Quick filters:
Topographical painting Stock Photos and Images
Wooded Upland Landscape. Artist: Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: 47 3/8 x 58 1/8 in. (120.3 x 147.6 cm). Date: probably 1783. Gainsborough was a born draftsman and in his early years made many drawings after nature, but he was uninterested in the English tradition of topographical painting. This idyllic imaginary landscape and the chalk sketch on which it is based were probably composed in the artist's London studio in 1783. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wooded-upland-landscape-artist-thomas-gainsborough-british-sudbury-1727-1788-london-dimensions-47-38-x-58-18-in-1203-x-1476-cm-date-probably-1783-gainsborough-was-a-born-draftsman-and-in-his-early-years-made-many-drawings-after-nature-but-he-was-uninterested-in-the-english-tradition-of-topographical-painting-this-idyllic-imaginary-landscape-and-the-chalk-sketch-on-which-it-is-based-were-probably-composed-in-the-artists-london-studio-in-1783-museum-metropolitan-museum-of-art-new-york-usa-image213301102.htmlRMPB0KME–Wooded Upland Landscape. Artist: Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: 47 3/8 x 58 1/8 in. (120.3 x 147.6 cm). Date: probably 1783. Gainsborough was a born draftsman and in his early years made many drawings after nature, but he was uninterested in the English tradition of topographical painting. This idyllic imaginary landscape and the chalk sketch on which it is based were probably composed in the artist's London studio in 1783. Museum: Metropolitan Museum of Art, New York, USA.
Artwork. Illustration of the continent of Australia with Indonesia and Papua New Guinea. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artwork-illustration-of-the-continent-of-australia-with-indonesia-and-papua-new-guinea-image429998489.htmlRM2FYG3CW–Artwork. Illustration of the continent of Australia with Indonesia and Papua New Guinea.
Panoramic View of the Severn Estuary By Samuel Lines, Landscape, Oil Painting, England, Topographical Views, River Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panoramic-view-of-the-severn-estuary-by-samuel-lines-landscape-oil-painting-england-topographical-views-river-image387007440.htmlRM2DDHKX8–Panoramic View of the Severn Estuary By Samuel Lines, Landscape, Oil Painting, England, Topographical Views, River
Town Plan or Old Map of Vicenza, Italy. Fresco or Wall Painting in Gallery of Maps (1580-83) based on Drawings by Ignazio Danti Vatican Museums Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/town-plan-or-old-map-of-vicenza-italy-fresco-or-wall-painting-in-gallery-of-maps-1580-83-based-on-drawings-by-ignazio-danti-vatican-museums-image239723749.htmlRMRX0A2D–Town Plan or Old Map of Vicenza, Italy. Fresco or Wall Painting in Gallery of Maps (1580-83) based on Drawings by Ignazio Danti Vatican Museums
Leonardo topographical map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leonardo-topographical-map-132807520.htmlRMHM1W9M–Leonardo topographical map
CHRISTIE'S DIRECTOR OF TOPOGRAPHICAL PICTURES,EXPLORATION AND TRAVEL,NICHOLAS LAMBOURN,WITH THE NEWLY DISCOVERED WATERCOLOUR DEPICTING CAPTIAN COOK FIGHTING FOR HIS LIFE IN HAWAII,BY JOHN CLEVELEY.THE PAINTING WHICH IS TO BE SOLD AT CHRISTIES ON 23/9/04,THROWS NEW LIGHT ON COOKS LAST MOMENTS,CONTRASTING WITH THE DEPICTION SHOWN IN THE KNOWN ETCHINGS.12/7/04 PILSTON . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-director-of-topographical-picturesexploration-and-travelnicholas-lambournwith-the-newly-discovered-watercolour-depicting-captian-cook-fighting-for-his-life-in-hawaiiby-john-cleveleythe-painting-which-is-to-be-sold-at-christies-on-23904throws-new-light-on-cooks-last-momentscontrasting-with-the-depiction-shown-in-the-known-etchings12704-pilston-image417492691.htmlRM2F76C57–CHRISTIE'S DIRECTOR OF TOPOGRAPHICAL PICTURES,EXPLORATION AND TRAVEL,NICHOLAS LAMBOURN,WITH THE NEWLY DISCOVERED WATERCOLOUR DEPICTING CAPTIAN COOK FIGHTING FOR HIS LIFE IN HAWAII,BY JOHN CLEVELEY.THE PAINTING WHICH IS TO BE SOLD AT CHRISTIES ON 23/9/04,THROWS NEW LIGHT ON COOKS LAST MOMENTS,CONTRASTING WITH THE DEPICTION SHOWN IN THE KNOWN ETCHINGS.12/7/04 PILSTON .
A view from Richmond Hill down the River Thames. Showing Richmond, Brentford, Isleworth, Syon House and Park, but lacking Richmond Bridge built in 1777. Copperplate engraving by William Thornton after a 1749 painting by Antonio Joli, London, 1784. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-from-richmond-hill-down-the-river-thames-showing-richmond-brentford-isleworth-syon-house-and-park-but-lacking-richmond-bridge-built-in-1777-copperplate-engraving-by-william-thornton-after-a-1749-painting-by-antonio-joli-london-1784-image469155410.htmlRM2J77TEA–A view from Richmond Hill down the River Thames. Showing Richmond, Brentford, Isleworth, Syon House and Park, but lacking Richmond Bridge built in 1777. Copperplate engraving by William Thornton after a 1749 painting by Antonio Joli, London, 1784.
View of Munich, by Bernardo Bellotto and Workshop, c. 1761, Italian painting, oil on canvas. Bellotto's cityscape of Munich is marked by topographical precision and great detail. This painting was probably painted in Dresden, from an earlier work or drawi (BSLOC 2016 6 300) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-of-munich-by-bernardo-bellotto-and-workshop-c-1761-italian-painting-115918350.htmlRFGMGF12–View of Munich, by Bernardo Bellotto and Workshop, c. 1761, Italian painting, oil on canvas. Bellotto's cityscape of Munich is marked by topographical precision and great detail. This painting was probably painted in Dresden, from an earlier work or drawi (BSLOC 2016 6 300)
vector abstract topographical map Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-abstract-topographical-map-image64672371.htmlRFDN627F–vector abstract topographical map
Elderly tourists enjoying a refreshment break in the Indoor Market in Tenby South Wales UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-elderly-tourists-enjoying-a-refreshment-break-in-the-indoor-market-75246935.htmlRMEABP6F–Elderly tourists enjoying a refreshment break in the Indoor Market in Tenby South Wales UK
. English: The painting presents the rear view of the old Amsterdam Exchange - built by Hendrick de Keyser (1608-11) and torn down in the 19th century. Deviating from the actual topography and ignoring the canal that ran behind the building, van der Heyden combines it with the rear of a patrician mansion and a shingled, medieval-looking cottage. These two building create a highly picturesque and almost rural ensemble of rear courtyards. A true mood painter, van der Heyden is content to suppress topographical accuracy in favour of a lasting impression of the character of a Dutch city. . 6 Octo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-painting-presents-the-rear-view-of-the-old-amsterdam-exchange-built-by-hendrick-de-keyser-1608-11-and-torn-down-in-the-19th-century-deviating-from-the-actual-topography-and-ignoring-the-canal-that-ran-behind-the-building-van-der-heyden-combines-it-with-the-rear-of-a-patrician-mansion-and-a-shingled-medieval-looking-cottage-these-two-building-create-a-highly-picturesque-and-almost-rural-ensemble-of-rear-courtyards-a-true-mood-painter-van-der-heyden-is-content-to-suppress-topographical-accuracy-in-favour-of-a-lasting-impression-of-the-character-of-a-dutch-city-6-octo-image188850951.htmlRMMY6W8R–. English: The painting presents the rear view of the old Amsterdam Exchange - built by Hendrick de Keyser (1608-11) and torn down in the 19th century. Deviating from the actual topography and ignoring the canal that ran behind the building, van der Heyden combines it with the rear of a patrician mansion and a shingled, medieval-looking cottage. These two building create a highly picturesque and almost rural ensemble of rear courtyards. A true mood painter, van der Heyden is content to suppress topographical accuracy in favour of a lasting impression of the character of a Dutch city. . 6 Octo
The gentility strolling through Paris, France in a painting by Giuseppe Canella who settled in France in 1823 to 1833. He was best known as a painter of cityscapes and animated street scenes incorporating topographical elements. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gentility-strolling-through-paris-france-in-a-painting-by-giuseppe-canella-who-settled-in-france-in-1823-to-1833-he-was-best-known-as-a-painter-of-cityscapes-and-animated-street-scenes-incorporating-topographical-elements-image352897945.htmlRM2BE3TX1–The gentility strolling through Paris, France in a painting by Giuseppe Canella who settled in France in 1823 to 1833. He was best known as a painter of cityscapes and animated street scenes incorporating topographical elements.
Old map of Austria. Excellent state of preservation realized in ancient style. All the graphic composition is inside a frame. By Ortelius, Theatrum Orbis Terrarum, Antwerp, 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-map-of-austria-excellent-state-of-preservation-realized-in-ancient-image156839947.htmlRFK34JXK–Old map of Austria. Excellent state of preservation realized in ancient style. All the graphic composition is inside a frame. By Ortelius, Theatrum Orbis Terrarum, Antwerp, 1570
The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gallery-of-maps-a-gallery-located-in-the-vatican-containing-a-series-of-painted-topographical-maps-of-italy-based-on-drawings-ignazio-danti-it-to-image633439679.htmlRF2YPFJNK–The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to
Recto above Charles V defeating the Turks near Vienna 1529 preliminary design for lost painting on the Canto de Bischeri in Florence erected on the occasion of the entry of Christina of Lorraine bride of Duke Ferdinando de Medici 1589 Recto below Battlearray with king elephants cavalry and infantry Battle of the Hydaspes Verso The fortifications of Ostende. Research in ProgressVertical rectangle. Verso, top: Battle scene, with men on horseback moving toward the right; below: topographical sketch. Recto: sketch of walled-in sea area at Ostend. Recto above Charles V defeating the Turks near Vien Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/recto-above-charles-v-defeating-the-turks-near-vienna-1529-preliminary-design-for-lost-painting-on-the-canto-de-bischeri-in-florence-erected-on-the-occasion-of-the-entry-of-christina-of-lorraine-bride-of-duke-ferdinando-de-medici-1589-recto-below-battlearray-with-king-elephants-cavalry-and-infantry-battle-of-the-hydaspes-verso-the-fortifications-of-ostende-research-in-progressvertical-rectangle-verso-top-battle-scene-with-men-on-horseback-moving-toward-the-right-below-topographical-sketch-recto-sketch-of-walled-in-sea-area-at-ostend-recto-above-charles-v-defeating-the-turks-near-vien-image352189975.htmlRM2BCYHWB–Recto above Charles V defeating the Turks near Vienna 1529 preliminary design for lost painting on the Canto de Bischeri in Florence erected on the occasion of the entry of Christina of Lorraine bride of Duke Ferdinando de Medici 1589 Recto below Battlearray with king elephants cavalry and infantry Battle of the Hydaspes Verso The fortifications of Ostende. Research in ProgressVertical rectangle. Verso, top: Battle scene, with men on horseback moving toward the right; below: topographical sketch. Recto: sketch of walled-in sea area at Ostend. Recto above Charles V defeating the Turks near Vien
SPRING MORNING IN THE HEART OF THE CITY, by Childe Hassam, 1890-99, American painting, oil on canvas. Impressionist scene of Madison Square Park, with the classical portico of the elegant Fifth Avenue Hotel, with traffic of horse drawn cabs (BSLOC 2017 9 19) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-spring-morning-in-the-heart-of-the-city-by-childe-hassam-1890-99-american-170559375.htmlRMKWDJ67–SPRING MORNING IN THE HEART OF THE CITY, by Childe Hassam, 1890-99, American painting, oil on canvas. Impressionist scene of Madison Square Park, with the classical portico of the elegant Fifth Avenue Hotel, with traffic of horse drawn cabs (BSLOC 2017 9 19)
Canaletto - Enbankment of Molo in Venice Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canaletto-enbankment-of-molo-in-venice-image331148618.htmlRF2A6N3CA–Canaletto - Enbankment of Molo in Venice
John James Albert by Thomas Sully, 1839. John James Abert was a United States soldier. He headed the Corps of Topographical Engineers for 32 years, during which time he organized the mapping of the American West. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-james-albert-by-thomas-sully-1839-john-james-abert-was-a-united-73157743.htmlRME70HCF–John James Albert by Thomas Sully, 1839. John James Abert was a United States soldier. He headed the Corps of Topographical Engineers for 32 years, during which time he organized the mapping of the American West.
![Raby Castle, the Seat of the Earl of Darlington, 1817. Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in Stock Photo](https://c8.alamy.com/comp/2TBKYE5/raby-castle-the-seat-of-the-earl-of-darlington-1817-before-he-painted-romantic-subjects-drawn-from-classical-biblical-literary-and-contemporary-sources-turner-specialized-in-topographical-views-this-work-commissioned-by-the-third-earl-of-darlington-is-one-of-turners-most-successful-quothouse-portraitsquot-it-is-also-one-of-the-first-works-in-which-he-fully-exploits-the-dramatic-potential-of-the-sky-the-earl-an-avid-sportsman-who-reportedly-hunted-six-days-a-week-may-have-influenced-turners-rendering-of-the-scene-when-the-painting-was-first-exhibited-at-the-royal-academy-in-2TBKYE5.jpg "Raby Castle, the Seat of the Earl of Darlington, 1817. Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in Stock Photo")
Raby Castle, the Seat of the Earl of Darlington, 1817. Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raby-castle-the-seat-of-the-earl-of-darlington-1817-before-he-painted-romantic-subjects-drawn-from-classical-biblical-literary-and-contemporary-sources-turner-specialized-in-topographical-views-this-work-commissioned-by-the-third-earl-of-darlington-is-one-of-turners-most-successful-quothouse-portraitsquot-it-is-also-one-of-the-first-works-in-which-he-fully-exploits-the-dramatic-potential-of-the-sky-the-earl-an-avid-sportsman-who-reportedly-hunted-six-days-a-week-may-have-influenced-turners-rendering-of-the-scene-when-the-painting-was-first-exhibited-at-the-royal-academy-in-image575142013.htmlRM2TBKYE5–Raby Castle, the Seat of the Earl of Darlington, 1817. Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in
Joris Hoefnagel or Georg Hoefnagel, Flemish painter, printmaker, miniaturist, draftsman and merchant, 1542-1601. He is noted for his illustrations of natural history subjects, topographical views, illuminations and mythological works. Georgius Houefnaglius. Copperplate engraving after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joris-hoefnagel-or-georg-hoefnagel-flemish-painter-printmaker-miniaturist-draftsman-and-merchant-1542-1601-he-is-noted-for-his-illustrations-of-natural-history-subjects-topographical-views-illuminations-and-mythological-works-georgius-houefnaglius-copperplate-engraving-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image571812277.htmlRM2T688B1–Joris Hoefnagel or Georg Hoefnagel, Flemish painter, printmaker, miniaturist, draftsman and merchant, 1542-1601. He is noted for his illustrations of natural history subjects, topographical views, illuminations and mythological works. Georgius Houefnaglius. Copperplate engraving after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Artwork. Relief map of Australia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-artwork-relief-map-of-australia-14854242.htmlRMAK1FMK–Artwork. Relief map of Australia.
Distant View Of Birdingbury Hall, Warwickshire, 1800 British School, Oil Painting, Topographical Views, England, Midlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/distant-view-of-birdingbury-hall-warwickshire-1800-british-school-oil-painting-topographical-views-england-midlands-image387019738.htmlRM2DDJ7HE–Distant View Of Birdingbury Hall, Warwickshire, 1800 British School, Oil Painting, Topographical Views, England, Midlands
Vintage Map or Old Map of Sardinia. Wall Map, Fresco or Wall Painting in Gallery of Maps (1580-83) based on Drawings by Ignazio Danti Vatican Museums Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-map-or-old-map-of-sardinia-wall-map-fresco-or-wall-painting-in-gallery-of-maps-1580-83-based-on-drawings-by-ignazio-danti-vatican-museums-image239724294.htmlRMRX0ANX–Vintage Map or Old Map of Sardinia. Wall Map, Fresco or Wall Painting in Gallery of Maps (1580-83) based on Drawings by Ignazio Danti Vatican Museums
Topographical map of Ghent, 1903 1922 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-topographical-map-of-ghent-1903-1922-132408429.htmlRMHKBM8D–Topographical map of Ghent, 1903 1922
A sporting contest on the Tiber at Rome. Painted in 1750 by Claude-Joseph Vernet (1714 - 1789), was the leading French landscape painter of the later 18th century. He achieved great celebrity with his topographical paintings and serene landscapes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sporting-contest-on-the-tiber-at-rome-painted-in-1750-by-claude-joseph-vernet-1714-1789-was-the-leading-french-landscape-painter-of-the-later-18th-century-he-achieved-great-celebrity-with-his-topographical-paintings-and-serene-landscapes-image482076951.htmlRM2K08E1Y–A sporting contest on the Tiber at Rome. Painted in 1750 by Claude-Joseph Vernet (1714 - 1789), was the leading French landscape painter of the later 18th century. He achieved great celebrity with his topographical paintings and serene landscapes
Joris Hoefnagel or Georg Hoefnagel, Flemish painter, printmaker, miniaturist, draftsman and merchant, 1542-1601. He is noted for his illustrations of natural history subjects, topographical views, illuminations and mythological works. Georgius Houefnaglius. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joris-hoefnagel-or-georg-hoefnagel-flemish-painter-printmaker-miniaturist-draftsman-and-merchant-1542-1601-he-is-noted-for-his-illustrations-of-natural-history-subjects-topographical-views-illuminations-and-mythological-works-georgius-houefnaglius-copperplate-engraving-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image549180470.htmlRM2PWD986–Joris Hoefnagel or Georg Hoefnagel, Flemish painter, printmaker, miniaturist, draftsman and merchant, 1542-1601. He is noted for his illustrations of natural history subjects, topographical views, illuminations and mythological works. Georgius Houefnaglius. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
View near the Geest Bridge, by Johan Hendrik Weissenbruch, 1868, Dutch painting, oil on panel. Also known as 'The Trekvliet Shipping Canal near Rijswijk'. Topographical view of the canal that linked The Hague with villages of Rijswijk and Voorburg. (BSLOC 2016 1 156) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-near-the-geest-bridge-by-johan-hendrik-weissenbruch-1868-dutch-115904106.htmlRFGMFTTA–View near the Geest Bridge, by Johan Hendrik Weissenbruch, 1868, Dutch painting, oil on panel. Also known as 'The Trekvliet Shipping Canal near Rijswijk'. Topographical view of the canal that linked The Hague with villages of Rijswijk and Voorburg. (BSLOC 2016 1 156)
vector abstract topographical map Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-abstract-topographical-map-image64672365.htmlRFDN6279–vector abstract topographical map
Imaginary topographic map of territory with rivers, lakes, forests and roads Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/imaginary-topographic-map-of-territory-with-rivers-lakes-forests-and-roads-image260890355.htmlRFW4CG8K–Imaginary topographic map of territory with rivers, lakes, forests and roads
. English: The painting presents the rear view of the old Amsterdam Exchange - built by Hendrick de Keyser (1608-11) and torn down in the 19th century. Deviating from the actual topography and ignoring the canal that ran behind the building, van der Heyden combines it with the rear of a patrician mansion and a shingled, medieval-looking cottage. These two building create a highly picturesque and almost rural ensemble of rear courtyards. A true mood painter, van der Heyden is content to suppress topographical accuracy in favour of a lasting impression of the character of a Dutch city. . 6 Octo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-painting-presents-the-rear-view-of-the-old-amsterdam-exchange-built-by-hendrick-de-keyser-1608-11-and-torn-down-in-the-19th-century-deviating-from-the-actual-topography-and-ignoring-the-canal-that-ran-behind-the-building-van-der-heyden-combines-it-with-the-rear-of-a-patrician-mansion-and-a-shingled-medieval-looking-cottage-these-two-building-create-a-highly-picturesque-and-almost-rural-ensemble-of-rear-courtyards-a-true-mood-painter-van-der-heyden-is-content-to-suppress-topographical-accuracy-in-favour-of-a-lasting-impression-of-the-character-of-a-dutch-city-6-octo-image187573350.htmlRMMW4KM6–. English: The painting presents the rear view of the old Amsterdam Exchange - built by Hendrick de Keyser (1608-11) and torn down in the 19th century. Deviating from the actual topography and ignoring the canal that ran behind the building, van der Heyden combines it with the rear of a patrician mansion and a shingled, medieval-looking cottage. These two building create a highly picturesque and almost rural ensemble of rear courtyards. A true mood painter, van der Heyden is content to suppress topographical accuracy in favour of a lasting impression of the character of a Dutch city. . 6 Octo
Souvenir Canadian Pavilion Panama Pacific International Exposition SanFrancisco 1915 . Canadian Water Powers. This shows a section of a large topographical painting ofCanada, with a number of power plant models arranged toshow that every industrial center throughout the Dominion hasan abundance of cheap power. Digitized by the Internet Archivein 2013 archive.org/cletails/souvenircanadianOOpana n IS ;5 o ^ ^^ ////// ^ W/./I//// ^^ ^ ^ i i $ Vn W o ^ ^ m fe LORNE o/CANA t^ If D2 t-52S > P5. A Canadian Home. Twelve Years from Virgin Prairie to tiie Heigiit ofProductiveness. The trees seen in t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/souvenir-canadian-pavilion-panama-pacific-international-exposition-sanfrancisco-1915-canadian-water-powers-this-shows-a-section-of-a-large-topographical-painting-ofcanada-with-a-number-of-power-plant-models-arranged-toshow-that-every-industrial-center-throughout-the-dominion-hasan-abundance-of-cheap-power-digitized-by-the-internet-archivein-2013-archiveorgcletailssouvenircanadianoopana-n-is-5-o-wi-i-i-vn-w-o-m-fe-lorne-ocana-t-if-d2-t-52s-gt-p5-a-canadian-home-twelve-years-from-virgin-prairie-to-tiie-heigiit-ofproductiveness-the-trees-seen-in-t-image339208024.htmlRM2AKT788–Souvenir Canadian Pavilion Panama Pacific International Exposition SanFrancisco 1915 . Canadian Water Powers. This shows a section of a large topographical painting ofCanada, with a number of power plant models arranged toshow that every industrial center throughout the Dominion hasan abundance of cheap power. Digitized by the Internet Archivein 2013 archive.org/cletails/souvenircanadianOOpana n IS ;5 o ^ ^^ ////// ^ W/./I//// ^^ ^ ^ i i $ Vn W o ^ ^ m fe LORNE o/CANA t^ If D2 t-52S > P5. A Canadian Home. Twelve Years from Virgin Prairie to tiie Heigiit ofProductiveness. The trees seen in t
Gettysburg Topographical Map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gettysburg-topographical-map-139988658.htmlRMJ3N0XX–Gettysburg Topographical Map
The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gallery-of-maps-a-gallery-located-in-the-vatican-containing-a-series-of-painted-topographical-maps-of-italy-based-on-drawings-ignazio-danti-it-to-image633439756.htmlRF2YPFJTC–The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to
New Zijds Voorburgwal with the Oude Luis Haarlem, Amsterdam (with topographical freedoms) New Zijds Voorburgwal with the Oude Haarlemmer Luis Amsterdam (with topographical freedoms) Property Type: picture Item number: RP-P-1878-A 587 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker: Johannes Arnoldus Boland (listed property) to painting by Jan van der Heyden (listed property) Place manufacture: Amsterdam Date: 1860 - or for 1878 Physical characteristics: etching and drypoint on chine collé Material: paper chine collé Technique: etching dimensions : p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-zijds-voorburgwal-with-the-oude-luis-haarlem-amsterdam-with-topographical-freedoms-new-zijds-voorburgwal-with-the-oude-haarlemmer-luis-amsterdam-with-topographical-freedoms-property-type-picture-item-number-rp-p-1878-a-587-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-johannes-arnoldus-boland-listed-property-to-painting-by-jan-van-der-heyden-listed-property-place-manufacture-amsterdam-date-1860-or-for-1878-physical-characteristics-etching-and-drypoint-on-chine-coll-material-paper-chine-coll-technique-etching-dimensions-p-image348286210.htmlRM2B6HPH6–New Zijds Voorburgwal with the Oude Luis Haarlem, Amsterdam (with topographical freedoms) New Zijds Voorburgwal with the Oude Haarlemmer Luis Amsterdam (with topographical freedoms) Property Type: picture Item number: RP-P-1878-A 587 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker: Johannes Arnoldus Boland (listed property) to painting by Jan van der Heyden (listed property) Place manufacture: Amsterdam Date: 1860 - or for 1878 Physical characteristics: etching and drypoint on chine collé Material: paper chine collé Technique: etching dimensions : p
BROADWAY AND 42ND STREET, by Childe Hassam, 1902, American painting, oil on canvas. Winter evening in Longacre Square (aka Times Square) with pedestrians on snow covered sidewalks against the glow of electric lights, and horse drawn cabs in turn of the century New York City (BSLOC 2017 9 21) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-broadway-and-42nd-street-by-childe-hassam-1902-american-painting-oil-170559381.htmlRMKWDJ6D–BROADWAY AND 42ND STREET, by Childe Hassam, 1902, American painting, oil on canvas. Winter evening in Longacre Square (aka Times Square) with pedestrians on snow covered sidewalks against the glow of electric lights, and horse drawn cabs in turn of the century New York City (BSLOC 2017 9 21)
Canaletto: 'The Grand Canal with Santa Maria della Salute' (1732-33) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canaletto-the-grand-canal-with-santa-maria-della-salute-1732-33-image576520820.htmlRF2TDXP58–Canaletto: 'The Grand Canal with Santa Maria della Salute' (1732-33)
Topographical explanation of the panorama of Vienna. Sketch and explanation of the circular painting in the Prater, after William Barton. Unknown, printer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/topographical-explanation-of-the-panorama-of-vienna-sketch-and-explanation-of-the-circular-painting-in-the-prater-after-william-barton-unknown-printer-image471084887.htmlRM2JABNG7–Topographical explanation of the panorama of Vienna. Sketch and explanation of the circular painting in the Prater, after William Barton. Unknown, printer
Bridgenorth, Shropshire, c. 1790. The medium of watercolour has a richer tradition in England than almost any other country, and its rise in importance was closely connected to the development of landscape painting. Paul Sandy was among the first British artists to produce a substantial body of landscape watercolours. Early in his career, Sandy worked as a mapmaker, surveying the Highlands in Scotland while working for the government. His mature work combines topographical accuracy with picturesqe compositions and carefully observed figure groups. This watercolour shows a gated medieval bridge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bridgenorth-shropshire-c-1790-the-medium-of-watercolour-has-a-richer-tradition-in-england-than-almost-any-other-country-and-its-rise-in-importance-was-closely-connected-to-the-development-of-landscape-painting-paul-sandy-was-among-the-first-british-artists-to-produce-a-substantial-body-of-landscape-watercolours-early-in-his-career-sandy-worked-as-a-mapmaker-surveying-the-highlands-in-scotland-while-working-for-the-government-his-mature-work-combines-topographical-accuracy-with-picturesqe-compositions-and-carefully-observed-figure-groups-this-watercolour-shows-a-gated-medieval-bridge-image330079889.htmlRM2A50C7D–Bridgenorth, Shropshire, c. 1790. The medium of watercolour has a richer tradition in England than almost any other country, and its rise in importance was closely connected to the development of landscape painting. Paul Sandy was among the first British artists to produce a substantial body of landscape watercolours. Early in his career, Sandy worked as a mapmaker, surveying the Highlands in Scotland while working for the government. His mature work combines topographical accuracy with picturesqe compositions and carefully observed figure groups. This watercolour shows a gated medieval bridge
Fortified City of Ranthambhor. Artist: Generation of Bagta (active ca. 1761-1814). Culture: India (Jaipur, Rajasthan). Dimensions: Overall: 29 x 40 5/8 in. (73.7 x 103.2 cm) Framed: 39 3/4 x 50 3/4 in. (101 x 128.9 cm). Date: ca. 1810-18. This topographical rendering of the immense Ranthambhor fort, with its twenty-four miles of walls, effectively emphasized Maharaja Jagat Singh's military standing. The painting comes from the innovative generation of the great artist Bagta. While the landscape and obliquely presented structures relate to traditional Indian painting, their accurate distribut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fortified-city-of-ranthambhor-artist-generation-of-bagta-active-ca-1761-1814-culture-india-jaipur-rajasthan-dimensions-overall-29-x-40-58-in-737-x-1032-cm-framed-39-34-x-50-34-in-101-x-1289-cm-date-ca-1810-18-this-topographical-rendering-of-the-immense-ranthambhor-fort-with-its-twenty-four-miles-of-walls-effectively-emphasized-maharaja-jagat-singhs-military-standing-the-painting-comes-from-the-innovative-generation-of-the-great-artist-bagta-while-the-landscape-and-obliquely-presented-structures-relate-to-traditional-indian-painting-their-accurate-distribut-image213163798.htmlRMPAPCGP–Fortified City of Ranthambhor. Artist: Generation of Bagta (active ca. 1761-1814). Culture: India (Jaipur, Rajasthan). Dimensions: Overall: 29 x 40 5/8 in. (73.7 x 103.2 cm) Framed: 39 3/4 x 50 3/4 in. (101 x 128.9 cm). Date: ca. 1810-18. This topographical rendering of the immense Ranthambhor fort, with its twenty-four miles of walls, effectively emphasized Maharaja Jagat Singh's military standing. The painting comes from the innovative generation of the great artist Bagta. While the landscape and obliquely presented structures relate to traditional Indian painting, their accurate distribut
Artwork. Painting Illustration map of the World. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artwork-painting-illustration-map-of-the-world-image596249754.htmlRM2WJ1EJ2–Artwork. Painting Illustration map of the World.
Sket's Cottage Northfield, Birmingham, 1875-1900 T Kendrick, Oil Painting, Topographical Views, Architecture, Cottage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skets-cottage-northfield-birmingham-1875-1900-t-kendrick-oil-painting-topographical-views-architecture-cottage-image387020094.htmlRM2DDJ826–Sket's Cottage Northfield, Birmingham, 1875-1900 T Kendrick, Oil Painting, Topographical Views, Architecture, Cottage
Vintage Map or Old Map of Corsica. Wall Map, Fresco or Wall Painting in Gallery of Maps (1580-83) based on Drawings by Ignazio Danti Vatican Museums Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-map-or-old-map-of-corsica-wall-map-fresco-or-wall-painting-in-gallery-of-maps-1580-83-based-on-drawings-by-ignazio-danti-vatican-museums-image239724241.htmlRMRX0AM1–Vintage Map or Old Map of Corsica. Wall Map, Fresco or Wall Painting in Gallery of Maps (1580-83) based on Drawings by Ignazio Danti Vatican Museums
Topographical map of Ghent, 1903 1922, detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-topographical-map-of-ghent-1903-1922-detail-132492790.htmlRMHKFFWA–Topographical map of Ghent, 1903 1922, detail
An engraving of William Tombleson's 'Nuneham Courteney, Oxon Lord Harcourts'. William Tombleson (1795-1846) an English topographical and architecture artist, illustrator, copper and steel engraver, writer and printmaker. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-william-tomblesons-nuneham-courteney-oxon-lord-harcourts-william-tombleson-1795-1846-an-english-topographical-and-architecture-artist-illustrator-copper-and-steel-engraver-writer-and-printmaker-dated-19th-century-image235219142.htmlRMRJK4BJ–An engraving of William Tombleson's 'Nuneham Courteney, Oxon Lord Harcourts'. William Tombleson (1795-1846) an English topographical and architecture artist, illustrator, copper and steel engraver, writer and printmaker. Dated 19th century
A view of Hampton Court drawn in Indian Ink. A royal Tudor palace on the River Thames. Boats on the water. . King George III’s Topographical Collection. A view, in Indian ink, of Hampton Court towards the Thames; copied 'from an ancient painting in the possession of William Bray, Esq.' ca. 1760 copy of original of ca. 1660. Hampton Court, Middlesex. Source: Maps K.Top.29.14-b. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-hampton-court-drawn-in-indian-ink-a-royal-tudor-palace-on-the-river-thames-boats-on-the-water-king-george-iiis-topographical-collection-a-view-in-indian-ink-of-hampton-court-towards-the-thames-copied-from-an-ancient-painting-in-the-possession-of-william-bray-esq-ca-1760-copy-of-original-of-ca-1660-hampton-court-middlesex-source-maps-ktop2914-b-image231703640.htmlRMRCY0A0–A view of Hampton Court drawn in Indian Ink. A royal Tudor palace on the River Thames. Boats on the water. . King George III’s Topographical Collection. A view, in Indian ink, of Hampton Court towards the Thames; copied 'from an ancient painting in the possession of William Bray, Esq.' ca. 1760 copy of original of ca. 1660. Hampton Court, Middlesex. Source: Maps K.Top.29.14-b.
View of Bozen with a Painter, by Jules Coignet, 1837, French painting, oil on canvas. Bolzano is a city in the South Tyrol province of north Italy. Coignet was an early realist landscape painter whose main body of work was unstylized topographical views, (BSLOC 2016 6 194) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-of-bozen-with-a-painter-by-jules-coignet-1837-french-painting-115918084.htmlRMGMGEKG–View of Bozen with a Painter, by Jules Coignet, 1837, French painting, oil on canvas. Bolzano is a city in the South Tyrol province of north Italy. Coignet was an early realist landscape painter whose main body of work was unstylized topographical views, (BSLOC 2016 6 194)
abstract topographical green map Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-topographical-green-map-image64667266.htmlRFDN5RN6–abstract topographical green map
China: 'Dinner Party at a Mandarin's House'. Engraving by Thomas Allom, (13 March 1804 - 21 October 1872) c. 1843. Thomas Allom was an English architect, artist and topographical illustrator. He was a founding member of what became the Royal Institute of British Architects (RIBA). He designed many buildings in London, including the Church of St Peter's and parts of the elegant Ladbroke Estate in Notting Hill. He also worked with Sir Charles Barry on numerous projects, most notably the Houses of Parliament, and is also known for his numerous topographical works. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-dinner-party-at-a-mandarins-house-engraving-by-thomas-allom-13-march-1804-21-october-1872-c-1843-thomas-allom-was-an-english-architect-artist-and-topographical-illustrator-he-was-a-founding-member-of-what-became-the-royal-institute-of-british-architects-riba-he-designed-many-buildings-in-london-including-the-church-of-st-peters-and-parts-of-the-elegant-ladbroke-estate-in-notting-hill-he-also-worked-with-sir-charles-barry-on-numerous-projects-most-notably-the-houses-of-parliament-and-is-also-known-for-his-numerous-topographical-works-image344247580.htmlRM2B01R8C–China: 'Dinner Party at a Mandarin's House'. Engraving by Thomas Allom, (13 March 1804 - 21 October 1872) c. 1843. Thomas Allom was an English architect, artist and topographical illustrator. He was a founding member of what became the Royal Institute of British Architects (RIBA). He designed many buildings in London, including the Church of St Peter's and parts of the elegant Ladbroke Estate in Notting Hill. He also worked with Sir Charles Barry on numerous projects, most notably the Houses of Parliament, and is also known for his numerous topographical works.
. English: The painting presents the rear view of the old Amsterdam Exchange - built by Hendrick de Keyser (1608-11) and torn down in the 19th century. Deviating from the actual topography and ignoring the canal that ran behind the building, van der Heyden combines it with the rear of a patrician mansion and a shingled, medieval-looking cottage. These two building create a highly picturesque and almost rural ensemble of rear courtyards. A true mood painter, van der Heyden is content to suppress topographical accuracy in favour of a lasting impression of the character of a Dutch city. . 6 Octo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-painting-presents-the-rear-view-of-the-old-amsterdam-exchange-built-by-hendrick-de-keyser-1608-11-and-torn-down-in-the-19th-century-deviating-from-the-actual-topography-and-ignoring-the-canal-that-ran-behind-the-building-van-der-heyden-combines-it-with-the-rear-of-a-patrician-mansion-and-a-shingled-medieval-looking-cottage-these-two-building-create-a-highly-picturesque-and-almost-rural-ensemble-of-rear-courtyards-a-true-mood-painter-van-der-heyden-is-content-to-suppress-topographical-accuracy-in-favour-of-a-lasting-impression-of-the-character-of-a-dutch-city-6-octo-image188134857.htmlRMMX27X1–. English: The painting presents the rear view of the old Amsterdam Exchange - built by Hendrick de Keyser (1608-11) and torn down in the 19th century. Deviating from the actual topography and ignoring the canal that ran behind the building, van der Heyden combines it with the rear of a patrician mansion and a shingled, medieval-looking cottage. These two building create a highly picturesque and almost rural ensemble of rear courtyards. A true mood painter, van der Heyden is content to suppress topographical accuracy in favour of a lasting impression of the character of a Dutch city. . 6 Octo
Newmarket Heath, after the watercolour by Peter Tillemans, a Flemish painter, best known for his works on sporting and topographical subjects. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-newmarket-heath-after-the-watercolour-by-peter-tillemans-a-flemish-112646924.htmlRMGF7E8C–Newmarket Heath, after the watercolour by Peter Tillemans, a Flemish painter, best known for his works on sporting and topographical subjects.
The History of Lincolnshire, topographical, historical, and descriptive Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-history-of-lincolnshire-topographical-historical-and-descriptive-140879284.htmlRMJ55GY0–The History of Lincolnshire, topographical, historical, and descriptive
The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gallery-of-maps-a-gallery-located-in-the-vatican-containing-a-series-of-painted-topographical-maps-of-italy-based-on-drawings-ignazio-danti-it-to-image633439725.htmlRF2YPFJR9–The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to
New Zijds Voorburgwal with the Oude Luis Haarlem, Amsterdam (with topographical freedoms) New Zijds Voorburgwal with the Oude Haarlemmer Luis Amsterdam (with topographical freedoms) Property Type: print Serial number: 494 / Object number: RP-P-BI 2022 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : print maker: Johannes Arnoldus Boland (listed at object) after a painting of: Jan van der Heyden (indicated on object) Place manufacture: Amsterdam Date: 1875 - 1876 Physical characteristics: etching on chine collé Material: paper chine collé Technique: etching dim Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-zijds-voorburgwal-with-the-oude-luis-haarlem-amsterdam-with-topographical-freedoms-new-zijds-voorburgwal-with-the-oude-haarlemmer-luis-amsterdam-with-topographical-freedoms-property-type-print-serial-number-494-object-number-rp-p-bi-2022-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-print-maker-johannes-arnoldus-boland-listed-at-object-after-a-painting-of-jan-van-der-heyden-indicated-on-object-place-manufacture-amsterdam-date-1875-1876-physical-characteristics-etching-on-chine-coll-material-paper-chine-coll-technique-etching-dim-image348286223.htmlRM2B6HPHK–New Zijds Voorburgwal with the Oude Luis Haarlem, Amsterdam (with topographical freedoms) New Zijds Voorburgwal with the Oude Haarlemmer Luis Amsterdam (with topographical freedoms) Property Type: print Serial number: 494 / Object number: RP-P-BI 2022 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : print maker: Johannes Arnoldus Boland (listed at object) after a painting of: Jan van der Heyden (indicated on object) Place manufacture: Amsterdam Date: 1875 - 1876 Physical characteristics: etching on chine collé Material: paper chine collé Technique: etching dim
JERUSALEM FROM THE MOUNT OF OLIVES, by Charles-Theodore Frere, 1880, French painting, oil on canvas. Frere traveled and lived in Algeria and the Eastern Mediterranean for several years between 1836 and 1861. This detailed work was probably painted from earlier studies and photographs (BSLOC 2017 10 106) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jerusalem-from-the-mount-of-olives-by-charles-theodore-frere-1880-170559490.htmlRMKWDJAA–JERUSALEM FROM THE MOUNT OF OLIVES, by Charles-Theodore Frere, 1880, French painting, oil on canvas. Frere traveled and lived in Algeria and the Eastern Mediterranean for several years between 1836 and 1861. This detailed work was probably painted from earlier studies and photographs (BSLOC 2017 10 106)
Canaletto: A Regatta on the Grand Canal (1735) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canaletto-a-regatta-on-the-grand-canal-1735-image158194452.htmlRFK5AAHT–Canaletto: A Regatta on the Grand Canal (1735)
Fortified City of Ranthambhor ca. 1810–18 Generation of Bagta This topographical rendering of the immense Ranthambhor fort, with its twenty-four miles of walls, effectively emphasized Maharaja Jagat Singh’s military standing. The painting comes from the innovative generation of the great artist Bagta. While the landscape and obliquely presented structures relate to traditional Indian painting, their accurate distribution suggests a conceptual familiarity with the language of mapmaking. European prints had shown military fortifications from above for nearly three hundred years. Jagat Singh must Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fortified-city-of-ranthambhor-ca-181018-generation-of-bagta-this-topographical-rendering-of-the-immense-ranthambhor-fort-with-its-twenty-four-miles-of-walls-effectively-emphasized-maharaja-jagat-singhs-military-standing-the-painting-comes-from-the-innovative-generation-of-the-great-artist-bagta-while-the-landscape-and-obliquely-presented-structures-relate-to-traditional-indian-painting-their-accurate-distribution-suggests-a-conceptual-familiarity-with-the-language-of-mapmaking-european-prints-had-shown-military-fortifications-from-above-for-nearly-three-hundred-years-jagat-singh-must-image458217171.htmlRM2HHDGJY–Fortified City of Ranthambhor ca. 1810–18 Generation of Bagta This topographical rendering of the immense Ranthambhor fort, with its twenty-four miles of walls, effectively emphasized Maharaja Jagat Singh’s military standing. The painting comes from the innovative generation of the great artist Bagta. While the landscape and obliquely presented structures relate to traditional Indian painting, their accurate distribution suggests a conceptual familiarity with the language of mapmaking. European prints had shown military fortifications from above for nearly three hundred years. Jagat Singh must
![Descent into the Plain of Granada, 1834. Later celebrated for his topographical landscapes of the Middle East, Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolour records a scene from Roberts’s journey from Madrid to Andalusia. He described the trip in a letter to his sister: "I jogged on a considerable part of the way on foot, happy and contented. Granada is in the most beautiful situation that can be imagined. It lies at the foot of a ridge of high mountains, called the Sierra Nevada, or the Stock Photo](https://c8.alamy.com/comp/2A50KCD/descent-into-the-plain-of-granada-1834-later-celebrated-for-his-topographical-landscapes-of-the-middle-east-robertsx2019s-first-extended-trip-abroad-was-in-1832-when-he-traveled-through-france-to-spain-over-a-period-of-10-months-this-watercolour-records-a-scene-from-robertsx2019s-journey-from-madrid-to-andalusia-he-described-the-trip-in-a-letter-to-his-sister-quoti-jogged-on-a-considerable-part-of-the-way-on-foot-happy-and-contented-granada-is-in-the-most-beautiful-situation-that-can-be-imagined-it-lies-at-the-foot-of-a-ridge-of-high-mountains-called-the-sierra-nevada-or-the-2A50KCD.jpg "Descent into the Plain of Granada, 1834. Later celebrated for his topographical landscapes of the Middle East, Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolour records a scene from Roberts’s journey from Madrid to Andalusia. He described the trip in a letter to his sister: "I jogged on a considerable part of the way on foot, happy and contented. Granada is in the most beautiful situation that can be imagined. It lies at the foot of a ridge of high mountains, called the Sierra Nevada, or the Stock Photo")
Descent into the Plain of Granada, 1834. Later celebrated for his topographical landscapes of the Middle East, Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolour records a scene from Roberts’s journey from Madrid to Andalusia. He described the trip in a letter to his sister: "I jogged on a considerable part of the way on foot, happy and contented. Granada is in the most beautiful situation that can be imagined. It lies at the foot of a ridge of high mountains, called the Sierra Nevada, or the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/descent-into-the-plain-of-granada-1834-later-celebrated-for-his-topographical-landscapes-of-the-middle-east-robertsx2019s-first-extended-trip-abroad-was-in-1832-when-he-traveled-through-france-to-spain-over-a-period-of-10-months-this-watercolour-records-a-scene-from-robertsx2019s-journey-from-madrid-to-andalusia-he-described-the-trip-in-a-letter-to-his-sister-quoti-jogged-on-a-considerable-part-of-the-way-on-foot-happy-and-contented-granada-is-in-the-most-beautiful-situation-that-can-be-imagined-it-lies-at-the-foot-of-a-ridge-of-high-mountains-called-the-sierra-nevada-or-the-image330085517.htmlRM2A50KCD–Descent into the Plain of Granada, 1834. Later celebrated for his topographical landscapes of the Middle East, Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolour records a scene from Roberts’s journey from Madrid to Andalusia. He described the trip in a letter to his sister: "I jogged on a considerable part of the way on foot, happy and contented. Granada is in the most beautiful situation that can be imagined. It lies at the foot of a ridge of high mountains, called the Sierra Nevada, or the
Autumn Meadows. Artist: George Inness (American, Newburgh, New York 1825-1894 Bridge of Allan, Scotland). Dimensions: 30 x 45 1/2 in. (76.2 x 115.6 cm). Date: 1869. By the start of the Civil War, Inness's paintings began to show distinctive influences of the Barbizon school of French landscape and genre painting, so different from the Hudson River School, with its scrupulous draftsmanship and its respect for topographical truth. However, the diffuse solar light and misty translucency of this picture does not reflect the dense pigmentation of Barbizon works and suggests the artist's appreciati Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/autumn-meadows-artist-george-inness-american-newburgh-new-york-1825-1894-bridge-of-allan-scotland-dimensions-30-x-45-12-in-762-x-1156-cm-date-1869-by-the-start-of-the-civil-war-innesss-paintings-began-to-show-distinctive-influences-of-the-barbizon-school-of-french-landscape-and-genre-painting-so-different-from-the-hudson-river-school-with-its-scrupulous-draftsmanship-and-its-respect-for-topographical-truth-however-the-diffuse-solar-light-and-misty-translucency-of-this-picture-does-not-reflect-the-dense-pigmentation-of-barbizon-works-and-suggests-the-artists-appreciati-image233303354.htmlRMRFFTPJ–Autumn Meadows. Artist: George Inness (American, Newburgh, New York 1825-1894 Bridge of Allan, Scotland). Dimensions: 30 x 45 1/2 in. (76.2 x 115.6 cm). Date: 1869. By the start of the Civil War, Inness's paintings began to show distinctive influences of the Barbizon school of French landscape and genre painting, so different from the Hudson River School, with its scrupulous draftsmanship and its respect for topographical truth. However, the diffuse solar light and misty translucency of this picture does not reflect the dense pigmentation of Barbizon works and suggests the artist's appreciati
Stathuys - Waegh, (town hall - weigh house), Amsterdam 1606-1615 Claes Visscher (1586-1652) of Amsterdam Dutch, The Netherlands. ( Besides being a talented draftsman and etcher, Claes Visscher (1586-1652) of Amsterdam was also a leading publisher of prints, maps and topographical views. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stathuys-waegh-town-hall-weigh-house-amsterdam-1606-1615-claes-visscher-1586-1652-of-amsterdam-dutch-the-netherlands-besides-being-a-talented-draftsman-and-etcher-claes-visscher-1586-1652-of-amsterdam-was-also-a-leading-publisher-of-prints-maps-and-topographical-views-image439551315.htmlRM2GF3857–Stathuys - Waegh, (town hall - weigh house), Amsterdam 1606-1615 Claes Visscher (1586-1652) of Amsterdam Dutch, The Netherlands. ( Besides being a talented draftsman and etcher, Claes Visscher (1586-1652) of Amsterdam was also a leading publisher of prints, maps and topographical views. )
Solihull Church, 1870 British School, Soilhull, West Midlands, Oil Painting, Topographical Views, England, Midlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/solihull-church-1870-british-school-soilhull-west-midlands-oil-painting-topographical-views-england-midlands-image387006362.htmlRM2DDHJFP–Solihull Church, 1870 British School, Soilhull, West Midlands, Oil Painting, Topographical Views, England, Midlands
Amsterdam Harbour. Abraham Storck. 1644Ð1708). Dutch landscape and marine painter. Like his father and three brothers, all artists, he used the name Sturckenburch and only changed it to Storck around 1688. Considered the best of them all, he lived and worked in Amsterdam where he entered the Guild of St Luke before establishing an independent studio. Its prolific production of fashionable harbour scenes and topographical views required the employment of assistants, and this contributed to an uneven quality in his works. Other artists had significant influence on him. He seems to have learned Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amsterdam-harbour-abraham-storck-16441708-dutch-landscape-and-marine-painter-like-his-father-and-three-brothers-all-artists-he-used-the-name-sturckenburch-and-only-changed-it-to-storck-around-1688-considered-the-best-of-them-all-he-lived-and-worked-in-amsterdam-where-he-entered-the-guild-of-st-luke-before-establishing-an-independent-studio-its-prolific-production-of-fashionable-harbour-scenes-and-topographical-views-required-the-employment-of-assistants-and-this-contributed-to-an-uneven-quality-in-his-works-other-artists-had-significant-influence-on-him-he-seems-to-have-learned-image268828006.htmlRMWHA4T6–Amsterdam Harbour. Abraham Storck. 1644Ð1708). Dutch landscape and marine painter. Like his father and three brothers, all artists, he used the name Sturckenburch and only changed it to Storck around 1688. Considered the best of them all, he lived and worked in Amsterdam where he entered the Guild of St Luke before establishing an independent studio. Its prolific production of fashionable harbour scenes and topographical views required the employment of assistants, and this contributed to an uneven quality in his works. Other artists had significant influence on him. He seems to have learned
Perrine's new topographical war map Perrine 1863 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-perrines-new-topographical-war-map-perrine-1863-132443037.htmlRMHKD8CD–Perrine's new topographical war map Perrine 1863
Palazzo Labia, Cannaregio Canal', c1750-1771. Artist: William James. William James (c1761-1771) was a British artist that worked between 1754 and 1771 as a painter of topographical scenes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-labia-cannaregio-canal-c1750-1771-artist-william-james-william-james-c1761-1771-was-a-british-artist-that-worked-between-1754-and-1771-as-a-painter-of-topographical-scenes-image377037520.htmlRM2CWBF5M–Palazzo Labia, Cannaregio Canal', c1750-1771. Artist: William James. William James (c1761-1771) was a British artist that worked between 1754 and 1771 as a painter of topographical scenes.
Gallery of maps, Vatican museum, Rome, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gallery-of-maps-vatican-museum-rome-italy-europe-131886149.htmlRMHJFX3H–Gallery of maps, Vatican museum, Rome, Italy, Europe
Landscape on the Oise, by Charles Francois Daubigny, 1872 , French painting, oil on panel, There are small figures on the river bank and a moored boat. (BSLOC 2016 1 155) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-landscape-on-the-oise-by-charles-francois-daubigny-1872-french-painting-115904104.htmlRFGMFTT8–Landscape on the Oise, by Charles Francois Daubigny, 1872 , French painting, oil on panel, There are small figures on the river bank and a moored boat. (BSLOC 2016 1 155)
abstract topographical map with no names Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-topographical-map-with-no-names-image64456574.htmlRFDMT70E–abstract topographical map with no names
View down the length of the Gallery of Maps in the Vatican museum in Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-view-down-the-length-of-the-gallery-of-maps-in-the-vatican-museum-162509681.htmlRMKCAXN5–View down the length of the Gallery of Maps in the Vatican museum in Rome.
. English: The Battle of the Nile, painting by William Daniell prior to 1837. . before 1837. William Daniell (1769-1837) 25 Daniell - Battle of the Nile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-battle-of-the-nile-painting-by-william-daniell-prior-to-1837-before-1837-william-daniell-1769-1837-25-daniell-battle-of-the-nile-image189282873.htmlRMMYXG6H–. English: The Battle of the Nile, painting by William Daniell prior to 1837. . before 1837. William Daniell (1769-1837) 25 Daniell - Battle of the Nile
Rain, Steam and Speed - The Great Western Railway; the painting depicts an early locomotive of the Great Western Railway crossing the River Thames on Brunel's recently completed Maidenhead Railway Bridge. JMW Turner. 1844 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rain-steam-and-speed-the-great-western-railway-the-painting-depicts-an-early-locomotive-of-the-great-western-railway-crossing-the-river-thames-on-brunels-recently-completed-maidenhead-railway-bridge-jmw-turner-1844-image515957994.htmlRM2MYBWK6–Rain, Steam and Speed - The Great Western Railway; the painting depicts an early locomotive of the Great Western Railway crossing the River Thames on Brunel's recently completed Maidenhead Railway Bridge. JMW Turner. 1844
The History of Lincolnshire, topographical, historical, and descriptive Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-history-of-lincolnshire-topographical-historical-and-descriptive-140802761.htmlRMJ523A1–The History of Lincolnshire, topographical, historical, and descriptive
The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gallery-of-maps-a-gallery-located-in-the-vatican-containing-a-series-of-painted-topographical-maps-of-italy-based-on-drawings-ignazio-danti-it-to-image633439723.htmlRF2YPFJR7–The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to
Art inspired by Fortified City of Ranthambhor, ca. 1810–18, India (Jaipur, Rajasthan), Opaque watercolor and ink on paper, Overall: 29 x 40 5/8 in. (73.7 x 103.2 cm), Paintings, Generation of Bagta (active ca. 1761–1814), This topographical rendering of the immense Ranthambhor fort, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fortified-city-of-ranthambhor-ca-181018-india-jaipur-rajasthan-opaque-watercolor-and-ink-on-paper-overall-29-x-40-58-in-737-x-1032-cm-paintings-generation-of-bagta-active-ca-17611814-this-topographical-rendering-of-the-immense-ranthambhor-fort-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462907538.htmlRF2HW3782–Art inspired by Fortified City of Ranthambhor, ca. 1810–18, India (Jaipur, Rajasthan), Opaque watercolor and ink on paper, Overall: 29 x 40 5/8 in. (73.7 x 103.2 cm), Paintings, Generation of Bagta (active ca. 1761–1814), This topographical rendering of the immense Ranthambhor fort, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
WINTER IN UNION SQUARE, by Childe Hassam, 1889-90, American painting, oil on canvas. The Cityscape is obscured by falling snow from the artists 17th street studio. The spire of Grace Church, is seen between the Morton House Hotel, and the domed Domestic Sewing Machine Company building on Fourteenth Street (BSLOC 2017 9 20) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-winter-in-union-square-by-childe-hassam-1889-90-american-painting-170559380.htmlRMKWDJ6C–WINTER IN UNION SQUARE, by Childe Hassam, 1889-90, American painting, oil on canvas. The Cityscape is obscured by falling snow from the artists 17th street studio. The spire of Grace Church, is seen between the Morton House Hotel, and the domed Domestic Sewing Machine Company building on Fourteenth Street (BSLOC 2017 9 20)
Canaletto: Venice The Doge s Palace and the Riva degli Schiavoni (1730) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canaletto-venice-the-doge-s-palace-and-the-riva-degli-schiavoni-1730-image158194502.htmlRFK5AAKJ–Canaletto: Venice The Doge s Palace and the Riva degli Schiavoni (1730)
Autumn Meadows 1869 George Inness American By the start of the Civil War, Inness's paintings began to show distinctive influences of the Barbizon school of French landscape and genre painting, so different from the Hudson River School, with its scrupulous draftsmanship and its respect for topographical truth. However, the diffuse solar light and misty translucency of this picture does not reflect the dense pigmentation of Barbizon works and suggests the artist's appreciation of the English master J. M. W. Turner, whose qualities were early detected in Inness's work by his critics though they w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/autumn-meadows-1869-george-inness-american-by-the-start-of-the-civil-war-innesss-paintings-began-to-show-distinctive-influences-of-the-barbizon-school-of-french-landscape-and-genre-painting-so-different-from-the-hudson-river-school-with-its-scrupulous-draftsmanship-and-its-respect-for-topographical-truth-however-the-diffuse-solar-light-and-misty-translucency-of-this-picture-does-not-reflect-the-dense-pigmentation-of-barbizon-works-and-suggests-the-artists-appreciation-of-the-english-master-j-m-w-turner-whose-qualities-were-early-detected-in-innesss-work-by-his-critics-though-they-w-image458120394.htmlRM2HH956J–Autumn Meadows 1869 George Inness American By the start of the Civil War, Inness's paintings began to show distinctive influences of the Barbizon school of French landscape and genre painting, so different from the Hudson River School, with its scrupulous draftsmanship and its respect for topographical truth. However, the diffuse solar light and misty translucency of this picture does not reflect the dense pigmentation of Barbizon works and suggests the artist's appreciation of the English master J. M. W. Turner, whose qualities were early detected in Inness's work by his critics though they w
A View from Bald Mountain, Orange County, N. Y., 1843. Cropsey practiced architecture but painted in his spare time, exhibiting a landscape painting to favorable reviews at the National of Design, New York, in 1843. This view of Orange County, New York, is one of Cropsey’s earliest known works. Commanding trees and rocks in the foreground are rapidly indicated, while carefully rendered topographical details in the distant landscape reveal greater attention to nature’s complexity and expanse. This drawing provided the basis for an oil painting of 1845, View of Greenwood Lake, New Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-from-bald-mountain-orange-county-n-y-1843-cropsey-practiced-architecture-but-painted-in-his-spare-time-exhibiting-a-landscape-painting-to-favorable-reviews-at-the-national-of-design-new-york-in-1843-this-view-of-orange-county-new-york-is-one-of-cropseyx2019s-earliest-known-works-commanding-trees-and-rocks-in-the-foreground-are-rapidly-indicated-while-carefully-rendered-topographical-details-in-the-distant-landscape-reveal-greater-attention-to-naturex2019s-complexity-and-expanse-this-drawing-provided-the-basis-for-an-oil-painting-of-1845-view-of-greenwood-lake-new-image330071269.htmlRM2A5017H–A View from Bald Mountain, Orange County, N. Y., 1843. Cropsey practiced architecture but painted in his spare time, exhibiting a landscape painting to favorable reviews at the National of Design, New York, in 1843. This view of Orange County, New York, is one of Cropsey’s earliest known works. Commanding trees and rocks in the foreground are rapidly indicated, while carefully rendered topographical details in the distant landscape reveal greater attention to nature’s complexity and expanse. This drawing provided the basis for an oil painting of 1845, View of Greenwood Lake, New
Horse joust in Piazza Santa Croce. Date/Period: 1561 - 1562. Painting. Fresco. Height: 88 mm (3.46 in); Width: 120 mm (4.72 in). Author: Stradanus. Stradanus (Straet, van der), Johannes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-joust-in-piazza-santa-croce-dateperiod-1561-1562-painting-fresco-height-88-mm-346-in-width-120-mm-472-in-author-stradanus-stradanus-straet-van-der-johannes-image219698505.htmlRMPNC3K5–Horse joust in Piazza Santa Croce. Date/Period: 1561 - 1562. Painting. Fresco. Height: 88 mm (3.46 in); Width: 120 mm (4.72 in). Author: Stradanus. Stradanus (Straet, van der), Johannes.
MONKS AND NUNS from the book ' Florence ' from the series ' Peeps at Great Cities ' by Elizabeth Wilson Grierson, Illustrated by Colonel R. Goff Published by Adam & Charles Black, London 1912 Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monks-and-nuns-from-the-book-florence-from-the-series-peeps-at-great-cities-by-elizabeth-wilson-grierson-illustrated-by-colonel-r-goff-published-by-adam-charles-black-london-1912-robert-charles-goff-18371922-was-a-printmaker-and-painter-who-specialised-in-topographical-scenes-image561294862.htmlRF2RH5592–MONKS AND NUNS from the book ' Florence ' from the series ' Peeps at Great Cities ' by Elizabeth Wilson Grierson, Illustrated by Colonel R. Goff Published by Adam & Charles Black, London 1912 Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes
Distant View Of Birdingbury Hall, Warwickshire, 1800 British School, Oil Painting, Topographical Views, England, Midlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/distant-view-of-birdingbury-hall-warwickshire-1800-british-school-oil-painting-topographical-views-england-midlands-image387019675.htmlRM2DDJ7F7–Distant View Of Birdingbury Hall, Warwickshire, 1800 British School, Oil Painting, Topographical Views, England, Midlands
BIRDS EYE VIEW OF DUNHAM MASSEY FROM THE SOUTH c 1750 by JOHN HARRIS This shows the house in the middle left of the painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-birds-eye-view-of-dunham-massey-from-the-south-c-1750-by-john-harris-22693712.htmlRMB8WP1M–BIRDS EYE VIEW OF DUNHAM MASSEY FROM THE SOUTH c 1750 by JOHN HARRIS This shows the house in the middle left of the painting
Topographical Chart of Tempe Clarke Edward Daniel 1816 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-topographical-chart-of-tempe-clarke-edward-daniel-1816-132514134.htmlRMHKGF3J–Topographical Chart of Tempe Clarke Edward Daniel 1816
Town Plan or Old Map of Parma, Italy. Fresco or Wall Painting in Gallery of Maps (1580-83) based on Drawings by Ignazio Danti Vatican Museums Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/town-plan-or-old-map-of-parma-italy-fresco-or-wall-painting-in-gallery-of-maps-1580-83-based-on-drawings-by-ignazio-danti-vatican-museums-image239723692.htmlRMRX0A0C–Town Plan or Old Map of Parma, Italy. Fresco or Wall Painting in Gallery of Maps (1580-83) based on Drawings by Ignazio Danti Vatican Museums
Visitors exploring the map in Gallery of maps, Vatican museum, Rome, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-visitors-exploring-the-map-in-gallery-of-maps-vatican-museum-rome-131886144.htmlRMHJFX3C–Visitors exploring the map in Gallery of maps, Vatican museum, Rome, Italy, Europe
The Torensluis and the Jan Roodenpoortstoren in Amsterdam, by Hendrik Gerrit ten Cate, 1829. Dutch painting, oil on canvas. The Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-torensluis-and-the-jan-roodenpoortstoren-in-amsterdam-by-hendrik-115904922.htmlRMGMFWWE–The Torensluis and the Jan Roodenpoortstoren in Amsterdam, by Hendrik Gerrit ten Cate, 1829. Dutch painting, oil on canvas. The
vector abstract topographical map with no names Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-abstract-topographical-map-with-no-names-image64474762.htmlRFDMW262–vector abstract topographical map with no names
vector abstract topographical map with no names Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vector-abstract-topographical-map-with-no-names-177313255.htmlRFM8D8T7–vector abstract topographical map with no names
View of Venice from the Island of San Giorgiopainting by Gaspare Vanvitelli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-venice-from-the-island-of-san-giorgiopainting-by-gaspare-vanvitelli-image616750422.htmlRM2XRBBCP–View of Venice from the Island of San Giorgiopainting by Gaspare Vanvitelli
VATICAN, ITALY - NOVEMBER 2, 2016: Many visitors in Gallery of Maps in Vatican museums. Gallery containing painted topographical maps of Italy based o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vatican-italy-november-2-2016-many-visitors-in-gallery-of-maps-in-128802728.htmlRFHDFD5C–VATICAN, ITALY - NOVEMBER 2, 2016: Many visitors in Gallery of Maps in Vatican museums. Gallery containing painted topographical maps of Italy based o
The History of Lincolnshire, topographical, historical, and descriptive Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-history-of-lincolnshire-topographical-historical-and-descriptive-140875234.htmlRMJ55BPA–The History of Lincolnshire, topographical, historical, and descriptive
The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gallery-of-maps-a-gallery-located-in-the-vatican-containing-a-series-of-painted-topographical-maps-of-italy-based-on-drawings-ignazio-danti-it-to-image633439716.htmlRF2YPFJR0–The Gallery of Maps a gallery located in the Vatican containing a series of painted topographical maps of Italy based on drawings Ignazio Danti. It to
Art inspired by Wooded Upland Landscape, probably 1783, Oil on canvas, 47 3/8 x 58 1/8 in. (120.3 x 147.6 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), Gainsborough was a born draftsman and in his early years made many drawings after nature, but he was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-wooded-upland-landscape-probably-1783-oil-on-canvas-47-38-x-58-18-in-1203-x-1476-cm-paintings-thomas-gainsborough-british-sudbury-17271788-london-gainsborough-was-a-born-draftsman-and-in-his-early-years-made-many-drawings-after-nature-but-he-was-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024755.htmlRF2HW8GPB–Art inspired by Wooded Upland Landscape, probably 1783, Oil on canvas, 47 3/8 x 58 1/8 in. (120.3 x 147.6 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), Gainsborough was a born draftsman and in his early years made many drawings after nature, but he was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
MOVING DAY IN OLD NEW YORK, by Unknown Artist, 1827, American painting, oil on wood panel. In 1820, a tradition became a law, which required all NYC rental leased to expire on May 1st. The humorous painting shows incidents of the ensuing disruption (BSLOC 2017 10 114) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-moving-day-in-old-new-york-by-unknown-artist-1827-american-painting-170559501.htmlRMKWDJAN–MOVING DAY IN OLD NEW YORK, by Unknown Artist, 1827, American painting, oil on wood panel. In 1820, a tradition became a law, which required all NYC rental leased to expire on May 1st. The humorous painting shows incidents of the ensuing disruption (BSLOC 2017 10 114)
Canaletto: The Basin of San Marco On Ascension Day (1740) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canaletto-the-basin-of-san-marco-on-ascension-day-1740-image158194487.htmlRFK5AAK3–Canaletto: The Basin of San Marco On Ascension Day (1740)
Capriccio with St. Paul's and Old London Bridge Antonio Joli Italian A pupil of Paolo Panini in Rome, Joli was active as a scene painter in northern Italy and especially in Venice (1732–42), where he was influenced by the work of Canaletto. From 1744 until 1748 he worked in London at the King's Theatre in the Haymarket and also produced topographical paintings. This painting combines the two genres: the imaginary foreground is inspired by antiquity, while in the background is a view of the north bank of the Thames with St. Paul's cathedral, the Tower of London, and Old London Bridge.. Capricci Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capriccio-with-st-pauls-and-old-london-bridge-antonio-joli-italian-a-pupil-of-paolo-panini-in-rome-joli-was-active-as-a-scene-painter-in-northern-italy-and-especially-in-venice-173242-where-he-was-influenced-by-the-work-of-canaletto-from-1744-until-1748-he-worked-in-london-at-the-kings-theatre-in-the-haymarket-and-also-produced-topographical-paintings-this-painting-combines-the-two-genres-the-imaginary-foreground-is-inspired-by-antiquity-while-in-the-background-is-a-view-of-the-north-bank-of-the-thames-with-st-pauls-cathedral-the-tower-of-london-and-old-london-bridge-capricci-image458150348.htmlRM2HHAFCC–Capriccio with St. Paul's and Old London Bridge Antonio Joli Italian A pupil of Paolo Panini in Rome, Joli was active as a scene painter in northern Italy and especially in Venice (1732–42), where he was influenced by the work of Canaletto. From 1744 until 1748 he worked in London at the King's Theatre in the Haymarket and also produced topographical paintings. This painting combines the two genres: the imaginary foreground is inspired by antiquity, while in the background is a view of the north bank of the Thames with St. Paul's cathedral, the Tower of London, and Old London Bridge.. Capricci
Wildflowers with a View of Dublin Bay from Kingstown, 1830s. In the foreground is a magnificent stand of poppies, daisies, and other wildflowers, and beyond is a panoramic view of Dublin Bay. In the background, the hazy outline of the Howth peninsula stretches across the horizon, Dublin's pier bisects the estuary, and the manmade harbor of Dun Laoghaire, then known as Kingstown, is visible through the wildflowers at the base of the slope in the foreground. Nicholl was a self-taught artist who specialized in topographical views. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wildflowers-with-a-view-of-dublin-bay-from-kingstown-1830s-in-the-foreground-is-a-magnificent-stand-of-poppies-daisies-and-other-wildflowers-and-beyond-is-a-panoramic-view-of-dublin-bay-in-the-background-the-hazy-outline-of-the-howth-peninsula-stretches-across-the-horizon-dublins-pier-bisects-the-estuary-and-the-manmade-harbor-of-dun-laoghaire-then-known-as-kingstown-is-visible-through-the-wildflowers-at-the-base-of-the-slope-in-the-foreground-nicholl-was-a-self-taught-artist-who-specialized-in-topographical-views-image575141304.htmlRM2TBKXGT–Wildflowers with a View of Dublin Bay from Kingstown, 1830s. In the foreground is a magnificent stand of poppies, daisies, and other wildflowers, and beyond is a panoramic view of Dublin Bay. In the background, the hazy outline of the Howth peninsula stretches across the horizon, Dublin's pier bisects the estuary, and the manmade harbor of Dun Laoghaire, then known as Kingstown, is visible through the wildflowers at the base of the slope in the foreground. Nicholl was a self-taught artist who specialized in topographical views.
Capriccio with St. Paul's and Old London Bridge. Artist: Antonio Joli (Italian, Modena 1700-1777 Naples). Dimensions: 42 x 47 in. (106.7 x 119.4 cm). A pupil of Paolo Panini in Rome, Joli was active as a scene painter in northern Italy and especially in Venice (1732-42), where he was influenced by the work of Canaletto. From 1744 until 1748 he worked in London at the King's Theatre in the Haymarket and also produced topographical paintings. The present picture combines the two genres; the imaginary foreground is inspired by antiquity, while in the background is a view of the north bank of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capriccio-with-st-pauls-and-old-london-bridge-artist-antonio-joli-italian-modena-1700-1777-naples-dimensions-42-x-47-in-1067-x-1194-cm-a-pupil-of-paolo-panini-in-rome-joli-was-active-as-a-scene-painter-in-northern-italy-and-especially-in-venice-1732-42-where-he-was-influenced-by-the-work-of-canaletto-from-1744-until-1748-he-worked-in-london-at-the-kings-theatre-in-the-haymarket-and-also-produced-topographical-paintings-the-present-picture-combines-the-two-genres-the-imaginary-foreground-is-inspired-by-antiquity-while-in-the-background-is-a-view-of-the-north-bank-of-the-image213175951.htmlRMPAR02R–Capriccio with St. Paul's and Old London Bridge. Artist: Antonio Joli (Italian, Modena 1700-1777 Naples). Dimensions: 42 x 47 in. (106.7 x 119.4 cm). A pupil of Paolo Panini in Rome, Joli was active as a scene painter in northern Italy and especially in Venice (1732-42), where he was influenced by the work of Canaletto. From 1744 until 1748 he worked in London at the King's Theatre in the Haymarket and also produced topographical paintings. The present picture combines the two genres; the imaginary foreground is inspired by antiquity, while in the background is a view of the north bank of the
OLD HOUSES BY THE ARNO from the book ' Florence ' from the series ' Peeps at Great Cities ' by Elizabeth Wilson Grierson, Illustrated by Colonel R. Goff Published by Adam & Charles Black, London 1912 Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-houses-by-the-arno-from-the-book-florence-from-the-series-peeps-at-great-cities-by-elizabeth-wilson-grierson-illustrated-by-colonel-r-goff-published-by-adam-charles-black-london-1912-robert-charles-goff-18371922-was-a-printmaker-and-painter-who-specialised-in-topographical-scenes-image561294884.htmlRF2RH559T–OLD HOUSES BY THE ARNO from the book ' Florence ' from the series ' Peeps at Great Cities ' by Elizabeth Wilson Grierson, Illustrated by Colonel R. Goff Published by Adam & Charles Black, London 1912 Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes
Four Arches, Yardley Wood, Hall Green, Artist unknown, Oil Painting, Topographical Views, England, Midlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/four-arches-yardley-wood-hall-green-artist-unknown-oil-painting-topographical-views-england-midlands-image387019672.htmlRM2DDJ7F4–Four Arches, Yardley Wood, Hall Green, Artist unknown, Oil Painting, Topographical Views, England, Midlands
