a Methodist missionary, to the northwest in 1840, and settled at Norway House, where he remained until 1855, and made himself useful to the missionaries as an interpreter. He assisted Evans in inventing and perfecting the Cree syllabic characters, in which nearly all books in the Indian languages ar
Aristides writes his name on the shard of an illiterate citizen of Athens, Aristides requested by an illiterate Citizen of Athens to whom it was Unknown, to sign the Ostracism for his own Banishment (title on object). not know was asked to sign the shards court for his own exile as part of ostracism in Athens., print maker: William Dickinson, after painting by: Angelica Kauffmann, publisher: Benjamin Beale Evans, London, 3-Jun-1786, paper, height 505 mm × width 354 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aristides-writes-his-name-on-the-shard-of-an-illiterate-citizen-of-athens-aristides-requested-by-an-illiterate-citizen-of-athens-to-whom-it-was-unknown-to-sign-the-ostracism-for-his-own-banishment-title-on-object-not-know-was-asked-to-sign-the-shards-court-for-his-own-exile-as-part-of-ostracism-in-athens-print-maker-william-dickinson-after-painting-by-angelica-kauffmann-publisher-benjamin-beale-evans-london-3-jun-1786-paper-height-505-mm-width-354-mm-print-image599521195.html
RM2WRAFB7–Aristides writes his name on the shard of an illiterate citizen of Athens, Aristides requested by an illiterate Citizen of Athens to whom it was Unknown, to sign the Ostracism for his own Banishment (title on object). not know was asked to sign the shards court for his own exile as part of ostracism in Athens., print maker: William Dickinson, after painting by: Angelica Kauffmann, publisher: Benjamin Beale Evans, London, 3-Jun-1786, paper, height 505 mm × width 354 mm, print
Edward, Lord Thurlow, Lord High Chancellor Volume numbers given here refer to the original volume numbers of the publication, not of Lossing's publication. Printmakers include A.B. Durand, H.B. Hall, S.S. Jocelyn, J. Landseer, J. B. Longacre, Albert Rosenthal, Max Rosenthal. Some photomechanical reproductions included with prints. Title from title page of extra-illustrated volume. EM4801 Engraved by James Godby from a drawing by William Evans after a painting by Thomas Phillips.; Edward, Lord Thurlow, Lord High Chancellor. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edward-lord-thurlow-lord-high-chancellor-volume-numbers-given-here-refer-to-the-original-volume-numbers-of-the-publication-not-of-lossings-publication-printmakers-include-ab-durand-hb-hall-ss-jocelyn-j-landseer-j-b-longacre-albert-rosenthal-max-rosenthal-some-photomechanical-reproductions-included-with-prints-title-from-title-page-of-extra-illustrated-volume-em4801-engraved-by-james-godby-from-a-drawing-by-william-evans-after-a-painting-by-thomas-phillips-edward-lord-thurlow-lord-high-chancellor-image333694435.html
RM2AAW2JB–Edward, Lord Thurlow, Lord High Chancellor Volume numbers given here refer to the original volume numbers of the publication, not of Lossing's publication. Printmakers include A.B. Durand, H.B. Hall, S.S. Jocelyn, J. Landseer, J. B. Longacre, Albert Rosenthal, Max Rosenthal. Some photomechanical reproductions included with prints. Title from title page of extra-illustrated volume. EM4801 Engraved by James Godby from a drawing by William Evans after a painting by Thomas Phillips.; Edward, Lord Thurlow, Lord High Chancellor.
Memoirs of DrThomas WEvans: the second French empire . From an engraving of the portrait by Cabanel. Dr. Thomas W. Evans 1 From a photograph by Ch. Reutlinger taken about 1875. Mademoiselle Eugenie—Comtesse de Teba 74 From a photograph taken in 1852. The Empress Eugenie 106 From a photograph taken about 1865. General Reille Presenting to King William the Letter of Napoleon III 218 From a photograph of the painting by A. von Werner. Napoleon III 228 From his last photograph taken by W. and D. Downey in 1872. The Empress Eugenie 246 From a photograph taken by W. and D. Downey in 1871. The Empres Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/memoirs-of-drthomas-wevans-the-second-french-empire-from-an-engraving-of-the-portrait-by-cabanel-dr-thomas-w-evans-1-from-a-photograph-by-ch-reutlinger-taken-about-1875-mademoiselle-eugeniecomtesse-de-teba-74-from-a-photograph-taken-in-1852-the-empress-eugenie-106-from-a-photograph-taken-about-1865-general-reille-presenting-to-king-william-the-letter-of-napoleon-iii-218-from-a-photograph-of-the-painting-by-a-von-werner-napoleon-iii-228-from-his-last-photograph-taken-by-w-and-d-downey-in-1872-the-empress-eugenie-246-from-a-photograph-taken-by-w-and-d-downey-in-1871-the-empres-image339036475.html
RM2AKGCDF–Memoirs of DrThomas WEvans: the second French empire . From an engraving of the portrait by Cabanel. Dr. Thomas W. Evans 1 From a photograph by Ch. Reutlinger taken about 1875. Mademoiselle Eugenie—Comtesse de Teba 74 From a photograph taken in 1852. The Empress Eugenie 106 From a photograph taken about 1865. General Reille Presenting to King William the Letter of Napoleon III 218 From a photograph of the painting by A. von Werner. Napoleon III 228 From his last photograph taken by W. and D. Downey in 1872. The Empress Eugenie 246 From a photograph taken by W. and D. Downey in 1871. The Empres
William T. Evans. Date: 1889. oil on canvas. Museum: Smithsonian American Art Museum. William Thomas Evans. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-t-evans-date-1889-oil-on-canvas-museum-smithsonian-american-art-museum-william-thomas-evans-image554750420.html
RM2R6F1R0–William T. Evans. Date: 1889. oil on canvas. Museum: Smithsonian American Art Museum. William Thomas Evans.
Richmond William Blake - Sir Arthur Evans Among the Ruins of the Palace of Knossos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richmond-william-blake-sir-arthur-evans-among-the-ruins-of-the-palace-of-knossos-image187108262.html
RFMTBEDX–Richmond William Blake - Sir Arthur Evans Among the Ruins of the Palace of Knossos
Richmond William Blake - Sir Arthur Evans Among the Ruins of the Palace of Knossos - British School - 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richmond-william-blake-sir-arthur-evans-among-the-ruins-of-the-palace-of-knossos-british-school-19th-century-image371625093.html
RM2CGGYGN–Richmond William Blake - Sir Arthur Evans Among the Ruins of the Palace of Knossos - British School - 19th Century
Sir William Jones by William Evans 1804 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-william-jones-by-william-evans-1804-134835919.html
RMHRA8GF–Sir William Jones by William Evans 1804
Henry O. Walker - Mrs. William T. Evans and Her Son - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-henry-o-walker-mrs-william-t-evans-and-her-son-google-art-project-135611609.html
RMHTHHYN–Henry O. Walker - Mrs. William T. Evans and Her Son - Google Art Project
William Evans Gordon, Vanity Fair, 1905 05 11 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-william-evans-gordon-vanity-fair-1905-05-11-162247607.html
William Evans of Bristol A Woman and Child by a Hearth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-evans-of-bristol-a-woman-and-child-by-a-hearth-137443611.html
RMHYH2MB–William Evans of Bristol A Woman and Child by a Hearth
William Evans Burton (1804-1860) as Waddilove [In To Parents and Guardians], 1855-1859. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-evans-burton-1804-1860-as-waddilove-in-to-parents-and-guardians-1855-1859-image571917528.html
RM2T6D2J0–William Evans Burton (1804-1860) as Waddilove [In To Parents and Guardians], 1855-1859.
William Evans Gordon, Vanity Fair, 1905 05 11 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-evans-gordon-vanity-fair-1905-05-11-137308691.html
"The Bay of Uri, Lake of Lucerne" - painted by W.C. Smith - from the Exhibition of the Society of Painters in Water-colours, 1854., 1854. 'For the solemn grandeur of its natural features, and the romantic historical interest attaching to it, the narrow Bay of Uri...is a point of signal attraction with all tourists imbued with a love of the picturesque and the poetical. Here it was that [William] Tell leaped ashore, from the boat of the Austrian tyrant, and proclaimed the independence of the Swiss Cantons...and here stands the little chapel, commemorative of the event, where mass is s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-bay-of-uri-lake-of-lucernequot-painted-by-wc-smith-from-the-exhibition-of-the-society-of-painters-in-water-colours-1854-1854-for-the-solemn-grandeur-of-its-natural-features-and-the-romantic-historical-interest-attaching-to-it-the-narrow-bay-of-uriis-a-point-of-signal-attraction-with-all-tourists-imbued-with-a-love-of-the-picturesque-and-the-poetical-here-it-was-that-william-tell-leaped-ashore-from-the-boat-of-the-austrian-tyrant-and-proclaimed-the-independence-of-the-swiss-cantonsand-here-stands-the-little-chapel-commemorative-of-the-event-where-mass-is-s-image481977452.html
RM2K03Y4C–"The Bay of Uri, Lake of Lucerne" - painted by W.C. Smith - from the Exhibition of the Society of Painters in Water-colours, 1854., 1854. 'For the solemn grandeur of its natural features, and the romantic historical interest attaching to it, the narrow Bay of Uri...is a point of signal attraction with all tourists imbued with a love of the picturesque and the poetical. Here it was that [William] Tell leaped ashore, from the boat of the Austrian tyrant, and proclaimed the independence of the Swiss Cantons...and here stands the little chapel, commemorative of the event, where mass is s
. The Photographic art-journal . , Boston, H. Vezian,Henry G. Evans, Robert Webb, Hiram Fuller, William Young, Robert A. West, A. P. Cummings, David Deans, Joseph Barber, Thomas Stack, C. L. Daboll, Wm. H. Hallock, Augs. Maverick. POETRY AND PAINTING. OETRY and Painting areclosely connected ; whatihe one describes,the otherportrays. Painting is onlythe offspring of poetry—one of the manifestations(of a poetic spirit. Poetry is notsyllables that jingle well together,prose cramped into metre, versifi-cation that may be measured byfeet, and may be made to flowthrough meadows of margin ; it issome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-photographic-art-journal-boston-h-vezianhenry-g-evans-robert-webb-hiram-fuller-william-young-robert-a-west-a-p-cummings-david-deans-joseph-barber-thomas-stack-c-l-daboll-wm-h-hallock-augs-maverick-poetry-and-painting-oetry-and-painting-areclosely-connected-whatihe-one-describesthe-otherportrays-painting-is-onlythe-offspring-of-poetryone-of-the-manifestationsof-a-poetic-spirit-poetry-is-notsyllables-that-jingle-well-togetherprose-cramped-into-metre-versifi-cation-that-may-be-measured-byfeet-and-may-be-made-to-flowthrough-meadows-of-margin-it-issome-image369689656.html
RM2CDCPX0–. The Photographic art-journal . , Boston, H. Vezian,Henry G. Evans, Robert Webb, Hiram Fuller, William Young, Robert A. West, A. P. Cummings, David Deans, Joseph Barber, Thomas Stack, C. L. Daboll, Wm. H. Hallock, Augs. Maverick. POETRY AND PAINTING. OETRY and Painting areclosely connected ; whatihe one describes,the otherportrays. Painting is onlythe offspring of poetry—one of the manifestations(of a poetic spirit. Poetry is notsyllables that jingle well together,prose cramped into metre, versifi-cation that may be measured byfeet, and may be made to flowthrough meadows of margin ; it issome
Mrs. William T. Evans and Her Son. Date: 1895. oil on canvas. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-william-t-evans-and-her-son-date-1895-oil-on-canvas-museum-smithsonian-american-art-museum-image554741831.html
RM2R6EJT7–Mrs. William T. Evans and Her Son. Date: 1895. oil on canvas. Museum: Smithsonian American Art Museum.
Henry O. Walker Mrs. William T. Evans and Her Son Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-henry-o-walker-mrs-william-t-evans-and-her-son-162248272.html
RMKBY194–Henry O. Walker Mrs. William T. Evans and Her Son
Deed signed William Evans and Mahala Evans, St. Francois County, October 3, 1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-deed-signed-william-evans-and-mahala-evans-st-francois-county-october-162767910.html
RMKCPM3J–Deed signed William Evans and Mahala Evans, St. Francois County, October 3, 1840
Mrs. William T. Evans and Her Son, 1895. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-william-t-evans-and-her-son-1895-image426151116.html
RM2FN8T2M–Mrs. William T. Evans and Her Son, 1895.
William Evans Brunswick Road NLW3363718 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-evans-brunswick-road-nlw3363718-147714969.html
RMJG8YXH–William Evans Brunswick Road NLW3363718
Mary Anne Evans (1819-1880) conocida por su seudónimo George Eliot. Escritora británica. Retrato realizado por Frederic William Burton (1816-1900). Tiza, 1864-1865. National Portrait Gallery. Londres. Inglaterra. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-anne-evans-1819-1880-conocida-por-su-seudnimo-george-eliot-escritora-britnica-retrato-realizado-por-frederic-william-burton-1816-1900-tiza-1864-1865-national-portrait-gallery-londres-inglaterra-image337886926.html
RM2AHM266–Mary Anne Evans (1819-1880) conocida por su seudónimo George Eliot. Escritora británica. Retrato realizado por Frederic William Burton (1816-1900). Tiza, 1864-1865. National Portrait Gallery. Londres. Inglaterra.
Revd William Evans Tonyrefail NLW3365130 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-revd-william-evans-tonyrefail-nlw3365130-147664996.html
RMJG6M5T–Revd William Evans Tonyrefail NLW3365130
Revd William Evans Tonyrefail NLW3365129 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-revd-william-evans-tonyrefail-nlw3365129-147664994.html
RMJG6M5P–Revd William Evans Tonyrefail NLW3365129
Letter by William Evans circa 1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-letter-by-william-evans-circa-1820-160534871.html
RMK94YT7–Letter by William Evans circa 1820
Revd William Evans Aberaeron 28A29 NLW3362420 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-revd-william-evans-aberaeron-28a29-nlw3362420-147664989.html
RMJG6M5H–Revd William Evans Aberaeron 28A29 NLW3362420
Revd William Evans Aberaeron 28Cong29 NLW3364483 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-revd-william-evans-aberaeron-28cong29-nlw3364483-147664990.html
RMJG6M5J–Revd William Evans Aberaeron 28Cong29 NLW3364483
Revd William Evans Aberaeron 28Cong29 NLW3364484 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-revd-william-evans-aberaeron-28cong29-nlw3364484-147664991.html
RMJG6M5K–Revd William Evans Aberaeron 28Cong29 NLW3364484
George William Evans Explorer, 1780-1852, NLA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-william-evans-explorer-1780-1852-nla-147552779.html
RMJG1H23–George William Evans Explorer, 1780-1852, NLA
William Evans of Bristol A Woman and Child by a Hearth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-evans-of-bristol-a-woman-and-child-by-a-hearth-image152834413.html
RMJTJ5RW–William Evans of Bristol A Woman and Child by a Hearth
Key, Philip B. Evans Tavern, Baltimore. To William Hammond (NYPL b11868620-5385959) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-key-philip-b-evans-tavern-baltimore-to-william-hammond-nypl-b11868620-148491915.html
RMJHGAXK–Key, Philip B. Evans Tavern, Baltimore. To William Hammond (NYPL b11868620-5385959)
Key, Philip B. Evans Tavern, Baltimore. To William Hammond (NYPL b11868620-5385958) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-key-philip-b-evans-tavern-baltimore-to-william-hammond-nypl-b11868620-148491913.html
RMJHGAXH–Key, Philip B. Evans Tavern, Baltimore. To William Hammond (NYPL b11868620-5385958)