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New Creative Relevant Search filters Samuel Collings Stock Photos and Images  (109) Narrow your search: Black & white Page 1 of 2 SAMUEL COLLINGS THE BIBLE (2013) SAMUEL COLLINGS THE BIBLE (2013)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-collings-the-bible-2013-image66599485.html Samuel Collings, Frost on the Thames 1788-1789 Oil on canvas. Yale Center for British Art, New Haven, USA. Samuel Collings, Frost on the Thames 1788-1789 Oil on canvas. Yale Center for British Art, New Haven, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-collings-frost-on-the-thames-1788-1789-oil-on-canvas-yale-center-image66208617.html William Blake after Samuel Collings (British, 1757 - 1827), May-Day in London, 1784, engraving. Reimagined William Blake after Samuel Collings (British, 1757 - 1827), May-Day in London, 1784, engraving. Reimaginedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-blake-after-samuel-collings-british-1757-1827-may-day-in-london-1784-engraving-reimagined-image230059416.html William Blake after Samuel Collings (British, 1757 - 1827), May-Day in London, 1784, engraving William Blake after Samuel Collings (British, 1757 - 1827), May-Day in London, 1784, engravinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-blake-after-samuel-collings-british-1757-1827-may-day-in-london-123363676.html Oil painting of titled 'Forest on the Thames'. Within the painting the Dome of St Paul's Cathedral can be seen, as well as, the Tower of London. By Samuel Collings (1738 - 1838?) English artist. Dated 1788 Oil painting of titled 'Forest on the Thames'. Within the painting the Dome of St Paul's Cathedral can be seen, as well as, the Tower of London. By Samuel Collings (1738 - 1838?) English artist. Dated 1788https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-painting-of-titled-forest-on-the-thames-within-the-painting-the-image68544118.html MANNING THE NAVY Coloured engraving of 1790 by Samuel Collings shows Royal Navy press gang at work on Tower Hill, London MANNING THE NAVY Coloured engraving of 1790 by Samuel Collings shows Royal Navy press gang at work on Tower Hill, Londonhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-manning-the-navy-coloured-engraving-of-1790-by-samuel-collings-shows-48538385.html Samuel Collings English school 'May Day (in London)'; showing milkmaids with garlands and chimney sweep boys dancing outside a pewterer's and a barber's premises in Milk Street. One 'garland' of plate and greenery is in the charge of two chair men, one of Samuel Collings English school 'May Day (in London)'; showing milkmaids with garlands and chimney sweep boys dancing outside a pewterer's and a barber's premises in Milk Street. One 'garland' of plate and greenery is in the charge of two chair men, one ofhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-samuel-collings-english-school-may-day-in-london-showing-milkmaids-113153723.html Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Samuel Collings as Octavius, Chukwudi Iwuji as Enobarbus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13 Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Samuel Collings as Octavius, Chukwudi Iwuji as Enobarbus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antony-and-cleopatra-by-william-shakespeare-a-royal-shakespeare-company-image62709842.html 'Frost on the Thames', 1788-1789, (1930). Creator: Samuel Collings. 'Frost on the Thames', 1788-1789, (1930). Creator: Samuel Collings.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frost-on-the-thames-1788-1789-1930-creator-samuel-collings-image248874889.html 'Mars and Venus, or Sir Cecil chastised', 1784. Artist: Samuel Collings 'Mars and Venus, or Sir Cecil chastised', 1784. Artist: Samuel Collingshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mars-and-venus-or-sir-cecil-chastised-1784-artist-samuel-collings-image60097187.html The Discomfited Duellists. Dated: 1784. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after Samuel Collings. The Discomfited Duellists. Dated: 1784. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after Samuel Collings.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-discomfited-duellists-dated-1784-medium-engraving-museum-national-gallery-of-art-washington-dc-author-william-blake-after-samuel-collings-image218819723.html . Thomas Paine Attributed to Samuel Collings (?–1795) Pencil, ink, and wash on paper, c. 1792 . circa 1792. attributed to Samuel Collings (?-1795) 605 Thomas Paine by Samuel Collins c1792 . Thomas Paine Attributed to Samuel Collings (?–1795) Pencil, ink, and wash on paper, c. 1792 . circa 1792. attributed to Samuel Collings (?-1795) 605 Thomas Paine by Samuel Collins c1792https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-paine-attributed-to-samuel-collings-1795-pencil-ink-and-wash-on-paper-c-1792-circa-1792-attributed-to-samuel-collings-1795-605-thomas-paine-by-samuel-collins-c1792-image187560510.html Samuel Collings Frost on the Thames Samuel Collings Frost on the Thameshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-collings-frost-on-the-thames-image152803828.html Samuel Collings Frost on the Thames Google Art Project Samuel Collings Frost on the Thames Google Art Projecthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-samuel-collings-frost-on-the-thames-google-art-project-137406308.html William Blake after Samuel Collings, The Discomfited Duellists, 1784, The Discomfited Duellists; 1784 date William Blake after Samuel Collings, The Discomfited Duellists, 1784, The Discomfited Duellists; 1784 datehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-blake-after-samuel-collings-the-discomfited-duellists-1784-the-discomfited-duellists-1784-date-image336090010.html London, UK. 6 September 2016. Stephen Boxer (Tiberius Caesar) and Samuel Collings (Jesus). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016. London, UK. 6 September 2016. Stephen Boxer (Tiberius Caesar) and Samuel Collings (Jesus). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-6-september-2016-stephen-boxer-tiberius-caesar-and-samuel-117673895.html 'Dr Johnson takes tea at Boswell's House' - caricature. Published 1786 by Collings and Rowlandson. Depicts Samuel Johnson 's 'Dr Johnson takes tea at Boswell's House' - caricature. Published 1786 by Collings and Rowlandson. Depicts Samuel Johnson 'shttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dr-johnson-takes-tea-at-boswells-house-caricature-published-1786-by-83356828.html 'Dr Johnson takes tea at Boswell's House' - caricature. Published 1786 by Collings and Rowlandson. Depicts Samuel Johnson 's 'Dr Johnson takes tea at Boswell's House' - caricature. Published 1786 by Collings and Rowlandson. Depicts Samuel Johnson 'shttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dr-johnson-takes-tea-at-boswells-house-caricature-published-1786-by-83356787.html William Blake after Samuel Collings (British, 1757 - 1827), May-Day in London, 1784, engraving. Reimagined William Blake after Samuel Collings (British, 1757 - 1827), May-Day in London, 1784, engraving. Reimaginedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-blake-after-samuel-collings-british-1757-1827-may-day-in-london-1784-engraving-reimagined-image230440703.html William Blake after Samuel Collings (British, 1757 - 1827), May-Day in London, 1784, engraving William Blake after Samuel Collings (British, 1757 - 1827), May-Day in London, 1784, engravinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-blake-after-samuel-collings-british-1757-1827-may-day-in-london-77370945.html May-Day in London, William Blake, 1757–1827, British, after Samuel Collings, active 1784–1795, British, 1784, Hand colored engraving May-Day in London, William Blake, 1757–1827, British, after Samuel Collings, active 1784–1795, British, 1784, Hand colored engravinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/may-day-in-london-william-blake-17571827-british-after-samuel-collings-active-17841795-british-1784-hand-colored-engraving-image389696512.html William Blake, (artist), British, 1757 - 1827, Samuel Collings, (artist after), British, active 1784/1789, May-Day in London, Wit's Magazine, (series), 1784, engraving William Blake, (artist), British, 1757 - 1827, Samuel Collings, (artist after), British, active 1784/1789, May-Day in London, Wit's Magazine, (series), 1784, engravinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-blake-artist-british-1757-1827-samuel-collings-artist-after-british-active-17841789-may-day-in-london-wits-magazine-series-1784-engraving-image386234986.html Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chukwudi Iwuji as Enobarbus, Jonathan Cake as Antony, Samuel Collings as Octavius. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13 Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chukwudi Iwuji as Enobarbus, Jonathan Cake as Antony, Samuel Collings as Octavius. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antony-and-cleopatra-by-william-shakespeare-a-royal-shakespeare-company-image62709836.html The First of April or, A Meeting of Creditors, Samuel Collings, active 1784–1795, British, 1785, Etching, hand-colored, Sheet: 7 7/8 x 11 7/8in. (20 x 30.2cm The First of April or, A Meeting of Creditors, Samuel Collings, active 1784–1795, British, 1785, Etching, hand-colored, Sheet: 7 7/8 x 11 7/8in. (20 x 30.2cmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-first-of-april-or-a-meeting-of-creditors-samuel-collings-active-17841795-british-1785-etching-hand-colored-sheet-7-78-x-11-78in-20-x-302cm-image389764590.html 'Mars and Venus...', Chelsea, Kensington, London, 1784. Artist: Samuel Collings 'Mars and Venus...', Chelsea, Kensington, London, 1784. Artist: Samuel Collingshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mars-and-venus-chelsea-kensington-london-1784-artist-samuel-collings-image60095171.html . Thomas Paine Attributed to Samuel Collings (?–1795) Pencil, ink, and wash on paper, c. 1792 . circa 1792. attributed to Samuel Collings (?-1795) 527 Thomas Paine by Samuel Collins c1792 . Thomas Paine Attributed to Samuel Collings (?–1795) Pencil, ink, and wash on paper, c. 1792 . circa 1792. attributed to Samuel Collings (?-1795) 527 Thomas Paine by Samuel Collins c1792https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-paine-attributed-to-samuel-collings-1795-pencil-ink-and-wash-on-paper-c-1792-circa-1792-attributed-to-samuel-collings-1795-527-thomas-paine-by-samuel-collins-c1792-image188832407.html May-Day in London. Dated: 1784. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after Samuel Collings. May-Day in London. Dated: 1784. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after Samuel Collings.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/may-day-in-london-dated-1784-medium-engraving-museum-national-gallery-of-art-washington-dc-author-william-blake-after-samuel-collings-image225660993.html William Blake after Samuel Collings, May-Day in London, 1784, May-Day in London; 1784 date William Blake after Samuel Collings, May-Day in London, 1784, May-Day in London; 1784 datehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-blake-after-samuel-collings-may-day-in-london-1784-may-day-in-london-1784-date-image336090001.html London, UK. 6 September 2016. Stephen Boxer (Tiberius Caesar) and Samuel Collings (Jesus). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016. London, UK. 6 September 2016. Stephen Boxer (Tiberius Caesar) and Samuel Collings (Jesus). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-6-september-2016-stephen-boxer-tiberius-caesar-and-samuel-117673896.html Frost on the Thames The Thames Frozen Over, near the Tower of London, London Samuel Collings, active 1784-1795 reimagined Frost on the Thames The Thames Frozen Over, near the Tower of London, London Samuel Collings, active 1784-1795 reimaginedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frost-on-the-thames-the-thames-frozen-over-near-the-tower-of-london-london-samuel-collings-active-1784-1795-reimagined-image230453368.html Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Samuel Collings as Octavius, Charise Castro Smith as Octavia, Henry Stram as Lepidus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13 Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Samuel Collings as Octavius, Charise Castro Smith as Octavia, Henry Stram as Lepidus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antony-and-cleopatra-by-william-shakespeare-a-royal-shakespeare-company-image62709811.html Essay on Duelling - Anglice Doing = Him!, Samuel Collings, active 1784–1795, British, 1789, Etching, hand-colored, Sheet: 8 1/4 x 23 3/8in. (21 x 59.4cm Essay on Duelling - Anglice Doing = Him!, Samuel Collings, active 1784–1795, British, 1789, Etching, hand-colored, Sheet: 8 1/4 x 23 3/8in. (21 x 59.4cmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/essay-on-duelling-anglice-doing-=-him!-samuel-collings-active-17841795-british-1789-etching-hand-colored-sheet-8-14-x-23-38in-21-x-594cm-image389765506.html 'A pugilistick club...', 1789. Artist: John Barlow 'A pugilistick club...', 1789. Artist: John Barlowhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-pugilistick-club-1789-artist-john-barlow-image60109659.html . Thomas Paine Attributed to Samuel Collings (?–1795) Pencil, ink, and wash on paper, c. 1792 . circa 1792. attributed to Samuel Collings (?-1795) 605 Thomas Paine by Samuel Collins c1792 . Thomas Paine Attributed to Samuel Collings (?–1795) Pencil, ink, and wash on paper, c. 1792 . circa 1792. attributed to Samuel Collings (?-1795) 605 Thomas Paine by Samuel Collins c1792https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-paine-attributed-to-samuel-collings-1795-pencil-ink-and-wash-on-paper-c-1792-circa-1792-attributed-to-samuel-collings-1795-605-thomas-paine-by-samuel-collins-c1792-image188082308.html Frost on the Thames. Date/Period: 1788 to 1789. Painting. Oil on canvas. Height: 767 mm (30.19 in); Width: 1,224 mm (48.18 in). Author: Samuel Collings. Frost on the Thames. Date/Period: 1788 to 1789. Painting. Oil on canvas. Height: 767 mm (30.19 in); Width: 1,224 mm (48.18 in). Author: Samuel Collings.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frost-on-the-thames-dateperiod-1788-to-1789-painting-oil-on-canvas-height-767-mm-3019-in-width-1224-mm-4818-in-author-samuel-collings-image219696652.html London, UK. 6 September 2016. L-R: Joseph Marcell (Caspar), Richard Bremmer (Balthasar), Kevin Moore (Melchior) and Samuel Collings (Jesus). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016. London, UK. 6 September 2016. L-R: Joseph Marcell (Caspar), Richard Bremmer (Balthasar), Kevin Moore (Melchior) and Samuel Collings (Jesus). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-6-september-2016-l-r-joseph-marcell-caspar-richard-bremmer-117673887.html Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chivas Michael as Soothsayer, Chukwudi Iwuji as Enobarbus, Jonathan Cake as Antony, Samuel Collings as Octavius. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13 Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chivas Michael as Soothsayer, Chukwudi Iwuji as Enobarbus, Jonathan Cake as Antony, Samuel Collings as Octavius. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antony-and-cleopatra-by-william-shakespeare-a-royal-shakespeare-company-image62709814.html Animal Magnetizm, unknown artist, eighteenth century, after unknown artist, after Samuel Collings, (according to accession record), active 1784–1795, British, undated, Sheet: 4 x 7in. (10.2 x 17.8cm Animal Magnetizm, unknown artist, eighteenth century, after unknown artist, after Samuel Collings, (according to accession record), active 1784–1795, British, undated, Sheet: 4 x 7in. (10.2 x 17.8cmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/animal-magnetizm-unknown-artist-eighteenth-century-after-unknown-artist-after-samuel-collings-according-to-accession-record-active-17841795-british-undated-sheet-4-x-7in-102-x-178cm-image389762455.html 'Monmouth Street. Not fit! ...', 1789. Artist: J Cooke 'Monmouth Street. Not fit! ...', 1789. Artist: J Cookehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monmouth-street-not-fit!-1789-artist-j-cooke-image60095016.html . Samuel Collings' illustration of Conflagration! Or the merry mealmongers, a caricature based on the Albion Mills, London, fire of 1791. The caricature was published in the magazine, The Attic Miscellany. . likely 1791. Samuel Collings No one knows his date of death but his most productive period at his craft was between 1780 and 1790. Conflagration! Or the merry mealmongers . Samuel Collings' illustration of Conflagration! Or the merry mealmongers, a caricature based on the Albion Mills, London, fire of 1791. The caricature was published in the magazine, The Attic Miscellany. . likely 1791. Samuel Collings No one knows his date of death but his most productive period at his craft was between 1780 and 1790. Conflagration! Or the merry mealmongershttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-collings-illustration-of-conflagration!-or-the-merry-mealmongers-a-caricature-based-on-the-albion-mills-london-fire-of-1791-the-caricature-was-published-in-the-magazine-the-attic-miscellany-likely-1791-samuel-collings-no-one-knows-his-date-of-death-but-his-most-productive-period-at-his-craft-was-between-1780-and-1790-conflagration!-or-the-merry-mealmongers-image184961930.html The Triumph of Sentiment. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/2 in. × 16 in. (31.8 × 40.7 cm). Publisher: E. Jackson (London). Date: January 15, 1787. Museum: Metropolitan Museum of Art, New York, USA. The Triumph of Sentiment. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/2 in. × 16 in. (31.8 × 40.7 cm). Publisher: E. Jackson (London). Date: January 15, 1787. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumph-of-sentiment-artist-after-thomas-rowlandson-british-london-1757-1827-london-samuel-collings-british-active-1784-95-dimensions-sheet-12-12-in-16-in-318-407-cm-publisher-e-jackson-london-date-january-15-1787-museum-metropolitan-museum-of-art-new-york-usa-image213298555.html London, UK. 6 September 2016. L-R: Joseph Marcell (Caspar), Richard Bremmer (Balthasar), Kevin Moore (Melchior) and Samuel Collings (Jesus). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016. London, UK. 6 September 2016. L-R: Joseph Marcell (Caspar), Richard Bremmer (Balthasar), Kevin Moore (Melchior) and Samuel Collings (Jesus). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-6-september-2016-l-r-joseph-marcell-caspar-richard-bremmer-117673886.html Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chivas Michael as Soothsayer, Samuel Collings as Octavius, Charise Castro Smith as Octavia, Henry Stram as Lepidus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13 Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chivas Michael as Soothsayer, Samuel Collings as Octavius, Charise Castro Smith as Octavia, Henry Stram as Lepidus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antony-and-cleopatra-by-william-shakespeare-a-royal-shakespeare-company-image62709827.html The Journalist, with a view of Auchinleck or the Land of Stones, Thomas Rowlandson, 1756–1827, British, after Samuel Collings, active 1784–1795, British, 1786, caricature, coast, journal, literary theme, rocks (landforms), Auchinleck, East Ayrshire, Scotland, United Kingdom The Journalist, with a view of Auchinleck or the Land of Stones, Thomas Rowlandson, 1756–1827, British, after Samuel Collings, active 1784–1795, British, 1786, caricature, coast, journal, literary theme, rocks (landforms), Auchinleck, East Ayrshire, Scotland, United Kingdomhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-journalist-with-a-view-of-auchinleck-or-the-land-of-stones-thomas-rowlandson-17561827-british-after-samuel-collings-active-17841795-british-1786-caricature-coast-journal-literary-theme-rocks-landforms-auchinleck-east-ayrshire-scotland-united-kingdom-image389640470.html The Chamber of Taste, ca. 1785. The Chamber of Taste, ca. 1785.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-chamber-of-taste-ca-1785-image354733613.html The Triumph of Hipocrisy. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/16 × 15 7/16 in. (30.7 × 39.2 cm). Publisher: E. Jackson (London). Date: January 11, 1787. Museum: Metropolitan Museum of Art, New York, USA. The Triumph of Hipocrisy. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/16 × 15 7/16 in. (30.7 × 39.2 cm). Publisher: E. Jackson (London). Date: January 11, 1787. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumph-of-hipocrisy-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-12-116-15-716-in-307-392-cm-publisher-e-jackson-london-date-january-11-1787-museum-metropolitan-museum-of-art-new-york-usa-image213207092.html London, UK. 6 September 2016. L-R: Richard Bremmer (Balthasar), Joseph Marcell (Caspar), Samuel Collings (Jesus) and Kevin Moore (Melchior). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016. London, UK. 6 September 2016. L-R: Richard Bremmer (Balthasar), Joseph Marcell (Caspar), Samuel Collings (Jesus) and Kevin Moore (Melchior). The comedy The Inn at Lydda written by John Wolfson and directed by Andy Jordan runs at the Sam Wanamaker Playhouse from 2 September to 27 September 2016.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-6-september-2016-l-r-richard-bremmer-balthasar-joseph-marcell-117673884.html Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chivas Michael as Soothsayer, Samuel Collings as Octavius, Charise Castro Smith as Octavia, Henry Stram as Lepidus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13 Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chivas Michael as Soothsayer, Samuel Collings as Octavius, Charise Castro Smith as Octavia, Henry Stram as Lepidus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antony-and-cleopatra-by-william-shakespeare-a-royal-shakespeare-company-image62709833.html Magnetic Dispensary, Samuel Collings, active 1784–1795, British, undated, Graphite, pen and black ink and gray wash on medium, moderatly textured, cream laid paper, Sheet: 6 9/16 × 8 11/16 inches (16.7 × 22.1 cm Magnetic Dispensary, Samuel Collings, active 1784–1795, British, undated, Graphite, pen and black ink and gray wash on medium, moderatly textured, cream laid paper, Sheet: 6 9/16 × 8 11/16 inches (16.7 × 22.1 cmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/magnetic-dispensary-samuel-collings-active-17841795-british-undated-graphite-pen-and-black-ink-and-gray-wash-on-medium-moderatly-textured-cream-laid-paper-sheet-6-916-8-1116-inches-167-221-cm-image389629100.html The Vision (Picturesque Beauties of Boswell, Part the Second), May 15, 1786. The Vision (Picturesque Beauties of Boswell, Part the Second), May 15, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-vision-picturesque-beauties-of-boswell-part-the-second-may-15-1786-image354732915.html The Sorrows of Werter-The Last Interview. Artist: After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.1 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: E. Jackson (London). Date: March 29, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Sorrows of Werter-The Last Interview. Artist: After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.1 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: E. Jackson (London). Date: March 29, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sorrows-of-werter-the-last-interview-artist-after-samuel-collings-british-active-1784-95-dimensions-sheet-9-1516-13-716-in-252-341-cm-etcher-thomas-rowlandson-british-london-1757-1827-london-publisher-e-jackson-london-date-march-29-1786-museum-metropolitan-museum-of-art-new-york-usa-image213262582.html Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chivas Michael as Soothsayer, Samuel Collings as Octavius, Charise Castro Smith as Octavia, Henry Stram as Lepidus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13 Antony and Cleopatra by William Shakespeare, A Royal Shakespeare Company Production directed by Tarell Alvin McCraney. With Chivas Michael as Soothsayer, Samuel Collings as Octavius, Charise Castro Smith as Octavia, Henry Stram as Lepidus. Opens at The Swan Theatre, Stratford Upon Avon on 13/11/13https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antony-and-cleopatra-by-william-shakespeare-a-royal-shakespeare-company-image62709806.html The Struggles of Virtue, Samuel Collings, active 1784–1795, British, undated, Pen and black ink with graphite and gray wash on medium, moderately textured, white wove paper, Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm), hat, soldiers, tree, virtue The Struggles of Virtue, Samuel Collings, active 1784–1795, British, undated, Pen and black ink with graphite and gray wash on medium, moderately textured, white wove paper, Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm), hat, soldiers, tree, virtuehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-struggles-of-virtue-samuel-collings-active-17841795-british-undated-pen-and-black-ink-with-graphite-and-gray-wash-on-medium-moderately-textured-white-wove-paper-sheet-6-78-8-78-inches-175-225-cm-hat-soldiers-tree-virtue-image389846794.html Sailing Among the Hebrides (Picturesque Beauties of Boswell, Part the Second), June 10, 1786. Sailing Among the Hebrides (Picturesque Beauties of Boswell, Part the Second), June 10, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sailing-among-the-hebrides-picturesque-beauties-of-boswell-part-the-second-june-10-1786-image354732947.html Morgan Offending The Delicate Organs of Captain Whiffle. Artist: After Samuel Collings (British, active 1784-95). Dimensions: Sheet (trimmed): 12 5/8 × 14 3/4 in. (32 × 37.5 cm) Plate: 11 3/4 × 13 13/16 in. (29.8 × 35.1 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: May 12, 1800. Museum: Metropolitan Museum of Art, New York, USA. Morgan Offending The Delicate Organs of Captain Whiffle. Artist: After Samuel Collings (British, active 1784-95). Dimensions: Sheet (trimmed): 12 5/8 × 14 3/4 in. (32 × 37.5 cm) Plate: 11 3/4 × 13 13/16 in. (29.8 × 35.1 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: May 12, 1800. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morgan-offending-the-delicate-organs-of-captain-whiffle-artist-after-samuel-collings-british-active-1784-95-dimensions-sheet-trimmed-12-58-14-34-in-32-375-cm-plate-11-34-13-1316-in-298-351-cm-publisher-rudolph-ackermann-london-active-1794-1829-date-may-12-1800-museum-metropolitan-museum-of-art-new-york-usa-image213182586.html An Ampitheatrical Version of the Fall of Bastille, Samuel Collings, active 1784–1795, British, undated, Pen and black ink and gray wash on medium, moderately textured, cream wove paper, Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm), actors, genre subject, soldiers, stage, theatre An Ampitheatrical Version of the Fall of Bastille, Samuel Collings, active 1784–1795, British, undated, Pen and black ink and gray wash on medium, moderately textured, cream wove paper, Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm), actors, genre subject, soldiers, stage, theatrehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-ampitheatrical-version-of-the-fall-of-bastille-samuel-collings-active-17841795-british-undated-pen-and-black-ink-and-gray-wash-on-medium-moderately-textured-cream-wove-paper-sheet-6-34-9-inches-171-229-cm-actors-genre-subject-soldiers-stage-theatre-image389846974.html Frontispiece, Revising for the Second Edition (Picturesque Beauties of Boswell, Part the Second), June 15, 1786. Frontispiece, Revising for the Second Edition (Picturesque Beauties of Boswell, Part the Second), June 15, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frontispiece-revising-for-the-second-edition-picturesque-beauties-of-boswell-part-the-second-june-15-1786-image354733765.html More of Werther-The Separation: Charlotte Preserved from Destruction by Albert and Hymen, whilst Werther in an access of frenzy puts and end to his existence. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 1/4 × 13 7/8 in. (26.1 × 35.2 cm). Publisher: E. Jackson (London). Date: May 6, 1786. Museum: Metropolitan Museum of Art, New York, USA. More of Werther-The Separation: Charlotte Preserved from Destruction by Albert and Hymen, whilst Werther in an access of frenzy puts and end to his existence. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 1/4 × 13 7/8 in. (26.1 × 35.2 cm). Publisher: E. Jackson (London). Date: May 6, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/more-of-werther-the-separation-charlotte-preserved-from-destruction-by-albert-and-hymen-whilst-werther-in-an-access-of-frenzy-puts-and-end-to-his-existence-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-14-13-78-in-261-352-cm-publisher-e-jackson-london-date-may-6-1786-museum-metropolitan-museum-of-art-new-york-usa-image213327475.html Polite Amusement of Brute Beasts at the Lyceum, Samuel Collings, active 1784–1795, British, undated, Pen and black ink with gray wash on medium, slightly textured, gray wove paper, Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm), boxing, genre subject, lyceum, spectators, stage Polite Amusement of Brute Beasts at the Lyceum, Samuel Collings, active 1784–1795, British, undated, Pen and black ink with gray wash on medium, slightly textured, gray wove paper, Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm), boxing, genre subject, lyceum, spectators, stagehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polite-amusement-of-brute-beasts-at-the-lyceum-samuel-collings-active-17841795-british-undated-pen-and-black-ink-with-gray-wash-on-medium-slightly-textured-gray-wove-paper-sheet-7-8-34-inches-178-222-cm-boxing-genre-subject-lyceum-spectators-stage-image389846782.html More of Werther-The Separation: Charlotte Preserved from Destruction by Albert and Hymen, whilst Werther in an access of frenzy puts and end to his existence, May 6, 1786. More of Werther-The Separation: Charlotte Preserved from Destruction by Albert and Hymen, whilst Werther in an access of frenzy puts and end to his existence, May 6, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/more-of-werther-the-separation-charlotte-preserved-from-destruction-by-albert-and-hymen-whilst-werther-in-an-access-of-frenzy-puts-and-end-to-his-existence-may-6-1786-image354732952.html Thomas Rowlandson, The Triumph of Hypocrisy, Thomas Rowlandson (British, London 1757–1827 London), After Samuel Collings (British, active 1784–95), January 11, 1787, Hand-colored stippled etching and aquatint, Sheet: 12 1/2 × 16 1/16 in. (31.7 × 40.8 cm), Prints Thomas Rowlandson, The Triumph of Hypocrisy, Thomas Rowlandson (British, London 1757–1827 London), After Samuel Collings (British, active 1784–95), January 11, 1787, Hand-colored stippled etching and aquatint, Sheet: 12 1/2 × 16 1/16 in. (31.7 × 40.8 cm), Printshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-the-triumph-of-hypocrisy-thomas-rowlandson-british-london-17571827-london-after-samuel-collings-british-active-178495-january-11-1787-hand-colored-stippled-etching-and-aquatint-sheet-12-12-16-116-in-317-408-cm-prints-image344646549.html The Embrace (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 9/16 in. (26.8 × 29.3 cm) Plate: 10 1/4 × 10 7/8 in. (26 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Embrace (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 9/16 in. (26.8 × 29.3 cm) Plate: 10 1/4 × 10 7/8 in. (26 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-embrace-picturesque-beauties-of-boswell-part-the-first-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-916-11-916-in-268-293-cm-plate-10-14-10-78-in-26-277-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-may-15-1786-museum-metropolitan-museum-of-art-new-york-usa-image213148679.html The Reconciliation (Picturesque Beauties of Boswell, Part the Second), June 20, 1786. The Reconciliation (Picturesque Beauties of Boswell, Part the Second), June 20, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-reconciliation-picturesque-beauties-of-boswell-part-the-second-june-20-1786-image354732972.html Thomas Rowlandson, Morgan Offending The Delicate Organs of Captain Whiffle, Six Illustrations to the Adventures of Roderick Random, vol. I, chap. XXXIV, After Samuel Collings (British, active 1784–95), May 12, 1800, Etching and aquatint, Sheet: 11 1/8 × 13 9/16 in. (28.3 × 34.4 cm), Prints Thomas Rowlandson, Morgan Offending The Delicate Organs of Captain Whiffle, Six Illustrations to the Adventures of Roderick Random, vol. I, chap. XXXIV, After Samuel Collings (British, active 1784–95), May 12, 1800, Etching and aquatint, Sheet: 11 1/8 × 13 9/16 in. (28.3 × 34.4 cm), Printshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-morgan-offending-the-delicate-organs-of-captain-whiffle-six-illustrations-to-the-adventures-of-roderick-random-vol-i-chap-xxxiv-after-samuel-collings-british-active-178495-may-12-1800-etching-and-aquatint-sheet-11-18-13-916-in-283-344-cm-prints-image344646596.html The Journalist, With a View of Auckinleck-or the Land of Stones (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 7/16 in. (26.9 × 29.1 cm) Plate: 10 3/16 × 10 7/8 in. (25.8 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Journalist, With a View of Auckinleck-or the Land of Stones (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 7/16 in. (26.9 × 29.1 cm) Plate: 10 3/16 × 10 7/8 in. (25.8 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-journalist-with-a-view-of-auckinleck-or-the-land-of-stones-picturesque-beauties-of-boswell-part-the-first-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-916-11-716-in-269-291-cm-plate-10-316-10-78-in-258-277-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-date-may-15-1786-museum-metropolitan-museum-of-art-new-york-usa-image213201370.html Manning the Navy, Samuel Collings, active 1784–1795, British, undated, Pen and black ink with gray wash and graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm), figure study, hat, men, soldiers, England, Europe, London, Tower of London Manning the Navy, Samuel Collings, active 1784–1795, British, undated, Pen and black ink with gray wash and graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm), figure study, hat, men, soldiers, England, Europe, London, Tower of Londonhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manning-the-navy-samuel-collings-active-17841795-british-undated-pen-and-black-ink-with-gray-wash-and-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-6-58-8-12-inches-168-216-cm-figure-study-hat-men-soldiers-england-europe-london-tower-of-london-image389846767.html The Triumph of Sentiment, January 15, 1787. The Triumph of Sentiment, January 15, 1787.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumph-of-sentiment-january-15-1787-image354733078.html Lodging at M'Queen's (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 7/16 in. (26.8 × 29 cm) Plate: 10 1/4 × 10 7/8 in. (26 × 27.6 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 20, 1786. Museum: Metropolitan Museum of Art, New York, USA. Lodging at M'Queen's (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 7/16 in. (26.8 × 29 cm) Plate: 10 1/4 × 10 7/8 in. (26 × 27.6 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 20, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lodging-at-mqueens-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-916-11-716-in-268-29-cm-plate-10-14-10-78-in-26-276-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-june-20-1786-museum-metropolitan-museum-of-art-new-york-usa-image213149440.html Morgan Offending the Delicate Organs of Captain Wiffle, Samuel Collings, active 1784–1795, British, undated, Graphite, gray wash, brown wash, pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm), books, comedy, couches, drama, expression, genre subject, gesture, men, smell Morgan Offending the Delicate Organs of Captain Wiffle, Samuel Collings, active 1784–1795, British, undated, Graphite, gray wash, brown wash, pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm), books, comedy, couches, drama, expression, genre subject, gesture, men, smellhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morgan-offending-the-delicate-organs-of-captain-wiffle-samuel-collings-active-17841795-british-undated-graphite-gray-wash-brown-wash-pen-and-gray-ink-on-medium-slightly-textured-cream-wove-paper-sheet-7-38-x-10-38-inches-187-x-264-cm-books-comedy-couches-drama-expression-genre-subject-gesture-men-smell-image389846984.html Scottifying the Palate (Picturesque Beauties of Boswell, Part the First), May 30, 1786. Scottifying the Palate (Picturesque Beauties of Boswell, Part the First), May 30, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scottifying-the-palate-picturesque-beauties-of-boswell-part-the-first-may-30-1786-image354732982.html The Recovery (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 7/16 × 11 7/16 in. (26.5 × 29.1 cm) Plate: 10 in. × 10 3/4 in. (25.4 × 27.3 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 20, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Recovery (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 7/16 × 11 7/16 in. (26.5 × 29.1 cm) Plate: 10 in. × 10 3/4 in. (25.4 × 27.3 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 20, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-recovery-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-716-11-716-in-265-291-cm-plate-10-in-10-34-in-254-273-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-june-20-1786-museum-metropolitan-museum-of-art-new-york-usa-image213118958.html A Querulous Committee Meeting, Samuel Collings, active 1784–1795, British, undated, Pen, black ink, graphite and gray wash on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm) and Mount: 10 1/2 × 12 inches (26.7 × 30.5 cm), genre subject, politics, skeleton, skull A Querulous Committee Meeting, Samuel Collings, active 1784–1795, British, undated, Pen, black ink, graphite and gray wash on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm) and Mount: 10 1/2 × 12 inches (26.7 × 30.5 cm), genre subject, politics, skeleton, skullhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-querulous-committee-meeting-samuel-collings-active-17841795-british-undated-pen-black-ink-graphite-and-gray-wash-on-medium-slightly-textured-cream-wove-paper-sheet-7-78-10-58-inches-20-27-cm-and-mount-10-12-12-inches-267-305-cm-genre-subject-politics-skeleton-skull-image389846980.html Thomas Rowlandson, The Embrace (Picturesque Beauties of Boswell, Part the First), Picturesque Beauties of Boswell, Thomas Rowlandson (British, London 1757–1827 London), After Samuel Collings (British, active 1784–95), James Boswell (British, Edinburgh, Scotland 1740–1795), Samuel Johnson (British, Lichfield, Staffordshire 1709–1784 London), May 15, 1786, Etching, Sheet: 9 13/16 × 10 3/4 in. (25 × 27.3 cm), Prints Thomas Rowlandson, The Embrace (Picturesque Beauties of Boswell, Part the First), Picturesque Beauties of Boswell, Thomas Rowlandson (British, London 1757–1827 London), After Samuel Collings (British, active 1784–95), James Boswell (British, Edinburgh, Scotland 1740–1795), Samuel Johnson (British, Lichfield, Staffordshire 1709–1784 London), May 15, 1786, Etching, Sheet: 9 13/16 × 10 3/4 in. (25 × 27.3 cm), Printshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-the-embrace-picturesque-beauties-of-boswell-part-the-first-picturesque-beauties-of-boswell-thomas-rowlandson-british-london-17571827-london-after-samuel-collings-british-active-178495-james-boswell-british-edinburgh-scotland-17401795-samuel-johnson-british-lichfield-staffordshire-17091784-london-may-15-1786-etching-sheet-9-1316-10-34-in-25-273-cm-prints-image344651562.html Frost on the Thames, Samuel Collings, active 1784–1795, British, 1788 to 1789, Oil on canvas, Support (PTG): 30 3/16 x 48 3/16 inches (76.7 x 122.4 cm), advertising, boats, booths, exhibition, braziers (heating equipment), cathedral, children, church, cityscape, costume, donkey, fair, fire, flags, frost, genre subject, hotel, ice, market (event), masts, masts, men, monument, people, river, selling, shovel, signs, snow, staff (walking stick), stands, tower (building division), walking, winter, women, England, London, St. Paul's Cathedral, Thames, Tower of London, United Kingdom Frost on the Thames, Samuel Collings, active 1784–1795, British, 1788 to 1789, Oil on canvas, Support (PTG): 30 3/16 x 48 3/16 inches (76.7 x 122.4 cm), advertising, boats, booths, exhibition, braziers (heating equipment), cathedral, children, church, cityscape, costume, donkey, fair, fire, flags, frost, genre subject, hotel, ice, market (event), masts, masts, men, monument, people, river, selling, shovel, signs, snow, staff (walking stick), stands, tower (building division), walking, winter, women, England, London, St. Paul's Cathedral, Thames, Tower of London, United Kingdomhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frost-on-the-thames-samuel-collings-active-17841795-british-1788-to-1789-oil-on-canvas-support-ptg-30-316-x-48-316-inches-767-x-1224-cm-advertising-boats-booths-exhibition-braziers-heating-equipment-cathedral-children-church-cityscape-costume-donkey-fair-fire-flags-frost-genre-subject-hotel-ice-market-event-masts-masts-men-monument-people-river-selling-shovel-signs-snow-staff-walking-stick-stands-tower-building-division-walking-winter-women-england-london-st-pauls-cathedral-thames-tower-of-london-united-kingdom-image389674609.html The Journalist, With a View of Auckinleck, or the Land of Stones (Picturesque Beauties of Boswell, Part the First The Journalist, With a View of Auckinleck, or the Land of Stones (Picturesque Beauties of Boswell, Part the Firsthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-journalist-with-a-view-of-auckinleck-or-the-land-of-stones-picturesque-162493498.html Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), May 15, 1786. Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), May 15, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walking-up-the-high-street-edinburgh-picturesque-beauties-of-boswell-part-the-first-may-15-1786-image354732968.html The Reconciliation (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 5/16 × 11 1/2 in. (26.2 × 29.2 cm) Plate: 10 1/4 × 10 7/8 in. (26 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 20, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Reconciliation (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 5/16 × 11 1/2 in. (26.2 × 29.2 cm) Plate: 10 1/4 × 10 7/8 in. (26 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 20, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-reconciliation-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-516-11-12-in-262-292-cm-plate-10-14-10-78-in-26-277-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-june-20-1786-museum-metropolitan-museum-of-art-new-york-usa-image213259425.html Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson, May 15, 1786 Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson, May 15, 1786https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-walking-up-the-high-street-edinburgh-picturesque-beauties-of-boswell-162554153.html Drawings and Prints, Print, The Sorrows of Werter–The Last Interview, Artist, Etcher, Publisher, After, Samuel Collings Drawings and Prints, Print, The Sorrows of Werter–The Last Interview, Artist, Etcher, Publisher, After, Samuel Collingshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-the-sorrows-of-werterthe-last-interview-162554164.html Frost on the Thames The Thames Frozen Over, near the Tower of London, London Samuel Collings, active 1784-1795, British Frost on the Thames The Thames Frozen Over, near the Tower of London, London Samuel Collings, active 1784-1795, Britishhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frost-on-the-thames-the-thames-frozen-over-near-the-tower-of-london-77447305.html Thomas Rowlandson, Frontispiece, Revising for the Second Edition (Picturesque Beauties of Boswell, Part the Second), Picturesque Beauties of Boswell, Thomas Rowlandson (British, London 1757–1827 London), After Samuel Collings (British, active 1784–95), James Boswell (British, Edinburgh, Scotland 1740–1795), Alexander Macdonald, 1st Baron Macdonald of Slate (Scottish, ca. 1745–1795), Alexander Boswell, Lord Auchinleck (British, Auchinleck 1707–1782 Edinburgh), June 15, 1786, Etching, Sheet: 10 in. × 10 5/8 in. (25.4 × 27 cm), Prints Thomas Rowlandson, Frontispiece, Revising for the Second Edition (Picturesque Beauties of Boswell, Part the Second), Picturesque Beauties of Boswell, Thomas Rowlandson (British, London 1757–1827 London), After Samuel Collings (British, active 1784–95), James Boswell (British, Edinburgh, Scotland 1740–1795), Alexander Macdonald, 1st Baron Macdonald of Slate (Scottish, ca. 1745–1795), Alexander Boswell, Lord Auchinleck (British, Auchinleck 1707–1782 Edinburgh), June 15, 1786, Etching, Sheet: 10 in. × 10 5/8 in. (25.4 × 27 cm), Printshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-frontispiece-revising-for-the-second-edition-picturesque-beauties-of-boswell-part-the-second-picturesque-beauties-of-boswell-thomas-rowlandson-british-london-17571827-london-after-samuel-collings-british-active-178495-james-boswell-british-edinburgh-scotland-17401795-alexander-macdonald-1st-baron-macdonald-of-slate-scottish-ca-17451795-alexander-boswell-lord-auchinleck-british-auchinleck-17071782-edinburgh-june-15-1786-etching-sheet-10-in-10-58-in-254-27-cm-prints-image344651560.html Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), May 15, 1786. Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), May 15, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walking-up-the-high-street-edinburgh-picturesque-beauties-of-boswell-part-the-first-may-15-1786-image354733773.html The Dance on Dun-Can (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 9/16 in. (26.9 × 29.3 cm) Plate: 10 7/16 × 10 13/16 in. (26.5 × 27.5 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Malcolm D. McLeod. Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Dance on Dun-Can (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 9/16 in. (26.9 × 29.3 cm) Plate: 10 7/16 × 10 13/16 in. (26.5 × 27.5 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Malcolm D. McLeod. Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dance-on-dun-can-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-916-11-916-in-269-293-cm-plate-10-716-10-1316-in-265-275-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-malcolm-d-mcleod-date-may-15-1786-museum-metropolitan-museum-of-art-new-york-usa-image213154299.html Thomas Rowlandson, Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), Picturesque Beauties of Boswell, Thomas Rowlandson (British, London 1757–1827 London), After Samuel Collings (British, active 1784–95), James Boswell (British, Edinburgh, Scotland 1740–1795), Samuel Johnson (British, Lichfield, Staffordshire 1709–1784 London), May 15, 1786, Etching, Plate: 9 3/4 × 10 3/16 in. (24.7 × 25.8 cm), Sheet: 10 5/16 × 10 13/16 in. (26.2 × 27.5 cm), Prints Thomas Rowlandson, Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), Picturesque Beauties of Boswell, Thomas Rowlandson (British, London 1757–1827 London), After Samuel Collings (British, active 1784–95), James Boswell (British, Edinburgh, Scotland 1740–1795), Samuel Johnson (British, Lichfield, Staffordshire 1709–1784 London), May 15, 1786, Etching, Plate: 9 3/4 × 10 3/16 in. (24.7 × 25.8 cm), Sheet: 10 5/16 × 10 13/16 in. (26.2 × 27.5 cm), Printshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-walking-up-the-high-street-edinburgh-picturesque-beauties-of-boswell-part-the-first-picturesque-beauties-of-boswell-thomas-rowlandson-british-london-17571827-london-after-samuel-collings-british-active-178495-james-boswell-british-edinburgh-scotland-17401795-samuel-johnson-british-lichfield-staffordshire-17091784-london-may-15-1786-etching-plate-9-34-10-316-in-247-258-cm-sheet-10-516-10-1316-in-262-275-cm-prints-image344651561.html The Recovery (Picturesque Beauties of Boswell, Part the Second), June 20, 1786. The Recovery (Picturesque Beauties of Boswell, Part the Second), June 20, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-recovery-picturesque-beauties-of-boswell-part-the-second-june-20-1786-image354732979.html Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 1/2 × 12 3/8 in. (26.6 × 31.4 cm) Plate: 9 3/4 × 10 3/16 in. (24.7 × 25.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA. Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 1/2 × 12 3/8 in. (26.6 × 31.4 cm) Plate: 9 3/4 × 10 3/16 in. (24.7 × 25.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walking-up-the-high-street-edinburgh-picturesque-beauties-of-boswell-part-the-first-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-12-12-38-in-266-314-cm-plate-9-34-10-316-in-247-258-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-may-15-1786-museum-metropolitan-museum-of-art-new-york-usa-image213316788.html The Triumph of Sentiment, January 15, 1787. The Triumph of Sentiment, January 15, 1787.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumph-of-sentiment-january-15-1787-image354733059.html Wit and Wisdom (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 11 5/8 in. (25.8 × 29.6 cm) Plate: 9 15/16 × 10 7/8 in. (25.2 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA. Wit and Wisdom (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 11 5/8 in. (25.8 × 29.6 cm) Plate: 9 15/16 × 10 7/8 in. (25.2 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wit-and-wisdom-picturesque-beauties-of-boswell-part-the-first-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-316-11-58-in-258-296-cm-plate-9-1516-10-78-in-252-277-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-may-15-1786-museum-metropolitan-museum-of-art-new-york-usa-image213214260.html Chatting (Picturesque Beauties of Boswell, Part the First), May 30, 1786. Chatting (Picturesque Beauties of Boswell, Part the First), May 30, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chatting-picturesque-beauties-of-boswell-part-the-first-may-30-1786-image354732919.html Sailing Among the Hebrides (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/8 × 11 3/16 in. (26.3 × 28.4 cm) Plate: 9 15/16 × 10 3/4 in. (25.3 × 27.3 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 10, 1786. Museum: Metropolitan Museum of Art, New York, USA. Sailing Among the Hebrides (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/8 × 11 3/16 in. (26.3 × 28.4 cm) Plate: 9 15/16 × 10 3/4 in. (25.3 × 27.3 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 10, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sailing-among-the-hebrides-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-38-11-316-in-263-284-cm-plate-9-1516-10-34-in-253-273-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-june-10-1786-museum-metropolitan-museum-of-art-new-york-usa-image213403342.html Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second), May 30, 1786. Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second), May 30, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/setting-out-from-edinburgh-picturesque-beauties-of-boswell-part-the-second-may-30-1786-image354732905.html Chatting (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 12 1/16 in. (25.9 × 30.7 cm) Plate: 9 7/8 × 10 15/16 in. (25.1 × 27.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 30, 1786. Museum: Metropolitan Museum of Art, New York, USA. Chatting (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 12 1/16 in. (25.9 × 30.7 cm) Plate: 9 7/8 × 10 15/16 in. (25.1 × 27.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 30, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chatting-picturesque-beauties-of-boswell-part-the-first-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-316-12-116-in-259-307-cm-plate-9-78-10-1516-in-251-278-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-may-30-1786-museum-metropolitan-museum-of-art-new-york-usa-image213113479.html Imitations at Drury-Lane Theatre (Picturesque Beauties of Boswell, Part the Second), June 20, 1786. Imitations at Drury-Lane Theatre (Picturesque Beauties of Boswell, Part the Second), June 20, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/imitations-at-drury-lane-theatre-picturesque-beauties-of-boswell-part-the-second-june-20-1786-image354732986.html The Vision (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 5/16 in. (26.8 × 28.8 cm) Plate: 9 15/16 × 10 7/8 in. (25.2 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Vision (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 5/16 in. (26.8 × 28.8 cm) Plate: 9 15/16 × 10 7/8 in. (25.2 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-vision-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-916-11-516-in-268-288-cm-plate-9-1516-10-78-in-252-277-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-may-15-1786-museum-metropolitan-museum-of-art-new-york-usa-image213112925.html The Dance on Dun-Can (Picturesque Beauties of Boswell, Part the Second), May 15, 1786. The Dance on Dun-Can (Picturesque Beauties of Boswell, Part the Second), May 15, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dance-on-dun-can-picturesque-beauties-of-boswell-part-the-second-may-15-1786-image354732969.html The Procession (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 7/8 in. (26.8 × 30.2 cm) Plate: 10 3/16 × 10 7/8 in. (25.9 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 15, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Procession (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 7/8 in. (26.8 × 30.2 cm) Plate: 10 3/16 × 10 7/8 in. (25.9 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-procession-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-916-11-78-in-268-302-cm-plate-10-316-10-78-in-259-277-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-june-15-1786-museum-metropolitan-museum-of-art-new-york-usa-image213264076.html The Journalist, With a View of Auckinleck-or the Land of Stones (Picturesque Beauties of Boswell, Part the First), May 15, 1786. The Journalist, With a View of Auckinleck-or the Land of Stones (Picturesque Beauties of Boswell, Part the First), May 15, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-journalist-with-a-view-of-auckinleck-or-the-land-of-stones-picturesque-beauties-of-boswell-part-the-first-may-15-1786-image349010408.html Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 11 7/8 in. (25.8 × 30.2 cm) Plate: 10 1/16 × 10 7/8 in. (25.6 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 30, 1786. Museum: Metropolitan Museum of Art, New York, USA. Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 11 7/8 in. (25.8 × 30.2 cm) Plate: 10 1/16 × 10 7/8 in. (25.6 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 30, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/setting-out-from-edinburgh-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-316-11-78-in-258-302-cm-plate-10-116-10-78-in-256-277-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-may-30-1786-museum-metropolitan-museum-of-art-new-york-usa-image213262186.html Lodging at M'Queen's (Picturesque Beauties of Boswell, Part the Second), June 20, 1786. Lodging at M'Queen's (Picturesque Beauties of Boswell, Part the Second), June 20, 1786.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lodging-at-mqueens-picturesque-beauties-of-boswell-part-the-second-june-20-1786-image354732913.html The Contest at Auckinleck (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 1/2 × 11 5/16 in. (26.7 × 28.8 cm) Plate: 10 1/16 × 10 5/8 in. (25.5 × 27 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 10, 1786. Museum: Metropolitan Museum of Art, New York, USA. The Contest at Auckinleck (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 1/2 × 11 5/16 in. (26.7 × 28.8 cm) Plate: 10 1/16 × 10 5/8 in. (25.5 × 27 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 10, 1786. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-contest-at-auckinleck-picturesque-beauties-of-boswell-part-the-second-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-12-11-516-in-267-288-cm-plate-10-116-10-58-in-255-27-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-june-10-1786-museum-metropolitan-museum-of-art-new-york-usa-image213372597.html Next page Recent searches: Search Results for Samuel Collings Stock Photos and Images  (109) Page 1 of 2 12