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New Creative Relevant Search filters Pugnis Stock Photos and Images  (26) Narrow your search: Black & white Page 1 of 1 'Caught him with both arms round the waist, and threw him on the stage', c1890-c1909(?).Artist: Pugnis 'Caught him with both arms round the waist, and threw him on the stage', c1890-c1909(?).Artist: Pugnishttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caught-him-with-both-arms-round-the-waist-and-threw-him-on-the-stage-c1890-c1909artist-pugnis-image262768384.html Paris Opera Ballet principal dancer Hugo Marchand performs in a scene from Italian composer Cesare Pugni's La Esmeralda ballet as part of a gala concert given by the nominees of Benois de la Danse-2016 on the New Stage of the Bolshoi Theatre in Moscow, Russia, May 17, 2016. Sergei Bobylev/TASS Paris Opera Ballet principal dancer Hugo Marchand performs in a scene from Italian composer Cesare Pugni's La Esmeralda ballet as part of a gala concert given by the nominees of Benois de la Danse-2016 on the New Stage of the Bolshoi Theatre in Moscow, Russia, May 17, 2016. Sergei Bobylev/TASShttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paris-opera-ballet-principal-dancer-hugo-marchand-performs-in-a-scene-104361508.html Signor Pugni's ballet Eoline ou La dryade. No. 2, Mazurka d'extâse Signor Pugni's ballet Eoline ou La dryade. No. 2, Mazurka d'extâsehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/signor-pugnis-ballet-eoline-ou-la-dryade-no-2-mazurka-dextse-image403103106.html 'Dance', stage design for Cesare Pugni's ballet 'The Little Humpbacked Horse', 1912. Artist: Konstantin Korovin 'Dance', stage design for Cesare Pugni's ballet 'The Little Humpbacked Horse', 1912. Artist: Konstantin Korovinhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dance-stage-design-for-cesare-pugnis-ballet-the-little-humpbacked-image60237018.html Signor Pugni's ballet Eoline ou La dryade. No. 2, Mazurka d'extâse (NYPL b12149115-5191079) Signor Pugni's ballet Eoline ou La dryade. No. 2, Mazurka d'extâse (NYPL b12149115-5191079)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-signor-pugnis-ballet-eoline-ou-la-dryade-no-2-mazurka-dextse-nypl-170874723.html 'Lithograph of scenes by P. A. Grogoriev of scenes from the choreographer Marius Petipa (1811-1910) and the composer Cesare Pugni's (1803-1870) ballet The Pharaoh's Daughter.; 1885; The Divine Virginia - A Biography of Virginia Zucchi by Ivor Guest. Marcel Dekker, Inc. 1977; Pavel Anreievich Grigoriev (1840-1903); ' 'Lithograph of scenes by P. A. Grogoriev of scenes from the choreographer Marius Petipa (1811-1910) and the composer Cesare Pugni's (1803-1870) ballet The Pharaoh's Daughter.; 1885; The Divine Virginia - A Biography of Virginia Zucchi by Ivor Guest. Marcel Dekker, Inc. 1977; Pavel Anreievich Grigoriev (1840-1903); 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lithograph-of-scenes-by-p-a-grogoriev-of-scenes-from-the-choreographer-marius-petipa-1811-1910-and-the-composer-cesare-pugnis-1803-1870-ballet-the-pharaohs-daughter-1885-the-divine-virginia-a-biography-of-virginia-zucchi-by-ivor-guest-marcel-dekker-inc-1977-pavel-anreievich-grigoriev-1840-1903-image352540046.html Signor Pugni's ballet Eoline ou La dryade No 2, Mazurka d'extâse Full length, Grahn leaning back on Jules Perrot's left arm, his right arm is raised. Purchased with funds from the Committee for the Jerome Robbins Dance Division.; Signor Pugni's ballet Eoline ou La dryade. No. 2, Mazurka d'extâse. Signor Pugni's ballet Eoline ou La dryade No 2, Mazurka d'extâse Full length, Grahn leaning back on Jules Perrot's left arm, his right arm is raised. Purchased with funds from the Committee for the Jerome Robbins Dance Division.; Signor Pugni's ballet Eoline ou La dryade. No. 2, Mazurka d'extâse.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/signor-pugnis-ballet-eoline-ou-la-dryade-no-2-mazurka-dextase-full-length-grahn-leaning-back-on-jules-perrots-left-arm-his-right-arm-is-raised-purchased-with-funds-from-the-committee-for-the-jerome-robbins-dance-division-signor-pugnis-ballet-eoline-ou-la-dryade-no-2-mazurka-dextse-image339577651.html Narratio regionum indicarum per Hispanos quosdam devastatarum verissima . a-limentum uniusmcnfis, fufficeret,Hifpanusunusabfumebat. Etfichis malisfra&i, tantisq-, afflicti tormentis, & violenta tra£tatione,taIeshommes eccE!ononelTemifibs,cognofcere ccepcrunr. Etidcircoaliicibos, alii fuas faeminas & hberos in latebris abfcondebantralii vero,utgentem tam durae , & ternbilis convei fationis fugcrent, praeruptamontium quaerebant. Iberi autem non folum co!aphis,pugnis, &fce-leratisbacuiorumiclibuseoscxcipiebantj fed etiam violentasmanus ingu- 1N INDIIS P ATR ATjE* 31 in gubsrnatores civirarum inj; Narratio regionum indicarum per Hispanos quosdam devastatarum verissima . a-limentum uniusmcnfis, fufficeret,Hifpanusunusabfumebat. Etfichis malisfra&i, tantisq-, afflicti tormentis, & violenta tra£tatione,taIeshommes eccE!ononelTemifibs,cognofcere ccepcrunr. Etidcircoaliicibos, alii fuas faeminas & hberos in latebris abfcondebantralii vero,utgentem tam durae , & ternbilis convei fationis fugcrent, praeruptamontium quaerebant. Iberi autem non folum co!aphis,pugnis, &fce-leratisbacuiorumiclibuseoscxcipiebantj fed etiam violentasmanus ingu- 1N INDIIS P ATR ATjE* 31 in gubsrnatores civirarum inj;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/narratio-regionum-indicarum-per-hispanos-quosdam-devastatarum-verissima-a-limentum-uniusmcnfis-fufficerethifpanusunusabfumebat-etfichis-malisfrai-tantisq-afflicti-tormentis-violenta-tratationetaieshommes-ecce!ononeltemifibscognofcere-ccepcrunr-etidcircoaliicibos-alii-fuas-faeminas-hberos-in-latebris-abfcondebantralii-veroutgentem-tam-durae-ternbilis-convei-fationis-fugcrent-praeruptamontium-quaerebant-iberi-autem-non-folum-co!aphispugnis-fce-leratisbacuiorumiclibuseoscxcipiebantj-fed-etiam-violentasmanus-ingu-1n-indiis-p-atr-atje-31-in-gubsrnatores-civirarum-inj-image342721902.html 'He caught Tom a smack under the chin', late 19th or early 20th century.Artist: Pugnis 'He caught Tom a smack under the chin', late 19th or early 20th century.Artist: Pugnishttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/he-caught-tom-a-smack-under-the-chin-late-19th-or-early-20th-centuryartist-pugnis-image262768396.html Paris Opera Ballet principal dancers Hugo Marchand (L) and Hannah O'Neill perform in a scene from Italian composer Cesare Pugni's La Esmeralda ballet as part of a gala concert given by the nominees of Benois de la Danse-2016 on the New Stage of the Bolshoi Theatre in Moscow, Russia, May 17, 2016. Sergei Bobylev/TASS Paris Opera Ballet principal dancers Hugo Marchand (L) and Hannah O'Neill perform in a scene from Italian composer Cesare Pugni's La Esmeralda ballet as part of a gala concert given by the nominees of Benois de la Danse-2016 on the New Stage of the Bolshoi Theatre in Moscow, Russia, May 17, 2016. Sergei Bobylev/TASShttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paris-opera-ballet-principal-dancers-hugo-marchand-l-and-hannah-oneill-104362508.html MOSCOW, RUSSIA. MARCH 23, 2016. Bolshoi researcher Anastasia Belevich shows a dress worn by ballet dancer Anna Sobeshchanskaya in the Bolshoi Theatre's production of Cesare Pugni's ballet The Little Humpbacked Horse, or The Tsar Maiden. On 28 March 2016, the Bolshoi is to celebrate its 240th birthday. On 28 March 1776, Empress Catherine II of Russia granted Prince Pyotr Urusov, owner of a private theatre, the 'privilege' of organizing theatre performances, masquerades, balls and other forms of entertainment for a period of ten years. This date is considered to be the official birthday of the B MOSCOW, RUSSIA. MARCH 23, 2016. Bolshoi researcher Anastasia Belevich shows a dress worn by ballet dancer Anna Sobeshchanskaya in the Bolshoi Theatre's production of Cesare Pugni's ballet The Little Humpbacked Horse, or The Tsar Maiden. On 28 March 2016, the Bolshoi is to celebrate its 240th birthday. On 28 March 1776, Empress Catherine II of Russia granted Prince Pyotr Urusov, owner of a private theatre, the 'privilege' of organizing theatre performances, masquerades, balls and other forms of entertainment for a period of ten years. This date is considered to be the official birthday of the Bhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-moscow-russia-march-23-2016-bolshoi-researcher-anastasia-belevich-101149704.html 'English: The ballerina Lyubov Egorova (1880-1972) costumed for the danseur Pavel Gerdt's (1844-1917) revival of the Ballet master Marius Petipa (1818-1910) and the composer Cesare Pugni's (1803-1870) ballet Le Dahlia Bleu.; 1905; The Great Russian Dancers by Gennady Smakov; Unknown photographer of the photography studio of the Imperial Mariinsky Theatre. St. Petersburg, Russian Empire.; ' 'English: The ballerina Lyubov Egorova (1880-1972) costumed for the danseur Pavel Gerdt's (1844-1917) revival of the Ballet master Marius Petipa (1818-1910) and the composer Cesare Pugni's (1803-1870) ballet Le Dahlia Bleu.; 1905; The Great Russian Dancers by Gennady Smakov; Unknown photographer of the photography studio of the Imperial Mariinsky Theatre. St. Petersburg, Russian Empire.; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-ballerina-lyubov-egorova-1880-1972-costumed-for-the-danseur-pavel-gerdts-1844-1917-revival-of-the-ballet-master-marius-petipa-1818-1910-and-the-composer-cesare-pugnis-1803-1870-ballet-le-dahlia-bleu-1905-the-great-russian-dancers-by-gennady-smakov-unknown-photographer-of-the-photography-studio-of-the-imperial-mariinsky-theatre-st-petersburg-russian-empire-image352451559.html . Mikrokósmos = Paruus mundus. InpatierHta veflrapojfidehitis dnimas vcjlras. Luc£.21. QVanta viriquondamfaerit padentiadodiSocratisj hoc ie6to carmi ne doclus eris«Vxoreshabuiileduasnarraturineptas, Lumine La^fapriorHppafecundafuit.Aquibusiilemodistepeefttradlatusiniquis, Verberat harc pugnis, trudic &: i!la pede.Exiiienlque domum mifereed con(perfus vrina, Afflidl:uvarijs& finefinemalis.Egrcgieque iocummadidus tunc addiditiflum, Fofttonitru,dicens, nimbusadeflefolet.Vtque f oret duris vir tus exercita rebus,Has voiuit ftudio (emper haberc Cibu LAERriVS IN VITA DIOGBNIS, i^. Omne donum optimt . Mikrokósmos = Paruus mundus. InpatierHta veflrapojfidehitis dnimas vcjlras. Luc£.21. QVanta viriquondamfaerit padentiadodiSocratisj hoc ie6to carmi ne doclus eris«Vxoreshabuiileduasnarraturineptas, Lumine La^fapriorHppafecundafuit.Aquibusiilemodistepeefttradlatusiniquis, Verberat harc pugnis, trudic &: i!la pede.Exiiienlque domum mifereed con(perfus vrina, Afflidl:uvarijs& finefinemalis.Egrcgieque iocummadidus tunc addiditiflum, Fofttonitru,dicens, nimbusadeflefolet.Vtque f oret duris vir tus exercita rebus,Has voiuit ftudio (emper haberc Cibu LAERriVS IN VITA DIOGBNIS, i^. Omne donum optimthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mikroksmos-=-paruus-mundus-inpatierhta-veflrapojfidehitis-dnimas-vcjlras-luc21-qvanta-viriquondamfaerit-padentiadodisocratisj-hoc-ie6to-carmi-ne-doclus-erisvxoreshabuiileduasnarraturineptas-lumine-lafapriorhppafecundafuitaquibusiilemodistepeefttradlatusiniquis-verberat-harc-pugnis-trudic-i!la-pedeexiiienlque-domum-mifereed-conperfus-vrina-afflidluvarijs-finefinemalisegrcgieque-iocummadidus-tunc-addiditiflum-fofttonitrudicens-nimbusadeflefoletvtque-f-oret-duris-vir-tus-exercita-rebushas-voiuit-ftudio-emper-haberc-cibu-laerrivs-in-vita-diogbnis-i-omne-donum-optimt-image370428875.html 'Sent Bob down on his hands and knees', late 19th or early 20th century.Artist: Pugnis 'Sent Bob down on his hands and knees', late 19th or early 20th century.Artist: Pugnishttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sent-bob-down-on-his-hands-and-knees-late-19th-or-early-20th-centuryartist-pugnis-image262768389.html 'English: Photo of the Italian ballerina Virginia Zucchi (1847-1930) costumed for the title role of the choreographer Marius Petipa's (1818-1910) revival of the choreographer Jules Perrot (1810-1892) and the composer Cesare Pugni's (1803-1870) ballet La Esmeralda, 1886.; 1886; The Divine Virginia - A Biography of Virginia Zucchi by Ivor Guest. Marcel Dekker, Inc. 1977; Unknown photographer of the photography department of the Imperial Mariinsky Theatre. St. Petersburg, Russian Empire.; ' 'English: Photo of the Italian ballerina Virginia Zucchi (1847-1930) costumed for the title role of the choreographer Marius Petipa's (1818-1910) revival of the choreographer Jules Perrot (1810-1892) and the composer Cesare Pugni's (1803-1870) ballet La Esmeralda, 1886.; 1886; The Divine Virginia - A Biography of Virginia Zucchi by Ivor Guest. Marcel Dekker, Inc. 1977; Unknown photographer of the photography department of the Imperial Mariinsky Theatre. St. Petersburg, Russian Empire.; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-photo-of-the-italian-ballerina-virginia-zucchi-1847-1930-costumed-for-the-title-role-of-the-choreographer-marius-petipas-1818-1910-revival-of-the-choreographer-jules-perrot-1810-1892-and-the-composer-cesare-pugnis-1803-1870-ballet-la-esmeralda-1886-1886-the-divine-virginia-a-biography-of-virginia-zucchi-by-ivor-guest-marcel-dekker-inc-1977-unknown-photographer-of-the-photography-department-of-the-imperial-mariinsky-theatre-st-petersburg-russian-empire-image352479366.html Pictura loquens; sive Heroicarum tabularum Hadriani Schoonebeeck enarratio et explicatio . cognatione conjurxStus ac«ccdit. Nepos> iapraefation.lib. XXXVf. 141 P I C T U R A XXXVI.. A N N A, firorem lugens. AVdvt exanimis, trepidoque exterrita curfu,Unguibusor4/bror/ci»^«f,& peftora pugnis,Per medios ruit, ac morientem nomini clamat: Hoc illud germana fuitf me f raude petebas ?Hocrogus iflemihi, hocignes araquepjrubum iQttid primum defertaquerarkomitemne fororemsSprevifti moriens ? eadem me ad fata vocafles;Idemambas ferro dolor atque eadem hora tuliflet;His etiam ftruxi manibus, patriosque Pictura loquens; sive Heroicarum tabularum Hadriani Schoonebeeck enarratio et explicatio . cognatione conjurxStus ac«ccdit. Nepos> iapraefation.lib. XXXVf. 141 P I C T U R A XXXVI.. A N N A, firorem lugens. AVdvt exanimis, trepidoque exterrita curfu,Unguibusor4/bror/ci»^«f,& peftora pugnis,Per medios ruit, ac morientem nomini clamat: Hoc illud germana fuitf me f raude petebas ?Hocrogus iflemihi, hocignes araquepjrubum iQttid primum defertaquerarkomitemne fororemsSprevifti moriens ? eadem me ad fata vocafles;Idemambas ferro dolor atque eadem hora tuliflet;His etiam ftruxi manibus, patriosquehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pictura-loquens-sive-heroicarum-tabularum-hadriani-schoonebeeck-enarratio-et-explicatio-cognatione-conjurxstus-acccdit-neposgt-iapraefationlib-xxxvf-141-p-i-c-t-u-r-a-xxxvi-a-n-n-a-firorem-lugens-avdvt-exanimis-trepidoque-exterrita-curfuunguibusor4brorcif-peftora-pugnisper-medios-ruit-ac-morientem-nomini-clamat-hoc-illud-germana-fuitf-me-f-raude-petebas-hocrogus-iflemihi-hocignes-araquepjrubum-iqttid-primum-defertaquerarkomitemne-fororemssprevifti-moriens-eadem-me-ad-fata-vocaflesidemambas-ferro-dolor-atque-eadem-hora-tuliflethis-etiam-ftruxi-manibus-patriosque-image339996179.html 'The fight between Tom Spring and Bill Neat', 1823 (late 19th or early 20th century).Artist: Pugnis 'The fight between Tom Spring and Bill Neat', 1823 (late 19th or early 20th century).Artist: Pugnishttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fight-between-tom-spring-and-bill-neat-1823-late-19th-or-early-20th-centuryartist-pugnis-image262768387.html 'English: Photo of the ballerina Sofia Fedorova (1879-1963) costumed as the slave Hita with unidentified children in the choreographer Alexander Gorsky's (1871-1924) revival of the choreographer Marius Petipa (1818-1910) and the composer Cesare Pugni's (1902-1870) ballet The Pharaoh's Daughter.; 1909; The Great Russian Dancers by Gennady Smakov. Knapf, 1984. First uploadeded in enwiki by w:en:User:Mrlopez2681. See upload log; Unknown photographer of the photography studio of the Imperial Bolshoi Theatre of Moscow, Russian Empire; ' 'English: Photo of the ballerina Sofia Fedorova (1879-1963) costumed as the slave Hita with unidentified children in the choreographer Alexander Gorsky's (1871-1924) revival of the choreographer Marius Petipa (1818-1910) and the composer Cesare Pugni's (1902-1870) ballet The Pharaoh's Daughter.; 1909; The Great Russian Dancers by Gennady Smakov. Knapf, 1984. First uploadeded in enwiki by w:en:User:Mrlopez2681. See upload log; Unknown photographer of the photography studio of the Imperial Bolshoi Theatre of Moscow, Russian Empire; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-photo-of-the-ballerina-sofia-fedorova-1879-1963-costumed-as-the-slave-hita-with-unidentified-children-in-the-choreographer-alexander-gorskys-1871-1924-revival-of-the-choreographer-marius-petipa-1818-1910-and-the-composer-cesare-pugnis-1902-1870-ballet-the-pharaohs-daughter-1909-the-great-russian-dancers-by-gennady-smakov-knapf-1984-first-uploadeded-in-enwiki-by-wenusermrlopez2681-see-upload-log-unknown-photographer-of-the-photography-studio-of-the-imperial-bolshoi-theatre-of-moscow-russian-empire-image352539968.html 'The first battle between John Gully and Bob Gregson', 1807 (late 19th or early 20th century.Artist: Pugnis 'The first battle between John Gully and Bob Gregson', 1807 (late 19th or early 20th century.Artist: Pugnishttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-first-battle-between-john-gully-and-bob-gregson-1807-late-19th-or-early-20th-centuryartist-pugnis-image262768393.html 'English: Photo of dancers in the choreographer Marius Petipa's (1818-1910) 1895 revival of the choreographer Arthur Saint-Léon (1821-1870) and the composer Cesare Pugni's (1803-1870) 1864 ballet The Little Humpbacked Horse. This photo shows a tableau of ballerinas in the Grand pas des nereids from the ballet's second act.; 1895; Мариус Петипа. Материалы. Воспоминания. Статьи, Л., 1971. (Marius Petipa. Materials, Recollections, Articles).; Unknown photographer of the Imperial Mariinsky Theatre. St. Petersburg, Russian Empire.; ' 'English: Photo of dancers in the choreographer Marius Petipa's (1818-1910) 1895 revival of the choreographer Arthur Saint-Léon (1821-1870) and the composer Cesare Pugni's (1803-1870) 1864 ballet The Little Humpbacked Horse. This photo shows a tableau of ballerinas in the Grand pas des nereids from the ballet's second act.; 1895; Мариус Петипа. Материалы. Воспоминания. Статьи, Л., 1971. (Marius Petipa. Materials, Recollections, Articles).; Unknown photographer of the Imperial Mariinsky Theatre. St. Petersburg, Russian Empire.; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-photo-of-dancers-in-the-choreographer-marius-petipas-1818-1910-1895-revival-of-the-choreographer-arthur-saint-lon-1821-1870-and-the-composer-cesare-pugnis-1803-1870-1864-ballet-the-little-humpbacked-horse-this-photo-shows-a-tableau-of-ballerinas-in-the-grand-pas-des-nereids-from-the-ballets-second-act-1895-1971-marius-petipa-materials-recollections-articles-unknown-photographer-of-the-imperial-mariinsky-theatre-st-petersburg-russian-empire-image352539791.html 'The second fight between Harry Paulson and Tom Paddock', 1851 (late 19th or early 20th century).Artist: Pugnis 'The second fight between Harry Paulson and Tom Paddock', 1851 (late 19th or early 20th century).Artist: Pugnishttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-second-fight-between-harry-paulson-and-tom-paddock-1851-late-19th-or-early-20th-centuryartist-pugnis-image262768388.html 'Photo of the ballerina Julia Nikolaevna Sedova (1880-1969) costumed for the role of the Princess Aspicia in the choreographer Marius Petipa (1811-1910) and composer Cesare Pugni's (1802-1870) 1862 ballet The Pharaoh's Daughter.; circa 1905 date QS:P,+1905-00-00T00:00:00Z/9,P1480,Q5727902; Photo scanned from the 2nd edition of the book Ballet: An Illustrated History by Mary Clarke and Clement Crisp. Penguin Group, 1992.; Unknown photographer of the photography department of the Imperial Mariinsky Theatre. St. Petersburg, Russian Empire.; ' 'Photo of the ballerina Julia Nikolaevna Sedova (1880-1969) costumed for the role of the Princess Aspicia in the choreographer Marius Petipa (1811-1910) and composer Cesare Pugni's (1802-1870) 1862 ballet The Pharaoh's Daughter.; circa 1905 date QS:P,+1905-00-00T00:00:00Z/9,P1480,Q5727902; Photo scanned from the 2nd edition of the book Ballet: An Illustrated History by Mary Clarke and Clement Crisp. Penguin Group, 1992.; Unknown photographer of the photography department of the Imperial Mariinsky Theatre. St. Petersburg, Russian Empire.; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photo-of-the-ballerina-julia-nikolaevna-sedova-1880-1969-costumed-for-the-role-of-the-princess-aspicia-in-the-choreographer-marius-petipa-1811-1910-and-composer-cesare-pugnis-1802-1870-1862-ballet-the-pharaohs-daughter-circa-1905-date-qsp1905-00-00t000000z9p1480q5727902-photo-scanned-from-the-2nd-edition-of-the-book-ballet-an-illustrated-history-by-mary-clarke-and-clement-crisp-penguin-group-1992-unknown-photographer-of-the-photography-department-of-the-imperial-mariinsky-theatre-st-petersburg-russian-empire-image352539972.html 'Photographic postcard of Mathilde Felixovna Kschessinskaya (1872-1971), Soloist to His Imperial Majesty and Prima ballerina of the St. Petersburg Imperial Theatres. She is costumed for the title role in a revival of choreographer Jules Perrot (1810-1892) and composer Cesare Pugni's (1802-1870) ballet La Esmeralda, circa December 1898.; 1899 or the end of 1898 (the ballet La Esmeralda was presented in a revival by Marius Petipa on December 3 (O.S. November 21), 1898 at the Imperial Mariinsky Theatre, mounted especially for Kschessinskaya.); I (MrLopez2681) scanned the photo from the book The G 'Photographic postcard of Mathilde Felixovna Kschessinskaya (1872-1971), Soloist to His Imperial Majesty and Prima ballerina of the St. Petersburg Imperial Theatres. She is costumed for the title role in a revival of choreographer Jules Perrot (1810-1892) and composer Cesare Pugni's (1802-1870) ballet La Esmeralda, circa December 1898.; 1899 or the end of 1898 (the ballet La Esmeralda was presented in a revival by Marius Petipa on December 3 (O.S. November 21), 1898 at the Imperial Mariinsky Theatre, mounted especially for Kschessinskaya.); I (MrLopez2681) scanned the photo from the book The Ghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographic-postcard-of-mathilde-felixovna-kschessinskaya-1872-1971-soloist-to-his-imperial-majesty-and-prima-ballerina-of-the-st-petersburg-imperial-theatres-she-is-costumed-for-the-title-role-in-a-revival-of-choreographer-jules-perrot-1810-1892-and-composer-cesare-pugnis-1802-1870-ballet-la-esmeralda-circa-december-1898-1899-or-the-end-of-1898-the-ballet-la-esmeralda-was-presented-in-a-revival-by-marius-petipa-on-december-3-os-november-21-1898-at-the-imperial-mariinsky-theatre-mounted-especially-for-kschessinskaya-i-mrlopez2681-scanned-the-photo-from-the-book-the-g-image352530442.html 'English: Photo of a scene from the choreographer Marius Petipa (1818-1910) & the composer Cesare Pugni's (1803-1870) 1862 ballet The Pharaoh's Daughter. The photo shows the Grand pas des chasseresses from Act I of the ballet on the stage of the Imperial Mariinsky Theatre in Petipa's revival of 1898. In the center can be seen the ballerinas (right) Mathilde Kschessinskaya (1871-1970) in the role of the Princess Aspicia, and (left) Olga Preobrajenskaya (1871-1962) in the role of the slave Ramzé.; 1898; Мариус Петипа. Материалы. Воспоминания. Статьи, 1971. (Marius Petipa. Materials. Recollectio 'English: Photo of a scene from the choreographer Marius Petipa (1818-1910) & the composer Cesare Pugni's (1803-1870) 1862 ballet The Pharaoh's Daughter. The photo shows the Grand pas des chasseresses from Act I of the ballet on the stage of the Imperial Mariinsky Theatre in Petipa's revival of 1898. In the center can be seen the ballerinas (right) Mathilde Kschessinskaya (1871-1970) in the role of the Princess Aspicia, and (left) Olga Preobrajenskaya (1871-1962) in the role of the slave Ramzé.; 1898; Мариус Петипа. Материалы. Воспоминания. Статьи, 1971. (Marius Petipa. Materials. Recollectiohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-photo-of-a-scene-from-the-choreographer-marius-petipa-1818-1910-the-composer-cesare-pugnis-1803-1870-1862-ballet-the-pharaohs-daughter-the-photo-shows-the-grand-pas-des-chasseresses-from-act-i-of-the-ballet-on-the-stage-of-the-imperial-mariinsky-theatre-in-petipas-revival-of-1898-in-the-center-can-be-seen-the-ballerinas-right-mathilde-kschessinskaya-1871-1970-in-the-role-of-the-princess-aspicia-and-left-olga-preobrajenskaya-1871-1962-in-the-role-of-the-slave-ramz-1898-1971-marius-petipa-materials-recollectio-image352540045.html 'Photographic postcard of Mathilde Felixovna Kschessinskaya (1872-1971), Soloist to His Imperial Majesty and Prima ballerina of the St. Petersburg Imperial Theatres. She is costumed as the Princess Aspicia in the Grand pas des chasseresses from act I of the choreographer Marius Petipa (1811-1910) and composer Cesare Pugni's (1802-1870) ballet The Pharaoh's Daughter.; between 1898 and 1899 date QS:P,+1898-00-00T00:00:00Z/8,P1319,+1898-00-00T00:00:00Z/9,P1326,+1899-00-00T00:00:00Z/9; I (MrLopez2681) scanned the photo from the book The Great Russian Dancers by Gennady Smakov. Knapf. 1984.; Unknow 'Photographic postcard of Mathilde Felixovna Kschessinskaya (1872-1971), Soloist to His Imperial Majesty and Prima ballerina of the St. Petersburg Imperial Theatres. She is costumed as the Princess Aspicia in the Grand pas des chasseresses from act I of the choreographer Marius Petipa (1811-1910) and composer Cesare Pugni's (1802-1870) ballet The Pharaoh's Daughter.; between 1898 and 1899 date QS:P,+1898-00-00T00:00:00Z/8,P1319,+1898-00-00T00:00:00Z/9,P1326,+1899-00-00T00:00:00Z/9; I (MrLopez2681) scanned the photo from the book The Great Russian Dancers by Gennady Smakov. Knapf. 1984.; Unknowhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographic-postcard-of-mathilde-felixovna-kschessinskaya-1872-1971-soloist-to-his-imperial-majesty-and-prima-ballerina-of-the-st-petersburg-imperial-theatres-she-is-costumed-as-the-princess-aspicia-in-the-grand-pas-des-chasseresses-from-act-i-of-the-choreographer-marius-petipa-1811-1910-and-composer-cesare-pugnis-1802-1870-ballet-the-pharaohs-daughter-between-1898-and-1899-date-qsp1898-00-00t000000z8p13191898-00-00t000000z9p13261899-00-00t000000z9-i-mrlopez2681-scanned-the-photo-from-the-book-the-great-russian-dancers-by-gennady-smakov-knapf-1984-unknow-image352539985.html 'Lithograph depicting an 1851 performance on the outdoor stage of Peterhof - St. Petersburg, Russian Empire - of the choreographer Jules Perrot (1810-1892) and the composer Cesare Pugni's (1802-1870) ballet La Naïade et le pêcheur (a.k.a. Ondine, ou La Naïade). The performance was given in celebration of the birthday of the Grand Duchess Olga Nicolaevna (1822-1892); circa 1851 date QS:P,+1851-00-00T00:00:00Z/9,P1480,Q5727902; Scanned from the book Ballet Art: From the Renaissance to the Present by Mary Clark and Clement Crisp. Published by Clarkson N. Potter, Inc. 1978.; Adolf Charlamagne (182 'Lithograph depicting an 1851 performance on the outdoor stage of Peterhof - St. Petersburg, Russian Empire - of the choreographer Jules Perrot (1810-1892) and the composer Cesare Pugni's (1802-1870) ballet La Naïade et le pêcheur (a.k.a. Ondine, ou La Naïade). The performance was given in celebration of the birthday of the Grand Duchess Olga Nicolaevna (1822-1892); circa 1851 date QS:P,+1851-00-00T00:00:00Z/9,P1480,Q5727902; Scanned from the book Ballet Art: From the Renaissance to the Present by Mary Clark and Clement Crisp. Published by Clarkson N. Potter, Inc. 1978.; Adolf Charlamagne (182https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lithograph-depicting-an-1851-performance-on-the-outdoor-stage-of-peterhof-st-petersburg-russian-empire-of-the-choreographer-jules-perrot-1810-1892-and-the-composer-cesare-pugnis-1802-1870-ballet-la-naade-et-le-pcheur-aka-ondine-ou-la-naade-the-performance-was-given-in-celebration-of-the-birthday-of-the-grand-duchess-olga-nicolaevna-1822-1892-circa-1851-date-qsp1851-00-00t000000z9p1480q5727902-scanned-from-the-book-ballet-art-from-the-renaissance-to-the-present-by-mary-clark-and-clement-crisp-published-by-clarkson-n-potter-inc-1978-adolf-charlamagne-182-image352537214.html Recent searches: Search Results for Pugnis Stock Photos and Images  (26) Page 1 of 1 1