NORTHUMBERLAND: W Castle Castle Northumba Vol I. DUGDALE, antique print 1845
NORTHUMBERLAND: W Castle Castle Northumba Vol I. DUGDALE, antique print 1845 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-northumberland-w-castle-castle-northumba-vol-i-dugdale-antique-print-105382079.html
Engraving, Queen's College, Birmingham, Vol I
Engraving, Queen's College, Birmingham, Vol I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/engraving-queens-college-birmingham-vol-i-image387008444.html
Calotypes. Portraits. Vol. I. (spine title), Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 1843–1848, Salted paper prints, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Calotypes. Portraits. Vol. I. (spine title), Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 1843–1848, Salted paper prints, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/calotypes-portraits-vol-i-spine-title-hill-adamson-scottish-active-1843-1848-scotland-18431848-salted-paper-prints-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349903180.html
The Works of John Sheffield Earl of Mulgrave (1740) - Vol. I
The Works of John Sheffield Earl of Mulgrave (1740) - Vol. I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-works-of-john-sheffield-earl-of-mulgrave-1740-vol-i-76867767.html
For sale here. The yellow book, contents of vol. IV, January 1895.
For sale here. The yellow book, contents of vol. IV, January 1895. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-for-sale-here-the-yellow-book-contents-of-vol-iv-january-1895-130046921.html
The Battle of the Standard, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857
The Battle of the Standard, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-battle-of-the-standard-illustration-from-john-cassells-illustrated-history-of-england-vol-i-from-the-earliest-period-to-the-reign-of-edward-the-fourth-cassell-petter-and-galpin-1857-image255370986.html
A Patagonian. From William Parker King 'Narrative of the Surveying Voyages of His Majesty's Ships Adventure and Beagle' Vol.I, London 1839. Charles Darwin was the naturalist on this expedition.
A Patagonian. From William Parker King 'Narrative of the Surveying Voyages of His Majesty's Ships Adventure and Beagle' Vol.I, London 1839. Charles Darwin was the naturalist on this expedition. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-patagonian-from-william-parker-king-narrative-of-the-surveying-voyages-57310857.html
The Gentleman 's Magazine, Vol I, 1731. Detail from the front page: St John's Gate.
The Gentleman 's Magazine, Vol I, 1731. Detail from the front page: St John's Gate. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-gentleman-s-magazine-vol-i-1731-detail-from-the-front-page-st-83334484.html
Quinquanpolix. This engraving is a Dutch satire on John Law of Lauriston, promoter of the Mississippi Company and other bubble schemes of the year 1720; it is No. 21 in vol. i. of Het Groote Tafereel der Dwaasheid, a collection of Dutch satires on the Mis
Quinquanpolix. This engraving is a Dutch satire on John Law of Lauriston, promoter of the Mississippi Company and other bubble schemes of the year 1720; it is No. 21 in vol. i. of Het Groote Tafereel der Dwaasheid, a collection of Dutch satires on the Mis https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-quinquanpolix-this-engraving-is-a-dutch-satire-on-john-law-of-lauriston-83149788.html
Two German 'Ersatz' bayonets., One of World War I, painted feldgrau, quite rare (Kiesling vol. I ref. 192). One pioneer NCO'S al
Two German 'Ersatz' bayonets., One of World War I, painted feldgrau, quite rare (Kiesling vol. I ref. 192). One pioneer NCO'S al https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-two-german-ersatz-bayonets-one-of-world-war-i-painted-feldgrau-quite-31679822.html
An envelope addressed to Her Majesty the queen, Windsor Castle, dated London1888, with the words, 'please excuse not putton stamp as I am so poor'. From The Strand Magazine, Vol I January to June, 1891.
An envelope addressed to Her Majesty the queen, Windsor Castle, dated London1888, with the words, 'please excuse not putton stamp as I am so poor'. From The Strand Magazine, Vol I January to June, 1891. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-an-envelope-addressed-to-her-majesty-the-queen-windsor-castle-dated-127548984.html
The Royal Arrival at the Farnborough Railway Station, 1844. Visit of the French king Louis Philippe to Britain. From "Illustrated London News", 1844, Vol I.
The Royal Arrival at the Farnborough Railway Station, 1844. Visit of the French king Louis Philippe to Britain. From "Illustrated London News", 1844, Vol I. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-royal-arrival-at-the-farnborough-railway-station-1844-visit-of-the-french-king-louis-philippe-to-britain-from-quotillustrated-london-newsquot-1844-vol-i-image386265272.html
The caption for this image reads: The Cutting and Carrying of the Harvest. Drawn by Faucher-Gudin, from a photograph by Dumichen, Resultate, vol. i, pl x. The book was written by Gaston Maspero, a French Egyptologist and director general of excavations and antiquities for the Egyptian government. Accompanying the text are many drawings by the French artist Henri Faucher-Gudin, such as this one of ancient Egyptians cutting and carrying the harvest. Many of these drawings are found in ancient Egyptian tombs.
The caption for this image reads: The Cutting and Carrying of the Harvest. Drawn by Faucher-Gudin, from a photograph by Dumichen, Resultate, vol. i, pl x. The book was written by Gaston Maspero, a French Egyptologist and director general of excavations and antiquities for the Egyptian government. Accompanying the text are many drawings by the French artist Henri Faucher-Gudin, such as this one of ancient Egyptians cutting and carrying the harvest. Many of these drawings are found in ancient Egyptian tombs. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-caption-for-this-image-reads-the-cutting-and-carrying-of-the-harvest-drawn-by-faucher-gudin-from-a-photograph-by-dumichen-resultate-vol-i-pl-x-the-book-was-written-by-gaston-maspero-a-french-egyptologist-and-director-general-of-excavations-and-antiquities-for-the-egyptian-government-accompanying-the-text-are-many-drawings-by-the-french-artist-henri-faucher-gudin-such-as-this-one-of-ancient-egyptians-cutting-and-carrying-the-harvest-many-of-these-drawings-are-found-in-ancient-egyptian-tombs-image357003793.html
Dante Alighieri (1265-1321). Italian poet. The Divine Comedy (1307-1321). Sacred Poem, written in Tuscany. Vol. I: Inferno.
Dante Alighieri (1265-1321). Italian poet. The Divine Comedy (1307-1321). Sacred Poem, written in Tuscany. Vol. I: Inferno. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dante-alighieri-1265-1321-italian-poet-the-divine-comedy-1307-1321-sacred-poem-written-in-tuscany-vol-i-inferno-image388941816.html
Vol. i.XXV No. 25. THE WOODEN FRAME AND MODEL SKELETON. THE WOODEN FORM READY FOR PADDING OUT. THE FORM COVERED WITH EXCELSIOR. TRYING ON THE SKIN. THE CLAY COVERED FORM. THE MOUNTING COMPLETED. THE AMERICAN MUSEUM OF NATURAL HISTORY—MOUNTING THE ELEPHANT 'TIP.'—[See page 441.1, scientific american, 1896-12-19
Vol. i.XXV No. 25. THE WOODEN FRAME AND MODEL SKELETON. THE WOODEN FORM READY FOR PADDING OUT. THE FORM COVERED WITH EXCELSIOR. TRYING ON THE SKIN. THE CLAY COVERED FORM. THE MOUNTING COMPLETED. THE AMERICAN MUSEUM OF NATURAL HISTORY—MOUNTING THE ELEPHANT 'TIP.'—[See page 441.1, scientific american, 1896-12-19 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vol-ixxv-no-25-the-wooden-frame-and-model-skeleton-the-wooden-form-ready-for-padding-out-the-form-covered-with-excelsior-trying-on-the-skin-the-clay-covered-form-the-mounting-completed-the-american-museum-of-natural-historymounting-the-elephant-tip-see-page-4411-scientific-american-1896-12-19-image334340708.html
Engraving of the front cover of the book 'Antiquities of Great Britain, Vol I' by William Byrne and Thomas Hearne, 1825. Courtesy Internet Archive. ()
Engraving of the front cover of the book 'Antiquities of Great Britain, Vol I' by William Byrne and Thomas Hearne, 1825. Courtesy Internet Archive. () https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/engraving-of-the-front-cover-of-the-book-antiquities-of-great-britain-vol-i-by-william-byrne-and-thomas-hearne-1825-courtesy-internet-archive-image245274867.html
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916)
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-alg-vol-i-myxophyce-peridinie-bacillarie-chlorophyce-together-with-170806202.html
Plate XXXI. GOLIATHUS GIGANTEUS (= Goliathus goliatus).; 1770 (plates). 1837 (text).; Illustrations of Exotic Entomology, Vol. I.; Plates: Dru Drury (1725–1803). Text: John Obadiah Westwood (1805–1893);
Plate XXXI. GOLIATHUS GIGANTEUS (= Goliathus goliatus).; 1770 (plates). 1837 (text).; Illustrations of Exotic Entomology, Vol. I.; Plates: Dru Drury (1725–1803). Text: John Obadiah Westwood (1805–1893); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-xxxi-goliathus-giganteus-=-goliathus-goliatus-1770-plates-1837-text-illustrations-of-exotic-entomology-vol-i-plates-dru-drury-17251803-text-john-obadiah-westwood-18051893-image257062768.html
Camera obscura: showing how the scene outside was collected by a mirror tilted at 45 degrees(B) passed through a meniscus lens between F and C and the image thrown onto the table below. From 'The Magazine of Science' Vol.I, London 1840
Camera obscura: showing how the scene outside was collected by a mirror tilted at 45 degrees(B) passed through a meniscus lens between F and C and the image thrown onto the table below. From 'The Magazine of Science' Vol.I, London 1840 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-camera-obscura-showing-how-the-scene-outside-was-collected-by-a-mirror-135678209.html
. English: Miss Millicent Mundy - daughter of en:Wrightson Mundy. cropped from portrait . Probably B. Nicholson, Joseph Wright of Derby, 1968, vol. I, p. 214 ('Miss Mundy' Listed amongst sitters at Derby, circa 1760). Artist died in 1797. 912 Millicent Mundy
. English: Miss Millicent Mundy - daughter of en:Wrightson Mundy. cropped from portrait . Probably B. Nicholson, Joseph Wright of Derby, 1968, vol. I, p. 214 ('Miss Mundy' Listed amongst sitters at Derby, circa 1760). Artist died in 1797. 912 Millicent Mundy https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-miss-millicent-mundy-daughter-of-enwrightson-mundy-cropped-from-portrait-probably-b-nicholson-joseph-wright-of-derby-1968-vol-i-p-214-miss-mundy-listed-amongst-sitters-at-derby-circa-1760-artist-died-in-1797-912-millicent-mundy-image185867622.html
Engraving, Queen's College, Birmingham, Vol I
Engraving, Queen's College, Birmingham, Vol I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/engraving-queens-college-birmingham-vol-i-image387008448.html
Study for Vignette-Frontispiece in Poncelet’s Principes Generaux Pour Servir à l’Education des Enfants Paris, vol. I, c. 1763, Hubert François Gravelot, French, 1699-1773, France, Pen and black ink over black chalk, on gray laid paper, laid down on cream laid paper, 135 × 66 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Study for Vignette-Frontispiece in Poncelet’s Principes Generaux Pour Servir à l’Education des Enfants Paris, vol. I, c. 1763, Hubert François Gravelot, French, 1699-1773, France, Pen and black ink over black chalk, on gray laid paper, laid down on cream laid paper, 135 × 66 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/study-for-vignette-frontispiece-in-poncelets-principes-generaux-pour-servir-leducation-des-enfants-paris-vol-i-c-1763-hubert-franois-gravelot-french-1699-1773-france-pen-and-black-ink-over-black-chalk-on-gray-laid-paper-laid-down-on-cream-laid-paper-135-66-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349717028.html
Kent-street from Views taken during Cleansing Operations, Quarantine Area, Sydney, 1900, Vol. I / under the supervision of Mr George McCredie, F.I.A., N.S.W. photographed by John Degotardi Jr.
Kent-street from Views taken during Cleansing Operations, Quarantine Area, Sydney, 1900, Vol. I / under the supervision of Mr George McCredie, F.I.A., N.S.W. photographed by John Degotardi Jr. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/kent-street-from-views-taken-during-cleansing-operations-quarantine-image68243759.html
Charles Reuben Ryley - 'The Vicar of Wakefield,' Vol. I, Chap. VIII- Dining in the Hayfields' Surprised by Mr. Thorn
Charles Reuben Ryley - 'The Vicar of Wakefield,' Vol. I, Chap. VIII- Dining in the Hayfields' Surprised by Mr. Thorn https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-charles-reuben-ryley-the-vicar-of-wakefield-vol-i-chap-viii-dining-113214776.html
Edward I, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857
Edward I, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/edward-i-illustration-from-john-cassells-illustrated-history-of-england-vol-i-from-the-earliest-period-to-the-reign-of-edward-the-fourth-cassell-petter-and-galpin-1857-image255450927.html
Charles James Fox (1749-1806) English Whig (Liberal) politician. According to Edmund Burke he was 'The greatest debater the world ever saw'. Engraving after the portrait by Joshua Reynolds from 'The Gallery of Portraits' Vol I by Charles Knight (London, 1883)
Charles James Fox (1749-1806) English Whig (Liberal) politician. According to Edmund Burke he was 'The greatest debater the world ever saw'. Engraving after the portrait by Joshua Reynolds from 'The Gallery of Portraits' Vol I by Charles Knight (London, 1883) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-charles-james-fox-1749-1806-english-whig-liberal-politician-according-57292715.html
Four women dancing by Tancred Borenius. Copy of Andrea Mantegna engraving, from 'The Masters of Engraving and Etching', vol. I,
Four women dancing by Tancred Borenius. Copy of Andrea Mantegna engraving, from 'The Masters of Engraving and Etching', vol. I, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-four-women-dancing-by-tancred-borenius-copy-of-andrea-mantegna-engraving-83352400.html
De inventeur der windnegotie, op zyn zegekar. This engraved satire on the Mississippi Company and other financial bubbles of 1720 is No. 55 in vol. i. of Het Groote Tafereel der Dwaasheid, a collection of Dutch satires on these schemes (Source: Stephens).
De inventeur der windnegotie, op zyn zegekar. This engraved satire on the Mississippi Company and other financial bubbles of 1720 is No. 55 in vol. i. of Het Groote Tafereel der Dwaasheid, a collection of Dutch satires on these schemes (Source: Stephens). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-de-inventeur-der-windnegotie-op-zyn-zegekar-this-engraved-satire-on-83149791.html
Two German 'Ersatz' bayonets., One of World War I, painted feldgrau, quite rare (Kiesling vol. I ref. 192). One pioneer NCO'S al
Two German 'Ersatz' bayonets., One of World War I, painted feldgrau, quite rare (Kiesling vol. I ref. 192). One pioneer NCO'S al https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-two-german-ersatz-bayonets-one-of-world-war-i-painted-feldgrau-quite-31680088.html
Dipping for pilchards in the 19th century. From The Strand Magazine, Vol I January to June, 1891.
Dipping for pilchards in the 19th century. From The Strand Magazine, Vol I January to June, 1891. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-dipping-for-pilchards-in-the-19th-century-from-the-strand-magazine-127121497.html
His Majesty King Louis Philippe, 1844. Portrait of the French king, with his foot on a tasselled cushion. From "Illustrated London News", 1844, Vol I.
His Majesty King Louis Philippe, 1844. Portrait of the French king, with his foot on a tasselled cushion. From "Illustrated London News", 1844, Vol I. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/his-majesty-king-louis-philippe-1844-portrait-of-the-french-king-with-his-foot-on-a-tasselled-cushion-from-quotillustrated-london-newsquot-1844-vol-i-image386266091.html
© Ivy Close Images The Erinyes, or Furies in English, were three goddesses of vengeance and retribution who punished men for crimes against the natural order. They were particularly concerned with homicide, unfilial conduct, offenses against the gods, and perjury. A victim seeking justice could call down the curse of the Erinys upon the criminal. Tarquins, Roman legendary heroes, Roman tales, Roman Republic, early Rome, history of Rome, Seventy Centuries Vol I: Ancient and Medieval (1905) By J. N. Larned (1913) This painting is the Celebration of the Westphalian Peace of 1648. The art
© Ivy Close Images The Erinyes, or Furies in English, were three goddesses of vengeance and retribution who punished men for crimes against the natural order. They were particularly concerned with homicide, unfilial conduct, offenses against the gods, and perjury. A victim seeking justice could call down the curse of the Erinys upon the criminal. Tarquins, Roman legendary heroes, Roman tales, Roman Republic, early Rome, history of Rome, Seventy Centuries Vol I: Ancient and Medieval (1905) By J. N. Larned (1913) This painting is the Celebration of the Westphalian Peace of 1648. The art https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ivy-close-images-the-erinyes-or-furies-in-english-were-three-goddesses-of-vengeance-and-retribution-who-punished-men-for-crimes-against-the-natural-order-they-were-particularly-concerned-with-homicide-unfilial-conduct-offenses-against-the-gods-and-perjury-a-victim-seeking-justice-could-call-down-the-curse-of-the-erinys-upon-the-criminal-tarquins-roman-legendary-heroes-roman-tales-roman-republic-early-rome-history-of-rome-seventy-centuries-vol-i-ancient-and-medieval-1905-by-j-n-larned-1913-this-painting-is-the-celebration-of-the-westphalian-peace-of-1648-the-art-image381781221.html
A'In I Akbari vol I and II. Persian treatise. Calcutta 1873
A'In I Akbari vol I and II. Persian treatise. Calcutta 1873 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ain-i-akbari-vol-i-and-ii-persian-treatise-calcutta-1873-image268842602.html
SCIENTIFIC AMERICAN. 415 To our Patrons and the Public. Where is the Fault . Portable Gas Light. Steam on the Schiyimin Canal. Smith's Improved Electric Machines. Likeness of Gen. Taylor Patent Agency. Vol. I Scientific American. AD FOR THE SCIENTIFIC AMERICAN. WOOD CUTS. Veni ! Vidi ! Emi ! His BON TON Estabiishment (as all know) 's at IN Fulton street. slo Ma MAGNIFICENT PORTRAIT Six cents per copy. SMITH'S Improved Electric Machines. ' FIFTH EXHIBITION chanic Association. V ANEUIL AND QUINCY IIALLS AGRICULTURAL TOOLS. Engraving on Wood made as above at very low charges WEEitLY SUN. BOOKS
SCIENTIFIC AMERICAN. 415 To our Patrons and the Public. Where is the Fault . Portable Gas Light. Steam on the Schiyimin Canal. Smith's Improved Electric Machines. Likeness of Gen. Taylor Patent Agency. Vol. I Scientific American. AD FOR THE SCIENTIFIC AMERICAN. WOOD CUTS. Veni ! Vidi ! Emi ! His BON TON Estabiishment (as all know) 's at IN Fulton street. slo Ma MAGNIFICENT PORTRAIT Six cents per copy. SMITH'S Improved Electric Machines. ' FIFTH EXHIBITION chanic Association. V ANEUIL AND QUINCY IIALLS AGRICULTURAL TOOLS. Engraving on Wood made as above at very low charges WEEitLY SUN. BOOKS https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/scientific-american-415-to-our-patrons-and-the-public-where-is-the-fault-portable-gas-light-steam-on-the-schiyimin-canal-smiths-improved-electric-machines-likeness-of-gen-taylor-patent-agency-vol-i-scientific-american-ad-for-the-scientific-american-wood-cuts-veni-!-vidi-!-emi-!-his-bon-ton-estabiishment-as-all-know-s-at-in-fulton-street-slo-ma-magnificent-portrait-six-cents-per-copy-smiths-improved-electric-machines-fifth-exhibition-chanic-association-v-aneuil-and-quincy-iialls-agricultural-tools-engraving-on-wood-made-as-above-at-very-low-charges-weeitly-sun-books-image334294981.html
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain). Date/Period: 1786. Painting. Oil on canvas. Height: 279 mm (10.98 in); Width: 349 mm (13.74 in). Author: Charles Reuben Ryley.
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain). Date/Period: 1786. Painting. Oil on canvas. Height: 279 mm (10.98 in); Width: 349 mm (13.74 in). Author: Charles Reuben Ryley. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-vicar-of-wakefield-vol-i-chap-viii-dining-in-the-hayfields-surprised-by-mr-thornhills-chaplain-dateperiod-1786-painting-oil-on-canvas-height-279-mm-1098-in-width-349-mm-1374-in-author-charles-reuben-ryley-image219705658.html
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916)
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-alg-vol-i-myxophyce-peridinie-bacillarie-chlorophyce-together-with-170806215.html
Extract from Plate VII. NYCTALEMON PATROCLUS (= Lyssa patroclus).; 1770 (plates). 1837 (text).; Illustrations of Exotic Entomology, Vol. I.; Plates: Dru Drury (1725–1803). Text: John Obadiah Westwood (1805–1893);
Extract from Plate VII. NYCTALEMON PATROCLUS (= Lyssa patroclus).; 1770 (plates). 1837 (text).; Illustrations of Exotic Entomology, Vol. I.; Plates: Dru Drury (1725–1803). Text: John Obadiah Westwood (1805–1893); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/extract-from-plate-vii-nyctalemon-patroclus-=-lyssa-patroclus-1770-plates-1837-text-illustrations-of-exotic-entomology-vol-i-plates-dru-drury-17251803-text-john-obadiah-westwood-18051893-image257062974.html
Archive image from page 507 of Description de l'Égypte, ou, Recueil. Description de l'Égypte, ou, Recueil de observations et des recherches qui ont été faites en Égypte pendant l'éxpédition de l'armée française DescriptiondelEIFran Year: 1809 TABLEAU SYNOPTIQUE DES CONSTELLATIONS SEMBLABLES DANS LES D1FFEUENS PLANISPHÈRES . DuerifUnn </<• l'fyi/plr . Anl. M. Vol. I
Archive image from page 507 of Description de l'Égypte, ou, Recueil. Description de l'Égypte, ou, Recueil de observations et des recherches qui ont été faites en Égypte pendant l'éxpédition de l'armée française DescriptiondelEIFran Year: 1809 TABLEAU SYNOPTIQUE DES CONSTELLATIONS SEMBLABLES DANS LES D1FFEUENS PLANISPHÈRES . DuerifUnn </<• l'fyi/plr . Anl. M. Vol. I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/archive-image-from-page-507-of-description-de-legypte-ou-recueil-description-de-legypte-ou-recueil-de-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-descriptiondeleifran-year-1809-tableau-synoptique-des-constellations-semblables-dans-les-d1ffeuens-planisphres-duerifunn-ltlt-lfyiplr-anl-m-vol-i-image258677657.html
. VOL. I. X
. VOL. I. X https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vol-i-x-image180027052.html
Engraving, Queen's College, Birmingham, Vol I
Engraving, Queen's College, Birmingham, Vol I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/engraving-queens-college-birmingham-vol-i-image387008313.html
The Caricature Magazine, or Hudibrastic Mirror, Vol. I and II, 1819, George Cruikshank (English, 1792-1878), Thomas Rowlandson (English, 1756-1827), Henry William Bunbury (English, 1750-1811), Piercy Roberts (English, 19th century), Charles Williams (English, active 1797-1830), after George Woodward (English, c.1760-1809), published by Thomas Tegg (English, 1776-1845), England, Book with hand-colored etchings in black on cream wove paper, 275 × 420 × 32 mm, The Caricature Magazine, or Hudibrastic Mirror, Vol. III, 1821, George Cruikshank (English, 1792-1878), Thomas Rowlandson (English, 1756-1
The Caricature Magazine, or Hudibrastic Mirror, Vol. I and II, 1819, George Cruikshank (English, 1792-1878), Thomas Rowlandson (English, 1756-1827), Henry William Bunbury (English, 1750-1811), Piercy Roberts (English, 19th century), Charles Williams (English, active 1797-1830), after George Woodward (English, c.1760-1809), published by Thomas Tegg (English, 1776-1845), England, Book with hand-colored etchings in black on cream wove paper, 275 × 420 × 32 mm, The Caricature Magazine, or Hudibrastic Mirror, Vol. III, 1821, George Cruikshank (English, 1792-1878), Thomas Rowlandson (English, 1756-1 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-caricature-magazine-or-hudibrastic-mirror-vol-i-and-ii-1819-george-cruikshank-english-1792-1878-thomas-rowlandson-english-1756-1827-henry-william-bunbury-english-1750-1811-piercy-roberts-english-19th-century-charles-williams-english-active-1797-1830-after-george-woodward-english-c1760-1809-published-by-thomas-tegg-english-1776-1845-england-book-with-hand-colored-etchings-in-black-on-cream-wove-paper-275-420-32-mm-the-caricature-magazine-or-hudibrastic-mirror-vol-iii-1821-george-cruikshank-english-1792-1878-thomas-rowlandson-english-1756-1-image349715252.html
Cleansing the streets from Views taken during Cleansing Operations, Quarantine Area, Sydney, 1900, Vol. I / under the supervision of Mr George McCredie, F.I.A., N.S.W. photographed by John Degotardi Jr.
Cleansing the streets from Views taken during Cleansing Operations, Quarantine Area, Sydney, 1900, Vol. I / under the supervision of Mr George McCredie, F.I.A., N.S.W. photographed by John Degotardi Jr. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cleansing-the-streets-from-views-taken-during-cleansing-operations-image68243691.html
AUBREY BEARDSLEY - 1894 L'Education Sentimentale Vol. I
AUBREY BEARDSLEY - 1894 L'Education Sentimentale Vol. I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-aubrey-beardsley-1894-leducation-sentimentale-vol-i-160100961.html
Marriage of Henry and Matilda, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857
Marriage of Henry and Matilda, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/marriage-of-henry-and-matilda-illustration-from-john-cassells-illustrated-history-of-england-vol-i-from-the-earliest-period-to-the-reign-of-edward-the-fourth-cassell-petter-and-galpin-1857-image255370976.html
Camera obscura: showing how the scene outside was collected by a mirror tilted at 45 degrees(B) passed through a meniscus lens between F and C and the image thrown onto the table below. From 'The Magazine of Science' Vol.I, London 1840
Camera obscura: showing how the scene outside was collected by a mirror tilted at 45 degrees(B) passed through a meniscus lens between F and C and the image thrown onto the table below. From 'The Magazine of Science' Vol.I, London 1840 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-camera-obscura-showing-how-the-scene-outside-was-collected-by-a-mirror-57305267.html
Obras completas vol. I
Obras completas vol. I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-obras-completas-vol-i-160737676.html
De verslagen actionist in de stoel met rinkels, overreeden geweest van't geLauwerd Paard van Troje. This engraved satire on the South Sea Company and other bubble schemes of 1720, and shortly before, is No. 38 in vol. i. of Het Groote Tafereel der Dwaashe
De verslagen actionist in de stoel met rinkels, overreeden geweest van't geLauwerd Paard van Troje. This engraved satire on the South Sea Company and other bubble schemes of 1720, and shortly before, is No. 38 in vol. i. of Het Groote Tafereel der Dwaashe https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-de-verslagen-actionist-in-de-stoel-met-rinkels-overreeden-geweest-83149790.html
Three German bayonets., One first world war 'Ersatz 16' bayonet, unpainted, quite rare (Kiesling vol. I ref. 192). One pioneer N
Three German bayonets., One first world war 'Ersatz 16' bayonet, unpainted, quite rare (Kiesling vol. I ref. 192). One pioneer N https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-three-german-bayonets-one-first-world-war-ersatz-16-bayonet-unpainted-31680090.html
Henry Arthur Jones, 1851 – 1929. English dramatist. From The Strand Magazine, Vol I January to June, 1891.
Henry Arthur Jones, 1851 – 1929. English dramatist. From The Strand Magazine, Vol I January to June, 1891. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-henry-arthur-jones-1851-1929-english-dramatist-from-the-strand-magazine-127039817.html
Their Majesties the King and Queen of Sweden and Norway, 1844. Portrait of Josephine of Leuchtenberg and Oscar I of Sweden. From "Illustrated London News", 1844, Vol I.
Their Majesties the King and Queen of Sweden and Norway, 1844. Portrait of Josephine of Leuchtenberg and Oscar I of Sweden. From "Illustrated London News", 1844, Vol I. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/their-majesties-the-king-and-queen-of-sweden-and-norway-1844-portrait-of-josephine-of-leuchtenberg-and-oscar-i-of-sweden-from-quotillustrated-london-newsquot-1844-vol-i-image386265822.html
Hans Holbein the younger . Vol. I., Plate 58.
Hans Holbein the younger . Vol. I., Plate 58. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hans-holbein-the-younger-vol-i-plate-58-image343009806.html
The head of a New Zealander , with comb in his hair .. From the Atlas to Cook's Voyages , Vol I .
The head of a New Zealander , with comb in his hair .. From the Atlas to Cook's Voyages , Vol I . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-head-of-a-new-zealander-with-comb-in-his-hair-from-the-atlas-to-cooks-voyages-vol-i-image268851288.html
Vol. LXXNo. 23. I, scientific american, 1894-06-09
Vol. LXXNo. 23. I, scientific american, 1894-06-09 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vol-lxxno-23-i-scientific-american-1894-06-09-image334337952.html
'Repository for Rubbish, vol. I, L.F.C 1828', Illustration for children's book. Artist: Charles Kirkpatrick Sharpe (British, Hoddam, Scotland 1781-1851 Edinburgh, Scotland). Dimensions: sheet: 9 1/4 x 7 1/8 in. (23.5 x 18.1 cm). Date: 1828. Museum: Metropolitan Museum of Art, New York, USA.
'Repository for Rubbish, vol. I, L.F.C 1828', Illustration for children's book. Artist: Charles Kirkpatrick Sharpe (British, Hoddam, Scotland 1781-1851 Edinburgh, Scotland). Dimensions: sheet: 9 1/4 x 7 1/8 in. (23.5 x 18.1 cm). Date: 1828. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/repository-for-rubbish-vol-i-lfc-1828-illustration-for-childrens-book-artist-charles-kirkpatrick-sharpe-british-hoddam-scotland-1781-1851-edinburgh-scotland-dimensions-sheet-9-14-x-7-18-in-235-x-181-cm-date-1828-museum-metropolitan-museum-of-art-new-york-usa-image213244537.html
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916)
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-alg-vol-i-myxophyce-peridinie-bacillarie-chlorophyce-together-with-170806214.html
Plate IV. 1. CETHOSIA CYANE 2. CETHOSIA BIBLIS; 1770 (plates). 1837 (text).; Illustrations of Exotic Entomology, Vol. I.; Plates: Dru Drury (1725–1803). Text: John Obadiah Westwood (1805–1893);
Plate IV. 1. CETHOSIA CYANE 2. CETHOSIA BIBLIS; 1770 (plates). 1837 (text).; Illustrations of Exotic Entomology, Vol. I.; Plates: Dru Drury (1725–1803). Text: John Obadiah Westwood (1805–1893); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-iv-1-cethosia-cyane-2-cethosia-biblis-1770-plates-1837-text-illustrations-of-exotic-entomology-vol-i-plates-dru-drury-17251803-text-john-obadiah-westwood-18051893-image257062767.html
Archive image from page 775 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française DescriptiondelEIIFran Year: 1809 EXPLICATION DES PLANS DES ENVIRONS DU KAIRE Ile de Roudah, Boulâq, le vieux Kaire et Gweh. I.° ILES ET ENVIRONS DU KAIRE, DE BOULAQ, DU VIEUX KAIRE ET DE GYZEH. ( Voyez planches 15 et 16', Ã. M. vol, I. ) RIVE DROITE DU NIL. El-Baçâtyn. Kymân el-Hesseh. Gâma el-Charâouy. Tourab el-îmâm, ville des tombeaux, du côtà du midi (ou vi
Archive image from page 775 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française DescriptiondelEIIFran Year: 1809 EXPLICATION DES PLANS DES ENVIRONS DU KAIRE Ile de Roudah, Boulâq, le vieux Kaire et Gweh. I.° ILES ET ENVIRONS DU KAIRE, DE BOULAQ, DU VIEUX KAIRE ET DE GYZEH. ( Voyez planches 15 et 16', Ã. M. vol, I. ) RIVE DROITE DU NIL. El-Baçâtyn. Kymân el-Hesseh. Gâma el-Charâouy. Tourab el-îmâm, ville des tombeaux, du côtà du midi (ou vi https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/archive-image-from-page-775-of-description-de-legypte-ou-recueil-description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-descriptiondeleiifran-year-1809-explication-des-plans-des-environs-du-kaire-ile-de-roudah-boulq-le-vieux-kaire-et-gweh-i-iles-et-environs-du-kaire-de-boulaq-du-vieux-kaire-et-de-gyzeh-voyez-planches-15-et-16-m-vol-i-rive-droite-du-nil-el-batyn-kymn-el-hesseh-gma-el-charouy-tourab-el-mm-ville-des-tombeaux-du-ct-du-midi-ou-vi-image258698666.html
. VOL. I. X
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Engraving, Queen's College, Birmingham, Vol I
Engraving, Queen's College, Birmingham, Vol I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/engraving-queens-college-birmingham-vol-i-image387008354.html
Map of Switzerland, Map of Switzerland, with marking of routes from the years 1776, 1779, 1785 and 1786, Fig. 1, according to p. Xii, 26.01.1789, William Coxe, William Melmoth: Travels in Switzerland, and in the country of Grisons: in a series of letters to William Melmoth. Vol. I. London: printed for T. Cadell, 1791, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Map of Switzerland, Map of Switzerland, with marking of routes from the years 1776, 1779, 1785 and 1786, Fig. 1, according to p. Xii, 26.01.1789, William Coxe, William Melmoth: Travels in Switzerland, and in the country of Grisons: in a series of letters to William Melmoth. Vol. I. London: printed for T. Cadell, 1791, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/map-of-switzerland-map-of-switzerland-with-marking-of-routes-from-the-years-1776-1779-1785-and-1786-fig-1-according-to-p-xii-26011789-william-coxe-william-melmoth-travels-in-switzerland-and-in-the-country-of-grisons-in-a-series-of-letters-to-william-melmoth-vol-i-london-printed-for-t-cadell-1791-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349824820.html
Batson's Lane, off Sussex-street from Views taken during Cleansing Operations, Quarantine Area, Sydney, 1900, Vol. I / under the supervision of Mr George McCredie, F.I.A., N.S.W. photographed by John Degotardi Jr.
Batson's Lane, off Sussex-street from Views taken during Cleansing Operations, Quarantine Area, Sydney, 1900, Vol. I / under the supervision of Mr George McCredie, F.I.A., N.S.W. photographed by John Degotardi Jr. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/batsons-lane-off-sussex-street-from-views-taken-during-cleansing-operations-image68243673.html
[Half title, vol. I.]; [Half title, vol. I.]
[Half title, vol. I.]; [Half title, vol. I.] https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/half-title-vol-i-half-title-vol-i-image333202453.html
Edward I at Berwick, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857
Edward I at Berwick, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/edward-i-at-berwick-illustration-from-john-cassells-illustrated-history-of-england-vol-i-from-the-earliest-period-to-the-reign-of-edward-the-fourth-cassell-petter-and-galpin-1857-image255450929.html
George Buchanan (1506-1582) Scottish humanist, historian and scholar. Tutor to Mary Queen of Scots (1562) and in 1567 to her son James VI. Keeper of the Privy Seal of Scotland (1571-1583). Engraving from 'The Gallery of Portraits' Vol I by Charles Knight (London, 1833).
George Buchanan (1506-1582) Scottish humanist, historian and scholar. Tutor to Mary Queen of Scots (1562) and in 1567 to her son James VI. Keeper of the Privy Seal of Scotland (1571-1583). Engraving from 'The Gallery of Portraits' Vol I by Charles Knight (London, 1833). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-george-buchanan-1506-1582-scottish-humanist-historian-and-scholar-57293300.html
The Guardian of Education vol I
The Guardian of Education vol I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-guardian-of-education-vol-i-143398799.html
Illustration by Kenny Meadows to Measure for Measure, by William Shakespeare. Tailpiece design to Act I, depicting a cherub carrying a heavy key.
Illustration by Kenny Meadows to Measure for Measure, by William Shakespeare. Tailpiece design to Act I, depicting a cherub carrying a heavy key. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/illustration-by-kenny-meadows-to-measure-for-measure-by-william-shakespeare-tailpiece-design-to-act-i-depicting-a-cherub-carrying-a-heavy-key-image235046973.html
Three German bayonets., One first world war 'Ersatz 16' bayonet, unpainted, quite rare (Kiesling vol. I ref. 192). One pioneer N
Three German bayonets., One first world war 'Ersatz 16' bayonet, unpainted, quite rare (Kiesling vol. I ref. 192). One pioneer N https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-three-german-bayonets-one-first-world-war-ersatz-16-bayonet-unpainted-31679829.html
Mary Rorke, 1858 - 1938. British stage and film actress. From The Strand Magazine, Vol I January to June, 1891.
Mary Rorke, 1858 - 1938. British stage and film actress. From The Strand Magazine, Vol I January to June, 1891. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-mary-rorke-1858-1938-british-stage-and-film-actress-from-the-strand-127039827.html
Arrival of the King of the French, at Portsmouth, on Tuesday last, October 1844. Louis Philippe is welcomed as he visits Britain. From "Illustrated London News", 1844, Vol I.
Arrival of the King of the French, at Portsmouth, on Tuesday last, October 1844. Louis Philippe is welcomed as he visits Britain. From "Illustrated London News", 1844, Vol I. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arrival-of-the-king-of-the-french-at-portsmouth-on-tuesday-last-october-1844-louis-philippe-is-welcomed-as-he-visits-britain-from-quotillustrated-london-newsquot-1844-vol-i-image386265640.html
. Carry On [periodical] . 24 CARRY O N Vol. I.
. Carry On [periodical] . 24 CARRY O N Vol. I. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/carry-on-periodical-24-carry-o-n-vol-i-image370162999.html
A Modern Curricle designed exprssly for Le Beau Monde, vol. I, 1807 or Literary and Fashionable Magazine. .
A Modern Curricle designed exprssly for Le Beau Monde, vol. I, 1807 or Literary and Fashionable Magazine. . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-modern-curricle-designed-exprssly-for-le-beau-monde-vol-i-1807-or-literary-and-fashionable-magazine-image268850798.html
Vol. LXXVIIINo. I. WEEKLY., scientific american, 1898-01-01
Vol. LXXVIIINo. I. WEEKLY., scientific american, 1898-01-01 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vol-lxxviiino-i-weekly-scientific-american-1898-01-01-image334341876.html
Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden). Artist: After Henry Fuseli (Swiss, Zürich 1741-1825 London). Dimensions: Sheet: 9 3/4 in. × 7 in. (24.8 × 17.8 cm). Engraver: Anker Smith (British, London 1759-1819 London). Publisher: Joseph Johnson (British, 1738-1809). Date: June 1, 1791. Museum: Metropolitan Museum of Art, New York, USA.
Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden). Artist: After Henry Fuseli (Swiss, Zürich 1741-1825 London). Dimensions: Sheet: 9 3/4 in. × 7 in. (24.8 × 17.8 cm). Engraver: Anker Smith (British, London 1759-1819 London). Publisher: Joseph Johnson (British, 1738-1809). Date: June 1, 1791. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/flora-attired-by-the-elements-frontispiece-to-the-economy-of-vegetation-vol-i-of-erasmus-darwins-the-botanic-garden-artist-after-henry-fuseli-swiss-zrich-1741-1825-london-dimensions-sheet-9-34-in-7-in-248-178-cm-engraver-anker-smith-british-london-1759-1819-london-publisher-joseph-johnson-british-1738-1809-date-june-1-1791-museum-metropolitan-museum-of-art-new-york-usa-image213260184.html
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916)
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-alg-vol-i-myxophyce-peridinie-bacillarie-chlorophyce-together-with-170806205.html
Extract from Plate XXXVIII. PRIONUS (STENODONTES) DAMICORNIS (= Stenodontes damicornis).; 1770 (plates). 1837 (text).; Illustrations of Exotic Entomology, Vol. I.; Plates: Dru Drury (1725–1803). Text: John Obadiah Westwood (1805–1893);
Extract from Plate XXXVIII. PRIONUS (STENODONTES) DAMICORNIS (= Stenodontes damicornis).; 1770 (plates). 1837 (text).; Illustrations of Exotic Entomology, Vol. I.; Plates: Dru Drury (1725–1803). Text: John Obadiah Westwood (1805–1893); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/extract-from-plate-xxxviii-prionus-stenodontes-damicornis-=-stenodontes-damicornis-1770-plates-1837-text-illustrations-of-exotic-entomology-vol-i-plates-dru-drury-17251803-text-john-obadiah-westwood-18051893-image257062987.html
History of Greece Vol I.
History of Greece Vol I. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/history-of-greece-vol-i-image354445555.html
. VOL. I. c
. VOL. I. c https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vol-i-c-image180028432.html
Engraving, Queen's College, Birmingham, Vol I
Engraving, Queen's College, Birmingham, Vol I https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/engraving-queens-college-birmingham-vol-i-image387008306.html
Hall of the two sisters, Illustration of details from the Hall of the Two Sisters of the Alhambra in Granada from the 19th century, signed: Jules Goury del, E. Kennion sculpt, pl., 2, according to p. 20, Goury, Jules (del.), Kennion, E. (sculpt.), 1842, Pascual de Gayangos, Owen Jones, Jules Goury: Plans, elevations sections, and details of the Alhambra [...]. Vol. I. London: published by Owen Jones, 1842-1845, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynam
Hall of the two sisters, Illustration of details from the Hall of the Two Sisters of the Alhambra in Granada from the 19th century, signed: Jules Goury del, E. Kennion sculpt, pl., 2, according to p. 20, Goury, Jules (del.), Kennion, E. (sculpt.), 1842, Pascual de Gayangos, Owen Jones, Jules Goury: Plans, elevations sections, and details of the Alhambra [...]. Vol. I. London: published by Owen Jones, 1842-1845, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynam https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hall-of-the-two-sisters-illustration-of-details-from-the-hall-of-the-two-sisters-of-the-alhambra-in-granada-from-the-19th-century-signed-jules-goury-del-e-kennion-sculpt-pl-2-according-to-p-20-goury-jules-del-kennion-e-sculpt-1842-pascual-de-gayangos-owen-jones-jules-goury-plans-elevations-sections-and-details-of-the-alhambra-vol-i-london-published-by-owen-jones-1842-1845-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynam-image349836938.html
Lane at side of 72 Sussex-street from Views taken during Cleansing Operations, Quarantine Area, Sydney, 1900, Vol. I / under the supervision of Mr George McCredie, F.I.A., N.S.W. photographed by John Degotardi Jr.
Lane at side of 72 Sussex-street from Views taken during Cleansing Operations, Quarantine Area, Sydney, 1900, Vol. I / under the supervision of Mr George McCredie, F.I.A., N.S.W. photographed by John Degotardi Jr. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/lane-at-side-of-72-sussex-street-from-views-taken-during-cleansing-image68243761.html
Page 002 (Gissing - The Nether World, vol I, 1889)
Page 002 (Gissing - The Nether World, vol I, 1889) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/page-002-gissing-the-nether-world-vol-i-1889-image260026679.html
Matilda, Queen of Henry I, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857
Matilda, Queen of Henry I, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/matilda-queen-of-henry-i-illustration-from-john-cassells-illustrated-history-of-england-vol-i-from-the-earliest-period-to-the-reign-of-edward-the-fourth-cassell-petter-and-galpin-1857-image255370982.html
Henri de la Tour d'Auvergne Turenne, Vicomte de Turenne (1611-1675) French soldier; marshal of France 1644; Marshal-General of France 1668. Turenne was killed by a cannon ball in the stomach while reconnoitring at Sasbach, Germany. Engraving frrom 'The Gallery of Portraits' Vol I by Charles Knight (London, 1833).
Henri de la Tour d'Auvergne Turenne, Vicomte de Turenne (1611-1675) French soldier; marshal of France 1644; Marshal-General of France 1668. Turenne was killed by a cannon ball in the stomach while reconnoitring at Sasbach, Germany. Engraving frrom 'The Gallery of Portraits' Vol I by Charles Knight (London, 1833). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-henri-de-la-tour-dauvergne-turenne-vicomte-de-turenne-1611-1675-french-57292712.html
'Butterflies. Vol. I-II.' (1907)
'Butterflies. Vol. I-II.' (1907) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-butterflies-vol-i-ii-1907-176839995.html
Illustration by Kenny Meadows to Measure for Measure, by William Shakespeare. Act I illustration, depicting a scheming man with a mask, and devils on either side.
Illustration by Kenny Meadows to Measure for Measure, by William Shakespeare. Act I illustration, depicting a scheming man with a mask, and devils on either side. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/illustration-by-kenny-meadows-to-measure-for-measure-by-william-shakespeare-act-i-illustration-depicting-a-scheming-man-with-a-mask-and-devils-on-either-side-image235046971.html
Three German bayonets., One first world war 'Ersatz 16' bayonet, unpainted, quite rare (Kiesling vol. I ref. 192). One pioneer N
Three German bayonets., One first world war 'Ersatz 16' bayonet, unpainted, quite rare (Kiesling vol. I ref. 192). One pioneer N https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-three-german-bayonets-one-first-world-war-ersatz-16-bayonet-unpainted-31679825.html
The German method of swaddling a baby in the 19th century. From The Strand Magazine, Vol I January to June, 1891.
The German method of swaddling a baby in the 19th century. From The Strand Magazine, Vol I January to June, 1891. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-german-method-of-swaddling-a-baby-in-the-19th-century-from-the-126505740.html
Visit of the King of the French to Queen Victoria - The Slopes, Windsor Castle, 1844. Louis Philippe, King of France, was a guest of the Queen. From "Illustrated London News", 1844, Vol I.
Visit of the King of the French to Queen Victoria - The Slopes, Windsor Castle, 1844. Louis Philippe, King of France, was a guest of the Queen. From "Illustrated London News", 1844, Vol I. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/visit-of-the-king-of-the-french-to-queen-victoria-the-slopes-windsor-castle-1844-louis-philippe-king-of-france-was-a-guest-of-the-queen-from-quotillustrated-london-newsquot-1844-vol-i-image386265526.html
At the Spring: Saratoga (Hearth and Home, Vol. I), August 28, 1869.
At the Spring: Saratoga (Hearth and Home, Vol. I), August 28, 1869. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/at-the-spring-saratoga-hearth-and-home-vol-i-august-28-1869-image382621083.html
. Confessio amantis . VOL. I. LONDON BELL AND DALDY FLEET STREET 1857confessioamanti01gowe
. Confessio amantis . VOL. I. LONDON BELL AND DALDY FLEET STREET 1857confessioamanti01gowe https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/confessio-amantis-vol-i-london-bell-and-daldy-fleet-street-1857confessioamanti01gowe-image371620823.html
Vol. XC1V.-No 14. ' I, scientific american, 1906-04-07
Vol. XC1V.-No 14. ' I, scientific american, 1906-04-07 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vol-xc1v-no-14-i-scientific-american-1906-04-07-image334351132.html
A Turkish Bath (Aubry de La Motraye's 'Travels throughout Europe, Asia and into Part of Africa...,' London, 1724, vol. I, pl. 10). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Aubry de La Mottraye (French, 1674-1743). Dimensions: sheet: 9 13/16 x 6 3/4 in. (24.9 x 17.1 cm). Date: 1723-24. Museum: Metropolitan Museum of Art, New York, USA.
A Turkish Bath (Aubry de La Motraye's 'Travels throughout Europe, Asia and into Part of Africa...,' London, 1724, vol. I, pl. 10). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Aubry de La Mottraye (French, 1674-1743). Dimensions: sheet: 9 13/16 x 6 3/4 in. (24.9 x 17.1 cm). Date: 1723-24. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-turkish-bath-aubry-de-la-motrayes-travels-throughout-europe-asia-and-into-part-of-africa-london-1724-vol-i-pl-10-artist-william-hogarth-british-london-1697-1764-london-author-illustrates-aubry-de-la-mottraye-french-1674-1743-dimensions-sheet-9-1316-x-6-34-in-249-x-171-cm-date-1723-24-museum-metropolitan-museum-of-art-new-york-usa-image213315976.html
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916)
'Algæ. Vol. I. Myxophyceæ, Peridinieæ, Bacillarieæ, Chlorophyceæ, together with a brief summary of the occurrence and distribution of freshwat4er Algæ' (1916) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-alg-vol-i-myxophyce-peridinie-bacillarie-chlorophyce-together-with-170806204.html
Ninfa seduta o anche Ninfa alla Spina; I° secolo avanti Cristo; Guido A. Mansuelli, Galleria degli Uffizi; Le sculture, Vol I, pubblicazione del Poligrafico dello Stato stampata nel 1958; Unknown;
Ninfa seduta o anche Ninfa alla Spina; I° secolo avanti Cristo; Guido A. Mansuelli, Galleria degli Uffizi; Le sculture, Vol I, pubblicazione del Poligrafico dello Stato stampata nel 1958; Unknown; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ninfa-seduta-o-anche-ninfa-alla-spina-i-secolo-avanti-cristo-guido-a-mansuelli-galleria-degli-uffizi-le-sculture-vol-i-pubblicazione-del-poligrafico-dello-stato-stampata-nel-1958-unknown-image257156700.html
(Half title, vol. I.)
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. VOL. I. E E
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Engraving, Queen's College, Birmingham, 1844, Vol I
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Sala de las dos hermanas patio de los leones y la sala de los abencerrages, Cross section of the hall of the two sisters of the Alhambra in Granada, 19th century, signed: Jules Goury & Owen Jones delt, E. Kennion sculpt .,, Goury, Jules (del.), Jones, Owen (del.), Kennion, E. (sculpt.), 1842, Pascual de Gayangos, Owen Jones, Jules Goury: Plans, elevations sections, and details of the Alhambra [...]. Vol. I. London: published by Owen Jones, 1842-1845, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photograp
Sala de las dos hermanas patio de los leones y la sala de los abencerrages, Cross section of the hall of the two sisters of the Alhambra in Granada, 19th century, signed: Jules Goury & Owen Jones delt, E. Kennion sculpt .,, Goury, Jules (del.), Jones, Owen (del.), Kennion, E. (sculpt.), 1842, Pascual de Gayangos, Owen Jones, Jules Goury: Plans, elevations sections, and details of the Alhambra [...]. Vol. I. London: published by Owen Jones, 1842-1845, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photograp https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sala-de-las-dos-hermanas-patio-de-los-leones-y-la-sala-de-los-abencerrages-cross-section-of-the-hall-of-the-two-sisters-of-the-alhambra-in-granada-19th-century-signed-jules-goury-owen-jones-delt-e-kennion-sculpt-goury-jules-del-jones-owen-del-kennion-e-sculpt-1842-pascual-de-gayangos-owen-jones-jules-goury-plans-elevations-sections-and-details-of-the-alhambra-vol-i-london-published-by-owen-jones-1842-1845-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photograp-image349836935.html
D.G.U. (1827) Vol. I.2 Italia
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Page10 Dictionary of National Biography-1 Sup Vol I (1901)
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