Painting titled 'The Yarmouth Water Frolic' by John Crome (1761-1821) English landscape artist of the Romantic era, and John Berney Crome (1794-1842) English landscape and marine painter associated with the Norwich School of artists. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-the-yarmouth-water-frolic-by-john-crome-1761-1821-english-landscape-artist-of-the-romantic-era-and-john-berney-crome-1794-1842-english-landscape-and-marine-painter-associated-with-the-norwich-school-of-artists-dated-19th-century-image330684642.html
RM2A5YYHP–Painting titled 'The Yarmouth Water Frolic' by John Crome (1761-1821) English landscape artist of the Romantic era, and John Berney Crome (1794-1842) English landscape and marine painter associated with the Norwich School of artists. Dated 19th Century
Ofelia. Date/Period: Ca. 1864. Painting. Oil on canvas. Height: 30 cm (11.8 in); Width: 25 cm (9.8 in). Author: THOMAS FRANCIS DICKSEE. Dicksee, Sir Frank. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ofelia-dateperiod-ca-1864-painting-oil-on-canvas-height-30-cm-118-in-width-25-cm-98-in-author-thomas-francis-dicksee-dicksee-sir-frank-image219738686.html
RMPNDXX6–Ofelia. Date/Period: Ca. 1864. Painting. Oil on canvas. Height: 30 cm (11.8 in); Width: 25 cm (9.8 in). Author: THOMAS FRANCIS DICKSEE. Dicksee, Sir Frank.
JMW Turner painting - The Fighting Temeraire, Oil painting 1838; 19th century british painter of the Romantic Era Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-painting-the-fighting-temeraire-oil-painting-1838-19th-century-british-painter-of-the-romantic-era-image442272455.html
RM2GKF70R–JMW Turner painting - The Fighting Temeraire, Oil painting 1838; 19th century british painter of the Romantic Era
1890 photogravure of a Charles S. Pearce painting with the caption Shepherdess Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-photogravure-of-a-charles-s-pearce-painting-with-the-caption-shepherdess-image362296282.html
RM2C1C0GX–1890 photogravure of a Charles S. Pearce painting with the caption Shepherdess
Painting titled 'The Yarmouth Water Frolic' by John Crome (1761-1821) English landscape artist of the Romantic era, and John Berney Crome (1794-1842) English landscape and marine painter associated with the Norwich School of artists. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-titled-the-yarmouth-water-frolic-by-john-crome-1761-1821-90847544.html
RMF7PCY4–Painting titled 'The Yarmouth Water Frolic' by John Crome (1761-1821) English landscape artist of the Romantic era, and John Berney Crome (1794-1842) English landscape and marine painter associated with the Norwich School of artists. Dated 19th Century
Pyotr Ilyich Tchaikovsky : Russian composer of the Romantic era . Portrait by Nikolai Dmitrievich Kuznetsov Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pyotr-ilyich-tchaikovsky-russian-composer-of-the-romantic-era-portrait-by-nikolai-dmitrievich-kuznetsov-image268852603.html
RMWHB86K–Pyotr Ilyich Tchaikovsky : Russian composer of the Romantic era . Portrait by Nikolai Dmitrievich Kuznetsov
Joseph Mallord William Turner (1775-1851), Self portrait painting of the English Romantic painter JMW Turner, oil on canvas circa 1799 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-1775-1851-self-portrait-painting-of-the-english-romantic-painter-jmw-turner-oil-on-canvas-circa-1799-image605452514.html
RM2X50MT2–Joseph Mallord William Turner (1775-1851), Self portrait painting of the English Romantic painter JMW Turner, oil on canvas circa 1799
Couple courting. Painting with man with lute serenading lady. Mozart 's era. Serenade. Greeting card. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-couple-courting-painting-with-man-with-lute-serenading-lady-mozart-83364070.html
RMERHFM6–Couple courting. Painting with man with lute serenading lady. Mozart 's era. Serenade. Greeting card.
Bülow, Hans Freiherr von, 8.1.1830 - 12.2.1894, German musician (pianist and conductor), half length, conducting, after painting by Franz von Lenbach, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blow-hans-freiherr-von-811830-1221894-german-musician-pianist-and-20726494.html
RMB5M4RX–Bülow, Hans Freiherr von, 8.1.1830 - 12.2.1894, German musician (pianist and conductor), half length, conducting, after painting by Franz von Lenbach, 19th century,
'Visions of the Daughters of Albion', 1793. Artist: William Blake. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/visions-of-the-daughters-of-albion-1793-artist-william-blake-image262787013.html
RMW7EYED–'Visions of the Daughters of Albion', 1793. Artist: William Blake.
The Buriel of the Sardine by Francisco de Goya (1746-1828) Spanish romantic painter also printmaker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-buriel-of-the-sardine-by-francisco-de-goya-1746-1828-spanish-romantic-painter-also-printmaker-image481542571.html
RM2JYC4CY–The Buriel of the Sardine by Francisco de Goya (1746-1828) Spanish romantic painter also printmaker
A portrait of Franz Peter Schubert (1797-1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind more than 600 secular vocal works, seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music. (artist unknown) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-portrait-of-franz-peter-schubert-1797-1828-was-an-austrian-composer-of-the-late-classical-and-early-romantic-eras-despite-his-short-lifetime-schubert-left-behind-more-than-600-secular-vocal-works-seven-complete-symphonies-sacred-music-operas-incidental-music-and-a-large-body-of-piano-and-chamber-music-artist-unknown-image352896644.html
RM2BE3R7G–A portrait of Franz Peter Schubert (1797-1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind more than 600 secular vocal works, seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music. (artist unknown)
Thomas de Keyser Baroque Era Painter 1596-1667 Netherlands Dutch Holland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-de-keyser-baroque-era-painter-1596-1667-netherlands-dutch-holland-image5620440.html
RMA003W9–Thomas de Keyser Baroque Era Painter 1596-1667 Netherlands Dutch Holland
John Constable (1776-1837). British artits. English landscape painter. Romanticism movement. Portrait by Ramsay Richard Reinagle (1775-1862). Oil on canvas (76,2 x 63,8 cm), c. 1799. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-constable-1776-1837-british-artits-english-landscape-painter-romanticism-movement-portrait-by-ramsay-richard-reinagle-1775-1862-oil-on-canvas-762-x-638-cm-c-1799-national-portrait-gallery-london-england-united-kingdom-image384800938.html
RM2DA15EJ–John Constable (1776-1837). British artits. English landscape painter. Romanticism movement. Portrait by Ramsay Richard Reinagle (1775-1862). Oil on canvas (76,2 x 63,8 cm), c. 1799. National Portrait Gallery. London, England, United Kingdom.
In My Studio by Sir Lawrence Alma-Tadema (1836-1912) painted in 1893 in the Romantic style. Credit: Private Collection / Universal Art Archive Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-my-studio-by-sir-lawrence-alma-tadema-1836-1912-painted-in-1893-in-the-romantic-style-credit-private-collection-universal-art-archive-image599355350.html
RM2WR2YT6–In My Studio by Sir Lawrence Alma-Tadema (1836-1912) painted in 1893 in the Romantic style. Credit: Private Collection / Universal Art Archive
Iran, Isfahan, Chehel Sotun palace, painting, Safavide era Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-iran-isfahan-chehel-sotun-palace-painting-safavide-era-122673219.html
RMH3G6XB–Iran, Isfahan, Chehel Sotun palace, painting, Safavide era
Countess Széchenyi, 1828. This portrait typifies painting in Vienna between 1815 and 1865, an era known as the Biedermeier period, during which the Hapsburg government promoted positive artistic depictions of Viennese life and culture. The mountains in the background express both the artist's romantic fascination with nature and patriotic devotion to his Austrian homeland. The sitter, Crescentia Seilern, was a prestigious member of the aristocracy who married Hungarian reformist patriot István Széchenyi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/countess-szxe9chenyi-1828-this-portrait-typifies-painting-in-vienna-between-1815-and-1865-an-era-known-as-the-biedermeier-period-during-which-the-hapsburg-government-promoted-positive-artistic-depictions-of-viennese-life-and-culture-the-mountains-in-the-background-express-both-the-artists-romantic-fascination-with-nature-and-patriotic-devotion-to-his-austrian-homeland-the-sitter-crescentia-seilern-was-a-prestigious-member-of-the-aristocracy-who-married-hungarian-reformist-patriot-istvxe1n-szxe9chenyi-image330084077.html
RM2A50HH1–Countess Széchenyi, 1828. This portrait typifies painting in Vienna between 1815 and 1865, an era known as the Biedermeier period, during which the Hapsburg government promoted positive artistic depictions of Viennese life and culture. The mountains in the background express both the artist's romantic fascination with nature and patriotic devotion to his Austrian homeland. The sitter, Crescentia Seilern, was a prestigious member of the aristocracy who married Hungarian reformist patriot István Széchenyi.
Painting of Mendelssohn, aged 12. Jakob Ludwig Felix Mendelssohn Bartholdy (February 3, 1809 - November 4, 1847) was a German composer, pianist, organist and conductor of the early Romantic period. A grandson of the philosopher Moses Mendelssohn. He was a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-of-mendelssohn-aged-12-jakob-ludwig-felix-mendelssohn-bartholdy-104017138.html
RMG16AWP–Painting of Mendelssohn, aged 12. Jakob Ludwig Felix Mendelssohn Bartholdy (February 3, 1809 - November 4, 1847) was a German composer, pianist, organist and conductor of the early Romantic period. A grandson of the philosopher Moses Mendelssohn. He was a
. English: Robert Dudley, Earl of Leicester and his wife Amy Robsart. Painting of the Romantic era by Richard Parkes Bonington. . 1820s. 90 Bonington Amy Robsart and the Earl of Leicester Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-robert-dudley-earl-of-leicester-and-his-wife-amy-robsart-painting-of-the-romantic-era-by-richard-parkes-bonington-1820s-90-bonington-amy-robsart-and-the-earl-of-leicester-image184861580.html
RMMMN4R8–. English: Robert Dudley, Earl of Leicester and his wife Amy Robsart. Painting of the Romantic era by Richard Parkes Bonington. . 1820s. 90 Bonington Amy Robsart and the Earl of Leicester
During the Romantic era there was a return to nature. The painting shows two men in nature. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/during-the-romantic-era-there-was-a-return-to-nature-the-painting-shows-two-men-in-nature-image247171541.html
RMTA3HR1–During the Romantic era there was a return to nature. The painting shows two men in nature.
First Class - The Meeting. 'And at first meeting loved.'. Date/Period: 1855. Painting. Oil on panel. Height: 203 mm (7.99 in); Width: 254 mm (10 in). Author: Abraham Solomon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-class-the-meeting-and-at-first-meeting-loved-dateperiod-1855-painting-oil-on-panel-height-203-mm-799-in-width-254-mm-10-in-author-abraham-solomon-image219756919.html
RMPNEP5B–First Class - The Meeting. 'And at first meeting loved.'. Date/Period: 1855. Painting. Oil on panel. Height: 203 mm (7.99 in); Width: 254 mm (10 in). Author: Abraham Solomon.
JMW Turner painting 'Schloss Rosenau - Coburg, 1841-44' Oil on Canvas; painting from the Romantic era of art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-painting-schloss-rosenau-coburg-1841-44-oil-on-canvas-painting-from-the-romantic-era-of-art-image442273009.html
RM2GKF7MH–JMW Turner painting 'Schloss Rosenau - Coburg, 1841-44' Oil on Canvas; painting from the Romantic era of art.
Arabia: Depiction of Layla and Majnun, the ill-fated lovers from the classic Arabic story, with a poem by Nur ad-Din Abd ar-Rahman Jami, c. 1570. Often thought of as an Arabian version of Romeo and Juliet, Layla and Majnun is a classical story of star-crossed lovers based on the true story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula during the Umayyad era in the 7th century. In one version, he spent his youth together with Layla tending their flocks. In another version, upon seeing Layla he fell passionately in love with her. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arabia-depiction-of-layla-and-majnun-the-ill-fated-lovers-from-the-classic-arabic-story-with-a-poem-by-nur-ad-din-abd-ar-rahman-jami-c-1570-often-thought-of-as-an-arabian-version-of-romeo-and-juliet-layla-and-majnun-is-a-classical-story-of-star-crossed-lovers-based-on-the-true-story-of-a-young-man-called-qays-ibn-al-mulawwah-from-the-northern-arabian-peninsula-during-the-umayyad-era-in-the-7th-century-in-one-version-he-spent-his-youth-together-with-layla-tending-their-flocks-in-another-version-upon-seeing-layla-he-fell-passionately-in-love-with-her-image344226270.html
RM2B00T3A–Arabia: Depiction of Layla and Majnun, the ill-fated lovers from the classic Arabic story, with a poem by Nur ad-Din Abd ar-Rahman Jami, c. 1570. Often thought of as an Arabian version of Romeo and Juliet, Layla and Majnun is a classical story of star-crossed lovers based on the true story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula during the Umayyad era in the 7th century. In one version, he spent his youth together with Layla tending their flocks. In another version, upon seeing Layla he fell passionately in love with her.
Mrs Robinson, English actress, novelist and poet (1758-1800), Perdita, 1781. By Thomas Gainsborough (1727-88). English society painter of portraits and landscapes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-robinson-english-actress-novelist-and-poet-1758-1800-perdita-1781-by-thomas-gainsborough-1727-88-english-society-painter-of-portraits-and-landscapes-image268803978.html
RMWH9262–Mrs Robinson, English actress, novelist and poet (1758-1800), Perdita, 1781. By Thomas Gainsborough (1727-88). English society painter of portraits and landscapes.
JMW Turner (1775-1851), Self portrait painting of the English Romantic painter Joseph Mallord William Turner, oil on canvas circa 1799 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-1775-1851-self-portrait-painting-of-the-english-romantic-painter-joseph-mallord-william-turner-oil-on-canvas-circa-1799-image605452485.html
RM2X50MR1–JMW Turner (1775-1851), Self portrait painting of the English Romantic painter Joseph Mallord William Turner, oil on canvas circa 1799
Portrait of Hans von Bülow (1830-1894) a German conductor, virtuoso pianist, and composer of the Romantic era. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-hans-von-blow-1830-1894-a-german-conductor-virtuoso-pianist-and-composer-of-the-romantic-era-dated-19th-century-image186348055.html
RMMR4TRK–Portrait of Hans von Bülow (1830-1894) a German conductor, virtuoso pianist, and composer of the Romantic era. Dated 19th century
Portsmouth Point 1814 Thomas Rowlandson (British, 1756-1827) England, 19th century Etching, hand colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portsmouth-point-1814-thomas-rowlandson-british-1756-1827-england-19th-century-etching-hand-colored-image409116736.html
RF2ENGTG0–Portsmouth Point 1814 Thomas Rowlandson (British, 1756-1827) England, 19th century Etching, hand colored
'A Wooded Lane', c1790. Artist: John Crome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-wooded-lane-c1790-artist-john-crome-image262786959.html
RMW7EYCF–'A Wooded Lane', c1790. Artist: John Crome.
Bullfight in a Village by Francisco de Goya (1746-1828) Spanish romantic painter and printmaker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bullfight-in-a-village-by-francisco-de-goya-1746-1828-spanish-romantic-painter-and-printmaker-image481542654.html
RM2JYC4FX–Bullfight in a Village by Francisco de Goya (1746-1828) Spanish romantic painter and printmaker
Portrait of the aristocrat and playwright Maria Rita Barrenechea (1757–1795) who wrote the neoclassical comedy 'La Aya'. This work was painted shortly before the model's premature death from illness, by Francisco José de Goya y Lucientes (1746-1828) the Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-aristocrat-and-playwright-maria-rita-barrenechea-17571795-who-wrote-the-neoclassical-comedy-la-aya-this-work-was-painted-shortly-before-the-models-premature-death-from-illness-by-francisco-jos-de-goya-y-lucientes-1746-1828-the-spanish-romantic-painter-and-printmaker-he-is-considered-the-most-important-spanish-artist-of-the-late-18th-and-early-19th-centuries-and-throughout-his-long-career-was-a-commentator-and-chronicler-of-his-era-image356970968.html
RM2BMNC34–Portrait of the aristocrat and playwright Maria Rita Barrenechea (1757–1795) who wrote the neoclassical comedy 'La Aya'. This work was painted shortly before the model's premature death from illness, by Francisco José de Goya y Lucientes (1746-1828) the Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era.
Saint Catherine of Alexandria Naples by Bernardo Cavallino Italy 1616 1656 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-catherine-of-alexandria-naples-by-bernardo-cavallino-italy-1616-14603462.html
RMAJ2W9Y–Saint Catherine of Alexandria Naples by Bernardo Cavallino Italy 1616 1656
Joseph Mallord William Turner (1775-1851). English Romantic landscape painter. Portrait by John Linnell (1792-1882). Oil on canvas (46 x 38,4 cm), 1838. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-1775-1851-english-romantic-landscape-painter-portrait-by-john-linnell-1792-1882-oil-on-canvas-46-x-384-cm-1838-national-portrait-gallery-london-england-united-kingdom-image384800980.html
RM2DA15G4–Joseph Mallord William Turner (1775-1851). English Romantic landscape painter. Portrait by John Linnell (1792-1882). Oil on canvas (46 x 38,4 cm), 1838. National Portrait Gallery. London, England, United Kingdom.
Carl Heinrich Bloch (1834 - 1890) - castle interior, Oil on canvas, signed and dated 'Carl Bloch 1880' on the lower right. High, baroque castle room, richly fitted with standing clock, paintings, ceiling painting and furniture, a maidservant wiping the floor. Vivid fine painting with delicate composition of colours. New frame in lavish relief. Dimensions of painting circa 33 x 27 cm, dimensions of frame circa 47 x 41 cm. High-quality genre painting by a Danish master of the late Romantic era who studied at the Academy of Fine Arts in Copenhagen a, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-heinrich-bloch-1834-1890-castle-interior-oil-on-canvas-signed-and-dated-carl-bloch-1880-on-the-lower-right-high-baroque-castle-room-richly-fitted-with-standing-clock-paintings-ceiling-painting-and-furniture-a-maidservant-wiping-the-floor-vivid-fine-painting-with-delicate-composition-of-colours-new-frame-in-lavish-relief-dimensions-of-painting-circa-33-x-27-cm-dimensions-of-frame-circa-47-x-41-cm-high-quality-genre-painting-by-a-danish-master-of-the-late-romantic-era-who-studied-at-the-academy-of-fine-arts-in-copenhagen-a-additional-rights-clearance-info-not-available-image247640546.html
RMTAW016–Carl Heinrich Bloch (1834 - 1890) - castle interior, Oil on canvas, signed and dated 'Carl Bloch 1880' on the lower right. High, baroque castle room, richly fitted with standing clock, paintings, ceiling painting and furniture, a maidservant wiping the floor. Vivid fine painting with delicate composition of colours. New frame in lavish relief. Dimensions of painting circa 33 x 27 cm, dimensions of frame circa 47 x 41 cm. High-quality genre painting by a Danish master of the late Romantic era who studied at the Academy of Fine Arts in Copenhagen a, Additional-Rights-Clearance-Info-Not-Available
Iran, Isfahan, Chehel Sotun palace, painting, Safavide era Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-iran-isfahan-chehel-sotun-palace-painting-safavide-era-122673224.html
RMH3G6XG–Iran, Isfahan, Chehel Sotun palace, painting, Safavide era
1890 photogravure of a Hamilton Hamilton painting with the caption, Fetch it Sir Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-photogravure-of-a-hamilton-hamilton-painting-with-the-caption-fetch-it-sir-image367596558.html
RM2CA1D4E–1890 photogravure of a Hamilton Hamilton painting with the caption, Fetch it Sir
Joseph Karl Stieler painting of Ludwig Van Beethoven with the manuscript of the Missa solemnis, 1820 - The most classic portrait of Beethoven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-karl-stieler-painting-of-ludwig-van-beethoven-with-the-manuscript-of-the-missa-solemnis-1820-the-most-classic-portrait-of-beethoven-image627353849.html
RM2YCJC6H–Joseph Karl Stieler painting of Ludwig Van Beethoven with the manuscript of the Missa solemnis, 1820 - The most classic portrait of Beethoven
. English: Robert Dudley, Earl of Leicester and his wife Amy Robsart. Painting of the Romantic era by Richard Parkes Bonington. . 1820s 91 Bonington Amy Robsart and the Earl of Leicester Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-robert-dudley-earl-of-leicester-and-his-wife-amy-robsart-painting-of-the-romantic-era-by-richard-parkes-bonington-1820s-91-bonington-amy-robsart-and-the-earl-of-leicester-image188212571.html
RMMX5R1F–. English: Robert Dudley, Earl of Leicester and his wife Amy Robsart. Painting of the Romantic era by Richard Parkes Bonington. . 1820s 91 Bonington Amy Robsart and the Earl of Leicester
Jean-Honoré Fragonard's 'The Love Letter' (circa 1770): In the Metropolitan Museum of Art, New York, this painting portrays a young woman reading a love letter, with a statue of Cupid suggesting the theme of secret love. Fragonard's work is famed for its light, playful touch and the intricate detail that captures the private, tender moments of the Rococo era, reflecting the period's romantic and whimsical sensibilities. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-honor-fragonards-the-love-letter-circa-1770-in-the-metropolitan-museum-of-art-new-york-this-painting-portrays-a-young-woman-reading-a-love-letter-with-a-statue-of-cupid-suggesting-the-theme-of-secret-love-fragonards-work-is-famed-for-its-light-playful-touch-and-the-intricate-detail-that-captures-the-private-tender-moments-of-the-rococo-era-reflecting-the-periods-romantic-and-whimsical-sensibilities-image601211813.html
RM2WX3FPD–Jean-Honoré Fragonard's 'The Love Letter' (circa 1770): In the Metropolitan Museum of Art, New York, this painting portrays a young woman reading a love letter, with a statue of Cupid suggesting the theme of secret love. Fragonard's work is famed for its light, playful touch and the intricate detail that captures the private, tender moments of the Rococo era, reflecting the period's romantic and whimsical sensibilities.
One of the Family. Date/Period: 1880. Painting. Oil on canvas. Height: 1,026 mm (40.39 in); Width: 1,702 mm (67 in). Author: FREDERICK GEORGE COTMAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/one-of-the-family-dateperiod-1880-painting-oil-on-canvas-height-1026-mm-4039-in-width-1702-mm-67-in-author-frederick-george-cotman-image221484531.html
RMPT9DNR–One of the Family. Date/Period: 1880. Painting. Oil on canvas. Height: 1,026 mm (40.39 in); Width: 1,702 mm (67 in). Author: FREDERICK GEORGE COTMAN.
JMW Turner painting - Snow Storm - Steam-Boat off a Harbour’s Mouth, 1842, Oil on Canvas. Romantic era. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-painting-snow-storm-steam-boat-off-a-harbours-mouth-1842-oil-on-canvas-romantic-era-image442272650.html
RM2GKF77P–JMW Turner painting - Snow Storm - Steam-Boat off a Harbour’s Mouth, 1842, Oil on Canvas. Romantic era.
He Hee Hee laughing painting by John Hassall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-he-hee-hee-laughing-painting-by-john-hassall-47504265.html
RMCN804W–He Hee Hee laughing painting by John Hassall
Pushkin portrait by Orest Kiprensky, 1827. Alexander Sergeyevich Pushkin (June 6, 1799 - February 10, 1837) was a Russian poet, playwright, and novelist of the Romantic era, considered by many to be the greatest Russian poet and the founder of modern Russian literature. Pushkin was born into Russian nobility in Moscow. He published his first poem at the age of 15, and was widely recognized by the literary establishment by the time of his graduation from the Tsarskoye Selo Lyceum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pushkin-portrait-by-orest-kiprensky-1827-alexander-sergeyevich-pushkin-june-6-1799-february-10-1837-was-a-russian-poet-playwright-and-novelist-of-the-romantic-era-considered-by-many-to-be-the-greatest-russian-poet-and-the-founder-of-modern-russian-literature-pushkin-was-born-into-russian-nobility-in-moscow-he-published-his-first-poem-at-the-age-of-15-and-was-widely-recognized-by-the-literary-establishment-by-the-time-of-his-graduation-from-the-tsarskoye-selo-lyceum-image246587623.html
RMT9510R–Pushkin portrait by Orest Kiprensky, 1827. Alexander Sergeyevich Pushkin (June 6, 1799 - February 10, 1837) was a Russian poet, playwright, and novelist of the Romantic era, considered by many to be the greatest Russian poet and the founder of modern Russian literature. Pushkin was born into Russian nobility in Moscow. He published his first poem at the age of 15, and was widely recognized by the literary establishment by the time of his graduation from the Tsarskoye Selo Lyceum.
Andromeda, painting by Eugene Delacroix, 1852 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andromeda-painting-by-eugene-delacroix-1852-image458365234.html
RM2HHM9EX–Andromeda, painting by Eugene Delacroix, 1852
Alvan Fisher. The Prairie on Fire. 1827. United States. Oil on canvas Alvan Fisher was a pioneering American landscapist whose work offered an important precedent for the Hudson River School. This painting depicts a subject from James Fenimore Cooper’s 1827 novel The Prairie, the third of the five Leatherstocking Tales. In this scene, Natty Bumppo, the hero of the series, has created a firebreak to protect the story’s protagonists. As a Romantic-era artist, Fisher preferred such dramatic episodes, which involved striking contrasts between light and dark. Unlike contemporaneous illustrations of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alvan-fisher-the-prairie-on-fire-1827-united-states-oil-on-canvas-alvan-fisher-was-a-pioneering-american-landscapist-whose-work-offered-an-important-precedent-for-the-hudson-river-school-this-painting-depicts-a-subject-from-james-fenimore-coopers-1827-novel-the-prairie-the-third-of-the-five-leatherstocking-tales-in-this-scene-natty-bumppo-the-hero-of-the-series-has-created-a-firebreak-to-protect-the-storys-protagonists-as-a-romantic-era-artist-fisher-preferred-such-dramatic-episodes-which-involved-striking-contrasts-between-light-and-dark-unlike-contemporaneous-illustrations-of-image337951884.html
RM2AHR124–Alvan Fisher. The Prairie on Fire. 1827. United States. Oil on canvas Alvan Fisher was a pioneering American landscapist whose work offered an important precedent for the Hudson River School. This painting depicts a subject from James Fenimore Cooper’s 1827 novel The Prairie, the third of the five Leatherstocking Tales. In this scene, Natty Bumppo, the hero of the series, has created a firebreak to protect the story’s protagonists. As a Romantic-era artist, Fisher preferred such dramatic episodes, which involved striking contrasts between light and dark. Unlike contemporaneous illustrations of
Dolphins Inn: Greenwich and Woolwich Coaches 1816 Thomas Rowlandson (British, 1756-1827) England, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dolphins-inn-greenwich-and-woolwich-coaches-1816-thomas-rowlandson-british-1756-1827-england-19th-century-image409117606.html
RF2ENGWK2–Dolphins Inn: Greenwich and Woolwich Coaches 1816 Thomas Rowlandson (British, 1756-1827) England, 19th century
'Landscape in Normandy', 19th century (1934). Artist: Richard Parkes Bonington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-in-normandy-19th-century-1934-artist-richard-parkes-bonington-image262780596.html
RMW7EK98–'Landscape in Normandy', 19th century (1934). Artist: Richard Parkes Bonington.
Self portrait at the easel c.1785 by Francisco de Goya (1746-1828) Spanish romantic painter also printmaker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-at-the-easel-c1785-by-francisco-de-goya-1746-1828-spanish-romantic-painter-also-printmaker-image481542366.html
RM2JYC45J–Self portrait at the easel c.1785 by Francisco de Goya (1746-1828) Spanish romantic painter also printmaker
'The Reading', taking place in an Art Gallery, the painting illustrates the coordination between the arts and writing during the Romantic era in Spain. Antonio M Esquival (1806-1857) was a Spanish painter in the Romantic style who specialized in portraits. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-reading-taking-place-in-an-art-gallery-the-painting-illustrates-the-coordination-between-the-arts-and-writing-during-the-romantic-era-in-spain-antonio-m-esquival-1806-1857-was-a-spanish-painter-in-the-romantic-style-who-specialized-in-portraits-image417856575.html
RM2F7R093–'The Reading', taking place in an Art Gallery, the painting illustrates the coordination between the arts and writing during the Romantic era in Spain. Antonio M Esquival (1806-1857) was a Spanish painter in the Romantic style who specialized in portraits.
Victorian era sitting room Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-victorian-era-sitting-room-84473522.html
RMEWC2RE–Victorian era sitting room
Francisco de Goya y Lucientes (1746-1828). Spanish romantic painter. Fight to the Deah with Clubs, c. 1820-1823. Size: 125 x 261 cm. Depiction of duels in which the opponents clubbed each other to death. They were allowed in Aragon and Catalonia. Mixed method on mural transferred to canvas. Provenance: Quinta del Sordo, Madrid. Prado Museum. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-1746-1828-spanish-romantic-painter-fight-to-the-deah-with-clubs-c-1820-1823-size-125-x-261-cm-depiction-of-duels-in-which-the-opponents-clubbed-each-other-to-death-they-were-allowed-in-aragon-and-catalonia-mixed-method-on-mural-transferred-to-canvas-provenance-quinta-del-sordo-madrid-prado-museum-madrid-spain-image185405000.html
RMMNHWY4–Francisco de Goya y Lucientes (1746-1828). Spanish romantic painter. Fight to the Deah with Clubs, c. 1820-1823. Size: 125 x 261 cm. Depiction of duels in which the opponents clubbed each other to death. They were allowed in Aragon and Catalonia. Mixed method on mural transferred to canvas. Provenance: Quinta del Sordo, Madrid. Prado Museum. Madrid, Spain.
Carl Heinrich Bloch (1834 - 1890) - castle interior, Oil on canvas, signed and dated 'Carl Bloch 1880' on the lower right. High, baroque castle room, richly fitted with standing clock, paintings, ceiling painting and furniture, a maidservant wiping the floor. Vivid fine painting with delicate composition of colours. New frame in lavish relief. Dimensions of painting circa 33 x 27 cm, dimensions of frame circa 47 x 41 cm. High-quality genre painting by a Danish master of the late Romantic era who studied at the Academy of Fine Arts in Copenhagen a, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-heinrich-bloch-1834-1890-castle-interior-oil-on-canvas-signed-and-dated-carl-bloch-1880-on-the-lower-right-high-baroque-castle-room-richly-fitted-with-standing-clock-paintings-ceiling-painting-and-furniture-a-maidservant-wiping-the-floor-vivid-fine-painting-with-delicate-composition-of-colours-new-frame-in-lavish-relief-dimensions-of-painting-circa-33-x-27-cm-dimensions-of-frame-circa-47-x-41-cm-high-quality-genre-painting-by-a-danish-master-of-the-late-romantic-era-who-studied-at-the-academy-of-fine-arts-in-copenhagen-a-additional-rights-clearance-info-not-available-image243941192.html
RMT4TDDC–Carl Heinrich Bloch (1834 - 1890) - castle interior, Oil on canvas, signed and dated 'Carl Bloch 1880' on the lower right. High, baroque castle room, richly fitted with standing clock, paintings, ceiling painting and furniture, a maidservant wiping the floor. Vivid fine painting with delicate composition of colours. New frame in lavish relief. Dimensions of painting circa 33 x 27 cm, dimensions of frame circa 47 x 41 cm. High-quality genre painting by a Danish master of the late Romantic era who studied at the Academy of Fine Arts in Copenhagen a, Additional-Rights-Clearance-Info-Not-Available
Iran, Isfahan, Chehel Sotun palace, painting, Safavide era Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-iran-isfahan-chehel-sotun-palace-painting-safavide-era-122673223.html
RMH3G6XF–Iran, Isfahan, Chehel Sotun palace, painting, Safavide era
1890 photogravure of a painting by American artist Daniel Ridgway Knight with the caption, At the Well. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-photogravure-of-a-painting-by-american-artist-daniel-ridgway-knight-with-the-caption-at-the-well-image367158453.html
RM2C99E9W–1890 photogravure of a painting by American artist Daniel Ridgway Knight with the caption, At the Well.
Joseph Karl Stieler painting of Ludwig Van Beethoven with the manuscript of the Missa solemnis, 1820 - The most classic portrait of Beethoven - cleaner version Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-karl-stieler-painting-of-ludwig-van-beethoven-with-the-manuscript-of-the-missa-solemnis-1820-the-most-classic-portrait-of-beethoven-cleaner-version-image627353842.html
RM2YCJC6A–Joseph Karl Stieler painting of Ludwig Van Beethoven with the manuscript of the Missa solemnis, 1820 - The most classic portrait of Beethoven - cleaner version
. English: Robert Dudley, Earl of Leicester and his wife Amy Robsart. Painting of the Romantic era by Richard Parkes Bonington. . 1820s 90 Bonington Amy Robsart and the Earl of Leicester Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-robert-dudley-earl-of-leicester-and-his-wife-amy-robsart-painting-of-the-romantic-era-by-richard-parkes-bonington-1820s-90-bonington-amy-robsart-and-the-earl-of-leicester-image187657174.html
RMMW8EHX–. English: Robert Dudley, Earl of Leicester and his wife Amy Robsart. Painting of the Romantic era by Richard Parkes Bonington. . 1820s 90 Bonington Amy Robsart and the Earl of Leicester
Frederic Chopin 1863 Ferdinand Victor Eugène Delacroix 1798 – 1863 France French (Frédéric François Chopin1810 – 1849 Poland) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederic-chopin-1863-ferdinand-victor-eugne-delacroix-1798-1863-france-image7293418.html
RMAB39JB–Frederic Chopin 1863 Ferdinand Victor Eugène Delacroix 1798 – 1863 France French (Frédéric François Chopin1810 – 1849 Poland)
Laurence Sterne's 'Maria' painted by Andrea Appiani Jnr of Milan exhibited at The International Exhibition South Kensington London, England. Victorian engraving dated 5th July 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-laurence-sternes-maria-painted-by-andrea-appiani-jnr-of-milan-exhibited-47473336.html
RMCN6GM8–Laurence Sterne's 'Maria' painted by Andrea Appiani Jnr of Milan exhibited at The International Exhibition South Kensington London, England. Victorian engraving dated 5th July 1862
JMW Turner painting 'A Disaster at Sea' c. 1835 Oil on Canvas, possibly unfinished but may depict the wreck of the Amphitrite in 1833; Romantic era. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-painting-a-disaster-at-sea-c-1835-oil-on-canvas-possibly-unfinished-but-may-depict-the-wreck-of-the-amphitrite-in-1833-romantic-era-image442272842.html
RM2GKF7EJ–JMW Turner painting 'A Disaster at Sea' c. 1835 Oil on Canvas, possibly unfinished but may depict the wreck of the Amphitrite in 1833; Romantic era.
Lady waiting for the coach 1900 painting by Percival De Luce Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lady-waiting-for-the-coach-1900-painting-by-percival-de-luce-47505283.html
RMCN81D7–Lady waiting for the coach 1900 painting by Percival De Luce
An illustration of a man serenading woman during the renascence era Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-illustration-of-a-man-serenading-woman-during-the-renascence-era-31368628.html
RFBR0Y04–An illustration of a man serenading woman during the renascence era
Love and flowers, painting by de Bertha Wegmann (1847-1926) was a Danish portraitist of German descent. Old 19th century engraved illustration from La Ilustración Artística 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/love-and-flowers-painting-by-de-bertha-wegmann-1847-1926-was-a-danish-portraitist-of-german-descent-old-19th-century-engraved-illustration-from-la-ilustracin-artstica-1882-image442908226.html
RM2GMG5XX–Love and flowers, painting by de Bertha Wegmann (1847-1926) was a Danish portraitist of German descent. Old 19th century engraved illustration from La Ilustración Artística 1882
Samuel Palmer, Sabrina, landscape painting 1856 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-sabrina-landscape-painting-1856-image619371883.html
Close-up of a noble couple from the 1700s hand-painted onto a glass lamp shade inside an old 1839 Canadiana fieldstone style house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/close-up-of-a-noble-couple-from-the-1700s-hand-painted-onto-a-glass-lamp-shade-inside-an-old-1839-canadiana-fieldstone-style-house-image232848534.html
RMRER4K2–Close-up of a noble couple from the 1700s hand-painted onto a glass lamp shade inside an old 1839 Canadiana fieldstone style house
Richardson's Show: A Flying Wagon, 1816. Thomas Rowlandson (British, 1756-1827). Etching, hand colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richardsons-show-a-flying-wagon-1816-thomas-rowlandson-british-1756-1827-etching-hand-colored-image409117167.html
RF2ENGW3B–Richardson's Show: A Flying Wagon, 1816. Thomas Rowlandson (British, 1756-1827). Etching, hand colored
Ornate Romantic era wall painting in Wartburg Castle near Eisenach, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornate-romantic-era-wall-painting-in-wartburg-castle-near-eisenach-image67598195.html
RMDWYA57–Ornate Romantic era wall painting in Wartburg Castle near Eisenach, Germany.
Saint John on Patmos 1658 by Juan Valdés Leal (1622-1690) Spanish painter and etcher of the Baroque era. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-john-on-patmos-1658-by-juan-valds-leal-1622-1690-spanish-painter-and-etcher-of-the-baroque-era-image482386078.html
RM2K0PGA6–Saint John on Patmos 1658 by Juan Valdés Leal (1622-1690) Spanish painter and etcher of the Baroque era.
Front page of the Graphic illustrated newspaper, Portait of Franz Liszt a Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, and organist of the Romantic era. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-page-of-the-graphic-illustrated-newspaper-portait-of-franz-liszt-a-hungarian-composer-virtuoso-pianist-conductor-music-teacher-arranger-and-organist-of-the-romantic-era-image339803651.html
RM2AMRB0K–Front page of the Graphic illustrated newspaper, Portait of Franz Liszt a Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, and organist of the Romantic era.
1802 miniature painted on ivory by Hornemann Beethoven-Haus. Beethoven gave this picture to Stephan von Breuning in 1804 as a sign of reconciliation. 'Behind this painting, my good, dear St., let us hide for ever what has divided us for a time.' Beethoven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1802-miniature-painted-on-ivory-by-hornemann-beethoven-haus-beethoven-104020288.html
RMG16EX8–1802 miniature painted on ivory by Hornemann Beethoven-Haus. Beethoven gave this picture to Stephan von Breuning in 1804 as a sign of reconciliation. 'Behind this painting, my good, dear St., let us hide for ever what has divided us for a time.' Beethoven
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Pilgrimage to the Fountain of San Isidro or The Holy Office, 1820-1823. Detail. Size: 127 x 266 cm. Oil on plaster wall transferred to canvas. Prado Museum. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-1746-1828-spanish-painter-pilgrimage-to-the-fountain-of-san-isidro-or-the-holy-office-1820-1823-detail-size-127-x-266-cm-oil-on-plaster-wall-transferred-to-canvas-prado-museum-madrid-spain-image185405002.html
RMMNHWY6–Francisco de Goya y Lucientes (1746-1828). Spanish painter. Pilgrimage to the Fountain of San Isidro or The Holy Office, 1820-1823. Detail. Size: 127 x 266 cm. Oil on plaster wall transferred to canvas. Prado Museum. Madrid, Spain.
Joseph Mallord William Turner's 'Grand Canal, Venice' (circa 1835): Displayed in the Metropolitan Museum of Art, New York, this painting captures the beauty of Venice's Grand Canal. The artwork highlights the interplay between Venice's historic architecture and the ever-changing waters, embodying the Romantic fascination with nature, emotion, and sublime landscapes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turners-grand-canal-venice-circa-1835-displayed-in-the-metropolitan-museum-of-art-new-york-this-painting-captures-the-beauty-of-venices-grand-canal-the-artwork-highlights-the-interplay-between-venices-historic-architecture-and-the-ever-changing-waters-embodying-the-romantic-fascination-with-nature-emotion-and-sublime-landscapes-image601211824.html
RM2WX3FPT–Joseph Mallord William Turner's 'Grand Canal, Venice' (circa 1835): Displayed in the Metropolitan Museum of Art, New York, this painting captures the beauty of Venice's Grand Canal. The artwork highlights the interplay between Venice's historic architecture and the ever-changing waters, embodying the Romantic fascination with nature, emotion, and sublime landscapes.
Countess Széchenyi, 1828. Ferdinand Georg Waldmüller (Austrian, 1793-1865). Oil on fabric; framed: 121.5 x 102 x 10.5 cm (47 13/16 x 40 3/16 x 4 1/8 in.); unframed: 97.8 x 78.5 cm (38 1/2 x 30 7/8 in.). This portrait typifies painting in Vienna between 1815 and 1865, an era known as the Biedermeier period, during which the Hapsburg government promoted positive artistic depictions of Viennese life and culture. The mountains in the background express both the artist's romantic fascination with nature and patriotic devotion to his Austrian homeland. The sitter, Crescentia Seilern, was a prestigi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/countess-szchenyi-1828-ferdinand-georg-waldmller-austrian-1793-1865-oil-on-fabric-framed-1215-x-102-x-105-cm-47-1316-x-40-316-x-4-18-in-unframed-978-x-785-cm-38-12-x-30-78-in-this-portrait-typifies-painting-in-vienna-between-1815-and-1865-an-era-known-as-the-biedermeier-period-during-which-the-hapsburg-government-promoted-positive-artistic-depictions-of-viennese-life-and-culture-the-mountains-in-the-background-express-both-the-artists-romantic-fascination-with-nature-and-patriotic-devotion-to-his-austrian-homeland-the-sitter-crescentia-seilern-was-a-prestigi-image448067738.html
RM2H0Y6Y6–Countess Széchenyi, 1828. Ferdinand Georg Waldmüller (Austrian, 1793-1865). Oil on fabric; framed: 121.5 x 102 x 10.5 cm (47 13/16 x 40 3/16 x 4 1/8 in.); unframed: 97.8 x 78.5 cm (38 1/2 x 30 7/8 in.). This portrait typifies painting in Vienna between 1815 and 1865, an era known as the Biedermeier period, during which the Hapsburg government promoted positive artistic depictions of Viennese life and culture. The mountains in the background express both the artist's romantic fascination with nature and patriotic devotion to his Austrian homeland. The sitter, Crescentia Seilern, was a prestigi
1890 photogravure of a painting by American artist Charles S. Pearce with the caption, On the Bank of the Brook. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-photogravure-of-a-painting-by-american-artist-charles-s-pearce-with-the-caption-on-the-bank-of-the-brook-image360741068.html
RM2BXW4WG–1890 photogravure of a painting by American artist Charles S. Pearce with the caption, On the Bank of the Brook.
The Boy Mozart - Antique oil painting Wolfgang Amadeus Mozart - Painting commissioned by Leopold Mozart. Mozart is here six years old. Possibly painted by Pietro Antonio Lorenzoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-boy-mozart-antique-oil-painting-wolfgang-amadeus-mozart-painting-commissioned-by-leopold-mozart-mozart-is-here-six-years-old-possibly-painted-by-pietro-antonio-lorenzoni-image627357961.html
RM2YCJHDD–The Boy Mozart - Antique oil painting Wolfgang Amadeus Mozart - Painting commissioned by Leopold Mozart. Mozart is here six years old. Possibly painted by Pietro Antonio Lorenzoni
. English: Robert Dudley, Earl of Leicester and his wife Amy Robsart. Painting of the Romantic era by Richard Parkes Bonington. . 1820s 80 Bonington Amy Robsart and the Earl of Leicester Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-robert-dudley-earl-of-leicester-and-his-wife-amy-robsart-painting-of-the-romantic-era-by-richard-parkes-bonington-1820s-80-bonington-amy-robsart-and-the-earl-of-leicester-image188952534.html
RMMYBETP–. English: Robert Dudley, Earl of Leicester and his wife Amy Robsart. Painting of the Romantic era by Richard Parkes Bonington. . 1820s 80 Bonington Amy Robsart and the Earl of Leicester
Gustav Klimt - The Kiss Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustav-klimt-the-kiss-image233911779.html
RFRGFGT3–Gustav Klimt - The Kiss
Elaine. Date/Period: 1870. Painting. Oil on canvas. Height: 1,584 mm (62.36 in); Width: 155 mm (6.10 in). Author: SOPHIE GENGEMBRE ANDERSON. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elaine-dateperiod-1870-painting-oil-on-canvas-height-1584-mm-6236-in-width-155-mm-610-in-author-sophie-gengembre-anderson-image219107333.html
RMPMD5HW–Elaine. Date/Period: 1870. Painting. Oil on canvas. Height: 1,584 mm (62.36 in); Width: 155 mm (6.10 in). Author: SOPHIE GENGEMBRE ANDERSON.
JMW Turner paintings; 'London from Greenwich Park', 1809, Oil on canvas. Romantic painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-paintings-london-from-greenwich-park-1809-oil-on-canvas-romantic-painting-image442271937.html
RM2GKF6A9–JMW Turner paintings; 'London from Greenwich Park', 1809, Oil on canvas. Romantic painting.
Boo Hoo Hoo crying baby painting by John Hassall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-boo-hoo-hoo-crying-baby-painting-by-john-hassall-47504436.html
RMCN80B0–Boo Hoo Hoo crying baby painting by John Hassall
Painting 'Ideal view of the Acropolis and the Areopagus in Athens' by German architect and painter Leo von Klenze (1846) on display in the Sсhасkgаlеriе (Sаmmlung Sсhасk) in Мuniсh, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-ideal-view-of-the-acropolis-and-the-areopagus-in-athens-by-german-architect-and-painter-leo-von-klenze-1846-on-display-in-the-shkglri-smmlung-shk-in-unih-germany-image478654511.html
RM2JPMGKY–Painting 'Ideal view of the Acropolis and the Areopagus in Athens' by German architect and painter Leo von Klenze (1846) on display in the Sсhасkgаlеriе (Sаmmlung Sсhасk) in Мuniсh, Germany.
Art and Liberty, 1859. This painting typifies the so-called "juste-milieu" (middle path) for which Gallait was so admired during his lifetime. The subject is Romantic in its idealization of the poor but virtuous itinerant musician, who bows to no authority but his own artistic muse. At the same time, it is restrained in its emotional tenor and painted with great technical assurance in the rendering of the body and in the carefully described details of the musician's dress. This is a reduced version of this subject now at the Musées royaux des Beaux-Arts of Belgium. When the larg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-and-liberty-1859-this-painting-typifies-the-so-called-quotjuste-milieuquot-middle-path-for-which-gallait-was-so-admired-during-his-lifetime-the-subject-is-romantic-in-its-idealization-of-the-poor-but-virtuous-itinerant-musician-who-bows-to-no-authority-but-his-own-artistic-muse-at-the-same-time-it-is-restrained-in-its-emotional-tenor-and-painted-with-great-technical-assurance-in-the-rendering-of-the-body-and-in-the-carefully-described-details-of-the-musicians-dress-this-is-a-reduced-version-of-this-subject-now-at-the-musxe9es-royaux-des-beaux-arts-of-belgium-when-the-larg-image575142128.html
RM2TBKYJ8–Art and Liberty, 1859. This painting typifies the so-called "juste-milieu" (middle path) for which Gallait was so admired during his lifetime. The subject is Romantic in its idealization of the poor but virtuous itinerant musician, who bows to no authority but his own artistic muse. At the same time, it is restrained in its emotional tenor and painted with great technical assurance in the rendering of the body and in the carefully described details of the musician's dress. This is a reduced version of this subject now at the Musées royaux des Beaux-Arts of Belgium. When the larg
Samuel Palmer, The Curfew, landscape painting 1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-the-curfew-landscape-painting-1870-image619371909.html
RM2XYJR59–Samuel Palmer, The Curfew, landscape painting 1870
The Rev. Dr. Syntax Rural Sport 1813 Thomas Rowlandson (British, 1756-1827) England, 19th century Etching, hand colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rev-dr-syntax-rural-sport-1813-thomas-rowlandson-british-1756-1827-england-19th-century-etching-hand-colored-image409116190.html
RF2ENGRTE–The Rev. Dr. Syntax Rural Sport 1813 Thomas Rowlandson (British, 1756-1827) England, 19th century Etching, hand colored
Moscow, Russia. 04th July, 2021. An elderly man looks at early romantic paintings during the exhibition.“Dreams of Freedom. Romanticism in Russia and Germany ”- the largest international exhibition project in the history of the Tretyakov Gallery dedicated to this topic, was developed in cooperation with the State Art Collections of Dresden. This is the first large-scale attempt to compare on one platform the art of the era of romanticism in Russia and Germany. Credit: SOPA Images Limited/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moscow-russia-04th-july-2021-an-elderly-man-looks-at-early-romantic-paintings-during-the-exhibitiondreams-of-freedom-romanticism-in-russia-and-germany-the-largest-international-exhibition-project-in-the-history-of-the-tretyakov-gallery-dedicated-to-this-topic-was-developed-in-cooperation-with-the-state-art-collections-of-dresden-this-is-the-first-large-scale-attempt-to-compare-on-one-platform-the-art-of-the-era-of-romanticism-in-russia-and-germany-credit-sopa-images-limitedalamy-live-news-image434195718.html
RM2G6B91X–Moscow, Russia. 04th July, 2021. An elderly man looks at early romantic paintings during the exhibition.“Dreams of Freedom. Romanticism in Russia and Germany ”- the largest international exhibition project in the history of the Tretyakov Gallery dedicated to this topic, was developed in cooperation with the State Art Collections of Dresden. This is the first large-scale attempt to compare on one platform the art of the era of romanticism in Russia and Germany. Credit: SOPA Images Limited/Alamy Live News
Self portrait at the easel c.1785 by Francisco de Goya (1746-1828) Spanish romantic painter also printmaker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-at-the-easel-c1785-by-francisco-de-goya-1746-1828-spanish-romantic-painter-also-printmaker-image481542457.html
RM2JYC48W–Self portrait at the easel c.1785 by Francisco de Goya (1746-1828) Spanish romantic painter also printmaker
Buckner Richard - Romantic Youth - British School - 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buckner-richard-romantic-youth-british-school-19th-century-image370652185.html
RM2CF0JJ1–Buckner Richard - Romantic Youth - British School - 19th Century
Pierrot and Pierrette, illustration by Mrs Mabel Dearmer, art nouveau colour Illustration from 1897 The Studio Magazine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pierrot-and-pierrette-illustration-by-mrs-mabel-dearmer-art-nouveau-95087510.html
RMFEKH2E–Pierrot and Pierrette, illustration by Mrs Mabel Dearmer, art nouveau colour Illustration from 1897 The Studio Magazine
Jean Auguste Dominique Ingres (1780-1867). French painter. Portrait of Madame Riviere, 1805. Musee d'Orsay, Paris. France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jean-auguste-dominique-ingres-1780-1867-french-painter-portrait-of-53724393.html
RMD3BA09–Jean Auguste Dominique Ingres (1780-1867). French painter. Portrait of Madame Riviere, 1805. Musee d'Orsay, Paris. France.
John Constable's 'Salisbury Cathedral from the Bishop's Garden' (circa 1823): Found in the Metropolitan Museum of Art, New York, this painting is a vibrant depiction of the cathedral amidst the tranquil beauty of the bishop's garden. Constable's work is celebrated for its atmospheric sky and detailed landscape, showcasing his ability to capture the essence of the English countryside and the architectural splendor of the cathedral, reflecting the Romantic era's appreciation for nature and heritage. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-constables-salisbury-cathedral-from-the-bishops-garden-circa-1823-found-in-the-metropolitan-museum-of-art-new-york-this-painting-is-a-vibrant-depiction-of-the-cathedral-amidst-the-tranquil-beauty-of-the-bishops-garden-constables-work-is-celebrated-for-its-atmospheric-sky-and-detailed-landscape-showcasing-his-ability-to-capture-the-essence-of-the-english-countryside-and-the-architectural-splendor-of-the-cathedral-reflecting-the-romantic-eras-appreciation-for-nature-and-heritage-image601211822.html
RM2WX3FPP–John Constable's 'Salisbury Cathedral from the Bishop's Garden' (circa 1823): Found in the Metropolitan Museum of Art, New York, this painting is a vibrant depiction of the cathedral amidst the tranquil beauty of the bishop's garden. Constable's work is celebrated for its atmospheric sky and detailed landscape, showcasing his ability to capture the essence of the English countryside and the architectural splendor of the cathedral, reflecting the Romantic era's appreciation for nature and heritage.
Alexander Sergeyevich Pushkin (1799-1837) was a Russian poet, playwright, and novelist of the Romantic era. He is considered by many to be the greates Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-sergeyevich-pushkin-1799-1837-was-a-russian-poet-playwright-and-novelist-of-the-romantic-era-he-is-considered-by-many-to-be-the-greates-image424738155.html
RF2FK0DRR–Alexander Sergeyevich Pushkin (1799-1837) was a Russian poet, playwright, and novelist of the Romantic era. He is considered by many to be the greates
Close-up of a painted vase on display at Molinard Perfumery and Museum, Grasse, Provence-Alpes-Côte d'Azur, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/close-up-of-a-painted-vase-on-display-at-molinard-perfumery-and-museum-grasse-provence-alpes-cte-dazur-france-image602077597.html
RM2WYF039–Close-up of a painted vase on display at Molinard Perfumery and Museum, Grasse, Provence-Alpes-Côte d'Azur, France
Franz Schubert by Wilhelm August Rieder 1875 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-schubert-by-wilhelm-august-rieder-1875-image627492715.html
RM2YCTNA3–Franz Schubert by Wilhelm August Rieder 1875
. English: The Cavaliers - Los Caballeros; 2 horsemen in full military uniform, with red tunics, riding across a countryside. From the uniforms, could be anything from Napoleonic era (N. I.), to contemporary to the 1890s-1900s. miniature painting & over-written message on a post-card.unsigned.circa-1904.Sgouros collection-item 1.scan.jpg Impressionist style; somewhat resembling (anticipates?) a modern-art romantic-novel book-cover of the 1960s-1970s. Spanish Impressionist school, Madrid-style?; circa 1904 - postcard message is dated '28 Octobre 1904', therefore presumably the artwork was crea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-cavaliers-los-caballeros-2-horsemen-in-full-military-uniform-with-red-tunics-riding-across-a-countryside-from-the-uniforms-could-be-anything-from-napoleonic-era-n-i-to-contemporary-to-the-1890s-1900s-miniature-painting-over-written-message-on-a-post-cardunsignedcirca-1904sgouros-collection-item-1scanjpg-impressionist-style-somewhat-resembling-anticipates-a-modern-art-romantic-novel-book-cover-of-the-1960s-1970s-spanish-impressionist-school-madrid-style-circa-1904-postcard-message-is-dated-28-octobre-1904-therefore-presumably-the-artwork-was-crea-image188006323.html
RMMWTBYF–. English: The Cavaliers - Los Caballeros; 2 horsemen in full military uniform, with red tunics, riding across a countryside. From the uniforms, could be anything from Napoleonic era (N. I.), to contemporary to the 1890s-1900s. miniature painting & over-written message on a post-card.unsigned.circa-1904.Sgouros collection-item 1.scan.jpg Impressionist style; somewhat resembling (anticipates?) a modern-art romantic-novel book-cover of the 1960s-1970s. Spanish Impressionist school, Madrid-style?; circa 1904 - postcard message is dated '28 Octobre 1904', therefore presumably the artwork was crea
Moscow, Russia. 04th July, 2021. An elderly man looks at early romantic paintings during the exhibition.“Dreams of Freedom. Romanticism in Russia and Germany ”- the largest international exhibition project in the history of the Tretyakov Gallery dedicated to this topic, was developed in cooperation with the State Art Collections of Dresden. This is the first large-scale attempt to compare on one platform the art of the era of romanticism in Russia and Germany. (Photo by Michail Tokmakov/SOPA Images/Sipa USA) Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moscow-russia-04th-july-2021-an-elderly-man-looks-at-early-romantic-paintings-during-the-exhibitiondreams-of-freedom-romanticism-in-russia-and-germany-the-largest-international-exhibition-project-in-the-history-of-the-tretyakov-gallery-dedicated-to-this-topic-was-developed-in-cooperation-with-the-state-art-collections-of-dresden-this-is-the-first-large-scale-attempt-to-compare-on-one-platform-the-art-of-the-era-of-romanticism-in-russia-and-germany-photo-by-michail-tokmakovsopa-imagessipa-usa-credit-sipa-usaalamy-live-news-image434190582.html
RM2G6B2EE–Moscow, Russia. 04th July, 2021. An elderly man looks at early romantic paintings during the exhibition.“Dreams of Freedom. Romanticism in Russia and Germany ”- the largest international exhibition project in the history of the Tretyakov Gallery dedicated to this topic, was developed in cooperation with the State Art Collections of Dresden. This is the first large-scale attempt to compare on one platform the art of the era of romanticism in Russia and Germany. (Photo by Michail Tokmakov/SOPA Images/Sipa USA) Credit: Sipa USA/Alamy Live News
Jacint Verdaguer (1845-1902). Spanish poet. Catalonia. Spain. Oil painting by Jose Maria Tamburini Dalmau (1856-1932). Gallery of Catalan Illustrious. Barcelona. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacint-verdaguer-1845-1902-spanish-poet-catalonia-spain-oil-painting-by-jose-maria-tamburini-dalmau-1856-1932-gallery-of-catalan-illustrious-barcelona-spain-image209569928.html
RMP4XMG8–Jacint Verdaguer (1845-1902). Spanish poet. Catalonia. Spain. Oil painting by Jose Maria Tamburini Dalmau (1856-1932). Gallery of Catalan Illustrious. Barcelona. Spain.
JMW Turner painting; 'The Field of Waterloo', 1818, Oil on canvas; example of 19th century Romantic art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-painting-the-field-of-waterloo-1818-oil-on-canvas-example-of-19th-century-romantic-art-image442272313.html
RM2GKF6RN–JMW Turner painting; 'The Field of Waterloo', 1818, Oil on canvas; example of 19th century Romantic art.
La Mode Illustree 1872 Victorian era period costume fashion dress gown gowns skirt veil cuff frills wedding garment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-mode-illustree-1872-victorian-era-period-costume-fashion-dress-78013844.html
RMEEWRCM–La Mode Illustree 1872 Victorian era period costume fashion dress gown gowns skirt veil cuff frills wedding garment
Bülow, Hans Freiherr von, 8.1.1830 - 12.2.1894, German musician (pianist and conductor), portrait, painting by Franz von Lenbach, 1892, oil of carton, 35x45cm, Praun collection, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blow-hans-freiherr-von-811830-1221894-german-musician-pianist-and-48662342.html
RMCR4N8P–Bülow, Hans Freiherr von, 8.1.1830 - 12.2.1894, German musician (pianist and conductor), portrait, painting by Franz von Lenbach, 1892, oil of carton, 35x45cm, Praun collection, , Artist's Copyright has not to be cleared
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation