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Lewis William Cave, 1832 –1897. British judge. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lewis-william-cave-1832-1897-british-judge-53186864.htmlRMD2ETAT–Lewis William Cave, 1832 –1897. British judge.
SIR LEWIS WILLIAM CAVE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-lewis-william-cave-image65381383.htmlRMDPAAHB–SIR LEWIS WILLIAM CAVE
VANITY FAIR SPY CARTOON Lewis William Cave 'That won't do you know' Judge 1893 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vanity-fair-spy-cartoon-lewis-william-cave-that-wont-do-you-know-judge-1893-image610597562.htmlRF2XDB3BP–VANITY FAIR SPY CARTOON Lewis William Cave 'That won't do you know' Judge 1893
Henry Linton, Rivalry, from 'Illustrated Times', Henry Linton (British, London 1815–1899), After intermediary draftsman Edmond Morin (French, Le Havre 1824–1882 Sceaux), After William Cave Thomas (British, London 1820–1896), September 12, 1857, Wood engraving, Sheet: 8 5/8 × 9 11/16 in. (21.9 × 24.6 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-linton-rivalry-from-illustrated-times-henry-linton-british-london-18151899-after-intermediary-draftsman-edmond-morin-french-le-havre-18241882-sceaux-after-william-cave-thomas-british-london-18201896-september-12-1857-wood-engraving-sheet-8-58-9-1116-in-219-246-cm-prints-image344646604.htmlRM2B0M078–Henry Linton, Rivalry, from 'Illustrated Times', Henry Linton (British, London 1815–1899), After intermediary draftsman Edmond Morin (French, Le Havre 1824–1882 Sceaux), After William Cave Thomas (British, London 1820–1896), September 12, 1857, Wood engraving, Sheet: 8 5/8 × 9 11/16 in. (21.9 × 24.6 cm), Prints
William Conybeare drew this cartoon of Buckland poking his head into a prehistoric hyena den in 1822. Buckland analyzed the cave and its contents in December 1821: he determined that the bones were from the remains of animals brought into the cave by hyenas who had been using it for a den, and not a result of the Biblical flood floating animal remains in from distant lands as he had first thought. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-conybeare-drew-this-cartoon-of-buckland-poking-his-head-into-a-prehistoric-hyena-den-in-1822-buckland-analyzed-the-cave-and-its-contents-in-december-1821-he-determined-that-the-bones-were-from-the-remains-of-animals-brought-into-the-cave-by-hyenas-who-had-been-using-it-for-a-den-and-not-a-result-of-the-biblical-flood-floating-animal-remains-in-from-distant-lands-as-he-had-first-thought-image246624237.htmlRMT96KMD–William Conybeare drew this cartoon of Buckland poking his head into a prehistoric hyena den in 1822. Buckland analyzed the cave and its contents in December 1821: he determined that the bones were from the remains of animals brought into the cave by hyenas who had been using it for a den, and not a result of the Biblical flood floating animal remains in from distant lands as he had first thought.
N/A. English: Title page to William Cave's Scriptorum Ecclesiasticorum Historia Literaria (1688). 1688. William Cave 283 Cave Historia Literaria 1688 title page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-title-page-to-william-caves-scriptorum-ecclesiasticorum-historia-literaria-1688-1688-william-cave-283-cave-historia-literaria-1688-title-page-image210122599.htmlRMP5RWEF–N/A. English: Title page to William Cave's Scriptorum Ecclesiasticorum Historia Literaria (1688). 1688. William Cave 283 Cave Historia Literaria 1688 title page
Frontispiece showing the Fathers of the Christian church in heaven (top); an early preacher (left); early martyrs being tortured and killed (right) and the Virgin Mary holding the cross with her tears overflowing (bottom). Engraving by Michael Burghers (1647-1727). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frontispiece-showing-the-fathers-of-the-christian-church-in-heaven-112024311.htmlRMGE7447–Frontispiece showing the Fathers of the Christian church in heaven (top); an early preacher (left); early martyrs being tortured and killed (right) and the Virgin Mary holding the cross with her tears overflowing (bottom). Engraving by Michael Burghers (1647-1727).
Rivalry, from the 'Illustrated Times'. Artist: After intermediary draftsman Edmond Morin (French, Le Havre 1824-1882 Sceaux); After William Cave Thomas (British, London 1820-1896). Dimensions: Sheet: 8 5/8 × 9 11/16 in. (21.9 × 24.6 cm). Engraver: Henry Linton (British, London 1815-1899). Date: September 12, 1857. This medieval genre subject shows a young man restrained from attacking a mature rival who woos two ladies with flowers and music. Linton's engraving reproduces a painting that William Cave Thomas exhibited at the Manchester Institution in 1857, and the print appeared in the 'Illust Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rivalry-from-the-illustrated-times-artist-after-intermediary-draftsman-edmond-morin-french-le-havre-1824-1882-sceaux-after-william-cave-thomas-british-london-1820-1896-dimensions-sheet-8-58-9-1116-in-219-246-cm-engraver-henry-linton-british-london-1815-1899-date-september-12-1857-this-medieval-genre-subject-shows-a-young-man-restrained-from-attacking-a-mature-rival-who-woos-two-ladies-with-flowers-and-music-lintons-engraving-reproduces-a-painting-that-william-cave-thomas-exhibited-at-the-manchester-institution-in-1857-and-the-print-appeared-in-the-illust-image213501358.htmlRMPB9R4E–Rivalry, from the 'Illustrated Times'. Artist: After intermediary draftsman Edmond Morin (French, Le Havre 1824-1882 Sceaux); After William Cave Thomas (British, London 1820-1896). Dimensions: Sheet: 8 5/8 × 9 11/16 in. (21.9 × 24.6 cm). Engraver: Henry Linton (British, London 1815-1899). Date: September 12, 1857. This medieval genre subject shows a young man restrained from attacking a mature rival who woos two ladies with flowers and music. Linton's engraving reproduces a painting that William Cave Thomas exhibited at the Manchester Institution in 1857, and the print appeared in the 'Illust
StJohnsAshfield Centenary Sutton p16 William Cave-Brown-Cave Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-stjohnsashfield-centenary-sutton-p16-william-cave-brown-cave-165703222.htmlRMKHGC46–StJohnsAshfield Centenary Sutton p16 William Cave-Brown-Cave
Hon Sir Lewis William Cave, Judge of the High Court of Justice, 1883.Artist: Lock & Whitfield Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hon-sir-lewis-william-cave-judge-of-the-high-court-of-justice-1883artist-11064082.htmlRMA4JKDR–Hon Sir Lewis William Cave, Judge of the High Court of Justice, 1883.Artist: Lock & Whitfield
William Cave Thomas - Dante on Earth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-cave-thomas-dante-on-earth-135615685.htmlRMHTHR59–William Cave Thomas - Dante on Earth
WILLIAM BUCKLAND (1784-1856) English geologist and theologian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-buckland-1784-1856-english-geologist-and-theologian-image153928536.htmlRMJXC1BM–WILLIAM BUCKLAND (1784-1856) English geologist and theologian
Joseph Mallord William Turner - Staffa, Fingal's Cave Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-staffa-fingals-cave-90295163.htmlRMF6W8B7–Joseph Mallord William Turner - Staffa, Fingal's Cave
Lewis William Cave JP. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lewis-william-cave-jp-image396424519.htmlRM2E0XKEF–Lewis William Cave JP.
In Fingal's Cave, Staffa, Scotland, 1829. Artist: William Daniell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-fingals-cave-staffa-scotland-1829-artist-william-daniell-image60153675.htmlRMDDT6HF–In Fingal's Cave, Staffa, Scotland, 1829. Artist: William Daniell
William Beard (1772-1868), English farmer turned fossil collector from North Somerset. In the 1820s workmen broke through into the Banwell Bone Cave. Between then and about 1840 Beard collected thousands of specimens of fossilised animal bones and his collection is now in the Castle Museum, Taunton, Somerset. He was sponsored by George Henry Law (1761-1845), Bishop of Bath and Wells, who considered the finds to be proof of Noah's Flood. Beard at 57, lithograph from 'Delineations of Somersetshire' by John Rutter (Shaftesbury, 1829). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-beard-1772-1868-english-farmer-turned-fossil-collector-from-57289368.htmlRMD95N4T–William Beard (1772-1868), English farmer turned fossil collector from North Somerset. In the 1820s workmen broke through into the Banwell Bone Cave. Between then and about 1840 Beard collected thousands of specimens of fossilised animal bones and his collection is now in the Castle Museum, Taunton, Somerset. He was sponsored by George Henry Law (1761-1845), Bishop of Bath and Wells, who considered the finds to be proof of Noah's Flood. Beard at 57, lithograph from 'Delineations of Somersetshire' by John Rutter (Shaftesbury, 1829).
![Man with rifle in the Cave of Adullam overlooking the Valley and Ruins of Khureitun [Wadi Khureitun named after Saint Chariton the Confessor, or Tekoa Valley] from the book Picturesque Palestine, Sinai, and Egypt By Colonel Wilson, Charles William, Sir, 1836-1905. Published in New York by D. Appleton and Company in 1881 with engravings in steel and wood from original Drawings by Harry Fenn and J. D. Woodward Volume 1 Stock Photo](https://c8.alamy.com/comp/2DAE76E/man-with-rifle-in-the-cave-of-adullam-overlooking-the-valley-and-ruins-of-khureitun-wadi-khureitun-named-after-saint-chariton-the-confessor-or-tekoa-valley-from-the-book-picturesque-palestine-sinai-and-egypt-by-colonel-wilson-charles-william-sir-1836-1905-published-in-new-york-by-d-appleton-and-company-in-1881-with-engravings-in-steel-and-wood-from-original-drawings-by-harry-fenn-and-j-d-woodward-volume-1-2DAE76E.jpg "Man with rifle in the Cave of Adullam overlooking the Valley and Ruins of Khureitun [Wadi Khureitun named after Saint Chariton the Confessor, or Tekoa Valley] from the book Picturesque Palestine, Sinai, and Egypt By Colonel Wilson, Charles William, Sir, 1836-1905. Published in New York by D. Appleton and Company in 1881 with engravings in steel and wood from original Drawings by Harry Fenn and J. D. Woodward Volume 1 Stock Photo")
Man with rifle in the Cave of Adullam overlooking the Valley and Ruins of Khureitun [Wadi Khureitun named after Saint Chariton the Confessor, or Tekoa Valley] from the book Picturesque Palestine, Sinai, and Egypt By Colonel Wilson, Charles William, Sir, 1836-1905. Published in New York by D. Appleton and Company in 1881 with engravings in steel and wood from original Drawings by Harry Fenn and J. D. Woodward Volume 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-with-rifle-in-the-cave-of-adullam-overlooking-the-valley-and-ruins-of-khureitun-wadi-khureitun-named-after-saint-chariton-the-confessor-or-tekoa-valley-from-the-book-picturesque-palestine-sinai-and-egypt-by-colonel-wilson-charles-william-sir-1836-1905-published-in-new-york-by-d-appleton-and-company-in-1881-with-engravings-in-steel-and-wood-from-original-drawings-by-harry-fenn-and-j-d-woodward-volume-1-image385087654.htmlRF2DAE76E–Man with rifle in the Cave of Adullam overlooking the Valley and Ruins of Khureitun [Wadi Khureitun named after Saint Chariton the Confessor, or Tekoa Valley] from the book Picturesque Palestine, Sinai, and Egypt By Colonel Wilson, Charles William, Sir, 1836-1905. Published in New York by D. Appleton and Company in 1881 with engravings in steel and wood from original Drawings by Harry Fenn and J. D. Woodward Volume 1
William 'Captain' Kidd (1645–1701) watching his crew conceal treasure in a cavern. He was a Scottish sailor executed for piracy after returning from a voyage to the Indian Ocean, although there is evidence that Kidd acted only as a privateer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-captain-kidd-16451701-watching-his-crew-conceal-treasure-in-87952866.htmlRMF32GNP–William 'Captain' Kidd (1645–1701) watching his crew conceal treasure in a cavern. He was a Scottish sailor executed for piracy after returning from a voyage to the Indian Ocean, although there is evidence that Kidd acted only as a privateer.
Inspired by Ice cave in the Bossons glacier, Caverne de glace, Glacier des Bossons, Chamounix. Savoie., William England, Bossonsgletsjer, c. 1850 - c. 1880, albumen print, height 85 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-ice-cave-in-the-bossons-glacier-caverne-de-glace-glacier-des-bossons-chamounix-savoie-william-england-bossonsgletsjer-c-1850-c-1880-albumen-print-height-85-mm-width-170-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459465843.htmlRF2HKEDAB–Inspired by Ice cave in the Bossons glacier, Caverne de glace, Glacier des Bossons, Chamounix. Savoie., William England, Bossonsgletsjer, c. 1850 - c. 1880, albumen print, height 85 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
William Cave,1637 to 1713. English divine, historian and author. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-cave1637-to-1713-english-divine-historian-and-author-29805268.htmlRMBMDMWT–William Cave,1637 to 1713. English divine, historian and author.
Prospero's cave illustrating The Tempest by William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prosperos-cave-illustrating-the-tempest-by-william-shakespeare-image504883500.htmlRM2M9BC1G–Prospero's cave illustrating The Tempest by William Shakespeare
Vertical section of the cave at Gailenreuth, near Muggendorf, Germany, after William Buckland, and entrance to the cave below. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vertical-section-of-the-cave-at-gailenreuth-near-muggendorf-germany-102727520.htmlRMFY3J00–Vertical section of the cave at Gailenreuth, near Muggendorf, Germany, after William Buckland, and entrance to the cave below. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Allegory of early Christianity, Title page for: William Cave, The First Christianity, 1694, The personification of early Christianity with palm branch and flag with Christ monogram tramples a male figure. On the left is a man holding the stone tablets. In the background Christ and the two criminals on the cross, a church building and Christ's ascension., print maker: Johannes Jacobsz van den Aveele, (mentioned on object), publisher: Arnoldus van Ravestein (uitgever), (mentioned on object), Amsterdam, 1694, paper, engraving, height 132 mm, width 80 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-early-christianity-title-page-for-william-cave-the-first-christianity-1694-the-personification-of-early-christianity-with-palm-branch-and-flag-with-christ-monogram-tramples-a-male-figure-on-the-left-is-a-man-holding-the-stone-tablets-in-the-background-christ-and-the-two-criminals-on-the-cross-a-church-building-and-christs-ascension-print-maker-johannes-jacobsz-van-den-aveele-mentioned-on-object-publisher-arnoldus-van-ravestein-uitgever-mentioned-on-object-amsterdam-1694-paper-engraving-height-132-mm-width-80-mm-image473366665.htmlRM2JE3M09–Allegory of early Christianity, Title page for: William Cave, The First Christianity, 1694, The personification of early Christianity with palm branch and flag with Christ monogram tramples a male figure. On the left is a man holding the stone tablets. In the background Christ and the two criminals on the cross, a church building and Christ's ascension., print maker: Johannes Jacobsz van den Aveele, (mentioned on object), publisher: Arnoldus van Ravestein (uitgever), (mentioned on object), Amsterdam, 1694, paper, engraving, height 132 mm, width 80 mm
William Shakespeare 's play 'Cymbeline'. Scene I Act IV. Cloten in front of cave with sword. Engraving of scene. English poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-shakespeare-s-play-cymbeline-scene-i-act-iv-cloten-in-front-83365019.htmlRMERHGX3–William Shakespeare 's play 'Cymbeline'. Scene I Act IV. Cloten in front of cave with sword. Engraving of scene. English poet
N/A. English: Title page to William Cave's Apostolici: or the history of the lives, acts, death and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles (1682). 1682. William Cave 283 Cave Apostolici 1682 title page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-title-page-to-william-caves-apostolici-or-the-history-of-the-lives-acts-death-and-martyrdoms-of-those-who-were-contemporary-with-or-immediately-succeeded-the-apostles-1682-1682-william-cave-283-cave-apostolici-1682-title-page-image210122595.htmlRMP5RWEB–N/A. English: Title page to William Cave's Apostolici: or the history of the lives, acts, death and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles (1682). 1682. William Cave 283 Cave Apostolici 1682 title page
THE GROTTO KNOWN AS 'THE SCHOOL OF THE PROPHETS,' To which pilgrimages are made by Muhammedans, in honour of Elijah. The house on the left is modern, but occupies the site of an ancient chapel. It is opposite the entrance to the cave Wood engraving of from 'Picturesque Palestine, Sinai and Egypt' by Wilson, Charles William, Sir, 1836-1905; Lane-Poole, Stanley, 1854-1931 Volume 3. Published in by J. S. Virtue and Co 1883 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-grotto-known-as-the-school-of-the-prophets-to-which-pilgrimages-are-made-by-muhammedans-in-honour-of-elijah-the-house-on-the-left-is-modern-but-occupies-the-site-of-an-ancient-chapel-it-is-opposite-the-entrance-to-the-cave-wood-engraving-of-from-picturesque-palestine-sinai-and-egypt-by-wilson-charles-william-sir-1836-1905-lane-poole-stanley-1854-1931-volume-3-published-in-by-j-s-virtue-and-co-1883-image398074462.htmlRF2E3HT12–THE GROTTO KNOWN AS 'THE SCHOOL OF THE PROPHETS,' To which pilgrimages are made by Muhammedans, in honour of Elijah. The house on the left is modern, but occupies the site of an ancient chapel. It is opposite the entrance to the cave Wood engraving of from 'Picturesque Palestine, Sinai and Egypt' by Wilson, Charles William, Sir, 1836-1905; Lane-Poole, Stanley, 1854-1931 Volume 3. Published in by J. S. Virtue and Co 1883
Queen Mab's Cave. By an imitator of Joseph Mallord William Turner. After 1846. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-mabs-cave-by-an-imitator-of-joseph-mallord-william-turner-after-1846-image592382270.htmlRM2WBN9HJ–Queen Mab's Cave. By an imitator of Joseph Mallord William Turner. After 1846.
1 157435 William Cave Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-1-157435-william-cave-165729618.htmlRMKHHHPX–1 157435 William Cave
The Rockies: ice cave in the Great Glacier, Mount Sir Donald, Canada, 1895. Creator: William Notman & Son. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rockies-ice-cave-in-the-great-glacier-mount-sir-donald-canada-1895-creator-william-notman-son-image243212259.htmlRMT3K7M3–The Rockies: ice cave in the Great Glacier, Mount Sir Donald, Canada, 1895. Creator: William Notman & Son.
William Cave Thomas - Dante in Heaven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-cave-thomas-dante-in-heaven-135615684.htmlRMHTHR58–William Cave Thomas - Dante in Heaven
WILLIAM BUCKLAND (1784-1856) English theologian and palaeontologist painted by Richard Ansdell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-buckland-1784-1856-english-theologian-and-palaeontologist-painted-by-richard-ansdell-image185377719.htmlRMMNGK4R–WILLIAM BUCKLAND (1784-1856) English theologian and palaeontologist painted by Richard Ansdell
Apr. 17, 2012 - Spending night's away from home, living like cave men in a 12 ft long longhouse, a prehistoric home of straw and clay provided by the local water board, which they have built in their spare time in the grounds of Rye Park School, are children from two schools in Hoddesdon, Hertz. The boys and girls wear loin cloths made of sacking, and their beds are of straw and dried reeds. Their food includes meat roasted over a spit over an open fire. The idea of the trip into the past is that of Mr. William Laar, headmaster of Rye Park Junior school, and Mr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apr-17-2012-spending-nights-away-from-home-living-like-cave-men-in-image69550247.htmlRME1481B–Apr. 17, 2012 - Spending night's away from home, living like cave men in a 12 ft long longhouse, a prehistoric home of straw and clay provided by the local water board, which they have built in their spare time in the grounds of Rye Park School, are children from two schools in Hoddesdon, Hertz. The boys and girls wear loin cloths made of sacking, and their beds are of straw and dried reeds. Their food includes meat roasted over a spit over an open fire. The idea of the trip into the past is that of Mr. William Laar, headmaster of Rye Park Junior school, and Mr
Rivalry, from 'Illustrated Times' 2016 by William Cave Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rivalry-from-illustrated-times-2016-by-william-cave-thomas-image591165331.htmlRM2W9NWBF–Rivalry, from 'Illustrated Times' 2016 by William Cave Thomas
Entrance to Kirdkale Cave, about 25 miles from York, England. Discovered in 1821 when men quarrying in a bank came across the choked-up entrance. From 'The Saturday Magazine' (London, February 1833). Mud covering of the floor was full of bone fragments from tiger, bear, elephant, rhinoceros, etc. which appeared to have be gnawed (by hyenas, it was thought). William Buckland (1784-1856) English geologist and clergyman, examined the remains and concluded that these animals had disappeared from Britain due to some catastrophe, such as the Biblical Flood. Geology. Palaeontology. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-kirdkale-cave-about-25-miles-from-york-england-discovered-in-1821-when-men-quarrying-in-a-bank-came-across-the-choked-up-entrance-from-the-saturday-magazine-london-february-1833-mud-covering-of-the-floor-was-full-of-bone-fragments-from-tiger-bear-elephant-rhinoceros-etc-which-appeared-to-have-be-gnawed-by-hyenas-it-was-thought-william-buckland-1784-1856-english-geologist-and-clergyman-examined-the-remains-and-concluded-that-these-animals-had-disappeared-from-britain-due-to-some-catastrophe-such-as-the-biblical-flood-geology-palaeontology-image483534118.htmlRM2K2JTKJ–Entrance to Kirdkale Cave, about 25 miles from York, England. Discovered in 1821 when men quarrying in a bank came across the choked-up entrance. From 'The Saturday Magazine' (London, February 1833). Mud covering of the floor was full of bone fragments from tiger, bear, elephant, rhinoceros, etc. which appeared to have be gnawed (by hyenas, it was thought). William Buckland (1784-1856) English geologist and clergyman, examined the remains and concluded that these animals had disappeared from Britain due to some catastrophe, such as the Biblical Flood. Geology. Palaeontology.
Entrance to Kirdkale Cave, about 25 miles from York, England. Discovered in 1821 when men quarrying in a bank came across the choked-up entrance. From 'The Saturday Magazine' (London, February 1833). Mud covering of the floor was full of bone fragments from tiger, bear, elephant, rhinoceros, etc. which appeared to have be gnawed (by hyenas, it was thought). William Buckland (1784-1856) English geologist and clergyman, examined the remains and concluded that these animals had disappeared from Britain due to some catastrophe, such as the Biblical Flood. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-entrance-to-kirdkale-cave-about-25-miles-from-york-england-discovered-57289011.htmlRMD95MM3–Entrance to Kirdkale Cave, about 25 miles from York, England. Discovered in 1821 when men quarrying in a bank came across the choked-up entrance. From 'The Saturday Magazine' (London, February 1833). Mud covering of the floor was full of bone fragments from tiger, bear, elephant, rhinoceros, etc. which appeared to have be gnawed (by hyenas, it was thought). William Buckland (1784-1856) English geologist and clergyman, examined the remains and concluded that these animals had disappeared from Britain due to some catastrophe, such as the Biblical Flood.
Harrison's Cave ridden by Joe Fanning (gold) wins the Grants Fruit Merchants Prestwick Handicap Stakesduring day one of the 2014 William Hill Ayr Gold Cup Festival at Ayr Racecourse, Ayr. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-harrisons-cave-ridden-by-joe-fanning-gold-wins-the-grants-fruit-merchants-107847203.htmlRMG7CT5R–Harrison's Cave ridden by Joe Fanning (gold) wins the Grants Fruit Merchants Prestwick Handicap Stakesduring day one of the 2014 William Hill Ayr Gold Cup Festival at Ayr Racecourse, Ayr.
One night in 1330, the 17 year old king, Edward III with the aid of William Montagu and his men, entered Nottingham Castle through a secret labyrinth of man made caves and tunnels, including Mortimer’s Hole, carved into the sandstone outcrop on which the Castle stands. Queen Isabella and her lover Sir Roger Mortimer her accomplice in the murder of Edward II were staying at the castle. Sir Roger was taken to London and executed on the 29 November 1330, and Isabella forced into retirement at Castle Rising Castle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/one-night-in-1330-the-17-year-old-king-edward-iii-with-the-aid-of-william-montagu-and-his-men-entered-nottingham-castle-through-a-secret-labyrinth-of-man-made-caves-and-tunnels-including-mortimers-hole-carved-into-the-sandstone-outcrop-on-which-the-castle-stands-queen-isabella-and-her-lover-sir-roger-mortimer-her-accomplice-in-the-murder-of-edward-ii-were-staying-at-the-castle-sir-roger-was-taken-to-london-and-executed-on-the-29-november-1330-and-isabella-forced-into-retirement-at-castle-rising-castle-image206607915.htmlRMP03PE3–One night in 1330, the 17 year old king, Edward III with the aid of William Montagu and his men, entered Nottingham Castle through a secret labyrinth of man made caves and tunnels, including Mortimer’s Hole, carved into the sandstone outcrop on which the Castle stands. Queen Isabella and her lover Sir Roger Mortimer her accomplice in the murder of Edward II were staying at the castle. Sir Roger was taken to London and executed on the 29 November 1330, and Isabella forced into retirement at Castle Rising Castle.
Inspired by Ice cave in the Oberer Grindelwald glacier, Caverne dans le Glacier superieur a Grindelwald. Suisse., William England, Obere Grindelwaldgletsjer, c. 1850 - c. 1880, albumen print, height 85 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-ice-cave-in-the-oberer-grindelwald-glacier-caverne-dans-le-glacier-superieur-a-grindelwald-suisse-william-england-obere-grindelwaldgletsjer-c-1850-c-1880-albumen-print-height-85-mm-width-170-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459465929.htmlRF2HKEDDD–Inspired by Ice cave in the Oberer Grindelwald glacier, Caverne dans le Glacier superieur a Grindelwald. Suisse., William England, Obere Grindelwaldgletsjer, c. 1850 - c. 1880, albumen print, height 85 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Timon in his cave from Timon of Athens by William Shakespeare. Prehistoric man, bearded and dressed in animal skins. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-timon-in-his-cave-from-timon-of-athens-by-william-shakespeare-prehistoric-32483908.htmlRMBTRNFG–Timon in his cave from Timon of Athens by William Shakespeare. Prehistoric man, bearded and dressed in animal skins.
Illustration by Kenny Meadows to Cymbeline, by William Shakespeare. Belarius, Guiderius and Arviragus outside their cave in the wilds of Wales. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-by-kenny-meadows-to-cymbeline-by-william-shakespeare-belarius-guiderius-and-arviragus-outside-their-cave-in-the-wilds-of-wales-image560769493.htmlRM2RG975W–Illustration by Kenny Meadows to Cymbeline, by William Shakespeare. Belarius, Guiderius and Arviragus outside their cave in the wilds of Wales.
Tourists with torches exploring the grotto of Antiparos, Aegean Sea, Greece.. Cave with stalactites and stalagmites. Aquatint drawn and engraved by William Daniell from William Wood’s Zoography, Cadell and Davies, 1807. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tourists-with-torches-exploring-the-grotto-of-antiparos-aegean-sea-greece-cave-with-stalactites-and-stalagmites-aquatint-drawn-and-engraved-by-william-daniell-from-william-woods-zoography-cadell-and-davies-1807-image442807669.htmlRM2GMBHKH–Tourists with torches exploring the grotto of Antiparos, Aegean Sea, Greece.. Cave with stalactites and stalagmites. Aquatint drawn and engraved by William Daniell from William Wood’s Zoography, Cadell and Davies, 1807.
From the Cave trail., still image, Stereographs, 1850 - 1930, Chamberlain, W. G. (William Gunnison Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-the-cave-trail-still-image-stereographs-1850-1930-chamberlain-w-g-william-gunnison-image376471781.htmlRM2CTDNGN–From the Cave trail., still image, Stereographs, 1850 - 1930, Chamberlain, W. G. (William Gunnison
William Shakespeare 's play Timon of Athens - Act IV Scene III: Timon, Alcibiades, Phrynia and Timandra in a cave near the sea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-shakespeare-s-play-timon-of-athens-act-iv-scene-iii-timon-83365350.htmlRMERHH9X–William Shakespeare 's play Timon of Athens - Act IV Scene III: Timon, Alcibiades, Phrynia and Timandra in a cave near the sea
234 StateLibQld 1 157435 William Cave Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/234-statelibqld-1-157435-william-cave-image215086282.htmlRMPDX0MX–234 StateLibQld 1 157435 William Cave
![CAMOENS’ [Luís de Camões] CAVE, MACAO It is delightful to discover in a remote corner of Asia an object like Camoens’ cave, consecrated to the memory of European genius. It is well known that the adventurous bard having too freely indulged his wit in satire, was disgraced by Francisco Barreto, the viceroy of Goa, and banished to Macao. Tradition still preserves some records of his residence. colour print from the book ' A Picturesque Voyage to India by Way of China ' by Thomas Daniell, R.A. and William Daniell, A.R.A. London : Printed for Longman, Hurst, Rees, and Orme, and William Daniell by Stock Photo](https://c8.alamy.com/comp/2G4AYCY/camoens-lus-de-cames-cave-macao-it-is-delightful-to-discover-in-a-remote-corner-of-asia-an-object-like-camoens-cave-consecrated-to-the-memory-of-european-genius-it-is-well-known-that-the-adventurous-bard-having-too-freely-indulged-his-wit-in-satire-was-disgraced-by-francisco-barreto-the-viceroy-of-goa-and-banished-to-macao-tradition-still-preserves-some-records-of-his-residence-colour-print-from-the-book-a-picturesque-voyage-to-india-by-way-of-china-by-thomas-daniell-ra-and-william-daniell-ara-london-printed-for-longman-hurst-rees-and-orme-and-william-daniell-by-2G4AYCY.jpg "CAMOENS’ [Luís de Camões] CAVE, MACAO It is delightful to discover in a remote corner of Asia an object like Camoens’ cave, consecrated to the memory of European genius. It is well known that the adventurous bard having too freely indulged his wit in satire, was disgraced by Francisco Barreto, the viceroy of Goa, and banished to Macao. Tradition still preserves some records of his residence. colour print from the book ' A Picturesque Voyage to India by Way of China ' by Thomas Daniell, R.A. and William Daniell, A.R.A. London : Printed for Longman, Hurst, Rees, and Orme, and William Daniell by Stock Photo")
CAMOENS’ [Luís de Camões] CAVE, MACAO It is delightful to discover in a remote corner of Asia an object like Camoens’ cave, consecrated to the memory of European genius. It is well known that the adventurous bard having too freely indulged his wit in satire, was disgraced by Francisco Barreto, the viceroy of Goa, and banished to Macao. Tradition still preserves some records of his residence. colour print from the book ' A Picturesque Voyage to India by Way of China ' by Thomas Daniell, R.A. and William Daniell, A.R.A. London : Printed for Longman, Hurst, Rees, and Orme, and William Daniell by Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camoens-lus-de-cames-cave-macao-it-is-delightful-to-discover-in-a-remote-corner-of-asia-an-object-like-camoens-cave-consecrated-to-the-memory-of-european-genius-it-is-well-known-that-the-adventurous-bard-having-too-freely-indulged-his-wit-in-satire-was-disgraced-by-francisco-barreto-the-viceroy-of-goa-and-banished-to-macao-tradition-still-preserves-some-records-of-his-residence-colour-print-from-the-book-a-picturesque-voyage-to-india-by-way-of-china-by-thomas-daniell-ra-and-william-daniell-ara-london-printed-for-longman-hurst-rees-and-orme-and-william-daniell-by-image432958875.htmlRM2G4AYCY–CAMOENS’ [Luís de Camões] CAVE, MACAO It is delightful to discover in a remote corner of Asia an object like Camoens’ cave, consecrated to the memory of European genius. It is well known that the adventurous bard having too freely indulged his wit in satire, was disgraced by Francisco Barreto, the viceroy of Goa, and banished to Macao. Tradition still preserves some records of his residence. colour print from the book ' A Picturesque Voyage to India by Way of China ' by Thomas Daniell, R.A. and William Daniell, A.R.A. London : Printed for Longman, Hurst, Rees, and Orme, and William Daniell by
William Pengelly (1812-1894) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-pengelly-1812-1894-image66716203.htmlRMDTF55F–William Pengelly (1812-1894)
William Cave Thomas Dante in Heaven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-cave-thomas-dante-in-heaven-image152826465.htmlRMJTHRM1–William Cave Thomas Dante in Heaven
Staffa, Fingal's Cave. Joseph Mallord William Turner. 1831-1832. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/staffa-fingals-cave-joseph-mallord-william-turner-1831-1832-image596496818.htmlRM2WJCNNP–Staffa, Fingal's Cave. Joseph Mallord William Turner. 1831-1832.
William Cave Thomas - The Heir Cast Out of the Vineyard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-cave-thomas-the-heir-cast-out-of-the-vineyard-135693030.htmlRMHTN9RJ–William Cave Thomas - The Heir Cast Out of the Vineyard
WILLIAM BUCKLAND (1784-1856) English geologist and theologian as President of the Geological Society of London by Richard Ansdell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-buckland-1784-1856-english-geologist-and-theologian-as-president-image153928537.htmlRMJXC1BN–WILLIAM BUCKLAND (1784-1856) English geologist and theologian as President of the Geological Society of London by Richard Ansdell
The Fisherman's Cave (1850) - Line engraving by Samuel Bradshaw (1832-1880) after Edward William Cooke (1811-1880) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fishermans-cave-1850-line-engraving-by-samuel-bradshaw-1832-1880-after-edward-william-cooke-1811-1880-image593647914.htmlRF2WDPYY6–The Fisherman's Cave (1850) - Line engraving by Samuel Bradshaw (1832-1880) after Edward William Cooke (1811-1880)
Alexander Pope (1688-1744) as drawn from a painting by William Hoare, Twickenham, London, UK. Pope built Pope's Grotto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-pope-1688-1744-as-drawn-from-a-painting-by-william-hoare-twickenham-london-uk-pope-built-popes-grotto-image239322677.htmlRMRWA2ED–Alexander Pope (1688-1744) as drawn from a painting by William Hoare, Twickenham, London, UK. Pope built Pope's Grotto
UK, England, Devonshire. The William Pengelly Cave Studies Centre in Buckfastleigh. A Geologist guide showing visitors into Reeds Cave entrance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/uk-england-devonshire-the-william-pengelly-cave-studies-centre-in-buckfastleigh-a-geologist-guide-showing-visitors-into-reeds-cave-entrance-image487887759.htmlRM2K9N5PR–UK, England, Devonshire. The William Pengelly Cave Studies Centre in Buckfastleigh. A Geologist guide showing visitors into Reeds Cave entrance.
The Royal Visit to Fingal's Cave, Staffa, Scotland, 1847, (1900).Artist: William Barnes Wollen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-royal-visit-to-fingals-cave-staffa-scotland-1847-1900artist-william-17634907.htmlRMB0K9E3–The Royal Visit to Fingal's Cave, Staffa, Scotland, 1847, (1900).Artist: William Barnes Wollen
A white sign with images of an mamouth and a bat describing the role of the William Pengelly Cave Studies Centre in protecting and studying ancient li Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-white-sign-with-images-of-an-mamouth-and-a-bat-describing-the-role-of-the-william-pengelly-cave-studies-centre-in-protecting-and-studying-ancient-li-image569511106.htmlRF2T2FD6A–A white sign with images of an mamouth and a bat describing the role of the William Pengelly Cave Studies Centre in protecting and studying ancient li
Entrance to the Cave of St. Saba from the book Picturesque Palestine, Sinai, and Egypt By Colonel Wilson, Charles William, Sir, 1836-1905. Published in New York by D. Appleton and Company in 1881 with engravings in steel and wood from original Drawings by Harry Fenn and J. D. Woodward Volume 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-the-cave-of-st-saba-from-the-book-picturesque-palestine-sinai-and-egypt-by-colonel-wilson-charles-william-sir-1836-1905-published-in-new-york-by-d-appleton-and-company-in-1881-with-engravings-in-steel-and-wood-from-original-drawings-by-harry-fenn-and-j-d-woodward-volume-1-image385087794.htmlRF2DAE7BE–Entrance to the Cave of St. Saba from the book Picturesque Palestine, Sinai, and Egypt By Colonel Wilson, Charles William, Sir, 1836-1905. Published in New York by D. Appleton and Company in 1881 with engravings in steel and wood from original Drawings by Harry Fenn and J. D. Woodward Volume 1
Inspired by Interior of the ice cave in the Oberer Grindelwaldgletscher, Intérieur de la Caverne de glace à Grindelwald. Suisse. (2), William England, Obere Grindelwaldgletsjer, c. 1850 - c. 1880, albumen print, height 85 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-interior-of-the-ice-cave-in-the-oberer-grindelwaldgletscher-intrieur-de-la-caverne-de-glace-grindelwald-suisse-2-william-england-obere-grindelwaldgletsjer-c-1850-c-1880-albumen-print-height-85-mm-width-170-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459465919.htmlRF2HKEDD3–Inspired by Interior of the ice cave in the Oberer Grindelwaldgletscher, Intérieur de la Caverne de glace à Grindelwald. Suisse. (2), William England, Obere Grindelwaldgletsjer, c. 1850 - c. 1880, albumen print, height 85 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Black and white vintage print depicting a view of a couple in Victorian dress, standing on a rocky outcropping near Spouting Cave, located in Newport, Rhode Island, USA, published in William Cullen Bryant's edited volume 'Picturesque America; or, The Land We Live In', 1872. Courtesy Internet Archive. () Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-vintage-print-depicting-a-view-of-a-couple-in-victorian-dress-standing-on-a-rocky-outcropping-near-spouting-cave-located-in-newport-rhode-island-usa-published-in-william-cullen-bryants-edited-volume-picturesque-america-or-the-land-we-live-in-1872-courtesy-internet-archive-image215530418.htmlRMPEJ76X–Black and white vintage print depicting a view of a couple in Victorian dress, standing on a rocky outcropping near Spouting Cave, located in Newport, Rhode Island, USA, published in William Cullen Bryant's edited volume 'Picturesque America; or, The Land We Live In', 1872. Courtesy Internet Archive. ()
Illustration by Kenny Meadows to Timon of Athens, by William Shakespeare. Timon hiding near his cave overhears a poet and a painter gossiping about him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-by-kenny-meadows-to-timon-of-athens-by-william-shakespeare-timon-hiding-near-his-cave-overhears-a-poet-and-a-painter-gossiping-about-him-image366493389.htmlRM2C8761H–Illustration by Kenny Meadows to Timon of Athens, by William Shakespeare. Timon hiding near his cave overhears a poet and a painter gossiping about him.
Giant basalt columns in Fingal's Cave, Staffa island, Inner Hebrides, Scotland. Waves crest at the entrance to the cave, a tourist attraction since the 18th century. Aquatint drawn and engraved by William Daniell from William Wood’s Zoography, Cadell and Davies, 1807. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giant-basalt-columns-in-fingals-cave-staffa-island-inner-hebrides-scotland-waves-crest-at-the-entrance-to-the-cave-a-tourist-attraction-since-the-18th-century-aquatint-drawn-and-engraved-by-william-daniell-from-william-woods-zoography-cadell-and-davies-1807-image442807794.htmlRM2GMBHT2–Giant basalt columns in Fingal's Cave, Staffa island, Inner Hebrides, Scotland. Waves crest at the entrance to the cave, a tourist attraction since the 18th century. Aquatint drawn and engraved by William Daniell from William Wood’s Zoography, Cadell and Davies, 1807.
Williams Canyon, Cave of the Winds., still image, Stereographs, 1850 - 1930, Jackson, William Henry (1843-1942 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/williams-canyon-cave-of-the-winds-still-image-stereographs-1850-1930-jackson-william-henry-1843-1942-image386407510.htmlRM2DCJAM6–Williams Canyon, Cave of the Winds., still image, Stereographs, 1850 - 1930, Jackson, William Henry (1843-1942
JMW Turner, Queen Mab's Cave, painting, 1846 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-queen-mabs-cave-painting-1846-image261069855.htmlRMW4MN7B–JMW Turner, Queen Mab's Cave, painting, 1846
. English: Fleuron from book: Apostolici: or, the history of the lives, acts, death, and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles. As also the most eminent of the primitive fathers for the first three hundred years. To which is added, A chronology of the three first ages of the church. By William Cave, DD. 372 Apostolici- or, the history of the lives, acts, death, and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles Fleuron T126603-23 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-apostolici-or-the-history-of-the-lives-acts-death-and-martyrdoms-of-those-who-were-contemporary-with-or-immediately-succeeded-the-apostles-as-also-the-most-eminent-of-the-primitive-fathers-for-the-first-three-hundred-years-to-which-is-added-a-chronology-of-the-three-first-ages-of-the-church-by-william-cave-dd-372-apostolici-or-the-history-of-the-lives-acts-death-and-martyrdoms-of-those-who-were-contemporary-with-or-immediately-succeeded-the-apostles-fleuron-t126603-23-image189260144.htmlRMMYWF6T–. English: Fleuron from book: Apostolici: or, the history of the lives, acts, death, and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles. As also the most eminent of the primitive fathers for the first three hundred years. To which is added, A chronology of the three first ages of the church. By William Cave, DD. 372 Apostolici- or, the history of the lives, acts, death, and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles Fleuron T126603-23
Allegory early Christianity Title page for William Cave, the first Christianity, 1694 De personificatie van het vroege christendom met palmtak en vlag met Christusmonogram vertrapt een mannelijke figuur. Links staat een man met de stenen tafelen. Op de achtergrond Christus en de twee misdadigers aan het kruis, een kerkgebouw en Christus' hemelvaart. Manufacturer : prentmaker: Johannes Jacobsz van den Aveele (vermeld op object)uitgever: Arnoldus van Ravestein (uitgever) (vermeld op object)Plaats manufacture: Amsterdam Dating: 1694 Material: papier Techniek: graveren (drukprocedé) Dimensions: bl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-early-christianity-title-page-for-william-cave-the-first-christianity-1694-de-personificatie-van-het-vroege-christendom-met-palmtak-en-vlag-met-christusmonogram-vertrapt-een-mannelijke-figuur-links-staat-een-man-met-de-stenen-tafelen-op-de-achtergrond-christus-en-de-twee-misdadigers-aan-het-kruis-een-kerkgebouw-en-christus-hemelvaart-manufacturer-prentmaker-johannes-jacobsz-van-den-aveele-vermeld-op-objectuitgever-arnoldus-van-ravestein-uitgever-vermeld-op-objectplaats-manufacture-amsterdam-dating-1694-material-papier-techniek-graveren-drukproced-dimensions-bl-image348126470.htmlRM2B6AET6–Allegory early Christianity Title page for William Cave, the first Christianity, 1694 De personificatie van het vroege christendom met palmtak en vlag met Christusmonogram vertrapt een mannelijke figuur. Links staat een man met de stenen tafelen. Op de achtergrond Christus en de twee misdadigers aan het kruis, een kerkgebouw en Christus' hemelvaart. Manufacturer : prentmaker: Johannes Jacobsz van den Aveele (vermeld op object)uitgever: Arnoldus van Ravestein (uitgever) (vermeld op object)Plaats manufacture: Amsterdam Dating: 1694 Material: papier Techniek: graveren (drukprocedé) Dimensions: bl
The Foundlings by William Hogarth, engraved by F Morellon La Cave Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-foundlings-by-william-hogarth-engraved-by-f-morellon-la-cave-image6226506.htmlRMA40TMB–The Foundlings by William Hogarth, engraved by F Morellon La Cave
William Cave Thomas Dante on Earth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-cave-thomas-dante-on-earth-image152826466.htmlRMJTHRM2–William Cave Thomas Dante on Earth
Vintage illustration circa 1900 showing prehistoric men dressed in skins and furs engaged in combat outside a cave painted by the artist William Wiehe Collins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustration-circa-1900-showing-prehistoric-men-dressed-in-skins-and-furs-engaged-in-combat-outside-a-cave-painted-by-the-artist-william-wiehe-collins-image491783073.htmlRM2KG2J95–Vintage illustration circa 1900 showing prehistoric men dressed in skins and furs engaged in combat outside a cave painted by the artist William Wiehe Collins
Portraits of William Prince of Orange and Anne his Consort. GENTS MAG 1747 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portraits-of-william-prince-of-orange-and-anne-his-consort-gents-mag-1747-image487970274.htmlRF2K9TY1P–Portraits of William Prince of Orange and Anne his Consort. GENTS MAG 1747
In the tale of William of Palermo, Queen Braunde turns her stepson Alphouns into a werewolf - here helping William and Melior. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-in-the-tale-of-william-of-palermo-queen-braunde-turns-her-stepson-36274580.htmlRFC30CGM–In the tale of William of Palermo, Queen Braunde turns her stepson Alphouns into a werewolf - here helping William and Melior.
Queen Mab's Cave, by JMW Turner, 1846, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-mabs-cave-by-jmw-turner-1846-image358937929.htmlRM2BRY0YN–Queen Mab's Cave, by JMW Turner, 1846,
William Cave Thomas - Dante in Heaven. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-cave-thomas-dante-in-heaven-image575617885.htmlRM2TCDJDH–William Cave Thomas - Dante in Heaven.
UK, England, Devonshire. The William Pengelly Cave Studies Centre in Buckfastleigh. A Geologist guide showing visitors Reeds Cave entrance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/uk-england-devonshire-the-william-pengelly-cave-studies-centre-in-buckfastleigh-a-geologist-guide-showing-visitors-reeds-cave-entrance-image487887751.htmlRM2K9N5PF–UK, England, Devonshire. The William Pengelly Cave Studies Centre in Buckfastleigh. A Geologist guide showing visitors Reeds Cave entrance.
'Queen Mab's Cave', 1846. Artist: JMW Turner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-mabs-cave-1846-artist-jmw-turner-image262727672.htmlRMW7C7R4–'Queen Mab's Cave', 1846. Artist: JMW Turner
Views of Ceylon, Henry William Cave, c. 1900 book paper printing / collotype Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/views-of-ceylon-henry-william-cave-c-1900-book-paper-printing-collotype-image591011478.htmlRM2W9EW4P–Views of Ceylon, Henry William Cave, c. 1900 book paper printing / collotype
Dunkerry or Dunkery Cave The scenery and antiquities of Ireland by Bartlett, W. H. (William Henry), 1809-1854, illustrator.Volume 1. Publisher London : G. Virtue 1842 William Henry Bartlett (March 26, 1809 – September 13, 1854) was a British artist, best known for his numerous drawings rendered into steel engravings. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dunkerry-or-dunkery-cave-the-scenery-and-antiquities-of-ireland-by-bartlett-w-h-william-henry-1809-1854-illustratorvolume-1-publisher-london-g-virtue-1842-william-henry-bartlett-march-26-1809-september-13-1854-was-a-british-artist-best-known-for-his-numerous-drawings-rendered-into-steel-engravings-image564737344.htmlRF2RPP06T–Dunkerry or Dunkery Cave The scenery and antiquities of Ireland by Bartlett, W. H. (William Henry), 1809-1854, illustrator.Volume 1. Publisher London : G. Virtue 1842 William Henry Bartlett (March 26, 1809 – September 13, 1854) was a British artist, best known for his numerous drawings rendered into steel engravings.
Inspired by Imogen found in the cave of Belarius, George Dawe, artist, 1808, The period between the years of William Hogarth (1697–1764) and George Dawe (1781–1829) were active has been called the ‘Shakespeare phenomenon’, during which the playwright triumphed over his peers as the great national, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-imogen-found-in-the-cave-of-belarius-george-dawe-artist-1808-the-period-between-the-years-of-william-hogarth-16971764-and-george-dawe-17811829-were-active-has-been-called-the-shakespeare-phenomenon-during-which-the-playwright-triumphed-over-his-peers-as-the-great-national-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459331762.htmlRF2HK8A9P–Inspired by Imogen found in the cave of Belarius, George Dawe, artist, 1808, The period between the years of William Hogarth (1697–1764) and George Dawe (1781–1829) were active has been called the ‘Shakespeare phenomenon’, during which the playwright triumphed over his peers as the great national, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Entrance to Elephanta Cave, 1800, aquatint, India, by Thomas and William Daniell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-elephanta-cave-1800-aquatint-india-by-thomas-and-william-daniell-image574663325.htmlRM2TAX4X5–Entrance to Elephanta Cave, 1800, aquatint, India, by Thomas and William Daniell
The struggle for existence - ape-men contests a lion's kill with hyenas and a vulture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-struggle-for-existence-ape-men-contests-a-lions-kill-with-hyenas-and-a-vulture-image501472996.htmlRM2M3T1WT–The struggle for existence - ape-men contests a lion's kill with hyenas and a vulture.
The Descent of Man into the Vale of Death (Plate II). Men and women, old and young, mothers with babes, infirm and healthy, walk, run, crawl and hobble down a path into a cave. Copperplate engraving by Louis Schiavonetti after an original drawing by William Blake from Robert Blair’s The Grave, T. Bensley for Rudolph Ackermann, 1813. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-descent-of-man-into-the-vale-of-death-plate-ii-men-and-women-old-and-young-mothers-with-babes-infirm-and-healthy-walk-run-crawl-and-hobble-down-a-path-into-a-cave-copperplate-engraving-by-louis-schiavonetti-after-an-original-drawing-by-william-blake-from-robert-blairs-the-grave-t-bensley-for-rudolph-ackermann-1813-image501993985.htmlRM2M4KPCH–The Descent of Man into the Vale of Death (Plate II). Men and women, old and young, mothers with babes, infirm and healthy, walk, run, crawl and hobble down a path into a cave. Copperplate engraving by Louis Schiavonetti after an original drawing by William Blake from Robert Blair’s The Grave, T. Bensley for Rudolph Ackermann, 1813.
Cave of the Winds. Canopy Hall., William Henry Jackson & Co., 1880–1890, Albumen silver print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cave-of-the-winds-canopy-hall-william-henry-jackson-co-18801890-albumen-silver-print-image261279929.htmlRMW52961–Cave of the Winds. Canopy Hall., William Henry Jackson & Co., 1880–1890, Albumen silver print
JMW Turner, Staffa, Fingal's Cave, painting, c.1831 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-staffa-fingals-cave-painting-c1831-image241334521.htmlRMT0HMJ1–JMW Turner, Staffa, Fingal's Cave, painting, c.1831
. English: Fleuron from book: Apostolici: or, the history of the lives, acts, death, and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles. As also the most eminent of the primitive fathers for the first three hundred years. To which is added, A chronology of the three first ages of the church. By William Cave, DD. 372 Apostolici- or, the history of the lives, acts, death, and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles Fleuron T126603-27 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-apostolici-or-the-history-of-the-lives-acts-death-and-martyrdoms-of-those-who-were-contemporary-with-or-immediately-succeeded-the-apostles-as-also-the-most-eminent-of-the-primitive-fathers-for-the-first-three-hundred-years-to-which-is-added-a-chronology-of-the-three-first-ages-of-the-church-by-william-cave-dd-372-apostolici-or-the-history-of-the-lives-acts-death-and-martyrdoms-of-those-who-were-contemporary-with-or-immediately-succeeded-the-apostles-fleuron-t126603-27-image189260145.htmlRMMYWF6W–. English: Fleuron from book: Apostolici: or, the history of the lives, acts, death, and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles. As also the most eminent of the primitive fathers for the first three hundred years. To which is added, A chronology of the three first ages of the church. By William Cave, DD. 372 Apostolici- or, the history of the lives, acts, death, and martyrdoms of those who were contemporary with, or immediately succeeded the Apostles Fleuron T126603-27
![Entrance To The Cave Of Elephanta [Elephanta Island (also called Gharapuri (literally 'the city of caves') or Pory Island) is one of a number of islands in Mumbai Harbour, east of Mumbai, India]. From the book ' The Oriental annual, or, Scenes in India ' by the Rev. Hobart Caunter Published by Edward Bull, London 1836 engravings from drawings by William Daniell Stock Photo](https://c8.alamy.com/comp/2FN5CPK/entrance-to-the-cave-of-elephanta-elephanta-island-also-called-gharapuri-literally-the-city-of-caves-or-pory-island-is-one-of-a-number-of-islands-in-mumbai-harbour-east-of-mumbai-india-from-the-book-the-oriental-annual-or-scenes-in-india-by-the-rev-hobart-caunter-published-by-edward-bull-london-1836-engravings-from-drawings-by-william-daniell-2FN5CPK.jpg "Entrance To The Cave Of Elephanta [Elephanta Island (also called Gharapuri (literally 'the city of caves') or Pory Island) is one of a number of islands in Mumbai Harbour, east of Mumbai, India]. From the book ' The Oriental annual, or, Scenes in India ' by the Rev. Hobart Caunter Published by Edward Bull, London 1836 engravings from drawings by William Daniell Stock Photo")
Entrance To The Cave Of Elephanta [Elephanta Island (also called Gharapuri (literally 'the city of caves') or Pory Island) is one of a number of islands in Mumbai Harbour, east of Mumbai, India]. From the book ' The Oriental annual, or, Scenes in India ' by the Rev. Hobart Caunter Published by Edward Bull, London 1836 engravings from drawings by William Daniell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-the-cave-of-elephanta-elephanta-island-also-called-gharapuri-literally-the-city-of-caves-or-pory-island-is-one-of-a-number-of-islands-in-mumbai-harbour-east-of-mumbai-india-from-the-book-the-oriental-annual-or-scenes-in-india-by-the-rev-hobart-caunter-published-by-edward-bull-london-1836-engravings-from-drawings-by-william-daniell-image426076411.htmlRF2FN5CPK–Entrance To The Cave Of Elephanta [Elephanta Island (also called Gharapuri (literally 'the city of caves') or Pory Island) is one of a number of islands in Mumbai Harbour, east of Mumbai, India]. From the book ' The Oriental annual, or, Scenes in India ' by the Rev. Hobart Caunter Published by Edward Bull, London 1836 engravings from drawings by William Daniell
Illustration for William Shakespeare’s play King Lear, Act V, Scene III. From an 18th century engraving by Francis Legat after a work by James Barry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-for-william-shakespeares-play-king-lear-act-v-scene-iii-from-an-18th-century-engraving-by-francis-legat-after-a-work-by-james-barry-image395826859.htmlRM2DYYD5F–Illustration for William Shakespeare’s play King Lear, Act V, Scene III. From an 18th century engraving by Francis Legat after a work by James Barry.
William Cave Thomas The Heir Cast Out of the Vineyard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-cave-thomas-the-heir-cast-out-of-the-vineyard-image152834985.htmlRMJTJ6G9–William Cave Thomas The Heir Cast Out of the Vineyard
Wallace's Cave, Roslin Glen, Scotland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wallaces-cave-roslin-glen-scotland-image636809244.htmlRM2S014K8–Wallace's Cave, Roslin Glen, Scotland
King William III Prince of Orange and Nassau. United Provinces Stadtholder 1747 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-william-iii-prince-of-orange-and-nassau-united-provinces-stadtholder-1747-image487970263.htmlRF2K9TY1B–King William III Prince of Orange and Nassau. United Provinces Stadtholder 1747
In the tale of William of Palermo, William falls in love with Melior and to escape detection don white bear suits. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-in-the-tale-of-william-of-palermo-william-falls-in-love-with-melior-36274486.htmlRFC30CDA–In the tale of William of Palermo, William falls in love with Melior and to escape detection don white bear suits.
Queen Mab's Cave, JMW Turner, 1846, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-mabs-cave-jmw-turner-1846-image553288354.htmlRF2R44CXA–Queen Mab's Cave, JMW Turner, 1846,
William Cave Thomas - Dante on Earth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-cave-thomas-dante-on-earth-image575617927.htmlRM2TCDJF3–William Cave Thomas - Dante on Earth.
UK, England, Devonshire. The William Pengelly Cave Studies Centre in Buckfastleigh. A Geologist guide showing visitors to Reeds Cave entrance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/uk-england-devonshire-the-william-pengelly-cave-studies-centre-in-buckfastleigh-a-geologist-guide-showing-visitors-to-reeds-cave-entrance-image487887640.htmlRM2K9N5JG–UK, England, Devonshire. The William Pengelly Cave Studies Centre in Buckfastleigh. A Geologist guide showing visitors to Reeds Cave entrance.
The Tham Luang cave in Chiang Rai province after a few years, remaining diving equipment and water pumps from the 2018 rescue operation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tham-luang-cave-in-chiang-rai-province-after-a-few-years-remaining-diving-equipment-and-water-pumps-from-the-2018-rescue-operation-image574704298.htmlRF2TB015E–The Tham Luang cave in Chiang Rai province after a few years, remaining diving equipment and water pumps from the 2018 rescue operation
Views of Colombo, Henry William Cave, 1890 - 1910 book paper. cardboard collotype / printing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/views-of-colombo-henry-william-cave-1890-1910-book-paper-cardboard-collotype-printing-image591133705.htmlRM2W9MD21–Views of Colombo, Henry William Cave, 1890 - 1910 book paper. cardboard collotype / printing
imogen in the cave Cymbeline Cymbeline is a play by William Shakespeare, based on legends concerning the early Celtic British Ki Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-imogen-in-the-cave-cymbeline-cymbeline-is-a-play-by-william-shakespeare-23005232.htmlRFB9BYBC–imogen in the cave Cymbeline Cymbeline is a play by William Shakespeare, based on legends concerning the early Celtic British Ki
Art inspired by Ice cave in the Oberer Grindelwald glacier, Caverne dans le Glacier superieur a Grindelwald. Suisse., William England, Obere Grindelwaldgletsjer, c. 1850 - c. 1880, cardboard, albumen print, height 85 mm × width 170 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ice-cave-in-the-oberer-grindelwald-glacier-caverne-dans-le-glacier-superieur-a-grindelwald-suisse-william-england-obere-grindelwaldgletsjer-c-1850-c-1880-cardboard-albumen-print-height-85-mm-width-170-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459772778.htmlRF2HM0CTA–Art inspired by Ice cave in the Oberer Grindelwald glacier, Caverne dans le Glacier superieur a Grindelwald. Suisse., William England, Obere Grindelwaldgletsjer, c. 1850 - c. 1880, cardboard, albumen print, height 85 mm × width 170 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Imogen before Belarius's cave from Shakespeare's Cymbeline, Act 3, Scene 6 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/imogen-before-belariuss-cave-from-shakespeares-cymbeline-act-3-scene-6-image460629691.htmlRM2HNBDTB–Imogen before Belarius's cave from Shakespeare's Cymbeline, Act 3, Scene 6
Illustration, Macbeth, by William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-macbeth-by-william-shakespeare-image256555658.htmlRMTWB3A2–Illustration, Macbeth, by William Shakespeare
The Soul exploring the recesses of the Grave (Plate VII). A woman in a shroud with candle walks toward flames in a cave. A man watches from above in the moonlight. Copperplate engraving by Louis Schiavonetti after an original drawing by William Blake from Robert Blair’s The Grave, T. Bensley for Rudolph Ackermann, 1813. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-soul-exploring-the-recesses-of-the-grave-plate-vii-a-woman-in-a-shroud-with-candle-walks-toward-flames-in-a-cave-a-man-watches-from-above-in-the-moonlight-copperplate-engraving-by-louis-schiavonetti-after-an-original-drawing-by-william-blake-from-robert-blairs-the-grave-t-bensley-for-rudolph-ackermann-1813-image501993983.htmlRM2M4KPCF–The Soul exploring the recesses of the Grave (Plate VII). A woman in a shroud with candle walks toward flames in a cave. A man watches from above in the moonlight. Copperplate engraving by Louis Schiavonetti after an original drawing by William Blake from Robert Blair’s The Grave, T. Bensley for Rudolph Ackermann, 1813.
Ansteys Cave., William Spreat (British, active Exeter, England 1860s), 1864–1865, Albumen silver print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ansteys-cave-william-spreat-british-active-exeter-england-1860s-18641865-albumen-silver-print-image261290980.htmlRMW52R8M–Ansteys Cave., William Spreat (British, active Exeter, England 1860s), 1864–1865, Albumen silver print
The Duke of Cambridge during a visit to the CRS at Cave Hill Country Park as part of his tour of Belfast. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-duke-of-cambridge-during-a-visit-to-the-crs-at-cave-hill-country-park-as-part-of-his-tour-of-belfast-image371450570.htmlRM2CG90YP–The Duke of Cambridge during a visit to the CRS at Cave Hill Country Park as part of his tour of Belfast.
