SERVICE WEAPONS, EGYPT, rifle Remington-Rider M 1868, Egypt conract (France), with Yatagan, calibre 433 Egyptian (11 x 50R), number 505C, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/service-weapons-egypt-rifle-remington-rider-m-1868-egypt-conract-france-with-yatagan-calibre-433-egyptian-11-x-50r-number-505c-additional-rights-clearance-info-not-available-image243039276.html
RMT3BB24–SERVICE WEAPONS, EGYPT, rifle Remington-Rider M 1868, Egypt conract (France), with Yatagan, calibre 433 Egyptian (11 x 50R), number 505C, Additional-Rights-Clearance-Info-Not-Available
Frederick Remington artwork - The Blanket Signal - Lone native American horseman raise a blanket above his head as a signal. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-remington-artwork-the-blanket-signal-lone-native-american-horseman-raise-a-blanket-above-his-head-as-a-signal-image443706043.html
RF2GNTFGB–Frederick Remington artwork - The Blanket Signal - Lone native American horseman raise a blanket above his head as a signal.
A 'Russian Pistol', Nagant-Patent double barrel pistol with Remington-Rider action, calibre 9 mm CF, no. 388. Matching numbers. Bright bores, barrel length 5 1 / 2'. Single trigger. Left on frame marked 'Brevet Remington', on the right 'Brevet Nagant'. Various acceptance marks. Approx. 40 % of original finish preserved, partially worn, spotted, very fine pitting. Dark walnut grip panels with rough checkering. Lanyard loop. Good overall condition. Very rare. After 1881 Nagant manufactured 1500 double-barrel pistols of this kind for Russia using his own patents a, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-russian-pistol-nagant-patent-double-barrel-pistol-with-remington-31629410.html
RMBRCRHP–A 'Russian Pistol', Nagant-Patent double barrel pistol with Remington-Rider action, calibre 9 mm CF, no. 388. Matching numbers. Bright bores, barrel length 5 1 / 2'. Single trigger. Left on frame marked 'Brevet Remington', on the right 'Brevet Nagant'. Various acceptance marks. Approx. 40 % of original finish preserved, partially worn, spotted, very fine pitting. Dark walnut grip panels with rough checkering. Lanyard loop. Good overall condition. Very rare. After 1881 Nagant manufactured 1500 double-barrel pistols of this kind for Russia using his own patents a,
Pony Express rider changing horses. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pony-express-rider-changing-horses-hand-colored-woodcut-of-a-frederic-image4938601.html
RMAM2K6A–Pony Express rider changing horses. Hand-colored woodcut of a Frederic Remington illustration
Small arms, revolver, Remington New Model Army, Rider experinemtal model, caliber .46, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/small-arms-revolver-remington-new-model-army-rider-experinemtal-model-caliber-46-additional-rights-clearance-info-not-available-image242817639.html
RMT318AF–Small arms, revolver, Remington New Model Army, Rider experinemtal model, caliber .46, Additional-Rights-Clearance-Info-Not-Available
The Herd Boy by the American artist, Frederic Remington (1861-1909), oil on canvas, c. 1900/1909 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-herd-boy-by-the-american-artist-frederic-remington-1861-1909-oil-on-canvas-c-19001909-image465651977.html
RM2J1G7RN–The Herd Boy by the American artist, Frederic Remington (1861-1909), oil on canvas, c. 1900/1909
Frederic Remington, A Southern Rider, from 'Some American Riders' (Harper's New Monthly Magazine, August 1891), Frederic Remington (American, Canton, New York 1861–1909 Ridgefield, Connecticut), Relates to a story by Theodore Ayrault Dodge (American, Pittsfield, Massachusetts 1842–1909 Paris), 1891, Woodblock, block: 4 13/16 x 7 1/16 x 13/16 in. (12.2 x 17.9 x 2.1 cm), Blocks Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederic-remington-a-southern-rider-from-some-american-riders-harpers-new-monthly-magazine-august-1891-frederic-remington-american-canton-new-york-18611909-ridgefield-connecticut-relates-to-a-story-by-theodore-ayrault-dodge-american-pittsfield-massachusetts-18421909-paris-1891-woodblock-block-4-1316-x-7-116-x-1316-in-122-x-179-x-21-cm-blocks-image344665199.html
RM2B0MRYB–Frederic Remington, A Southern Rider, from 'Some American Riders' (Harper's New Monthly Magazine, August 1891), Frederic Remington (American, Canton, New York 1861–1909 Ridgefield, Connecticut), Relates to a story by Theodore Ayrault Dodge (American, Pittsfield, Massachusetts 1842–1909 Paris), 1891, Woodblock, block: 4 13/16 x 7 1/16 x 13/16 in. (12.2 x 17.9 x 2.1 cm), Blocks
On The Southern Plains 1907 Frederic Remington American United States of America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-on-the-southern-plains-1907-frederic-remington-american-united-states-49659375.html
RMCTP513–On The Southern Plains 1907 Frederic Remington American United States of America
On the Southern Plains. Artist: Frederic Remington (American, Canton, New York 1861-1909 Ridgefield, Connecticut). Dimensions: 30 1/8 x 51 1/8in. (76.5 x 129.9cm). Date: 1907. One of Remington's favorite themes was the American soldier in the West, of whom he wrote, 'His heroism is called duty, and it probably is.' Here, soldiers led by a scout in buckskin charge an unseen enemy. Although the painting was probably meant to refer to the war against the Plains Indians in the 1860s--Remington titled it 'Cavalry in Sixties'--the uniforms and weapons date variously from the time of the Civil War t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-southern-plains-artist-frederic-remington-american-canton-new-york-1861-1909-ridgefield-connecticut-dimensions-30-18-x-51-18in-765-x-1299cm-date-1907-one-of-remingtons-favorite-themes-was-the-american-soldier-in-the-west-of-whom-he-wrote-his-heroism-is-called-duty-and-it-probably-is-here-soldiers-led-by-a-scout-in-buckskin-charge-an-unseen-enemy-although-the-painting-was-probably-meant-to-refer-to-the-war-against-the-plains-indians-in-the-1860s-remington-titled-it-cavalry-in-sixties-the-uniforms-and-weapons-date-variously-from-the-time-of-the-civil-war-t-image221750844.html
RMPTNHD0–On the Southern Plains. Artist: Frederic Remington (American, Canton, New York 1861-1909 Ridgefield, Connecticut). Dimensions: 30 1/8 x 51 1/8in. (76.5 x 129.9cm). Date: 1907. One of Remington's favorite themes was the American soldier in the West, of whom he wrote, 'His heroism is called duty, and it probably is.' Here, soldiers led by a scout in buckskin charge an unseen enemy. Although the painting was probably meant to refer to the war against the Plains Indians in the 1860s--Remington titled it 'Cavalry in Sixties'--the uniforms and weapons date variously from the time of the Civil War t
Tour of the Netherlands. Finish 4th stage Rotterdam. Miss Remington with rider Noël Foré (Belgium); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tour-of-the-netherlands-finish-4th-stage-rotterdam-miss-remington-with-rider-nol-for-belgium-image341088063.html
RM2APWW8F–Tour of the Netherlands. Finish 4th stage Rotterdam. Miss Remington with rider Noël Foré (Belgium);
Gentleman rider on the Plaza del Paseo - by Frederic Remington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gentleman-rider-on-the-plaza-del-paseo-by-frederic-remington-image346084566.html
RM2B31EB2–Gentleman rider on the Plaza del Paseo - by Frederic Remington.
Pale Rider 1984 Clint Eastwood Clint Eastwood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pale-rider-1984-clint-eastwood-clint-eastwood-10127201.html
'Gentleman rider on the Paseo de la Reforma'. painted by Frederic Remington 1890 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gentleman-rider-on-the-paseo-de-la-reforma-painted-by-frederic-remington-image155213203.html
RMK0EG0K–'Gentleman rider on the Paseo de la Reforma'. painted by Frederic Remington 1890
On the Southern Plains 1907 Frederic Remington American One of Remington’s favorite themes was the American soldier in the West, of whom he wrote, “His heroism is called duty, and it probably is.” Here, soldiers led by a scout in buckskin charge an unseen enemy. Although the painting was probably meant to refer to the war against the Plains Indians in the 1860s—Remington titled it 'Cavalry in Sixties'—the uniforms and weapons date variously from the time of the Civil War through the 1870s. The artist was willing to depart from reality in other details as well. For example, the horses and rider Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-southern-plains-1907-frederic-remington-american-one-of-remingtons-favorite-themes-was-the-american-soldier-in-the-west-of-whom-he-wrote-his-heroism-is-called-duty-and-it-probably-is-here-soldiers-led-by-a-scout-in-buckskin-charge-an-unseen-enemy-although-the-painting-was-probably-meant-to-refer-to-the-war-against-the-plains-indians-in-the-1860sremington-titled-it-cavalry-in-sixtiesthe-uniforms-and-weapons-date-variously-from-the-time-of-the-civil-war-through-the-1870s-the-artist-was-willing-to-depart-from-reality-in-other-details-as-well-for-example-the-horses-and-rider-image458167638.html
RM2HHB9DX–On the Southern Plains 1907 Frederic Remington American One of Remington’s favorite themes was the American soldier in the West, of whom he wrote, “His heroism is called duty, and it probably is.” Here, soldiers led by a scout in buckskin charge an unseen enemy. Although the painting was probably meant to refer to the war against the Plains Indians in the 1860s—Remington titled it 'Cavalry in Sixties'—the uniforms and weapons date variously from the time of the Civil War through the 1870s. The artist was willing to depart from reality in other details as well. For example, the horses and rider
Friends Or Foes? (The Scout), 1902-05. A solitary Blackfoot Indian leans forward on his horse, gazing across a snowy landscape at the lights of a distant encampment. The figure’s pose, the horse’s breath, and the glimmering sky create an almost palpable stillness and tension, the rider has no way of knowing if he would be welcome at the camp. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/friends-or-foes-the-scout-1902-05-a-solitary-blackfoot-indian-leans-forward-on-his-horse-gazing-across-a-snowy-landscape-at-the-lights-of-a-distant-encampment-the-figurex2019s-pose-the-horsex2019s-breath-and-the-glimmering-sky-create-an-almost-palpable-stillness-and-tension-the-rider-has-no-way-of-knowing-if-he-would-be-welcome-at-the-camp-image603646539.html
RM2X22D8Y–Friends Or Foes? (The Scout), 1902-05. A solitary Blackfoot Indian leans forward on his horse, gazing across a snowy landscape at the lights of a distant encampment. The figure’s pose, the horse’s breath, and the glimmering sky create an almost palpable stillness and tension, the rider has no way of knowing if he would be welcome at the camp.
The Cheyenne 1901, cast by March 1907 Frederic Remington American In 1901 Remington modeled this Cheyenne man racing on horseback. The muscular rider, wearing only a loincloth and moccasins, leans forward, clutching a spear and a quirt. His mount is depicted at full gallop, or “burning the air,” as Remington described it: ears back, tail flowing, and all four hooves off the ground. The buffalo robe that serves as a saddle trails off the airborne horse to its right and functions as the means of linking figures to the base.. The Cheyenne. Frederic Remington (American, Canton, New York 1861–1909 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cheyenne-1901-cast-by-march-1907-frederic-remington-american-in-1901-remington-modeled-this-cheyenne-man-racing-on-horseback-the-muscular-rider-wearing-only-a-loincloth-and-moccasins-leans-forward-clutching-a-spear-and-a-quirt-his-mount-is-depicted-at-full-gallop-or-burning-the-air-as-remington-described-it-ears-back-tail-flowing-and-all-four-hooves-off-the-ground-the-buffalo-robe-that-serves-as-a-saddle-trails-off-the-airborne-horse-to-its-right-and-functions-as-the-means-of-linking-figures-to-the-base-the-cheyenne-frederic-remington-american-canton-new-york-18611909-image458101453.html
RM2HH8925–The Cheyenne 1901, cast by March 1907 Frederic Remington American In 1901 Remington modeled this Cheyenne man racing on horseback. The muscular rider, wearing only a loincloth and moccasins, leans forward, clutching a spear and a quirt. His mount is depicted at full gallop, or “burning the air,” as Remington described it: ears back, tail flowing, and all four hooves off the ground. The buffalo robe that serves as a saddle trails off the airborne horse to its right and functions as the means of linking figures to the base.. The Cheyenne. Frederic Remington (American, Canton, New York 1861–1909
USA - CIRCA 1981: A Stamp printed in USA shows the sculpture 'Coming through the Rye', by Frederic Remington (1861-1909), american Sculptor, circa 198 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usa-circa-1981-a-stamp-printed-in-usa-shows-the-sculpture-coming-through-the-rye-by-frederic-remington-1861-1909-american-sculptor-circa-198-image237451928.html
RFRP8TA0–USA - CIRCA 1981: A Stamp printed in USA shows the sculpture 'Coming through the Rye', by Frederic Remington (1861-1909), american Sculptor, circa 198
Kandahar Lady of Rank, engaged in smoking. Scenery, Inhabitants, and Costumes of Afghaunistan. London : Hering & Remington, 1848. Lithograph. Source: X 562, plate 29. Author: CARRICK, ROBERT. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kandahar-lady-of-rank-engaged-in-smoking-scenery-inhabitants-and-costumes-of-afghaunistan-london-hering-remington-1848-lithograph-source-x-562-plate-29-author-carrick-robert-image226951181.html
RMR56EF9–Kandahar Lady of Rank, engaged in smoking. Scenery, Inhabitants, and Costumes of Afghaunistan. London : Hering & Remington, 1848. Lithograph. Source: X 562, plate 29. Author: CARRICK, ROBERT.
GIRL RIDING WHITE HORSE REMINGTON IN FIELD OF SUNFLOWERS / ILLINOIS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-girl-riding-white-horse-remington-in-field-of-sunflowers-illinois-50846483.html
RMCXM75R–GIRL RIDING WHITE HORSE REMINGTON IN FIELD OF SUNFLOWERS / ILLINOIS
A Southern Rider, from 'Some American Riders,' for 'Harper's New Monthly Magazine,' August 1891 1891 Frederic Remington American. A Southern Rider, from 'Some American Riders,' for 'Harper's New Monthly Magazine,' August 1891. Frederic Remington (American, Canton, New York 1861–1909 Ridgefield, Connecticut). 1891. Woodblock. Blocks Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-southern-rider-from-some-american-riders-for-harpers-new-monthly-magazine-august-1891-1891-frederic-remington-american-a-southern-rider-from-some-american-riders-for-harpers-new-monthly-magazine-august-1891-frederic-remington-american-canton-new-york-18611909-ridgefield-connecticut-1891-woodblock-blocks-image457880586.html
RM2HGX7A2–A Southern Rider, from 'Some American Riders,' for 'Harper's New Monthly Magazine,' August 1891 1891 Frederic Remington American. A Southern Rider, from 'Some American Riders,' for 'Harper's New Monthly Magazine,' August 1891. Frederic Remington (American, Canton, New York 1861–1909 Ridgefield, Connecticut). 1891. Woodblock. Blocks
A cowboy galloping across a field Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-cowboy-galloping-across-a-field-18920648.html
RMB2NWDC–A cowboy galloping across a field
Native American with his horse on a trail in the Rocky Mountains 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-native-american-with-his-horse-on-a-trail-in-the-rocky-mountains-1800s-17309111.html
RMB04DXF–Native American with his horse on a trail in the Rocky Mountains 1800s. Hand-colored woodcut of a Frederic Remington illustration
Small arms, revolver, Remington New Model Army, Rider experinemtal model, caliber .46, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/small-arms-revolver-remington-new-model-army-rider-experinemtal-model-caliber-46-additional-rights-clearance-info-not-available-image242817629.html
RMT318A5–Small arms, revolver, Remington New Model Army, Rider experinemtal model, caliber .46, Additional-Rights-Clearance-Info-Not-Available
Rough Riders charging San Juan Hill, Spanish-American War. Hand-colored halftone of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rough-riders-charging-san-juan-hill-spanish-american-war-hand-colored-halftone-of-a-frederic-remington-illustration-image354141828.html
RM2BG4FEC–Rough Riders charging San Juan Hill, Spanish-American War. Hand-colored halftone of a Frederic Remington illustration
geography / travel, United States of America, people, cowboys, cattle droving (Roung up), wood engraving after painting by Frederick Remington, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-geography-travel-united-states-of-america-people-cowboys-cattle-droving-28898076.html
RMBK0BP4–geography / travel, United States of America, people, cowboys, cattle droving (Roung up), wood engraving after painting by Frederick Remington, 19th century,
An enlarged bronze replica of 'The Bronco Buster' by famed sculptor Frederic Remington is a well-known statue in downtown Kansas City, Missouri, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-enlarged-bronze-replica-of-the-bronco-buster-by-famed-sculptor-70990201.html
RME3DTM9–An enlarged bronze replica of 'The Bronco Buster' by famed sculptor Frederic Remington is a well-known statue in downtown Kansas City, Missouri, USA.
The Cheyenne. Artist: Frederic Remington (American, Canton, New York 1861-1909 Ridgefield, Connecticut). Dimensions: 20 1/4 x 25 x 8 in. (51.4 x 63.5 x 20.3 cm). Date: 1901, cast by March 1907. In 1901 Remington modeled this Cheyenne Indian racing on horseback. The muscular rider, wearing only a loincloth and moccasins, leans forward, clutching a spear and a quirt. His mount is depicted at full gallop, or 'burning the air,' as Remington described it: ears back, tail flowing, and all four hooves off the ground. The buffalo robe that serves as a saddle trails off the airborne horse to its right Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cheyenne-artist-frederic-remington-american-canton-new-york-1861-1909-ridgefield-connecticut-dimensions-20-14-x-25-x-8-in-514-x-635-x-203-cm-date-1901-cast-by-march-1907-in-1901-remington-modeled-this-cheyenne-indian-racing-on-horseback-the-muscular-rider-wearing-only-a-loincloth-and-moccasins-leans-forward-clutching-a-spear-and-a-quirt-his-mount-is-depicted-at-full-gallop-or-burning-the-air-as-remington-described-it-ears-back-tail-flowing-and-all-four-hooves-off-the-ground-the-buffalo-robe-that-serves-as-a-saddle-trails-off-the-airborne-horse-to-its-right-image213198819.html
RMPAT17F–The Cheyenne. Artist: Frederic Remington (American, Canton, New York 1861-1909 Ridgefield, Connecticut). Dimensions: 20 1/4 x 25 x 8 in. (51.4 x 63.5 x 20.3 cm). Date: 1901, cast by March 1907. In 1901 Remington modeled this Cheyenne Indian racing on horseback. The muscular rider, wearing only a loincloth and moccasins, leans forward, clutching a spear and a quirt. His mount is depicted at full gallop, or 'burning the air,' as Remington described it: ears back, tail flowing, and all four hooves off the ground. The buffalo robe that serves as a saddle trails off the airborne horse to its right
Gentleman rider on the Plaza del Paseo / by Frederic Remington. Abstract/medium: 1 photographic print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gentleman-rider-on-the-plaza-del-paseo-by-frederic-remington-abstractmedium-1-photographic-print-image266493907.html
RMWDFRKF–Gentleman rider on the Plaza del Paseo / by Frederic Remington. Abstract/medium: 1 photographic print.
New York State, Ogdensburg. Frederic Remington Museum. Pearson's magazine cover with Remington bronze. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-new-york-state-ogdensburg-frederic-remington-museum-pearsons-magazine-37839349.html
RMC5FMD9–New York State, Ogdensburg. Frederic Remington Museum. Pearson's magazine cover with Remington bronze.
'On the Southern Plains', 1907. Artist: Frederic Remington Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-on-the-southern-plains-1907-artist-frederic-remington-17630427.html
RMB0K3P3–'On the Southern Plains', 1907. Artist: Frederic Remington
Arizona cow-boy on horseback. Pastel drawing by Frederic Remington, ca. 1900. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arizona-cow-boy-on-horseback-pastel-drawing-by-frederic-remington-50050888.html
RMCWC0BM–Arizona cow-boy on horseback. Pastel drawing by Frederic Remington, ca. 1900.
The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-metropolitan-museum-of-art-is-a-popular-tourist-attraction-on-museum-mile-new-york-city-usa-image435554719.html
RM2G8H6DK–The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA
Battle of San Juan Hill, 1898 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-san-juan-hill-1898-image352801596.html
RM2BDYE10–Battle of San Juan Hill, 1898
FEBRUARY 24 1883. NUT TAPPING DURRELL'S PATENT. SPECIAL MACHINERY OF ALL KINDS Leffel Water Wheels FEED WATER HEATERS. MACHINISTS' TOOLS. RIDER COMPRESSION PUMPING ENGINE THE MEDART PATENT WROUGHT RIM PULLEY HARTFORD CON N. 109 LIBERTY ST. NEW YORK. REMINGTON TT PE-WRITER. MACHINISTS' TOOLS A VERIVIIN+.4P PROOF' INTERNATIONAL Electric Exhibition VIENNA 1883 PATENTS., scientific american, 1883-02-24 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/february-24-1883-nut-tapping-durrells-patent-special-machinery-of-all-kinds-leffel-water-wheels-feed-water-heaters-machinists-tools-rider-compression-pumping-engine-the-medart-patent-wrought-rim-pulley-hartford-con-n-109-liberty-st-new-york-remington-tt-pe-writer-machinists-tools-a-veriviin4p-proof-international-electric-exhibition-vienna-1883-patents-scientific-american-1883-02-24-image334326297.html
RM2ABWTGW–FEBRUARY 24 1883. NUT TAPPING DURRELL'S PATENT. SPECIAL MACHINERY OF ALL KINDS Leffel Water Wheels FEED WATER HEATERS. MACHINISTS' TOOLS. RIDER COMPRESSION PUMPING ENGINE THE MEDART PATENT WROUGHT RIM PULLEY HARTFORD CON N. 109 LIBERTY ST. NEW YORK. REMINGTON TT PE-WRITER. MACHINISTS' TOOLS A VERIVIIN+.4P PROOF' INTERNATIONAL Electric Exhibition VIENNA 1883 PATENTS., scientific american, 1883-02-24
Arizona cow-boy on horseback. Pastel drawing by Frederic Remington, ca. 1900. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arizona-cow-boy-on-horseback-pastel-drawing-by-frederic-remington-38133226.html
RMC6138X–Arizona cow-boy on horseback. Pastel drawing by Frederic Remington, ca. 1900.
Image taken from page 148 of 'Personal Recollections and Observations of General Nelson A. Miles, embracing a brief view of the civil war ... and the story of his Indian campaigns ... Copiously illustrated ... by F. Remington, etc' Image taken from page 148 of 'Personal Recollections and Observations Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-148-of-personal-recollections-and-observations-130044143.html
RMHFG0HK–Image taken from page 148 of 'Personal Recollections and Observations of General Nelson A. Miles, embracing a brief view of the civil war ... and the story of his Indian campaigns ... Copiously illustrated ... by F. Remington, etc' Image taken from page 148 of 'Personal Recollections and Observations
On the Southern Plains, 1907. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-southern-plains-1907-image343004382.html
RM2AX15GE–On the Southern Plains, 1907.
The Sergeant 1904, cast before 1939 Frederic Remington American 'The Sergeant' is Remington’s smallest sculpture and one of his most commercially successful. The bust of a weathered, mustachioed Rough Rider commends the cowboys who volunteered for service in the First United States Volunteer Cavalry during the Spanish-American War of 1898. It came to have a pendant in 'The Savage' (39.65.51a, b) four years later. Both, miniaturized in scale, represent early-twentieth-century stereotypes rather than specific individuals.. The Sergeant. Frederic Remington (American, Canton, New York 1861–1909 Ri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sergeant-1904-cast-before-1939-frederic-remington-american-the-sergeant-is-remingtons-smallest-sculpture-and-one-of-his-most-commercially-successful-the-bust-of-a-weathered-mustachioed-rough-rider-commends-the-cowboys-who-volunteered-for-service-in-the-first-united-states-volunteer-cavalry-during-the-spanish-american-war-of-1898-it-came-to-have-a-pendant-in-the-savage-396551a-b-four-years-later-both-miniaturized-in-scale-represent-early-twentieth-century-stereotypes-rather-than-specific-individuals-the-sergeant-frederic-remington-american-canton-new-york-18611909-ri-image457885020.html
RM2HGXD0C–The Sergeant 1904, cast before 1939 Frederic Remington American 'The Sergeant' is Remington’s smallest sculpture and one of his most commercially successful. The bust of a weathered, mustachioed Rough Rider commends the cowboys who volunteered for service in the First United States Volunteer Cavalry during the Spanish-American War of 1898. It came to have a pendant in 'The Savage' (39.65.51a, b) four years later. Both, miniaturized in scale, represent early-twentieth-century stereotypes rather than specific individuals.. The Sergeant. Frederic Remington (American, Canton, New York 1861–1909 Ri
A Mexican cowboy on horseback Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-mexican-cowboy-on-horseback-18920950.html
RMB2NWT6–A Mexican cowboy on horseback
The Rattlesnake 1905, revised 1908; this cast, before 1939 Frederic Remington American “The Rattlesnake” depicts a horse twisted in a reaction of fright to a rattlesnake as the rider grabs the horse’s mane with his left hand and holds his hat on with his right. This statuette was second only to “The Broncho Buster” (1986.81.2) in popularity, with some 100 casts produced before Remington’s original models were destroyed in 1921. The Metropolitan’s bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works.. The Rattlesnake. Frederic Remington (American, Canton, New Yo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rattlesnake-1905-revised-1908-this-cast-before-1939-frederic-remington-american-the-rattlesnake-depicts-a-horse-twisted-in-a-reaction-of-fright-to-a-rattlesnake-as-the-rider-grabs-the-horses-mane-with-his-left-hand-and-holds-his-hat-on-with-his-right-this-statuette-was-second-only-to-the-broncho-buster-1986812-in-popularity-with-some-100-casts-produced-before-remingtons-original-models-were-destroyed-in-1921-the-metropolitans-bronze-is-almost-certainly-a-posthumous-unauthorized-cast-done-by-roman-bronze-works-the-rattlesnake-frederic-remington-american-canton-new-yo-image458444192.html
RM2HHRX6T–The Rattlesnake 1905, revised 1908; this cast, before 1939 Frederic Remington American “The Rattlesnake” depicts a horse twisted in a reaction of fright to a rattlesnake as the rider grabs the horse’s mane with his left hand and holds his hat on with his right. This statuette was second only to “The Broncho Buster” (1986.81.2) in popularity, with some 100 casts produced before Remington’s original models were destroyed in 1921. The Metropolitan’s bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works.. The Rattlesnake. Frederic Remington (American, Canton, New Yo
The Rattlesnake Frederic Remington American 1905, revised 1908; this cast, before 1939 “The Rattlesnake” depicts a horse twisted in a reaction of fright to a rattlesnake as the rider grabs the horse’s mane with his left hand and holds his hat on with his right. This statuette was second only to “The Broncho Buster” (1986.81.2) in popularity, with some 100 casts produced before Remington’s original models were destroyed in 1921. The Metropolitan’s bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works. View more. The Rattlesnake. Frederic Remington (American, Cant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rattlesnake-frederic-remington-american-1905-revised-1908-this-cast-before-1939-the-rattlesnake-depicts-a-horse-twisted-in-a-reaction-of-fright-to-a-rattlesnake-as-the-rider-grabs-the-horses-mane-with-his-left-hand-and-holds-his-hat-on-with-his-right-this-statuette-was-second-only-to-the-broncho-buster-1986812-in-popularity-with-some-100-casts-produced-before-remingtons-original-models-were-destroyed-in-1921-the-metropolitans-bronze-is-almost-certainly-a-posthumous-unauthorized-cast-done-by-roman-bronze-works-view-more-the-rattlesnake-frederic-remington-american-cant-image569495478.html
RM2T2EN86–The Rattlesnake Frederic Remington American 1905, revised 1908; this cast, before 1939 “The Rattlesnake” depicts a horse twisted in a reaction of fright to a rattlesnake as the rider grabs the horse’s mane with his left hand and holds his hat on with his right. This statuette was second only to “The Broncho Buster” (1986.81.2) in popularity, with some 100 casts produced before Remington’s original models were destroyed in 1921. The Metropolitan’s bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works. View more. The Rattlesnake. Frederic Remington (American, Cant
Native Americans from different tribes using sign language, 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/native-americans-from-different-tribes-using-sign-language-1800s-hand-colored-woodcut-of-a-frederic-remington-illustration-image357210719.html
RM2BN49WK–Native Americans from different tribes using sign language, 1800s. Hand-colored woodcut of a Frederic Remington illustration
Frederic Remington (1861-1909). American painter. The Parley, 1903. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederic-remington-1861-1909-american-painter-the-parley-1903-image210233813.html
RMP60YAD–Frederic Remington (1861-1909). American painter. The Parley, 1903.
Frederic Remington (Sculptor). The Bronco Buster. 1895. United States. Bronze with brown patina Although born, raised, and educated on the East Coast, Frederic Remington achieved considerable success as America’s leading illustrator of life on the western frontier. In 1894 he turned his skill and energy to sculpture. This vigorous portrayal of a cowboy taming a wild horse was the artist’s first effort in bronze, and with an illustrator’s eye for drama, he captured the single most illuminating moment of the event. Although the horse and rider struggle against each other, they are pulled togethe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederic-remington-sculptor-the-bronco-buster-1895-united-states-bronze-with-brown-patina-although-born-raised-and-educated-on-the-east-coast-frederic-remington-achieved-considerable-success-as-americas-leading-illustrator-of-life-on-the-western-frontier-in-1894-he-turned-his-skill-and-energy-to-sculpture-this-vigorous-portrayal-of-a-cowboy-taming-a-wild-horse-was-the-artists-first-effort-in-bronze-and-with-an-illustrators-eye-for-drama-he-captured-the-single-most-illuminating-moment-of-the-event-although-the-horse-and-rider-struggle-against-each-other-they-are-pulled-togethe-image338009952.html
RM2AHWK40–Frederic Remington (Sculptor). The Bronco Buster. 1895. United States. Bronze with brown patina Although born, raised, and educated on the East Coast, Frederic Remington achieved considerable success as America’s leading illustrator of life on the western frontier. In 1894 he turned his skill and energy to sculpture. This vigorous portrayal of a cowboy taming a wild horse was the artist’s first effort in bronze, and with an illustrator’s eye for drama, he captured the single most illuminating moment of the event. Although the horse and rider struggle against each other, they are pulled togethe
Rowdy cow punchers firing their guns in the air. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rowdy-cow-punchers-firing-their-guns-in-the-air-hand-colored-woodcut-17243341.html
RMB01E1H–Rowdy cow punchers firing their guns in the air. Hand-colored woodcut of a Frederic Remington illustration
The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-metropolitan-museum-of-art-is-a-popular-tourist-attraction-on-museum-mile-new-york-city-usa-image435554712.html
RM2G8H6DC–The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA
ASBESTOS WICK PACKING. ASBESTOS FLAT PACKING ASBESTOS ATI! I N GS ASBESTOS GA SK ETS ASBESTOS BUILDING FELT. ASBESTOS LIQUI D PAINTS. ROOF AND 01 LER COVERINGS FIR EPIt 00 COATINGS CEMENTS ETC. H. W. JOHNS M'F'G C RIDER COMPRESSION PUMPING ENGINE REMINGTON TYPE-WRITER. ICE MAKING MACHINES And Machines for Cooling Breweries Pork Packing Estab lishments Cold Storage Warehouses Hospitals etc. P. 0. Box 3083. American FruitDrier., scientific american, 1883-02-10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/asbestos-wick-packing-asbestos-flat-packing-asbestos-ati!-i-n-gs-asbestos-ga-sk-ets-asbestos-building-felt-asbestos-liqui-d-paints-roof-and-01-ler-coverings-fir-epit-00-coatings-cements-etc-h-w-johns-mfg-c-rider-compression-pumping-engine-remington-type-writer-ice-making-machines-and-machines-for-cooling-breweries-pork-packing-estab-lishments-cold-storage-warehouses-hospitals-etc-p-0-box-3083-american-fruitdrier-scientific-american-1883-02-10-image334326243.html
RM2ABWTEY–ASBESTOS WICK PACKING. ASBESTOS FLAT PACKING ASBESTOS ATI! I N GS ASBESTOS GA SK ETS ASBESTOS BUILDING FELT. ASBESTOS LIQUI D PAINTS. ROOF AND 01 LER COVERINGS FIR EPIt 00 COATINGS CEMENTS ETC. H. W. JOHNS M'F'G C RIDER COMPRESSION PUMPING ENGINE REMINGTON TYPE-WRITER. ICE MAKING MACHINES And Machines for Cooling Breweries Pork Packing Estab lishments Cold Storage Warehouses Hospitals etc. P. 0. Box 3083. American FruitDrier., scientific american, 1883-02-10
Every Mechanie Should Own It. Montgomery & Co.'s Tool Catalogue MONTGOMERY & CO. YOST WRITING MACHINE CO. 245 Sway New York. Rider Agents Wanted 1901 & '02 Models best makes'? to $10 500 2ND - HAND WHEELS QUICK ADJUSTING TOWER LYON CO. Stephens Patent VISES FLAT or BASE Magical Apparatus. Manfd. by VOLNEY W. MASON & CO. Inc. F. N. Roehrich & Co. 102 FULTON STREET Machinery Designing Mechanical Drawing. From Any Point e' View THE emington Typewriter IS THE BEST INVESTMENT operation and economy in service. REMINGTON TYPEWRITER CO. 327 Broadway New York DESIGNS. TRADE MARKS. LABELS, scientific Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/every-mechanie-should-own-it-montgomery-cos-tool-catalogue-montgomery-co-yost-writing-machine-co-245-sway-new-york-rider-agents-wanted-1901-02-models-best-makes-to-10-500-2nd-hand-wheels-quick-adjusting-tower-lyon-co-stephens-patent-vises-flat-or-base-magical-apparatus-manfd-by-volney-w-mason-co-inc-f-n-roehrich-co-102-fulton-street-machinery-designing-mechanical-drawing-from-any-point-e-view-the-emington-typewriter-is-the-best-investment-operation-and-economy-in-service-remington-typewriter-co-327-broadway-new-york-designs-trade-marks-labels-scientific-image334347684.html
RM2ABXRTM–Every Mechanie Should Own It. Montgomery & Co.'s Tool Catalogue MONTGOMERY & CO. YOST WRITING MACHINE CO. 245 Sway New York. Rider Agents Wanted 1901 & '02 Models best makes'? to $10 500 2ND - HAND WHEELS QUICK ADJUSTING TOWER LYON CO. Stephens Patent VISES FLAT or BASE Magical Apparatus. Manfd. by VOLNEY W. MASON & CO. Inc. F. N. Roehrich & Co. 102 FULTON STREET Machinery Designing Mechanical Drawing. From Any Point e' View THE emington Typewriter IS THE BEST INVESTMENT operation and economy in service. REMINGTON TYPEWRITER CO. 327 Broadway New York DESIGNS. TRADE MARKS. LABELS, scientific
The Mountain Man, model 1903, cast 1904. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mountain-man-model-1903-cast-1904-image418802439.html
RM2F9A2NY–The Mountain Man, model 1903, cast 1904.
STYLE NEATNESS COMFORT THE IMPROVED BOST GARTER Vacation Plea . They are Lighter Stronger and Easier to Row W. H. Mullins Co. 8 Franklin St. Salem 0. Mullins '1000 Adds at One Operation emington Typewriter With Wahl Adding and Subtracting Attachment Adds as the Operator Wills Remington Typewriter Company 'MI The Name is stamped on every loop-Be sure it's there CUSHION BUTTON CLASP LIES FLAT TO THE LEG NEVER SLIPSTEARS NOR UNFASTENS Worn All Over The World INSIST ON HAVING THE GENUINE 4 ORIFUSA ALL SUBSTITUTES. THE MOTORCYCLE The Greyhound Rider Agents Wanted BOO Second-Hand Wheels 'POROX Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/style-neatness-comfort-the-improved-bost-garter-vacation-plea-they-are-lighter-stronger-and-easier-to-row-w-h-mullins-co-8-franklin-st-salem-0-mullins-1000-adds-at-one-operation-emington-typewriter-with-wahl-adding-and-subtracting-attachment-adds-as-the-operator-wills-remington-typewriter-company-mi-the-name-is-stamped-on-every-loop-be-sure-its-there-cushion-button-clasp-lies-flat-to-the-leg-never-slipstears-nor-unfastens-worn-all-over-the-world-insist-on-having-the-genuine-4-orifusa-all-substitutes-the-motorcycle-the-greyhound-rider-agents-wanted-boo-second-hand-wheels-porox-image334303693.html
RM2ABTRNH–STYLE NEATNESS COMFORT THE IMPROVED BOST GARTER Vacation Plea . They are Lighter Stronger and Easier to Row W. H. Mullins Co. 8 Franklin St. Salem 0. Mullins '1000 Adds at One Operation emington Typewriter With Wahl Adding and Subtracting Attachment Adds as the Operator Wills Remington Typewriter Company 'MI The Name is stamped on every loop-Be sure it's there CUSHION BUTTON CLASP LIES FLAT TO THE LEG NEVER SLIPSTEARS NOR UNFASTENS Worn All Over The World INSIST ON HAVING THE GENUINE 4 ORIFUSA ALL SUBSTITUTES. THE MOTORCYCLE The Greyhound Rider Agents Wanted BOO Second-Hand Wheels 'POROX
The Blanket Signal. Date/Period: 1894/1898. Painting. Oil on canvas. Width: 55.9 cm. Height: 68.6 cm (without frame). Author: Frederic Remington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-blanket-signal-dateperiod-18941898-painting-oil-on-canvas-width-559-cm-height-686-cm-without-frame-author-frederic-remington-image219729750.html
RMPNDFF2–The Blanket Signal. Date/Period: 1894/1898. Painting. Oil on canvas. Width: 55.9 cm. Height: 68.6 cm (without frame). Author: Frederic Remington.
Old trapper in the American West, 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-trapper-in-the-american-west-1800s-hand-colored-woodcut-of-a-frederic-26735841.html
RMBFDWRD–Old trapper in the American West, 1800s. Hand-colored woodcut of a Frederic Remington illustration
The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-metropolitan-museum-of-art-is-a-popular-tourist-attraction-on-museum-mile-new-york-city-usa-image435554722.html
RM2G8H6DP–The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA
The Advance Guard, ca. 1888. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-advance-guard-ca-1888-image426151076.html
RM2FN8T18–The Advance Guard, ca. 1888.
MANUFACTURERS OF WIRE ROPE BRIDGE CABLES SHIP RIGGING COLUMBIA Bicycles. THE POPE F'G CO 597Washington Street Boston Mass. THETHE BEST WATCH CASE DUE BER The' MONITOR.' Steel Castings JOHN HOLLAND 1 9 W. 4th St. Cincinnati 0. STEAM PUMPS BOILER FEEDERS. - Address HAMILTON. OHIO. EVAPORATING: FRUIT UPRIGHT DRILLSsp'Eicciput4 H.BICKFORD. THE SEIBERT CYLINDER OIL CUP CO. tives Marine and Sta Sight Feed. THE SEIBERT CYLINDER OIL CUP CO. NATDir FL Si OF .eirrmrirwes of Light to place manufacture THE COMMON SENSE DRY KILN. MAGIC LANTERNS leffel Water Wheels Prices Greatly Reduced. KORTING UNIVERSAL Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manufacturers-of-wire-rope-bridge-cables-ship-rigging-columbia-bicycles-the-pope-fg-co-597washington-street-boston-mass-thethe-best-watch-case-due-ber-the-monitor-steel-castings-john-holland-1-9-w-4th-st-cincinnati-0-steam-pumps-boiler-feeders-address-hamilton-ohio-evaporating-fruit-upright-drillsspeicciput4-hbickford-the-seibert-cylinder-oil-cup-co-tives-marine-and-sta-sight-feed-the-seibert-cylinder-oil-cup-co-natdir-fl-si-of-eirrmrirwes-of-light-to-place-manufacture-the-common-sense-dry-kiln-magic-lanterns-leffel-water-wheels-prices-greatly-reduced-korting-universal-image334326066.html
RM2ABWT8J–MANUFACTURERS OF WIRE ROPE BRIDGE CABLES SHIP RIGGING COLUMBIA Bicycles. THE POPE F'G CO 597Washington Street Boston Mass. THETHE BEST WATCH CASE DUE BER The' MONITOR.' Steel Castings JOHN HOLLAND 1 9 W. 4th St. Cincinnati 0. STEAM PUMPS BOILER FEEDERS. - Address HAMILTON. OHIO. EVAPORATING: FRUIT UPRIGHT DRILLSsp'Eicciput4 H.BICKFORD. THE SEIBERT CYLINDER OIL CUP CO. tives Marine and Sta Sight Feed. THE SEIBERT CYLINDER OIL CUP CO. NATDir FL Si OF .eirrmrirwes of Light to place manufacture THE COMMON SENSE DRY KILN. MAGIC LANTERNS leffel Water Wheels Prices Greatly Reduced. KORTING UNIVERSAL
The Advance-Guard, or The Military Sacrifice (The Ambush). Frederic Remington; American, 1861-1909. Date: 1890. Dimensions: 87.3 × 123.1 cm (34 3/8 × 48 1/2 in.). Oil on canvas. Origin: New York. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-advance-guard-or-the-military-sacrifice-the-ambush-frederic-remington-american-1861-1909-date-1890-dimensions-873-1231-cm-34-38-48-12-in-oil-on-canvas-origin-new-york-museum-the-chicago-art-institute-image240051267.html
RMRXF7RF–The Advance-Guard, or The Military Sacrifice (The Ambush). Frederic Remington; American, 1861-1909. Date: 1890. Dimensions: 87.3 × 123.1 cm (34 3/8 × 48 1/2 in.). Oil on canvas. Origin: New York. Museum: The Chicago Art Institute.
A Mexican vaquero in the Southwest, 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-mexican-vaquero-in-the-southwest-1800s-hand-colored-woodcut-of-a-image9631075.html
RMAXJ4P4–A Mexican vaquero in the Southwest, 1800s. Hand-colored woodcut of a Frederic Remington illustration
The Bronco Buster, Modeled 1895, cast 1899. Brown bronze statue of man with riding crop atop a rearing horse. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bronco-buster-modeled-1895-cast-1899-brown-bronze-statue-of-man-with-riding-crop-atop-a-rearing-horse-image449093304.html
RM2H2HY2G–The Bronco Buster, Modeled 1895, cast 1899. Brown bronze statue of man with riding crop atop a rearing horse.
My Bunkie. Artist: Charles Schreyvogel (1861-1912). Dimensions: 25 3/16 x 34in. (64 x 86.4cm) Framed: 33 3/8 x 47 5/8 x 4in. (84.8 x 121 x 10.2cm). Date: finished 1899. Schreyvogel, like Remington, based his portrayals of cowboys and cavalrymen on a combination of firsthand experience and masculine escapist fantasy. Between 1893 and 1905 he made frequent visits to the western states and territories, collecting Indian and military artifacts for the authentically detailed paintings he produced in his Hoboken, New Jersey, studio. 'My Bunkie' portrays an event described to Schreyvogel by a veter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/my-bunkie-artist-charles-schreyvogel-1861-1912-dimensions-25-316-x-34in-64-x-864cm-framed-33-38-x-47-58-x-4in-848-x-121-x-102cm-date-finished-1899-schreyvogel-like-remington-based-his-portrayals-of-cowboys-and-cavalrymen-on-a-combination-of-firsthand-experience-and-masculine-escapist-fantasy-between-1893-and-1905-he-made-frequent-visits-to-the-western-states-and-territories-collecting-indian-and-military-artifacts-for-the-authentically-detailed-paintings-he-produced-in-his-hoboken-new-jersey-studio-my-bunkie-portrays-an-event-described-to-schreyvogel-by-a-veter-image212916337.html
RMPAB4XW–My Bunkie. Artist: Charles Schreyvogel (1861-1912). Dimensions: 25 3/16 x 34in. (64 x 86.4cm) Framed: 33 3/8 x 47 5/8 x 4in. (84.8 x 121 x 10.2cm). Date: finished 1899. Schreyvogel, like Remington, based his portrayals of cowboys and cavalrymen on a combination of firsthand experience and masculine escapist fantasy. Between 1893 and 1905 he made frequent visits to the western states and territories, collecting Indian and military artifacts for the authentically detailed paintings he produced in his Hoboken, New Jersey, studio. 'My Bunkie' portrays an event described to Schreyvogel by a veter
Cowboy riding a bronco on the western range. Color halftone of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cowboy-riding-a-bronco-on-the-western-range-color-halftone-of-a-frederic-20120739.html
RMB4MG5R–Cowboy riding a bronco on the western range. Color halftone of a Frederic Remington illustration
Off the Range (Coming Through the Rye), model 1902, cast 1903. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/off-the-range-coming-through-the-rye-model-1902-cast-1903-image418802450.html
RM2F9A2PA–Off the Range (Coming Through the Rye), model 1902, cast 1903.
A Southern Rider, from 'Some American Riders' (Harper's New Monthly Magazine, August 1891). Artist: Frederic Remington (American, Canton, New York 1861-1909 Ridgefield, Connecticut). Author: Relates to a story by Theodore Ayrault Dodge (American, Pittsfield, Massachusetts 1842-1909 Paris). Dimensions: block: 4 13/16 x 7 1/16 x 13/16 in. (12.2 x 17.9 x 2.1 cm). Date: 1891. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-southern-rider-from-some-american-riders-harpers-new-monthly-magazine-august-1891-artist-frederic-remington-american-canton-new-york-1861-1909-ridgefield-connecticut-author-relates-to-a-story-by-theodore-ayrault-dodge-american-pittsfield-massachusetts-1842-1909-paris-dimensions-block-4-1316-x-7-116-x-1316-in-122-x-179-x-21-cm-date-1891-museum-metropolitan-museum-of-art-new-york-usa-image213170597.html
RMPAPN7H–A Southern Rider, from 'Some American Riders' (Harper's New Monthly Magazine, August 1891). Artist: Frederic Remington (American, Canton, New York 1861-1909 Ridgefield, Connecticut). Author: Relates to a story by Theodore Ayrault Dodge (American, Pittsfield, Massachusetts 1842-1909 Paris). Dimensions: block: 4 13/16 x 7 1/16 x 13/16 in. (12.2 x 17.9 x 2.1 cm). Date: 1891. Museum: Metropolitan Museum of Art, New York, USA.
Old-time mountain man with his pack pony loaded with furs. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-time-mountain-man-with-his-pack-pony-loaded-with-furs-hand-colored-28514226.html
RMBJAX56–Old-time mountain man with his pack pony loaded with furs. Hand-colored woodcut of a Frederic Remington illustration
The Rattlesnake, Modeled 1905, cast 1918. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rattlesnake-modeled-1905-cast-1918-image449093305.html
Fired On. oil on canvas. Date: 1907. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fired-on-oil-on-canvas-date-1907-museum-smithsonian-american-art-museum-image554749847.html
RM2R6F12F–Fired On. oil on canvas. Date: 1907. Museum: Smithsonian American Art Museum.
Captain Dodge leads black regiment to the rescue in the west. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-captain-dodge-leads-black-regiment-to-the-rescue-in-the-west-hand-17268217.html
RMB02HP1–Captain Dodge leads black regiment to the rescue in the west. Hand-colored woodcut of a Frederic Remington illustration
The Fire-Eater Slung His Victim Across His Pony, c. 1900. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fire-eater-slung-his-victim-across-his-pony-c-1900-image449093274.html
RM2H2HY1E–The Fire-Eater Slung His Victim Across His Pony, c. 1900.
The Advance Guard. watercolor. Date: ca. 1888. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-advance-guard-watercolor-date-ca-1888-museum-smithsonian-american-art-museum-image554799512.html
RM2R6H8C8–The Advance Guard. watercolor. Date: ca. 1888. Museum: Smithsonian American Art Museum.
Wagon train attacked by Indians on the Great Plains. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wagon-train-attacked-by-indians-on-the-great-plains-hand-colored-woodcut-13755828.html
RMAETPHW–Wagon train attacked by Indians on the Great Plains. Hand-colored woodcut of a Frederic Remington illustration
Fired On, 1907. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fired-on-1907-image426151059.html
RM2FN8T0K–Fired On, 1907.
Aiding a Comrade. Date/Period: 1890. Painting. Oil on canvas Oil on canvas. Height: 871.47 mm (34.30 in); Width: 1,222.50 mm (48.12 in). Author: Frederic Remington. Remington, Frederic Sackrider. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aiding-a-comrade-dateperiod-1890-painting-oil-on-canvas-oil-on-canvas-height-87147-mm-3430-in-width-122250-mm-4812-in-author-frederic-remington-remington-frederic-sackrider-image219743469.html
RMPNE511–Aiding a Comrade. Date/Period: 1890. Painting. Oil on canvas Oil on canvas. Height: 871.47 mm (34.30 in); Width: 1,222.50 mm (48.12 in). Author: Frederic Remington. Remington, Frederic Sackrider.
Cowboy riding a bucking horse. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cowboy-riding-a-bucking-horse-hand-colored-woodcut-of-a-frederic-remington-20334119.html
RMB528AF–Cowboy riding a bucking horse. Hand-colored woodcut of a Frederic Remington illustration
A Mexican Vaquero, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-mexican-vaquero-1890-image449093287.html
RM2H2HY1Y–A Mexican Vaquero, 1890.
The Cowboy. Date/Period: 1895/1899. Watercolor on paper. Width: 33 cm. Height: 44.5 cm (sheet). Author: Frederic Remington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cowboy-dateperiod-18951899-watercolor-on-paper-width-33-cm-height-445-cm-sheet-author-frederic-remington-image219743138.html
RMPNE4H6–The Cowboy. Date/Period: 1895/1899. Watercolor on paper. Width: 33 cm. Height: 44.5 cm (sheet). Author: Frederic Remington.
Register Rock, an Oregon Trail landmark in Idaho 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-register-rock-an-oregon-trail-landmark-in-idaho-1800s-hand-colored-17289693.html
RMB03H51–Register Rock, an Oregon Trail landmark in Idaho 1800s. Hand-colored woodcut of a Frederic Remington illustration
The Bronco Buster, Modeled 1909, cast 1912. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bronco-buster-modeled-1909-cast-1912-image449093300.html
The Hussar. Date/Period: 1893. Painting. Oil on canvas. Width: 58.4 cm. Height: 71.1 cm (without frame). Author: Frederic Remington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hussar-dateperiod-1893-painting-oil-on-canvas-width-584-cm-height-711-cm-without-frame-author-frederic-remington-image219712285.html
RMPNCN79–The Hussar. Date/Period: 1893. Painting. Oil on canvas. Width: 58.4 cm. Height: 71.1 cm (without frame). Author: Frederic Remington.
Scout signaling to a wagon train that water is found. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scout-signaling-to-a-wagon-train-that-water-is-found-hand-colored-17288733.html
RMB03FXN–Scout signaling to a wagon train that water is found. Hand-colored woodcut of a Frederic Remington illustration
Rushing Red Lodges Passed through the Line, c. 1900. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rushing-red-lodges-passed-through-the-line-c-1900-image449093289.html
RM2H2HY21–Rushing Red Lodges Passed through the Line, c. 1900.
The Lookout. Date/Period: 1887. Painting. Oil on canvas. Width: 55.7 cm. Height: 65.9 cm (without frame). Author: Frederic Remington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lookout-dateperiod-1887-painting-oil-on-canvas-width-557-cm-height-659-cm-without-frame-author-frederic-remington-image219701332.html
RMPNC784–The Lookout. Date/Period: 1887. Painting. Oil on canvas. Width: 55.7 cm. Height: 65.9 cm (without frame). Author: Frederic Remington.
Plains Indians killing white settlers cattle 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plains-indians-killing-white-settlers-cattle-1800s-hand-colored-woodcut-21711646.html
RMB791BX–Plains Indians killing white settlers cattle 1800s. Hand-colored woodcut of a Frederic Remington illustration
Coming Through the Rye (Over the Range), Modeled 1902, cast in bronze 1902/6. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coming-through-the-rye-over-the-range-modeled-1902-cast-in-bronze-19026-image449093292.html
RM2H2HY24–Coming Through the Rye (Over the Range), Modeled 1902, cast in bronze 1902/6.
Days on the Range ('Hands Up!'). Date/Period: 1900/1904. Painting. Oil on canvas. Width: 68.6 cm. Height: 101.6 cm (without frame). Author: Frederic Remington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/days-on-the-range-hands-up!-dateperiod-19001904-painting-oil-on-canvas-width-686-cm-height-1016-cm-without-frame-author-frederic-remington-image219715598.html
RMPNCWDJ–Days on the Range ('Hands Up!'). Date/Period: 1900/1904. Painting. Oil on canvas. Width: 68.6 cm. Height: 101.6 cm (without frame). Author: Frederic Remington.
Buffalo soldier drinking from his canteen on a desert march. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buffalo-soldier-drinking-from-his-canteen-on-a-desert-march-hand-colored-17268176.html
RMB02HMG–Buffalo soldier drinking from his canteen on a desert march. Hand-colored woodcut of a Frederic Remington illustration
Ceremony of the Fastest Horse, c. 1900. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceremony-of-the-fastest-horse-c-1900-image449093284.html
RM2H2HY1T–Ceremony of the Fastest Horse, c. 1900.
The Outlier. Date/Period: 1909. Painting. Oil on canvas. Height: 101.6 cm (40 in); Width: 68.8 cm (27 in). Author: Frederic Remington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-outlier-dateperiod-1909-painting-oil-on-canvas-height-1016-cm-40-in-width-688-cm-27-in-author-frederic-remington-image219736643.html
RMPNDT97–The Outlier. Date/Period: 1909. Painting. Oil on canvas. Height: 101.6 cm (40 in); Width: 68.8 cm (27 in). Author: Frederic Remington.
Comanche brave on horseback, 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-comanche-brave-on-horseback-1800s-hand-colored-woodcut-of-a-frederic-57678077.html
RMD9RCY9–Comanche brave on horseback, 1800s. Hand-colored woodcut of a Frederic Remington illustration
The Mexican Major, 1889. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mexican-major-1889-image449093308.html
RM2H2HY2M–The Mexican Major, 1889.
The Flight. Date/Period: 1895. Painting. Oil on canvas. Width: 84.3 cm. Height: 58.4 cm (without frame). Author: Frederic Remington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flight-dateperiod-1895-painting-oil-on-canvas-width-843-cm-height-584-cm-without-frame-author-frederic-remington-image219718100.html
RMPND0K0–The Flight. Date/Period: 1895. Painting. Oil on canvas. Width: 84.3 cm. Height: 58.4 cm (without frame). Author: Frederic Remington.
African American cowboy pulling a longhorn out of the mud. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-african-american-cowboy-pulling-a-longhorn-out-of-the-mud-hand-colored-12419734.html
RMA9PP4R–African American cowboy pulling a longhorn out of the mud. Hand-colored woodcut of a Frederic Remington illustration
The Scalp Lock, Modeled 1898, cast after 1916. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-scalp-lock-modeled-1898-cast-after-1916-image449093277.html
RM2H2HY1H–The Scalp Lock, Modeled 1898, cast after 1916.
Cowboy watching over a cattle herd at night 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cowboy-watching-over-a-cattle-herd-at-night-1800s-hand-colored-woodcut-16975213.html
RMAY303X–Cowboy watching over a cattle herd at night 1800s. Hand-colored woodcut of a Frederic Remington illustration
The Advance-Guard, or The Military Sacrifice (The Ambush), 1890. Three cavalry scouts—light-skinned men mounted on gleaming brown horses—among light-beige, arid mountains. The figure in the foreground has begun to to slump and seems poised to fall, his rifle on the ground, his horse agitated and alarmed. The others ride off in pursuit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-advance-guard-or-the-military-sacrifice-the-ambush-1890-three-cavalry-scoutsx2014light-skinned-men-mounted-on-gleaming-brown-horsesx2014among-light-beige-arid-mountains-the-figure-in-the-foreground-has-begun-to-to-slump-and-seems-poised-to-fall-his-rifle-on-the-ground-his-horse-agitated-and-alarmed-the-others-ride-off-in-pursuit-image449093298.html
RM2H2HY2A–The Advance-Guard, or The Military Sacrifice (The Ambush), 1890. Three cavalry scouts—light-skinned men mounted on gleaming brown horses—among light-beige, arid mountains. The figure in the foreground has begun to to slump and seems poised to fall, his rifle on the ground, his horse agitated and alarmed. The others ride off in pursuit.
Cowboy and his horse caught in a cattle stampede 1800s. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cowboy-and-his-horse-caught-in-a-cattle-stampede-1800s-hand-colored-image4497351.html
RMAEXRC8–Cowboy and his horse caught in a cattle stampede 1800s. Hand-colored woodcut of a Frederic Remington illustration
Dismounted: The Fourth Troopers Moving The Led Horses, 1890. The horses in Remington’s painting thunder towards us, kicking up clouds of dust. Chaos seems imminent, but this military maneuver is well practiced. In every group of troopers, three dismount to pursue the battle while the fourth leads the riderless steeds to safety. Each animal is distinctly different, but the mustachioed troopers look alike, all seemingly based on the same model. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dismounted-the-fourth-troopers-moving-the-led-horses-1890-the-horses-in-remingtonx2019s-painting-thunder-towards-us-kicking-up-clouds-of-dust-chaos-seems-imminent-but-this-military-maneuver-is-well-practiced-in-every-group-of-troopers-three-dismount-to-pursue-the-battle-while-the-fourth-leads-the-riderless-steeds-to-safety-each-animal-is-distinctly-different-but-the-mustachioed-troopers-look-alike-all-seemingly-based-on-the-same-model-image603646463.html
RM2X22D67–Dismounted: The Fourth Troopers Moving The Led Horses, 1890. The horses in Remington’s painting thunder towards us, kicking up clouds of dust. Chaos seems imminent, but this military maneuver is well practiced. In every group of troopers, three dismount to pursue the battle while the fourth leads the riderless steeds to safety. Each animal is distinctly different, but the mustachioed troopers look alike, all seemingly based on the same model.
The scout a frontiersman employed by US Army in the opening of the west. Color halftone of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-scout-a-frontiersman-employed-by-us-army-in-the-opening-of-the-17238754.html
RMB0185P–The scout a frontiersman employed by US Army in the opening of the west. Color halftone of a Frederic Remington illustration
The Old Dragoons of 1850, Modeled 1905, cast 1906/7. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-old-dragoons-of-1850-modeled-1905-cast-19067-image449093302.html
RM2H2HY2E–The Old Dragoons of 1850, Modeled 1905, cast 1906/7.
Plains Indian method of breaking a horse ridden by a boy while tethered by an adult. Hand-colored woodcut of a Frederic Remington illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plains-indian-method-of-breaking-a-horse-ridden-by-a-boy-while-tethered-13426833.html
RMADHRDP–Plains Indian method of breaking a horse ridden by a boy while tethered by an adult. Hand-colored woodcut of a Frederic Remington illustration
The Wounded Bunkie, 1896. A cavalryman attempts to help his wounded bunkmate to safety. The bullet hole visible in the bunkie’s chest and the animal skull lying on the ground suggest an unhappy ending to the story. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wounded-bunkie-1896-a-cavalryman-attempts-to-help-his-wounded-bunkmate-to-safety-the-bullet-hole-visible-in-the-bunkiex2019s-chest-and-the-animal-skull-lying-on-the-ground-suggest-an-unhappy-ending-to-the-story-image603646453.html
RM2X22D5W–The Wounded Bunkie, 1896. A cavalryman attempts to help his wounded bunkmate to safety. The bullet hole visible in the bunkie’s chest and the animal skull lying on the ground suggest an unhappy ending to the story.
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