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RMBGAJJW–Demorests, January 1875, engraving from the American monthly ladies fashion magazine famous for dressmaking patterns
RMEEWRC1–La Mode Illustree 1865 Victorian era period costume fashion dress gown gowns skirt veil cuff frills muslin cap embroidery
RF2CX37K0–Le Monde Elegant: a Colour Victorian Fashion Plate May 1873 with 2 Ladies Dresses (Pink & Blue) and a Red Outdoor Coat
RM2C71Y0N–Two Women in Day Dresses: Preparatory drawing for a fashion plate from Le Moniteur de la Mode, October 19, 1886.
RMWWE9TW–AJAXNETPHOTO. 1890-1910 (APPROX). PARIS, FRANCE. - WEDDING PARTY - 1 OF 7 STEREO ORIGINAL POSITIVE GLASS PLATE PAIRS BY PHOTOGRAPHER VAILLIANT TOZY OF 29 RUE DE SURENE, PARIS. A RECORD FOR THE PHOTOGRAPHER AND THIS SUBJECT IS CONTAINED IN THE OWHSRL PHOTOGRAPHERS OF THE WORLD (NON USA) PUBL. 1994, UPDATED 2003.KEYWORD SEARCH; TOZY.
PHOTOGRAPHER:TOZY
© DIGITAL IMAGE COPYRIGHT AJAX VINTAGE PICTURE LIBRARY
SOURCE: AJAX VINTAGE PICTURE LIBRARY COLLECTION
REF:STEREO 1900 05
RMKJFKM0–Bathroom, Victorian style, 1911. From the New York Public Library. This plate is from Motts Modern Plumbing, a catalog depicting different styles of bathroom fixtures.
RMG3B3H1–A gent in day dress clothes, also a frock coat, S-B coat curving away at the front, strapped trousers with decorative side seams, cravats & waistcoats with collars. Date: 1845
RM2E2K7AE–A typical Victorian English sweet shop with its owner and daughter standing at the door in typical clothing of the time . Its interesting that the shop in Whitby, Yorkshire, sold a variety of other goods including tourist souvenirs on a card near the door. Adverts are painted on the plate glass windows for Rowntree's ' Makers to HM the King' and Cadbury's ' Delicious & Wholesome' chocolates. Curtains block the cellar window, indicating that it was used as dwelling.
RMEEWRC3–La Mode Illustree 1896 Victorian era period costume fashion dress gown gowns skirt veil cuff frills muslin cap embroidery
RM2M9AFFK–Victorian Christmas family group - an early British visual representation of the domestic Christmas Tree.
RM2M0N7MR–Military equipment of the 9th to 11th centuries. Various types of plate conical helmets, some used by Crusaders and Saracens. Equipement militaire, XIe, Xe et XIe siecles. Chromolithograph by Ferdinand Sere from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
RMWWE9TJ–AJAXNETPHOTO. 1890-1910 (APPROX). PARIS, FRANCE. - WEDDING PARTY - 1 OF 7 STEREO ORIGINAL POSITIVE GLASS PLATE PAIRS BY PHOTOGRAPHER VAILLIANT TOZY OF 29 RUE DE SURENE, PARIS. A RECORD FOR THE PHOTOGRAPHER AND THIS SUBJECT IS CONTAINED IN THE OWHSRL PHOTOGRAPHERS OF THE WORLD (NON USA) PUBL. 1994, UPDATED 2003.KEYWORD SEARCH; TOZY.
PHOTOGRAPHER:TOZY
© DIGITAL IMAGE COPYRIGHT AJAX VINTAGE PICTURE LIBRARY
SOURCE: AJAX VINTAGE PICTURE LIBRARY COLLECTION
REF:STEREO 1900 01
RM2K9J007–Gerard de Nevers meets an equerry in front of a chateau, Flanders, 15th century. The knight wears full plate armour for a tournament. Taken from the Roman de Girart de Nevers, Bibliotheque Imperiale, MS 22, Fonds de Lavalliere. Girart rencontre un ecuyer. Flandre, XVe siecle. Chromolithograph by the Thurwanger brothers from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
RMEEWRCM–La Mode Illustree 1872 Victorian era period costume fashion dress gown gowns skirt veil cuff frills wedding garment
RM2FYD72F–1870s 1800s FASHION PLATE TWO WOMEN IN DRESSES FRONT & REAR VIEW JANUARY 1877 DEMOREST’S MONTHLY VICTORIAN MAGAZINE - kh13419 NAW001 HARS JANUARY TURN OF THE 20TH CENTURY IN FEMININE 19TH CENTURY MONTHLY 1870s STYLISH CREATIVITY FASHION PLATE FASHIONS WAIST YOUNG ADULT WOMAN 1877 CAUCASIAN ETHNICITY OLD FASHIONED WASP
RMP6F9FC–Facsimile of a Japanese fashion plate showing hairstyles of men (chonmage) and women, Edo period. From the Hair-Dressers' Journal, Nagasaki. Chromolithograph by Jules Cheret from Eugene Rimmel's Le Livre des Parfums, Paris, 1870.
RMWWE9TY–AJAXNETPHOTO. 1890-1910 (APPROX). PARIS, FRANCE. - WEDDING PARTY - 1 OF 7 STEREO ORIGINAL POSITIVE GLASS PLATE PAIRS BY PHOTOGRAPHER VAILLIANT TOZY OF 29 RUE DE SURENE, PARIS. A RECORD FOR THE PHOTOGRAPHER AND THIS SUBJECT IS CONTAINED IN THE OWHSRL PHOTOGRAPHERS OF THE WORLD (NON USA) PUBL. 1994, UPDATED 2003.KEYWORD SEARCH; TOZY.
PHOTOGRAPHER:TOZY
© DIGITAL IMAGE COPYRIGHT AJAX VINTAGE PICTURE LIBRARY
SOURCE: AJAX VINTAGE PICTURE LIBRARY COLLECTION
REF:STEREO 1900 08
RM2K98X63–Emperor Charlemagne in gold plate armour and ermine mantle seated in a military tent. His devoted servant Maulgis kneels before him. The fleurs-de-lys pattern is an anachronism. France, XVe siecle. From a manuscript romance, Folio 359, Tome 1, MS BLF 244, Bibliotheque de l'Arsenal. Chromolithograph by Moulin after an illustration by Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
RM2M1D7CH–Armorial robes of the 14th century, Flanders. Noble man in suit of plate armour and lady in armorial robes emblazoned with shields and lions rampant. From a manuscript Heures de la Croix de Notre Dame des Morts et autres, Bibliotheque de Cambrai. Costumes Armories. Flandres XIVe Siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
RMJF909B–The newest French fashions designed for the Ladies Treasury.. Hand coloured fashion plate. Shows women modellling spring dresses with bustles and tight fitting, high necked bodices. Hair is swept up.
RMEEWRBT–La Mode Illustree 1685 Victorian era period costume fashion dress gown gowns skirt veil cuff frills muslin cap embroidery
RM2E3W63P–1890s Victorian portrait of unknown fashionably dressed women seated in a garden posing for a photographer with a camera on a tripod. One may be a cross dressing man. One of a sequence of ten photographs of friends and family in the same setting.
![Ancient Silver Alms-Dish, 1850. 'Among the communion plate of Bermondsey Church [in London] is an ancient Silver Salver, now used for the collection of alms. It is supposed to have belonged to the Abbey of Bermondsey. In the centre is an engraving of a knight in plate armour, kneeling before a female, who is about to place a helmet on his head at the gate of a castle or fortified tower. From the fashion of the armour and form of the helmet, this curious specimen of art in the olden time has been assigned to the age of Edward the Second.' From "Illustrated London News", 1850. Stock Photo](https://c8.alamy.com/comp/2HT67P6/ancient-silver-alms-dish-1850-among-the-communion-plate-of-bermondsey-church-in-london-is-an-ancient-silver-salver-now-used-for-the-collection-of-alms-it-is-supposed-to-have-belonged-to-the-abbey-of-bermondsey-in-the-centre-is-an-engraving-of-a-knight-in-plate-armour-kneeling-before-a-female-who-is-about-to-place-a-helmet-on-his-head-at-the-gate-of-a-castle-or-fortified-tower-from-the-fashion-of-the-armour-and-form-of-the-helmet-this-curious-specimen-of-art-in-the-olden-time-has-been-assigned-to-the-age-of-edward-the-second-from-quotillustrated-london-newsquot-1850-2HT67P6.jpg "Ancient Silver Alms-Dish, 1850. 'Among the communion plate of Bermondsey Church [in London] is an ancient Silver Salver, now used for the collection of alms. It is supposed to have belonged to the Abbey of Bermondsey. In the centre is an engraving of a knight in plate armour, kneeling before a female, who is about to place a helmet on his head at the gate of a castle or fortified tower. From the fashion of the armour and form of the helmet, this curious specimen of art in the olden time has been assigned to the age of Edward the Second.' From "Illustrated London News", 1850. Stock Photo")
RM2HT67P6–Ancient Silver Alms-Dish, 1850. 'Among the communion plate of Bermondsey Church [in London] is an ancient Silver Salver, now used for the collection of alms. It is supposed to have belonged to the Abbey of Bermondsey. In the centre is an engraving of a knight in plate armour, kneeling before a female, who is about to place a helmet on his head at the gate of a castle or fortified tower. From the fashion of the armour and form of the helmet, this curious specimen of art in the olden time has been assigned to the age of Edward the Second.' From "Illustrated London News", 1850.
RMRXD165–Following the Fashion. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1794. Dimensions: 305 × 340 mm (image); 325 × 370 mm (plate); 350 × 385 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute.
![Man speaking to woman at seated sewing machine. SA fashion plate. Victorian style and history. . The Sewing Machine. London, [1864]. The Sewing Machine. Song [begins: 'I am one of those']. Hall, Frank. Source: H.1258.(10) front cover (det). Stock Photo](https://c8.alamy.com/comp/R50YCM/man-speaking-to-woman-at-seated-sewing-machine-sa-fashion-plate-victorian-style-and-history-the-sewing-machine-london-1864-the-sewing-machine-song-begins-i-am-one-of-those-hall-frank-source-h125810-front-cover-det-R50YCM.jpg "Man speaking to woman at seated sewing machine. SA fashion plate. Victorian style and history. . The Sewing Machine. London, [1864]. The Sewing Machine. Song [begins: 'I am one of those']. Hall, Frank. Source: H.1258.(10) front cover (det). Stock Photo")
RMR50YCM–Man speaking to woman at seated sewing machine. SA fashion plate. Victorian style and history. . The Sewing Machine. London, [1864]. The Sewing Machine. Song [begins: 'I am one of those']. Hall, Frank. Source: H.1258.(10) front cover (det).
RMWWE9TT–AJAXNETPHOTO. 1890-1910 (APPROX). PARIS, FRANCE. - WEDDING PARTY - 1 OF 7 STEREO ORIGINAL POSITIVE GLASS PLATE PAIRS BY PHOTOGRAPHER VAILLIANT TOZY OF 29 RUE DE SURENE, PARIS. A RECORD FOR THE PHOTOGRAPHER AND THIS SUBJECT IS CONTAINED IN THE OWHSRL PHOTOGRAPHERS OF THE WORLD (NON USA) PUBL. 1994, UPDATED 2003.KEYWORD SEARCH; TOZY.
PHOTOGRAPHER:TOZY
© DIGITAL IMAGE COPYRIGHT AJAX VINTAGE PICTURE LIBRARY
SOURCE: AJAX VINTAGE PICTURE LIBRARY COLLECTION
REF:STEREO 1900 04
RMHDB6RG–woman dressed in best clothes in church, illustration from 1884 Chatterbox weekly children’s paper
RF2F35NTB–praeterit enim figura hujus mundi bookplate for Josephine E S Porter, by William Fowler Hopson
RM2M0N7XP–Labours of the months, plate 2, 13th century. July: cutting grass with a scythe August: cutting wheat with a sickle, September: sowing seeds, October: harvesting grapes for wine, November: harvesting acorns for pigfeed, December: butchering a pig with an axe. From a manuscript Psalter, MS 147, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after Claudius Joseph Ciappori, from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
RMGDCRC5–Two Victorian women dressed in formal full length black designs pose. Circa 1900. Photo by Tony Henshaw
RMEEWRCE–La Mode Illustree Victorian era period costume fashion dress gown gowns skirt veil cuff frills muslin cap embroidery embroidered
RMJF909C–The newest French fashions expressly modelled for Sylvia's Home Journal... Hand coloured fashion plate. Shows woman modellling evening dress with bustles and tight fitting, decolleté bodice with choker necklace. Hair is swept up. Maid also wearing dress with bsutle is holding necklace
RMGDCRF4–Victorian women in park gardens c1900 Photograph by Tony Henshaw From original glass negative
RMGDCRRC–Study of a girl reading with natural lighting. amateur family photos c1899, venue appears to be Hastings. Photograph by Tony Henshaw - Scanned from early original glass slides (original positive images). FROM THE 1899 HASTINGS FAMILY COLLECTION
RMWWE9TM–AJAXNETPHOTO. 1890-1910 (APPROX). PARIS, FRANCE. - WEDDING PARTY - 1 OF 7 STEREO ORIGINAL POSITIVE GLASS PLATE PAIRS BY PHOTOGRAPHER VAILLIANT TOZY OF 29 RUE DE SURENE, PARIS. A RECORD FOR THE PHOTOGRAPHER AND THIS SUBJECT IS CONTAINED IN THE OWHSRL PHOTOGRAPHERS OF THE WORLD (NON USA) PUBL. 1994, UPDATED 2003.KEYWORD SEARCH; TOZY.
PHOTOGRAPHER:TOZY
© DIGITAL IMAGE COPYRIGHT AJAX VINTAGE PICTURE LIBRARY
SOURCE: AJAX VINTAGE PICTURE LIBRARY COLLECTION
REF:STEREO 1900 02
![Woman walking on street watches man engaging dog in play with broom. Street scene; man with top hat and cane. A fashion plate. Victorian style and history. . Kleptomania. London, [1863]. Kleptomania. [Song, begins: 'Of course you know'.] (Symphonies and accompaniments by P. Rathbone.). Hall, Frank. Source: H.1258.(7) front cover (det). Stock Photo](https://c8.alamy.com/comp/R4X6HB/woman-walking-on-street-watches-man-engaging-dog-in-play-with-broom-street-scene-man-with-top-hat-and-cane-a-fashion-plate-victorian-style-and-history-kleptomania-london-1863-kleptomania-song-begins-of-course-you-know-symphonies-and-accompaniments-by-p-rathbone-hall-frank-source-h12587-front-cover-det-R4X6HB.jpg "Woman walking on street watches man engaging dog in play with broom. Street scene; man with top hat and cane. A fashion plate. Victorian style and history. . Kleptomania. London, [1863]. Kleptomania. [Song, begins: 'Of course you know'.] (Symphonies and accompaniments by P. Rathbone.). Hall, Frank. Source: H.1258.(7) front cover (det). Stock Photo")
RMR4X6HB–Woman walking on street watches man engaging dog in play with broom. Street scene; man with top hat and cane. A fashion plate. Victorian style and history. . Kleptomania. London, [1863]. Kleptomania. [Song, begins: 'Of course you know'.] (Symphonies and accompaniments by P. Rathbone.). Hall, Frank. Source: H.1258.(7) front cover (det).
RMRXMARG–Advantages of Wearing Muslin Dresses!. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1802. Dimensions: 241 × 347 mm (image); 255 × 355 mm (plate); 285 × 395 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute.
RM2M0N7YP–Labours of the months, plate 1, 13th century. January: man drinking and warming himself, February: woman holding a candle, March: lumberjack cutting timber, April, man holding vine branches, May, falconer with bird of prey and decoy, June: man carrying planks for building. From a manuscript Psalter, MS 147, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
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