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Perhaps jesus Stock Photos and Images
RMW562WE–Fragment of a silk satin brocade, Fragment of a silk fabric in irregular shape with a round cut, perhaps once used for child Jesus sculpture. The pattern is made of gold on blue silk (faded green) and has a pattern of alternating trajectories with geometric shapes, trajectories with flower bouquets and trajectories with flower garlands., anonymous, France, c. 1750 - c. 1800, silk, h 41 cm × w 47 cm h 28 cm
RMD98CFW–Perhaps by Giovanni Battista Crespi II Cerano (about 1575/76-1632) The Rest on the Flight into Egypt, oil on copper. In a colourful landscape setting, Mary nurses the child Jesus. The Holy Family fled to Egypt to escape Herod's command that all new-born boys should be killed. Painted on copper around 1600.
RM2B011YT–Kenya: Ivory porters carrying elephant tusks at Fort Jesus, Mombasa, c. 1922. Elephant ivory has been exported from Africa and Asia for centuries with records going back to the 14th century BC. Throughout the colonisation of Africa ivory was removed, often using slaves to carry the tusks, to be used for piano keys, billiard balls and other expressions of exotic wealth. Ivory hunters were responsible for wiping out elephants in North Africa perhaps about 1,000 years ago, in much of South Africa in the 19th century and most of West Africa by the end of the 20th century.
RMFK06R8–Jesus feeding the multitude. The miracle of the five loaves and two fish, or perhaps the miracle of the seven loaves and fish. From The Gospels, New Testament.
RMT548C3–Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden beam and left to hang, perhaps for several days, until eventual death from exhaustion and asphyxiation. The crucifixion of Jesus is a central narrative in Christianity, and the cross (sometimes depicting Jesus nailed to it) is the main religious symbol for many Christian churches.
RF2HW03CG–Art inspired by Two Scenes of Christ and the Apostles, ca. 850–900, Made in Reims (perhaps), France, French, Elephant ivory with traces of paint, 3 7/8 x 3 1/16 x 3/16 in. (9.9 x 7.8 x 0.5 cm), Ivories, The story depicted on this ivory focuses on a garment that Jesus seems to be giving, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2GF37EK–Virgin and Child, 1465 - 1470 by Antonio Rizzo, 1430-1499, Italy, Italian, marble (rock), 86 × 13cm Perhaps it functioned as the crowning element of a tomb or a church portal. This relief is one of the earliest known works by Antonio Rizzo, the first sculptor in Venice to work in the Renaissance style.
RMPAKWJB–The Presentation in the Temple. Artist: Alvaro Pirez (Portuguese, Évora, active 1411-34 Italy). Dimensions: 13 3/8 x 15 7/8 in. (34 x 40.3 cm). Date: probably ca. 1430. In conformity with the Jewish rite of purification, forty days after giving birth Mary took Jesus to the Temple; the old prophetess Anna (holding a scroll) recognizes him as the redeemer of Israel. The panel is from the base (predella) of a complex altarpiece that was painted for a church in Pisa, perhaps about 1405-15. Its quality is superior to most of the paintings by Alvaro Pirez, a Portuguese painter active in Tuscany. Cl
RMRK2E8K–Engraving of da Vinci's painting The Last Supper. From The Self-Interpeting Bible, perhaps the 1843 edition.
RM2H38AGR–Madonna and child with Saint John and perhaps Marco and Brigida, 1594 Bernardo Castello (1557–1629) Genua, Italy ,Italian,
RMDHXKKH–This beautiful pastel coloured mural of Jesus and perhaps Mary Magdalene at the Last Supper is found in Sevlievo Orthodox Church
RMRDM1J4–The Crucifixion 1330 Italy, Italian, ( The original destination of this important painting, which was perhaps conceived by Giotto during his stay in Naples (1328-1333) and realized in his studio, is unknown. )
RMJ8G112–Diptych with the Coronation of the Virgin Mary and Crucifixion of Jesus Christ, France, perhaps Paris, c. 1340 1360, ivory Krannert Art Museum, UIUC DSC06347
RMWA5D3Y–Diptych with the Coronation of the Virgin Mary and Crucifixion of Jesus Christ, France, perhaps Paris, c. 1340-1360, ivory
RMP5FPM4–N/A. English: Exhibit in the Krannert Art Museum, University of Illinois at Urbana-Champaign - Urbana-Champaign, Illinois, USA. This work is old enough so that it is in the . 15 June 2015, 12:40:11. Daderot 456 Diptych with the Coronation of the Virgin Mary and Crucifixion of Jesus Christ, France, perhaps Paris, c. 1340-1360, ivory - Krannert Art Museum, UIUC - DSC06347
RFRX3NFA–Ascent to Calvary fresco, perhaps by Spinello Aretino, Sacristy in Basilica di Santa Croce (Basilica of the Holy Cross) in Florence
RFM276HA–Ancient coin. Silver Roman tetradrachma of the time of Jesus Christ. Perhaps for such silver coins, Judas betrayed Christ.
RM2AHRRW7–Unknown artist. The Nativity. 1460–1470. Italy. Engraving in black on cream laid paper This traditional Nativity scene shows the baby Jesus sleeping in a manger with the Virgin Mary, Saint Joseph, shepherds, and angels around him. The Annunciation to the Shepherds appears above this scene; the shepherds are shown with their flocks beneath cherubs carrying a banner that contains the Gloria prayer. At the top and middle of the border is a medallion of God the Father, who points toward this scene; other border medallions feature the prophets. Perhaps inspired by Alesso Baldovinetti’s Nativity, th
RMD98CFT–Perhaps by Giovanni Battista Crespi II Cerano (about 1575/76-1632) The Rest on the Flight into Egypt, oil on copper. In a colourful landscape setting, Mary nurses the child Jesus. The Holy Family fled to Egypt to escape Herod's command that all new-born boys should be killed. Painted on copper around 1600.
RMT4MK73–The surviving Jesuit buildings were begun by brother Johann Kraus SJ (west wing, altar room), and continued by Giovanni Andrea Bianchi and others (north wing, perhaps also Vierung und Schiff), Jesus Maria (Cordoba), Argentina, 1957. | usage worldwide
RM2E3KTYP–This painting in Azewa Mariam Monastery on Lake Tana, near Bahir Dar, Ethiopia, is perhaps most notable for its depiction of Jesus as having African h
RMRF3709–23 January 2019, Mexico, Huitzuco: Participants of the 4th National Search Brigade are searching for hidden graves. More than 40,000 people are considered missing in Mexico. A group of relatives tries on their own to find hidden graves and thus perhaps to make the mourning possible for some families. (to dpa 'The Search for Certainty - Hidden Tombs in Mexico' of 24.01.2019) Photo: Jesus Alvarado/dpa
RFBX7N2K–Jesus taught at a synagoge here. This one was actually built on the old foundations in perhaps the 3rd century.
RFKNBK6N–6200. STONE MASK PERHAPS USED IN CULTIC CEREMONIES, NEOLITHIC' PERIOD, 7TH. MILLENNIUM B.C. found in the Judean Hills.
RMPB14H7–Medallion with the Betrayal of Jesus. Culture: Netherlandish. Dimensions: Diam. 2 × 1/16 in. (5.1 × 0.1 cm). Date: early 16th century. This medallion serves as a reminder that one of the most important skills of miniature boxwood carvers was their ability to create deep, stagelike spaces for the reenactment of the drama of the Bible. In this carving, the action is intense, but the faces are summarily rendered in some areas. Were elements such as these perhaps consigned to apprentices?. Museum: Metropolitan Museum of Art, New York, USA.
RM2HJ0DF0–Medallion with the Betrayal of Jesus early 16th century Netherlandish This medallion serves as a reminder that one of the most important skills of miniature boxwood carvers was their ability to create deep, stagelike spaces for the reenactment of the drama of the Bible. In this carving, the action is intense, but the faces are summarily rendered in some areas. Were elements such as these perhaps consigned to apprentices?. Medallion with the Betrayal of Jesus. Netherlandish. early 16th century. Boxwood. Sculpture-Miniature-Wood
RMDHXK28–This beautiful pastel coloured mural of Jesus and perhaps Mary Magdalene at the Last Supper is found in Sevlievo Orthodox Church
RM2WT18KE–Napoli Chiesa S. Chiara Tomba. Giorgio Sommer, photographer (Italian, born Germany, 1834 - 1914) 1870–1890 Stone tomb monument. Person lying on bier, with statues of Jesus, Mary, other figures, and a priest below. (Verso) upper left, in pencil: 'Boboccio' upper center, in pencil, long inscription in a non-English language (perhaps German?)
RMKCD5PD–Two Scenes of Christ and the Apostles, ca. 850–900, Made in Reims (perhaps), France, French, Elephant ivory with traces of
RMEC7N01–Jacopo Robusti, called Tintoretto (1519-1594), The Resurrection of Christ, oil on canvas. Christ arises from his tomb in a burst of heavenly light. This dynamic composition was originally shaped as an octagon. It was intended to hang high, perhaps in one of the corners of a carved and gilded wooden ceiling.
RMKCBH62–The Tares (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864
RFRX3NN6–Ascent to Calvary fresco, perhaps by Spinello Aretino, Sacristy in Basilica di Santa Croce (Basilica of the Holy Cross) in Florence
RMKCBH5K–The Prodigal Son (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864
RF2B9AEBR–Fragment of a silk satin brocade, Fragment of a silk fabric in irregular shape with a round cut, perhaps once used for child Jesus sculpture. The pattern is made of gold on blue silk (faded green) and has a pattern of alternating trajectories with geometric shapes, trajectories with flower bouquets and trajectories with flower garlands., anonymous, France, c. 1750 - c. 1800, silk, h 41 cm × w 47 cm h 28 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic e
RMKCBH5H–The Hidden Treasure (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864
RMRK2E8H–Engraving of the parable where the lord of the vineyard forgives a man his debts. From The Self-Interpeting Bible, perhaps the 1843 edition.
RM2A52FHX–The Flagellation, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. This is the last illustration in the Cleveland manuscript of the Mir’at al-quds. It depicts the scene of the flagellation of Jesus, but it foreshadows the Crucifixion, since his feet are elevated off the ground. His facial expression combines both pain and compassion as he is whipped by Roman soldiers. Although the Crucifixion is the most important event in the narrative of the life of Jesus, it is not depicted in this manuscript. This is perhaps due to the discomfort of Mughal painte
RFW3X8N8–Corfu Afionis this church tower in the village is very photogenic and I duly obliged. A very pretty church
RMRF3706–23 January 2019, Mexico, Huitzuco: Participants of the 4th National Search Brigade are searching for hidden graves. More than 40,000 people are considered missing in Mexico. A group of relatives tries on their own to find hidden graves and thus perhaps to make the mourning possible for some families. (to dpa 'The Search for Certainty - Hidden Tombs in Mexico' of 24.01.2019) Photo: Jesus Alvarado/dpa
RMD5ACYE–'Jesus said' Biblical quotations on a city church and bleak background tower blocks in the London borough of Southwark. Locals in these bleak south London streets may be uplifted by the words from the Christian scriptures, comforting the troubled with messages of humanity from the Bible, perhaps guiding Londoners incarcerated in the depressing 1960s tower block high-rises, homes to the poor and the dispossessed.
RFBX7MY9–Jesus taught at a synagoge here. This one was actually built on the old foundations in perhaps the 3rd century.
RFKNBK68–6200. STONE MASK PERHAPS USED IN CULTIC CEREMONIES, NEOLITHIC' PERIOD, 7TH. MILLENNIUM B.C. found in the Judean Hills.
RMPA949M–Capital with Bust of the Archangel Michael. Culture: Byzantine. Dimensions: Overall: 10 x 6 3/4 x 4 3/16 in. (25.4 x 17.1 x 10.6 cm). Date: 1250-1300. This beautifully carved fragment was once part of the interior architecture of a church, perhaps placed at the top of a tomb niche or altar screen. Archangels were often portrayed, as here, in the ceremonial dress of the Byzantine emperor, the head of Christ's earthly court. Museum: Metropolitan Museum of Art, New York, USA.
RFKNBHY8–6200. STONE MASK PERHAPS USED IN CULTIC CEREMONIES, NEOLITHIC' PERIOD, 7TH. MILLENNIUM B.C. found in the Judean Hills.
RM2CDJB7W–. Arthur Bonnicastle; . ountry,perhaps they would have worked in the same shop and on thesame houses ; and then perhaps Jesus Christ and I should haveplayed together with the blocks and shavings. And then,when he grew up and became so wonderful, I should have grownup and perhaps been one of the apostles, and written part ofthe Bible, and preached and healed the sick, and been a martyr,and gone to heaven, and—and—I dont know how many otherthings. Well, I rather think you would, by Jove, he said, risingto his feet, impulsively. One thing more, please, I said, stretching my hands up tohim. He sat
RMDHXK03–This beautiful pastel coloured mural of Jesus and perhaps Mary Magdalene at the Last Supper is found in Sevlievo Orthodox Church
RFKNBKGM–6200. STONE MASK PERHAPS USED IN CULTIC CEREMONIES, NEOLITHIC' PERIOD, 7TH. MILLENNIUM B.C. found in the Judean Hills.
RM2WE7NGA–Jesus Christ, Constantijn and Charlemagne, Jean Charles Delafosse, 1768 - 1771 print A pedestal with an oval medallion with helmets, weapons, a pedestal, a cross and an eagle with a crown. On the pedestal are a book, fish, snakes, a crown, a smoking vessel and a list of a globe and a lamb. Print number 23. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm). Christ
RM2HHYFE3–Pax (Kußtafel or Monile) ca. 1515–20 South German This ornate pax was used during the celebration of Mass for the kiss of peace. The engraved letters IHS in the rock crystal are a monogram of the Greek name for Jesus. The Virgin and Child flanked by St. James the Greater and a female saint (perhaps Dorothy) are engraved on the back of the pax. On the inside of the back plate is an inscription indicating that Jacob Ostrofski presented the pax to the church of Blonie (near Warsaw) in 1529.. Pax (Kußtafel or Monile) 469943
RFRX3NG5–Ascent to Calvary fresco, perhaps by Spinello Aretino, Sacristy in Basilica di Santa Croce (Basilica of the Holy Cross) in Florence
RM2HGPDW1–Gospel Book ca. 825–50 Carolingian Charlemagne and his successors, who valued learning, accorded outsize value to books of all kinds. The Gospel Book, which contained the Bible’s several versions of the life of Jesus, reigned supreme. No churchman, court advisor, noblewoman or king would want to be without one. Its pages and covers were consistently deemed worthy of the highest quality decoration.In this example, perhaps made for a queen, painted illumination is reserved for the Canon Tables, an elaborate concordance used to compare and contrast passages from the four gospel texts. Here, splen
RMR5B198–Purgatorio: Dante bending over to speak to one of the proud souls, perhaps Oderisi of Gubbio, the illuminator. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.82v. Language: Italian, Latin.
RMKCBH5D–The Parable of the Leaven (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864
RM2A519H6–Jesus being awakened during a tempest on the Sea of Galilee, from a Mir’at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604. The boat carrying Jesus and his apostles encountered a tempest on the Sea of Galilee. As the apostles began to panic and fear that their boat would sink, Jesus continued to sleep peacefully. The painter illustrates the moment before Jesus was awakened by his apostles, who are frightened by the storm and perhaps also by the crocodile that sticks its head out of the waves. The power of the gale is indicated by the violently twisting sail and the Mugha
RM2H1NE61–Ascent to Calvary fresco, perhaps by Spinello Aretino, Sacristy in Basilica di Santa Croce (Basilica of the Holy Cross) - famous Franciscan church in
RMRF370J–23 January 2019, Mexico, Huitzuco: Participants of the 4th National Search Brigade are searching for hidden graves. More than 40,000 people are considered missing in Mexico. A group of relatives tries on their own to find hidden graves and thus perhaps to make the mourning possible for some families. (to dpa 'The Search for Certainty - Hidden Tombs in Mexico' of 24.01.2019) Photo: Jesus Alvarado/dpa
RMD5ACYB–'Jesus said' Biblical quotations on a city church and bleak background tower blocks in the London borough of Southwark. Locals in these bleak south London streets may be uplifted by the words from the Christian scriptures, comforting the troubled with messages of humanity from the Bible, perhaps guiding Londoners incarcerated in the depressing 1960s tower block high-rises, homes to the poor and the dispossessed.
RFBX7N1T–Jesus taught at a synagoge here. This one was actually built on the old foundations in perhaps the 3rd century.
RM2T0E1Y4–Perugia (Umbria - PG), San Martino in Campo. Church of the Madonnuccia Ciribifera (also called 'Oratorio della Madonnuccia'). Cycle of frescoes from the school of Perugino (perhaps one of his pupils, Andrea d'Assisi). Perete background, Madonna adoring the Child, on the sides of the cherubs and the figures of San Cristoforo and San Bernardino da Siena
RMPAB28H–Casket or Portable Altar with the Crucifixion, Standing Saints, and Christ in Majesty with Symbols of the Evangelists. Culture: North German or Danish. Dimensions: Overall: 4 x 7 7/8 x 5 1/2 in. (10.2 x 20 x 13.9 cm). Date: ca. 1100-1150. Several related caskets functioned as cross bases with sockets for accommodating a crucifix. This example may have originally served the same purpose, but it was perhaps later adapted as a portable altar. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW8J42–Art inspired by The Presentation in the Temple, probably ca. 1430, Tempera and gold on wood, 13 3/8 x 15 7/8 in. (34 x 40.3 cm), Paintings, Alvaro Pirez (Portuguese, Évora, active 1411–34 Italy), In conformity with the Jewish rite of purification, forty days after giving birth Mary, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2AWEGAH–The life and teachings of Jesus; a critical analysis of the sources of the Gospels, together with a study of the sayings of Jesus . ot give an adequate motive forhis treachery, and this perhaps we are to look for infears for his own personal safety. What influenceshad been brought to bear upon him we do not know,but it is unlikely that Judas proceeded absolutely of hisown initiation. This, it is true, is the idea which theGospels give, but the Gospels had no means of know-ing the inside history of the case, and naturally wouldtake the alternative which was least complimentary tothe traitor. Th
RMJ6BK8N–Large house, probably sub-divided into flats, in the university quarter of Lisbon, Portugal, covered in blue and white decorative tiles,
RMT039NG–The earth and its inhabitants .. . earthitsinhabita386recl Year: 1883 222 GEEMANY. is merely a dependency of a royal palace, with streets intersecting each other at right angles. Strauss, the author of the ' Life of Jesus,' was born there. There are extensive barracks and other military establishments. The agricultural academy of Hohenheim, to the south of Stuttgart, is perhaps the best institution of that kind in Germany. The Neckar, in its upper course, flows past several towns of importance. Rotticeil (4,596 inhabitants), with its turreted walls, is a town of salt works and Fig 127.—Stuttg
RFRX3NFT–Ascent to Calvary fresco, perhaps by Spinello Aretino, Sacristy in Basilica di Santa Croce (Basilica of the Holy Cross) in Florence
RM2HGXKPT–The Man of Sorrows ca. 1430 Michele Giambono (Michele Giovanni Bono) Italian Depicted upright in his tomb, his hands extended to display his wounds, the blood and crown of thorns rendered in relief, this exquisitely rendered Jesus has been conceived as a focus for meditation. A diminutive Saint Francis receives the Stigmata and becomes a surrogate for the viewer. Elaborately framed, with the reverse painted to imitate porphyry—a stone with imperial associations—the picture would have been a precious object of devotion, perhaps for a Franciscan friar. The pattern on the deteriorated background
RMR5EWH2–Paradiso : Beatrice and Dante discuss intellectual happiness, watched by souls of two Dominicans and one Franciscan, perhaps Bonaventure. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.147v. Language: Italian, Latin.
RM2HHYKBB–Private Devotional Shrine ca. 1490 German The predominance of female subjects suggests that this miniature altarpiece belonged to a woman. Saint Anne holds her diminutive daughter the Virgin Mary and her grandchild Jesus in the center; Saints Catherine and Barbara appear on the interior of the wings and Saints Ursula and Dorothy on the outside. The kneeling patroness occupies the place of honor to the right of the holy group. The man’s long shirt, imitating coarse animal hair, indicates that he was a member of a lay penitent order or perhaps both belonged to a lay confraternity devoted to the
RMKCBH5A–The Marriage Feast (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864
RM2T2F77H–Gospel Book Carolingian ca. 825–50 Charlemagne and his successors, who valued learning, accorded outsize value to books of all kinds. The Gospel Book, which contained the Bible’s several versions of the life of Jesus, reigned supreme. No churchman, court advisor, noblewoman or king would want to be without one. Its pages and covers were consistently deemed worthy of the highest quality decoration.In this example, perhaps made for a queen, painted illumination is reserved for the Canon Tables, an elaborate concordance used to compare and contrast passages from the four gospel texts. Here, splen
![Bifolium Excised from an Antiphonary: Initial D[ominus Iesus] with the Calling of Peter and Andrew, c. 1425-1450. The event portrayed within this historiated initial comes from the Gospel of Saint Mark (1:16-18). It recounts the story of Jesus walking on the shore of the Sea of Galilee when he saw Simon [Peter] and his brother Andrew casting nets from their boat. Jesus called upon the brothers to become his followers. Departing from tradition, the illuminator has portrayed Christ beardless, perhaps to suggest the end of his private life. The rubrics (red explanatory notes) above and to the rig Stock Photo](https://c8.alamy.com/comp/2A509A2/bifolium-excised-from-an-antiphonary-initial-d-ominus-iesus-with-the-calling-of-peter-and-andrew-c-1425-1450-the-event-portrayed-within-this-historiated-initial-comes-from-the-gospel-of-saint-mark-116-18-it-recounts-the-story-of-jesus-walking-on-the-shore-of-the-sea-of-galilee-when-he-saw-simon-peter-and-his-brother-andrew-casting-nets-from-their-boat-jesus-called-upon-the-brothers-to-become-his-followers-departing-from-tradition-the-illuminator-has-portrayed-christ-beardless-perhaps-to-suggest-the-end-of-his-private-life-the-rubrics-red-explanatory-notes-above-and-to-the-rig-2A509A2.jpg "Bifolium Excised from an Antiphonary: Initial D[ominus Iesus] with the Calling of Peter and Andrew, c. 1425-1450. The event portrayed within this historiated initial comes from the Gospel of Saint Mark (1:16-18). It recounts the story of Jesus walking on the shore of the Sea of Galilee when he saw Simon [Peter] and his brother Andrew casting nets from their boat. Jesus called upon the brothers to become his followers. Departing from tradition, the illuminator has portrayed Christ beardless, perhaps to suggest the end of his private life. The rubrics (red explanatory notes) above and to the rig Stock Photo")
RM2A509A2–Bifolium Excised from an Antiphonary: Initial D[ominus Iesus] with the Calling of Peter and Andrew, c. 1425-1450. The event portrayed within this historiated initial comes from the Gospel of Saint Mark (1:16-18). It recounts the story of Jesus walking on the shore of the Sea of Galilee when he saw Simon [Peter] and his brother Andrew casting nets from their boat. Jesus called upon the brothers to become his followers. Departing from tradition, the illuminator has portrayed Christ beardless, perhaps to suggest the end of his private life. The rubrics (red explanatory notes) above and to the rig
RMRF370K–23 January 2019, Mexico, Huitzuco: Participants of the 4th National Search Brigade are searching for hidden graves. More than 40,000 people are considered missing in Mexico. A group of relatives tries on their own to find hidden graves and thus perhaps to make the mourning possible for some families. (to dpa 'The Search for Certainty - Hidden Tombs in Mexico' of 24.01.2019) Photo: Jesus Alvarado/dpa
RM2HH8FAY–The Presentation in the Temple probably ca. 1430 Alvaro Pirez Portuguese In conformity with the Jewish rite of purification, forty days after giving birth Mary took Jesus to the Temple; the old prophetess Anna (holding a scroll) recognizes him as the redeemer of Israel. The panel is from the base (predella) of a complex altarpiece that was painted for a church in Pisa, perhaps about 1405–15. Its quality is superior to most of the paintings by Alvaro Pirez, a Portuguese painter active in Tuscany. Clearly, the artist knew the work of the leading painters in Florence, including Lorenzo Monaco, to
RFBX7N4K–Jesus taught at a synagogue here. This one was actually built on the old foundations in perhaps the 3rd century.
![The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodblock coated with Stock Photo](https://c8.alamy.com/comp/2HHX4R6/the-tares-the-parables-of-our-lord-and-saviour-jesus-christ-1864-after-sir-john-everett-millais-british-it-took-millais-seven-years-to-design-twenty-images-inspired-by-new-testament-parables-for-the-dalziel-brothers-and-the-resulting-prints-are-considered-pinnacles-of-wood-engraved-illustration-the-artist-wrote-to-his-publishers-i-can-do-ordinary-drawings-as-quickly-as-most-men-but-these-designs-can-scarcely-be-regarded-in-the-same-lighteach-parable-i-illustrate-perhaps-a-dozen-times-before-i-fix-the-image-after-completing-a-design-millais-transferred-it-to-a-woodblock-coated-with-2HHX4R6.jpg "The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodblock coated with Stock Photo")
RM2HHX4R6–The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodblock coated with
RMPB5642–Pendant with Scenes from the Life of Christ and Two Saints. Culture: German or French. Designer: Reinhold Vasters (German, Erkelenz 1827-1909 Aachen). Dimensions: Height: 5 1/4 in. (13.3 cm). Date: ca. 1870-95. The frame of this pendant was made from an unpublished design by Reinhold Vasters in the collection of the Victoria and Albert Museum, London (inv. No. E 3569-1919). The pendant is based on a sixteenth-century type believed to have been made in northern Italy or perhaps Spain. Faith Dennis published an example from the J. Pierpont Morgan Collection in The Metropolitan Museum of Art (17
RM2H1NCDF–Ascent to Calvary fresco, perhaps by Spinello Aretino, Sacristy in Basilica di Santa Croce (Basilica of the Holy Cross) - famous Franciscan church in
RM2T0E1TT–Perugia (Umbria - PG), San Martino in Campo. Church of the Madonnuccia Ciribifera (also called 'Oratorio della Madonnuccia'). Cycle of frescoes from the school of Perugino (perhaps one of his pupils, Andrea d'Assisi). Perete background, Madonna adoring the Child, on the sides of the cherubs and the figures of San Cristoforo and San Bernardino da Siena
RM2AJJR41–Medieval and modern times; an introduction to the history of western Europe form the dissolution of the Roman empire to the present time . success of their missionary work ledthe pope to bestow many privileges upon them. It grievedFrancis, however, to think of his little band of companionsbeing converted into a great and powerful order. He foresawthat they would soon cease to lead their simple, holy life, andwould become ambitious and perhaps rich. I, little BrotherFrancis, he writes, desire to follow the life and the povertyof Jesus Christ, persevering therein until the end; and I begyou all
RMR5DMXX–Christ charges St Peter to spread the Gospel; Christ reading in the synagogue; Christ and his twelve disciples, preaching to a crowd of followers, perhaps with St Mary Magdalene on the left. . Holkham Bible Picture Book. England, circa 1320-1330. Source: Add. 47682, f.22v.
RMKCBH5N–The Good Shepherd (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864
RM2T6D05X–Christ Carrying the Cross, 1620-1629. The procession engulfing Christ carrying his cross to Calvary winds out of the city at the left, into the foreground, and back to Calvary at the far right. The oblong shape suggests that the canvas was painted for a specific place, perhaps a sacristy.
RMRF370B–23 January 2019, Mexico, Huitzuco: Participants of the 4th National Search Brigade are searching for hidden graves. More than 40,000 people are considered missing in Mexico. A group of relatives tries on their own to find hidden graves and thus perhaps to make the mourning possible for some families. (to dpa 'The Search for Certainty - Hidden Tombs in Mexico' of 24.01.2019) Photo: Jesus Alvarado/dpa
RFBX7MNR–Jesus taught at a synagoge here. This one was actually built on the old foundations in perhaps the 3rd century.
![The Parable of the Leaven (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodb Stock Photo](https://c8.alamy.com/comp/2HHX4TF/the-parable-of-the-leaven-the-parables-of-our-lord-and-saviour-jesus-christ-1864-after-sir-john-everett-millais-british-it-took-millais-seven-years-to-design-twenty-images-inspired-by-new-testament-parables-for-the-dalziel-brothers-and-the-resulting-prints-are-considered-pinnacles-of-wood-engraved-illustration-the-artist-wrote-to-his-publishers-i-can-do-ordinary-drawings-as-quickly-as-most-men-but-these-designs-can-scarcely-be-regarded-in-the-same-lighteach-parable-i-illustrate-perhaps-a-dozen-times-before-i-fix-the-image-after-completing-a-design-millais-transferred-it-to-a-woodb-2HHX4TF.jpg "The Parable of the Leaven (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodb Stock Photo")
RM2HHX4TF–The Parable of the Leaven (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodb
RMPAKXX2–The Intercession of Christ and the Virgin. Artist: Attributed to Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370-1425 Florence (?)). Culture: Italian. Dimensions: Overall: 94 1/4 x 60 1/4 x 1 in. (239.4 x 153 x 2.5 cm). Date: before 1402. Christ and the Virgin are shown pleading with God the Father for mercy on behalf of eight small figures, perhaps members of a prominent Florentine family. In the tradition of hieratic scale, the divine figures are portrayed many times larger than the mortals, who kneel in adoration and prayer. Pointing to the wound in his side, Christ sa
RM2H1NB9Y–Ascent to Calvary fresco, perhaps by Spinello Aretino, Sacristy in Basilica di Santa Croce (Basilica of the Holy Cross) - famous Franciscan church in
RM2T0E36Y–Perugia (Umbria - PG), San Martino in Campo. Church of the Madonnuccia Ciribifera (also called 'Oratorio della Madonnuccia'). Cycle of frescoes from the school of Perugino (perhaps one of his pupils, Andrea d'Assisi). Perete background, Madonna adoring the Child, on the sides of the cherubs and the figures of San Cristoforo and San Bernardino da Siena
RM2AM7KH6–The American Tract Society's almanac for the year of Our Lord and Saviour Jesus Christ 1861 : being the first after bissextile, and until the fourth of July, the eighty-fifth year of the independence of the United States : calculated for Boston, New York, Washington, and Charleston, and four parallels of latitude, adapted for use througout the country . yoccasion for the exercise of better qualities of head, heart, and consciencethan I fear I possess: occasion for composing quarrels, for leading suitors toa consideration of manly justice, mercy, and forbearance. I earnestly desire,and perhaps
RMR59JEY–Commendation scene. Alban holding a Tau-cross, presenting a kneeling young king (perhaps Henry VI) with a scroll. Figure of Christ. Selection of psaolms, litanies and prayers for Humphey (Humfrey) of Gloucester. England, c. 1420 - c. 1440. Source: Royal 2 B. I, f.8.
RMKCBH61–The Wicked Husbandman (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864
RM2TBKYNH–Saints Lawrence, Christopher, Sebastian, and a Bishop Saint, 1420-1430. This painting is one of a series of similar panels that perhaps once formed the wings of a painted reliquary. The relics contained therein would have been those of the saints portrayed on the wings. On this panel, St. Lawrence and St. Sebastian are identified by the instruments of their martyrdom: the gridiron for Lawrence and the arrow for Sebastian. St. Christopher is portrayed ferrying the Christ child across the river as dictated by his legend.
RMRF370H–23 January 2019, Mexico, Huitzuco: A police sniffer dog helps in the search for hidden graves. More than 40,000 people are considered missing in Mexico. A group of relatives tries on their own to find hidden graves and thus perhaps to make the mourning possible for some families. (to dpa 'The Search for Certainty - Hidden Tombs in Mexico' of 24.01.2019) Photo: Jesus Alvarado/dpa
RMRF3707–21 January 2019, Mexico, Huitzuco: A member of the Guerrero prosecution general's forensics team is working on a grave that was found. More than 40,000 people are considered missing in Mexico. A group of relatives tries on their own to find hidden graves and thus perhaps to make the mourning possible for some families. (to dpa 'The Search for Certainty - Hidden Tombs in Mexico' of 24.01.2019) Photo: Jesus Alvarado/dpa
Search Results for Perhaps jesus Stock Photos and Images (217)
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