PLATE 4. The Invention of Book Printing. Fourth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men working at the book mill. In the background a man prepares paper for printing in the press depicted on the right. In the center of the foreground a young boy lays out the newly printed paper for proof-reading. On the left workers set type to be printed.
PLATE 4. The Invention of Book Printing. Fourth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men working at the book mill. In the background a man prepares paper for printing in the press depicted on the right. In the center of the foreground a young boy lays out the newly printed paper for proof-reading. On the left workers set type to be printed. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-4-the-invention-of-book-printing-fourth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-men-working-at-the-book-mill-in-the-background-a-man-prepares-paper-for-printing-in-the-press-depicted-on-the-right-in-the-center-of-the-foreground-a-young-boy-lays-out-the-newly-printed-paper-for-proof-reading-on-the-left-workers-set-type-to-be-printed-image246613987.html
Drawings and Prints, Book Print Ornament & Architecture, Miscellany of 17th-century Ornament Print Series: Examples of Antique
Drawings and Prints, Book Print Ornament & Architecture, Miscellany of 17th-century Ornament Print Series: Examples of Antique https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-drawings-and-prints-book-print-ornament-architecture-miscellany-of-162409402.html
Art inspired by Drawings and Prints, Book Print Ornament & Architecture, Miscellany of 17th-century Ornament Print Series: Examples of Antique, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Drawings and Prints, Book Print Ornament & Architecture, Miscellany of 17th-century Ornament Print Series: Examples of Antique, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-drawings-and-prints-book-print-ornament-architecture-miscellany-of-17th-century-ornament-print-series-examples-of-antique-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463048905.html
Certificate Template - Fill & Print Series
Certificate Template - Fill & Print Series https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/certificate-template-fill-print-series-image64489392.html
events, Second Boer War 1899 - 1902, Boer Artillery, print, 1900, series 'La Guerre de Transvaal', published by Marcel Vance et ses fils, Pont-a-Mousson, France, ,
events, Second Boer War 1899 - 1902, Boer Artillery, print, 1900, series 'La Guerre de Transvaal', published by Marcel Vance et ses fils, Pont-a-Mousson, France, , https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/events-second-boer-war-1899-1902-boer-artillery-print-1900-series-image8048114.html
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of a basilica (?), likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Ant
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of a basilica (?), likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Ant https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-dimensions-plate-7-1116-x-6-in-196-x-152-cm-date-ca-1572-vertical-plate-with-a-side-view-of-the-ruins-of-a-basilica-likely-based-on-an-in-situ-observation-of-the-structure-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-is-a-print-series-published-by-gerard-de-jode-containing-depictions-of-buildings-from-classical-ant-image213261397.html
Author: Charles Soulier. Paris Fire (Enter the Grand Staircase) - May 1871 - Charles Soulier French, 1840'1875. Albumen print, from the series 'Paris
Author: Charles Soulier. Paris Fire (Enter the Grand Staircase) - May 1871 - Charles Soulier French, 1840'1875. Albumen print, from the series 'Paris https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/author-charles-soulier-paris-fire-enter-the-grand-staircase-may-1871-charles-soulier-french-18401875-albumen-print-from-the-series-paris-image360090717.html
Hokusai. Print entitled Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse by the Japanese artist and printmaker, Katsushika Hokusai (葛飾 北斎, c. 1760-1849), color woodblock print, c. 1835/6
Hokusai. Print entitled Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse by the Japanese artist and printmaker, Katsushika Hokusai (葛飾 北斎, c. 1760-1849), color woodblock print, c. 1835/6 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hokusai-print-entitled-tenji-tenno-the-emperor-tenji-first-poet-in-the-series-one-hundred-poems-by-one-hundred-poets-explained-by-the-nurse-by-the-japanese-artist-and-printmaker-katsushika-hokusai-c-1760-1849-color-woodblock-print-c-18356-image410733761.html
Shimosuwa, from the series Sixty-Nine Stations of the Kisokaido, 1835-38. The foreground of this print shows travelers enjoying an evening meal at an inn, with the proprietor looking pleased at the gusto of her guests. In the background, another traveler is gratefully relaxing in a large wooden tub filled with hot natural spring water, having discarded his robe next to the bath. Shimosuwa is the only stop along the Kisokaido—a road running from Nibonbashi in Edo (now Tokyo) to Sanjo Ohashi in Kyoto—with a natural hot spring. The print series was a collaboration between Hiroshige
Shimosuwa, from the series Sixty-Nine Stations of the Kisokaido, 1835-38. The foreground of this print shows travelers enjoying an evening meal at an inn, with the proprietor looking pleased at the gusto of her guests. In the background, another traveler is gratefully relaxing in a large wooden tub filled with hot natural spring water, having discarded his robe next to the bath. Shimosuwa is the only stop along the Kisokaido—a road running from Nibonbashi in Edo (now Tokyo) to Sanjo Ohashi in Kyoto—with a natural hot spring. The print series was a collaboration between Hiroshige https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shimosuwa-from-the-series-sixty-nine-stations-of-the-kisokaido-1835-38-the-foreground-of-this-print-shows-travelers-enjoying-an-evening-meal-at-an-inn-with-the-proprietor-looking-pleased-at-the-gusto-of-her-guests-in-the-background-another-traveler-is-gratefully-relaxing-in-a-large-wooden-tub-filled-with-hot-natural-spring-water-having-discarded-his-robe-next-to-the-bath-shimosuwa-is-the-only-stop-along-the-kisokaidox2014a-road-running-from-nibonbashi-in-edo-now-tokyo-to-sanjo-ohashi-in-kyotox2014with-a-natural-hot-spring-the-print-series-was-a-collaboration-between-hiroshige-image330118382.html
Katsushika Hokusai, Whaling Off Goto, (Oceans of Wisdom series), woodcut print, 1832-1834
Katsushika Hokusai, Whaling Off Goto, (Oceans of Wisdom series), woodcut print, 1832-1834 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/katsushika-hokusai-whaling-off-goto-oceans-of-wisdom-series-woodcut-print-1832-1834-image345159415.html
Katsushika Hokusai (葛飾 北斎, October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s. Surimono (摺物) are a genre of Japanese woodblock print. They were privately commissioned for special occasions such as
Katsushika Hokusai (葛飾 北斎, October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s. Surimono (摺物) are a genre of Japanese woodblock print. They were privately commissioned for special occasions such as https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/katsushika-hokusai-october-31-1760-may-10-1849-was-a-japanese-artist-ukiyo-e-painter-and-printmaker-of-the-edo-period-he-was-influenced-by-such-painters-as-sesshu-and-other-styles-of-chinese-painting-born-in-edo-now-tokyo-hokusai-is-best-known-as-author-of-the-woodblock-print-series-thirty-six-views-of-mount-fuji-fugaku-sanjroku-kei-c-1831-which-includes-the-internationally-recognized-print-the-great-wave-off-kanagawa-created-during-the-1820s-surimono-are-a-genre-of-japanese-woodblock-print-they-were-privately-commissioned-for-special-occasions-such-as-image344256619.html
Ogata Gekkō (尾形月耕, 1859 – 1 October 1920) - Print Series Women Customs Manners 1895
Ogata Gekkō (尾形月耕, 1859 – 1 October 1920) - Print Series Women Customs Manners 1895 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ogata-gekk-1859-1-october-1920-print-series-women-customs-manners-1895-image415551981.html
Vintage 1850s Fruit Lithograph of 'The Van Leon le Clerc Pear' (from Fruits of America) from the guide book The Fruits of America Volume 1 ), gathered into print in 1852 The author, Charles M. Hovey, began publishing his series of illustrated prints of American fruits, in 1847 which resulted in this book. 1852
Vintage 1850s Fruit Lithograph of 'The Van Leon le Clerc Pear' (from Fruits of America) from the guide book The Fruits of America Volume 1 ), gathered into print in 1852 The author, Charles M. Hovey, began publishing his series of illustrated prints of American fruits, in 1847 which resulted in this book. 1852 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vintage-1850s-fruit-lithograph-of-the-van-leon-le-clerc-pear-from-fruits-of-america-from-the-guide-book-the-fruits-of-america-volume-1-gathered-into-print-in-1852-the-author-charles-m-hovey-began-publishing-his-series-of-illustrated-prints-of-american-fruits-in-1847-which-resulted-in-this-book-1852-image467669104.html
. English: early Hiroshige print, series “Eight Views of the Eastern Capital“, koban, 1820s Deutsch: früher Hiroshige Drcuk, Serie „Acht Ansichten der Osthauptstadt“, koban, 1820er . 1 January 1825. Hiroshige-early-views-koban
. English: early Hiroshige print, series “Eight Views of the Eastern Capital“, koban, 1820s Deutsch: früher Hiroshige Drcuk, Serie „Acht Ansichten der Osthauptstadt“, koban, 1820er . 1 January 1825. Hiroshige-early-views-koban https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-early-hiroshige-print-series-eight-views-of-the-eastern-capital-koban-1820s-deutsch-frher-hiroshige-drcuk-serie-acht-ansichten-der-osthauptstadt-koban-1820er-1-january-1825-hiroshige-early-views-koban-image185014790.html
Hogarth's print portraying as Anatomy Lesson, from the series The Reward of Cruelty 1750. The corpse is that of Tom Nero - the skeletons are those of the boxer, James Field, and the highwayman, Maclean.
Hogarth's print portraying as Anatomy Lesson, from the series The Reward of Cruelty 1750. The corpse is that of Tom Nero - the skeletons are those of the boxer, James Field, and the highwayman, Maclean. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hogarths-print-portraying-as-anatomy-lesson-from-the-series-the-reward-of-cruelty-1750-the-corpse-is-that-of-tom-nero-the-skeletons-are-those-of-the-boxer-james-field-and-the-highwayman-maclean-image179155804.html
The Great Wave off Kanagawa also known as The Great Wave or simply The Wave, after a woodblock print by the Japanese ukiyo-e artist Katsushika Hokusai, 1760 - 1849. The Great Wave off Kanagawa has become the best known of a print series known as Thirty-six View of Mount Fuji created by Hokusai in the early 1830’s.
The Great Wave off Kanagawa also known as The Great Wave or simply The Wave, after a woodblock print by the Japanese ukiyo-e artist Katsushika Hokusai, 1760 - 1849. The Great Wave off Kanagawa has become the best known of a print series known as Thirty-six View of Mount Fuji created by Hokusai in the early 1830’s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-great-wave-off-kanagawa-also-known-as-the-great-wave-or-simply-the-wave-after-a-woodblock-print-by-the-japanese-ukiyo-e-artist-katsushika-hokusai-1760-1849-the-great-wave-off-kanagawa-has-become-the-best-known-of-a-print-series-known-as-thirty-six-view-of-mount-fuji-created-by-hokusai-in-the-early-1830s-image272087056.html
Francisco de Goya, Banderillas de fuego (Banderillas with Firecrackers). This is print number 31 in a 33 print series on bullfighting.
Francisco de Goya, Banderillas de fuego (Banderillas with Firecrackers). This is print number 31 in a 33 print series on bullfighting. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/francisco-de-goya-banderillas-de-fuego-banderillas-with-firecrackers-this-is-print-number-31-in-a-33-print-series-on-bullfighting-image455370560.html
Eight preliminary designs for a print series dedicated to the Life of the Virgin recto and verso. Recto: above left, Presentation of the Virgin in the Temple; above right: Death of the Virgin; below left: Nativity; below right: Adoration of the Magi.
Eight preliminary designs for a print series dedicated to the Life of the Virgin recto and verso. Recto: above left, Presentation of the Virgin in the Temple; above right: Death of the Virgin; below left: Nativity; below right: Adoration of the Magi. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/eight-preliminary-designs-for-a-print-series-dedicated-to-the-life-of-the-virgin-recto-and-verso-recto-above-left-presentation-of-the-virgin-in-the-temple-above-right-death-of-the-virgin-below-left-nativity-below-right-adoration-of-the-magi-image353535525.html
Antonio Tempesta, c.1555-1630, Italian painter, draughtsman and etcher from Florence. Produced print series of battles and of hunts. Anthony Tempesta, landscapes, animals and huntings. Tinted etching within a decorative border by John Girtin from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
Antonio Tempesta, c.1555-1630, Italian painter, draughtsman and etcher from Florence. Produced print series of battles and of hunts. Anthony Tempesta, landscapes, animals and huntings. Tinted etching within a decorative border by John Girtin from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/antonio-tempesta-c1555-1630-italian-painter-draughtsman-and-etcher-from-florence-produced-print-series-of-battles-and-of-hunts-anthony-tempesta-landscapes-animals-and-huntings-tinted-etching-within-a-decorative-border-by-john-girtin-from-john-girtins-seventy-five-portraits-of-celebrated-painters-from-authentic-originals-j-mcreery-london-1817-image454590820.html
PLATE 14. The Invention of Oil Painting. Fourteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a painter's workshop.
PLATE 14. The Invention of Oil Painting. Fourteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a painter's workshop. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-14-the-invention-of-oil-painting-fourteenth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-a-painters-workshop-image246613978.html
Compendium of several print series of architecture, gardens and furniture., Valérien Regnard, 17th century (second half
Compendium of several print series of architecture, gardens and furniture., Valérien Regnard, 17th century (second half https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-compendium-of-several-print-series-of-architecture-gardens-and-furniture-162569259.html
Art inspired by Drawings and Prints, Print, Series of Six Anamorphic Animal Prints, Publisher, Joseph Friedrich Leopold, German, Augsburg 1668, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Drawings and Prints, Print, Series of Six Anamorphic Animal Prints, Publisher, Joseph Friedrich Leopold, German, Augsburg 1668, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-drawings-and-prints-print-series-of-six-anamorphic-animal-prints-publisher-joseph-friedrich-leopold-german-augsburg-1668-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463064694.html
print series stations of tokkaido views by hiroshige theatrical scenes in forground 1854 55
print series stations of tokkaido views by hiroshige theatrical scenes in forground 1854 55 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-print-series-stations-of-tokkaido-views-by-hiroshige-theatrical-scenes-15639621.html
St. John's rising from the harbour in a series of tiers. Canada. Newfoundland (1923)
St. John's rising from the harbour in a series of tiers. Canada. Newfoundland (1923) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/st-johns-rising-from-the-harbour-in-a-series-of-tiers-canada-newfoundland-1923-image459052721.html
Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti. Dimensions: Plate: 8 5/16 x 12 3/16 in. (21.1 x 31 cm). Etcher: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome); Giovanni Francesco Venturini (Italian, active ca. 1650-1700). Publisher: Published by Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: 1691 or after. Third part of the print series on the fountains of Rome and its surroundings published by Giovanni Giacomo de Rossi. 'Le Fontane ne' Palazzi e ne' Giardini', portrayed by Venturini and Falda, contains a title page, an allegori
Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti. Dimensions: Plate: 8 5/16 x 12 3/16 in. (21.1 x 31 cm). Etcher: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome); Giovanni Francesco Venturini (Italian, active ca. 1650-1700). Publisher: Published by Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: 1691 or after. Third part of the print series on the fountains of Rome and its surroundings published by Giovanni Giacomo de Rossi. 'Le Fontane ne' Palazzi e ne' Giardini', portrayed by Venturini and Falda, contains a title page, an allegori https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/le-fontane-ne-palazzi-e-ne-giardini-di-roma-con-li-loro-prospetti-et-ornamenti-dimensions-plate-8-516-x-12-316-in-211-x-31-cm-etcher-giovanni-battista-falda-italian-valduggia-1643-1678-rome-giovanni-francesco-venturini-italian-active-ca-1650-1700-publisher-published-by-giovanni-giacomo-de-rossi-italian-rome-1627-1691-rome-date-1691-or-after-third-part-of-the-print-series-on-the-fountains-of-rome-and-its-surroundings-published-by-giovanni-giacomo-de-rossi-le-fontane-ne-palazzi-e-ne-giardini-portrayed-by-venturini-and-falda-contains-a-title-page-an-allegori-image213113325.html
Author: Jean-Eugne-Auguste Atget. Fte du Trne - 1914 - Jean-Eugne-Auguste Atget French, 1857'1927. Albumen print, from the series 'Picturesque
Author: Jean-Eugne-Auguste Atget. Fte du Trne - 1914 - Jean-Eugne-Auguste Atget French, 1857'1927. Albumen print, from the series 'Picturesque https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/author-jean-eugne-auguste-atget-fte-du-trne-1914-jean-eugne-auguste-atget-french-18571927-albumen-print-from-the-series-picturesque-image360088522.html
Photographer Peter Varga holding a print from his Humans of Dublin series of portraits which opens at dlr LexIcon in Dublin Library today.
Photographer Peter Varga holding a print from his Humans of Dublin series of portraits which opens at dlr LexIcon in Dublin Library today. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-photographer-peter-varga-holding-a-print-from-his-humans-of-dublin-171322011.html
Art Nouveau Lithograph print by Anton Sedar. Plant series. Anton Johann Nepomuk Seder (1850 - 1916) was a German painter and decorator, Professor and
Art Nouveau Lithograph print by Anton Sedar. Plant series. Anton Johann Nepomuk Seder (1850 - 1916) was a German painter and decorator, Professor and https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-nouveau-lithograph-print-by-anton-sedar-plant-series-anton-johann-nepomuk-seder-1850-1916-was-a-german-painter-and-decorator-professor-and-image368888124.html
Paul Gauguin, Nave Nave Fenua from the Noa Noa Series, woodcut print, 1893-1894
Paul Gauguin, Nave Nave Fenua from the Noa Noa Series, woodcut print, 1893-1894 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/paul-gauguin-nave-nave-fenua-from-the-noa-noa-series-woodcut-print-1893-1894-image333948303.html
Katsushika Hokusai (葛飾 北斎, October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s. Hokusai created the 'Thirty-Six Views' both as a response to a domestic travel boom and as part of a personal obsessi
Katsushika Hokusai (葛飾 北斎, October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s. Hokusai created the 'Thirty-Six Views' both as a response to a domestic travel boom and as part of a personal obsessi https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/katsushika-hokusai-october-31-1760-may-10-1849-was-a-japanese-artist-ukiyo-e-painter-and-printmaker-of-the-edo-period-he-was-influenced-by-such-painters-as-sesshu-and-other-styles-of-chinese-painting-born-in-edo-now-tokyo-hokusai-is-best-known-as-author-of-the-woodblock-print-series-thirty-six-views-of-mount-fuji-fugaku-sanjroku-kei-c-1831-which-includes-the-internationally-recognized-print-the-great-wave-off-kanagawa-created-during-the-1820s-hokusai-created-the-thirty-six-views-both-as-a-response-to-a-domestic-travel-boom-and-as-part-of-a-personal-obsessi-image344254106.html
Ogata Gekkō (尾形月耕, 1859 – 1 October 1920) - Print Series Women Customs Manners Db2594 Db16 1895
Ogata Gekkō (尾形月耕, 1859 – 1 October 1920) - Print Series Women Customs Manners Db2594 Db16 1895 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ogata-gekk-1859-1-october-1920-print-series-women-customs-manners-db2594-db16-1895-image415551999.html
Organic Print [Commercial Print Series]
Organic Print [Commercial Print Series] https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-organic-print-commercial-print-series-16552040.html
. English: Scene from the Chushingura (Tale of the 47 Ronin); Asano & Kira at the steps. Part of a print series depicting the story, by Sadanobu Hasegawa (I). Scanset of item: front, 01 of 02, left side . 186x?. Sadanobu Hasegawa (I), scanned by uploader 130 Chushingura.asano.&.kira.@.stairs.by.sadanobu.hasegawa.i.scanset.front.01.of.02
. English: Scene from the Chushingura (Tale of the 47 Ronin); Asano & Kira at the steps. Part of a print series depicting the story, by Sadanobu Hasegawa (I). Scanset of item: front, 01 of 02, left side . 186x?. Sadanobu Hasegawa (I), scanned by uploader 130 Chushingura.asano.&.kira.@.stairs.by.sadanobu.hasegawa.i.scanset.front.01.of.02 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-scene-from-the-chushingura-tale-of-the-47-ronin-asano-kira-at-the-steps-part-of-a-print-series-depicting-the-story-by-sadanobu-hasegawa-i-scanset-of-item-front-01-of-02-left-side-186x-sadanobu-hasegawa-i-scanned-by-uploader-130-chushinguraasanoampkira@stairsbysadanobuhasegawaiscansetfront01of02-image187693771.html
Hokusai, print entitled Ono Waterfall on the Kisokaidō (Kisokaidō Ono no bakufu), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri) by the Japanese artist and printmaker, Katsushika Hokusai (葛飾 北斎, c. 1760-1849), woodblock print, ink and color on paper, c. 1833
Hokusai, print entitled Ono Waterfall on the Kisokaidō (Kisokaidō Ono no bakufu), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri) by the Japanese artist and printmaker, Katsushika Hokusai (葛飾 北斎, c. 1760-1849), woodblock print, ink and color on paper, c. 1833 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hokusai-print-entitled-ono-waterfall-on-the-kisokaid-kisokaid-ono-no-bakufu-from-the-series-a-tour-of-waterfalls-in-various-provinces-shokoku-taki-meguri-by-the-japanese-artist-and-printmaker-katsushika-hokusai-c-1760-1849-woodblock-print-ink-and-color-on-paper-c-1833-image411311511.html
Table of contents. Print shows a table of contents page for the series of prints, Famous views in the sixty-odd provinces. The list of prints is arranged in the Provincial order of old Japan. Date 1856.
Table of contents. Print shows a table of contents page for the series of prints, Famous views in the sixty-odd provinces. The list of prints is arranged in the Provincial order of old Japan. Date 1856. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-table-of-contents-print-shows-a-table-of-contents-page-for-the-series-83173669.html
Francisco de Goya, Echan perros al toro (They Loose Dogs on the Bull),. This is print number 25 in a 33 print series on bullfighting.
Francisco de Goya, Echan perros al toro (They Loose Dogs on the Bull),. This is print number 25 in a 33 print series on bullfighting. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/francisco-de-goya-echan-perros-al-toro-they-loose-dogs-on-the-bull-this-is-print-number-25-in-a-33-print-series-on-bullfighting-image455370584.html
Invention of the Compass preliminary design for Lapis Polaris Magnes plate 2 in the Nova Reperta New Inventions of Modern Times print series. Recto: A scholar in his richly furnished study, seated at his desk using a compass.
Invention of the Compass preliminary design for Lapis Polaris Magnes plate 2 in the Nova Reperta New Inventions of Modern Times print series. Recto: A scholar in his richly furnished study, seated at his desk using a compass. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/invention-of-the-compass-preliminary-design-for-lapis-polaris-magnes-plate-2-in-the-nova-reperta-new-inventions-of-modern-times-print-series-recto-a-scholar-in-his-richly-furnished-study-seated-at-his-desk-using-a-compass-image353484122.html
Vector line icons set of business symbols in unique rough and jagged design with a collection of free scalable black and white graphics, series
Vector line icons set of business symbols in unique rough and jagged design with a collection of free scalable black and white graphics, series https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-vector-line-icons-set-of-business-symbols-in-unique-rough-and-jagged-176457090.html
PLATE 19. The Invention of Copper Engraving. Nineteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men making copper engravings.
PLATE 19. The Invention of Copper Engraving. Nineteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men making copper engravings. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-19-the-invention-of-copper-engraving-nineteenth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-men-making-copper-engravings-image246613935.html
Peter and John Questioned by the High Council, preliminary design for 'Spiritus Scientiae' (The Spirit of Science), plate 5 in the 'Seven Gifts of the Holy Spirit' print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush wash on paper, Interior of temple. Peter and John before the High Council; apostles and accusers surround., Netherlands, 1595, figures, Drawing
Peter and John Questioned by the High Council, preliminary design for 'Spiritus Scientiae' (The Spirit of Science), plate 5 in the 'Seven Gifts of the Holy Spirit' print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush wash on paper, Interior of temple. Peter and John before the High Council; apostles and accusers surround., Netherlands, 1595, figures, Drawing https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/peter-and-john-questioned-by-the-high-council-preliminary-design-for-spiritus-scientiae-the-spirit-of-science-plate-5-in-the-seven-gifts-of-the-holy-spirit-print-series-jan-van-der-straet-called-stradanus-flemish-15231605-pen-and-brown-ink-brush-wash-on-paper-interior-of-temple-peter-and-john-before-the-high-council-apostles-and-accusers-surround-netherlands-1595-figures-drawing-image391705846.html
Inspired by Album with representations of horses, Album with 42 engravings on 42 album pages. The album contains the print series Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus ... published by Marcus Sadeler in Venice. These are copies after the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Inspired by Album with representations of horses, Album with 42 engravings on 42 album pages. The album contains the print series Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus ... published by Marcus Sadeler in Venice. These are copies after the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/inspired-by-album-with-representations-of-horses-album-with-42-engravings-on-42-album-pages-the-album-contains-the-print-series-equile-in-quo-omnis-generis-generosissi-morum-equorum-ex-varijs-orbis-partibus-insignis-delectus-published-by-marcus-sadeler-in-venice-these-are-copies-after-the-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459364179.html
print series stations of tokkaido views by hiroshige theatrical scenes in forground 1854 55
print series stations of tokkaido views by hiroshige theatrical scenes in forground 1854 55 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-print-series-stations-of-tokkaido-views-by-hiroshige-theatrical-scenes-15639623.html
Pyrotechnist, Artificer or Firework-maker. After a print representing Fire from a series of four representing the elements by the French engraver Abraham Bosse (1602-1676).
Pyrotechnist, Artificer or Firework-maker. After a print representing Fire from a series of four representing the elements by the French engraver Abraham Bosse (1602-1676). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-pyrotechnist-artificer-or-firework-maker-after-a-print-representing-57286782.html
Satyr Family (Pan and his Family), from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Sheet: 13 1/2 x 10 3/8 in. (34.3 x 26.3 cm) Image: 8 7/8 x 6 15/16 in. (22.6 x 17.6 cm). Date: ca. 1743-50. Tiepolo who was famed for his luminous frescoes populated by Olympian gods and allegorical figures, gave free reign to his fantasy in his print series the Scherzi, a number of which depict the nymphs and satyrs who were followers of Bacchus (the Greek Dionysos), god of wine. From the Renaissance on, satyrs are often indistinguishable from Pan--the goat-
Satyr Family (Pan and his Family), from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Sheet: 13 1/2 x 10 3/8 in. (34.3 x 26.3 cm) Image: 8 7/8 x 6 15/16 in. (22.6 x 17.6 cm). Date: ca. 1743-50. Tiepolo who was famed for his luminous frescoes populated by Olympian gods and allegorical figures, gave free reign to his fantasy in his print series the Scherzi, a number of which depict the nymphs and satyrs who were followers of Bacchus (the Greek Dionysos), god of wine. From the Renaissance on, satyrs are often indistinguishable from Pan--the goat- https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/satyr-family-pan-and-his-family-from-the-scherzi-artist-giovanni-battista-tiepolo-italian-venice-1696-1770-madrid-dimensions-sheet-13-12-x-10-38-in-343-x-263-cm-image-8-78-x-6-1516-in-226-x-176-cm-date-ca-1743-50-tiepolo-who-was-famed-for-his-luminous-frescoes-populated-by-olympian-gods-and-allegorical-figures-gave-free-reign-to-his-fantasy-in-his-print-series-the-scherzi-a-number-of-which-depict-the-nymphs-and-satyrs-who-were-followers-of-bacchus-the-greek-dionysos-god-of-wine-from-the-renaissance-on-satyrs-are-often-indistinguishable-from-pan-the-goat-image213329801.html
Charles Marville. Untitled-c. 1850-Charles Marville French, 1813-1879. Albumen print, from the series --Bois de Bologne--. 1845-1855. France.
Charles Marville. Untitled-c. 1850-Charles Marville French, 1813-1879. Albumen print, from the series --Bois de Bologne--. 1845-1855. France. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/charles-marville-untitled-c-1850-charles-marville-french-1813-1879-albumen-print-from-the-series-bois-de-bologne-1845-1855-france-image417283336.html
Oban Valentines Series
Oban Valentines Series https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/oban-valentines-series-image242550678.html
Art Nouveau Lithograph print by Anton Sedar. Plant series: Peacocks. 1900 Anton Johann Nepomuk Seder (1850 - 1916) was a German painter and decorator,
Art Nouveau Lithograph print by Anton Sedar. Plant series: Peacocks. 1900 Anton Johann Nepomuk Seder (1850 - 1916) was a German painter and decorator, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-nouveau-lithograph-print-by-anton-sedar-plant-series-peacocks-1900-anton-johann-nepomuk-seder-1850-1916-was-a-german-painter-and-decorator-image460460331.html
Henri de Toulouse Lautrec, Yvette Guilbert, English Series, Linger Longer Loo, print, 1898
Henri de Toulouse Lautrec, Yvette Guilbert, English Series, Linger Longer Loo, print, 1898 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/henri-de-toulouse-lautrec-yvette-guilbert-english-series-linger-longer-loo-print-1898-image265422370.html
Utagawa Yoshitora (active 1850-1880) was a Japanese ukiyo-e artist and book illustrator. Though both his date of birth and death are unknown, what is known is that Yoshitora was born in Edo and that he eventually became Utagawa Kuniyoshi's oldest pupil. Yoshitora soon showed excellence in his prints of bijinga (beautiful women), kabuki actors and warriors, producing over 60 print series and illustrating more than 100 books. He was imprisoned and manacled for forty days by censors who interpreted one of his prints as a criticism of authority, which resulted in his expulsion from Kuniyoshi's st
Utagawa Yoshitora (active 1850-1880) was a Japanese ukiyo-e artist and book illustrator. Though both his date of birth and death are unknown, what is known is that Yoshitora was born in Edo and that he eventually became Utagawa Kuniyoshi's oldest pupil. Yoshitora soon showed excellence in his prints of bijinga (beautiful women), kabuki actors and warriors, producing over 60 print series and illustrating more than 100 books. He was imprisoned and manacled for forty days by censors who interpreted one of his prints as a criticism of authority, which resulted in his expulsion from Kuniyoshi's st https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/utagawa-yoshitora-active-1850-1880-was-a-japanese-ukiyo-e-artist-and-book-illustrator-though-both-his-date-of-birth-and-death-are-unknown-what-is-known-is-that-yoshitora-was-born-in-edo-and-that-he-eventually-became-utagawa-kuniyoshis-oldest-pupil-yoshitora-soon-showed-excellence-in-his-prints-of-bijinga-beautiful-women-kabuki-actors-and-warriors-producing-over-60-print-series-and-illustrating-more-than-100-books-he-was-imprisoned-and-manacled-for-forty-days-by-censors-who-interpreted-one-of-his-prints-as-a-criticism-of-authority-which-resulted-in-his-expulsion-from-kuniyoshis-st-image344280843.html
Katsushika Hokusai, Yoshitsune Falls, From the Series Famous Waterfalls in Various Provinces, 1833 Ink and color on paper; woodblock print, Freer Gallery of Art, Washington, D.C., USA.
Katsushika Hokusai, Yoshitsune Falls, From the Series Famous Waterfalls in Various Provinces, 1833 Ink and color on paper; woodblock print, Freer Gallery of Art, Washington, D.C., USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/katsushika-hokusai-yoshitsune-falls-from-the-series-famous-waterfalls-in-various-provinces-1833-ink-and-color-on-paper-woodblock-print-freer-gallery-of-art-washington-dc-usa-image221568023.html
Organic Print [Commercial Print Series]
Organic Print [Commercial Print Series] https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-organic-print-commercial-print-series-16548975.html
. English: Scene from the Chushingura (Tale of the 47 Ronin); Asano & Kira at the steps. Part of a print series depicting the story, by Sadanobu Hasegawa (I). Scanset of item: front, 01 of 02, left side . 186x?. Sadanobu Hasegawa (I), scanned by uploader 130 Chushingura.asano.&.kira.@.stairs.by.sadanobu.hasegawa.i.scanset.front.01.of.02
. English: Scene from the Chushingura (Tale of the 47 Ronin); Asano & Kira at the steps. Part of a print series depicting the story, by Sadanobu Hasegawa (I). Scanset of item: front, 01 of 02, left side . 186x?. Sadanobu Hasegawa (I), scanned by uploader 130 Chushingura.asano.&.kira.@.stairs.by.sadanobu.hasegawa.i.scanset.front.01.of.02 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-scene-from-the-chushingura-tale-of-the-47-ronin-asano-kira-at-the-steps-part-of-a-print-series-depicting-the-story-by-sadanobu-hasegawa-i-scanset-of-item-front-01-of-02-left-side-186x-sadanobu-hasegawa-i-scanned-by-uploader-130-chushinguraasanoampkira@stairsbysadanobuhasegawaiscansetfront01of02-image188244966.html
Hokusai. Print entitled The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri) by the Japanese artist and printmaker, Katsushika Hokusai (葛飾 北斎, c. 1760-1849), polychrome woodblock print, ink and color on paper, c. 1832
Hokusai. Print entitled The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri) by the Japanese artist and printmaker, Katsushika Hokusai (葛飾 北斎, c. 1760-1849), polychrome woodblock print, ink and color on paper, c. 1832 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hokusai-print-entitled-the-waterfall-where-yoshitsune-washed-his-horse-at-yoshino-in-yamato-province-wash-yoshino-yoshitsune-uma-arai-no-taki-from-the-series-a-tour-of-waterfalls-in-various-provinces-shokoku-taki-meguri-by-the-japanese-artist-and-printmaker-katsushika-hokusai-c-1760-1849-polychrome-woodblock-print-ink-and-color-on-paper-c-1832-image410733830.html
Number 14. Print is illustration number 14 from a series of pictures depitcting scenes possibly from the tale of Genji, showing three figures, courtesans or geshia and members of the nobility, in a building. Date 1848 or 1849.
Number 14. Print is illustration number 14 from a series of pictures depitcting scenes possibly from the tale of Genji, showing three figures, courtesans or geshia and members of the nobility, in a building. Date 1848 or 1849. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-number-14-print-is-illustration-number-14-from-a-series-of-pictures-105337229.html
Francisco de Goya, Capean otro encerrado (They Play Another with the Cape in an Enclosure). This is print number 4 in a 33 print series on bullfighting.
Francisco de Goya, Capean otro encerrado (They Play Another with the Cape in an Enclosure). This is print number 4 in a 33 print series on bullfighting. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/francisco-de-goya-capean-otro-encerrado-they-play-another-with-the-cape-in-an-enclosure-this-is-print-number-4-in-a-33-print-series-on-bullfighting-image455370568.html
Peter and John Questioned by the High Council preliminary design for Spiritus Scientiae The Spirit of Science plate 5 in the Seven Gifts of the Holy Spirit print series. Interior of temple. Peter and John before the High Council; apostles and accusers surround.
Peter and John Questioned by the High Council preliminary design for Spiritus Scientiae The Spirit of Science plate 5 in the Seven Gifts of the Holy Spirit print series. Interior of temple. Peter and John before the High Council; apostles and accusers surround. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/peter-and-john-questioned-by-the-high-council-preliminary-design-for-spiritus-scientiae-the-spirit-of-science-plate-5-in-the-seven-gifts-of-the-holy-spirit-print-series-interior-of-temple-peter-and-john-before-the-high-council-apostles-and-accusers-surround-image353484133.html
computer keyboard with abc button - social concept
computer keyboard with abc button - social concept https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-computer-keyboard-with-abc-button-social-concept-96184561.html
PLATE 17. The Invention of the Polishing of Armor. Seventeenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of an armor polishing workshop.
PLATE 17. The Invention of the Polishing of Armor. Seventeenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of an armor polishing workshop. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-17-the-invention-of-the-polishing-of-armor-seventeenth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-an-armor-polishing-workshop-image246613936.html
Four scenes from the life of St. John the Baptist, preliminary designs for a print series (recto and verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and Ink, brush and wash, black chalk on paper, Recto, above: Birth and naming of John the Baptist; Recto, below: John the Baptist preaching in the wilderness; Verso, above: Baptism of Christ; Verso, below: Visitation;, Italy, 1595, figures, Drawing
Four scenes from the life of St. John the Baptist, preliminary designs for a print series (recto and verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and Ink, brush and wash, black chalk on paper, Recto, above: Birth and naming of John the Baptist; Recto, below: John the Baptist preaching in the wilderness; Verso, above: Baptism of Christ; Verso, below: Visitation;, Italy, 1595, figures, Drawing https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/four-scenes-from-the-life-of-st-john-the-baptist-preliminary-designs-for-a-print-series-recto-and-verso-jan-van-der-straet-called-stradanus-flemish-15231605-pen-and-ink-brush-and-wash-black-chalk-on-paper-recto-above-birth-and-naming-of-john-the-baptist-recto-below-john-the-baptist-preaching-in-the-wilderness-verso-above-baptism-of-christ-verso-below-visitation-italy-1595-figures-drawing-image391582724.html
Art inspired by Compendium of several print series of architecture, gardens and furniture., 17th century (second half), Engraving, etching, 12 5/16 x 16 9/16 x 1 9/16 in. (31.3 x 42 x 4 cm), Valérien Regnard (active ca. 1610–1650), Pietro Ferrerio (Italian, Rome 1600–1654 Rome), Hans, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Compendium of several print series of architecture, gardens and furniture., 17th century (second half), Engraving, etching, 12 5/16 x 16 9/16 x 1 9/16 in. (31.3 x 42 x 4 cm), Valérien Regnard (active ca. 1610–1650), Pietro Ferrerio (Italian, Rome 1600–1654 Rome), Hans, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-compendium-of-several-print-series-of-architecture-gardens-and-furniture-17th-century-second-half-engraving-etching-12-516-x-16-916-x-1-916-in-313-x-42-x-4-cm-valrien-regnard-active-ca-16101650-pietro-ferrerio-italian-rome-16001654-rome-hans-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957106.html
Postage stamp from Japan in the Tazawa (1926-1934) - New Die Flat Plate Print series issued in 1926
Postage stamp from Japan in the Tazawa (1926-1934) - New Die Flat Plate Print series issued in 1926 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/postage-stamp-from-japan-in-the-tazawa-1926-1934-new-die-flat-plate-print-series-issued-in-1926-image236090449.html
Pyrotechnist, Artificer or Firework-maker. After a print representing Fire from a series of four representing the elements by the French engraver Abraham Bosse (1602-1676).
Pyrotechnist, Artificer or Firework-maker. After a print representing Fire from a series of four representing the elements by the French engraver Abraham Bosse (1602-1676). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-pyrotechnist-artificer-or-firework-maker-after-a-print-representing-57286802.html
Design for a Fireplace. Artist: Anonymous, French, 17th century; After Jean Barbet (French, 1605-1654). Dimensions: 13 7/8 x 9 3/8 in. (35.2 x 23.8 cm). Former Attribution: Formerly attributed to Salomon de Brosse; Formerly attributed to François Derand (French, Vic-sur-Seille ca. 1590-1640 Agde). Date: 1633 or after. This drawing reproduces a fireplace published in a print series by Melchior II Tavernier (French, Antwerp 1595-1665 Paris) in 1633. Eight years earlier, Tavernier had hired a young artist called Jean Barbet to record some of the latest novelties in interior design from in and a
Design for a Fireplace. Artist: Anonymous, French, 17th century; After Jean Barbet (French, 1605-1654). Dimensions: 13 7/8 x 9 3/8 in. (35.2 x 23.8 cm). Former Attribution: Formerly attributed to Salomon de Brosse; Formerly attributed to François Derand (French, Vic-sur-Seille ca. 1590-1640 Agde). Date: 1633 or after. This drawing reproduces a fireplace published in a print series by Melchior II Tavernier (French, Antwerp 1595-1665 Paris) in 1633. Eight years earlier, Tavernier had hired a young artist called Jean Barbet to record some of the latest novelties in interior design from in and a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/design-for-a-fireplace-artist-anonymous-french-17th-century-after-jean-barbet-french-1605-1654-dimensions-13-78-x-9-38-in-352-x-238-cm-former-attribution-formerly-attributed-to-salomon-de-brosse-formerly-attributed-to-franois-derand-french-vic-sur-seille-ca-1590-1640-agde-date-1633-or-after-this-drawing-reproduces-a-fireplace-published-in-a-print-series-by-melchior-ii-tavernier-french-antwerp-1595-1665-paris-in-1633-eight-years-earlier-tavernier-had-hired-a-young-artist-called-jean-barbet-to-record-some-of-the-latest-novelties-in-interior-design-from-in-and-a-image212912505.html
Charles Marville. Untitled-c. 1850-Charles Marville French, 1813-1879. Albumen print, from the series --Bois de Boulogne--. 1845-1855. France.
Charles Marville. Untitled-c. 1850-Charles Marville French, 1813-1879. Albumen print, from the series --Bois de Boulogne--. 1845-1855. France. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/charles-marville-untitled-c-1850-charles-marville-french-1813-1879-albumen-print-from-the-series-bois-de-boulogne-1845-1855-france-image417282933.html
Battle scene from the series 'The Forty-seven Faithful Samurai'. Coloured woodblock print, late 1840's. Utagawa Yoshitora (active 1850-1880) Japanese artist and printmaker..
Battle scene from the series 'The Forty-seven Faithful Samurai'. Coloured woodblock print, late 1840's. Utagawa Yoshitora (active 1850-1880) Japanese artist and printmaker.. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-battle-scene-from-the-series-the-forty-seven-faithful-samurai-coloured-135676620.html
Art Nouveau Lithograph print by Anton Sedar. Plant series. 1900 Anton Johann Nepomuk Seder (1850 - 1916) was a German painter and decorator, Professor
Art Nouveau Lithograph print by Anton Sedar. Plant series. 1900 Anton Johann Nepomuk Seder (1850 - 1916) was a German painter and decorator, Professor https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-nouveau-lithograph-print-by-anton-sedar-plant-series-1900-anton-johann-nepomuk-seder-1850-1916-was-a-german-painter-and-decorator-professor-image460460344.html
Paul Gauguin, The Creation of the Universe, from the series 'Noa Noa', woodcut print, 1894
Paul Gauguin, The Creation of the Universe, from the series 'Noa Noa', woodcut print, 1894 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/paul-gauguin-the-creation-of-the-universe-from-the-series-noa-noa-woodcut-print-1894-image436142309.html
Utagawa Yoshitora (active 1850-1880) was a Japanese ukiyo-e artist and book illustrator. Though both his date of birth and death are unknown, what is known is that Yoshitora was born in Edo and that he eventually became Utagawa Kuniyoshi's oldest pupil. Yoshitora soon showed excellence in his prints of bijinga (beautiful women), kabuki actors and warriors, producing over 60 print series and illustrating more than 100 books. He was imprisoned and manacled for forty days by censors who interpreted one of his prints as a criticism of authority, which resulted in his expulsion from Kuniyoshi's st
Utagawa Yoshitora (active 1850-1880) was a Japanese ukiyo-e artist and book illustrator. Though both his date of birth and death are unknown, what is known is that Yoshitora was born in Edo and that he eventually became Utagawa Kuniyoshi's oldest pupil. Yoshitora soon showed excellence in his prints of bijinga (beautiful women), kabuki actors and warriors, producing over 60 print series and illustrating more than 100 books. He was imprisoned and manacled for forty days by censors who interpreted one of his prints as a criticism of authority, which resulted in his expulsion from Kuniyoshi's st https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/utagawa-yoshitora-active-1850-1880-was-a-japanese-ukiyo-e-artist-and-book-illustrator-though-both-his-date-of-birth-and-death-are-unknown-what-is-known-is-that-yoshitora-was-born-in-edo-and-that-he-eventually-became-utagawa-kuniyoshis-oldest-pupil-yoshitora-soon-showed-excellence-in-his-prints-of-bijinga-beautiful-women-kabuki-actors-and-warriors-producing-over-60-print-series-and-illustrating-more-than-100-books-he-was-imprisoned-and-manacled-for-forty-days-by-censors-who-interpreted-one-of-his-prints-as-a-criticism-of-authority-which-resulted-in-his-expulsion-from-kuniyoshis-st-image344280043.html
Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - Utagawa Hiroshige ( 1797 - 1858 ) - Print from the series ' 100 views of Edo ' - EDo Period 1856 - 1858
Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - Utagawa Hiroshige ( 1797 - 1858 ) - Print from the series ' 100 views of Edo ' - EDo Period 1856 - 1858 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/italy-piedmont-turin-mazzonis-palace-mao-museum-museo-darte-orientale-museum-of-oriental-art-utagawa-hiroshige-1797-1858-print-from-the-series-100-views-of-edo-edo-period-1856-1858-image332578573.html
Organic Print [Commercial Print Series]
Organic Print [Commercial Print Series] https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-organic-print-commercial-print-series-16552054.html
. Wang Changling. A poem by Wang Changling, 'The night is still and a hundred flowers are fragrant in the western palace. She orders the screen to be rolled up, regretting the passing of spring with the Yunhe across her lap. She gazes at the moon, the colors of the trees are hazy in the indistinct moonlight.' No. 54 in the ukiyo-e print series One Hundred Aspects of the Moon. 1887. Yoshitoshi (1839–1892) Alternative names Taiso Yoshitoshi Description Japanese painter and illustrator Date of birth/death 30 April 1839 9 June 1892 Location of birth/death Edo Ryōgoku Work period Ukiyo-e
. Wang Changling. A poem by Wang Changling, 'The night is still and a hundred flowers are fragrant in the western palace. She orders the screen to be rolled up, regretting the passing of spring with the Yunhe across her lap. She gazes at the moon, the colors of the trees are hazy in the indistinct moonlight.' No. 54 in the ukiyo-e print series One Hundred Aspects of the Moon. 1887. Yoshitoshi (1839–1892) Alternative names Taiso Yoshitoshi Description Japanese painter and illustrator Date of birth/death 30 April 1839 9 June 1892 Location of birth/death Edo Ryōgoku Work period Ukiyo-e https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/wang-changling-a-poem-by-wang-changling-the-night-is-still-and-a-hundred-flowers-are-fragrant-in-the-western-palace-she-orders-the-screen-to-be-rolled-up-regretting-the-passing-of-spring-with-the-yunhe-across-her-lap-she-gazes-at-the-moon-the-colors-of-the-trees-are-hazy-in-the-indistinct-moonlight-no-54-in-the-ukiyo-e-print-series-one-hundred-aspects-of-the-moon-1887-yoshitoshi-18391892-alternative-names-taiso-yoshitoshi-description-japanese-painter-and-illustrator-date-of-birthdeath-30-april-1839-9-june-1892-location-of-birthdeath-edo-rygoku-work-period-ukiyo-e-image187543987.html
Hokusai. The Great Wave off Kanagawa by the Japanese artist and printmaker, Katsushika Hokusai (葛飾 北斎, c. 1760-1849), color woodblock print, c. 1830 from the series Thirty-six Views of Mount Fuji
Hokusai. The Great Wave off Kanagawa by the Japanese artist and printmaker, Katsushika Hokusai (葛飾 北斎, c. 1760-1849), color woodblock print, c. 1830 from the series Thirty-six Views of Mount Fuji https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hokusai-the-great-wave-off-kanagawa-by-the-japanese-artist-and-printmaker-katsushika-hokusai-c-1760-1849-color-woodblock-print-c-1830-from-the-series-thirty-six-views-of-mount-fuji-image409772052.html
The down hill road. Print showing The new year - how they began and The old year - how they came out a series of vignettes depicting a man and a woman, each taking a first drink, until they succomb to alcoholism. The central panel details a young man taki
The down hill road. Print showing The new year - how they began and The old year - how they came out a series of vignettes depicting a man and a woman, each taking a first drink, until they succomb to alcoholism. The central panel details a young man taki https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-down-hill-road-print-showing-the-new-year-how-they-began-and-the-83149665.html
Francisco de Goya, Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas). This is print number 7 in a 33 print series on bullfighting.
Francisco de Goya, Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas). This is print number 7 in a 33 print series on bullfighting. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/francisco-de-goya-origen-de-los-arpones-o-banderillas-origin-of-the-harpoons-or-banderillas-this-is-print-number-7-in-a-33-print-series-on-bullfighting-image455370636.html
Sacrifices of Cain and Abel preliminary design for Spiritus Pietatis The Spirit of Piety plate 6 in The Seven Gifts of the Holy Spirit print series. Cain, viewed form behind kneels before an altar at left, upon which is placed his burnt offering of sheafs of corn.
Sacrifices of Cain and Abel preliminary design for Spiritus Pietatis The Spirit of Piety plate 6 in The Seven Gifts of the Holy Spirit print series. Cain, viewed form behind kneels before an altar at left, upon which is placed his burnt offering of sheafs of corn. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sacrifices-of-cain-and-abel-preliminary-design-for-spiritus-pietatis-the-spirit-of-piety-plate-6-in-the-seven-gifts-of-the-holy-spirit-print-series-cain-viewed-form-behind-kneels-before-an-altar-at-left-upon-which-is-placed-his-burnt-offering-of-sheafs-of-corn-image353484074.html
colour letters series lexicon novel heel print look up volume reference book
colour letters series lexicon novel heel print look up volume reference book https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-colour-letters-series-lexicon-novel-heel-print-look-up-volume-reference-141092837.html
PLATE 15. The Invention of Eyeglasses. Fifteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of various people wearing eyeglasses. This scene takes place outside in what appears to be a market setting.
PLATE 15. The Invention of Eyeglasses. Fifteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of various people wearing eyeglasses. This scene takes place outside in what appears to be a market setting. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-15-the-invention-of-eyeglasses-fifteenth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-various-people-wearing-eyeglasses-this-scene-takes-place-outside-in-what-appears-to-be-a-market-setting-image246613937.html
Meinert Gelijs, Plate from the Print Series 'Grateske voer golt smeden Schrijnwerkers Ende andere des nodich hebbende', ca. 1610–1630, Blackwork, 7 3/4 × 11 7/16 × 1/8 in. (19.7 × 29 × 0.3 cm), Plate: 5 3/8 × 6 1/8 in. (13.7 × 15.6 cm
Meinert Gelijs, Plate from the Print Series 'Grateske voer golt smeden Schrijnwerkers Ende andere des nodich hebbende', ca. 1610–1630, Blackwork, 7 3/4 × 11 7/16 × 1/8 in. (19.7 × 29 × 0.3 cm), Plate: 5 3/8 × 6 1/8 in. (13.7 × 15.6 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/meinert-gelijs-plate-from-the-print-series-grateske-voer-golt-smeden-schrijnwerkers-ende-andere-des-nodich-hebbende-ca-16101630-blackwork-7-34-11-716-18-in-197-29-03-cm-plate-5-38-6-18-in-137-156-cm-image344652423.html
Art inspired by Le Fontane di Roma (parts 1-4), 1691 or after, Etching, Overall: 11 x 15 7/8 x 1 5/16 in. (27.9 x 40.4 x 3.4 cm), Compendium of four print series showing views of the main fountains and water sources in and around the city of Rome, published by Giovanni Giacomo Rossi, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Le Fontane di Roma (parts 1-4), 1691 or after, Etching, Overall: 11 x 15 7/8 x 1 5/16 in. (27.9 x 40.4 x 3.4 cm), Compendium of four print series showing views of the main fountains and water sources in and around the city of Rome, published by Giovanni Giacomo Rossi, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-le-fontane-di-roma-parts-1-4-1691-or-after-etching-overall-11-x-15-78-x-1-516-in-279-x-404-x-34-cm-compendium-of-four-print-series-showing-views-of-the-main-fountains-and-water-sources-in-and-around-the-city-of-rome-published-by-giovanni-giacomo-rossi-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804069.html
Postage stamp from Japan in the Tazawa (1926-1934) - New Die Flat Plate Print series issued in 1930
Postage stamp from Japan in the Tazawa (1926-1934) - New Die Flat Plate Print series issued in 1930 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/postage-stamp-from-japan-in-the-tazawa-1926-1934-new-die-flat-plate-print-series-issued-in-1930-image238696916.html
Battle scene from the series 'The Forty-seven Faithful Samurai'. Coloured woodblock print, late 1840's. Utagawa Yoshitora (active 1850-1880) Japanese artist and printmaker..
Battle scene from the series 'The Forty-seven Faithful Samurai'. Coloured woodblock print, late 1840's. Utagawa Yoshitora (active 1850-1880) Japanese artist and printmaker.. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-battle-scene-from-the-series-the-forty-seven-faithful-samurai-coloured-57347907.html
New Inventions of Modern Times [Nova Reperta], The Invention of Stirrups, plate 9. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. Ninth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Phi
New Inventions of Modern Times [Nova Reperta], The Invention of Stirrups, plate 9. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. Ninth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Phi https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/new-inventions-of-modern-times-nova-reperta-the-invention-of-stirrups-plate-9-artist-jan-collaert-i-netherlandish-antwerp-ca-1530-1581-antwerp-after-jan-van-der-straet-called-stradanus-netherlandish-bruges-1523-1605-florence-dimensions-sheet-10-58-x-7-78-in-27-x-20-cm-publisher-philips-galle-netherlandish-haarlem-1537-1612-antwerp-date-ca-1600-ninth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-phi-image225385592.html
Charles Marville. Untitled-c. 1850-Charles Marville French, 1813-1879. Albumen print, from the series Bois de Boulogne--. 1845-1855. France.
Charles Marville. Untitled-c. 1850-Charles Marville French, 1813-1879. Albumen print, from the series Bois de Boulogne--. 1845-1855. France. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/charles-marville-untitled-c-1850-charles-marville-french-1813-1879-albumen-print-from-the-series-bois-de-boulogne-1845-1855-france-image417283615.html
Brooklyn Museum - Print from the Series Fifty-three Stages of the Tokaido (Tokaido Gojusan) - Utagawa Hiroshige (Ando)
Brooklyn Museum - Print from the Series Fifty-three Stages of the Tokaido (Tokaido Gojusan) - Utagawa Hiroshige (Ando) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-brooklyn-museum-print-from-the-series-fifty-three-stages-of-the-tokaido-132732818.html
Art Nouveau Lithograph print by Anton Sedar. Plant series: Carduus. 1900 Anton Johann Nepomuk Seder (1850 - 1916) was a German painter and decorator,
Art Nouveau Lithograph print by Anton Sedar. Plant series: Carduus. 1900 Anton Johann Nepomuk Seder (1850 - 1916) was a German painter and decorator, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-nouveau-lithograph-print-by-anton-sedar-plant-series-carduus-1900-anton-johann-nepomuk-seder-1850-1916-was-a-german-painter-and-decorator-image460460336.html
Utagawa Hiroshige, woodblock print, Plum Park in Kameido, from the series One Hundred Famous Views of Edo, 1857
Utagawa Hiroshige, woodblock print, Plum Park in Kameido, from the series One Hundred Famous Views of Edo, 1857 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/utagawa-hiroshige-woodblock-print-plum-park-in-kameido-from-the-series-one-hundred-famous-views-of-edo-1857-image356527270.html
Katsushika Hokusai (October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s. Hokusai created the 'Thirty-Six Views' both as a response to a domestic travel boom and as part of a personal obsession with Mount
Katsushika Hokusai (October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s. Hokusai created the 'Thirty-Six Views' both as a response to a domestic travel boom and as part of a personal obsession with Mount https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/katsushika-hokusai-october-31-1760-may-10-1849-was-a-japanese-artist-ukiyo-e-painter-and-printmaker-of-the-edo-period-he-was-influenced-by-such-painters-as-sesshu-and-other-styles-of-chinese-painting-born-in-edo-now-tokyo-hokusai-is-best-known-as-author-of-the-woodblock-print-series-thirty-six-views-of-mount-fuji-fugaku-sanjroku-kei-c-1831-which-includes-the-internationally-recognized-print-the-great-wave-off-kanagawa-created-during-the-1820s-hokusai-created-the-thirty-six-views-both-as-a-response-to-a-domestic-travel-boom-and-as-part-of-a-personal-obsession-with-mount-image344279840.html
Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - Utagawa Hiroshige ( 1797 - 1858 ) - Print from the series ' 100 views of Edo ' - EDo Period 1856 - 1858
Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - Utagawa Hiroshige ( 1797 - 1858 ) - Print from the series ' 100 views of Edo ' - EDo Period 1856 - 1858 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/italy-piedmont-turin-mazzonis-palace-mao-museum-museo-darte-orientale-museum-of-oriental-art-utagawa-hiroshige-1797-1858-print-from-the-series-100-views-of-edo-edo-period-1856-1858-image332578579.html
Organic Print [Commercial Print Series]
Organic Print [Commercial Print Series] https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-organic-print-commercial-print-series-16548986.html
. Wang Changling. A poem by Wang Changling, 'The night is still and a hundred flowers are fragrant in the western palace. She orders the screen to be rolled up, regretting the passing of spring with the Yunhe across her lap. She gazes at the moon, the colors of the trees are hazy in the indistinct moonlight.' No. 54 in the ukiyo-e print series One Hundred Aspects of the Moon. 1887. Yoshitoshi (1839–1892) Alternative names Taiso Yoshitoshi Description Japanese painter and illustrator Date of birth/death 30 April 1839 9 June 1892 Location of birth/death Edo Ryōgoku Work period Ukiyo-e
. Wang Changling. A poem by Wang Changling, 'The night is still and a hundred flowers are fragrant in the western palace. She orders the screen to be rolled up, regretting the passing of spring with the Yunhe across her lap. She gazes at the moon, the colors of the trees are hazy in the indistinct moonlight.' No. 54 in the ukiyo-e print series One Hundred Aspects of the Moon. 1887. Yoshitoshi (1839–1892) Alternative names Taiso Yoshitoshi Description Japanese painter and illustrator Date of birth/death 30 April 1839 9 June 1892 Location of birth/death Edo Ryōgoku Work period Ukiyo-e https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/wang-changling-a-poem-by-wang-changling-the-night-is-still-and-a-hundred-flowers-are-fragrant-in-the-western-palace-she-orders-the-screen-to-be-rolled-up-regretting-the-passing-of-spring-with-the-yunhe-across-her-lap-she-gazes-at-the-moon-the-colors-of-the-trees-are-hazy-in-the-indistinct-moonlight-no-54-in-the-ukiyo-e-print-series-one-hundred-aspects-of-the-moon-1887-yoshitoshi-18391892-alternative-names-taiso-yoshitoshi-description-japanese-painter-and-illustrator-date-of-birthdeath-30-april-1839-9-june-1892-location-of-birthdeath-edo-rygoku-work-period-ukiyo-e-image188774665.html
Hokusai. Umezawa Manor in Sagami Province by Katsushika Hokusai (葛飾 北斎, c. 1760-1849), polychrom woodblock print, ink and color on paper, c. 1830-32, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Hokusai. Umezawa Manor in Sagami Province by Katsushika Hokusai (葛飾 北斎, c. 1760-1849), polychrom woodblock print, ink and color on paper, c. 1830-32, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hokusai-umezawa-manor-in-sagami-province-by-katsushika-hokusai-c-1760-1849-polychrom-woodblock-print-ink-and-color-on-paper-c-1830-32-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjrokkei-image451735930.html
HOKUSAI (1760-1849) Japanese artist who created Thirty-six Views of Mount Fuji between about 1830 and 1832. The Great Wave off Kanagawa is the best know print from the series.
HOKUSAI (1760-1849) Japanese artist who created Thirty-six Views of Mount Fuji between about 1830 and 1832. The Great Wave off Kanagawa is the best know print from the series. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hokusai-1760-1849-japanese-artist-who-created-thirty-six-views-of-mount-fuji-between-about-1830-and-1832-the-great-wave-off-kanagawa-is-the-best-know-print-from-the-series-image389264613.html
Francisco de Goya, Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull). This is print number 30 in a 33 print series on bullfighting.
Francisco de Goya, Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull). This is print number 30 in a 33 print series on bullfighting. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/francisco-de-goya-pedro-romero-matando-a-toro-parado-pedro-romero-killing-the-halted-bull-this-is-print-number-30-in-a-33-print-series-on-bullfighting-image455370640.html
The Sacrifice of Job preliminary design for Spiritus Timoris Domini The Gift of the Fear of the Lord plate 7 in The Seven Gifts of the Holy Spirit print series. Job prays before an altar upon which two rams burn; at left two male figures in conversation.
The Sacrifice of Job preliminary design for Spiritus Timoris Domini The Gift of the Fear of the Lord plate 7 in The Seven Gifts of the Holy Spirit print series. Job prays before an altar upon which two rams burn; at left two male figures in conversation. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-sacrifice-of-job-preliminary-design-for-spiritus-timoris-domini-the-gift-of-the-fear-of-the-lord-plate-7-in-the-seven-gifts-of-the-holy-spirit-print-series-job-prays-before-an-altar-upon-which-two-rams-burn-at-left-two-male-figures-in-conversation-image353484083.html
letters series lexicon novel heel print look up volume reference book letter
letters series lexicon novel heel print look up volume reference book letter https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-letters-series-lexicon-novel-heel-print-look-up-volume-reference-book-141092836.html
PLATE 1. The Discovery of America. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a sailor (Vespucci) coming to shore and discovering America. He encounters a native woman seated in a hammock.
PLATE 1. The Discovery of America. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a sailor (Vespucci) coming to shore and discovering America. He encounters a native woman seated in a hammock. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-1-the-discovery-of-america-first-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-a-sailor-vespucci-coming-to-shore-and-discovering-america-he-encounters-a-native-woman-seated-in-a-hammock-image246613990.html
Meinert Gelijs, Plate from the Print Series 'Grateske voer golt smeden Schrijnwerkers Ende andere des nodich hebbende', ca. 1610–1630, Blackwork, 7 3/4 × 11 7/16 × 1/8 in. (19.7 × 29 × 0.3 cm), Plate: 5 3/8 × 6 1/8 in. (13.6 × 15.6 cm
Meinert Gelijs, Plate from the Print Series 'Grateske voer golt smeden Schrijnwerkers Ende andere des nodich hebbende', ca. 1610–1630, Blackwork, 7 3/4 × 11 7/16 × 1/8 in. (19.7 × 29 × 0.3 cm), Plate: 5 3/8 × 6 1/8 in. (13.6 × 15.6 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/meinert-gelijs-plate-from-the-print-series-grateske-voer-golt-smeden-schrijnwerkers-ende-andere-des-nodich-hebbende-ca-16101630-blackwork-7-34-11-716-18-in-197-29-03-cm-plate-5-38-6-18-in-136-156-cm-image344652424.html
Art inspired by Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti, 1691 or after, Etching, Plate: 8 5/16 x 12 3/16 in. (21.1 x 31 cm), Third part of the print series on the fountains of Rome and its surroundings published by Giovanni Giacomo de Rossi. 'Le, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti, 1691 or after, Etching, Plate: 8 5/16 x 12 3/16 in. (21.1 x 31 cm), Third part of the print series on the fountains of Rome and its surroundings published by Giovanni Giacomo de Rossi. 'Le, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-le-fontane-ne-palazzi-e-ne-giardini-di-roma-con-li-loro-prospetti-et-ornamenti-1691-or-after-etching-plate-8-516-x-12-316-in-211-x-31-cm-third-part-of-the-print-series-on-the-fountains-of-rome-and-its-surroundings-published-by-giovanni-giacomo-de-rossi-le-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463014335.html
BRITISH FOSSILS. Carboniferous Limestone Series. STANFORD 1907 old print
BRITISH FOSSILS. Carboniferous Limestone Series. STANFORD 1907 old print https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/british-fossils-carboniferous-limestone-series-stanford-1907-old-print-image356272296.html
Kameyama: from the series 'The Fifty-three Stations of the Tokaido', c1832. Coloured woodblock print. Snow covered landscape with pine trees by steep pathwalking up to building at top. Ando Hiroshige also called Ando Tokutaro (1797-1858) Japanese artist and printmaker.
Kameyama: from the series 'The Fifty-three Stations of the Tokaido', c1832. Coloured woodblock print. Snow covered landscape with pine trees by steep pathwalking up to building at top. Ando Hiroshige also called Ando Tokutaro (1797-1858) Japanese artist and printmaker. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-kameyama-from-the-series-the-fifty-three-stations-of-the-tokaido-c1832-57347866.html
![Organic Print [Commercial Print Series] - Stock Image](https://c8.alamy.com/comp/AWE0KN/organic-print-commercial-print-series-AWE0KN.jpg)
![Organic Print [Commercial Print Series] - Stock Image](https://c8.alamy.com/comp/AWDKGG/organic-print-commercial-print-series-AWDKGG.jpg)
![Organic Print [Commercial Print Series] - Stock Image](https://c8.alamy.com/comp/AWE0MR/organic-print-commercial-print-series-AWE0MR.jpg)
![New Inventions of Modern Times [Nova Reperta], The Invention of Stirrups, plate 9. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. Ninth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Phi - Stock Image](https://c8.alamy.com/comp/R2K5HC/new-inventions-of-modern-times-nova-reperta-the-invention-of-stirrups-plate-9-artist-jan-collaert-i-netherlandish-antwerp-ca-1530-1581-antwerp-after-jan-van-der-straet-called-stradanus-netherlandish-bruges-1523-1605-florence-dimensions-sheet-10-58-x-7-78-in-27-x-20-cm-publisher-philips-galle-netherlandish-haarlem-1537-1612-antwerp-date-ca-1600-ninth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-phi-R2K5HC.jpg)
![Organic Print [Commercial Print Series] - Stock Image](https://c8.alamy.com/comp/AWDKGY/organic-print-commercial-print-series-AWDKGY.jpg)
