Samuel richardson clarissa Stock Photos and Images
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Samuel richardson clarissa Stock Photos and Images
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354228.htmlRMERH34M–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Illustration to Clarissa, a novel by Samuel Richardson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-to-clarissa-a-novel-by-samuel-richardson-image504813354.htmlRM2M986GA–Illustration to Clarissa, a novel by Samuel Richardson.
Samuel Richardson 's 'Clarissa Harlowe; or the history of a young lady'. First published in 1778. illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-samuel-richardson-s-clarissa-harlowe-or-the-history-of-a-young-lady-83355074.htmlRMERH46X–Samuel Richardson 's 'Clarissa Harlowe; or the history of a young lady'. First published in 1778. illustration by Thomas
Portrait of Samuel Richardson, Author of Clarissa 1792 old antique print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-samuel-richardson-author-of-clarissa-1792-old-antique-print-image456502337.htmlRF2HEKDAW–Portrait of Samuel Richardson, Author of Clarissa 1792 old antique print
Samuel Richardson 's novel - 'Clarissa' - illustration by Stothard published 1748. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-samuel-richardson-s-novel-clarissa-illustration-by-stothard-published-83363283.htmlRMERHEM3–Samuel Richardson 's novel - 'Clarissa' - illustration by Stothard published 1748.
A paper cutting or silhouette of Samuel Richardson reading Clarissa to his muses and graces. Samuel Richardson, 1689 – 1761. English writer and printer. From A Bookman's Budget, published 1917. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-paper-cutting-or-silhouette-of-samuel-richardson-reading-clarissa-to-his-muses-and-graces-samuel-richardson-1689-1761-english-writer-and-printer-from-a-bookmans-budget-published-1917-image387695425.htmlRM2DEN1D5–A paper cutting or silhouette of Samuel Richardson reading Clarissa to his muses and graces. Samuel Richardson, 1689 – 1761. English writer and printer. From A Bookman's Budget, published 1917.
Clarissa by Samuel Richardson, published in 1748. Engraving from The Lady's Magazine, or Entertaining Companion for the Fair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-by-samuel-richardson-published-in-1748-engraving-from-the-83354522.htmlRMERH3F6–Clarissa by Samuel Richardson, published in 1748. Engraving from The Lady's Magazine, or Entertaining Companion for the Fair
Samuel Richardson (1689-1761) English writer, portrait by Mason Chamberlin (1727-1787) painted in 1754. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-richardson-1689-1761-english-writer-portrait-by-mason-chamberlin-1727-1787-painted-in-1754-image460522948.htmlRM2HN6HM4–Samuel Richardson (1689-1761) English writer, portrait by Mason Chamberlin (1727-1787) painted in 1754.
SAMUEL RICHARDSON English writer and novelist 1689-1761 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-samuel-richardson-english-writer-and-novelist-1689-1761-27085841.htmlRMBG1T7D–SAMUEL RICHARDSON English writer and novelist 1689-1761
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354220.htmlRMERH34C–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
'The Harlowe Family, from Samuel Richardson's Clarissa', c1745. Artist: Joseph Highmore. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-harlowe-family-from-samuel-richardsons-clarissa-c1745-artist-joseph-135270477.htmlRMHT22TD–'The Harlowe Family, from Samuel Richardson's Clarissa', c1745. Artist: Joseph Highmore.
RICHARDSON Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-richardson-56739629.htmlRMD88KY9–RICHARDSON
Sean Bean plays Robert Lovelace in the film adaptation of the novel Clarissa by Samuel Richardson in England In Great Britain in the United Kingdom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sean-bean-plays-robert-lovelace-in-the-film-adaptation-of-the-novel-image9144909.htmlRMARBMME–Sean Bean plays Robert Lovelace in the film adaptation of the novel Clarissa by Samuel Richardson in England In Great Britain in the United Kingdom
Book cover. 'Clarissa or the History of a Young Lady' by Samuel Richardson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cover-clarissa-or-the-history-of-a-young-lady-by-samuel-richardson-image557165083.htmlRM2RAD1MY–Book cover. 'Clarissa or the History of a Young Lady' by Samuel Richardson.
Illustration to Samuel Richardson's Clarissa, 1796. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-to-samuel-richardsons-clarissa-1796-image462412340.htmlRM2HT8KJC–Illustration to Samuel Richardson's Clarissa, 1796.
The Harlowe Family, from Samuel Richardson's 'Clarissa'. Date/Period: Between 1745 and 1747. Painting. Oil on canvas. Height: 648 mm (25.51 in); Width: 784 mm (30.86 in). Author: JOSEPH HIGHMORE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-harlowe-family-from-samuel-richardsons-clarissa-dateperiod-between-1745-and-1747-painting-oil-on-canvas-height-648-mm-2551-in-width-784-mm-3086-in-author-joseph-highmore-image233247821.htmlRMRFD9Y9–The Harlowe Family, from Samuel Richardson's 'Clarissa'. Date/Period: Between 1745 and 1747. Painting. Oil on canvas. Height: 648 mm (25.51 in); Width: 784 mm (30.86 in). Author: JOSEPH HIGHMORE.
'The Harlowe Family, from Samuel Richardson's Clarissa', c1745. Artist: Joseph Highmore. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-harlowe-family-from-samuel-richardsons-clarissa-c1745-artist-joseph-highmore-image262783343.htmlRMW7EPRB–'The Harlowe Family, from Samuel Richardson's Clarissa', c1745. Artist: Joseph Highmore.
![Samuel Richardson. [Letters and passages restored from the original m. London: S. Richardson, 1751. Samuel Richardson (1689-1761). English novelist. Portrait. Image taken from [Letters and passages restored from the original manuscripts of the History of Clarissa. To which is subjoined, a collection of such of the moral and instructive sentiments contained in the History, as are presumed to be of general use and service Published for the sake of doing justice to the purchasers of the first two editions of that work.]. Originally published/produced in London: S. Richardson, 1751. . Source: 12 Stock Photo](https://c8.alamy.com/comp/R517XR/samuel-richardson-letters-and-passages-restored-from-the-original-m-london-s-richardson-1751-samuel-richardson-1689-1761-english-novelist-portrait-image-taken-from-letters-and-passages-restored-from-the-original-manuscripts-of-the-history-of-clarissa-to-which-is-subjoined-a-collection-of-such-of-the-moral-and-instructive-sentiments-contained-in-the-history-as-are-presumed-to-be-of-general-use-and-service-published-for-the-sake-of-doing-justice-to-the-purchasers-of-the-first-two-editions-of-that-work-originally-publishedproduced-in-london-s-richardson-1751-source-12-R517XR.jpg "Samuel Richardson. [Letters and passages restored from the original m. London: S. Richardson, 1751. Samuel Richardson (1689-1761). English novelist. Portrait. Image taken from [Letters and passages restored from the original manuscripts of the History of Clarissa. To which is subjoined, a collection of such of the moral and instructive sentiments contained in the History, as are presumed to be of general use and service Published for the sake of doing justice to the purchasers of the first two editions of that work.]. Originally published/produced in London: S. Richardson, 1751. . Source: 12 Stock Photo")
Samuel Richardson. [Letters and passages restored from the original m. London: S. Richardson, 1751. Samuel Richardson (1689-1761). English novelist. Portrait. Image taken from [Letters and passages restored from the original manuscripts of the History of Clarissa. To which is subjoined, a collection of such of the moral and instructive sentiments contained in the History, as are presumed to be of general use and service Published for the sake of doing justice to the purchasers of the first two editions of that work.]. Originally published/produced in London: S. Richardson, 1751. . Source: 12 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-richardson-letters-and-passages-restored-from-the-original-m-london-s-richardson-1751-samuel-richardson-1689-1761-english-novelist-portrait-image-taken-from-letters-and-passages-restored-from-the-original-manuscripts-of-the-history-of-clarissa-to-which-is-subjoined-a-collection-of-such-of-the-moral-and-instructive-sentiments-contained-in-the-history-as-are-presumed-to-be-of-general-use-and-service-published-for-the-sake-of-doing-justice-to-the-purchasers-of-the-first-two-editions-of-that-work-originally-publishedproduced-in-london-s-richardson-1751-source-12-image226836255.htmlRMR517XR–Samuel Richardson. [Letters and passages restored from the original m. London: S. Richardson, 1751. Samuel Richardson (1689-1761). English novelist. Portrait. Image taken from [Letters and passages restored from the original manuscripts of the History of Clarissa. To which is subjoined, a collection of such of the moral and instructive sentiments contained in the History, as are presumed to be of general use and service Published for the sake of doing justice to the purchasers of the first two editions of that work.]. Originally published/produced in London: S. Richardson, 1751. . Source: 12
Clarissa threatens to by stabbing Upper right numbered: No. 14. Manufacturer : print maker: Daniel Nikolaus ChodoWie: cki (indicated on object), at its design: Daniel Nikolaus Chodowiecki (indicated on object) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching dimensions: plate edge: h 180 mm × W 118 mmToelichtingPrent used: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Hacking and thrusting weapons: dagger seeking death, suicideweeping Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-threatens-to-by-stabbing-upper-right-numbered-no-14-manufacturer-print-maker-daniel-nikolaus-chodowie-cki-indicated-on-object-at-its-design-daniel-nikolaus-chodowiecki-indicated-on-object-place-manufacture-berlin-date-1784-material-paper-technique-etching-dimensions-plate-edge-h-180-mm-w-118-mmtoelichtingprent-used-richardson-samuel-clarisse-harlowe-traduction-nouvelle-et-seule-complete-par-14-parts-geneva-and-paris-barde-1785-87-subject-literature-hacking-and-thrusting-weapons-dagger-seeking-death-suicideweeping-image348270313.htmlRM2B6H29D–Clarissa threatens to by stabbing Upper right numbered: No. 14. Manufacturer : print maker: Daniel Nikolaus ChodoWie: cki (indicated on object), at its design: Daniel Nikolaus Chodowiecki (indicated on object) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching dimensions: plate edge: h 180 mm × W 118 mmToelichtingPrent used: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Hacking and thrusting weapons: dagger seeking death, suicideweeping
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Berlin paper etching Literature. deathbed. drunkard. weeping Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-berlin-paper-etching-literature-deathbed-drunkard-weeping-image594769851.htmlRM2WFJ30B–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Berlin paper etching Literature. deathbed. drunkard. weeping
The life of Samuel Johnson, LL.D., comprehending an account of his studies and numerous works, in chronological order; a series of his epistolary correspondence and conversations with many eminent persons . dressed to Samuel Kichardson, author of Clarissa, &c., theformer dated March 9, 1750-1, the other, September 26, 1753, are preserved in RichardsonsCorrespondence, 8vo., 1804, vol. v., pp. 281—284, In the latter of these letters Johnsonsuggested to Richardson the propriety of making an index to his three works : but while Iam writing, he adds, an objection arises; such an Index to the three Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-life-of-samuel-johnson-lld-comprehending-an-account-of-his-studies-and-numerous-works-in-chronological-order-a-series-of-his-epistolary-correspondence-and-conversations-with-many-eminent-persons-dressed-to-samuel-kichardson-author-of-clarissa-c-theformer-dated-march-9-1750-1-the-other-september-26-1753-are-preserved-in-richardsonscorrespondence-8vo-1804-vol-v-pp-281284-in-the-latter-of-these-letters-johnsonsuggested-to-richardson-the-propriety-of-making-an-index-to-his-three-works-but-while-iam-writing-he-adds-an-objection-arises-such-an-index-to-the-three-image340296320.htmlRM2ANHRC0–The life of Samuel Johnson, LL.D., comprehending an account of his studies and numerous works, in chronological order; a series of his epistolary correspondence and conversations with many eminent persons . dressed to Samuel Kichardson, author of Clarissa, &c., theformer dated March 9, 1750-1, the other, September 26, 1753, are preserved in RichardsonsCorrespondence, 8vo., 1804, vol. v., pp. 281—284, In the latter of these letters Johnsonsuggested to Richardson the propriety of making an index to his three works : but while Iam writing, he adds, an objection arises; such an Index to the three
Portrait of Samuel Richardson, Author of Clarissa 1792 old antique print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-samuel-richardson-author-of-clarissa-1792-old-antique-print-image475547518.htmlRF2JHK1KX–Portrait of Samuel Richardson, Author of Clarissa 1792 old antique print
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354229.htmlRMERH34N–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Illustration to Samuel Richardson's Clarissa, 1796. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-to-samuel-richardsons-clarissa-1796-image462412324.htmlRM2HT8KHT–Illustration to Samuel Richardson's Clarissa, 1796.
Lovelace Abducting Clarissa Harlowe. Museum: State Hermitage, St. Petersburg. Author: Dubufe, Edouard Louis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lovelace-abducting-clarissa-harlowe-museum-state-hermitage-st-petersburg-author-dubufe-edouard-louis-image231538137.htmlRMRCKD75–Lovelace Abducting Clarissa Harlowe. Museum: State Hermitage, St. Petersburg. Author: Dubufe, Edouard Louis.
Heer die de hand van een dame kust In a departure leaves a young lady her hand kissing by a heer. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1801 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Measurements: sheet: h 236 mm × W 155 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Section 3. Amsterdam: Johannes Allart, 1797-1805. Subject: kissing the hand (lovers) chair couch, sofa, settee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heer-die-de-hand-van-een-dame-kust-in-a-departure-leaves-a-young-lady-her-hand-kissing-by-a-heer-manufacturer-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1801-physical-features-etching-and-engra-material-paper-technique-etching-engra-printing-process-measurements-sheet-h-236-mm-w-155-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-section-3-amsterdam-johannes-allart-1797-1805-subject-kissing-the-hand-lovers-chair-couch-sofa-settee-image348427110.htmlRM2B6T69A–Heer die de hand van een dame kust In a departure leaves a young lady her hand kissing by a heer. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1801 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Measurements: sheet: h 236 mm × W 155 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Section 3. Amsterdam: Johannes Allart, 1797-1805. Subject: kissing the hand (lovers) chair couch, sofa, settee
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. kneeling figure. sick-bed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-kneeling-figure-sick-bed-image594772244.htmlRM2WFJ61T–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. kneeling figure. sick-bed
. The novels of Samuel Richardson. Complete and unabridged . THE HISTORY CLARISSA HARLOWE MR. SAMUEL RICHARDSON WITH AN INTRODUCTION BY WILLIAM LYON PHELPS Professor of English Literature at Yale CoUef^e COMPLETE IN EIGHT VOLUMES VOLUME FIVEnovelsofsamuelri05rich Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-novels-of-samuel-richardson-complete-and-unabridged-the-history-clarissa-harlowe-mr-samuel-richardson-with-an-introduction-by-william-lyon-phelps-professor-of-english-literature-at-yale-couefe-complete-in-eight-volumes-volume-fivenovelsofsamuelri05rich-image369647806.htmlRM2CDAWFA–. The novels of Samuel Richardson. Complete and unabridged . THE HISTORY CLARISSA HARLOWE MR. SAMUEL RICHARDSON WITH AN INTRODUCTION BY WILLIAM LYON PHELPS Professor of English Literature at Yale CoUef^e COMPLETE IN EIGHT VOLUMES VOLUME FIVEnovelsofsamuelri05rich
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354223.htmlRMERH34F–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Illustration to Samuel Richardson's Clarissa, 1796. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-to-samuel-richardsons-clarissa-1796-image462412309.htmlRM2HT8KH9–Illustration to Samuel Richardson's Clarissa, 1796.
'Lovelace Abducting Clarissa Harlowe'. France, 1867. Dimensions: 45x33 cm. Museum: State Hermitage, St. Petersburg. Author: EDOUARD DUBUFE . Edouard Louis Dubufe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lovelace-abducting-clarissa-harlowe-france-1867-dimensions-45x33-cm-museum-state-hermitage-st-petersburg-author-edouard-dubufe-edouard-louis-dubufe-image241208014.htmlRMT0BY7X–'Lovelace Abducting Clarissa Harlowe'. France, 1867. Dimensions: 45x33 cm. Museum: State Hermitage, St. Petersburg. Author: EDOUARD DUBUFE . Edouard Louis Dubufe.
Clarissa recognizes Lovelace Upper right numbered: No. 12. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 162 mm (inner plate edge cut ) b × 104 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literatuurfainting, swooning Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-recognizes-lovelace-upper-right-numbered-no-12-manufacturer-printmaker-daniel-nikolaus-chodowie-cki-listed-building-in-its-design-daniel-nikolaus-chodowiecki-listed-property-place-manufacture-berlin-date-1784-material-paper-technique-etching-dimensions-sheet-h-162-mm-inner-plate-edge-cut-b-104-mm-cut-off-inner-edge-plate-remarks-print-used-for-richardson-samuel-clarisse-harlowe-traduction-nouvelle-et-seule-complete-par-14-parts-geneva-and-paris-barde-1785-87-subject-literatuurfainting-swooning-image348270538.htmlRM2B6H2HE–Clarissa recognizes Lovelace Upper right numbered: No. 12. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 162 mm (inner plate edge cut ) b × 104 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literatuurfainting, swooning
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. fainting, swooning. kissing the hand (lovers) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-fainting-swooning-kissing-the-hand-lovers-image594764483.htmlRM2WFHT4K–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. fainting, swooning. kissing the hand (lovers)
. Centennial proceedings and historical incidents of the early settlers of Northfield, Vt. : with biographical sketches of prominent business men who have been and are now residents of the town . married aMr. Jetferds, and after the wedding went to Williams-town, riding behind her husband, dressed in white,through marked trees, and could hear the howling ofwild animals on all sides as they rode along. Samuel Richardson married for his second wife JerushaRoyce, and they had eight children : Stanton, Lemuel B., Clarissa, Prudence, Arael, Amisa,Martha, Jerusha. Mr. Richardson died in 1832, aged 9 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/centennial-proceedings-and-historical-incidents-of-the-early-settlers-of-northfield-vt-with-biographical-sketches-of-prominent-business-men-who-have-been-and-are-now-residents-of-the-town-married-amr-jetferds-and-after-the-wedding-went-to-williams-town-riding-behind-her-husband-dressed-in-whitethrough-marked-trees-and-could-hear-the-howling-ofwild-animals-on-all-sides-as-they-rode-along-samuel-richardson-married-for-his-second-wife-jerusharoyce-and-they-had-eight-children-stanton-lemuel-b-clarissa-prudence-arael-amisamartha-jerusha-mr-richardson-died-in-1832-aged-9-image370118589.htmlRM2CE4A11–. Centennial proceedings and historical incidents of the early settlers of Northfield, Vt. : with biographical sketches of prominent business men who have been and are now residents of the town . married aMr. Jetferds, and after the wedding went to Williams-town, riding behind her husband, dressed in white,through marked trees, and could hear the howling ofwild animals on all sides as they rode along. Samuel Richardson married for his second wife JerushaRoyce, and they had eight children : Stanton, Lemuel B., Clarissa, Prudence, Arael, Amisa,Martha, Jerusha. Mr. Richardson died in 1832, aged 9
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354230.htmlRMERH34P–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Illustration to Samuel Richardson's Clarissa, 1796. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-to-samuel-richardsons-clarissa-1796-image462412314.htmlRM2HT8KHE–Illustration to Samuel Richardson's Clarissa, 1796.
Jonge vrouw in gesprek met drie heren In a departure seems a woman want to make something clear to three men, where, from a next to her. She points her finger at the lucht. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1804 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: sheet: H 239 mm × W 161 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 7. Amsterdam: Johannes Allart, 1797-1805. Subject: index finger upwardspicture, painting conversation, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jonge-vrouw-in-gesprek-met-drie-heren-in-a-departure-seems-a-woman-want-to-make-something-clear-to-three-men-where-from-a-next-to-her-she-points-her-finger-at-the-lucht-manufacturer-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1804-physical-features-etching-and-engra-material-paper-technique-etching-engra-printing-process-dimensions-sheet-h-239-mm-w-161-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-part-7-amsterdam-johannes-allart-1797-1805-subject-index-finger-upwardspicture-painting-conversation-image348466005.htmlRM2B6WYXD–Jonge vrouw in gesprek met drie heren In a departure seems a woman want to make something clear to three men, where, from a next to her. She points her finger at the lucht. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1804 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: sheet: H 239 mm × W 161 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 7. Amsterdam: Johannes Allart, 1797-1805. Subject: index finger upwardspicture, painting conversation,
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. fainting, swooning. Despair; 'Disperatione' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-fainting-swooning-despair-disperatione-ripa-image594771313.htmlRM2WFJ4TH–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. fainting, swooning. Despair; 'Disperatione' (Ripa)
![. The novels of Samuel Richardson. Complete and unabridged . >wer to Vlli IKKf,-.^ price; but,. CLARISSA HARLOWE. 97 the compliment, as far as I know, had taken dissimulationfrom my accent. I saw it was impossible to conceal myself longer from her,any more than (from the violent impulses of my passion) toforbear manifesting myself. I unbuttoned therefore my cape,I pulled off my flapped, slouched hat; I threw open my great-coat, and, like the devil in Milton [an odd comparison,though!] I started up in my own form divine,Touched by the beam of her celestial eye,More potent than Ithuriels spea Stock Photo](https://c8.alamy.com/comp/2CDAW73/the-novels-of-samuel-richardson-complete-and-unabridged-gtwer-to-vlli-ikkf-price-but-clarissa-harlowe-97-the-compliment-as-far-as-i-know-had-taken-dissimulationfrom-my-accent-i-saw-it-was-impossible-to-conceal-myself-longer-from-herany-more-than-from-the-violent-impulses-of-my-passion-toforbear-manifesting-myself-i-unbuttoned-therefore-my-capei-pulled-off-my-flapped-slouched-hat-i-threw-open-my-great-coat-and-like-the-devil-in-milton-an-odd-comparisonthough!-i-started-up-in-my-own-form-divinetouched-by-the-beam-of-her-celestial-eyemore-potent-than-ithuriels-spea-2CDAW73.jpg ". The novels of Samuel Richardson. Complete and unabridged . >wer to Vlli IKKf,-.^ price; but,. CLARISSA HARLOWE. 97 the compliment, as far as I know, had taken dissimulationfrom my accent. I saw it was impossible to conceal myself longer from her,any more than (from the violent impulses of my passion) toforbear manifesting myself. I unbuttoned therefore my cape,I pulled off my flapped, slouched hat; I threw open my great-coat, and, like the devil in Milton [an odd comparison,though!] I started up in my own form divine,Touched by the beam of her celestial eye,More potent than Ithuriels spea Stock Photo")
. The novels of Samuel Richardson. Complete and unabridged . >wer to Vlli IKKf,-.^ price; but,. CLARISSA HARLOWE. 97 the compliment, as far as I know, had taken dissimulationfrom my accent. I saw it was impossible to conceal myself longer from her,any more than (from the violent impulses of my passion) toforbear manifesting myself. I unbuttoned therefore my cape,I pulled off my flapped, slouched hat; I threw open my great-coat, and, like the devil in Milton [an odd comparison,though!] I started up in my own form divine,Touched by the beam of her celestial eye,More potent than Ithuriels spea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-novels-of-samuel-richardson-complete-and-unabridged-gtwer-to-vlli-ikkf-price-but-clarissa-harlowe-97-the-compliment-as-far-as-i-know-had-taken-dissimulationfrom-my-accent-i-saw-it-was-impossible-to-conceal-myself-longer-from-herany-more-than-from-the-violent-impulses-of-my-passion-toforbear-manifesting-myself-i-unbuttoned-therefore-my-capei-pulled-off-my-flapped-slouched-hat-i-threw-open-my-great-coat-and-like-the-devil-in-milton-an-odd-comparisonthough!-i-started-up-in-my-own-form-divinetouched-by-the-beam-of-her-celestial-eyemore-potent-than-ithuriels-spea-image369647575.htmlRM2CDAW73–. The novels of Samuel Richardson. Complete and unabridged . >wer to Vlli IKKf,-.^ price; but,. CLARISSA HARLOWE. 97 the compliment, as far as I know, had taken dissimulationfrom my accent. I saw it was impossible to conceal myself longer from her,any more than (from the violent impulses of my passion) toforbear manifesting myself. I unbuttoned therefore my cape,I pulled off my flapped, slouched hat; I threw open my great-coat, and, like the devil in Milton [an odd comparison,though!] I started up in my own form divine,Touched by the beam of her celestial eye,More potent than Ithuriels spea
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354226.htmlRMERH34J–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Clarissa, 1796. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-1796-image491464156.htmlRM2KFG3F8–Clarissa, 1796.
Clarissa arrested when leaving the church With reference page and numbering above voorstelling. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1796 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 120 mm (cut inside edge plate) × W 70 mm (cut inside edge plate) ToelichtingLatere is used: Richardson, Samuel. Clarissens Fortunes dargestellt four zwanzig Kupferblättern und von Daniel Chodowiecki. mit Erläuterungen des Deutschen Uebersetzers Dr. L. Th. Kosegarten. Leipzi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-arrested-when-leaving-the-church-with-reference-page-and-numbering-above-voorstelling-manufacturer-printmaker-daniel-nikolaus-chodowie-ckinaar-own-design-daniel-nikolaus-chodowieckiplaats-manufacture-berlin-date-1796-physical-features-etching-proofing-material-paper-technique-etching-dimensions-sheet-h-120-mm-cut-inside-edge-plate-w-70-mm-cut-inside-edge-plate-toelichtinglatere-is-used-richardson-samuel-clarissens-fortunes-dargestellt-four-zwanzig-kupferblttern-und-von-daniel-chodowiecki-mit-erluterungen-des-deutschen-uebersetzers-dr-l-th-kosegarten-leipzi-image348270297.htmlRM2B6H28W–Clarissa arrested when leaving the church With reference page and numbering above voorstelling. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1796 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 120 mm (cut inside edge plate) × W 70 mm (cut inside edge plate) ToelichtingLatere is used: Richardson, Samuel. Clarissens Fortunes dargestellt four zwanzig Kupferblättern und von Daniel Chodowiecki. mit Erläuterungen des Deutschen Uebersetzers Dr. L. Th. Kosegarten. Leipzi
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. duelling. death of human being. the corpse. coffin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-duelling-death-of-human-being-the-corpse-coffin-image594770537.htmlRM2WFJ3TW–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. duelling. death of human being. the corpse. coffin
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354225.htmlRMERH34H–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Clarissa, 1796. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-1796-image491518924.htmlRM2KFJHB8–Clarissa, 1796.
Heer die de hand van een dame kust In a departure leaves a young lady her hand kissing by a heer. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1801 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 238 mm × W 155 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Section 3. Amsterdam: Johannes Allart, 1797-1805. Subject: kissing the hand (lovers) chair couch, sofa, settee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heer-die-de-hand-van-een-dame-kust-in-a-departure-leaves-a-young-lady-her-hand-kissing-by-a-heer-manufacturer-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1801-physical-features-etching-and-engra-proofing-material-paper-technique-etching-engra-printing-process-measurements-sheet-h-238-mm-w-155-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-section-3-amsterdam-johannes-allart-1797-1805-subject-kissing-the-hand-lovers-chair-couch-sofa-settee-image348427091.htmlRM2B6T68K–Heer die de hand van een dame kust In a departure leaves a young lady her hand kissing by a heer. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1801 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 238 mm × W 155 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Section 3. Amsterdam: Johannes Allart, 1797-1805. Subject: kissing the hand (lovers) chair couch, sofa, settee
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference above the performance. Berlin paper etching Literature. prison, jail. imprisonment. gate, entrance. church (exterior) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-with-page-reference-above-the-performance-berlin-paper-etching-literature-prison-jail-imprisonment-gate-entrance-church-exterior-image594773122.htmlRM2WFJ756–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference above the performance. Berlin paper etching Literature. prison, jail. imprisonment. gate, entrance. church (exterior)
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354222.htmlRMERH34E–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Illustration for Richardson's 'Clarissa', 1785. Plate: Plate 10. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-for-richardsons-clarissa-1785-plate-plate-10-image568858684.htmlRM2T1DN1G–Illustration for Richardson's 'Clarissa', 1785. Plate: Plate 10.
Enkele figuren bij een zieke vrouw In a departure bother some figures around a sick woman. One woman dries her tears with a zakdoek. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1804 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: sheet: h 240 mm × W 161 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 7. Amsterdam: Johannes Allart, 1797-1805. Subject: emotional illness, derangement, madnesshandkerchiefscreen, folding screen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/enkele-figuren-bij-een-zieke-vrouw-in-a-departure-bother-some-figures-around-a-sick-woman-one-woman-dries-her-tears-with-a-zakdoek-manufacturer-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1804-physical-features-etching-and-engra-material-paper-technique-etching-engra-printing-process-dimensions-sheet-h-240-mm-w-161-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-part-7-amsterdam-johannes-allart-1797-1805-subject-emotional-illness-derangement-madnesshandkerchiefscreen-folding-screen-image348334674.htmlRM2B6M0C2–Enkele figuren bij een zieke vrouw In a departure bother some figures around a sick woman. One woman dries her tears with a zakdoek. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1804 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: sheet: h 240 mm × W 161 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 7. Amsterdam: Johannes Allart, 1797-1805. Subject: emotional illness, derangement, madnesshandkerchiefscreen, folding screen
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. seeking death, suicide. Despair; 'Disperatione' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-seeking-death-suicide-despair-disperatione-ripa-image594770376.htmlRM2WFJ3K4–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. seeking death, suicide. Despair; 'Disperatione' (Ripa)
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354227.htmlRMERH34K–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Jonge vrouw in gesprek met drie heren In a departure seems a woman want to make something clear to three men, where, from a next to her. She points her finger at the lucht. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1804 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 239 mm × W 161 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 7. Amsterdam: Johannes Allart, 1797-1805. Subject: index finger upwardspicture, painting co Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jonge-vrouw-in-gesprek-met-drie-heren-in-a-departure-seems-a-woman-want-to-make-something-clear-to-three-men-where-from-a-next-to-her-she-points-her-finger-at-the-lucht-manufacturer-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1804-physical-features-etching-and-engra-proofing-material-paper-technique-etching-engra-printing-process-measurements-sheet-h-239-mm-w-161-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-part-7-amsterdam-johannes-allart-1797-1805-subject-index-finger-upwardspicture-painting-co-image348466014.htmlRM2B6WYXP–Jonge vrouw in gesprek met drie heren In a departure seems a woman want to make something clear to three men, where, from a next to her. She points her finger at the lucht. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1804 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 239 mm × W 161 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 7. Amsterdam: Johannes Allart, 1797-1805. Subject: index finger upwardspicture, painting co
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. gate, entrance. key. index finger forwards, pointing, indicating Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-gate-entrance-key-index-finger-forwards-pointing-indicating-image594767556.htmlRM2WFJ02C–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. gate, entrance. key. index finger forwards, pointing, indicating
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83354224.htmlRMERH34G–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clarissa-harlowe-or-the-history-of-a-young-lady-by-samuel-richardson-83300452.htmlRMEREJG4–'Clarissa Harlowe; or the history of a young lady' by Samuel Richardson. First published in 1778. Illustration by Thomas
Enkele figuren bij een zieke vrouw In a departure bother some figures around a sick woman. One woman dries her tears with a zakdoek. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1804 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 240 mm × W 161 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 7. Amsterdam: Johannes Allart, 1797-1805. Subject: emotional illness, derangement, madnesshandkerchiefscreen, folding screen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/enkele-figuren-bij-een-zieke-vrouw-in-a-departure-bother-some-figures-around-a-sick-woman-one-woman-dries-her-tears-with-a-zakdoek-manufacturer-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1804-physical-features-etching-and-engra-proofing-material-paper-technique-etching-engra-printing-process-measurements-sheet-h-240-mm-w-161-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-part-7-amsterdam-johannes-allart-1797-1805-subject-emotional-illness-derangement-madnesshandkerchiefscreen-folding-screen-image348334659.htmlRM2B6M0BF–Enkele figuren bij een zieke vrouw In a departure bother some figures around a sick woman. One woman dries her tears with a zakdoek. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1804 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 240 mm × W 161 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 7. Amsterdam: Johannes Allart, 1797-1805. Subject: emotional illness, derangement, madnesshandkerchiefscreen, folding screen
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. weeping. adolescent, young woman, maiden. one person praying Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-weeping-adolescent-young-woman-maiden-one-person-praying-image594765822.htmlRM2WFHWTE–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. weeping. adolescent, young woman, maiden. one person praying
Clarissa threatens to by stabbing Upper right numbered: No. 14. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 162 mm (inner plate edge cut ) × W 103 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Seeking death, suicide hacking and thrusting weapons: daggerweep Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-threatens-to-by-stabbing-upper-right-numbered-no-14-manufacturer-printmaker-daniel-nikolaus-chodowie-cki-listed-building-in-its-design-daniel-nikolaus-chodowiecki-listed-property-place-manufacture-berlin-date-1784-material-paper-technique-etching-dimensions-sheet-h-162-mm-inner-plate-edge-cut-w-103-mm-cut-off-inner-edge-plate-remarks-print-used-for-richardson-samuel-clarisse-harlowe-traduction-nouvelle-et-seule-complete-par-14-parts-geneva-and-paris-barde-1785-87-subject-literature-seeking-death-suicide-hacking-and-thrusting-weapons-daggerweep-image348270278.htmlRM2B6H286–Clarissa threatens to by stabbing Upper right numbered: No. 14. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 162 mm (inner plate edge cut ) × W 103 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Seeking death, suicide hacking and thrusting weapons: daggerweep
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. adolescent, young woman, maiden. quarrel, argument. child. whip Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-adolescent-young-woman-maiden-quarrel-argument-child-whip-image594766479.htmlRM2WFHXKY–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. adolescent, young woman, maiden. quarrel, argument. child. whip
Jonge vrouw staat op het punt om zelfmoord te plegen In a departure, a young woman about to stabbing himself with a knife through the chest. Figures to try against houden. Manufacturer around her hair in different ways: printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1803 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 242 mm × W 158 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 6. Amsterdam: Johannes Allart, 1797-1805. Subject: suicide Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jonge-vrouw-staat-op-het-punt-om-zelfmoord-te-plegen-in-a-departure-a-young-woman-about-to-stabbing-himself-with-a-knife-through-the-chest-figures-to-try-against-houden-manufacturer-around-her-hair-in-different-ways-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1803-physical-features-etching-and-engra-proofing-material-paper-technique-etching-engra-printing-process-measurements-sheet-h-242-mm-w-158-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-part-6-amsterdam-johannes-allart-1797-1805-subject-suicide-image348466540.htmlRM2B6X0HG–Jonge vrouw staat op het punt om zelfmoord te plegen In a departure, a young woman about to stabbing himself with a knife through the chest. Figures to try against houden. Manufacturer around her hair in different ways: printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1803 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 242 mm × W 158 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 6. Amsterdam: Johannes Allart, 1797-1805. Subject: suicide
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference above the performance. Berlin paper etching Literature. Bridge. Quarrel, Argument. Pain, Sirrow, Sadness; 'Pain', 'Pain of Zeusi' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-with-page-reference-above-the-performance-berlin-paper-etching-literature-bridge-quarrel-argument-pain-sirrow-sadness-pain-pain-of-zeusi-ripa-image594770486.htmlRM2WFJ3R2–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference above the performance. Berlin paper etching Literature. Bridge. Quarrel, Argument. Pain, Sirrow, Sadness; 'Pain', 'Pain of Zeusi' (Ripa)
Clarissa table at Lovelace and his friends Upper right numbered: No. 9. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 162 mm (inner plate edge cut ) b × 104 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Evening meal, dinner, supper candle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-table-at-lovelace-and-his-friends-upper-right-numbered-no-9-manufacturer-printmaker-daniel-nikolaus-chodowie-cki-listed-building-in-its-design-daniel-nikolaus-chodowiecki-listed-property-place-manufacture-berlin-date-1784-material-paper-technique-etching-dimensions-sheet-h-162-mm-inner-plate-edge-cut-b-104-mm-cut-off-inner-edge-plate-remarks-print-used-for-richardson-samuel-clarisse-harlowe-traduction-nouvelle-et-seule-complete-par-14-parts-geneva-and-paris-barde-1785-87-subject-literature-evening-meal-dinner-supper-candle-image348270292.htmlRM2B6H28M–Clarissa table at Lovelace and his friends Upper right numbered: No. 9. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 162 mm (inner plate edge cut ) b × 104 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Evening meal, dinner, supper candle
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Different figures are etched in the margin in a sketchy way. Berlin paper etching Literature. fainting, swooning. Despair; 'Disperatione' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-different-figures-are-etched-in-the-margin-in-a-sketchy-way-berlin-paper-etching-literature-fainting-swooning-despair-disperatione-ripa-image594770472.htmlRM2WFJ3PG–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Different figures are etched in the margin in a sketchy way. Berlin paper etching Literature. fainting, swooning. Despair; 'Disperatione' (Ripa)
Heer knielt voor een dame in een schuur In a barn kneels a man for a young woman. It seeks support from a bar not to faint vallen. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1797 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 235 mm × W 155 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 1. Amsterdam: Johannes Allart, 1797-1805. Subject: kneeling figure beam, joist, rafter building materialshedfainting, swooning Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heer-knielt-voor-een-dame-in-een-schuur-in-a-barn-kneels-a-man-for-a-young-woman-it-seeks-support-from-a-bar-not-to-faint-vallen-manufacturer-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1797-physical-features-etching-and-engra-proofing-material-paper-technique-etching-engra-printing-process-measurements-sheet-h-235-mm-w-155-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-part-1-amsterdam-johannes-allart-1797-1805-subject-kneeling-figure-beam-joist-rafter-building-materialshedfainting-swooning-image348427118.htmlRM2B6T69J–Heer knielt voor een dame in een schuur In a barn kneels a man for a young woman. It seeks support from a bar not to faint vallen. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1797 Physical features: etching and engra; proofing material: paper Technique: etching / engra (printing process) Measurements: sheet: h 235 mm × W 155 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 1. Amsterdam: Johannes Allart, 1797-1805. Subject: kneeling figure beam, joist, rafter building materialshedfainting, swooning
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. Pain, Sirrow, Sadness; 'Pain', 'Pain of Zeusi' (Ripa). Quarrel, Argument. bridge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-pain-sirrow-sadness-pain-pain-of-zeusi-ripa-quarrel-argument-bridge-image594772354.htmlRM2WFJ65P–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. Pain, Sirrow, Sadness; 'Pain', 'Pain of Zeusi' (Ripa). Quarrel, Argument. bridge
Clarissa rejected the proposal of marriage of Lovelace Upper right numbered: No. 13. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 162 mm (inner plate edge cut ) b × 104 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Being refused, the proposal rejected Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-rejected-the-proposal-of-marriage-of-lovelace-upper-right-numbered-no-13-manufacturer-printmaker-daniel-nikolaus-chodowie-cki-listed-building-in-its-design-daniel-nikolaus-chodowiecki-listed-property-place-manufacture-berlin-date-1784-material-paper-technique-etching-dimensions-sheet-h-162-mm-inner-plate-edge-cut-b-104-mm-cut-off-inner-edge-plate-remarks-print-used-for-richardson-samuel-clarisse-harlowe-traduction-nouvelle-et-seule-complete-par-14-parts-geneva-and-paris-barde-1785-87-subject-literature-being-refused-the-proposal-rejected-image348270512.htmlRM2B6H2GG–Clarissa rejected the proposal of marriage of Lovelace Upper right numbered: No. 13. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 162 mm (inner plate edge cut ) b × 104 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Being refused, the proposal rejected
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print A bird is etched in the margin in a sketchy way. Berlin paper etching Literature. seeking death, suicide. Despair; 'Disperatione' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-a-bird-is-etched-in-the-margin-in-a-sketchy-way-berlin-paper-etching-literature-seeking-death-suicide-despair-disperatione-ripa-image594769248.htmlRM2WFJ26T–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print A bird is etched in the margin in a sketchy way. Berlin paper etching Literature. seeking death, suicide. Despair; 'Disperatione' (Ripa)
Heer knielt voor een dame in een schuur In a barn kneels a man for a young woman. It seeks support from a bar not faintly vallen. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1797 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: leaf : h 238 mm × W 154 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 1. Amsterdam: Johannes Allart, 1797-1805. Subject: kneeling figure beam, joist, rafter building materialshedfainting, swooning Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heer-knielt-voor-een-dame-in-een-schuur-in-a-barn-kneels-a-man-for-a-young-woman-it-seeks-support-from-a-bar-not-faintly-vallen-manufacturer-printmaker-reinier-vinkeles-i-listed-building-place-manufacture-amsterdam-date-1797-physical-features-etching-and-engra-material-paper-technique-etching-engra-printing-process-dimensions-leaf-h-238-mm-w-154-mmtoelichtingillustratie-of-richardson-samuel-history-of-clarissa-harlowe-part-1-amsterdam-johannes-allart-1797-1805-subject-kneeling-figure-beam-joist-rafter-building-materialshedfainting-swooning-image348427196.htmlRM2B6T6CC–Heer knielt voor een dame in een schuur In a barn kneels a man for a young woman. It seeks support from a bar not faintly vallen. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) Place manufacture: Amsterdam Date: 1797 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: leaf : h 238 mm × W 154 mmToelichtingIllustratie of: Richardson, Samuel. History of Clarissa Harlowe. Part 1. Amsterdam: Johannes Allart, 1797-1805. Subject: kneeling figure beam, joist, rafter building materialshedfainting, swooning
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. kneeling figure. bedroom. disguise. fainting, swooning. Confusion, Bewilderment, Panic; 'Perturbatione' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-with-page-reference-and-numbering-above-the-performance-berlin-paper-etching-literature-kneeling-figure-bedroom-disguise-fainting-swooning-confusion-bewilderment-panic-perturbatione-ripa-image594770451.htmlRM2WFJ3NR–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. kneeling figure. bedroom. disguise. fainting, swooning. Confusion, Bewilderment, Panic; 'Perturbatione' (Ripa)
Belford visits Clarissa in the dungeon RP-P-OB-14739 Upper right numbered: No. 15. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 163 mm (inner plate edge cut ) b × 104 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Prison, jail death penalty, execution Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/belford-visits-clarissa-in-the-dungeon-rp-p-ob-14739-upper-right-numbered-no-15-manufacturer-printmaker-daniel-nikolaus-chodowie-cki-listed-building-in-its-design-daniel-nikolaus-chodowiecki-listed-property-place-manufacture-berlin-date-1784-material-paper-technique-etching-dimensions-sheet-h-163-mm-inner-plate-edge-cut-b-104-mm-cut-off-inner-edge-plate-remarks-print-used-for-richardson-samuel-clarisse-harlowe-traduction-nouvelle-et-seule-complete-par-14-parts-geneva-and-paris-barde-1785-87-subject-literature-prison-jail-death-penalty-execution-image348178640.htmlRM2B6CWBC–Belford visits Clarissa in the dungeon RP-P-OB-14739 Upper right numbered: No. 15. Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Material: paper Technique: etching Dimensions: sheet: H 163 mm (inner plate edge cut ) b × 104 mm (cut-off inner edge plate) Remarks Print used for: Richardson, Samuel. Clarisse Harlowe, Traduction nouvelle et seule complete par (...). 14 parts. Geneva and Paris: Barde, 1785-87. Subject: Literature Prison, jail death penalty, execution
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print Different figures are etched in the margin in a sketchy way. With page reference above the performance. Berlin paper etching Literature. sick-bed. kneeling figure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-different-figures-are-etched-in-the-margin-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-sick-bed-kneeling-figure-image594766364.htmlRM2WFHXFT–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print Different figures are etched in the margin in a sketchy way. With page reference above the performance. Berlin paper etching Literature. sick-bed. kneeling figure
Clarissa accused by her family Clarissa by her family accused object type: picture Item number: RP-P-OB-14.724Catalogusreferentie Bauer 1129Engelmann 521-1 (2) Markings / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 162 mm (cut inside edge plate) b × 103 mm (cut inside edge plate) Comments Print used: Richardson, Samuel. Clari Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-accused-by-her-family-clarissa-by-her-family-accused-object-type-picture-item-number-rp-p-ob-14724catalogusreferentie-bauer-1129engelmann-521-1-2-markings-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-daniel-nikolaus-chodowie-cki-listed-building-in-its-design-daniel-nikolaus-chodowiecki-listed-property-place-manufacture-berlin-date-1784-physical-features-etching-proofing-material-paper-technique-etching-dimensions-sheet-h-162-mm-cut-inside-edge-plate-b-103-mm-cut-inside-edge-plate-comments-print-used-richardson-samuel-clari-image348270277.htmlRM2B6H285–Clarissa accused by her family Clarissa by her family accused object type: picture Item number: RP-P-OB-14.724Catalogusreferentie Bauer 1129Engelmann 521-1 (2) Markings / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Daniel Nikolaus ChodoWie: CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 162 mm (cut inside edge plate) b × 103 mm (cut inside edge plate) Comments Print used: Richardson, Samuel. Clari
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. kneeling figure. sick-bed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-in-the-margin-a-putto-is-etched-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-kneeling-figure-sick-bed-image594768888.htmlRM2WFJ1P0–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. kneeling figure. sick-bed
Clarissa kidnapped by Lovelace Clarissa by Lovelace ontvoerd Object Type : picture Item number: RP-P-OB-14.729Catalogusreferentie Bauer 1134Engelmann 526-1 (2) Markings / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Daniel Nikolaus ChodoWie : CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 162 mm (cut inside edge plate) b × 103 mm (cut inside edge plate) Comments Print used: Richardson, Samuel. Clar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clarissa-kidnapped-by-lovelace-clarissa-by-lovelace-ontvoerd-object-type-picture-item-number-rp-p-ob-14729catalogusreferentie-bauer-1134engelmann-526-1-2-markings-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-daniel-nikolaus-chodowie-cki-listed-building-in-its-design-daniel-nikolaus-chodowiecki-listed-property-place-manufacture-berlin-date-1784-physical-features-etching-proofing-material-paper-technique-etching-dimensions-sheet-h-162-mm-cut-inside-edge-plate-b-103-mm-cut-inside-edge-plate-comments-print-used-richardson-samuel-clar-image348270511.htmlRM2B6H2GF–Clarissa kidnapped by Lovelace Clarissa by Lovelace ontvoerd Object Type : picture Item number: RP-P-OB-14.729Catalogusreferentie Bauer 1134Engelmann 526-1 (2) Markings / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Daniel Nikolaus ChodoWie : CKI (listed building) in its design: Daniel Nikolaus Chodowiecki (listed property) Place manufacture: Berlin Date: 1784 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 162 mm (cut inside edge plate) b × 103 mm (cut inside edge plate) Comments Print used: Richardson, Samuel. Clar
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Two putti are etched in the margin in a sketchy way. With page reference above the performance. Berlin paper etching Literature. Despair; 'Disperatione' (Ripa). fainting, swooning Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-two-putti-are-etched-in-the-margin-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-despair-disperatione-ripa-fainting-swooning-image594769374.htmlRM2WFJ2BA–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Two putti are etched in the margin in a sketchy way. With page reference above the performance. Berlin paper etching Literature. Despair; 'Disperatione' (Ripa). fainting, swooning
Jonge vrouw staat op het punt om zelfmoord te plegen In een vertrek staat een jonge vrouw op het punt om zichzelf met een mes door de borst te steken. De figuren om haar heen proberen haar op verschillende manieren tegen te houden. Manufacturer : prentmaker: Reinier Vinkeles (I) (vermeld op object)Plaats manufacture: Amsterdam Dating: 1802 Physical kenmerken: ets en gravure Material: papier Techniek: etsen / graveren (drukprocedé) Dimensions: blad: h 244 mm × b 160 mmToelichtingIllustratie uit: Richardson, Samuel. Geschiedenis van Clarissa Harlowe. Deel 6. Amsterdam: Johannes Allart, 1797-1805 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jonge-vrouw-staat-op-het-punt-om-zelfmoord-te-plegen-in-een-vertrek-staat-een-jonge-vrouw-op-het-punt-om-zichzelf-met-een-mes-door-de-borst-te-steken-de-figuren-om-haar-heen-proberen-haar-op-verschillende-manieren-tegen-te-houden-manufacturer-prentmaker-reinier-vinkeles-i-vermeld-op-objectplaats-manufacture-amsterdam-dating-1802-physical-kenmerken-ets-en-gravure-material-papier-techniek-etsen-graveren-drukproced-dimensions-blad-h-244-mm-b-160-mmtoelichtingillustratie-uit-richardson-samuel-geschiedenis-van-clarissa-harlowe-deel-6-amsterdam-johannes-allart-1797-1805-image348466535.htmlRM2B6X0HB–Jonge vrouw staat op het punt om zelfmoord te plegen In een vertrek staat een jonge vrouw op het punt om zichzelf met een mes door de borst te steken. De figuren om haar heen proberen haar op verschillende manieren tegen te houden. Manufacturer : prentmaker: Reinier Vinkeles (I) (vermeld op object)Plaats manufacture: Amsterdam Dating: 1802 Physical kenmerken: ets en gravure Material: papier Techniek: etsen / graveren (drukprocedé) Dimensions: blad: h 244 mm × b 160 mmToelichtingIllustratie uit: Richardson, Samuel. Geschiedenis van Clarissa Harlowe. Deel 6. Amsterdam: Johannes Allart, 1797-1805
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. kissing the hand (lovers). fainting, swooning Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-in-the-margin-a-putto-is-etched-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-kissing-the-hand-lovers-fainting-swooning-image594765686.htmlRM2WFHWKJ–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. kissing the hand (lovers). fainting, swooning
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a head was etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. coffin. the corpse. death of human being. duelling Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-in-the-margin-a-head-was-etched-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-coffin-the-corpse-death-of-human-being-duelling-image594769425.htmlRM2WFJ2D5–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a head was etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. coffin. the corpse. death of human being. duelling
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. Despair; 'Disperatione' (Ripa). seeking death, suicide Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-in-the-margin-a-putto-is-etched-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-despair-disperatione-ripa-seeking-death-suicide-image594768709.htmlRM2WFJ1FH–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. Despair; 'Disperatione' (Ripa). seeking death, suicide
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. prison, jail. imprisonment. gate, entrance. church (exterior) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-in-the-margin-a-putto-is-etched-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-prison-jail-imprisonment-gate-entrance-church-exterior-image594769495.htmlRM2WFJ2FK–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. prison, jail. imprisonment. gate, entrance. church (exterior)
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. gate, entrance. key. index finger forwards, pointing, indicating Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-in-the-margin-a-putto-is-etched-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-gate-entrance-key-index-finger-forwards-pointing-indicating-image594766502.htmlRM2WFHXMP–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. gate, entrance. key. index finger forwards, pointing, indicating
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print Different figures are etched in the margin in a sketchy way. With page reference above the performance. Berlin paper etching Literature. adolescent, young woman, maiden. quarrel, argument. child. whip Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-different-figures-are-etched-in-the-margin-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-adolescent-young-woman-maiden-quarrel-argument-child-whip-image594764954.htmlRM2WFHTNE–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print Different figures are etched in the margin in a sketchy way. With page reference above the performance. Berlin paper etching Literature. adolescent, young woman, maiden. quarrel, argument. child. whip
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. adolescent, young woman, maiden. quarrel, argument. child. whip Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-in-the-margin-a-putto-is-etched-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-adolescent-young-woman-maiden-quarrel-argument-child-whip-image594765998.htmlRM2WFHX2P–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. adolescent, young woman, maiden. quarrel, argument. child. whip
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a men's head is etched in a sketchy way. With Page reference at the top right. Berlin paper etching Literature. weeping. adolescent, young woman, maiden. one person praying Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1795-print-in-the-margin-a-mens-head-is-etched-in-a-sketchy-way-with-page-reference-at-the-top-right-berlin-paper-etching-literature-weeping-adolescent-young-woman-maiden-one-person-praying-image594767401.htmlRM2WFHYTW–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a men's head is etched in a sketchy way. With Page reference at the top right. Berlin paper etching Literature. weeping. adolescent, young woman, maiden. one person praying
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. Confusion, Bewilderment, Panic; 'Perturbatione' (Ripa). fainting, swooning. disguise. bedroom. kneeling figure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-in-the-margin-a-putto-is-etched-in-a-sketchy-way-with-page-reference-above-the-performance-berlin-paper-etching-literature-confusion-bewilderment-panic-perturbatione-ripa-fainting-swooning-disguise-bedroom-kneeling-figure-image594768463.htmlRM2WFJ16R–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. Confusion, Bewilderment, Panic; 'Perturbatione' (Ripa). fainting, swooning. disguise. bedroom. kneeling figure
Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Different figures are etched in the margin in a sketchy way. Berlin paper etching Literature. church (exterior). gate, entrance. imprisonment. prison, jail. beasts of prey, predatory animals: wolf. Naiads, river- and spring-nymphs; usually carrying an urn; 'Naiadi, ninfe de' fiumi' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-performances-from-clarissa-by-samuel-richardson-daniel-nikolaus-chodowiecki-1796-print-different-figures-are-etched-in-the-margin-in-a-sketchy-way-berlin-paper-etching-literature-church-exterior-gate-entrance-imprisonment-prison-jail-beasts-of-prey-predatory-animals-wolf-naiads-river-and-spring-nymphs-usually-carrying-an-urn-naiadi-ninfe-de-fiumi-ripa-image594771957.htmlRM2WFJ5KH–Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Different figures are etched in the margin in a sketchy way. Berlin paper etching Literature. church (exterior). gate, entrance. imprisonment. prison, jail. beasts of prey, predatory animals: wolf. Naiads, river- and spring-nymphs; usually carrying an urn; 'Naiadi, ninfe de' fiumi' (Ripa)
