Printing block of pearwood for the Jin Shi Zong Lie. Qing dynasty, 19th century.
Printing block of pearwood for the Jin Shi Zong Lie. Qing dynasty, 19th century. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-printing-block-of-pearwood-for-the-jin-shi-zong-lie-qing-dynasty-19th-104951024.html
Gazebo and pearwood pergola
Gazebo and pearwood pergola https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-gazebo-and-pearwood-pergola-22751462.html
Model for Spiral Staircase, pearwood, Spiral staircase model with two revolutions., 19th century, models and prototypes, Decorative Arts
Model for Spiral Staircase, pearwood, Spiral staircase model with two revolutions., 19th century, models and prototypes, Decorative Arts https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/model-for-spiral-staircase-pearwood-spiral-staircase-model-with-two-revolutions-19th-century-models-and-prototypes-decorative-arts-image391550885.html
A miniature 12 Spool Cotton Reel Stand turned in Pearwood with brass pins, holly reels and silk thread made by David Edwards who produces a huge range of high end dolls house miniatures all made by hand in his home workshop in Edinburgh.
A miniature 12 Spool Cotton Reel Stand turned in Pearwood with brass pins, holly reels and silk thread made by David Edwards who produces a huge range of high end dolls house miniatures all made by hand in his home workshop in Edinburgh. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-miniature-12-spool-cotton-reel-stand-turned-in-pearwood-with-brass-106171034.html
Bell Tower Model, Carved and turned pearwood, Bell tower model with spiral staircase, ca. 1880, models and prototypes, Decorative Arts, Bell Tower Model
Bell Tower Model, Carved and turned pearwood, Bell tower model with spiral staircase, ca. 1880, models and prototypes, Decorative Arts, Bell Tower Model https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bell-tower-model-carved-and-turned-pearwood-bell-tower-model-with-spiral-staircase-ca-1880-models-and-prototypes-decorative-arts-bell-tower-model-image391380621.html
Seascape, oil on pearwood, 17 x 21.8 cm, Not specified, Matthäus Merian d. Ä., (?), Basel 1593–1650 Bad Schwalbach, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Seascape, oil on pearwood, 17 x 21.8 cm, Not specified, Matthäus Merian d. Ä., (?), Basel 1593–1650 Bad Schwalbach, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/seascape-oil-on-pearwood-17-x-218-cm-not-specified-matthus-merian-d-basel-15931650-bad-schwalbach-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349802526.html
Seascape, oil on pearwood, 17 x 21.8 cm, Not specified, Matthäus Merian d. Ä., (?), Basel 1593–1650 Bad Schwalbach
Seascape, oil on pearwood, 17 x 21.8 cm, Not specified, Matthäus Merian d. Ä., (?), Basel 1593–1650 Bad Schwalbach https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/seascape-oil-on-pearwood-17-x-218-cm-not-specified-matthus-merian-d-basel-15931650-bad-schwalbach-image328708152.html
The pearwood pear tea caddy in the Music Room at Westwood Manor.
The pearwood pear tea caddy in the Music Room at Westwood Manor. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-pearwood-pear-tea-caddy-in-the-music-room-at-westwood-manor-92373201.html
Portrait of Georg Knauer, 1537. Peter Dell (German, 1490-1552). Pearwood; overall: 14 x 8.9 cm (5 1/2 x 3 1/2 in
Portrait of Georg Knauer, 1537. Peter Dell (German, 1490-1552). Pearwood; overall: 14 x 8.9 cm (5 1/2 x 3 1/2 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-georg-knauer-1537-peter-dell-german-1490-1552-pearwood-overall-14-x-89-cm-5-12-x-3-12-in-image240392889.html
Christie’s, London, UK. 9th December 2019. Property from The Collection of The Earls of Harewood, Harewood House, Yorkshire, one of Britain’s grandest stately homes. Sale preview comprising 80 lots, including a wide array of decorative arts from furniture and ceramics to objects of vertu, silver and glass, clocks, books and paintings The sale takes place on 13 December. Image: George III Pearwood carving of the Royal Hanovarian Coat-Of-Arms, late 18th Century. Estimate: £3,000-5,000. Credit: Malcolm Park/Alamy Live News.
Christie’s, London, UK. 9th December 2019. Property from The Collection of The Earls of Harewood, Harewood House, Yorkshire, one of Britain’s grandest stately homes. Sale preview comprising 80 lots, including a wide array of decorative arts from furniture and ceramics to objects of vertu, silver and glass, clocks, books and paintings The sale takes place on 13 December. Image: George III Pearwood carving of the Royal Hanovarian Coat-Of-Arms, late 18th Century. Estimate: £3,000-5,000. Credit: Malcolm Park/Alamy Live News. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/christies-london-uk-9th-december-2019-property-from-the-collection-of-the-earls-of-harewood-harewood-house-yorkshire-one-of-britains-grandest-stately-homes-sale-preview-comprising-80-lots-including-a-wide-array-of-decorative-arts-from-furniture-and-ceramics-to-objects-of-vertu-silver-and-glass-clocks-books-and-paintings-the-sale-takes-place-on-13-december-image-george-iii-pearwood-carving-of-the-royal-hanovarian-coat-of-arms-late-18th-century-estimate-3000-5000-credit-malcolm-parkalamy-live-news-image335974530.html
Powder Flask, c. 1650, Johann Georg Maucher (workshop), German, Schwäbisch Gmünd, active 1650-1700, Germany, silver and pearwood, H. 20.3 cm (8 in
Powder Flask, c. 1650, Johann Georg Maucher (workshop), German, Schwäbisch Gmünd, active 1650-1700, Germany, silver and pearwood, H. 20.3 cm (8 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/powder-flask-c-1650-johann-georg-maucher-workshop-german-schwbisch-gmnd-active-1650-1700-germany-silver-and-pearwood-h-203-cm-8-in-image328650939.html
Mandore, 1640, (1881). Etching of a mandore, an early version of the mandolin, in carved pearwood, ebony veneer and ivory. It was made by Boissart in France and is dated 1640. It has six strings, and the back of the body is decorated with the Judgement of Paris, the mythical beauty contest between the goddesses Juno, Minerva and Venus. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle
Mandore, 1640, (1881). Etching of a mandore, an early version of the mandolin, in carved pearwood, ebony veneer and ivory. It was made by Boissart in France and is dated 1640. It has six strings, and the back of the body is decorated with the Judgement of Paris, the mythical beauty contest between the goddesses Juno, Minerva and Venus. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mandore-1640-1881-etching-of-a-mandore-an-early-version-of-the-mandolin-in-carved-pearwood-ebony-veneer-and-ivory-it-was-made-by-boissart-in-france-and-is-dated-1640-it-has-six-strings-and-the-back-of-the-body-is-decorated-with-the-judgement-of-paris-the-mythical-beauty-contest-between-the-goddesses-juno-minerva-and-venus-from-quotthe-south-kensington-museumquot-a-book-of-engraved-illustrations-with-descriptions-of-the-works-of-art-in-the-collection-of-the-victoria-amp-albert-museum-in-london-formerly-known-as-the-south-kensington-museum-sampson-low-marston-searle-image274158409.html
A hand plane with a lignum vitae sole and a pearwood body.; 6 March 2008Â (according to Exif data); Own work; Disputantum;
A hand plane with a lignum vitae sole and a pearwood body.; 6 March 2008Â (according to Exif data); Own work; Disputantum; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-hand-plane-with-a-lignum-vitae-sole-and-a-pearwood-body-6-march-2008according-to-exif-data-own-work-disputantum-image257107791.html
Hand-turned wooden bowl made of light pearwood with all-round decoration isolated on white
Hand-turned wooden bowl made of light pearwood with all-round decoration isolated on white https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hand-turned-wooden-bowl-made-of-light-pearwood-with-all-round-decoration-isolated-on-white-image340397866.html
Hot Milk Jug with Arms of Donegall; England, London, circa 1725 Furnishings; Serviceware Silver, pearwood William Randolph Hearst Collection (48.24.237a-b) Decorative Arts and Design Currently on public view: Hammer Building, floor 3; circa 1725 date QS:P571,+1725-00-00T00:00:00Z/9,P1480,Q5727902;
Hot Milk Jug with Arms of Donegall; England, London, circa 1725 Furnishings; Serviceware Silver, pearwood William Randolph Hearst Collection (48.24.237a-b) Decorative Arts and Design Currently on public view: Hammer Building, floor 3; circa 1725 date QS:P571,+1725-00-00T00:00:00Z/9,P1480,Q5727902; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hot-milk-jug-with-arms-of-donegall-england-london-circa-1725-furnishings-serviceware-silver-pearwood-william-randolph-hearst-collection-4824237a-b-decorative-arts-and-design-currently-on-public-view-hammer-building-floor-3-circa-1725-date-qsp5711725-00-00t000000z9p1480q5727902-image257054317.html
Hand-turned wooden bowl made of light pearwood with all-round decoration isolated on white
Hand-turned wooden bowl made of light pearwood with all-round decoration isolated on white https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hand-turned-wooden-bowl-made-of-light-pearwood-with-all-round-decoration-isolated-on-white-image363522223.html
Teapot; Scotland, 1723-1724 Furnishings; Serviceware Silver, pearwood Gift of Miss Bella Mabury (M.43.1) Decorative Arts and Design Currently on public view: Hammer Building, floor 3; between 1723 and 1724 date QS:P571,+1723-00-00T00:00:00Z/8,P1319,+1723-00-00T00:00:00Z/9,P1326,+1724-00-00T00:00:00Z/9;
Teapot; Scotland, 1723-1724 Furnishings; Serviceware Silver, pearwood Gift of Miss Bella Mabury (M.43.1) Decorative Arts and Design Currently on public view: Hammer Building, floor 3; between 1723 and 1724 date QS:P571,+1723-00-00T00:00:00Z/8,P1319,+1723-00-00T00:00:00Z/9,P1326,+1724-00-00T00:00:00Z/9; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/teapot-scotland-1723-1724-furnishings-serviceware-silver-pearwood-gift-of-miss-bella-mabury-m431-decorative-arts-and-design-currently-on-public-view-hammer-building-floor-3-between-1723-and-1724-date-qsp5711723-00-00t000000z8p13191723-00-00t000000z9p13261724-00-00t000000z9-image257216435.html
A hand-turned wooden bowl made of light pearwood with all-round decoration stands on a wooden board against a beige background
A hand-turned wooden bowl made of light pearwood with all-round decoration stands on a wooden board against a beige background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-hand-turned-wooden-bowl-made-of-light-pearwood-with-all-round-decoration-stands-on-a-wooden-board-against-a-beige-background-image340398138.html
A hand-turned wooden bowl made of light pearwood with all-round decoration stands on a wooden board against a beige background
A hand-turned wooden bowl made of light pearwood with all-round decoration stands on a wooden board against a beige background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-hand-turned-wooden-bowl-made-of-light-pearwood-with-all-round-decoration-stands-on-a-wooden-board-against-a-beige-background-image363522211.html
Memento mori by Paul Egell, Mannheim, c. 1720-1725, pearwood
Memento mori by Paul Egell, Mannheim, c. 1720-1725, pearwood https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/memento-mori-by-paul-egell-mannheim-c-1720-1725-pearwood-image398790203.html
Alessandro Algardi. Crucifix. 1641–1651. Italy. Bronze, pearwood with ebonizing and staining
Alessandro Algardi. Crucifix. 1641–1651. Italy. Bronze, pearwood with ebonizing and staining https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/alessandro-algardi-crucifix-16411651-italy-bronze-pearwood-with-ebonizing-and-staining-image337949496.html
Unknown artist, eighteenth century, William Congreve, ca. 1715. Pearwood. oval , playwright , poet , portrait , wig. Congreve, William (1670–1729), playwright and poet
Unknown artist, eighteenth century, William Congreve, ca. 1715. Pearwood. oval , playwright , poet , portrait , wig. Congreve, William (1670–1729), playwright and poet https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/unknown-artist-eighteenth-century-william-congreve-ca-1715-pearwood-oval-playwright-poet-portrait-wig-congreve-william-16701729-playwright-and-poet-image398449924.html
A 1000 dolls house violin and bow based on a Stradivarius, and built from Pearwood and Ebony with real sheep gut strings made by former Royal Philharmonic Orchestra Cellist David Edwards at his home workshop in Edinburgh.
A 1000 dolls house violin and bow based on a Stradivarius, and built from Pearwood and Ebony with real sheep gut strings made by former Royal Philharmonic Orchestra Cellist David Edwards at his home workshop in Edinburgh. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-1000-dolls-house-violin-and-bow-based-on-a-stradivarius-and-built-106171031.html
'English: A hand plane with a lignum vitae sole and a pearwood body.; 6 March 2008 (according to Exif data); Own work; Disputantum; '
'English: A hand plane with a lignum vitae sole and a pearwood body.; 6 March 2008 (according to Exif data); Own work; Disputantum; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-a-hand-plane-with-a-lignum-vitae-sole-and-a-pearwood-body-6-march-2008according-to-exif-data-own-work-disputantum-image349703166.html
Powder Flask, c. 1650, Johann Georg Maucher (workshop), German, Schwäbisch Gmünd, active 1650-1700, Germany, silver and pearwood, H. 20.3 cm (8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Powder Flask, c. 1650, Johann Georg Maucher (workshop), German, Schwäbisch Gmünd, active 1650-1700, Germany, silver and pearwood, H. 20.3 cm (8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/powder-flask-c-1650-johann-georg-maucher-workshop-german-schwbisch-gmnd-active-1650-1700-germany-silver-and-pearwood-h-203-cm-8-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349731425.html
Former Royal Philharmonic Orchestra Cellist David Edwards is pictured with reference material at his home workshop in Edinburgh. David has produced a £1000 dolls house violin and bow based on a Stradivarius, and built from Pearwood and Ebony with real sheep gut strings.
Former Royal Philharmonic Orchestra Cellist David Edwards is pictured with reference material at his home workshop in Edinburgh. David has produced a £1000 dolls house violin and bow based on a Stradivarius, and built from Pearwood and Ebony with real sheep gut strings. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-former-royal-philharmonic-orchestra-cellist-david-edwards-is-pictured-106171012.html
Powder Flask. Johann Georg Maucher (workshop); German, Schwäbisch Gmünd, active 1650-1700. Date: 1645-1655. Dimensions: H. 20.3 cm (8 in.). Silver and pearwood. Origin: Germany. Museum: The Chicago Art Institute.
Powder Flask. Johann Georg Maucher (workshop); German, Schwäbisch Gmünd, active 1650-1700. Date: 1645-1655. Dimensions: H. 20.3 cm (8 in.). Silver and pearwood. Origin: Germany. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/powder-flask-johann-georg-maucher-workshop-german-schwbisch-gmnd-active-1650-1700-date-1645-1655-dimensions-h-203-cm-8-in-silver-and-pearwood-origin-germany-museum-the-chicago-art-institute-image239975556.html
Former Royal Philharmonic Orchestra Cellist David Edwards views sheep gut strings with a magnifying glass at his home workshop in Edinburgh. David has produced a 1000 dolls house violin and bow based on a Stradivarius, and built from Pearwood and Ebony with real sheep gut strings.
Former Royal Philharmonic Orchestra Cellist David Edwards views sheep gut strings with a magnifying glass at his home workshop in Edinburgh. David has produced a 1000 dolls house violin and bow based on a Stradivarius, and built from Pearwood and Ebony with real sheep gut strings. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-former-royal-philharmonic-orchestra-cellist-david-edwards-views-sheep-106171013.html
Christie’s, London, UK. 9th December 2019. Property from The Collection of The Earls of Harewood, Harewood House, Yorkshire, one of Britain’s grandest stately homes. Sale preview comprising 80 lots, including a wide array of decorative arts from furniture and ceramics to objects of vertu, silver and glass, clocks, books and paintings The sale takes place on 13 December. Image: George III Pearwood carving of the Royal Hanovarian Coat-Of-Arms, late 18th Century. Estimate: £3,000-5,000. Credit: Malcolm Park/Alamy Live News.
Christie’s, London, UK. 9th December 2019. Property from The Collection of The Earls of Harewood, Harewood House, Yorkshire, one of Britain’s grandest stately homes. Sale preview comprising 80 lots, including a wide array of decorative arts from furniture and ceramics to objects of vertu, silver and glass, clocks, books and paintings The sale takes place on 13 December. Image: George III Pearwood carving of the Royal Hanovarian Coat-Of-Arms, late 18th Century. Estimate: £3,000-5,000. Credit: Malcolm Park/Alamy Live News. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/christies-london-uk-9th-december-2019-property-from-the-collection-of-the-earls-of-harewood-harewood-house-yorkshire-one-of-britains-grandest-stately-homes-sale-preview-comprising-80-lots-including-a-wide-array-of-decorative-arts-from-furniture-and-ceramics-to-objects-of-vertu-silver-and-glass-clocks-books-and-paintings-the-sale-takes-place-on-13-december-image-george-iii-pearwood-carving-of-the-royal-hanovarian-coat-of-arms-late-18th-century-estimate-3000-5000-credit-malcolm-parkalamy-live-news-image335974897.html
Plaque of Charles Dickens, 1885 Carved by: T Fowke Social History, Profile of Charles Dickens carved into pearwood., Applied Arts, 19th Century, Wood, Sculpture, Literature, Author, Carved
Plaque of Charles Dickens, 1885 Carved by: T Fowke Social History, Profile of Charles Dickens carved into pearwood., Applied Arts, 19th Century, Wood, Sculpture, Literature, Author, Carved https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plaque-of-charles-dickens-1885-carved-by-t-fowke-social-history-profile-of-charles-dickens-carved-into-pearwood-applied-arts-19th-century-wood-sculpture-literature-author-carved-image387005095.html
'Jacques Adnet - Bar corner of a dining-room. The furniture is in polished black pearwood, black gla Artist: A. Salaun.
'Jacques Adnet - Bar corner of a dining-room. The furniture is in polished black pearwood, black gla Artist: A. Salaun. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/jacques-adnet-bar-corner-of-a-dining-room-the-furniture-is-in-polished-black-pearwood-black-gla-artist-a-salaun-image262796349.html
English: Exhibit in the Germanisches Nationalmuseum - Nuremberg, Germany. 23 October 2016, 08:45:44 336 Room monument to Heinrich Heines, by Theodor von Gosen, 1898, bronze on pearwood and ebony stand - Germanisches Nationalmuseum - Nuremberg, Germany - DSC03401
English: Exhibit in the Germanisches Nationalmuseum - Nuremberg, Germany. 23 October 2016, 08:45:44 336 Room monument to Heinrich Heines, by Theodor von Gosen, 1898, bronze on pearwood and ebony stand - Germanisches Nationalmuseum - Nuremberg, Germany - DSC03401 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-exhibit-in-the-germanisches-nationalmuseum-nuremberg-germany-23-october-2016-084544-336-room-monument-to-heinrich-heines-by-theodor-von-gosen-1898-bronze-on-pearwood-and-ebony-stand-germanisches-nationalmuseum-nuremberg-germany-dsc03401-image211341569.html
Cabinet MET 189197 1081 Maker: L?on Marcotte, 1824?1887, Cabinet, ca. 1860, Oak, poplar, pearwood or applewood veneer, 44 1/4 x 32 x 19 1/4 in. (112.4 x 81.3 x 48.9 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. D. Chester Noyes, 1968 (68.69.5a, b)
Cabinet MET 189197 1081 Maker: L?on Marcotte, 1824?1887, Cabinet, ca. 1860, Oak, poplar, pearwood or applewood veneer, 44 1/4 x 32 x 19 1/4 in. (112.4 x 81.3 x 48.9 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. D. Chester Noyes, 1968 (68.69.5a, b) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-cabinet-met-189197-1081-maker-lon-marcotte-18241887-cabinet-ca-1860-168197562.html
'Teapot; English: Scotland, 1723-1724 Furnishings; Serviceware Silver, pearwood Gift of Miss Bella Mabury (M.43.1) Decorative Arts and Design Currently on public view: Hammer Building, floor 3; between 1723 and 1724 date QS:P571,+1723-00-00T00:00:00Z/8,P1319,+1723-00-00T00:00:00Z/9,P1326,+1724-00-00T00:00:00Z/9; '
'Teapot; English: Scotland, 1723-1724 Furnishings; Serviceware Silver, pearwood Gift of Miss Bella Mabury (M.43.1) Decorative Arts and Design Currently on public view: Hammer Building, floor 3; between 1723 and 1724 date QS:P571,+1723-00-00T00:00:00Z/8,P1319,+1723-00-00T00:00:00Z/9,P1326,+1724-00-00T00:00:00Z/9; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/teapot-english-scotland-1723-1724-furnishings-serviceware-silver-pearwood-gift-of-miss-bella-mabury-m431-decorative-arts-and-design-currently-on-public-view-hammer-building-floor-3-between-1723-and-1724-date-qsp5711723-00-00t000000z8p13191723-00-00t000000z9p13261724-00-00t000000z9-image349845192.html
Cabinet MET 193367 1082 Maker: L?on Marcotte, 1824?1887, Cabinet, ca. 1860, Oak, poplar, pearwood or applewood veneer, 42 7/8 x 72 3/16 x 21 1/4 in. (108.9 x 183.4 x 54 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas M. Moffat, 1968 (68.165.1a, b)
Cabinet MET 193367 1082 Maker: L?on Marcotte, 1824?1887, Cabinet, ca. 1860, Oak, poplar, pearwood or applewood veneer, 42 7/8 x 72 3/16 x 21 1/4 in. (108.9 x 183.4 x 54 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas M. Moffat, 1968 (68.165.1a, b) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-cabinet-met-193367-1082-maker-lon-marcotte-18241887-cabinet-ca-1860-168195775.html
The practical book of early American arts and crafts . Fig. 1. Pearwood Handblock with design carved in sharp relief. Frishmuth Collection,Pennsylvania Museum and School of Industrial Art. or else reversed so that the design was incised. Theeffect of the first was to print the design in colour on thefabric; the effect of the second was to colour the back^ground and reserve the design in white or whatever wasthe natural colour of the fabric before the dye wasapplied. Specimens of both are shown in the plateillustrations. Peocesses. The design was first drawn upon the. EIGHTEENTH CENTURY PENNSYL
The practical book of early American arts and crafts . Fig. 1. Pearwood Handblock with design carved in sharp relief. Frishmuth Collection,Pennsylvania Museum and School of Industrial Art. or else reversed so that the design was incised. Theeffect of the first was to print the design in colour on thefabric; the effect of the second was to colour the back^ground and reserve the design in white or whatever wasthe natural colour of the fabric before the dye wasapplied. Specimens of both are shown in the plateillustrations. Peocesses. The design was first drawn upon the. EIGHTEENTH CENTURY PENNSYL https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-practical-book-of-early-american-arts-and-crafts-fig-1-pearwood-handblock-with-design-carved-in-sharp-relief-frishmuth-collectionpennsylvania-museum-and-school-of-industrial-art-or-else-reversed-so-that-the-design-was-incised-theeffect-of-the-first-was-to-print-the-design-in-colour-on-thefabric-the-effect-of-the-second-was-to-colour-the-background-and-reserve-the-design-in-white-or-whatever-wasthe-natural-colour-of-the-fabric-before-the-dye-wasapplied-specimens-of-both-are-shown-in-the-plateillustrations-peocesses-the-design-was-first-drawn-upon-the-eighteenth-century-pennsyl-image339075382.html
Armchair MET ADA3042 266 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1854, Applewood or pearwood, ebonized walnut, beech, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.4)
Armchair MET ADA3042 266 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1854, Applewood or pearwood, ebonized walnut, beech, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.4) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-armchair-met-ada3042-266-maker-auguste-mile-rinquet-leprince-18011886-168098732.html
London, UK. 9th Dec 2019. A George III pearwood carving of the Royal Coat of arms, est £3-5000 - Christies previews Property from The Collections of Their Royal Highnesses The Dukes of Gloucester & The Earls of Harewood. Credit: Guy Bell/Alamy Live News
London, UK. 9th Dec 2019. A George III pearwood carving of the Royal Coat of arms, est £3-5000 - Christies previews Property from The Collections of Their Royal Highnesses The Dukes of Gloucester & The Earls of Harewood. Credit: Guy Bell/Alamy Live News https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/london-uk-9th-dec-2019-a-george-iii-pearwood-carving-of-the-royal-coat-of-arms-est-3-5000-christies-previews-property-from-the-collections-of-their-royal-highnesses-the-dukes-of-gloucester-the-earls-of-harewood-credit-guy-bellalamy-live-news-image335970612.html
Cabinet-on-commode, probably from Elsass Pfalz, 1784, pearwood, oak, pine, ormolu brass
Cabinet-on-commode, probably from Elsass Pfalz, 1784, pearwood, oak, pine, ormolu brass https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cabinet-on-commode-probably-from-elsass-pfalz-1784-pearwood-oak-pine-ormolu-brass-image223186153.html
Johann Georg Maucher. Powder Flask. 1645–1655. Germany. silver and pearwood
Johann Georg Maucher. Powder Flask. 1645–1655. Germany. silver and pearwood https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/johann-georg-maucher-powder-flask-16451655-germany-silver-and-pearwood-image337921829.html
Magic lantern zappler clock, by Matthias Gaill, Germany, Friedberg, 1650-1700, pine, pearwood, tin, steel, brass, glass - Metropolitan
Magic lantern zappler clock, by Matthias Gaill, Germany, Friedberg, 1650-1700, pine, pearwood, tin, steel, brass, glass - Metropolitan https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/magic-lantern-zappler-clock-by-matthias-gaill-germany-friedberg-1650-1700-pine-pearwood-tin-steel-brass-glass-metropolitan-image397785537.html
Group of statuettes. Date: 16th century; Culture: German; Medium: Boxwood; Base (probably modern), fruitwood (apple or pearwood); Dimensions: H.
Group of statuettes. Date: 16th century; Culture: German; Medium: Boxwood; Base (probably modern), fruitwood (apple or pearwood); Dimensions: H. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-group-of-statuettes-date-16th-century-culture-german-medium-boxwood-168168707.html
Cabinet-on-stand, Augsburg, c. 1660, softwood, oak, pearwood with black glazing, inlays of marble, lapis-lazuli, etc, marble columns, bronze
Cabinet-on-stand, Augsburg, c. 1660, softwood, oak, pearwood with black glazing, inlays of marble, lapis-lazuli, etc, marble columns, bronze https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cabinet-on-stand-augsburg-c-1660-softwood-oak-pearwood-with-black-glazing-inlays-of-marble-lapis-lazuli-etc-marble-columns-bronze-image223186158.html
Mirror and Frame, Rome, Lazio, Italy, about 1750 - 1775, Gilt and ebonized pearwood, 206 x 125 cm (81 1,8 x 49 3,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Mirror and Frame, Rome, Lazio, Italy, about 1750 - 1775, Gilt and ebonized pearwood, 206 x 125 cm (81 1,8 x 49 3,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mirror-and-frame-rome-lazio-italy-about-1750-1775-gilt-and-ebonized-pearwood-206-x-125-cm-81-18-x-49-316-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350061305.html
Crucifix - c. 1646 - Alessandro Algardi Italian, 1598—1654 - Artist: Alessandro Algardi, Origin: Italy, Date: 1641–1651, Medium: Bronze, pearwood
Crucifix - c. 1646 - Alessandro Algardi Italian, 1598—1654 - Artist: Alessandro Algardi, Origin: Italy, Date: 1641–1651, Medium: Bronze, pearwood https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crucifix-c-1646-alessandro-algardi-italian-15981654-artist-alessandro-algardi-origin-italy-date-16411651-medium-bronze-pearwood-image236009581.html
Crucifix. Alessandro Algardi; Italian, 1598--1654. Date: 1641-1651. Dimensions: Crucifi×: 188.9 × 75.6 cm (74 × 30 in.); corpus: 77.5 × 59.2 cm (30.5 × 23 in.). Bronze, pearwood with ebonizing and staining. Origin: Italy. Museum: The Chicago Art Institute.
Crucifix. Alessandro Algardi; Italian, 1598--1654. Date: 1641-1651. Dimensions: Crucifi×: 188.9 × 75.6 cm (74 × 30 in.); corpus: 77.5 × 59.2 cm (30.5 × 23 in.). Bronze, pearwood with ebonizing and staining. Origin: Italy. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crucifix-alessandro-algardi-italian-1598-1654-date-1641-1651-dimensions-crucifi-1889-756-cm-74-30-in-corpus-775-592-cm-305-23-in-bronze-pearwood-with-ebonizing-and-staining-origin-italy-museum-the-chicago-art-institute-image239910259.html
Former Royal Philharmonic Orchestra Cellist David Edwards sizes up a finger board against pieces of a miniature violin formed from Pearwood at his home workshop in Edinburgh. David has produced a 1000 dolls house violin and bow based on a Stradivarius, and built from Pearwood and Ebony with real sheep gut strings.
Former Royal Philharmonic Orchestra Cellist David Edwards sizes up a finger board against pieces of a miniature violin formed from Pearwood at his home workshop in Edinburgh. David has produced a 1000 dolls house violin and bow based on a Stradivarius, and built from Pearwood and Ebony with real sheep gut strings. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-former-royal-philharmonic-orchestra-cellist-david-edwards-sizes-up-106170997.html
Christie’s, London, UK. 9th December 2019. Property from The Collections of Their Royal Highnesses The Dukes of Gloucester sale preview comprising 217 lots, with estimates ranging from £300-£100,000, including a wide array of decorative arts from furniture and ceramics to objects of vertu, silver and glass, clocks, books and paintings. The sale takes place on 13 December.
Christie’s, London, UK. 9th December 2019. Property from The Collections of Their Royal Highnesses The Dukes of Gloucester sale preview comprising 217 lots, with estimates ranging from £300-£100,000, including a wide array of decorative arts from furniture and ceramics to objects of vertu, silver and glass, clocks, books and paintings. The sale takes place on 13 December. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/christies-london-uk-9th-december-2019-property-from-the-collections-of-their-royal-highnesses-the-dukes-of-gloucester-sale-preview-comprising-217-lots-with-estimates-ranging-from-300-100000-including-a-wide-array-of-decorative-arts-from-furniture-and-ceramics-to-objects-of-vertu-silver-and-glass-clocks-books-and-paintings-the-sale-takes-place-on-13-december-image335974431.html
Crucifix, c. 1646, Alessandro Algardi, Italian, 1598—1654, Italy, Bronze, pearwood with ebonizing and staining, Crucifi×: 188.9 × 75.6 cm (74 × 30 in
Crucifix, c. 1646, Alessandro Algardi, Italian, 1598—1654, Italy, Bronze, pearwood with ebonizing and staining, Crucifi×: 188.9 × 75.6 cm (74 × 30 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crucifix-c-1646-alessandro-algardi-italian-15981654-italy-bronze-pearwood-with-ebonizing-and-staining-crucifi-1889-756-cm-74-30-in-image328660217.html
Cassetta frame. Date: 1900-1910 (style early 18th century); Culture: Italian, Rome; Medium: Poplar back frame with applied ebonized pearwood upper
Cassetta frame. Date: 1900-1910 (style early 18th century); Culture: Italian, Rome; Medium: Poplar back frame with applied ebonized pearwood upper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-cassetta-frame-date-1900-1910-style-early-18th-century-culture-italian-168150567.html
Armchair, 1899–1900, Pearwood, H. 30-1/2, W. 26-1/2, D. 20 inches, Furniture, Georges de Feure (French, Paris 1868–1943 Paris
Armchair, 1899–1900, Pearwood, H. 30-1/2, W. 26-1/2, D. 20 inches, Furniture, Georges de Feure (French, Paris 1868–1943 Paris https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-armchair-18991900-pearwood-h-30-12-w-26-12-d-20-inches-furniture-georges-162383232.html
N/A. English: Exhibit in the Germanisches Nationalmuseum - Nuremberg, Germany. 23 October 2016, 05:02:38. Daderot 262 Cabinet-on-commode, probably from Elsass Pfalz, 1784, pearwood, oak, pine, ormolu brass - Germanisches Nationalmuseum - Nuremberg, Germany - DSC02503
N/A. English: Exhibit in the Germanisches Nationalmuseum - Nuremberg, Germany. 23 October 2016, 05:02:38. Daderot 262 Cabinet-on-commode, probably from Elsass Pfalz, 1784, pearwood, oak, pine, ormolu brass - Germanisches Nationalmuseum - Nuremberg, Germany - DSC02503 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/na-english-exhibit-in-the-germanisches-nationalmuseum-nuremberg-germany-23-october-2016-050238-daderot-262-cabinet-on-commode-probably-from-elsass-pfalz-1784-pearwood-oak-pine-ormolu-brass-germanisches-nationalmuseum-nuremberg-germany-dsc02503-image209950773.html
British, 'Hogarth' frame, Unknown framemaker, 1st half of 18th century, Carved pine and pearwood, later oil gilding over original gilding and sanded frieze; ebonised centre moulding retaining original patina
British, 'Hogarth' frame, Unknown framemaker, 1st half of 18th century, Carved pine and pearwood, later oil gilding over original gilding and sanded frieze; ebonised centre moulding retaining original patina https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/british-hogarth-frame-unknown-framemaker-1st-half-of-18th-century-carved-pine-and-pearwood-later-oil-gilding-over-original-gilding-and-sanded-frieze-ebonised-centre-moulding-retaining-original-patina-image389816815.html
Hollow ripple frame. Date: late 17th century; Culture: German, Bavaria; Medium: Pine with applied ebonized pearwood veneer; Dimensions: 57.7 x 63.3,
Hollow ripple frame. Date: late 17th century; Culture: German, Bavaria; Medium: Pine with applied ebonized pearwood veneer; Dimensions: 57.7 x 63.3, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-hollow-ripple-frame-date-late-17th-century-culture-german-bavaria-168150765.html
Venus Disarming Cupid, probably German, mid-17th century, probably German, Pearwood, Overall: 5 3/4 × 16 1/4 in. (14.6 × 41.3 cm), Sculpture
Venus Disarming Cupid, probably German, mid-17th century, probably German, Pearwood, Overall: 5 3/4 × 16 1/4 in. (14.6 × 41.3 cm), Sculpture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/venus-disarming-cupid-probably-german-mid-17th-century-probably-german-pearwood-overall-5-34-16-14-in-146-413-cm-sculpture-image344597053.html
Armchair MET 193010 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3)
Armchair MET 193010 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-armchair-met-193010-265-maker-auguste-mile-rinquet-leprince-18011886-168098730.html
A history of oak furniture . in the same museum, but of a very much higherclass than the last, is a cabinet of pinewood, elevated on pillared legs, the wholepiece being of an architectural design. It is adorned with a number of boxwoodcarvings in high relief, representing battle scenes, while the flat surfaces are pro-fusely overlaid with designs in marquetry of sycamore, pearwood, Hungarian ash,maple, and other woods. On the base and bordering the inlay appear the rose andportcullis, emblems of the Tudor sovereigns of England. This elaborate piece offurniture, which dates from the middle of t
A history of oak furniture . in the same museum, but of a very much higherclass than the last, is a cabinet of pinewood, elevated on pillared legs, the wholepiece being of an architectural design. It is adorned with a number of boxwoodcarvings in high relief, representing battle scenes, while the flat surfaces are pro-fusely overlaid with designs in marquetry of sycamore, pearwood, Hungarian ash,maple, and other woods. On the base and bordering the inlay appear the rose andportcullis, emblems of the Tudor sovereigns of England. This elaborate piece offurniture, which dates from the middle of t https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-history-of-oak-furniture-in-the-same-museum-but-of-a-very-much-higherclass-than-the-last-is-a-cabinet-of-pinewood-elevated-on-pillared-legs-the-wholepiece-being-of-an-architectural-design-it-is-adorned-with-a-number-of-boxwoodcarvings-in-high-relief-representing-battle-scenes-while-the-flat-surfaces-are-pro-fusely-overlaid-with-designs-in-marquetry-of-sycamore-pearwood-hungarian-ashmaple-and-other-woods-on-the-base-and-bordering-the-inlay-appear-the-rose-andportcullis-emblems-of-the-tudor-sovereigns-of-england-this-elaborate-piece-offurniture-which-dates-from-the-middle-of-t-image340253547.html
London, UK. 9th Dec 2019. A George III pearwood carving of the Royal Coat of arms, est £3-5000 - Christies previews Property from The Collections of Their Royal Highnesses The Dukes of Gloucester & The Earls of Harewood. Credit: Guy Bell/Alamy Live News
London, UK. 9th Dec 2019. A George III pearwood carving of the Royal Coat of arms, est £3-5000 - Christies previews Property from The Collections of Their Royal Highnesses The Dukes of Gloucester & The Earls of Harewood. Credit: Guy Bell/Alamy Live News https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/london-uk-9th-dec-2019-a-george-iii-pearwood-carving-of-the-royal-coat-of-arms-est-3-5000-christies-previews-property-from-the-collections-of-their-royal-highnesses-the-dukes-of-gloucester-the-earls-of-harewood-credit-guy-bellalamy-live-news-image335970606.html
Casket, c1180-1200, (1881). Etching of a (pearwood?) box, made in the late 12th century, probably in North Rhine-Westphalia, Germany. This rectangular box with hipped lid is carved in low relief and painted with romanesque animals.From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881]
Casket, c1180-1200, (1881). Etching of a (pearwood?) box, made in the late 12th century, probably in North Rhine-Westphalia, Germany. This rectangular box with hipped lid is carved in low relief and painted with romanesque animals.From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881] https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/casket-c1180-1200-1881-etching-of-a-pearwood-box-made-in-the-late-12th-century-probably-in-north-rhine-westphalia-germany-this-rectangular-box-with-hipped-lid-is-carved-in-low-relief-and-painted-with-romanesque-animalsfrom-quotthe-south-kensington-museumquot-a-book-of-engraved-illustrations-with-descriptions-of-the-works-of-art-in-the-collection-of-the-victoria-amp-albert-museum-in-london-formerly-known-as-the-south-kensington-museum-sampson-low-marston-searle-and-rivington-london-1881-image274158477.html
Paderborn, Germany. 30th Mar, 2017. The exhibit 'Boy from the Laocoon Group' (pear wood, around 1780) is on display in the Diocesan Museum in Paderborn, Germany, 30 March 2017. The exhibition 'The wonders of Rome from a northern perspective' is to run until 12 August 2017 and showcases some 200 exhibits. Photo: Friso Gentsch/dpa/Alamy Live News
Paderborn, Germany. 30th Mar, 2017. The exhibit 'Boy from the Laocoon Group' (pear wood, around 1780) is on display in the Diocesan Museum in Paderborn, Germany, 30 March 2017. The exhibition 'The wonders of Rome from a northern perspective' is to run until 12 August 2017 and showcases some 200 exhibits. Photo: Friso Gentsch/dpa/Alamy Live News https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-paderborn-germany-30th-mar-2017-the-exhibit-boy-from-the-laocoon-group-136992577.html
Hand mirror, by Francis George Wood. Salford, England, 20th century
Hand mirror, by Francis George Wood. Salford, England, 20th century https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-hand-mirror-by-francis-george-wood-salford-england-20th-century-29312195.html
Miniature instruments
Miniature instruments https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-miniature-instruments-106170998.html
Crucifix, c. 1646, Alessandro Algardi, Italian, 1598—1654, Italy, Bronze, pearwood with ebonizing and staining, Crucifi×: 188.9 × 75.6 cm (74 × 30 in.),, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Crucifix, c. 1646, Alessandro Algardi, Italian, 1598—1654, Italy, Bronze, pearwood with ebonizing and staining, Crucifi×: 188.9 × 75.6 cm (74 × 30 in.),, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crucifix-c-1646-alessandro-algardi-italian-15981654-italy-bronze-pearwood-with-ebonizing-and-staining-crucifi-1889-756-cm-74-30-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349748942.html
Portrait of Georg Knauer, 1537. George Knauer sits behind a classical archway holding a personal letter. His age appears in the background while the date and the artist's initials "PD" are in the corners. With this relief, Dell was competing with painted portraiture. The emergence of small portrait reliefs coincided with the growing popularity of portrait medals. Produced in limited numbers, roughly two hundred wood reliefs survive today.
Portrait of Georg Knauer, 1537. George Knauer sits behind a classical archway holding a personal letter. His age appears in the background while the date and the artist's initials "PD" are in the corners. With this relief, Dell was competing with painted portraiture. The emergence of small portrait reliefs coincided with the growing popularity of portrait medals. Produced in limited numbers, roughly two hundred wood reliefs survive today. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-georg-knauer-1537-george-knauer-sits-behind-a-classical-archway-holding-a-personal-letter-his-age-appears-in-the-background-while-the-date-and-the-artists-initials-quotpdquot-are-in-the-corners-with-this-relief-dell-was-competing-with-painted-portraiture-the-emergence-of-small-portrait-reliefs-coincided-with-the-growing-popularity-of-portrait-medals-produced-in-limited-numbers-roughly-two-hundred-wood-reliefs-survive-today-image330113826.html
Cassetta frame. Culture: Italian, Veneto. Dimensions: 43.5 x 38.5, 30 x 24.7, 31 x 26 cm.. Date: late 19th century, style mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.
Cassetta frame. Culture: Italian, Veneto. Dimensions: 43.5 x 38.5, 30 x 24.7, 31 x 26 cm.. Date: late 19th century, style mid-16th century. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cassetta-frame-culture-italian-veneto-dimensions-435-x-385-30-x-247-31-x-26-cm-date-late-19th-century-style-mid-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213168125.html
Writing Desk-Bookcase, 1900-05, (c2014-2017). Artist: Alan John Ainsworth.
Writing Desk-Bookcase, 1900-05, (c2014-2017). Artist: Alan John Ainsworth. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/writing-desk-bookcase-1900-05-c2014-2017-artist-alan-john-ainsworth-image214400084.html
Descant and tenor recorders on a blue velvet background
Descant and tenor recorders on a blue velvet background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/descant-and-tenor-recorders-on-a-blue-velvet-background-image7384206.html
Crucifixion Triptych, German, 15th century.
Crucifixion Triptych, German, 15th century. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crucifixion-triptych-german-15th-century-image386258485.html
An Alto Treble Recorder and a Soprano Treble Recorder with two Colorful, funny Cleaners on Blue Background
An Alto Treble Recorder and a Soprano Treble Recorder with two Colorful, funny Cleaners on Blue Background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-alto-treble-recorder-and-a-soprano-treble-recorder-with-two-colorful-funny-cleaners-on-blue-background-image361027105.html
A Musical Recorder with A White Banner
A Musical Recorder with A White Banner https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-musical-recorder-with-a-white-banner-image64655936.html
Music Instrument, An Illustration Brown Color of Wooden Recorder with White Label for Copy Space and Text Decorated
Music Instrument, An Illustration Brown Color of Wooden Recorder with White Label for Copy Space and Text Decorated https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-music-instrument-an-illustration-brown-color-of-wooden-recorder-with-92758884.html
Casket, Dutch or Flemish, late 16th or early 17th century, Dutch or Flemish, Boxwood, pearwood or hollywood, Overall: 5 × 7 7/8 in. (12.7 × 20 cm), Sculpture-Miniature
Casket, Dutch or Flemish, late 16th or early 17th century, Dutch or Flemish, Boxwood, pearwood or hollywood, Overall: 5 × 7 7/8 in. (12.7 × 20 cm), Sculpture-Miniature https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/casket-dutch-or-flemish-late-16th-or-early-17th-century-dutch-or-flemish-boxwood-pearwood-or-hollywood-overall-5-7-78-in-127-20-cm-sculpture-miniature-image344601697.html
Armchair MET DP256699 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3)
Armchair MET DP256699 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-armchair-met-dp256699-265-maker-auguste-mile-rinquet-leprince-18011886-168032955.html
. Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers. Perrotine block printing. (3) From copper jjlates with pattern in intaglio. (4) From copper rollers with pattern in intaglio. (5) Stencilling. (1) Hand block printing gives extraordinarily i-ich and softeffects, particulai-ly in large patterns. The blocks are of box or pearwood backed with i)ine. The larger surfaces ar
. Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers. Perrotine block printing. (3) From copper jjlates with pattern in intaglio. (4) From copper rollers with pattern in intaglio. (5) Stencilling. (1) Hand block printing gives extraordinarily i-ich and softeffects, particulai-ly in large patterns. The blocks are of box or pearwood backed with i)ine. The larger surfaces ar https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/decorative-textiles-an-illustrated-book-on-coverings-for-furniture-walls-and-floors-including-damasks-brocades-and-velvets-tapestries-laces-embroideries-chintzes-cretones-drapery-and-furniture-trimmings-wall-papers-carpets-and-rugs-tooled-and-illuminated-leathers-perrotine-block-printing-3-from-copper-jjlates-with-pattern-in-intaglio-4-from-copper-rollers-with-pattern-in-intaglio-5-stencilling-1-hand-block-printing-gives-extraordinarily-i-ich-and-softeffects-particulai-ly-in-large-patterns-the-blocks-are-of-box-or-pearwood-backed-with-iine-the-larger-surfaces-ar-image336679879.html
Miniature instruments
Miniature instruments https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-miniature-instruments-106171006.html
Mirror and frame, Unknown, Rome, Italy, Lazio, Europe, about 1750 - 1775, Gilt and ebonized pearwood, Object: 206 x reimagined
Mirror and frame, Unknown, Rome, Italy, Lazio, Europe, about 1750 - 1775, Gilt and ebonized pearwood, Object: 206 x reimagined https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mirror-and-frame-unknown-rome-italy-lazio-europe-about-1750-1775-gilt-and-ebonized-pearwood-object-206-x-reimagined-image230427508.html
Ripple frame. Culture: Central European. Dimensions: 50.1 x 44.5, 25 x 19.4, 26.4 x 20.7 cm.. Date: mid-to-late 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Ripple frame. Culture: Central European. Dimensions: 50.1 x 44.5, 25 x 19.4, 26.4 x 20.7 cm.. Date: mid-to-late 17th century. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ripple-frame-culture-central-european-dimensions-501-x-445-25-x-194-264-x-207-cm-date-mid-to-late-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213182389.html
Cassetta frame, 1900-1910 (style early 18th century).
Cassetta frame, 1900-1910 (style early 18th century). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cassetta-frame-1900-1910-style-early-18th-century-image343008118.html
A Musical Recorder on Dark Brown Background
A Musical Recorder on Dark Brown Background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-musical-recorder-on-dark-brown-background-image64655934.html
Music Instrument, An Illustration Brown Color of Wooden Recorder with White Label for Copy Space and Text Decorated
Music Instrument, An Illustration Brown Color of Wooden Recorder with White Label for Copy Space and Text Decorated https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-music-instrument-an-illustration-brown-color-of-wooden-recorder-with-92759114.html
Unknown (Italian), Pietre dure Cabinet, ca. 1620, Pearwood, ebony, alabaster, pietre dure panels, Overall: 24 × 41 9/16 × 13 3/4 inches (61 × 105.5 × 35 cm
Unknown (Italian), Pietre dure Cabinet, ca. 1620, Pearwood, ebony, alabaster, pietre dure panels, Overall: 24 × 41 9/16 × 13 3/4 inches (61 × 105.5 × 35 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/unknown-italian-pietre-dure-cabinet-ca-1620-pearwood-ebony-alabaster-pietre-dure-panels-overall-24-41-916-13-34-inches-61-1055-35-cm-image328715279.html
Armchair MET DT256540 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3)
Armchair MET DT256540 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-armchair-met-dt256540-265-maker-auguste-mile-rinquet-leprince-18011886-168098734.html
Priming Flask, 18th century, Austrian, Pearwood, brass, H. 3 in. (7.6 cm); W. 2 3/4 in. (7 cm); D. 1 1/2 in. (3.8 cm); Wt. 1.8
Priming Flask, 18th century, Austrian, Pearwood, brass, H. 3 in. (7.6 cm); W. 2 3/4 in. (7 cm); D. 1 1/2 in. (3.8 cm); Wt. 1.8 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-priming-flask-18th-century-austrian-pearwood-brass-h-3-in-76-cm-w-162332053.html
Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers . n relief. (2) Perrotine block printing. (3) From copper plates with pattern in intaglio. (4) From copper rollers with pattern in intaglio. (5) Stencilling. (1) Hand block printing gives extraordinarily rich and softeffects, particularly in large patterns. The blocks are of box or pearwood backed with pine. The larger s
Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers . n relief. (2) Perrotine block printing. (3) From copper plates with pattern in intaglio. (4) From copper rollers with pattern in intaglio. (5) Stencilling. (1) Hand block printing gives extraordinarily rich and softeffects, particularly in large patterns. The blocks are of box or pearwood backed with pine. The larger s https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/decorative-textiles-an-illustrated-book-on-coverings-for-furniture-walls-and-floors-including-damasks-brocades-and-velvets-tapestries-laces-embroideries-chintzes-cretonnes-drapery-and-furniture-trimmings-wall-papers-carpets-and-rugs-tooled-and-illuminated-leathers-n-relief-2-perrotine-block-printing-3-from-copper-plates-with-pattern-in-intaglio-4-from-copper-rollers-with-pattern-in-intaglio-5-stencilling-1-hand-block-printing-gives-extraordinarily-rich-and-softeffects-particularly-in-large-patterns-the-blocks-are-of-box-or-pearwood-backed-with-pine-the-larger-s-image338222185.html
Casket, Italian, Ferrara, ca. 1500, Italian, Ferrara, Pearwood (pastiglia), 4 1/16 × 7 3/4 × 4 3/8 in. (10.3 × 19.7 × 11.1 cm), Woodwork-Furniture
Casket, Italian, Ferrara, ca. 1500, Italian, Ferrara, Pearwood (pastiglia), 4 1/16 × 7 3/4 × 4 3/8 in. (10.3 × 19.7 × 11.1 cm), Woodwork-Furniture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/casket-italian-ferrara-ca-1500-italian-ferrara-pearwood-pastiglia-4-116-7-34-4-38-in-103-197-111-cm-woodwork-furniture-image344607357.html
Miniature instruments
Miniature instruments https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-miniature-instruments-106171003.html
Mirror and Frame, Rome, Lazio, Italy, about 1750 - 1775, Gilt and ebonized pearwood, 206 x 125 cm (81 1,8 x 49 3,16 reimagined
Mirror and Frame, Rome, Lazio, Italy, about 1750 - 1775, Gilt and ebonized pearwood, 206 x 125 cm (81 1,8 x 49 3,16 reimagined https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mirror-and-frame-rome-lazio-italy-about-1750-1775-gilt-and-ebonized-pearwood-206-x-125-cm-81-18-x-49-316-reimagined-image230237150.html
Hollow ripple frame. Culture: German, Bavaria. Dimensions: 57.7 x 63.3, 27.2 x 32.6, 31 x 36.6 cm.. Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Hollow ripple frame. Culture: German, Bavaria. Dimensions: 57.7 x 63.3, 27.2 x 32.6, 31 x 36.6 cm.. Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hollow-ripple-frame-culture-german-bavaria-dimensions-577-x-633-272-x-326-31-x-366-cm-date-late-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213332229.html
The Annunciation, German, 16th century.
The Annunciation, German, 16th century. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-annunciation-german-16th-century-image386259140.html
A Musical Recorder with A White Banner
A Musical Recorder with A White Banner https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-musical-recorder-with-a-white-banner-image64655932.html
Music Instrument, An Illustration Brown Color of Wooden Recorder on Beautiful Dark Brown Background with Copy Space for Text Dec
Music Instrument, An Illustration Brown Color of Wooden Recorder on Beautiful Dark Brown Background with Copy Space for Text Dec https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-music-instrument-an-illustration-brown-color-of-wooden-recorder-on-92758913.html
Armchair MET ADA6429 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3)
Armchair MET ADA6429 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-armchair-met-ada6429-265-maker-auguste-mile-rinquet-leprince-18011886-168098733.html
Armchair MET 49N 237BR2 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3)
Armchair MET 49N 237BR2 265 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Armchair, ca. 1845, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas Williams, 1969 (69.262.3) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-armchair-met-49n-237br2-265-maker-auguste-mile-rinquet-leprince-18011886-168004841.html
Armchair, British, 18th century, British, Carved and gilded pearwood, blue velvet upholstery, Overall: 38 1/4 × 25 1/4 × 22 in. (97.2 × 64.1 × 55.9 cm), Woodwork-Furniture
Armchair, British, 18th century, British, Carved and gilded pearwood, blue velvet upholstery, Overall: 38 1/4 × 25 1/4 × 22 in. (97.2 × 64.1 × 55.9 cm), Woodwork-Furniture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/armchair-british-18th-century-british-carved-and-gilded-pearwood-blue-velvet-upholstery-overall-38-14-25-14-22-in-972-641-559-cm-woodwork-furniture-image344665561.html
Desk chair (fauteuil de bureau) MET 5021 Desk chair (fauteuil de bureau) MET 5021 /189348 French, Desk chair (fauteuil de bureau), first half 18th century, Carved pearwood; caning, Overall: 34 7/8 ? 27 1/4 ? 23 1/2 in. (88.6 ? 69.2 ? 59.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.64)
Desk chair (fauteuil de bureau) MET 5021 Desk chair (fauteuil de bureau) MET 5021 /189348 French, Desk chair (fauteuil de bureau), first half 18th century, Carved pearwood; caning, Overall: 34 7/8 ? 27 1/4 ? 23 1/2 in. (88.6 ? 69.2 ? 59.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.64) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-desk-chair-fauteuil-de-bureau-met-5021-desk-chair-fauteuil-de-bureau-168005868.html
Mourning Virgin from a Crucifixion Group, 1500-1510. Veit Stoss (German, c. 1445-1533). Pearwood; overall: 31 x 9.8 x 8.7 cm (12 3/16 x 3 7/8 x 3 7/16 in
Mourning Virgin from a Crucifixion Group, 1500-1510. Veit Stoss (German, c. 1445-1533). Pearwood; overall: 31 x 9.8 x 8.7 cm (12 3/16 x 3 7/8 x 3 7/16 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mourning-virgin-from-a-crucifixion-group-1500-1510-veit-stoss-german-c-1445-1533-pearwood-overall-31-x-98-x-87-cm-12-316-x-3-78-x-3-716-in-image240413831.html
Desk chair (fauteuil de bureau) MET ES6874 Desk chair (fauteuil de bureau) MET ES6874 /189348 French, Desk chair (fauteuil de bureau), first half 18th century, Carved pearwood; caning, Overall: 34 7/8 ? 27 1/4 ? 23 1/2 in. (88.6 ? 69.2 ? 59.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.64)
Desk chair (fauteuil de bureau) MET ES6874 Desk chair (fauteuil de bureau) MET ES6874 /189348 French, Desk chair (fauteuil de bureau), first half 18th century, Carved pearwood; caning, Overall: 34 7/8 ? 27 1/4 ? 23 1/2 in. (88.6 ? 69.2 ? 59.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.64) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-desk-chair-fauteuil-de-bureau-met-es6874-desk-chair-fauteuil-de-bureau-168438651.html
Staircase Model, Planed, joined, and veneered pearwood, walnut, Spiral staircase model with curved stringboards, on a circular base on bun feet. This style was popularized by the important master of compagnonnage Agricole Perdiguier., France, ca. 1820–40, models and prototypes, Decorative Arts, Staircase Model
Staircase Model, Planed, joined, and veneered pearwood, walnut, Spiral staircase model with curved stringboards, on a circular base on bun feet. This style was popularized by the important master of compagnonnage Agricole Perdiguier., France, ca. 1820–40, models and prototypes, Decorative Arts, Staircase Model https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/staircase-model-planed-joined-and-veneered-pearwood-walnut-spiral-staircase-model-with-curved-stringboards-on-a-circular-base-on-bun-feet-this-style-was-popularized-by-the-important-master-of-compagnonnage-agricole-perdiguier-france-ca-182040-models-and-prototypes-decorative-arts-staircase-model-image391332949.html
Toilet Table, Paris, France, about 1777 - 1780, Oak and pine veneered with tulipwood and stained holly, marquetry panels of amaranth, satinwood, pearwood, tulipwood, applewood, ebony, and other stained fruitwoods, gilt bronze mounts, 71.4 x 80.6 x 42.5 cm (28 1,8 x 31 3,4 x 16 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Toilet Table, Paris, France, about 1777 - 1780, Oak and pine veneered with tulipwood and stained holly, marquetry panels of amaranth, satinwood, pearwood, tulipwood, applewood, ebony, and other stained fruitwoods, gilt bronze mounts, 71.4 x 80.6 x 42.5 cm (28 1,8 x 31 3,4 x 16 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/toilet-table-paris-france-about-1777-1780-oak-and-pine-veneered-with-tulipwood-and-stained-holly-marquetry-panels-of-amaranth-satinwood-pearwood-tulipwood-applewood-ebony-and-other-stained-fruitwoods-gilt-bronze-mounts-714-x-806-x-425-cm-28-18-x-31-34-x-16-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350024218.html
Pulpit Model with Staircase, walnut, pearwood, oak, with central column around which a bombe spiral staircase rotates terminating in a similarly curved inverted cone form standing area of the pulpit surmounted by a carved scroll canopy attached above to the column, all resting a rectangular geometrically inlaid marquetry floor-base, France, mid-19th century, models and prototypes, Decorative Arts, Pulpit Model with Staircase
Pulpit Model with Staircase, walnut, pearwood, oak, with central column around which a bombe spiral staircase rotates terminating in a similarly curved inverted cone form standing area of the pulpit surmounted by a carved scroll canopy attached above to the column, all resting a rectangular geometrically inlaid marquetry floor-base, France, mid-19th century, models and prototypes, Decorative Arts, Pulpit Model with Staircase https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pulpit-model-with-staircase-walnut-pearwood-oak-with-central-column-around-which-a-bombe-spiral-staircase-rotates-terminating-in-a-similarly-curved-inverted-cone-form-standing-area-of-the-pulpit-surmounted-by-a-carved-scroll-canopy-attached-above-to-the-column-all-resting-a-rectangular-geometrically-inlaid-marquetry-floor-base-france-mid-19th-century-models-and-prototypes-decorative-arts-pulpit-model-with-staircase-image391550904.html
![Casket, c1180-1200, (1881). Etching of a (pearwood?) box, made in the late 12th century, probably in North Rhine-Westphalia, Germany. This rectangular box with hipped lid is carved in low relief and painted with romanesque animals.From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881] - Stock Image](https://c8.alamy.com/comp/WX0YX5/casket-c1180-1200-1881-etching-of-a-pearwood-box-made-in-the-late-12th-century-probably-in-north-rhine-westphalia-germany-this-rectangular-box-with-hipped-lid-is-carved-in-low-relief-and-painted-with-romanesque-animalsfrom-quotthe-south-kensington-museumquot-a-book-of-engraved-illustrations-with-descriptions-of-the-works-of-art-in-the-collection-of-the-victoria-amp-albert-museum-in-london-formerly-known-as-the-south-kensington-museum-sampson-low-marston-searle-and-rivington-london-1881-WX0YX5.jpg)
