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Pompeo batoni Stock Photos and Images
Pompeo Batoni 1708-1787, Colonel the Honourable. The Scotsman William Gordon (1736-1816), 1766. 18th Century, UK, United, Kingdom, England, English, British, Britain, Scotland ( He wears a tartan with a Scottish design before the Colosseum in Rome.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pompeo-batoni-1708-1787-colonel-the-honourable-the-scotsman-william-gordon-1736-1816-1766-18th-century-uk-united-kingdom-england-english-british-britain-scotland-he-wears-a-tartan-with-a-scottish-design-before-the-colosseum-in-rome-image184608478.htmlRMMM9HYX–Pompeo Batoni 1708-1787, Colonel the Honourable. The Scotsman William Gordon (1736-1816), 1766. 18th Century, UK, United, Kingdom, England, English, British, Britain, Scotland ( He wears a tartan with a Scottish design before the Colosseum in Rome.)
Pompeo Batoni - Sacra Famiglia con i santi Elisabetta e Giovanni Battista (1777). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pompeo-batoni-sacra-famiglia-con-i-santi-elisabetta-e-giovanni-battista-1777-image218144526.htmlRMPJW9FX–Pompeo Batoni - Sacra Famiglia con i santi Elisabetta e Giovanni Battista (1777).
Pompeo Batoni - Susanna and the Elders - WGA01511 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pompeo-batoni-susanna-and-the-elders-wga01511-134708664.htmlRMHR4E7M–Pompeo Batoni - Susanna and the Elders - WGA01511
Protrait of Stephen Beckingham, 1752. Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/protrait-of-stephen-beckingham-1752-pompeo-batoni-image599836430.htmlRF2WRTWDJ–Protrait of Stephen Beckingham, 1752. Pompeo Batoni
Pompeo Batoni - Madonna and Child - WGA01505 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pompeo-batoni-madonna-and-child-wga01505-134711012.htmlRMHR4H7G–Pompeo Batoni - Madonna and Child - WGA01505
Study of a standing male model leaning against a parapet, draughtsman: Pompeo Batoni, 1718 - 1787, paper, h 425 mm × w 283 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-a-standing-male-model-leaning-against-a-parapet-draughtsman-pompeo-batoni-1718-1787-paper-h-425-mm-w-283-mm-image472082588.htmlRM2JC164C–Study of a standing male model leaning against a parapet, draughtsman: Pompeo Batoni, 1718 - 1787, paper, h 425 mm × w 283 mm
Allegory of the Arts, 1740, Städelsches Kunstinstitut, Frankfurt Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-the-arts-1740-stdelsches-kunstinstitut-frankfurt-pompeo-batoni-image600731543.htmlRM2WW9K5Y–Allegory of the Arts, 1740, Städelsches Kunstinstitut, Frankfurt Pompeo Batoni
Lisbon Portugal,Lapa,Basilica da Estrela,do Sagrado Coracao de Jesus,Convent of the Most Sacred Heart of Jesus,Catholic,cathedral,Baroque,neoclassical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lisbon-portugallapabasilica-da-estrelado-sagrado-coracao-de-jesusconvent-170997149.htmlRMKX5GH1–Lisbon Portugal,Lapa,Basilica da Estrela,do Sagrado Coracao de Jesus,Convent of the Most Sacred Heart of Jesus,Catholic,cathedral,Baroque,neoclassical
Vulcan 1750 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vulcan-1750-by-pompeo-batoni-image557226450.htmlRM2RAFT0J–Vulcan 1750 by Pompeo Batoni
Pompeo Batoni, Portrait of a Gentleman, c 1762 Portrait of a Gentleman; c. 1762 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pompeo-batoni-portrait-of-a-gentleman-c-1762-portrait-of-a-gentleman-c-1762-image336044654.htmlRM2AEM4AP–Pompeo Batoni, Portrait of a Gentleman, c 1762 Portrait of a Gentleman; c. 1762
©Active Museu/MAXPPP - ActiveMuseum 0000924.jpg / Portrait d'un Gentleman, 1762 - Pompeo Batoni - Portrait of a Gentleman 1762 - / Pompeo Batoni / Peinture Active Museum / Le Pictorium Classicism ,Gentelman ,Jacket ,Man ,Neoclassicism ,Portrait ,Rococo style ,Uniform ,Vertical ,18th century ,Pompeo Batoni ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0000924jpg-portrait-dun-gentleman-1762-pompeo-batoni-portrait-of-a-gentleman-1762-pompeo-batoni-peinture-active-museum-le-pictorium-classicism-gentelman-jacket-man-neoclassicism-portrait-rococo-style-uniform-vertical-18th-century-pompeo-batoni-painting-image486526563.htmlRM2K7F5GK– ©Active Museu/MAXPPP - ActiveMuseum 0000924.jpg / Portrait d'un Gentleman, 1762 - Pompeo Batoni - Portrait of a Gentleman 1762 - / Pompeo Batoni / Peinture Active Museum / Le Pictorium Classicism ,Gentelman ,Jacket ,Man ,Neoclassicism ,Portrait ,Rococo style ,Uniform ,Vertical ,18th century ,Pompeo Batoni ,Painting ,
Art inspired by Allegory in Honor of Pope Benedict XIV, ca. 1745, Red chalk, highlighted with white, on beige paper, 14 3/16 x 9 13/16in. (36 x 24.9cm), Drawings, Pompeo Batoni (Italian, Lucca 1708–1787 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-allegory-in-honor-of-pope-benedict-xiv-ca-1745-red-chalk-highlighted-with-white-on-beige-paper-14-316-x-9-1316in-36-x-249cm-drawings-pompeo-batoni-italian-lucca-17081787-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950905.htmlRF2HW56GW–Art inspired by Allegory in Honor of Pope Benedict XIV, ca. 1745, Red chalk, highlighted with white, on beige paper, 14 3/16 x 9 13/16in. (36 x 24.9cm), Drawings, Pompeo Batoni (Italian, Lucca 1708–1787 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
©Active Museu/MAXPPP - ActiveMuseum 0000678.jpg / Diane et Cupidon, 1761 - Pompeo Batoni 1761 - / Pompeo Batoni / Peinture Active Museum / Le Pictorium Ancient god ,Cherub ,Classicism ,Goddess ,Horizontal ,Hunting ,Hunting dog ,Neoclassicism ,Play (noun) ,Rococo style ,Tree ,Diana (goddess) ,18th century ,Pompeo Batoni ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0000678jpg-diane-et-cupidon-1761-pompeo-batoni-1761-pompeo-batoni-peinture-active-museum-le-pictorium-ancient-god-cherub-classicism-goddess-horizontal-hunting-hunting-dog-neoclassicism-play-noun-rococo-style-tree-diana-goddess-18th-century-pompeo-batoni-painting-image486526184.htmlRM2K7F534– ©Active Museu/MAXPPP - ActiveMuseum 0000678.jpg / Diane et Cupidon, 1761 - Pompeo Batoni 1761 - / Pompeo Batoni / Peinture Active Museum / Le Pictorium Ancient god ,Cherub ,Classicism ,Goddess ,Horizontal ,Hunting ,Hunting dog ,Neoclassicism ,Play (noun) ,Rococo style ,Tree ,Diana (goddess) ,18th century ,Pompeo Batoni ,Painting ,
. Portrait of Augustus Henry FitzRoy, 3rd Duke of Grafton, Prime Minister of Great Britain . 8 April 2010, 05:44 (UTC). Grafton3.JPG: Pompeo Batoni derivative work: Adam sk (talk) 252 Grafton3 cropped Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-augustus-henry-fitzroy-3rd-duke-of-grafton-prime-minister-of-great-britain-8-april-2010-0544-utc-grafton3jpg-pompeo-batoni-derivative-work-adam-sk-talk-252-grafton3-cropped-image187967926.htmlRMMWPK06–. Portrait of Augustus Henry FitzRoy, 3rd Duke of Grafton, Prime Minister of Great Britain . 8 April 2010, 05:44 (UTC). Grafton3.JPG: Pompeo Batoni derivative work: Adam sk (talk) 252 Grafton3 cropped
©Active Museu/MAXPPP - ActiveMuseum 0002248.jpg / Charles Joseph Crowle 1762 - / Pompeo Batoni / Peinture Active Museum / Le Pictorium Console ,Costume ,Dog ,Elegance ,Figurative painting ,Leaned ,Man ,Office ,Portrait ,Statuette ,Vertical ,Europe ,Italy ,Rome ,Western Europe ,Charles Joseph Crowle ,18th century ,Pompeo Batoni ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0002248jpg-charles-joseph-crowle-1762-pompeo-batoni-peinture-active-museum-le-pictorium-console-costume-dog-elegance-figurative-painting-leaned-man-office-portrait-statuette-vertical-europe-italy-rome-western-europe-charles-joseph-crowle-18th-century-pompeo-batoni-painting-image486529229.htmlRM2K7F8YW– ©Active Museu/MAXPPP - ActiveMuseum 0002248.jpg / Charles Joseph Crowle 1762 - / Pompeo Batoni / Peinture Active Museum / Le Pictorium Console ,Costume ,Dog ,Elegance ,Figurative painting ,Leaned ,Man ,Office ,Portrait ,Statuette ,Vertical ,Europe ,Italy ,Rome ,Western Europe ,Charles Joseph Crowle ,18th century ,Pompeo Batoni ,Painting ,
'Sir Watkin Williams Wynn, Thomas Apperley, and Captain Edward Hamilton', 1768-72 Artist: Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-watkin-williams-wynn-thomas-apperley-and-captain-edward-hamilton-135268694.htmlRMHT20GP–'Sir Watkin Williams Wynn, Thomas Apperley, and Captain Edward Hamilton', 1768-72 Artist: Pompeo Batoni.
Painting titled 'Time orders Old Age to Destroy Beauty' by Italian Artist Pompeo Girolamo Batoni dated 1746 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-time-orders-old-age-to-destroy-beauty-by-italian-artist-pompeo-girolamo-batoni-dated-1746-image474714750.htmlRM2JG93E6–Painting titled 'Time orders Old Age to Destroy Beauty' by Italian Artist Pompeo Girolamo Batoni dated 1746
William Fermor. Date/Period: 1758. Painting. Oil on canvas Oil on canvas. Height: 993.90 mm (39.13 in); Width: 735.07 mm (28.94 in). Author: Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-fermor-dateperiod-1758-painting-oil-on-canvas-oil-on-canvas-height-99390-mm-3913-in-width-73507-mm-2894-in-author-pompeo-batoni-image219109234.htmlRMPMD81P–William Fermor. Date/Period: 1758. Painting. Oil on canvas Oil on canvas. Height: 993.90 mm (39.13 in); Width: 735.07 mm (28.94 in). Author: Pompeo Batoni.
Portrait of Richard Milles (c1735-1820) c1760. Pompeo Girolamo Batoni (1708-1787) Italian painter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-richard-milles-c1735-1820-c1760-pompeo-girolamo-batoni-57353325.htmlRMD98JN1–Portrait of Richard Milles (c1735-1820) c1760. Pompeo Girolamo Batoni (1708-1787) Italian painter.
Portrait of John Talbot, later 1st Earl Talbot. Pompeo Batoni (Italian (Lucchese), 1708 - 1787) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-john-talbot-later-1st-earl-talbot-pompeo-batoni-italian-lucchese-1708-1787-image416511552.htmlRM2F5HMMG–Portrait of John Talbot, later 1st Earl Talbot. Pompeo Batoni (Italian (Lucchese), 1708 - 1787)
Cleopatra showing Octavius the bust of Julius Caesar, Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cleopatra-showing-octavius-the-bust-of-julius-caesar-pompeo-batoni-image260463729.htmlRMW3N441–Cleopatra showing Octavius the bust of Julius Caesar, Pompeo Batoni.
Portrait of Richard Milles by Italian painter Pompeo Girolamo Batoni at the National Gallery, London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-richard-milles-by-italian-painter-pompeo-girolamo-batoni-at-the-national-gallery-london-uk-image521966641.htmlRM2N95HNN–Portrait of Richard Milles by Italian painter Pompeo Girolamo Batoni at the National Gallery, London, UK
Jean Georges Wille 1778 La mort de Marc-Antoine de Pompeo BATONI (1763). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-georges-wille-1778-la-mort-de-marc-antoine-de-pompeo-batoni-1763-image369351303.htmlRM2CCWB9Y–Jean Georges Wille 1778 La mort de Marc-Antoine de Pompeo BATONI (1763).
Pompeo Batoni - Holy Family - WGA1504 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pompeo-batoni-holy-family-wga1504-134710951.htmlRMHR4H5B–Pompeo Batoni - Holy Family - WGA1504
God with angels in the clouds, draughtsman: Giuseppe Baroni, draughtsman: Pompeo Batoni, c. 1640 - 1730 and/or 1718 - 1787, paper, brush, h 221 mm × w 290 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/god-with-angels-in-the-clouds-draughtsman-giuseppe-baroni-draughtsman-pompeo-batoni-c-1640-1730-andor-1718-1787-paper-brush-h-221-mm-w-290-mm-image472075543.htmlRM2JC0W4R–God with angels in the clouds, draughtsman: Giuseppe Baroni, draughtsman: Pompeo Batoni, c. 1640 - 1730 and/or 1718 - 1787, paper, brush, h 221 mm × w 290 mm
Kirill Razumovsky (Pompeo Batoni). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kirill-razumovsky-pompeo-batoni-image386340097.htmlRM2DCF8MH–Kirill Razumovsky (Pompeo Batoni).
Allegory of the Arts, 1740, Städelsches Kunstinstitut, Frankfurt Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-the-arts-1740-stdelsches-kunstinstitut-frankfurt-pompeo-batoni-image599834108.htmlRF2WRTPEM–Allegory of the Arts, 1740, Städelsches Kunstinstitut, Frankfurt Pompeo Batoni
William Fermor 1758 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-fermor-1758-by-pompeo-batoni-image544098188.htmlRM2PH5PP4–William Fermor 1758 by Pompeo Batoni
Marriage of Cupid and Psyche, 1756, Berlin State Museums Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marriage-of-cupid-and-psyche-1756-berlin-state-museums-pompeo-batoni-image599834112.htmlRF2WRTPET–Marriage of Cupid and Psyche, 1756, Berlin State Museums Pompeo Batoni
Baria Vergine 1741 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baria-vergine-1741-by-pompeo-batoni-image557226514.htmlRM2RAFT2X–Baria Vergine 1741 by Pompeo Batoni
Art inspired by Bust-Length Study of a Child, 1708–87, Black chalk, hightlighted with white chalk, on blue-gray paper, 6 3/16 x 7 7/16in. (15.7 x 18.9cm), Drawings, Pompeo Batoni (Italian, Lucca 1708–1787 Rome), Drawn after life, this delicate study renders the child's head and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bust-length-study-of-a-child-170887-black-chalk-hightlighted-with-white-chalk-on-blue-gray-paper-6-316-x-7-716in-157-x-189cm-drawings-pompeo-batoni-italian-lucca-17081787-rome-drawn-after-life-this-delicate-study-renders-the-childs-head-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462948741.htmlRF2HW53RH–Art inspired by Bust-Length Study of a Child, 1708–87, Black chalk, hightlighted with white chalk, on blue-gray paper, 6 3/16 x 7 7/16in. (15.7 x 18.9cm), Drawings, Pompeo Batoni (Italian, Lucca 1708–1787 Rome), Drawn after life, this delicate study renders the child's head and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Edward Howard 1766 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edward-howard-1766-by-pompeo-batoni-image557226330.htmlRM2RAFRTA–Edward Howard 1766 by Pompeo Batoni
. Portrait of Augustus Henry FitzRoy, 3rd Duke of Grafton, Prime Minister of Great Britain . 8 April 2010, 05:44 (UTC). Grafton3.JPG: Pompeo Batoni derivative work: Adam sk (talk) 251 Grafton3 cropped Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-augustus-henry-fitzroy-3rd-duke-of-grafton-prime-minister-of-great-britain-8-april-2010-0544-utc-grafton3jpg-pompeo-batoni-derivative-work-adam-sk-talk-251-grafton3-cropped-image187511961.htmlRMMW1WBN–. Portrait of Augustus Henry FitzRoy, 3rd Duke of Grafton, Prime Minister of Great Britain . 8 April 2010, 05:44 (UTC). Grafton3.JPG: Pompeo Batoni derivative work: Adam sk (talk) 251 Grafton3 cropped
©Active Museu/MAXPPP - ActiveMuseum 0002252.jpg / La Vierge de l'Annonciation 1741 - / Pompeo Batoni / Peinture Active Museum / Le Pictorium Annunciation ,Catholic (adj and noun) ,Catholic religion ,Catholicism ,Christian ,Christian religion ,Christianity (religion) ,Figurative painting ,Portrait ,Religion ,Religious ,Vertical ,Virgin ,With folded hands ,Woman ,18th century ,Pompeo Batoni ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0002252jpg-la-vierge-de-lannonciation-1741-pompeo-batoni-peinture-active-museum-le-pictorium-annunciation-catholic-adj-and-noun-catholic-religion-catholicism-christian-christian-religion-christianity-religion-figurative-painting-portrait-religion-religious-vertical-virgin-with-folded-hands-woman-18th-century-pompeo-batoni-painting-image486529251.htmlRM2K7F90K– ©Active Museu/MAXPPP - ActiveMuseum 0002252.jpg / La Vierge de l'Annonciation 1741 - / Pompeo Batoni / Peinture Active Museum / Le Pictorium Annunciation ,Catholic (adj and noun) ,Catholic religion ,Catholicism ,Christian ,Christian religion ,Christianity (religion) ,Figurative painting ,Portrait ,Religion ,Religious ,Vertical ,Virgin ,With folded hands ,Woman ,18th century ,Pompeo Batoni ,Painting ,
Art inspired by The Penitent Magdalene, ca. 1783–90, German, Meissen, Hard-paste biscuit porcelain, 8 3/4 × 11 13/16 × 6 7/16 in. (22.2 × 30 × 16.4 cm), Ceramics-Porcelain, The pose of the Magdalene is derived from a painting by Pompeo Batoni (1708–1787) that entered the Royal Saxon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-penitent-magdalene-ca-178390-german-meissen-hard-paste-biscuit-porcelain-8-34-11-1316-6-716-in-222-30-164-cm-ceramics-porcelain-the-pose-of-the-magdalene-is-derived-from-a-painting-by-pompeo-batoni-17081787-that-entered-the-royal-saxon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462779471.htmlRF2HTWBX7–Art inspired by The Penitent Magdalene, ca. 1783–90, German, Meissen, Hard-paste biscuit porcelain, 8 3/4 × 11 13/16 × 6 7/16 in. (22.2 × 30 × 16.4 cm), Ceramics-Porcelain, The pose of the Magdalene is derived from a painting by Pompeo Batoni (1708–1787) that entered the Royal Saxon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pompeo Girolamo Batoni. Study for Saint Bartholomew and Drapery. 1735–1745. Italy. Red chalk, heightened with white chalk, on beige laid paper, squared for transfer with red chalk, edge mounted to blue wove card Pompeo Batoni was one of the foremost religious painters working in Rome in the 18th century. This sheet of studies was preparatory for his painting Saint Bartholomew (1740/45; private collection, Rome). It was part of a series of canvases representing Christ’s apostles commissioned by Count Cesare Merenda, Batoni’s most dedicated patron, for his gallery in the town of Forlì in central Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pompeo-girolamo-batoni-study-for-saint-bartholomew-and-drapery-17351745-italy-red-chalk-heightened-with-white-chalk-on-beige-laid-paper-squared-for-transfer-with-red-chalk-edge-mounted-to-blue-wove-card-pompeo-batoni-was-one-of-the-foremost-religious-painters-working-in-rome-in-the-18th-century-this-sheet-of-studies-was-preparatory-for-his-painting-saint-bartholomew-174045-private-collection-rome-it-was-part-of-a-series-of-canvases-representing-christs-apostles-commissioned-by-count-cesare-merenda-batonis-most-dedicated-patron-for-his-gallery-in-the-town-of-forl-in-central-image337950399.htmlRM2AHPY53–Pompeo Girolamo Batoni. Study for Saint Bartholomew and Drapery. 1735–1745. Italy. Red chalk, heightened with white chalk, on beige laid paper, squared for transfer with red chalk, edge mounted to blue wove card Pompeo Batoni was one of the foremost religious painters working in Rome in the 18th century. This sheet of studies was preparatory for his painting Saint Bartholomew (1740/45; private collection, Rome). It was part of a series of canvases representing Christ’s apostles commissioned by Count Cesare Merenda, Batoni’s most dedicated patron, for his gallery in the town of Forlì in central
Pompeo Batoni / 'George Legge, Viscount Lewisham', 1778, Italian School, Oil on canvas, 127 cm x 100 cm, P00048. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pompeo-batoni-george-legge-viscount-lewisham-1778-italian-school-oil-on-canvas-127-cm-x-100-cm-p00048-museum-museo-del-prado-madrid-spain-image630867247.htmlRM2YJADH3–Pompeo Batoni / 'George Legge, Viscount Lewisham', 1778, Italian School, Oil on canvas, 127 cm x 100 cm, P00048. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
Inspired by Portrait of Cardinal Jean-François Joseph de Rochechouart, Pompeo Girolamo Batoni, Italian, 1708–1787, 1762, Oil on canvas, Made in Rome, Lazio, Italy, Europe, Paintings, 53 1/2 x 39 in. (135.9 x 99.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-cardinal-jean-franois-joseph-de-rochechouart-pompeo-girolamo-batoni-italian-17081787-1762-oil-on-canvas-made-in-rome-lazio-italy-europe-paintings-53-12-x-39-in-1359-x-991-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459274618.htmlRF2HK5NCX–Inspired by Portrait of Cardinal Jean-François Joseph de Rochechouart, Pompeo Girolamo Batoni, Italian, 1708–1787, 1762, Oil on canvas, Made in Rome, Lazio, Italy, Europe, Paintings, 53 1/2 x 39 in. (135.9 x 99.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa. Pompeo Batoni (Italian (Lucchese), 1708 - 1787) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-in-glory-with-saints-celsus-julian-marcionilla-and-basilissa-pompeo-batoni-italian-lucchese-1708-1787-image416547809.htmlRM2F5KAYD–Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa. Pompeo Batoni (Italian (Lucchese), 1708 - 1787)
London, UK. 11th July, 2022. Portrait of Edward Solly by Pompeo Batoni. Estimate: £120,000-180,000 with other works - The Grand Tour sale at Bonhams New Bond Street. The sale itself will take place on Thursday 14 July in London Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-11th-july-2022-portrait-of-edward-solly-by-pompeo-batoni-estimate-120000-180000-with-other-works-the-grand-tour-sale-at-bonhams-new-bond-street-the-sale-itself-will-take-place-on-thursday-14-july-in-london-credit-guy-bellalamy-live-news-image474907868.htmlRM2JGHWR8–London, UK. 11th July, 2022. Portrait of Edward Solly by Pompeo Batoni. Estimate: £120,000-180,000 with other works - The Grand Tour sale at Bonhams New Bond Street. The sale itself will take place on Thursday 14 July in London Credit: Guy Bell/Alamy Live News
Time orders Old Age to destroy Beauty by Italian painter Pompeo Girolamo Batoni at the National Gallery, London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/time-orders-old-age-to-destroy-beauty-by-italian-painter-pompeo-girolamo-batoni-at-the-national-gallery-london-uk-image429027366.htmlRM2FWYTNX–Time orders Old Age to destroy Beauty by Italian painter Pompeo Girolamo Batoni at the National Gallery, London, UK
James Bruce of Kinnaird (1730-1794) as a confident young man, painted by Pompeo Girolamo Batoni (1708-1787), Italian painter. The African Adventure - A History of Africa's Explorers by Timothy Severin page 109. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-bruce-of-kinnaird-1730-1794-as-a-confident-young-man-painted-by-pompeo-girolamo-batoni-1708-1787-italian-painter-the-african-adventure-a-history-of-africas-explorers-by-timothy-severin-page-109-image268794291.htmlRMWH8HT3–James Bruce of Kinnaird (1730-1794) as a confident young man, painted by Pompeo Girolamo Batoni (1708-1787), Italian painter. The African Adventure - A History of Africa's Explorers by Timothy Severin page 109.
Portrait de Gentleman Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-de-gentleman-pompeo-batoni-134665618.htmlRMHR2FAA–Portrait de Gentleman Pompeo Batoni
Mark Antony dies in Cleopatra's arms, print maker: Johann Georg Wille, after painting by: Pompeo Batoni, 1778, paper, engraving, height 382 mm × width 488 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mark-antony-dies-in-cleopatras-arms-print-maker-johann-georg-wille-after-painting-by-pompeo-batoni-1778-paper-engraving-height-382-mm-width-488-mm-print-image599537344.htmlRM2WRB800–Mark Antony dies in Cleopatra's arms, print maker: Johann Georg Wille, after painting by: Pompeo Batoni, 1778, paper, engraving, height 382 mm × width 488 mm, print
Thomas Kerrich (1748-1828), by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thomas-kerrich-1748-1828-by-pompeo-batoni-134798576.htmlRMHR8GXT–Thomas Kerrich (1748-1828), by Pompeo Batoni
Portrait of Yakov Alexandrovich Bruce by Pompeo Batoni, 1782, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-yakov-alexandrovich-bruce-by-pompeo-batoni-1782-image414579701.htmlRM2F2DMHW–Portrait of Yakov Alexandrovich Bruce by Pompeo Batoni, 1782,
Pompeo Batoni - Portrait of a lady, 1776 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pompeo-batoni-portrait-of-a-lady-1776-135688137.htmlRMHTN3GW–Pompeo Batoni - Portrait of a lady, 1776
Portrait of Richard Aldworth Neville, later Second Baron Braybrooke by Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-richard-aldworth-neville-later-second-baron-braybrooke-by-pompeo-batoni-image414577863.htmlRM2F2DJ87–Portrait of Richard Aldworth Neville, later Second Baron Braybrooke by Pompeo Batoni.
Pompeo Batoni - Allegory of Peace and War, 1776 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pompeo-batoni-allegory-of-peace-and-war-1776-135702830.htmlRMHTNP9J–Pompeo Batoni - Allegory of Peace and War, 1776
Marriage of Cupid and Psyche, 1756, Berlin State Museums Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marriage-of-cupid-and-psyche-1756-berlin-state-museums-pompeo-batoni-image600731547.htmlRM2WW9K63–Marriage of Cupid and Psyche, 1756, Berlin State Museums Pompeo Batoni
Susanna and the Elders 1751 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/susanna-and-the-elders-1751-by-pompeo-batoni-image557226164.htmlRM2RAFRJC–Susanna and the Elders 1751 by Pompeo Batoni
Portrait of Robert Udny (1722-1802) . Portrait of Robert Udny (1722-1802), half-length, in a gold-trimmed coat, holding a hat and gloves in his right hand, the Temple of the Sybil at Tivoli Beyond Pompeo Batoni (1708–1787) Alternative names Pompeo Girolamo Batoni, Pompeo Girolamo Battoni Description Italian painter, aquarellist and draughtsman Date of birth/death 25 January 1708 4 February 1787 Location of birth/death Lucca Rome Work period between circa 1723 and circa 1787 Work location Lucca (between circa 1723 and circa 1727), Rome (1727–1787) Authority control : Q505613 VIA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-robert-udny-1722-1802-portrait-of-robert-udny-1722-1802-half-length-in-a-gold-trimmed-coat-holding-a-hat-and-gloves-in-his-right-hand-the-temple-of-the-sybil-at-tivoli-beyond-pompeo-batoni-17081787-alternative-names-pompeo-girolamo-batoni-pompeo-girolamo-battoni-description-italian-painter-aquarellist-and-draughtsman-date-of-birthdeath-25-january-1708-4-february-1787-location-of-birthdeath-lucca-rome-work-period-between-circa-1723-and-circa-1787-work-location-lucca-between-circa-1723-and-circa-1727-rome-17271787-authority-control-q505613-via-image185550180.htmlRMMNTF44–Portrait of Robert Udny (1722-1802) . Portrait of Robert Udny (1722-1802), half-length, in a gold-trimmed coat, holding a hat and gloves in his right hand, the Temple of the Sybil at Tivoli Beyond Pompeo Batoni (1708–1787) Alternative names Pompeo Girolamo Batoni, Pompeo Girolamo Battoni Description Italian painter, aquarellist and draughtsman Date of birth/death 25 January 1708 4 February 1787 Location of birth/death Lucca Rome Work period between circa 1723 and circa 1787 Work location Lucca (between circa 1723 and circa 1727), Rome (1727–1787) Authority control : Q505613 VIA
Samson and Delilah, 1766, Detroit Institute of Arts, Detroit Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samson-and-delilah-1766-detroit-institute-of-arts-detroit-pompeo-batoni-image599836658.htmlRF2WRTWNP–Samson and Delilah, 1766, Detroit Institute of Arts, Detroit Pompeo Batoni
Angelo custode 1761 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelo-custode-1761-by-pompeo-batoni-image557226338.htmlRM2RAFRTJ–Angelo custode 1761 by Pompeo Batoni
Portrait of Richard Milles, 1758, the National Gallery, London Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-richard-milles-1758-the-national-gallery-london-pompeo-batoni-image599834929.htmlRF2WRTRG1–Portrait of Richard Milles, 1758, the National Gallery, London Pompeo Batoni
William Weddell. Date/Period: Between 1765 and 1766. Painting. Oil on canvas. Height: 1,330 mm (52.36 in); Width: 968 mm (38.11 in). Author: Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-weddell-dateperiod-between-1765-and-1766-painting-oil-on-canvas-height-1330-mm-5236-in-width-968-mm-3811-in-author-pompeo-batoni-image219109343.htmlRMPMD85K–William Weddell. Date/Period: Between 1765 and 1766. Painting. Oil on canvas. Height: 1,330 mm (52.36 in); Width: 968 mm (38.11 in). Author: Pompeo Batoni.
The Return of the Prodigal Son, 1773, Kunsthistorisches Museum Wien Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-return-of-the-prodigal-son-1773-kunsthistorisches-museum-wien-pompeo-batoni-image599835339.htmlRF2WRTT2K–The Return of the Prodigal Son, 1773, Kunsthistorisches Museum Wien Pompeo Batoni
Edward Weld 1761 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edward-weld-1761-by-pompeo-batoni-image557226432.htmlRM2RAFT00–Edward Weld 1761 by Pompeo Batoni
William Fermor, 1758. Museum of Fine Arts, Houston Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-fermor-1758-museum-of-fine-arts-houston-pompeo-batoni-image599834939.htmlRF2WRTRGB–William Fermor, 1758. Museum of Fine Arts, Houston Pompeo Batoni
Diana and Cupid, Pompeo Batoni, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diana-and-cupid-pompeo-batoni-image263901023.htmlRMW99MCF–Diana and Cupid, Pompeo Batoni,
Pope Pius VI, 1775, National Gallery of Ireland, Dublin Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-pius-vi-1775-national-gallery-of-ireland-dublin-pompeo-batoni-image599834934.htmlRF2WRTRG6–Pope Pius VI, 1775, National Gallery of Ireland, Dublin Pompeo Batoni
Ralph Howard, later 1st Viscount Wicklow, by Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ralph-howard-later-1st-viscount-wicklow-by-pompeo-batoni-image416519463.htmlRM2F5J2R3–Ralph Howard, later 1st Viscount Wicklow, by Pompeo Batoni.
Mark Antony dies in Cleopatra's arms, print, print maker: Johann Georg Wille, after painting by: Pompeo Batoni, 1778, paper, engraving, height, 382 mm × width, 492 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mark-antony-dies-in-cleopatras-arms-print-print-maker-johann-georg-wille-after-painting-by-pompeo-batoni-1778-paper-engraving-height-382-mm-width-492-mm-image606668833.htmlRM2X70481–Mark Antony dies in Cleopatra's arms, print, print maker: Johann Georg Wille, after painting by: Pompeo Batoni, 1778, paper, engraving, height, 382 mm × width, 492 mm
Clement XIII, c. 1758, Gemäldegalerie Alte Meister, Kassel Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clement-xiii-c1758-gemldegalerie-alte-meister-kassel-pompeo-batoni-image599835522.htmlRF2WRTT96–Clement XIII, c. 1758, Gemäldegalerie Alte Meister, Kassel Pompeo Batoni
Arthur Saunders Gore, Viscount Sudley, later 2nd Earl of Arran (1734-1809), and his wife, by Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arthur-saunders-gore-viscount-sudley-later-2nd-earl-of-arran-1734-1809-and-his-wife-by-pompeo-batoni-image215400808.htmlRMPEC9X0–Arthur Saunders Gore, Viscount Sudley, later 2nd Earl of Arran (1734-1809), and his wife, by Pompeo Batoni.
General William Gordon, 1765–66, Fyvie Castle, Fyvie, Aberdeenshire Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/general-william-gordon-176566-fyvie-castle-fyvie-aberdeenshire-pompeo-batoni-image599836737.htmlRF2WRTWTH–General William Gordon, 1765–66, Fyvie Castle, Fyvie, Aberdeenshire Pompeo Batoni
Art inspired by Portrait of Cardinal Jean-François Joseph de Rochechouart, Pompeo Girolamo Batoni, Italian, 1708-1787, 1762, Oil on canvas, Made in Rome, Lazio, Italy, Europe, Paintings, 53 1/2 x 39 in. (135.9 x 99.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-cardinal-jean-franois-joseph-de-rochechouart-pompeo-girolamo-batoni-italian-1708-1787-1762-oil-on-canvas-made-in-rome-lazio-italy-europe-paintings-53-12-x-39-in-1359-x-991-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459585920.htmlRF2HKKXET–Art inspired by Portrait of Cardinal Jean-François Joseph de Rochechouart, Pompeo Girolamo Batoni, Italian, 1708-1787, 1762, Oil on canvas, Made in Rome, Lazio, Italy, Europe, Paintings, 53 1/2 x 39 in. (135.9 x 99.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pompeo Batoni - Portrait of Charles Crowle - WGA1500 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pompeo-batoni-portrait-of-charles-crowle-wga1500-134659170.htmlRMHR2742–Pompeo Batoni - Portrait of Charles Crowle - WGA1500
José Moñino, 1st Count of Floridablanca, 1776, Art Institute of Chicago Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jos-moino-1st-count-of-floridablanca-1776-art-institute-of-chicago-pompeo-batoni-image599835343.htmlRF2WRTT2R–José Moñino, 1st Count of Floridablanca, 1776, Art Institute of Chicago Pompeo Batoni
Kop van een oude vrouw Head of an old woman object type: Drawing Object number: RP-T 1981-71 Manufacturer : artist: Pompeo Batoni Dating: 1741 - 1746 Physical features: black chalk on yellow prepared paper material: prepared paper chalk Dimensions: H 219 mm × b 154 mm Subject: old woman head (human) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kop-van-een-oude-vrouw-head-of-an-old-woman-object-type-drawing-object-number-rp-t-1981-71-manufacturer-artist-pompeo-batoni-dating-1741-1746-physical-features-black-chalk-on-yellow-prepared-paper-material-prepared-paper-chalk-dimensions-h-219-mm-b-154-mm-subject-old-woman-head-human-image348523749.htmlRM2B70HGN–Kop van een oude vrouw Head of an old woman object type: Drawing Object number: RP-T 1981-71 Manufacturer : artist: Pompeo Batoni Dating: 1741 - 1746 Physical features: black chalk on yellow prepared paper material: prepared paper chalk Dimensions: H 219 mm × b 154 mm Subject: old woman head (human)
. Polski: Izabela z Lubomirskich Potocka (1755-1783) jako Polihymnia . 1780. Unknown After Pompeo Batoni (1708–1787) Alternative names Pompeo Girolamo Batoni, Pompeo Girolamo Battoni Description Italian painter, aquarellist and draughtsman Date of birth/death 25 January 1708 4 February 1787 Location of birth/death Lucca Rome Work period between circa 1723 and circa 1787 Work location Lucca (between circa 1723 and circa 1727), Rome (1727–1787) Authority control : Q505613 VIAF: 88687254 ISNI: 0000 0001 2142 8506 ULAN: 500012720 LCCN: n85013072 NLA: 35603570 WorldCat 680 Izabela z L Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polski-izabela-z-lubomirskich-potocka-1755-1783-jako-polihymnia-1780-unknown-after-pompeo-batoni-17081787-alternative-names-pompeo-girolamo-batoni-pompeo-girolamo-battoni-description-italian-painter-aquarellist-and-draughtsman-date-of-birthdeath-25-january-1708-4-february-1787-location-of-birthdeath-lucca-rome-work-period-between-circa-1723-and-circa-1787-work-location-lucca-between-circa-1723-and-circa-1727-rome-17271787-authority-control-q505613-viaf88687254-isni0000-0001-2142-8506-ulan500012720-lccnn85013072-nla35603570-worldcat-680-izabela-z-l-image185792445.htmlRMMP7G4D–. Polski: Izabela z Lubomirskich Potocka (1755-1783) jako Polihymnia . 1780. Unknown After Pompeo Batoni (1708–1787) Alternative names Pompeo Girolamo Batoni, Pompeo Girolamo Battoni Description Italian painter, aquarellist and draughtsman Date of birth/death 25 January 1708 4 February 1787 Location of birth/death Lucca Rome Work period between circa 1723 and circa 1787 Work location Lucca (between circa 1723 and circa 1727), Rome (1727–1787) Authority control : Q505613 VIAF: 88687254 ISNI: 0000 0001 2142 8506 ULAN: 500012720 LCCN: n85013072 NLA: 35603570 WorldCat 680 Izabela z L
Francis Basset on the Grand Tour in Rome, 1778, Prado Museum Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-basset-on-the-grand-tour-in-rome-1778-prado-museum-pompeo-batoni-image599834754.htmlRF2WRTR9P–Francis Basset on the Grand Tour in Rome, 1778, Prado Museum Pompeo Batoni
N/A. English: Arthur Saunders Gore, Viscount Sudley, later 2nd Earl of Arran (1734-1809), and his wife Catherine, née Annesley (1739-1770), with their son (), Arthur Saunders Gore, later 3rd Earl of Arran (1761-1837), as Cupid oil on canvas 113.8 x 86.3 cm signed b.r.: POMPEIVUS BATONI PINXIT ROMÆ 1769 . 1769. Pompeo Batoni (1708–1787) Alternative names Pompeo Girolamo Batoni, Pompeo Girolamo Battoni Description Italian painter, aquarellist and draughtsman Date of birth/death 25 January 1708 4 February 1787 Location of birth/death Lucca Rome Work period between circa 1723 and circa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-arthur-saunders-gore-viscount-sudley-later-2nd-earl-of-arran-1734-1809-and-his-wife-catherine-ne-annesley-1739-1770-with-their-son-arthur-saunders-gore-later-3rd-earl-of-arran-1761-1837-as-cupid-oil-on-canvas-1138-x-863-cm-signed-br-pompeivus-batoni-pinxit-rom-1769-1769-pompeo-batoni-17081787-alternative-names-pompeo-girolamo-batoni-pompeo-girolamo-battoni-description-italian-painter-aquarellist-and-draughtsman-date-of-birthdeath-25-january-1708-4-february-1787-location-of-birthdeath-lucca-rome-work-period-between-circa-1723-and-circa-image209964313.htmlRMP5GKHD–N/A. English: Arthur Saunders Gore, Viscount Sudley, later 2nd Earl of Arran (1734-1809), and his wife Catherine, née Annesley (1739-1770), with their son (), Arthur Saunders Gore, later 3rd Earl of Arran (1761-1837), as Cupid oil on canvas 113.8 x 86.3 cm signed b.r.: POMPEIVUS BATONI PINXIT ROMÆ 1769 . 1769. Pompeo Batoni (1708–1787) Alternative names Pompeo Girolamo Batoni, Pompeo Girolamo Battoni Description Italian painter, aquarellist and draughtsman Date of birth/death 25 January 1708 4 February 1787 Location of birth/death Lucca Rome Work period between circa 1723 and circa
Philip Metcalfe, 1766–67, National Portrait Gallery, London Pompeo Batoni (died 1787) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philip-metcalfe-176667-national-portrait-gallery-london-pompeo-batoni-died-1787-image599834926.htmlRF2WRTRFX–Philip Metcalfe, 1766–67, National Portrait Gallery, London Pompeo Batoni (died 1787)
Joseph Henry of Straffan *oil on canvas *98 x 72.5 cm *circa 1750-1755 . English: Joseph Henry of Straffan oil on canvas 98 x 72.5 cm . between circa 1750 and 1755. Pompeo Batoni (1708–1787) Alternative names Pompeo Girolamo Batoni, Pompeo Girolamo Battoni Description Italian painter, aquarellist and draughtsman Date of birth/death 25 January 1708 4 February 1787 Location of birth/death Lucca Rome Work period between circa 1723 and circa 1787 Work location Lucca (between circa 1723 and circa 1727), Rome (1727–1787) Authority control : Q505613 VIAF: 88687254 ISNI: 0000 0001 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-henry-of-straffan-oil-on-canvas-98-x-725-cm-circa-1750-1755-english-joseph-henry-of-straffan-oil-on-canvas-98-x-725-cm-between-circa-1750-and-1755-pompeo-batoni-17081787-alternative-names-pompeo-girolamo-batoni-pompeo-girolamo-battoni-description-italian-painter-aquarellist-and-draughtsman-date-of-birthdeath-25-january-1708-4-february-1787-location-of-birthdeath-lucca-rome-work-period-between-circa-1723-and-circa-1787-work-location-lucca-between-circa-1723-and-circa-1727-rome-17271787-authority-control-q505613-viaf88687254-isni0000-0001-image185710869.htmlRMMP3T31–Joseph Henry of Straffan *oil on canvas *98 x 72.5 cm *circa 1750-1755 . English: Joseph Henry of Straffan oil on canvas 98 x 72.5 cm . between circa 1750 and 1755. Pompeo Batoni (1708–1787) Alternative names Pompeo Girolamo Batoni, Pompeo Girolamo Battoni Description Italian painter, aquarellist and draughtsman Date of birth/death 25 January 1708 4 February 1787 Location of birth/death Lucca Rome Work period between circa 1723 and circa 1787 Work location Lucca (between circa 1723 and circa 1727), Rome (1727–1787) Authority control : Q505613 VIAF: 88687254 ISNI: 0000 0001
Portrait of John Talbot, later 1st Earl Talbot. Date/Period: 1773. Painting. Oil on canvas. Height: 2,743 mm (107.99 in); Width: 1,822 mm (71.73 in). Author: Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-john-talbot-later-1st-earl-talbot-dateperiod-1773-painting-oil-on-canvas-height-2743-mm-10799-in-width-1822-mm-7173-in-author-pompeo-batoni-image219109266.htmlRMPMD82X–Portrait of John Talbot, later 1st Earl Talbot. Date/Period: 1773. Painting. Oil on canvas. Height: 2,743 mm (107.99 in); Width: 1,822 mm (71.73 in). Author: Pompeo Batoni.
1217 Portrait of Lionel Damer by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1217-portrait-of-lionel-damer-by-pompeo-batoni-image213389576.htmlRMPB4MG8–1217 Portrait of Lionel Damer by Pompeo Batoni
Self Portrait 1765 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-1765-by-pompeo-batoni-image557226266.htmlRM2RAFRP2–Self Portrait 1765 by Pompeo Batoni
73 Pompeo Batoni - Polifemo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/73-pompeo-batoni-polifemo-image214051191.htmlRMPC6TDB–73 Pompeo Batoni - Polifemo
London, UK. 11th July, 2022. Portrait of Edward Solly by Pompeo Batoni. Estimate: £120,000-180,000 with and Italian Bust of a Roman Emporer, c18/early 19the Century, est £7000-10,000 and other works - The Grand Tour sale at Bonhams New Bond Street. The sale itself will take place on Thursday 14 July in London Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-11th-july-2022-portrait-of-edward-solly-by-pompeo-batoni-estimate-120000-180000-with-and-italian-bust-of-a-roman-emporer-c18early-19the-century-est-7000-10000-and-other-works-the-grand-tour-sale-at-bonhams-new-bond-street-the-sale-itself-will-take-place-on-thursday-14-july-in-london-credit-guy-bellalamy-live-news-image474907417.htmlRM2JGHW75–London, UK. 11th July, 2022. Portrait of Edward Solly by Pompeo Batoni. Estimate: £120,000-180,000 with and Italian Bust of a Roman Emporer, c18/early 19the Century, est £7000-10,000 and other works - The Grand Tour sale at Bonhams New Bond Street. The sale itself will take place on Thursday 14 July in London Credit: Guy Bell/Alamy Live News
92 Vulcan by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/92-vulcan-by-pompeo-batoni-image214049005.htmlRMPC6NK9–92 Vulcan by Pompeo Batoni
Mark Antony dies in Cleopatra's arms, print maker: Johann Georg Wille, after painting by: Pompeo Batoni, 1778, paper, engraving, height 380 mm × width 488 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mark-antony-dies-in-cleopatras-arms-print-maker-johann-georg-wille-after-painting-by-pompeo-batoni-1778-paper-engraving-height-380-mm-width-488-mm-print-image599537346.htmlRM2WRB802–Mark Antony dies in Cleopatra's arms, print maker: Johann Georg Wille, after painting by: Pompeo Batoni, 1778, paper, engraving, height 380 mm × width 488 mm, print
Painting: The Fall of Simon Magus by Pompeo Batoni, in the Basilica di Santa Maria degli Angeli e dei Martiri Church, Rome, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-the-fall-of-simon-magus-by-pompeo-batoni-in-the-basilica-172856857.htmlRMM168K5–Painting: The Fall of Simon Magus by Pompeo Batoni, in the Basilica di Santa Maria degli Angeli e dei Martiri Church, Rome, Italy.
Frederick North by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-north-by-pompeo-batoni-image569713649.htmlRM2T2TKG1–Frederick North by Pompeo Batoni
Vulcan by Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vulcan-by-pompeo-batoni-image574832257.htmlRM2TB5TBD–Vulcan by Pompeo Batoni.
Pompeo Batoni - William Weddell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pompeo-batoni-william-weddell-image457723203.htmlRF2HGK2H7–Pompeo Batoni - William Weddell
Pompeo Batoni - Virgin and Child with Saints - WGA1512 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pompeo-batoni-virgin-and-child-with-saints-wga1512-134659256.htmlRMHR2774–Pompeo Batoni - Virgin and Child with Saints - WGA1512
Pompeo Girolamo Batoni Portrait of the Pompeo Batoni. Chalk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pompeo-girolamo-batoni-portrait-of-the-pompeo-batoni-chalk-image572648664.htmlRM2T7JB60–Pompeo Girolamo Batoni Portrait of the Pompeo Batoni. Chalk
God met engelen in de wolken God with angels in the clouds type of object: Drawing Object number: RP-T 1948-313 Manufacturer : artist Giuseppe Baroni draftsman: Pompeo Batoni Dating: about 1640 to 1730 and / or 1718 - 1787 Physical features: brush with oil in color material: paper oil Technique: brush dimensions: h 221 mm × W 290 mm Subject: God the Father represented as humanbeing Benthic, usually with crown or tiara or scepter and / or globe (+ angels floating in the air) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/god-met-engelen-in-de-wolken-god-with-angels-in-the-clouds-type-of-object-drawing-object-number-rp-t-1948-313-manufacturer-artist-giuseppe-baroni-draftsman-pompeo-batoni-dating-about-1640-to-1730-and-or-1718-1787-physical-features-brush-with-oil-in-color-material-paper-oil-technique-brush-dimensions-h-221-mm-w-290-mm-subject-god-the-father-represented-as-humanbeing-benthic-usually-with-crown-or-tiara-or-scepter-and-or-globe-angels-floating-in-the-air-image348415813.htmlRM2B6RKWW–God met engelen in de wolken God with angels in the clouds type of object: Drawing Object number: RP-T 1948-313 Manufacturer : artist Giuseppe Baroni draftsman: Pompeo Batoni Dating: about 1640 to 1730 and / or 1718 - 1787 Physical features: brush with oil in color material: paper oil Technique: brush dimensions: h 221 mm × W 290 mm Subject: God the Father represented as humanbeing Benthic, usually with crown or tiara or scepter and / or globe (+ angels floating in the air)
Portrait of Duchess Sforza Cesarini (d.1765), 1768. By: Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-duchess-sforza-cesarini-d1765-1768-by-pompeo-batoni-image551016499.htmlRM2R0CY4K–Portrait of Duchess Sforza Cesarini (d.1765), 1768. By: Pompeo Batoni
Picture Emperor Joseph II together with his brother Emperor Leopold II, copper engraving based on painting by Pompeo Batoni. French Leg. lower margin cutted including artist's signatures, - 19830422 PD139892 - Rechteinfo: Rights Managed (RM) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-emperor-joseph-ii-together-with-his-brother-emperor-leopold-ii-copper-engraving-based-on-painting-by-pompeo-batoni-french-leg-lower-margin-cutted-including-artists-signatures-19830422-pd139892-rechteinfo-rights-managed-rm-image603241522.htmlRM2X1C0M2–Picture Emperor Joseph II together with his brother Emperor Leopold II, copper engraving based on painting by Pompeo Batoni. French Leg. lower margin cutted including artist's signatures, - 19830422 PD139892 - Rechteinfo: Rights Managed (RM)
Liggende Riviergod, Pompeo Batoni, 1718 - drawing paper. chalk River Personified, 'rivers' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liggende-riviergod-pompeo-batoni-1718-drawing-paper-chalk-river-personified-rivers-ripa-image595534281.htmlRM2WGTX1D–Liggende Riviergod, Pompeo Batoni, 1718 - drawing paper. chalk River Personified, 'rivers' (Ripa)
Philip Metcalfe, 1766–67, National Portrait Gallery, London Pompeo Batoni (died 1787) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philip-metcalfe-176667-national-portrait-gallery-london-pompeo-batoni-died-1787-image601047824.htmlRM2WWT2HM–Philip Metcalfe, 1766–67, National Portrait Gallery, London Pompeo Batoni (died 1787)
Portrait of Peter du Cane (1741-1823), 1763. Artist: Anton von Maron. Attributed to (previously): Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-peter-du-cane-1741-1823-1763-artist-anton-von-maron-attributed-to-previously-pompeo-batoni-image551011083.htmlRM2R0CM77–Portrait of Peter du Cane (1741-1823), 1763. Artist: Anton von Maron. Attributed to (previously): Pompeo Batoni
Sir Sampson Gideon and an unidentified companion. Date/Period: 1767. Painting. Oil on canvas Oil on canvas. Height: 2,756 mm (108.50 in); Width: 1,890 mm (74.40 in). Author: Pompeo Batoni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-sampson-gideon-and-an-unidentified-companion-dateperiod-1767-painting-oil-on-canvas-oil-on-canvas-height-2756-mm-10850-in-width-1890-mm-7440-in-author-pompeo-batoni-image219109288.htmlRMPMD83M–Sir Sampson Gideon and an unidentified companion. Date/Period: 1767. Painting. Oil on canvas Oil on canvas. Height: 2,756 mm (108.50 in); Width: 1,890 mm (74.40 in). Author: Pompeo Batoni.
Head of an old woman, Pompeo Batoni, 1741 - 1746 drawing prepared paper. chalk old woman. head (human) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-an-old-woman-pompeo-batoni-1741-1746-drawing-prepared-paper-chalk-old-woman-head-human-image595549700.htmlRM2WGWHM4–Head of an old woman, Pompeo Batoni, 1741 - 1746 drawing prepared paper. chalk old woman. head (human)
Tissington Hall 1768 by Pompeo Batoni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tissington-hall-1768-by-pompeo-batoni-image557226345.htmlRM2RAFRTW–Tissington Hall 1768 by Pompeo Batoni
Portrait of Sir Wyndham Knatchbull-Wyndham. Pompeo Batoni (Italy, Lucca, 1708-1787). Italy, 1758-1759. Paintings. Oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-sir-wyndham-knatchbull-wyndham-pompeo-batoni-italy-lucca-1708-1787-italy-1758-1759-paintings-oil-on-canvas-image464755163.htmlRM2J03BXK–Portrait of Sir Wyndham Knatchbull-Wyndham. Pompeo Batoni (Italy, Lucca, 1708-1787). Italy, 1758-1759. Paintings. Oil on canvas
Carl Theodor elector to palatinate Bavaria &c. &c. &c, painting by Pompeo Batoni, portrayed in a mezzotint based on own drawing by Johann Gerhard Huck. coat of arms, - 17880101 PD0016 - Rechteinfo: Rights Managed (RM) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-elector-to-palatinate-bavaria-c-c-c-painting-by-pompeo-batoni-portrayed-in-a-mezzotint-based-on-own-drawing-by-johann-gerhard-huck-coat-of-arms-17880101-pd0016-rechteinfo-rights-managed-rm-image603235442.htmlRM2X1BMXX–Carl Theodor elector to palatinate Bavaria &c. &c. &c, painting by Pompeo Batoni, portrayed in a mezzotint based on own drawing by Johann Gerhard Huck. coat of arms, - 17880101 PD0016 - Rechteinfo: Rights Managed (RM)
