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Pisanello - Allegory of Luxuria (recto) - c. 1426 Stock Photo
RMFPTNK7–Pisanello - Allegory of Luxuria (recto) - c. 1426
Recto of a silver denier from William the Conqueror, duke of Normandy and king of England. 11th century Stock Photo
RMGG2GCM–Recto of a silver denier from William the Conqueror, duke of Normandy and king of England. 11th century
Folio from a Shahnama (Book of kings) by Firdawsi; verso: Siyawush and Afrasiyab play polo; recto: text circa 1590-1600 Safavid period Ink, opaque watercolor and gold on paper Stock Photo
RMF7NB45–Folio from a Shahnama (Book of kings) by Firdawsi; verso: Siyawush and Afrasiyab play polo; recto: text circa 1590-1600 Safavid period Ink, opaque watercolor and gold on paper
codex 8.329, folio 3 recto, (Elisabeth, wife AlbrechtsI), former wrongly Eleanor. photograph, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMTRH9C0–codex 8.329, folio 3 recto, (Elisabeth, wife AlbrechtsI), former wrongly Eleanor. photograph, Additional-Rights-Clearance-Info-Not-Available
A night scene of Shiva puja (recto); Calligraphy (verso) by Muhammad Rizavi Hindi, circa 1670 Stock Photo
RM2BKY6GD–A night scene of Shiva puja (recto); Calligraphy (verso) by Muhammad Rizavi Hindi, circa 1670
Arabia: Very early Arabic Qur'anic calligraphy thought to date from the 2nd half of the 7th century CE. A single leaf (measuring 35.5 x 27.5 cm) of what is said to be a Hijazi Qur'an and to date from the second half of the 7th century CE. Recto. Stock Photo
RM2B00NAG–Arabia: Very early Arabic Qur'anic calligraphy thought to date from the 2nd half of the 7th century CE. A single leaf (measuring 35.5 x 27.5 cm) of what is said to be a Hijazi Qur'an and to date from the second half of the 7th century CE. Recto.
Mary Cassatt, In the Omnibus [recto], American, 1844 - 1926, c. 1891 Stock Photo
RMCX1M4K–Mary Cassatt, In the Omnibus [recto], American, 1844 - 1926, c. 1891
'''Femmes au puits. Esquisse III (recto) ; Vue du port de Saint-Tropez (verso)'', 1892, Paul Signac, Musée d'Orsay, Paris, France, Europe Stock Photo
RM2A2AXN4–'''Femmes au puits. Esquisse III (recto) ; Vue du port de Saint-Tropez (verso)'', 1892, Paul Signac, Musée d'Orsay, Paris, France, Europe
Orpheus and Eurydice (recto Stock Photo
RMRY79NG–Orpheus and Eurydice (recto
Greek Coins Emporium Drachma Found A Recto Stock Photo
RMCC49B8–Greek Coins Emporium Drachma Found A Recto
Charles Dickens, English Author Stock Photo
RF2DCD4D3–Charles Dickens, English Author
Michelangelo Buonarroti - Lamentation (recto) - c. 1530 Stock Photo
RMFPTNG5–Michelangelo Buonarroti - Lamentation (recto) - c. 1530
Recto of a silver denier from William the Conqueror (1027/28-1087), duke of Normandy (1035-1087) and king of England (1066-1087) 11th century France Stock Photo
RMGG29JN–Recto of a silver denier from William the Conqueror (1027/28-1087), duke of Normandy (1035-1087) and king of England (1066-1087) 11th century France
de impersonation Christi, codex 1576 folio 9 recto, full page: text with miniature: Thomas von Kempen in of his cubicle at a book writing, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMTRC840–de impersonation Christi, codex 1576 folio 9 recto, full page: text with miniature: Thomas von Kempen in of his cubicle at a book writing, Additional-Rights-Clearance-Info-Not-Available
Mary Cassatt, The Bath [recto], American, 1844 - 1926, 1891, graphite and black crayon Stock Photo
RMCX1JT6–Mary Cassatt, The Bath [recto], American, 1844 - 1926, 1891, graphite and black crayon
Orpheus and Eurydice (recto); Figure Studies (verso Stock Photo
RMRY79P7–Orpheus and Eurydice (recto); Figure Studies (verso
Leonardo da Vinci - Sheet of Studies (recto) - National Gallery of Art, Washington DC Stock Photo
RMG3PDHF–Leonardo da Vinci - Sheet of Studies (recto) - National Gallery of Art, Washington DC
Recto of a silver denier representing William the Conqueror (1027/28-1087), duke of Normandy (1035-1087) and king of England (1066-1087) 11th century France Stock Photo
RMHN2NEC–Recto of a silver denier representing William the Conqueror (1027/28-1087), duke of Normandy (1035-1087) and king of England (1066-1087) 11th century France
gastronomy, hotel, doorknob sign, recto, 'Please make up my room as soon as possible', Stock Photo
RMBHN9FM–gastronomy, hotel, doorknob sign, recto, 'Please make up my room as soon as possible',
Mary Cassatt, Susan on a Balcony Holding a Dog [recto], American, 1844 - 1926, c. 1883, graphite Stock Photo
RMCX1JRY–Mary Cassatt, Susan on a Balcony Holding a Dog [recto], American, 1844 - 1926, c. 1883, graphite
Tent (recto). Josef Platzer (Austrian, 1751-1806 Stock Photo
RMRY5RGC–Tent (recto). Josef Platzer (Austrian, 1751-1806
Leonardo da Vinci - Recto The layers of the scalp compared to an onion, and others Stock Photo
RMF6R3PN–Leonardo da Vinci - Recto The layers of the scalp compared to an onion, and others
Leaflet of the Algerian people's Party (P.P.A.), recto Stock Photo
RMCW5EK5–Leaflet of the Algerian people's Party (P.P.A.), recto
Alexander Robertson, Hudson River Landing [recto], American, 1772 - 1841, 1796, pen with gray and black ink on laid paper Stock Photo
RMCX1JM0–Alexander Robertson, Hudson River Landing [recto], American, 1772 - 1841, 1796, pen with gray and black ink on laid paper
Eyn new kunstlichboich, Titlepage (2 recto), 1529 Stock Photo
RMKC80R3–Eyn new kunstlichboich, Titlepage (2 recto), 1529
William BLake - The Last Trumpet (recto); Two studies of a right eye, a profile of an open mouthed young man, the head of an eagle, and the head of a lion (verso) Stock Photo
RMF3PKK7–William BLake - The Last Trumpet (recto); Two studies of a right eye, a profile of an open mouthed young man, the head of an eagle, and the head of a lion (verso)
Mather Brown, Bible Lesson [recto], American, 1761 - 1831, 1780/1790, pen and brown ink over graphite on laid paper Stock Photo
RMCX1JN3–Mather Brown, Bible Lesson [recto], American, 1761 - 1831, 1780/1790, pen and brown ink over graphite on laid paper
Lucidario di Recami, page 16 (recto), 1564 Stock Photo
RMKC8890–Lucidario di Recami, page 16 (recto), 1564
Mary Cassatt, The Loge [recto], American, 1844 - 1926, 1882, graphite (see also CX1M70) Stock Photo
RMCX1M59–Mary Cassatt, The Loge [recto], American, 1844 - 1926, 1882, graphite (see also CX1M70)
Schön Neues Modelbuch (Page 16 recto), 1597 Stock Photo
RMKC88W6–Schön Neues Modelbuch (Page 16 recto), 1597
Lucidario di Recami, page 2 (recto), 1564 Stock Photo
RMKC8897–Lucidario di Recami, page 2 (recto), 1564
Domestique paresseux, recto, orientalist photography, Hammerschmidt, W., 1860 Stock Photo
RMPR1HY4–Domestique paresseux, recto, orientalist photography, Hammerschmidt, W., 1860
Splendore delle virtuose giovani, page 11 (recto), 1564 Stock Photo
RMKC8888–Splendore delle virtuose giovani, page 11 (recto), 1564
Studio delle virtuose Dame, page 14 (recto), 1597 Stock Photo
RMKC7JK0–Studio delle virtuose Dame, page 14 (recto), 1597
Studio delle virtuose Dame, page 12 (recto), 1597 Stock Photo
RMKC7JJP–Studio delle virtuose Dame, page 12 (recto), 1597
Studio delle virtuose Dame, page 17 (recto), 1597 Stock Photo
RMKC7JK5–Studio delle virtuose Dame, page 17 (recto), 1597
Splendore delle virtuose giovani, page 15 (recto), 1564 Stock Photo
RMKC888H–Splendore delle virtuose giovani, page 15 (recto), 1564
Studio delle virtuose Dame, page 13 (recto), 1597 Stock Photo
RMKC7JJT–Studio delle virtuose Dame, page 13 (recto), 1597
Studio delle virtuose Dame, page 15 (recto), 1597 Stock Photo
RMKC7JK3–Studio delle virtuose Dame, page 15 (recto), 1597
Studio delle virtuose Dame, page 11 (recto), 1597 Stock Photo
RMKC7JJN–Studio delle virtuose Dame, page 11 (recto), 1597
Studio delle virtuose Dame, page 16 (recto), 1597 Stock Photo
RMKC7JK4–Studio delle virtuose Dame, page 16 (recto), 1597
Splendore delle virtuose giovani, page 13 (recto), 1564 Stock Photo
RMKC888D–Splendore delle virtuose giovani, page 13 (recto), 1564
Studio delle virtuose Dame, page 18 (recto), 1597 Stock Photo
RMKC7JK9–Studio delle virtuose Dame, page 18 (recto), 1597
Studio delle virtuose Dame, page 19 (recto), 1597 Stock Photo
RMKC7JKC–Studio delle virtuose Dame, page 19 (recto), 1597
Acropolis of Athens, page 1, recto, about 1865; Albumen silver print Stock Photo
RMPPYJ24–Acropolis of Athens, page 1, recto, about 1865; Albumen silver print
Ein new getruckt model Büchli...Page 26, recto, 1529 Stock Photo
RMKC80ND–Ein new getruckt model Büchli...Page 26, recto, 1529
Ein new getruckt model Büchli...Page 25, recto, 1529 Stock Photo
RMKC80NA–Ein new getruckt model Büchli...Page 25, recto, 1529
Gemma pretiosa della virtuose donne, page 6 (recto), (1625 Stock Photo
RMKC88F8–Gemma pretiosa della virtuose donne, page 6 (recto), (1625
Ein ney Furmbüchlein, Page 15, recto, ca. 1525–29 Stock Photo
RMKC88M7–Ein ney Furmbüchlein, Page 15, recto, ca. 1525–29
Ein ney Furmbüchlein, Page 14, recto, ca. 1525–29 Stock Photo
RMKC88M6–Ein ney Furmbüchlein, Page 14, recto, ca. 1525–29
Ein new getruckt model Büchli...Page 23, recto, 1529 Stock Photo
RMKC80MY–Ein new getruckt model Büchli...Page 23, recto, 1529
Pretiosa Gemma delle virtuose donne, page 29 (recto), 1600 Stock Photo
RMKC805E–Pretiosa Gemma delle virtuose donne, page 29 (recto), 1600
Trionfo Di Virtu. Libro Novo..., page 10 (recto), 1563 Stock Photo
RMKC80YB–Trionfo Di Virtu. Libro Novo..., page 10 (recto), 1563
Pretiosa Gemma delle virtuose donne, page 22 (recto), 1600 Stock Photo
RMKC8057–Pretiosa Gemma delle virtuose donne, page 22 (recto), 1600
Pretiosa Gemma delle virtuose donne, page 2 (recto), 1600 Stock Photo
RMKC804C–Pretiosa Gemma delle virtuose donne, page 2 (recto), 1600
Ein ney Furmbüchlein, Page 10, recto, ca. 1525–29 Stock Photo
RMKC88KW–Ein ney Furmbüchlein, Page 10, recto, ca. 1525–29
Ein new getruckt model Büchli...Page 20, recto, 1529 Stock Photo
RMKC80MC–Ein new getruckt model Büchli...Page 20, recto, 1529
Ein ney Furmbüchlein, Page 11, recto, ca. 1525–29 Stock Photo
RMKC88KY–Ein ney Furmbüchlein, Page 11, recto, ca. 1525–29
Pretiosa Gemma delle virtuose donne, page 25 (recto), 1600 Stock Photo
RMKC805A–Pretiosa Gemma delle virtuose donne, page 25 (recto), 1600
Pretiosa Gemma delle virtuose donne, page 24 (recto), 1600 Stock Photo
RMKC8059–Pretiosa Gemma delle virtuose donne, page 24 (recto), 1600
Ein ney Furmbüchlein, Page 17, recto, ca. 1525–29 Stock Photo
RMKC88MB–Ein ney Furmbüchlein, Page 17, recto, ca. 1525–29
Trionfo Di Virtu. Libro Novo..., page 7 (recto), 1563 Stock Photo
RMKC80Y2–Trionfo Di Virtu. Libro Novo..., page 7 (recto), 1563
Pretiosa Gemma delle virtuose donne, page 21 (recto), 1600 Stock Photo
RMKC8056–Pretiosa Gemma delle virtuose donne, page 21 (recto), 1600
Trionfo Di Virtu. Libro Novo..., title page (recto), 1563 Stock Photo
RMKC80X9–Trionfo Di Virtu. Libro Novo..., title page (recto), 1563
Pretiosa Gemma delle virtuose donne, page 27 (recto), 1600 Stock Photo
RMKC805C–Pretiosa Gemma delle virtuose donne, page 27 (recto), 1600
Ein ney Furmbüchlein, Page 16, recto, ca. 1525–29 Stock Photo
RMKC88M9–Ein ney Furmbüchlein, Page 16, recto, ca. 1525–29
Ein new getruckt model Büchli...Page 22, recto, 1529 Stock Photo
RMKC80MP–Ein new getruckt model Büchli...Page 22, recto, 1529
Pretiosa Gemma delle virtuose donne, page 20 (recto), 1600 Stock Photo
RMKC8054–Pretiosa Gemma delle virtuose donne, page 20 (recto), 1600
Ein new getruckt model Büchli...Page 2, recto, 1529 Stock Photo
RMKC80JN–Ein new getruckt model Büchli...Page 2, recto, 1529
Trionfo Di Virtu. Libro Novo..., page 9 (recto), 1563 Stock Photo
RMKC80Y8–Trionfo Di Virtu. Libro Novo..., page 9 (recto), 1563
Trionfo Di Virtu. Libro Novo..., page 6 (recto), 1563 Stock Photo
RMKC80XW–Trionfo Di Virtu. Libro Novo..., page 6 (recto), 1563
Pretiosa Gemma delle virtuose donne, page 26 (recto), 1600 Stock Photo
RMKC805B–Pretiosa Gemma delle virtuose donne, page 26 (recto), 1600
Convivio delle Belle Donne, page 4 (recto), August 1532 Stock Photo
RMKC8JF8–Convivio delle Belle Donne, page 4 (recto), August 1532
Trionfo Di Virtu. Libro Novo..., page 8 (recto), 1563 Stock Photo
RMKC80Y6–Trionfo Di Virtu. Libro Novo..., page 8 (recto), 1563
Ein ney Furmbüchlein, Page 13, recto, ca. 1525–29 Stock Photo
RMKC88M3–Ein ney Furmbüchlein, Page 13, recto, ca. 1525–29
Ein new getruckt model Büchli...Page 24, recto, 1529 Stock Photo
RMKC80N6–Ein new getruckt model Büchli...Page 24, recto, 1529
Ein ney Furmbüchlein, Page 12, recto, ca. 1525–29 Stock Photo
RMKC88M1–Ein ney Furmbüchlein, Page 12, recto, ca. 1525–29
Ein new getruckt model Büchli...Page 21, recto, 1529 Stock Photo
RMKC80MM–Ein new getruckt model Büchli...Page 21, recto, 1529
Pretiosa Gemma delle virtuose donne, page 23 (recto), 1600 Stock Photo
RMKC8058–Pretiosa Gemma delle virtuose donne, page 23 (recto), 1600
Pretiosa Gemma delle virtuose donne, page 28 (recto), 1600 Stock Photo
RMKC805D–Pretiosa Gemma delle virtuose donne, page 28 (recto), 1600
Designs for Ornamental Military Trophies (recto and verso), ca. 1540–70 Stock Photo
RMKC90NR–Designs for Ornamental Military Trophies (recto and verso), ca. 1540–70
Study for Vieille Italienne(recto); Drapery Study (verso), 1856 Stock Photo
RMKC9PRC–Study for Vieille Italienne(recto); Drapery Study (verso), 1856
Reconciliation of the Romans and the Sabines (recto) Venus Disarming Mars, Drapery Study (verso Stock Photo
RMRY59CA–Reconciliation of the Romans and the Sabines (recto) Venus Disarming Mars, Drapery Study (verso
Tent (recto); Two Sketches (verso). Josef Platzer (Austrian, 1751-1806 Stock Photo
RMRY5RGG–Tent (recto); Two Sketches (verso). Josef Platzer (Austrian, 1751-1806
Mounted bird, recto, Mounted bird, verso, about 1865; Albumen silver print Stock Photo
RMPPYHFM–Mounted bird, recto, Mounted bird, verso, about 1865; Albumen silver print
Italian Landscape with Trees (recto), Friedrich Salathé, 1815–21 Stock Photo
RMKC8FGR–Italian Landscape with Trees (recto), Friedrich Salathé, 1815–21
Mandarin; recto, collection of photographs of China and Southeast Asia, Afong, ca. 1860 Stock Photo
RMPR1HT2–Mandarin; recto, collection of photographs of China and Southeast Asia, Afong, ca. 1860
Study of Oak Trees (recto), Carl Wilhelm Kolbe, 1800 Stock Photo
RMKCB4F6–Study of Oak Trees (recto), Carl Wilhelm Kolbe, 1800
Recto: The Concert, Attributed to Johann Liss, early 17th century Stock Photo
RMKC9FPD–Recto: The Concert, Attributed to Johann Liss, early 17th century
Rustic Scene (recto); Landscape (verso), Anonymous, Italian, 17th century Stock Photo
RMKC9FJN–Rustic Scene (recto); Landscape (verso), Anonymous, Italian, 17th century
The Calumny of Apelles (recto), still image, Prints, 1519, Holbein, Ambrosius, 1494?-1518 Stock Photo
RM2CTFFH8–The Calumny of Apelles (recto), still image, Prints, 1519, Holbein, Ambrosius, 1494?-1518
Il Monte. Opera Nova di Recami, page 8 (recto), after 1557 Stock Photo
RMKC88D4–Il Monte. Opera Nova di Recami, page 8 (recto), after 1557
Il Monte. Opera Nova di Recami, title page (recto), after 1557 Stock Photo
RMKC88DE–Il Monte. Opera Nova di Recami, title page (recto), after 1557
Il Monte. Opera Nova di Recami, page 10 (recto), after 1557 Stock Photo
RMKC88D8–Il Monte. Opera Nova di Recami, page 10 (recto), after 1557
Bust of a Man with Long Beard (recto), Sodoma, 1477–1549 Stock Photo
RMKC900G–Bust of a Man with Long Beard (recto), Sodoma, 1477–1549
Sheet of Sketches (recto), 1819. Théodore Géricault (French, 1791-1824). Pen and ink Stock Photo
RMRY4X29–Sheet of Sketches (recto), 1819. Théodore Géricault (French, 1791-1824). Pen and ink
Unidentified, plan (recto) blank (verso), early to mid-16th century Stock Photo
RMKCA0XM–Unidentified, plan (recto) blank (verso), early to mid-16th century
Unidentified, plan (recto) blank (verso), early to mid-16th century Stock Photo
RMKCA0PW–Unidentified, plan (recto) blank (verso), early to mid-16th century
Mediterranean landscape (recto); Mountains (verso), Alexandre Calame, 1830–64 Stock Photo
RMKC8F55–Mediterranean landscape (recto); Mountains (verso), Alexandre Calame, 1830–64
The Apotheosis of Saint Mark (recto and verso), Pietro Roselli, 1700–1771 Stock Photo
RMKCA1XK–The Apotheosis of Saint Mark (recto and verso), Pietro Roselli, 1700–1771
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