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RF2HKAJDN–Inspired by Gunner of the Artillery National Militia, A Dutch gunner of the artillery of the National Militia. Standing with drawn sabre, near a piece of artillery. Plate 57. Uniform representation in 'Continuation of the Description as to the Royal Dutch troops' by J.F. Teupken, 1826., print maker, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMDYETHM–The Plates from the Fifth Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 57 - The twelfth figure of the fifth book which immediately follows the preceding complete figure in the sequence of dissection. In it the peritoneum has been dissected away, the omentum removed, and we have also fractured some of the ribs so that the entire hollow of the liver could be drawn more conveniently.
RMP494MM–The healthy and the sick, plate 57 of 'The Disasters of War', 1810-14- 1863 - 15,7x20,9 cm - etching, aquatint, burin and burnisher. Author: Francisco de Goya (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Also known as: DESASTRES DE LA GUERRA (1810-1815) -DESASTRE Nº 57-SANOS Y ENFERMOS.
RM2FWCPG1–Fish anatomy showing skeleton, gills, internal organs, circulation, etc. Plate 57. Handcoloured lithograph by St Schillinger from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.
RMP9JP0H–The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 57: 'Sanos y e…
RMM4BDF1–Francisco de Goya y Lucientes - The filiation (La filiacion), from The Caprices (Los Caprichos), plate 57
RMTXDBJN–The fileation; Spain, 1799 Alternate La filiacion Portfolio: Los Caprichos, plate 57 Prints; etchings Etching and aquatint Paul Rodman Mabury Trust Fund (63.11.57) Prints and Drawings; 1799date QS:P571,+1799-00-00T00:00:00Z/9;
RMRKY27M–Illustration from Die Bibel (Vorsterman), plate 57 from Woodcuts from Books of the XVI Century - 1528, assembled into portfolio 1937 - Jan Swart
RF2BAXXYF–Plate 57 American Bison, female and young, from The Viviparous Quadrupeds of North America, John James Audubon, Very high resolution and quality image
RMTXH1PB–Francisco de Goya (1746-1828) Spanish school Plate 57 of Los Caprichos: 'La Filiacion' 1799 Engraving from 'Los Caprichos'
!['English: Plate 57. Unio nasutus. Rostrated River-Mussel. Modern accepted name (2012) is Ligumia nasuta[1].; January 1820; Zoological Illustrations, Volume I.; William Swainson, F.R.S., F.L.S.; ' Stock Photo](https://c8.alamy.com/comp/2B95D58/english-plate-57-unio-nasutus-rostrated-river-mussel-modern-accepted-name-2012-is-ligumia-nasuta-1-january-1820-zoological-illustrations-volume-i-william-swainson-frs-fls-2B95D58.jpg "'English: Plate 57. Unio nasutus. Rostrated River-Mussel. Modern accepted name (2012) is Ligumia nasuta[1].; January 1820; Zoological Illustrations, Volume I.; William Swainson, F.R.S., F.L.S.; ' Stock Photo")
RM2B95D58–'English: Plate 57. Unio nasutus. Rostrated River-Mussel. Modern accepted name (2012) is Ligumia nasuta[1].; January 1820; Zoological Illustrations, Volume I.; William Swainson, F.R.S., F.L.S.; '
RF2HPY22D–Maitres de l'affiche Vol 2 - Plate 57 - Jules Cheret. 1895. 'Theatre de L'Opera' 1er Grand Bal Masque.
RF2HK58KP–Inspired by The Filiation, La Filiacion, Los Caprichos, Plate 57, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, figures, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMF7PKR9–In: 'Voyage au pole sud et dans l'Oceanie .....' by the French ships ASTROLABE and ZELEE under the command of Dumont D'Urville. Plate 57. Scene Fueraire a Nouka-Hiva. Baie Anna Maria.
RMPANMYE–Plate 57 from 'The Disasters of War' (Los Desastres de la Guerra): 'The healthy and the sick.' (Sanos y enfermos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/8 × 8 1/8 in. (15.6 × 20.6 cm) Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm). Series/Portfolio: The Disasters of War. Date: 1811-12 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.
RM2JRMFBG–Los Desastres de la Guerra (The disasters of war). Plate 57. Sanos y enfermos (The healthy and the sick)., 1812-1815, Spain, by Francisco Goya. Gift of Sir John Ilott, 1965.
RMKK9461–Engraved map image from an atlas, with original caption reading 'Plate 57: Map bounded by 14th Street, Fourth Avenue, 9th Street, University Place', New York City, New York, 1859. From the New York Public Library.
RM2BTXA33–La Bastille Plate 57 from Vues Pittoresques des Princepaux difices de Paris. Research in ProgressCircle on vertical rectangle. View of the Bastille from below the walls and across the water. Title, artists' and publisher's names below.
RMKNR8AD–Plate 57 from ´The Disasters of War´ (Los Desastres de la Guerra): ´The healthy and the sick´ (Sanos y enfermos.). Series/Portfolio: The Disasters of
RF2BA9ADD–Plate 57 Loggerhead Shrike from The Birds of America folio (1827–1839) by John James Audubon - Very high resolution and quality edited image
RMTXH1PA–Francisco de Goya (1746-1828) Spanish school Plate 57 of Los Caprichos: 'Tragala perro' 1799 Etching Lille, Palais des Beaux-arts
RM2B951GW–'The fileation; English: Spain, 1799 Alternate Title: La filiacion Portfolio: Los Caprichos, plate 57 Prints; etchings Etching and aquatint Paul Rodman Mabury Trust Fund (63.11.57) Prints and Drawings; 1799date QS:P571,+1799-00-00T00:00:00Z/9; '
RM2CTAP75–Plate 57: Map bounded by East 4th Street, Bowery, Houston Street, Green Street, cartographic, Maps, 1854, Perris, William
RF2HKX8X4–Art inspired by Gunner of the Artillery National Militia, A Dutch gunner of the artillery of the National Militia. Standing with drawn sabre, near a piece of artillery. Plate 57. Uniform representation in 'Continuation of the Description as to the Royal Dutch troops' by J.F. Teupken, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
!['Mosaics in the Baths', 1907. Intricate geometric patterns on tiles, palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 57 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo](https://c8.alamy.com/comp/2A41XYE/mosaics-in-the-baths-1907-intricate-geometric-patterns-on-tiles-palace-of-the-alhambra-granada-spain-which-mainly-dates-from-the-14th-century-colour-plate-57-from-quotthe-alhambra-being-a-brief-record-of-the-arabian-conquest-of-the-peninsula-with-a-particular-account-of-the-mohammedan-architecture-and-decorationquot-by-albert-f-calvert-john-lane-london-amp-new-york-1907-2A41XYE.jpg "'Mosaics in the Baths', 1907. Intricate geometric patterns on tiles, palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 57 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo")
RM2A41XYE–'Mosaics in the Baths', 1907. Intricate geometric patterns on tiles, palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 57 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907]
RMRXBCAG–Jupiter and Alcmene Medallion, Sketch for Decoration of a Frame. Theodore Roussel; French, worked in England, 1847-1926. Date: 1907-1908. Dimensions: 34 × 82 mm (image); 53 × 82 mm (plate); 57 × 82 mm (sheet). Etching in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute.
RM2GRNBA4–Plate Pierre, Namur Province, Belgium, Wallonia, N 49 57' 0'', E 4 58' 0'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
![Interior View of Fort Sumpter, 1866. Albumen print, plate 57 from the album "Photographic Views of the Sherman Campaign" (1866). Stock Photo](https://c8.alamy.com/comp/2GGBJ23/interior-view-of-fort-sumpter-1866-albumen-print-plate-57-from-the-album-quotphotographic-views-of-the-sherman-campaignquot-1866-2GGBJ23.jpg "Interior View of Fort Sumpter, 1866. Albumen print, plate 57 from the album "Photographic Views of the Sherman Campaign" (1866). Stock Photo")
RM2GGBJ23–Interior View of Fort Sumpter, 1866. Albumen print, plate 57 from the album "Photographic Views of the Sherman Campaign" (1866).
RMETAGA6–The good old days..Gosforth Park on Plate Day, 1952. Five years earlier a reported 57,000 attended Tyneside's big racing occasion. June 1952.
RM2JMYEMM–Hoffmann Ludwig (1852-1932), Reichsgericht in Leipzig (1898): Southern Criminal Senate (wall, ceiling and details) (from: L.H., The Reichsgerichtsbau zu Leipzig, Berlin 1898, Plate 57). Pressure on paper, 45.7 x 60.7 cm (including scan edges)
RMMWC7PX–. Vanda coerulea . between 1888 and 1894. H. Sotheran & Co., London (editor) 220 Frederick Sander - Reichenbachia II plate 57 (1890) - Vanda coerulea
RMTA5D58–A silver sundial, Paris, 18th century Octagonal plate with finely engraved scale and signature 'Chapotot à Paris'. Adjustable collapsible hand with base in the shape of a bird, the compass with intact glass lid. On the back a list of European cities with the corresponding settings. Dimensions 57 x 47 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, 18th century, Additional-Rights-Clearance-Info-Not-Available
![FARIBOLES 2 [Plate 57] (registered title (letter)) Stock Photo](https://c8.alamy.com/comp/2B95NB7/fariboles-2-plate-57-registered-title-letter-2B95NB7.jpg "FARIBOLES 2 [Plate 57] (registered title (letter)) Stock Photo")
RM2F6W4E0–Joseph Mallord William Turner. Norham Castle, plate 57 from Liber Studiorum-published January 1, 1816-Joseph Mallord William Turner (English,
![Plate 57. Unio nasutus. Rostrated River-Mussel. Modern accepted name (2012) is Ligumia nasuta[1].; January 1820; Zoological Illustrations, Volume I.; William Swainson, F.R.S., F.L.S.; Stock Photo](https://c8.alamy.com/comp/TXDMHJ/plate-57-unio-nasutus-rostrated-river-mussel-modern-accepted-name-2012-is-ligumia-nasuta-1-january-1820-zoological-illustrations-volume-i-william-swainson-frs-fls-TXDMHJ.jpg "Plate 57. Unio nasutus. Rostrated River-Mussel. Modern accepted name (2012) is Ligumia nasuta[1].; January 1820; Zoological Illustrations, Volume I.; William Swainson, F.R.S., F.L.S.; Stock Photo")
RMTXDMHJ–Plate 57. Unio nasutus. Rostrated River-Mussel. Modern accepted name (2012) is Ligumia nasuta[1].; January 1820; Zoological Illustrations, Volume I.; William Swainson, F.R.S., F.L.S.;
RMP6526P–The Plates from the Fifth Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 57 - The twelfth figure of the fifth book which immediately follows the preceding complete figure in the sequence of dissection. In it the peritoneum has been dissected away, the omentum removed, and we have also fractured some of the ribs so that the entire hollow of the liver could be drawn more conveniently.
RM2BEC1R9–'English: Plate 57 from: Atlas of the Borough of Manhattan City of New York. Desk and Library Edition. (Philadelphia: G. W. Bromley and Co., 1921) FOR KEY TO MAP SYMBOLS, CLICK HERE.; 1921; This image is available from the New York Public Library's Digital Library under the digital ID 5221484: digitalgallery.nypl.org → digitalcollections.nypl.org This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing. беларуская (тарашкевіца) | বাংলা | English | français | hrvatski | македонски | Nederlands | русский | Türkçe | у
![A bridge. A New General Collection of Voyages and Travels... London : Thomas Astley, 1745-47, [1743-47]. Source: 2354.h.8.(2), plate 57. Language: English. Author: Barbot. Stock Photo](https://c8.alamy.com/comp/R4XDB4/a-bridge-a-new-general-collection-of-voyages-and-travels-london-thomas-astley-1745-47-1743-47-source-2354h82-plate-57-language-english-author-barbot-R4XDB4.jpg "A bridge. A New General Collection of Voyages and Travels... London : Thomas Astley, 1745-47, [1743-47]. Source: 2354.h.8.(2), plate 57. Language: English. Author: Barbot. Stock Photo")
RMR4XDB4–A bridge. A New General Collection of Voyages and Travels... London : Thomas Astley, 1745-47, [1743-47]. Source: 2354.h.8.(2), plate 57. Language: English. Author: Barbot.
RMH4J5FW–Plate 57: Map bounded by East 4th Street, Bowery, Houston Street, Green Street, New York, USA
RF2HW6AC0–Art inspired by Plate 57 from 'Los Caprichos':The filiation (La filiacion.), 1799, Etching and aquatint, Plate: 8 7/16 x 5 7/8 in. (21.5 x 15 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Italian Renaissance ceiling and wall painting, (1898). 'Fig 1: Tympanum from the Sala Ducale in the Vatican at Rome. Figs 2-5: Details from the Loggie of Raffaelle ibid. Fig 6: Severey above the fountain-hall of the Villa di Papa Giulio at Rome. Figs 7 and 8: Plafond-borders in the same Villa. Figs 9 and 10: Pilaster-panels from a chapel in S. Maria Aracelli at Rome. Fig 11: Arch-panel from the cloister of the monastery S. Maria sopra Minerva at Rome'. Plate 57 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898] Stock Photo](https://c8.alamy.com/comp/2AG0HN1/italian-renaissance-ceiling-and-wall-painting-1898-fig-1-tympanum-from-the-sala-ducale-in-the-vatican-at-rome-figs-2-5-details-from-the-loggie-of-raffaelle-ibid-fig-6-severey-above-the-fountain-hall-of-the-villa-di-papa-giulio-at-rome-figs-7-and-8-plafond-borders-in-the-same-villa-figs-9-and-10-pilaster-panels-from-a-chapel-in-s-maria-aracelli-at-rome-fig-11-arch-panel-from-the-cloister-of-the-monastery-s-maria-sopra-minerva-at-rome-plate-57-from-quotthe-historic-styles-of-ornamentquot-translated-from-the-german-of-h-dolmetsch-bt-batford-london-1898-2AG0HN1.jpg "Italian Renaissance ceiling and wall painting, (1898). 'Fig 1: Tympanum from the Sala Ducale in the Vatican at Rome. Figs 2-5: Details from the Loggie of Raffaelle ibid. Fig 6: Severey above the fountain-hall of the Villa di Papa Giulio at Rome. Figs 7 and 8: Plafond-borders in the same Villa. Figs 9 and 10: Pilaster-panels from a chapel in S. Maria Aracelli at Rome. Fig 11: Arch-panel from the cloister of the monastery S. Maria sopra Minerva at Rome'. Plate 57 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898] Stock Photo")
RM2AG0HN1–Italian Renaissance ceiling and wall painting, (1898). 'Fig 1: Tympanum from the Sala Ducale in the Vatican at Rome. Figs 2-5: Details from the Loggie of Raffaelle ibid. Fig 6: Severey above the fountain-hall of the Villa di Papa Giulio at Rome. Figs 7 and 8: Plafond-borders in the same Villa. Figs 9 and 10: Pilaster-panels from a chapel in S. Maria Aracelli at Rome. Fig 11: Arch-panel from the cloister of the monastery S. Maria sopra Minerva at Rome'. Plate 57 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
RMRX4XMN–Penance of St. John Chrysostomus. Sebald Beham (German, 1500-1550); after Barthel Beham (German, 1502-1540). Date: 1520-1550. Dimensions: 55 x 78 mm (image/plate); 57 x 80 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham.
RME0R2EA–Oct. 10, 1957 - 10.10.57 14½ year old girl wins the Newmarket Town Plate. The Newmarket Town Plate, the only race in which a woman can become jockeys took place today. Keystone Photo Shows: 14-year old Miss Scarlett Rimell, daughter of trainer Fred Rimell, seen winning the race on Hippocampe , at Newmarket today, She was the youngest competitor.
![Gournah, Sculptures du Trône des Colosses; Thèbes, 1849/51, printed 1852. A work made of salted paper print, plate 57 from the album "egypte, nubie, palestine et syrie" (1852). Stock Photo](https://c8.alamy.com/comp/2GGBG12/gournah-sculptures-du-trxf4ne-des-colosses-thxe8bes-184951-printed-1852-a-work-made-of-salted-paper-print-plate-57-from-the-album-quotegypte-nubie-palestine-et-syriequot-1852-2GGBG12.jpg "Gournah, Sculptures du Trône des Colosses; Thèbes, 1849/51, printed 1852. A work made of salted paper print, plate 57 from the album "egypte, nubie, palestine et syrie" (1852). Stock Photo")
RM2GGBG12–Gournah, Sculptures du Trône des Colosses; Thèbes, 1849/51, printed 1852. A work made of salted paper print, plate 57 from the album "egypte, nubie, palestine et syrie" (1852).
RMETADY2–The good old days..Gosforth Park on Plate Day, 1952. Five years earlier a reported 57,000 attended Tyneside's big racing occasion. June 1952.
RM2JN0F75–Adam, residential building Tucherstraße, Nuremberg. (From: Leaves for architecture and handicrafts, 13th year, 1900, Plate 57.) Arch. (?) (1900-1900): View of historical courtyard from the southwest. Light pressure on paper, 34.4 x 26.7 cm (including scan edges) Krafft Adam : Wohnhaus Tucherstraße, Nürnberg. (Aus: Blätter für Architektur und Kunsthandwerk, 13. Jg., 1900, Tafel 57)
RMMYEMD2–. Vanda coerulea . between 1888 and 1894. H. Sotheran & Co., London (editor) 189 Frederick Sander - Reichenbachia II plate 57 (1890) - Vanda coerulea
RMTA5D55–A silver sundial, Paris, 18th century Octagonal plate with finely engraved scale and signature 'Chapotot à Paris'. Adjustable collapsible hand with base in the shape of a bird, the compass with intact glass lid. On the back a list of European cities with the corresponding settings. Dimensions 57 x 47 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, 18th century, Additional-Rights-Clearance-Info-Not-Available
RM2B8K6JC–Interior of a revolutionary committee in Paris (1793-1794). Plate 57 of Tafereelen van Staatsomwenteling in Frankrijk (1794-1807). French Revolution. (dummy title)
RM2F6TNFP–Author: Joseph Mallord William Turner. Norham Castle, plate 57 from Liber Studiorum - published January 1, 1816 - Joseph Mallord William Turner
RF2JF82GG–Pink birthday cake with thick purple number 57 and candles on metallic plate surrounded by gift boxes with horns ejecting confetti and spheres on past
RM2BEBYKE–'English: Plate 57 from: Bromley, George W. and Walter S. Atlas of the Borough of Manhattan City of New York. Desk and library edition. (New York: G. W. Bromley and Co., 1916) FOR KEY TO MAP SYMBOLS, CLICK HERE.; 1916; This image is available from the New York Public Library's Digital Library under the digital ID 1511771: digitalgallery.nypl.org → digitalcollections.nypl.org This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing. беларуская (тарашкевіца) | বাংলা | English | français | hrvatski | македонски | Nede
![Tempel in Kamakura. (Japan.) Temple of Kamakura. [A Series of 56 Views of Towns, Villages ... in] Japan. W. Burger ph. Japan, c.1869. Source: Maps.8.d.24 plate 57. Author: WILHELM BURGER. Stock Photo](https://c8.alamy.com/comp/R58FBJ/tempel-in-kamakura-japan-temple-of-kamakura-a-series-of-56-views-of-towns-villages-in-japan-w-burger-ph-japan-c1869-source-maps8d24-plate-57-author-wilhelm-burger-R58FBJ.jpg "Tempel in Kamakura. (Japan.) Temple of Kamakura. [A Series of 56 Views of Towns, Villages ... in] Japan. W. Burger ph. Japan, c.1869. Source: Maps.8.d.24 plate 57. Author: WILHELM BURGER. Stock Photo")
RMR58FBJ–Tempel in Kamakura. (Japan.) Temple of Kamakura. [A Series of 56 Views of Towns, Villages ... in] Japan. W. Burger ph. Japan, c.1869. Source: Maps.8.d.24 plate 57. Author: WILHELM BURGER.
RMPR0TJ1–Plate 57, detail of bottom left, Delle antichità di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, c. 1757-1792
RF2HKKB61–Art inspired by The Filiation, La Filiacion, Los Caprichos, Plate 57, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, figures, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMAYF3F0–A black 57 Chevy Belair Original license plate number changed to ANTIQUE by the photographer
RMRXE6ND–Interior View of Fort Sumpter. George N. Barnard; American, 1819-1902. Date: 1866. Dimensions: 25.6 x 36.2 cm (image/paper); 41 x 50.5 cm (album page). Albumen print, plate 57 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.
RMETAF2M–The good old days..Gosforth Park on Plate Day, 1952. Five years earlier a reported 57,000 attended Tyneside's big racing occasion. June 1952.
RM2JN0F1B–Hase Conrad Wilhelm (1818-1902), Frankenberger Church, Goslar. (From: leaves for architecture and handicrafts, 12th year, 1899, Plate 57.) (1899-1899): Interior view choir. Light pressure on paper, 34.5 x 26.8 cm (including scan edges) Hase Conrad Wilhelm (1818-1902): Frankenberger Kirche, Goslar. (Aus: Blätter für Architektur und Kunsthandwerk, 12. Jg., 1899, Tafel 57)
RMMX8PC1–. Vanda coerulea . between 1888 and 1894. H. Sotheran & Co., London (editor) 220 Frederick Sander - Reichenbachia II plate 57 (1890) - Vanda coerulea
RMTA5D5D–A silver sundial, Paris, 18th century Octagonal plate with finely engraved scale and signature 'Chapotot à Paris'. Adjustable collapsible hand with base in the shape of a bird, the compass with intact glass lid. On the back a list of European cities with the corresponding settings. Dimensions 57 x 47 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, 18th century, Additional-Rights-Clearance-Info-Not-Available
RM2AHR22Y–Johannes Kip (Engraver). Maddingley, plate 57 from Britannia Illustrata. 1707. Netherlands. Etching, with engraving, in black on cream laid paper
RMRKX5MD–The Healthy and the Sick, plate 57 from The Disasters of War - 1812/15, published 1863 - Francisco José de Goya y Lucientes Spanish, 1746-1828 -
RM2JPBM2M–Fashionable women in cloche hats, short bob haircuts and fur jackets, 1926. Knee-length coats in beaver 53, Siberian weasel 54, beaver with leopard trim 55, baby lamb 56, and gazelle with fox collar and cuffs 57. Handcoloured lithograph from Modeles Originaux de Fourrures, Original Models in Fur, No. 17, Atelier Bachwitz, Vienna, 1926.
RF2C16E23–Anniversary 57 card. Round chocolate cake decorated with dragees of blue, red, yellow, green color with white numbers on a wooden table
RMR54HAW–A temple. Voyage dans la Basse et la Haute EÌgypte pendant les campagnes du geÌneÌral Bonaparte. Paris, 1802. Source: 458.h.11-12, plate 57. Language: French. Author: DENON, DOMINIQUE VIVANT, BARON.
RMPR0THX–Plate 57, detail of top right, Delle antichità di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, c. 1757-1792
RF2HW6B7D–Art inspired by Plate 57 from 'The Disasters of War' (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos.), 1811–12 (published 1863), Etching, burnished aquatint, burin and burnisher, Plate: 6 1/8 × 8 1/8 in. (15.6 × 20.6 cm), Prints, Goya (Francisco de Goya y, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMAYF400–A red and white 57 Ford Fairlane Original license plate number changed to ANTIQUE by the photographer
RMRX80WA–Phaeton, Study for Decoration of a Frame. Theodore Roussel; French, worked in England, 1847-1926. Date: 1907-1908. Dimensions: 23 × 66 mm (image); 51 × 83 mm (plate); 57 × 83 mm (sheet). Etching and soft ground etching in black on thin cream laid paper. Origin: England. Museum: The Chicago Art Institute.
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