RMPTMR26–10 October 2018, Baden-Wuerttemberg, Mannheim: A young woman stands in the exhibition 'Construction of the World. Kunst und Ökonomie' at the Kunsthalle Mannheim before works by the artists Philip Evergood (l-r) with the title 'Tanzmarathon' (1934), Gerhard Keil with the title 'Turnerinnen' (1939) and Alexander Deineka with the title 'Ballspiel' (1932). By juxtaposing two epochs, the exhibition shows for the first time the dramatic influence of economics on art. Photo: Uwe Anspach/dpa
RM2JT46J1–Turnerinnen der niederländischen Goldriege von 1928.
RMAWR51R–Floor exercises as an galanty show during the DTB-Turngala 2007
RFK4A5JP–Door Painting In The Rua Santa Maria In Funchal, Madeira
RMPTMR24–10 October 2018, Baden-Wuerttemberg, Mannheim: A young woman goes to the exhibition 'Construction of the World. Kunst und Ökonomie' at the Kunsthalle Mannheim, the works of the artists Philip Evergood (l-r) with the title 'Tanzmarathon' (1934), Gerhard Keil with the title 'Turnerinnen' (1939), and Vladimir Wassilyev with the title 'Die Familie des Kommandanten' (1938). By juxtaposing two epochs, the exhibition shows for the first time the dramatic influence of economics on art. Photo: Uwe Anspach/dpa